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hey there i'm mike ragnetta this is
crash course mythology and today we're
going to talk about symbols dreams and a
couple of very busty figurines it's the
great mother goddess you excited tote
yeah i know you don't have a mother you
created yourself but come on she's the
best unless of course she doesn't exist
and if that's the case what do i do with
all of these great goddess mother's day
cards
[Music]
the mother goddess is an archetype
psychology fans will know about
archetypes from the work of carl jung
who saw the repeated patterns in myths
as emanations of what he dubbed
humanity's collective unconscious
meaning the symbols and ideas that all
humans share simply as a result of being
human archetypes can be used to explain
why the same patterns emerge in
different myths from different places
throughout the world some of the
archetypes that repeat all willy-nilly
are the dying god the destroyer god the
trickster and the primordial pairing of
the sky and the earth hey sky dad hey
earth mom the archetypes we'll be
examining in the next few episodes are
just those the father creator and the
great mother ugh cosmic parents i mean i
guess the upside is that if you have to
move back in with them after graduation
their basement is literally infinite
downside being of course that it is also
literally hades we're doing an episode
on female divinity before archetypal
male divinity because there are some
theories that earth mom actually did
come first as i've pointed out most
human societies are patriarchal and have
been for a long long time but certain
historians sociologists archaeologists
literary critics and mythologists have
argued that in prehistoric times human
societies were more matrifocal less
violent and more cooperative the idea
that human societies began as matrifocal
and goddess-oriented goes back a long
long way with scholars asserting that
many if not most primitive societies
featured a religion that was based
around ideas of fertility and motherhood
according to mythologists scott leonard
and michael mcclure throughout the 19th
and 20th centuries the literature of
several disciplines took for granted the
existence of primal mother or great
goddess and further assumed that her
religion and the societies based upon it
were part of the primitive past from
which man happily escaped through the
logocentric power of intellect yeah
that's right we reasoned ourselves right
out of peace fertility and harmony good
go in human mind a leading proponent of
the great goddess theory was maria
gimboutus who connected archaeology to
the women's movement and who probably
would have liked it a lot if you put the
venus of villendorf on your sign at the
women's march those involved with the
goddess movement of which kimbutus was a
leader saw in this mother-centric
religion an appealing alternative to the
brutality materialism spiritual
bankruptcy and ecological
short-sightedness of modern patriarchal
social systems tell us what you really
think the goddess movement is a very
cool idea but it does have a couple
problems for one it's based a lot on
images like this one hey there she is
again the venus of villendorf sort of
makes you feel more fertile already but
here's the thing the discovery of female
figures like the venus of willendorf was
taken as evidence of religious practices
that focused on the fertility aspects of
the female but there's no real proof
that figurines like these were part of
any worship or ritual at all maybe they
were just sexy lawn ornaments there are
problems with creating a picture of
female-centric social organizations
based on figures like this that
signified fertility and magical desires
for successful births also we've
discovered lots of female figurines and
not all of them have the
attributes associated with fertility and
not all of the figurines are female many
of them are male a lot of them are even
androgynous this lack of gender
specificity points to what might be the
biggest challenge to the goddess school
it relies on modern gender binaries and
stereotyping supporters of the goddess
movement reversed the values of
male-dominated victorian era science
which saw women as primitive natural
beings separate from and inferior to
rational men
never questioning whether our
prehistoric forebears imposed the same
male female polarities upon their world
or held the same assumptions about the
erotic and the symbolic as we do this is
a good reminder that we always need to
be aware of how we are imposing our own
beliefs and values on history and
pre-history and if i can impose my own
values for a second yes victorian
science is the worst so maybe you
believe in a fertile peaceful
paleolithic matriarchal world order that
spawned great goddess myths around the
world maybe you don't but there are
stories of goddesses from everywhere at
all times and they share some
similarities one of the most common
literary