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Man: THIS IS HIM.

DYLAN PARKER.

GUY'S A COMER.

WORKS FOR ONE OF THEMDOWNTOWN AD FIRMS.

RELATIONSHIP?

SPOTLESS.

TREATS YOUR FRIENDLIKE A DAMN HONEYBEE.

THEY'VE BEEN DATIN' FOR...

FOR...5 MONTHS.

HE MOVED IN 3 WEEKS AGO.

"MOVED IN"?

DYLAN'S PARENTSOWN SOME SORT

OF FLORAL DISTRIBUTIONCOMPANY.

UH, WORTH A PRETTY PENNY.

DON'T KNOW WHY HE AIN'TWORKING FOR THEM.

ANYWAY, HE BOUGHTSOME TICKETS

TO SOMEABUSED CHILDREN'S EVENT

AT THE MET--600 BUCKS A POP,

THIS FRIDAY NIGHT.

LIKE A FUND-RAISER?

YEAH, IT'S A FOUNDATIONFOR--

SO I DON'T THINKYOU GOT ANYTHINGTO WORRY ABOUT.

SEEMS LIKE SHE'S IN LOVE.

YOU OK?

GET OUT.

WHAT, I DOSOMETHING WRONG?

JUST GET OUT!

JESUS, KATE.

WHAT DID YOU DO TO YOUR HAIR?

OH, MY GOD!

OHH! YOU LOOK HOT!I LOVE IT!

OOH.

WHERE ARE YOU GOIN'?

TO VISIT A FRIEND IN CALIFORNIA.

YOU WANT TO COME?

I WAS THINKING OF TAKING THE CONVERTIBLE.

FUCK!I'VE GOT FINALS STILL.

WELL, THAT'S TOO BAD.

GUESS I'M GONNA HAVE TO SMOKE THIS ALL BY MYSELF.

I'VE GOT 2 MORE FINALS.

I CAN'T JUSTBLOW THEM OFF...CAN I?

YOU SHOULD.

I COULD.

YOU WILL.

♪ I WAS BORN IN THE CITY

♪ THERE'S NO FLIES ON ME

♪ LIFE CAN'T DELIVER

♪ NO SURPRISE TO ME

♪ GOT A HEAD FULL OF TROUBLE ♪

♪ THE WORLD'S WEIGHT ON MY BACK ♪

♪ I'M A FIGHTER

♪ I SURVIVE LIKE THAT

♪ I'M A MODERN ENIGMA

♪ I AM LIVIN' PROOF

♪ COLD EYES SPEAKING VOLUMES ♪

♪ OF MY TROUBLED YOUTH

♪ I BELIEVE IN THE FUTURE

♪ FROM MISTAKES I HAVE GROWN ♪

♪ LEAVING THE SHADOWS

♪ WHICH WERE ONCE MY HOME

♪ NEED YOUR

♪ HAND TO HELP ME

♪ OVER

♪ NEED YOUR SHOULDER

♪ NEED YOUR

♪ LIGHT TO BRING ME CLOSER

♪ TO YOUR SHELTER

♪ BEEN LONG AND BITTER...

Kate: THIS HAS GOT TO BE THE PLACE.

I DON'T GET IT.

IF THIS GUY DYLAN IS SUCH AN ASSHOLE,

WHY DOESN'T YOUR FRIEND JUST BAIL ON HIM?

I MEAN, WHAT IS UP WITH THAT?

IT'S COMPLICATED.

FUCKIN' ANY GUY EVER HIT ME,

I WOULD BAIL ON HIS ASS.

[ENGINE STARTS]

DUDE, AREN'T WE GOIN' IN?

WE'VE GOTTA GET YOUTO A HOTEL.

A HOTEL?

ALL RIGHT.

Kate: LOOK, I'M NOT TALKING ABOUT THIS ANYMORE, OK?

JUST WATCH A MOVIE OR SOMETHING.

I'LL CALL YOU.

HI. IS SARA HOME?

UH, YOU KNOW WHAT? SHE'S--SHE'S ACTUALLY BUSY.

IS THERE SOMETHING I CAN DO FOR YOU?

CAN YOU SIGN HERE?YEAH. EXCUSE ME.

I'M KATE.

KATE McGRATH.

KATE?

THANK YOU.MM-HMM.

FROM NEW ORLEANS KATE?

GOSH, YOU LOOK-- YOU LOOK SO DIFFERENT--

FROM, UH, FROM THE PICTURES.

PLEASE, COME IN, COME IN. COME IN.

THANKS.SHE IS GOING TO BE

SO EXCITED TO SEE YOU.

WELL, ME BEING HERE IS SORT OF A SURPRISE.

ALL RIGHT, WELL, LISTEN,I'LL MAKE YOU A DEAL.

TAKE THIS INTO THE KITCHEN,

ADD ICE, AND I'LL KEEPYOUR SURPRISE.

I THINK I CAN HANDLE THAT.

OK, GREAT.

LOOKS LIKE I'M RIGHT ON TIME.

I'M EZRA.

YOU LIVE HERE, TOO?

NAW, DYLAN'S MY BROTHER.

HEY, BRO. HEY.

I SEE YOU'VE MET KATE.

YEAH.

I THOUGHT YOU WERE ON YOUR WAY TO MAMMOTH.

GOT TO BORROW A BRIEFCASE.

WHAT, IS THAT SOME SORT OF

NEW MOUNTAIN BIKE EQUIPMENT?

NOT GOING.

WHY DO YOU NEED A BRIEFCASE?

GOT A CALL ABOUT MEETING WITH THESE 2 FINANCE DUDES

FROM BIKE WELLS, ABOUT THE DOUGHNUT.

IT'S A BIKE SEAT I DESIGNED.

HOLE IN THE MIDDLE THE RELIEVE PRESSURE.

FILE FOR A PATENT?

I RIDE WITH THEIR BROTHER. WE'RE STRAIGHT.

YOU'RE "STRAIGHT"?

E, YOU'VE GOTTA COVER YOUR TAIL ON THIS.

DUDE, NO ONE'S GONNA STEAL MY IDEA.

WHY ARE YOU SO PARANOID ALL THE TIME?

I'M NOT PARANOID. IT'S JUST SMART BUSINESS.

HONEY, WHERE'D YOU PUTTHE DRY CLEANING?

KATE. HEY.

OH, MY GOD.

OH, MY GOD.

WHAT ARE YOU DO--

YOUR HAIR.

YEAH. I MEAN, IT LOOKS GREAT.

SURPRISE.

I CAN'T BELIEVE YOU'RE HERE.

HA HA.

WELL, I DIDN'T MISSYOUR BIRTHDAY.

WHAT'S THE OCCASION?

OH. OH, IT'S FRIDAY.

I GET FLOWERS EVERY FRIDAY.

Ezra: YUCK.

LOOK AT HIM TAKING THE CREDIT.

OUR PARENTS ARE IN THE FLOWER BIZ.AH.

HE SHOULD TAKE THE CREDIT.

IT'S SWEET.

DUDE, DOES THIS THING, LIKE, EVER COME OFF?

Sara: WE'RE GOING TO A PARTY TONIGHT AT THE MET.

YEAH, IT'S A BENEFIT FOR THE ABUSED CHILDREN'S FOUNDATION.

SINCE WHEN DO YOU GO TO BENEFITS?

SINCE I NEED THE WRITE-OFFS

AND IT'S FOR A GOOD CAUSE.

HERE YOU GO.

COOL.THANK YOU.

OK, YOU GOT IT?

UH, WAIT.

Dylan: READY?

All: TOAST TIME!

OY. FOR A GOOD CAUSE.

IT'S GONNA BE GREAT.

WELL, FOR 6 BILLS,IT SHOULD BE.

HOW DID YOU KNOW? HMM?

THE--THE PRICE. 600.

HOW DID YOU KNOW HOW MUCH IT WAS GONNA COST?

BECAUSE I'M GOING.

YOU ARE?

YEAH, YOU KNOW,WHEN YOU GIVE TO ONENON-PROFIT ORGANIZATION,

YOU GET ONALL THE LISTS.

Dylan: SO YOU CAME ALL THE WAY OUT

TO CALIFORNIA FOR A NON-PROFIT FUND-RAISER.

I HAD ULTERIOR MOTIVES.

THANKS.

I WAS HOPING I COULDCONVINCE SARA

TO TAKE A LITTLE ROAD TRIPUP THE COAST

RIGHT BEFORESHE MOVES BACK, YOU KNOW?

"MOVES BACK"?

YEAH. WE'RE OPENING UPTHE FLOWER SHOPIN NEW ORLEANS.

DIDN'T YOU TELL HIM?

OOH. LOOK AT THE TIME. GOTTA RUN.

[TELEPHONE RINGS]

[RING]

I'M SURE WE'LL BE SEEING YOU AROUND.

COUNT ON IT.

COOL.

BYE.

TONIGHT.

ALL RIGHT, WAIT. I GOTTA WRITE THIS DOWN.

SO, WHAT MADE YOU DECIDE TO CUT YOUR HAIR, FIN--

WHAT?

WELL, THEY WANT TO TALK ABOUT THE FOLLOW-UP ACCOUNT.

THAT'S GREAT.TONIGHT.

TONIGHT?

I KNOW.

WELL, CAN'T IT WAITUNTIL MONDAY?

UH, SHE SAYS THAT SHE'S THE EAST COAST REP

AND THAT SHE'S ONLY HERE FOR THE WEEKEND.

AND SHE CALLS YOUON A FRIDAY NIGHT?

I KNOW. I GUESS YOU GUYS ARE GONNA

HAVE TO GO WITHOUT ME.

I'LL MAKE SURE SARA HAS A REALLY GOOD TIME.

[GIGGLING]

DYLAN SAYS THE EXECUTIVEDIDN'T EVEN SHOW UP.

WELL, THAT'S WEIRD.

WELL, LET'S GO GET YOUSET UP IN THE GUEST ROOM.

I REALLY LOVEYOUR PLACE.

THANKS.

A SHAME YOU'REGONNA BE LEAVING IT.

UH, YEAH.

I--I MEANT TO CALL YOU ABOUT THAT.

I'M--I'M NOT SURETHAT I'M COMING BACK.

WHAT?

WELL, MY PARENTSHELPED ME BUY THIS PLACE,

AND I LIKE IT HERE,AND DYLAN, AND--

SARA.

I KNOW, IT'S JUST

I DIDN'T COUNTON THIS HAPPENING.

WELL, WHAT EXACTLY IS HAPPENING?

WE AGREED WHEN I FINISHED FINALS,

WE'D OPEN A FLOWER SHOP IN NEW ORLEANS.

WHAT HAPPENED TO THAT?

THE FIRST TIMEIN MY LIFE, I'M HAPPY...

WHO I AM,WHERE I LIVE.

I'M HAPPY HERE.

SO, HAPPINESS IS A GEOGRAPHICAL THING?

YOU REALLY PUT ME IN A TIGHT SPOT HERE, SARA.

I ALREADY SIGNED THE PAPERS WITH THE LANDLORD

ON THAT SPACE IN JACKSON SQUARE,

THE SPACE THAT YOU WANTED.

I'M SORRY.THIS IS REALLYHARD FOR ME.

WELL, THAT SHOULD TELL YOU SOMETHING RIGHT THERE.

YOU BELONG IN NEW ORLEANS.

YOUR PARENTS ARE THERE, I'M THERE.

BUT DYLAN'S HERE.

YOU'LL MEET SOMEBODY ELSE.

NOT LIKE HIM.

HE'S CONSERVATIVE, SARA. SINCE WHEN DO YOU

DATE CONSERVATIVE GUYS?

HI. HI.

HOW'D IT GO?

I'M SORRY I WOKE YOU.

WHAT ABOUT YOUR MEETING?

OH, UM...

I CALLED TOM,AND HE DOESN'T KNOW

OF ANY NEW EXECUTIVEON THE ACCOUNT.

THEN WHO CALLED?

YOU GOT ME.

LISTEN, UM... ABOUT WHAT KATE SAID...

YEAH. WERE YOU EVERGONNA TELL ME?

WELL, WE WERE GONNA OPEN A FLOWER SHOP

IN NEW ORLEANS.

WHEN I MET EZRA DOWN AT THE FLOWER MART,

I WAS KIND OF THERE DOING RESEARCH.

WAIT A MINUTE.

YOU WERE OUTIN CALIFORNIA

FOR RESEARCH TO OPENA SHOP IN NEW ORLEANS?

WELL, NO. I CAME OUT HERE ON VACATION,

AND THEN I MET YOU AND...

AND WHAT?

I'M NOT GOING ANYWHERE.

THAT'S GOOD.THAT IS GOOD NEWS.

GOD, I CAN'TBELIEVE THAT'S HER.

I KNOW. IT'S WEIRD.

SHE SEEMS DIFFERENT.

YEAH, SHE IS.SHE LOOKS NORMAL.

NO, IT'S MORE THAN THE HAIRCUT.

IT'S SOMETHING ELSE.

YEAH, MAYBEYOU'VE CHANGED.

YOU KNOW?I MEAN, NOW THAT YOU'VE

SPENT TIMEAPART FROM HER,

MAYBE YOU'VE GROWN APART.IT HAPPENS.

WELL, I DIDN'T TELL YOU HOW WE FIRST MET.

YES, YOU DID.

YOU GUYS WENTTO HIGH SCHOOL TOGETHER.

UH, THAT'S NOT THE WHOLE STORY.

WELL, WHAT IS IT?TELL ME A STORY.

GOD, I THOUGHT I KNEWEVERYTHING ABOUT YOU.

I WAS 15...

AND I WAS PREGNANT.

WHOA, BY KATE?GOD, SHE HAS CHANGED.

I'M SORRY.

THAT'S ALL RIGHT. IT WAS A LONG TIME AGO.

ANYWAY, I TOOK THE TEST--

YOU KNOW, THE PREGNANCY TEST--

IN A STALL IN THE BATHROOM AT SCHOOL,

AND I DIDN'T KNOW WHAT I WAS GONNA DO.

I STARTED WALKING HOME, AND SHE PULLED UP

IN THIS BRAND-NEW CONVERTIBLE.

AND I DIDN'T KNOW WHO SHE WAS.

SHE JUST STARTED TALKING TO ME, AND I TOLD HER,

AND IT TURNED OUT WE HAD CLASSES TOGETHER.

UM, BUT SHE WAS ONE OF THOSE PEOPLE,

YOU KNOW-- I HATE TO SAY THIS, IT SOUNDS SO AWFUL--

BUT SHE WAS KIND OF INVISIBLE.

WELL, WE HADINVISIBLE PEOPLEIN HIGH SCHOOL, TOO.

YEAH. ANYWAY...

SHE TOOK CARE OF EVERYTHING.

SHE FORGED SIGNATURES,

SHE HAD HER UNCLE TAKE ME TO THE CLINIC.

SHE JUST HANDLED IT.

DONE. SHE TOOK CARE OF ME.

WE'VE BEEN FRIENDS EVER SINCE.

WELL, THERE'S A NEWSHERIFF IN TOWN, DARLIN',

AND I'LL BE TAKING CAREOF YOU FROM HERE ON OUT.

YOU BETTER.

I WILL.

SLEEP WITH ANGELS.

I SLEEP WITH ONEEVERY NIGHT.

[SHOWER RUNNING]

[SARA GIGGLING AND MOANING]

HEY, YOU'RE UP EARLY.

IT'S ALMOST LUNCH TIME IN NEW ORLEANS.

WHERE ARE YOU HEADED?

OH, I'M GONNA GOPLAY GOLF WITH MY BOSS.

YOU TWO HAVEA GOOD TIME LAST NIGHT?

OF COURSE. I WAS WITH SARA.

CAN I TALK TO YOUFOR A MINUTE?

WHAT'S UP?

ALL RIGHT, UM,

SATURDAY WILL BE OUR--

YOU KNOW, IT'S HARDTO CALL IT OUR ANNIVERSARY--

BUT SATURDAY WILL BE6 MONTHS THAT WE'VEBEEN TOGETHER.

AND YOU WANT TO BUY HER SOMETHING NICE, RIGHT?

I WANT TO BUY HERAN ENGAGEMENT RING.

YOU OK?

YEAH.

I'M JUST REALLY HAPPY FOR HER.

I WAS THINKINGABOUT A NICE EMERALD,SURROUNDED BY DIAMONDS.

E WAS GONNA HELP MEPICK IT OUT,

BUT, I MEAN, SINCE YOU TWOARE SUCH GOOD FRIENDS,

I FIGURED--

I'D BE GLAD TO HELP YOU PICK OUT A RING.

GOOD.

GOOD MORNING.

MORNING.

ALL RIGHT.

I GOTTA GET GOING.

I THOUGHT THAT YOUR TEE TIME WAS AT 10.

UH, WELL, TOM WANTEDTO MEET FOR A BITE TO EAT

AT THE COUNTRY CLUB.

[BRITISH ACCENT] OH. REALLY? AT THE CLUB?

[BRITISH ACCENT]YES, DARLING, AT THE CLUB.

[LAUGHS]

I HAVE A GREAT IDEA.

WHAT DO YOU SAY WE ALLGO FOR SUSHI TONIGHT?

I GOT THIS THINGFOR SUSHI.

HE HAS A THING FOR SAKI.

SUSHI SOUNDS GREAT.

GREAT. I'LL CALL EFROM THE CAR

AND SEE IF HEAND, UM...

OH, GOD, WHAT'SHER NAME AGAIN?

SHELLY.RIGHT!

SHELLY CAN JOIN US.I'LL SEE YOU GUYS LATER.

BYE, HON.BYE.

UM, THANKS.

SO, HOW'D YOU SLEEP?

I'M REALLY SORRY ABOUT LAST NIGHT.

THE WHOLE...

NOT-MOVING-HOME THING

REALLY THREW ME FOR A LOOP.

NO, NO,KATE, REALLY,

I SHOULD BETHE ONE TO APOLOGIZE.

I MEAN, I-I SHOULD'VECALLED YOU.

I SHOULD'VE TOLD YOU.

NO.

YOU KNOW, IF THIS GUY'S THE ONE,

I'M REALLY HAPPY FOR YOU.

I'M A LITTLE JEALOUS,

BUT I'M REALLY HAPPY.

IT'S HARD TO EXPLAIN.

I...

I FELL IN LOVEWITH HIM, SERIOUSLY,

THE SECOND I SAW HIM.

JUST...

WAIT TILL YOU MEETTHAT SPECIAL PERSON.

MAYBE I ALREADY HAVE.

OH, REALLY?

DO I KNOW THIS PERSON?

WELL, IT'S...

SOMEBODY I'VE KNOWN FOR A REALLY LONG TIME.

MM-HMM.

SEX IS INCREDIBLE.

WELL, YOU KNOW,SEX ISN'T EVERYTHING.

WELL, IT SURE IS SOMETHING, THOUGH.

[LAUGHS]I HEAR YOU.

WILL YOU ZIP ME UP?

SURE.

YOU GOT IT?

YEAH.

THERE YOU GO.YOU LOOK GREAT.

THANKS. SO DO YOU. THANKS.

[DOORBELL RINGS]

OH, THAT MUST BE EZRA AND...

SHELLY. SHELLY.

YOU READY?

YEAH. I JUST NEED TO CALL MY SERVICE,

SO CAN I USE YOUR PHONE?

YEAH, GO AHEAD.

MARGARITA?

YOU'RE KIDDING, RIGHT?

[LAUGHS] [LAUGHS]

YEAH, IT'S ME.

HANG ON A SECOND.

SO DO YOU THINK SHE'LL LIKE IT?

ARE YOU KIDDING?SHE'S GOING TO LOVE IT.

I-I'M SCARED IT'S TOO BIG.

TRUST ME, SIZE DOES MATTER,ALL THE TIME.

NICE.

UH...

ISN'T--ISN'T THE CAR BACK THIS WAY?

HEY, YOU KNOW, I WANTTO TAKE A LITTLE WALK.

I WANT TO GET TO KNOW THE MAN

WHO'S TAKING AWAYMY BEST FRIEND.

I'M NOT TAKING HER AWAY.

YOU KNOWWHAT I MEAN.

RIGHT THROUGH HERE.

WHERE ARE WE GOING?

THERE'S THISCUTE LITTLE CAFE

AT THE ENDOF THE ALLEY.

WELL, IT MUST BE NEW.

HUH?

I SAID IT MUST BE NEW.

YEAH. I WAS--

I HAD BREAKFAST HERETHE OTHER DAY.

WHAT'S WRONG?

I DON'T KNOW.

I THINK THAT GUY'S FOLLOWING US.

OH, YOUR BROTHER'S RIGHT.

YOU AREDEFINITELY PARANOID.

PARANOIA'S PART OF THE EQUATION HERE IN L.A.

IT'S CALLED SURVIVAL.

SWEETIE, I'M FROMNEW ORLEANS, OK?

THE LAST TIME I CHECKED,

WE WERE STILL THE MURDERCAPITAL OF THE WORLD.

SO WHY DON'T YOU TELL MEHOW YOU'RE GOING TO ASK HER.

UH...

I DON'T KNOW.I WAS THINKING ABOUTA ROMANTIC WEEKEND,

JUST NORTH OF MALIBU.

CAN I HELP YOU?

GIVE ME THE RING!

DON'T FUCK WITH ME, ASSHOLE,

OR I'LL CUT YOU!GIVE ME THE RING!

GIVE IT TO HER, DYLAN. SHE MIGHT HAVE A GUN.

JUST RELAX. JUST HANG ON.

GIVE ME THE FUCKING RING!

KATE!

WHERE THE FUCK IS THE GUN?

I'M NOT GOINGTO SHOOT NOBODY!

YOU BRING A BUTTER KNIFE, YOU STUPID BITCH?

FUCK!

KATE, WHAT AREWE GOING TO DO?

HE'S HURT PRETTY BAD.

MY GOD!WHAT DID YOU DO?

OH, GOD!

FUCK!

WHY DID YOU DO THAT?

I'M SORRY!

OH, JESUS, YOU'RE BLEEDING!

KILL HIM.

FUCKING KILL HIM!

FINISH HIM OFF!

UHH! NO!

FUCKING DO IT!

I CAN'T DO IT!

YOU WANT ME TO BLEED TO DEATH?

NO.

THAT A GIRL.

[STABBING DYLAN]

AHH. AHH.

AHH.

[CRYING HYSTERICALLY]

WHAT ARE YOU DOING?

THESE ARE MYPICTURES!

I KNOW. I JUST THOUGHT THAT--

WELL...

DON'T!

I KNOW HOW YOU FEEL--

YOU HAVE NO IDEAWHAT I AM FEELING!

HOW LONG ARE WE GOING TO DO THIS?

HOW LONG ARE YOU GOING TO KEEP DENYING WHAT HAPPENED?

YOU HAVEN'T MENTIONED HIS NAME.

IT'S BEEN OVER 2 MONTHS.

I DIDN'T REALIZETHERE WAS A TIMETABLE.

HE'S GONE.

THAT'S THE TIMETABLE.

I WANT YOU TO LEAVE.

WHAT?

GET OUT.

THIS IS PATHETIC.

HE'S FUCKING DEAD!

GET OUT!

[SOBBING]

LEAVE ME ALONE!

IT'S OK.

I MISS HIM SO MUCH, KATE.

I KNOW.

BUT I'M HERE.I'M HERE FOR YOU.

[KNOCKS ON DOOR]

KATE.

[CLANGING]

WHAT ARE YOU DOING HERE?

UH, I WAS JUSTLOOKING FOR SARA.

SO YOU JUST WALK IN?

NOBODY ANSWERED THE DOOR.

YOU CAN'T JUST WALK IN.

YOU DON'T LIVE HERE.

[SNICKERS]AND YOU DO?

YEAH, I DO.

GET THE FUCK OUT OF HERE.

TCCH.

FUCK YOU.

YOU WISH.

[BEEP]

SARA, IT'S E.

I'M JUST KIND OF BLUESIN' LATELY ABOUT...YOU KNOW.

I THOUGHT MAYBE WE COULD HANG OUT OR SOMETHING.

I'M GOING TO GO DOWN TO MONTANA,

AND MAYBE GET SOMETHING FOR MY MOM.

PAGE ME OR MEET ME, OK?

Answering Machine: MESSAGE JUST BEEN ERASED.

THAT'S A REALLYPRETTY NECKLACE.

HI, E. I, UH...

I JUST WANTED TO SAYI WAS SORRY ABOUT BEFORE.

BEING IN THE HOSPITALAND LOSING YOUR BROTHER,

I'VE JUST BEENSO FREAKED OUT.

WELL, I JUSTDIDN'T WANT SARA

TO KNOW WE'VEBEEN FIGHTING.

YEAH, I GUESS.

SO CAN WE PUTTHIS BEHIND US...

LIKE FRIENDS DO, RIGHT?

'CAUSE WE AREFRIENDS, YOU KNOW?

I MEAN, I HOPEYOU FEEL THE SAME WAY.

IT'S ALL GOOD.

ALL RIGHT.

SO ARE YOU GOINGTO BUY THAT FOR YOUR MOM?

NO, NO.

SARA WAS LOOKING AT IT THE OTHER DAY.

I WAS GOING TO, YOU KNOW,

BUT 400 BEANS, YOU KNOW?

WELL, I JUST CAME DOWN HERETO TELL YOU I WAS SORRY.

I'LL CATCH YOU LATER,ALL RIGHT?

ALL RIGHT.

Instructor: LAST ROUND, LAST ROUND. LET'S GO.

COME ON, COME ON.

KNOCK HIM OUT. KNOCK HIM OUT.

AAH!

THAT WAS INCREDIBLE.

YOU'RE A GREAT COOK.

[LAUGHS]

WHAT?

YOU HAVE A LITTLE...

[LAUGHS]UH, SOMETHING.

HEY, IT'S MINE, MINE, MINE.

[LAUGHS]

SO WHY DID YOU DO ALL OF THIS?

I WANTED TO DOSOMETHING NICE FOR YOU.

I AM SUCH A SHIT.

OH, DON'T SAY THAT.

NO, I AM.

YOU'VE BEEN SO GREAT THROUGH THIS WHOLE THING,

AND I'VE JUST--

JUST DON'TAPOLOGIZE EVER.

WHY ARE YOU SO GOOD TO ME?

'CAUSE I LOVE YOU.

I LOVE YOU, TOO.

[TELEPHONE RINGS]

OH, I GOT IT.

NO, YOU JUST RELAX.I'LL GET IT.

OK. I GOT TO PEE.

[RING]

[RING]

HOLA?

KATE, IT'S EZRA. IS SARA HOME?

HELLO? KATE, WHAT'S UP? IS SHE THERE?

HI. NO, SHE'S NOT.

WELL, UH, YOU KNOW WHEN SHE'LL BE HOME?

NO. UH, DO YOU WANT METO TAKE A MESSAGE?

JUST TELL HER I CALLED...AGAIN. OK?

WHO WAS THAT?

OH, THEY HUNG UP.

ARE YOU READY...

FOR A LITTLE DESSERT?

[GASPS] WHERE DID YOU GET THAT?

OK, ALL RIGHT.

BUT WE CAN'T GO ANYWHERE,

BECAUSE I DON'T WANT TO FREAK OUT IN PUBLIC.

OH, YOU'RE NOTGOING TO FREAK OUT.

I'LL TELL YOU WHAT,

YOU MIX US UPSOME MORE MARGIS,

I'M GOING TO USETHE BATHROOM.

I'LL MEET YOUON THE COUCH.

DEAL.

[TOILET FLUSHING]

[INHALING] I CAN'T BELIEVE I'M DOING THIS.

OH, GIVE ME A BREAK.

WE USEDTO ALWAYS GET HIGH.

[COUGHS]

WE USED TO SMOKEALL THE TIME.

NO, YOU USED TO SMOKE ALL THE TIME.

OH, YEAH? WHAT ABOUTMR., UH...FOOTBALL GUY?

WHAT THE FUCKWAS HIS NAME?

WHAT, SNYDER?

NO, NO.

REMEMBER THIS GUY,THE GUY THAT...

THE GUY THAT HAD THATCRAPPY CONVERTIBLE,

AND HE HAD THE T-SHIRTSFOR SEAT COVERS?

OH, OH, OH, OH. ABLES.

[LAUGHS]

YOU GUYS USEDTO SMOKE-UP ALL THE TIME.

[INHALES]

SO WHAT DIDYOU WANT TO TELL ME?

[EXHALES AND COUGHS]

WHAT?

I DON'T KNOW.

[LAUGHING] YOU HADTO TELL ME SOMETHING.

OH, RIGHT, RIGHT, RIGHT.

I DON'T REMEMBER WHAT IT WAS.

[LAUGHING]YOU ARE SO STONED.

[LAUGHS]

OK. NO, WAIT.

OH, REMEMBER THAT SHOP

WHERE YOU TRIED ON THAT GREEN DRESS,

YOU KNOW, WITH THE STRAPS IN THE BACK?

YOU MEAN THE $500CRAPPY-GREEN DRESS

WITH THE STRAPSIN THE BACK?

THAT'D BE THE ONE. IT'S FOR SALE.

I WOULDN'T PAY20 BUCKS FOR THAT DRESS.

NO, THE SHOP, STUPID.

WE COULD OPEN UP THE FLOWER SHOP HERE.

IN CALIFORNIA?

YEAH.

BUT I ALREADYSIGNED THE LEASE

FOR THE SHOPIN NEW ORLEANS.

YEAH, BUT YOU CAN GET OUT OF THE LEASE.

AND YOU LOVE IT HERE.

THE WEATHER'S GREAT. THE PACE IS GREAT.

YOU COULD LEARN TO SURF.

UGH.

NOBODY'S DOING IT IN THE NEIGHBORHOOD.

WE COULD MAKE A KILLING. I MEAN,

NOT THAT, YOU KNOW, MONEY MEANS ANYTHING TO YOU, BUT...

[COUGHS]

[LAUGHS]

IS THAT WHATYOU REALLY WANT?

YEAH. I MEAN, TOGETHER--

TOGETHER WE CANDO ANYTHING.

DOES THAT MEAN YOU WANT TO STAY?

I'LL GO WHEREVERYOU WANT ME TO GO.

OH, GOOD. ALL RIGHT, ALL RIGHT, ALL RIGHT.

ALL RIGHT, SO TOMORROW

WE'LL GO DOWN TO THE STORE, OK?

WE'LL TALK TO THE OWNER ABOUT THE RENT.

THEN ALL WE HAVE TO DO IS, WE GET A LICENSE,

AND WE FILE FOR A FICTITIOUS NAME,

AND...WHAT?

IT'S JUST BEEN SO LONGSINCE I'VE SEEN YOUSMILE LIKE THIS.

CLOSE YOUR EYES.

WHY?

I'VE GOT A SURPRISEFOR YOU. CLOSE 'EM.

IT'S NOT ANOTHER JOINT, IS IT?

NO...JUST...WHAT--

CLOSE 'EM.

STONER.

[LAUGHS]

OPEN 'EM.

YOU LIKE IT?

I LOVE IT.

I SAW IT IN THE STORE. HOW DID YOU...

LET'S GO SEEHOW IT LOOKS.

OK.

[CLICK]

HUH. THE BULB MUST BE BURNED OUT.

WE CAN USE THE MIRROR IN MY BEDROOM.

WAIT. I GOT IT.

LET ME HELP YOU.

THAT JOINT REALLY KICKED MY BUTT.

OH, GOD, KATIE, IT'S BEAUTIFUL.

YOU'RE BEAUTIFUL.

I LIKE THIS PLACE RIGHT HERE.

OH, GOD.

I'M DEFINITELY STONED.

UM...

I BETTER GO TO BED.

NIGHT.

FUCK.

GOD.

SHE HOME?

UH, NO, SHE'S, UM...

OH, I GUESS SHE IS HOME.

MORNING, SARA.

HOW ARE YOU?

LOOK WHO'S HERE.

WELL, YOU MIGHT KNOW THAT

IF YOU WOULD HAVE CALLED ME BACK LAST NIGHT.

LAST NIGHT?

DUDE, I CALLED. I TALKED TO KATE.

WE GOT A LITTLENAILED LAST NIGHT.

PRETTY MUCH DON'TREMEMBER ANYTHING.

SO HOW'S YOUR MOM?

YOU KNOW, SHE'S DEALING.

MY DAD ACTS LIKE NOTHING'S HAPPENED.

WELL, WHAT AREYOU DOING RIGHT NOW?

MAYBE WE CANSEE THEM FOR LUNCH.

I KNOW THEY'D LOVE TO SEE YOU.

SARA, I THOUGHT WE WEREGONNA TO CHECK OUTTHE STORE TODAY?

WHAT, YOU GOING SHOPPING?

WE'RE OPENINGA FLOWER SHOP.

SARA FOUNDA CUTE PLACE FOR US.

[CHUCKLES]

WHY DON'T WE DO THAT TOMORROW?

I MEAN, UH, THE REALTOR'S

PROBABLY NOT EVEN OPEN ON SUNDAY.

LET'S GO.

WHAT'S UP?YOU COMING OR NOT?

UH...

I LEFT MY PURSE INSIDE.

WELL, GO GET IT.I'LL MEET YOU THERE.

DID YOU GET MY FLOWER?

YEAH. THANKS.

YOU OK?

KATE, I CAN'T DO THIS NOW.

I-I JUST CAN'T.

[DOOR CLOSES]

YOU ALREADY DID.

[SIGHS]

[DOOR CLOSES]

HI.

HEY.

MARGARITA?

NO, THANKS.

SO YOU DECIDEDTO STAY FOR DINNER, HUH?

WHAT? YEAH. UM...

LISTEN, DID , UM...

DID E. CALL ME ANYTIME OTHER THAN LAST NIGHT?

YEAH, I TOLD YOU.

NO, YOU DIDN'T.

YEAH, I LEFT YOU A NOTE.

SOMEWHERE.

SORRY. IT GOT STUCK.

I COULD HAVE SWORNI TOLD YOU.

UM, HE ALSO SAID

THAT HE LEFT SOME MESSAGES ON THE MACHINE.

I KNOW. THIS FUCKINGMACHINE IS BROKEN.

MY ACCOUNTANT CALLEDAND SAID SHE LEFT2 OR 3 MESSAGES.

I NEVER GOTTHEM EITHER.

HMM.

HEY, SARA,SIT DOWN FOR A SECOND.

I, UM, I PUTA DOWN PAYMENT ON THE SHOP.

I WAS WAITINGFOR YOU TO GET HOME

SO WE COULDGO TOGETHER, BUT...

ALL YOU HAVE TO DOIS SIGN AND WE'RE IN BUSINESS.

KATE, WE SHOULD TALK.

I KNOW.

ABOUT LAST NIGHT--

YOU DON'T HAVETO SAY ANYTHING.

I THINK WE BOTHFEEL THE SAME WAY.

YOU DO?

OUR FRIENDSHIP IS...

WELL, I DON'T EVERWANT TO LOSE THAT.

ESPECIALLY NOT,YOU KNOW,

TO SOMETHINGLIKE LAST NIGHT.

[LAUGHS] I THINK WEWERE BOTH REALLY DRUNK.

[LAUGHS] AMONG OTHER THINGS.

WHAT'S A LITTLE SEXBETWEEN FRIENDS?

[BOTH LAUGH]

OK, GOOD. I'M SO GLAD THAT WE TALKED ABOUT THIS,

BECAUSE I WAS REALLY NERVOUS.

I DIDN'T KNOW WHAT TO DO.

TELL ME ABOUT IT.

I WAS WAITING HEREALL DAY JUST WIGGING OUT,

NOT SURE WHATI WAS GOING TO SAY,

HOW I WAS GOING TO ACT.

REALLY?

OF COURSE REALLY.

ALL YOU HAVE TO DOIS SIGN.

WELL, HOW MUCH WAS IT?

DON'T WORRYABOUT THAT.

I-I KNOW THAT YOU CAN AFFORD IT,

BUT I JUST WANT TO MAKE SURE THAT,

YOU KNOW, WE SPLIT EVERYTHING.

WOULD YOU PLEASESIGN YOUR NAME.

[SIGHS]

TO...

OUR NEW BUSINESS.

MY NEW PARTNER.

WOULD YOU STOPHANGING ON ME.

WHAT?

WHAT IS--WHAT'S WRONG WITH YOU?

[SIGHS]

YOU'RE GOING TO HAVETO GO ON WITHOUT ME.

WHERE AM I GOING?

HOME.

HOME.

KATE, IS THERE SOMETHING THAT YOU'RE NOT TELLING ME...

ABOUT SARA?

LOOK, SARA'S NOTDOING SO GOOD. OK?

I WANT TO GO HOME WITH YOU,BUT HER MOM ASKED ME

TO STAY HEREA LITTLE WHILE LONGER,

JUST TO SEE IF I CANGET HER TO MOVE BACK.

YOU SURE THAT'S IT?

WHAT ARE YOU TALKING ABOUT?

WHAT AM I TALKING...

COME ON, KATE, LOOK AT HER.

SHE'S A FUCKING HOTTIE.

IS THERE SOMETHING GOING ON?

NO.

BECAUSE IF THERE'S SOMETHING GOING ON--

THERE'S NOTHING!

ALL RIGHT?

I AM JUST TRYINGTO HELP OUT A FRIEND.

IF IT WAS YOU,I'D DO THE FUCKINGSAME THING FOR YOU!

SO WHY DON'T YOU JUSTGET OFF MY BACK.

[DOOR CLOSES]

[SOFTLY] I'M SORRY.

Instructor: LET'S GO. LET'S GO. COME ON.

HIT THE BAG. COME ON. HIT IT. HIT IT.

LET'S GO, RIGHT HERE. RIGHT HERE, LET'S GO.

OH, YOU WANT SOME OF ME!

NONSTOP. NONSTOP.NONSTOP. COME ON.

RIGHT. COME ON.LEFT. RIGHT.

KNOCK HIM OUT.COME ON.

COME ON.HIT ME.

[LAUGHS]

KNOCK HIM OUT.THINK ABOUT SOMEBODY.

PUT A FACE ON IT.

[CAR ALARM BEEPS]

WHAT DO YOU WANT?

I'M JUST GETTINGIN MY CAR, LADY.

DON'T BLOW A GASKET.

OH...SORRY.

BESIDES, THE WAYYOU HIT THE BAG IN THERE,

NO WAY AM ISNEAKING UP ON YOU.

OH, RIGHT. YOU'RE--YOU'RE IN MY CLASS.

YEAH, WITH JULIAN.

[ENGINE NOT STARTING]

[ENGINE NOT STARTING]

[KNOCK AT WINDOW]

[WINDOW OPENING]

YOU NEED SOME HELP?

UH, I DON'T KNOW.I DON'T KNOW WHAT'S WRONG.

WELL, WHY DON'T YOU POP THE HOOD?

LET ME TAKE A LOOK.

OK, GIVE IT A TRY.

[ENGINE NOT STARTING]

WHOA, WHOA. HOLD IT.

CAN YOU SEEWHAT'S WRONG?

YEAH. GIVE HER ANOTHER TRY.

[ENGINE NOT STARTING]

I DON'T KNOW. I MEAN, SHE'S GOT PLENTY OF SPARK,

SO IT'S NOT YOUR BATTERY.

YOU GOT TOWING?

NO, I DON'T.

WELL, I DO.

HOW ABOUT WE GIVE THEM A CALL?

OK, GREAT. THANKS. WE'LL BE WAITING.

OK, THEY'RE ON THEIR WAY.

I REALLYAPPRECIATE THIS.

IT'S MY PLEASURE.

DO YOU--DO YOU OWN A BOAT?

A SAILBOAT.

OH, A CANVAS MAN.

YOU SAIL?

MY FATHER.42-FOOT WOODCRAFT.

WHOA, CLASSIC RAIL.

IS HE DOCKED DOWN IN THE MARINA?

NO, NO. HE LIVESIN NEW ORLEANS.

IS THAT WHERE YOU'RE FROM?

YEAH. I CAME OUT HEREAFTER GRAD SCHOOL.

AND?

JUST HAVEN'T FOUNDA REASON TO GO BACK.

THAT'S GOOD.

WHY IS THAT GOOD?

BECAUSE...

WE JUST MET.

[ALL LAUGHING]

YOU KNOWWHAT I MEAN.

HEY, JACK, THIS IS MY FRIEND EZRA.

WHAT'S UP?

[LAUGHS] SOAKING UP THE DAY. HOW ABOUT YOU?

I'M SOAKING, BABY.

[LAUGHS]

THIS MUST BE JACK THE BOXER.

OH, NO, NO, I'M JUST LEARNING.

SARA'S THE ONE WITH THE KILLER RIGHT CROSS.

JACK, THIS IS KATE, MY PARTNER

NICE TO MEET YOU.

HI.

Jack: SO WHAT DO YOU SAY?

I CAN'T. I CAN'T. I CAN'T.

YOU CAN'T WHAT?

WHAT ARE YOU GUYSTALKING ABOUT?

WELL, HE LIVES ON A SAILBOAT DOWN IN THE MARINA.

OH, MAN,THAT'S GOT TO BEA BITCHIN' WAY TO LIVE.

YEAH, NOTHING LIKE THE WATER

TO ROCK YOU TO SLEEP EVERY NIGHT.

MAYBE IF YOU'RE A FISH.

SO WHAT DO YOU SAY?

I WOULD LOVE TO,

BUT I GOT TO PICK UP MY CAR--

NO, NO. SUNSET'S GOING TO BE AWESOME.

DUDE...

I CAN PICK UPYOUR CAR FOR YOU.

THANKS, EZRA,

BUT WE HAVE SOME ORDERS WE HAVE TO FILL.

YEAH, KATE'S RIGHT.

I CAN FINISH YOUR ORDERSIN, LIKE, A BLINK.

GO FOR IT, MAN.GO SAILING.

I'M NOT HEARING AN EXCUSE.

ARE YOU SURE IT'S OK?

YEAH, IT'S FINE. GO. HAVE A GREAT TIME.

OK, LET ME GET MY STUFF.

NO, YOU DON'T NEED ANYTHING.

I HAVE A PICNIC. I GOT EVERYTHING.

TAKE MY CAR.

YOU'RE OK WITH THIS?

WHAT?

IT'S ONLY BEENA COUPLE OF MONTHS.

SHE'S GOING SAILING, KATIE.

SHE'S NOT GETTING MARRIED.

IT'S KATE.

[GULLS SCREECHING, SHIP HORNS SOUND]

Sara:IS THIS ONE OK?

IT'S A GOOD CHOICE.

MYSTIC,CONNECTICUT?

YEAH. I HAD A SHOOT THERE LAST YEAR.

PHOTOGRAPHER.

SO, WHAT KINDOF THINGSDO YOU SHOOT?

WELL, THAT DEPENDS ON THE CLIENT.

HERE, TAKE THE WHEEL.

I'M GONNA SHOW YOU MY LAST JOB.

YOU TRUST MEWITH THIS THING?

YEAH, YOU'RE A NATURAL.

OK! HEH.

HERE.

WHAT DOYOU THINK?

WOW, THIS IS GREAT. YEAH?

WHAT'S THAT RED LINE?

OH, THAT'S A CAR.

TO CATCH THE LIGHTNING

I LEFTTHE SHUTTERWIDE OPEN.

THE CAR CAME BY.I WAS SO PISSED.

I THOUGHT THE SHOTWAS RUINED, BUT...

IT TURNED OUT TO BETHE BEST SHOT I GOT.

YOU'RE THE REAL THING.

[LAUGHS]WHAT'S THATSUPPOSED TO MEAN?

I DON'T KNOW.

I THOUGHT MAYBE YOU WERE JUST A BRAT

WHOSE PARENTS BOUGHT YOU A BOAT.

OH.

SORRY TO DISAPPOINT YOU,BUT I BOUGHT THIS BOAT.

AND FOR MY PARENTS...

JUST SAY WE DON'TSPEND SUNDAY DINNERSTOGETHER,

IF YOU KNOWWHAT I MEAN.

COME HERE.I WANNA SHOWYOU SOMETHING.

WAIT, WHO'S GONNA STEER THE BOAT?

IT'S AUTOPILOT,SARA.

Sara: IT'S BEEN ON AUTOPILOT THIS WHOLE TIME?

YEAH, YOU'RE A NATURAL. YEAH, RIGHT.

HERE. LAY DOWN.

WHAT ARE WE DOING?

IT'S ONE OFMY FAVORITE SPOTSON THE BOAT.

JUST LYING HERETHINKING ABOUT STUFF.

SO, YOU'RE NOT CLOSE WITH YOUR FAMILY?

WHEN I GRADUATEDFROM COLLEGE,

MY FATHER HADMY WHOLE LIFE PLANNED OUT.

IT WAS WORK FORTHE FAMILY BUSINESS,

AND THEN ONE DAY,

IF I PLAY MY CARDSRIGHT, MIND YOU,

I COULD TAKE OVERAND BE THE BOSS.

WHAT WAS THE BUSINESS?

ACCOUNTING.EWW! [LAUGHS]

IT'S NOT MY IDEAOF A ROMANTIC WAY

OF SPENDINGTHE REST OF MY LIFE.

I MEAN,DON'T GET ME WRONG.

I WOULDN'T MINDSETTLING DOWN SOMEDAY

WITH THE RIGHT WOMAN,

HAVE SOME KIDS.

BUT I'M YOUNG.THERE'S PLENTYOF TIME FOR THAT.

YOU TRAVEL A LOT. YOU TRAVEL ALONE?

[LAUGHS]

WHAT?

DO YOU ALWAYS GRILLYOUR DATES LIKE THIS?

I'M NOT GRILLING YOU. I'M JUST--

YOU NEVER KNOW WHO YOU'RE GONNA MEET IN L.A.

MMM. WELL,I'M JUST TRYINGTO GET A READ ON YOU.

I'M NOT SURE IF THAT'S WHAT YOU WERE REALLY ASKING.

WELL, THAT WAS THE QUESTION.

YEAH, BUT YOU'RETRYING TO FIND OUT

IF I HAVEA GIRLFRIEND OR IF--

I DIDN'T SAY THAT.

OH. HA HA.

SO THE QUESTION HASN'TCROSSED YOUR MIND?

I DIDN'T SAY THAT.

AND YOU'RENOT CURIOUS?

DIDN'T SAY THAT EITHER.

DO YOU HAVE A GIRLFRIEND?

NO.NO, I DON'T.

I WAS ENGAGED ONCE,

BUT IT DIDN'TWORK OUT.

HOW ABOUT YOU?YOU EVER COME CLOSE?

I CAME CLOSE ONCE.

YEAH?WHAT HAPPENED?

WAIT. COME ON!

YOU'VE BEEN GRILLING MEFOR THE LAST 5 MINUTES.

I THINK I'M ENTITLEDTO KNOW A LITTLESOMETHING ABOUT YOU.

WHAT HAPPENED?

HE WAS KILLED.

OH...

I'M SORRY.

I DIDN'T...

IT'S OK.

[GULLS SCREECHING]

Jack: RIGHT HERE?Sara: MM-HMM.

OK.

GREAT.

OH...I GOT IT.

THANKS. HA HA.

WOW, YOU'RE QUITETHE GENTLEMAN.

OH, GOD.YOUR SWEATSHIRT. I--

YEAH, YOU KNOW WHAT, UM...

WHY DON'T YOU KEEP IT? FOR NEXT TIME.

NEXT TIME.

WELL, GOOD NIGHT.

GOOD NIGHT.

[GIGGLES]GOOD NIGHT.

GOOD NIGHT.

UH, SARA?

YEAH?

I HAD A REALLY NICE TIME.

I DID, TOO.

[TELEPHONE RINGS]

Answering Machine: HI, THIS IS SARA AND KATE'S HOUSE.

WE'RE NOT HERE, SO LEAVE US A MESSAGE. THANKS.

[BEEPS]

Ezra: SARA, E.

LISTEN, I THOUGHT YOU MIGHT WANNA COME

TO MAMMOTH WITH ME AND SHELLY.

BIKE WELLS HAS A CONDO UP THERE,

AND THEY WANT TO TALK ABOUT LICENSING AND ENDORSEMENTS

AND STUFF FOR THE DOUGHNUT. WHOO-HOO!

BUT CALL AS SOON AS YOU GET THIS MESSAGE

'CAUSE WE'RE BAILING AT 5:00. LATER.

[DIAL TONE]

Machine: MESSAGE HAS BEEN ERASED.

[BEEPS]

Woman: GOOD AFTERNOON.BIKE WELLS MARKETING.

YES, HI. UH, CAN I PLEASE SPEAK WITH THE CEO?

I BELIEVE HIS NAME IS MATT VAGIM.

ONE MOMENT PLEASE.

THANK YOU.

♪ WE WERE BORN BEFORE THE WIND ♪

♪ ALSO YOUNGER THAN THE SUN ♪

♪ ERE THE BONNIE BOAT WAS WON ♪

♪ AS WE SAILED INTO THE MYSTIC ♪

♪ HARK NOW, HEAR THE SAILORS CRY ♪

♪ SMELL THE SEA AND FEEL THE SKY ♪

♪ LET YOUR SOUL AND SPIRITS FLY ♪

♪ INTO THE MYSTIC

♪ AND, OH

♪ WHEN THAT FOG HORN BLOWS ♪

♪ I WILL BE COMIN' HOME

♪ OH, AND WHEN THAT FOG HORN WHISTLE BLOWS ♪

♪ I WANNA HEAR IT

♪ I DON'T HAVE TO FEAR IT ♪

♪ AND I WANNA ROCK YOUR GYPSY SOUL ♪

[HUMMING]

I THOUGHT YOU WEREHAVING DINNER WITH JACK.

SO DID I.

EVERYTHING OK?

CANCELED AT THE LAST MINUTE.

HAND ME THE PEPPER?

DID HE SAY WHY?

NO.

WELL, YOU'RE IN LUCK

BECAUSE I'M MAKINGYOUR FAVORITE GUMBO.

HERE, TASTE.

MMM.

THERE'S CORN BREADIN THE OVEN.

I'M...I'M GONNA TAKE A BATH.

OK. WELL, DINNER WILL BE READY BY THE TIME YOU GET OUT.

UNH!

Zoey: HELLO?

I NEED TO SEE YOU.

KATE.KATE, ARE YOU OK?

KATE! KATE, ARE YOU THERE?

[SNIP]

OW.

[BELL DINGS]

Kate: GOOD MORNING.GOOD MORNING!

SO, THE SUNRISE THIS MORNING:

RED, ORANGE, YELLOW.

IT WAS LIKEA RAINBOW AGAINSTTHIS REALLY BLUE SKY.

IT WAS AWESOME!

AWESOME?

YEAH. WHAT?

NOTHING.

YOU MISSED MY DINNER LAST NIGHT.

WHAT TIME DID YOU HAVE TO GET UP THIS MORNING?

I WOKE UP AT 4:00.I HAD THE WORST HEADACHE.

WOW, I HOPE IT DIDN'T RUIN YOUR MORNING.

NO, IT DIDN'T.

JACK WAS SO CUTE.

HE PICKS ME UP,

HAS WARM BEIGNETSIN THE CAR WAITINGFOR ME--

WELL, THEY CAN'T POSSIBLY BE AS GOOD AS THE ONES

IN THE FRENCH QUARTER ON A SUNDAY MORNING.

I DON'T KNOW.

SUNRISE, BEIGNETS,SAILBOAT.

IT WASREALLY COOL!

YOU REALLY LIKE THIS GUY, HUH?

DON'T FORGET ABOUT ME.

REMEMBER, I'M STILL YOUR BEST FRIEND.

I WAS HOPING MAYBE WE COULD HAVE DINNER TONIGHT.

I FOUND THIS REALLY CUTE LITTLE CREOLE PLACE DOWNTOWN--

AH, ACTUALLY, UM,

TONIGHT WE'VEGOT TICKETSTO THE HOLLYWOOD BOWL,

BUT, UM...

YOU KNOW, MAYBEYOU COULD COME,

AND WE COULD GET, LIKE,ANOTHER TICKET.

YOU KNOW WHAT, WHY DON'T YOU GUYS GO

AND HAVE A REALLY GOOD TIME.

I'M GONNA GO GET SOME COFFEE.

OH, WAIT, WAIT, WAIT. HERE.

HERE. I SAVED THIS FOR YOU.

WHAT? BEIGNET.

THANKS.

Answering machine: YOU'VE REACHED BRASSARD INVESTIGATIONS.

LEAVE ME A MESSAGE. I'LL CALL YOU BACK. [BEEPS]

PICK UP THE PHONE.

PICK UP THE FUCKING PHONE!I KNOW YOU'RE THERE.

FUCK! SHIT!

SO, WHAT ISTHIS PLACE THATYOU'RE TAKING ME TO?

OH, IT'S A GREAT PLACE.

IT OVERLOOKS THE WATER.

YEAH? WHAT KINDOF FOOD IS IT?

SOMEONE'S ON MY BOAT.

WAIT! JACK!

JACK.

OH, SHIT!

JASPER, JESUS. IT'S ONLY YOU.

Man: YOU JACK OSBORN?

FBI?

WHAT ARE YOU DOING ON MY BOAT? WHAT'S GOING ON?

YOUR MECHANIC HERE LET US TAKE A LOOK AROUND.

JACK, I THOUGHT YOUMIGHT WANNA COOPERATE.

COOPERATE WITH WHAT?

RAPE OF A 16-YEAR-OLD GIRL.

UH, YOU MIND TELLINGUS WHAT YOU DOFOR A LIVING, JACK?

NO, NOT UNTIL YOU TELL ME WHAT THE HELL'S GOING ON.

YOU A PHOTOGRAPHER?

YEAH. SO WHAT?

WHAT DO YOU TAKE PICTURES OF?

YOU HAVE A WARRANT?

ANSWER THE QUESTION.WHAT DO YOU TAKEPICTURES OF?

DEPENDS ON THE CLIENT.

ANY OF THESE CLIENTS PAY YOU

TO TAKE PICTURES OF LITTLE GIRLS?

NAKED LITTLE GIRLS?

WHAT? NO!

WELL, THENYOU WON'T MIND

IF I TAKE A LOOKIN HERE, THEN,WILL YOU?

YES, I WOULD.

WHY'S THAT, JACK? YOU GOT SOMETHING TO HIDE?

YOU GOT FILMIN HERE?

IT'S A CAMERA.

HEY! WH--

HEY, COME ON, JACK. WE CAN GET A WARRANT,

TEAR YOUR BOAT APART,

OR YOU CAN COOPERATE. IT'S UP TO YOU.

YOU'LL GET YOUR FILM BACK

IF WE DON'T FIND ANYTHING.

YEAH, WHICH YOU WON'T.

THIS IS BULLSHIT.

NO, JACK. YOU WANNA KNOW WHAT'S BULLSHIT?

LET ME TELL YOU WHAT'S BULLSHIT.

SOME GUY PROMISED HER $1,000

TO TAKE PICTURES WITHOUT HER CLOTHES ON.

HE DIDN'T PAY. HE RAPED HER, JACK.

SHE'S 16. THAT'S BULLSHIT.

OH, AND YOU THINK IT WAS ME?

YOU'RE A PHOTOGRAPHER,AREN'T YOU, JACK?

OH, AND THAT MEANS I RAPE LITTLE GIRLS? GIMME A BREAK.

LET ME SEE YOUR HANDS.

LET ME SEE YOUR HANDS. WHAT?

YOU WEAR ANY JEWELRY?

WHAT DOES THAT HAVE TO DO WITH ANYTHING?

FORENSICS PULLED A RING INDENTATION

OFF THAT POOR GIRL'S FACE.

LOOKS LIKE ONE OF THEM INITIAL RINGS.

YOU GOT ONE OF THOSE, JACK? YOU GOT AN INITIAL RING?

LOOK, I DON'T WEAR JEWELRY,

AND I DON'T HAVE AN INITIAL RING.

LOOK, I'VE HAD ENOUGH OF THIS SHIT.

YOU WANT ANYTHING ELSE, GET A FUCKING WARRANT!

YOU KNOW, I'LL BETYOU REALLY IMPRESSTHE GIRLS

WITH THAT MOUTHOF YOURS, HUH, JACK?

FUCK YOU.

WE'LL BE IN TOUCH.

GOT YOURSELFA REAL WINNERTHERE, MA'AM.

WHAT IS THIS?

YOU'RE GOING TO LOVE THIS.

IT'S CALLED BODEKINS.

GO ON, TRY IT.

WHAT'S WRONG?

WHAT'S WRONG.

WHAT'S WRONG?

THERE WERE FBI AGENTSHERE, JACK.

ACCUSING YOU OF RAPE.

WE GO TO DINNER.YOU DON'T EVEN TALK ABOUT IT.

AND NOW YOU'REPOURING ME A BEER?

HEY, I'M SORRY.MAYBE I'M OVERREACTING.

WHAT DO YOU WANT ME TO DO, SARA?

I DON'T KNOW.

BE A LITTLE UPSET.SOMETHING.

I DIDN'T DO ANYTHING WRONG!

LOOK, LOOK. DO YOU--

DO YOU ACTUALLY THINK THAT I AM CAPABLE

OF DOING SOMETHING LIKE THAT--

OF RAPING A LITTLE GIRL, OF RAPING ANYONE?

NO.

ALL RIGHT THEN.

LOOK. LOOK, I DON'T WANT THIS TO RUIN OUR NIGHT.

I'VE BEEN LOOKING FORWARD TO THIS DAY FOR A WHOLE WEEK.

WHAT'S THIS?

DON'T TELL ME YOU FORGOT?

OH, GOD.

TODAY IS THE SEVENTH.

I DID. I'M SORRY.I FORGOT.

2 MONTHS AND YOU FORGOT?

YOU KNOW, I HAVEN'T BEEN FEELING WELL LATELY.

I'VE BEEN GETTING MY HEADACHES AGAIN.

AGAIN?

I USED TO GET THESE REALLY BAD HEADACHES IN SCHOOL.

WHAT, YOU MEANLIKE A MIGRAINE?

NO, MORE LIKE A HANGOVER.

THINK ITCOULD BE STRESS?

MAYBE.

WELL, MAYBE THIS WILLMAKE YOU FEEL BETTER.

OK.

OPEN, OPEN, OPEN.

[LAUGHS]

AH...

SHOES.

NOT JUST ANY SHOES.

THEY'REBOATING SHOES.

I DON'T WANT YOUSLIPPING ALL OVERTHE DECK.

OH, YEAH? WELL, MAYBE I WANTED TO SLIP ALL OVER THE DECK.

MAYBE SO YOU'D CATCH ME.

WHAT'S WRONG?

YOU'LL THINKIT'S STUPID.

NO, I WON'T.

NORMALLY,I WOULD...[SIGHS]

I JUST DON'TWANT US TO RUSHINTO THAT RIGHT NOW.

I MEAN, I KNOW IT'S WEIRD FOR A GUY TO SAY,

BUT I JUST...

JUST CAREFOR YOU SO--TOO MUCH.

YOU'RE RIGHT.

IT'S WEIRD... [CHUCKLES]

BUT IT'S NICE.

SO, MAYBE WE CANSPEND TONIGHT TOGETHERWITHOUT...

[SIGHS] YOU KNOW,JUST...

CUDDLE?

OK.

WE'LL DO THAT.

YOU KNOW,WHY DON'T YOU TRYTHOSE SHOES ON,

SEE IF THEY FIT.

I'VE GOTTAHIT THE HEAD.

HEY.

SURE YOU'RE OK?

YEAH, COULDN'T BE BETTER.

I DIDN'T HEAR YOU COME IN LAST NIGHT.

OH, WELL,I DECIDED TO, UH,

TAKE A DRIVEUP THE COAST.

YOU KNOW,A LITTLE ROAD TRIPFOR THE SOUL.

SO, TELL ME.HOW DID IT GOLAST NIGHT?

NOT GOOD.

WHAT HAPPENED?

WE GOT TO THE BOAT...

THE FBI WAS THERE.

OH, YOU'RE KIDDING.WHAT?

THEY WERE SEARCHING HIS BOAT.

EVIDENTLY THEY'RE INVESTIGATING THE RAPE OF A 16-YEAR-OLD GIRL,

AND THERE WERE THESE PICTURES

AND I HAVE NO IDEA

HOW JACK COULD POSSIBLY BE A SUSPECT,

BUT IT WAS WEIRD, YOU KNOW.

LIKE, THEY--THEY TOOK HIS FILM, AND...

IT WAS JUST--IT WAS REALLY WEIRD.

SARA, YOU KNOW, YOU'VEONLY KNOWN THIS GUY

FOR A COUPLE OF MONTHS.

DO YOU THINKMAYBE HE COULDHAVE SOME INVOLVEMENT?

I MEAN, REALLY.NO, NO, NO.

DEFINITELY NO. NO. NO WAY.

YOU'RE SURE?

YES. YEAH.

WELL, ASIDEFROM ALL THAT,

HOW DID IT GOLAST NIGHT?

WE CUDDLED.

YOU CUDDLED?

WE CUDDLED.

SO, YOU DIDN'T...

NO, WE DIDN'T.

WHAT?

MM-HMM.

HE WANTS TO WAIT.

I THINK IT'S SWEET.

[BEEPING]

WHEN DID YOU GET A BEEPER?

COUPLE OF WEEKS AGO.

I DON'T WANTTO MISS ANY MORE CALLSFROM MY ACCOUNTANT.

YOU KNOW, SINCE THE MACHINE'S BEEN ACTING UP.

RIGHT.

BEEN MISSING ALL OUR CALLS.

HI. YEAH, IT'S ME.

OH, WELL, GEE, I DON'T THINK IT SHOULD BE A PROBLEM.

HANG ON.

DO YOU THINK IT WOULD BE ALL RIGHT IF I WENT

AND MET HER FOR COFFEE FOR A LITTLE WHILE?

YEAH, GO. I MEAN,IT'S REALLY SLOW.

I HAVE, LIKE,2 ORDERS. THAT'S IT.

GREAT. THANKS.

HI. YEAH. OK, UM...

I JUST HAVE TO RUN HOME FOR A MINUTE.

IT'LL BE ABOUT AN HOUR.

SEE YOU THEN.

I APPRECIATE IT. YOU'RE SURE YOU'LL BE ALL RIGHT?

YEAH! YEAH,I'M GREAT. GO!

I'LL TALK TO YOU LATER. OK.

HEY, E. WHAT'S UP?

CHILLIN', YOU KNOW.

CATCH YOU GUYSLATER.

HI, YOU.

HEY. [LAUGHS]

OH, WAIT. I'M CAUGHT.

WHAT'S UP?

HANG ON, HANG ON, HANG ON.

ALL RIGHT. I GOT IT, I GOT IT.

DUDE, WHERE DIDYOU GET THIS?

KATIE BOUGHT IT FOR ME.

ISN'T IT BEAUTIFUL?

YEAH,IT'S BEAUTIFUL.

I WAS FUCKING GONNABUY IT FOR YOU.

WHAT ARE YOU TALKING ABOUT?

SHE SAW ME LOOKING AT IT ON MONTANA.

WELL, WHY WOULD SHEDO SOMETHING LIKE THAT?

WHY DON'T WE ASK HER?

WHERE WAS SHE GOING?

SHE WAS GONNAGO TO THE HOUSE

AND THEN SHE WASMEETING HER ACCOUNTANT.

EZRA, YOU'REACTING WEIRD.

SHE'S THE ONE WHO'S ACTING WEIRD.

LOOK, I KNOW SHE'S YOUR FRIEND,

BUT I'M GETTING KIND OF...

I'M GETTING KIND OF SICK OF HER SHIT, OK?

YOU KNOW, SHE ERASES MY MESSAGES,

SHE TELLS ME YOU'RE NOT HOME WHEN YOU ARE.

YOU KNOW, I CATCH HER PERVIN' ON HERSELF IN THE BACKYARD.

I'M TELLIN' YOU, THE CHICK IS WHACK.

WHAT DO YOU MEAN"PERVIN'"?

I MEAN GOIN' OFF ON HERSELF.

AND THEN SHE FUCKINGCOMES DOWN TO MONTANA

WHEN I'M LOOKINGAT THIS NECKLACE

AND TELLS MESHE'S SORRY.

HOW DID SHE KNOW WHERE YOU WERE GONNA BE?

ARE YOU SAYING THAT SHE'S FOLLOWING YOU?

SHE DIDN'T HAVE TO.I LEFT A MESSAGEON YOUR MACHINE.

THEN MY DEALWITH BIKE WELLSFALLS THROUGH.

AND THAT'S HER FAULT.

WELL, I FIND ITFUCKING STRANGETHAT THE CEO GETS,

LIKE, THIS ANGRYPHONE CALL

FROM SOME WOMANTHREATENING A LAWSUIT

IF THEY GOINTO PRODUCTION.

YOU KNOW, SHE SAIDI STOLE HER IDEA.

FUCK HER!

OK, BECAUSE YOU CATCH HER...

IN THE BACKYARD, YOU ASSUME THAT SHE'S THE WOMAN?

YOU TWO WERETHE ONLY WOMENWHO KNEW ABOUT MY IDEA.

WELL, WHAT ABOUT SHELLY?

WHY IS MY GIRLFRIENDGONNA FUCK ME?

WHY IS KATE?

LOOK, IF YOU WOULD HAVE LISTENED TO YOUR BROTHER

AND PATENTED YOUR IDEA IN THE FIRST PLACE,

YOU WOULDN'T BE HAVING THIS PROBLEM.

WELL, I GUESSIT'S A FUCKING SHAMEHE'S NOT AROUND

TO SAY I TOLD YOU SO,ISN'T IT?

I'M OUTTA HERE.

EZRA, WAIT.

HEY, BUDDY,YOU NEED SOME HELP?

YEAH.

IF YOU WOULDN'T MIND SWINGING THAT DOOR SHUT FOR ME,

THAT WOULD BE GREAT.NO PROBLEM, MAN.

GREAT. THANK YOU. YEAH.

THE MEETING IS AT 2:00.

I SUGGEST YOU BE THERE.

[SPITTING]

OH, FUCK.

OK. UH, YEAH.

YEAH, UH-HUH. WE LOOK FORWARD TO IT.

THANKS.

HA HA HA!

WHAT'S UP?

THIS WOMAN CHERYL FINN--

SHE'S A HUGE WEDDING PLANNER IN MALIBU, OK?

SHE JUST CALLED AND ASKED US

TO HELP HER DO HER NEXT 3 WEDDINGS.

OH.

OH?

OH, KATIE, THIS IS HUGE!

I MEAN, THIS MEANS, LIKE, EXPOSURE AND CONTACTS

AND...

SARA, UH...

THERE'S SOMETHINGTHAT I REALLYHAVE TO TELL YOU,

AND I DON'T KNOW HOW.

I SAW JACKTHIS MORNING.

OH, WHERE DID YOU SEE HIM?

WELL, MY MEETINGWITH EVELYN

WAS AT THE MARINA CAFE,

AND I SAW HIMWITH A GIRL.

A VERY, VERYYOUNG GIRL.

I DON'T THINK THE FBIINVESTIGATES PEOPLE

JUST FORTHE FUN OF IT.

Jack: SARA, SHE WAS THE DAUGHTER OF A CLIENT. THAT'S IT.

SHE WANTED TO TAKE HER SENIOR PICTURE ON THE BOAT.

I CAN SHOW YOU THE FILM IF YOU WANT.

LOOK, I THINK YOU KNOW

I WOULDN'T DO SOMETHING LIKE THAT, RIGHT?

I MEAN, WHAT DO YOU WANT ME TO SAY?

WHY DOESEVERYTHING HAVETO BE SO COMPLICATED?

YOU TRUST ME ON THIS, RIGHT?

HEY, BABY!

WHAT TOOK YOUSO LONG?

SARA...

NO, NO, SARA!

SARA, IT'S NOT WHAT YOU THINK!

WHAT AM I SUPPOSED TO THINK?

YOU...

WHERE IS SHE, HUH?

DON'T YOU FUCKING TOUCH ME!

WHAT'S SHE PAYING YOU,HOW MUCH ISSHE PAYING YOU?

FUCK YOU.

WHY DON'TYOU TELL ME

WHAT THE FUCKIS GOING ON HERE, KATE.

WHAT WASTHE MONEY FOR?

YEAH, I SAW THE WHOLE FUCKING THING WITH JACK.

WHAT'S THAT SHITABOUT?

HEY, KATE.

IS EVERYTHING ALL RIGHT?

EVERYTHING'S FINE, ZOEY.

IT'S ALL GOOD.

[SNORTS]

[GUNSHOT]

[TIRES SCREECHING]

YOU HAVE NO MESSAGES.

ASSHOLE!

Zoey: KATE,WHAT ARE YOU DOING?!

[CRYING] YOU CAN'T STOP!YOU CAN NOT STOP!

COME ON! YOU HAVE TO GO. YOU HAVE TO GO!

WOULD YOU PLEASE SHUT THE FUCK UP?

I NEED TO THINK!

NO! YOU SHUTTHE FUCK UP!

YOU JUST SHOT THAT GUY IN BROAD, FUCKING DAYLIGHT, KATE.

NOW, COME ON,PUT THE CAR IN GEARAND LET'S GO!

KATE, WE HAVE TO GO!

[MUTTERING]

PEOPLE SAW US, KATE!

THEY'RE PROBABLYFUCKING CALLINGTHE COPS RIGHT NOW!

WE HAVE TO GO!

[SOUND FADES OUT]

ARE YOULISTENING TO ME?

THE BOAT. THE BOAT!

KATE, NO!

NO, YOU CANNOTGO BACK THERE, KATE!

WHAT, ARE YOUFUCKING CRAZY?

KATE! I WANNAGO HOME! [SOBBING]

I CAN'T DO THISANYMORE.

OH, MY...

I CAN'T--COME ON!

STOP IT!

[GUNSHOT]

NOW, YOU JUST SIT THERE

AND YOU BE QUIET.

SURVEILLANCE PHOTOS.

AND THERE'S PROBABLY ONE OF ME AND YOU.

WHAT ARE YOU DOING HERE?

SARA, WE GOTTA GETOUT OF HERE.

I'M NOT GOING ANYWHERE WITH YOU.

NO, SARA. SARA.

EZRA'S DEAD.

SHE SHOT HIM.

I SAW HIS BODY. HE'S DEAD.

AT THE MARINA, RIGHT AFTER YOU LEFT.

LOOK, SARA,

WE GOTTA GET OUTTA HERE. COME ON!

NO.

NO, SARA, WHAT ARE YOU DOING?

I'M CALLINGTHE POLICE.

NO! YOU CAN'T!WHY NOT?

BECAUSE I'M INVOLVED!

HOW ARE YOU INVOLVED,JACK, HUH?

HOW ARE YOU INVOLVED?

IS THIS WHATYOU'RE ABOUT, HUH?

IS THIS YOU? IS THIS WHO YOU ARE?

WOULD YOU JUST LET ME EXPLAIN?

OH, GOD.NO.

OH, GOD!

THIS IS YOU,THIS WAS YOU.NO, NO, NO.

NO, SARA, IT'S--

SHE BLACKMAILED ME.SO, YOU RAPED HER?

NO, I DIDN'T TOUCH HER!

SHE'S LYING HERENAKED, JACK!

SHE'S NAKED, YOU'RE NAKED.

SHE'S A16-YEAR-OLD GIRL!

KATE BLACKMAILED ME, NOT THE GIRL.

WHAT?

A COUPLE WEEKS BEFORE YOU AND I MET,

I MET KATE,

AND SHE CAME ONTO ME IN A BAR IN THE MARINA,

AND SHE--SHE WANTED TO SEE MY BOAT.

I--I DON'T KNOW WHAT HAPPENED.

SHE--SHE TRICKED ME, SHE SLIPPED SOMETHING INTO MY DRINK,

AND I WOKE UP THE NEXT MORNING

AND THESE WERE ON MY PILLOW.

WHY?

YOU.

SARA, YOU.THIS WHOLE THINGIS ABOUT YOU.

SHE WANTS YOU.SHE'S OBSESSEDWITH YOU.

AND IF I DIDN'TDO WHAT SHE ASKED--

WHICH WAS?

I WAS SUPPOSEDTO SEDUCE YOU.

I WAS SUPPOSEDTO GET YOU TO FALLIN LOVE WITH ME

AND THEN DUMP YOU.

AND IF I DIDN'T,SHE'D HAVE THE GIRL

TELL THE FBII RAPED HER.

DID YOU?

NO!

NO. THE LITTLE GIRL,

KATE PAID HERTO SAY THAT.

ALL RIGHT, THEN WHO WAS THE GIRL

ON THE BOAT THIS AFTERNOON?

I DON'T KNOW.

OBVIOUSLY, SOMEONE WHO WORKS FOR KATE. I DON'T KNOW.

AND SHE IS OBSESSED WITH YOU,

AND SHE'LL STOP AT NOTHING.

LOOK, I TRIED...

I TRIED TO BUY HER OFF THIS AFTERNOON.

I GAVE HER ALL THE MONEY I HAD.

SARA, I...

I LOVE YOU.

I KNOW YOU DON'T WANT TO HEAR THAT RIGHT NOW,

BUT I DO.

SOMETHING I CAN HELP YOU WITH?

COME ON, GIRL.

COME ON, GIRL.

COME ON. [BARKS]

Jack: ALL RIGHT,SO WE'RE GONNA GOTO THE BOAT FIRST,

THEN THE FBI, RIGHT?

RIGHT.

KEYS, KEYS.

YOU GO ON AHEAD.

SARA.

I LOVE YOU.

I'LL MEET YOU THERE.

HI.

HI.

GOING SOMEWHERE?

NO. UM...

YEAH, I'M GONNA,UH...

I-I-I'M GONNAGO AWAY.

UH, ALONE.I JUST NEED TO,

YOU KNOW,SPEND SOME TIME--

WITH JACK.

I'M NOT STUPID, SARA.

I KNOW WHAT'S GOING ON.

AAH!

Kate: YOU'RENOT LEAVING ME!

GET OFF OF ME!

YOU KNOWTHAT I LOVE YOU!

NO! SARA, NO!

DON'T!

YOU'RE SOFUCKING SELFISH!

WHY ARE YOU DOING THIS TO ME?

HAVEN'T YOU FIGUREDIT OUT BY NOW?

HMM?

WE'RE LOVERS.NO.

STOP MOVING!

WE'VE BEEN FUCKING SINCE COLLEGE.

TWICE A WEEK SOMETIMES.

NO.

OH, YES.

YEAH.

REMEMBER THOSELITTLE DREAMSYOU USED TO HAVE?

THOSE SEXUAL DREAMS?

I WAS IN THEM,WASN'T I, BABY?

WASN'T I?[LAUGHS]

OH, AND THOSE HEADACHESTHAT YOU GET.

IT'S SO AMAZING THAT YOU'D ONLY GET THEM IN THE MORNING, HUH?

SORT OF LIKEA--A HANGOVER, OR...

MAYBE LIKE YOU WEREBEING DRUGGED, HUH?

[LAUGHING]

YOU KNOW, THE ONESTHAT I USED IN COLLEGE,

THEY WEREN'TVERY GOOD, YOU KNOW.

THEY WERE TOO POWERFUL.

THEY WERE.

YOU WOULD BE OUT

AND YOU'D BE USELESS.[LAUGHS]

BUT THE NEW ONES,OH, YEAH.

YOU JUST GOTTA LOVETHE DATE-RAPE DRUG, HUH?

OH, YES.

BABY?

I STILL HAVEN'TFIGURED OUT

WHAT TO DOABOUT THE HEADACHES.

I'M SORRY.

IT'S JUST THOSEDAMN SIDE EFFECTS.

OH, YOU LIKE THIS?

YOU DO, DON'T YOU?

OH, YOU LIKE THIS.

BABY, THAT'S RIGHT.THAT'S RIGHT.

I'LL TAKE YOUWHEREVER YOU WANNA GO.

OH, THAT'S MY GIRL.

OH, GOD,DON'T YOU LOVE IT?

I CAN MAKE YOUFEEL BETTER

THAN ANY MAN COULDEVER MAKE YOU FEEL.

WHEN ARE YOU--

WHEN ARE YOU JUSTGONNA REALIZE THAT, HUH?

OH, YEAH.

YOU LIKE THAT, HUH?

HUH, MY LOVE?

NOW, DOESN'T THATMAKE YOU FEEL GOOD?

[GUNSHOT]AAH!

OW! AAH!

[LAUGHING]

SARA.

I CAN'T BELIEVE YOU SHOT ME IN THE FOOT.

WHAT ARE YOU LAUGHING AT?

WHAT ARE YOU LAUGHING AT?

I'VE GOT YOUR GUN. I'VE GOT YOUR FILES.

I'VE GOT YOU.

I'VE GOT JACK.

NO, YOU DON'T.

HE HAS THE PICTURES OF THE LITTLE GIRL.

IT'S TOO FUCKING BAD

HE'S NOT GONNA GETA CHANCE TO USE THEM.

WHAT ARE YOU TALKING ABOUT?

[LAUGHING]

WHAT DID YOU DO?

TELL ME.

TELL ME! TELL ME!

RIGHT ABOUT NOW,

JACK IS, UH...

[GIGGLING]

HE'S SMELLING GAS

BECAUSE I PUNCHEDA FEW HOLESIN THE FUEL LINE,

AND THEN I, UM...

I DISCONNECTED A FEWOF THE WIRES

FROM THE BLOWER...

OW. FUCK, SARA!

OHH!

SO, WHEN HE SMELLS THE GAS,

HE GOES FOR THE BLOWER SWITCH,

AND BOOM!

IT'S BYE-BYE.

HE'S NOT GONNA ANSWER THE PHONE. I CUT THE WIRES.

GIVE ME A LITTLE FUCKING CREDIT.

OH, SARA, PLEASE DON'T POUT.

WE STILL HAVE EACH OTHER, RIGHT?

HOW ABOUT A LITTLE

T-OOOOO-AST?

[GUNSHOT]

TIME.

[EXPLOSION]

NO! [SOBBING]

SARA?

SARA.

OH, GOD. I THOUGHT YOU WERE ON THE BOAT!

[BARKS]

OH, JASPER.

♪ LOOK AROUND

♪ THERE'S NO ONE LEFT TO HEAR YOU NOW ♪

♪ GUESS YOU FOUND

♪ ADDICTION NEVER MAKES A SOUND ♪

♪ DIDN'T YOU TRY

♪ TO WALK AWAY

♪ FROM ALL YOUR HOPES

♪ AND YESTERDAYS

♪ THAT NEVER QUITE SEEM

♪ TO FADE AWAY

♪ THEY'RE JUST GETTING LONGER ♪

♪ SOMETIMES THEY HURT

♪ SOMETIMES THEY MAKE YOU ♪

♪ A LITTLE BIT STRONGER

♪ OH, YEAH

♪ ONE MORE TIME

♪ EVERYTHING HAS LET YOU DOWN ♪

♪ NOW YOU'LL FIND

♪ WHAT COMES AROUND STILL GOES AROUND ♪

♪ FALLING DOWN ALONG THE WAY ♪

♪ IT'S ALL PART OF LIFE'S PARADE ♪

♪ OH, YOU CRIED SO MUCH TODAY ♪

♪ YOU FELT IT HARDER

♪ OH, AND NOW

♪ YOU'RE A LITTLE BIT STRONGER ♪

♪ LA LA LA LA

♪ LA LA LA LA

♪ LA LA

♪ LOOK AROUND

♪ THERE'S NO ONE LEFT TO SAVE YOU NOW ♪

♪ GUESS YOU FOUND

♪ ADDICTION ONLY MAKES YOU DROWN ♪

♪ FALLING DOWN ALONG THE WAY ♪

♪ IT'S ALL PART OF LIFE'S PARADE ♪

♪ IT NEVER ENDS

♪ OR SEEMS TO FADE

♪ IT JUST GETS LONGER

♪ SO, DON'T BE AFRAID

♪ OF THE ROAD THAT YOU WANDER ♪

♪ IN THE END

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CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--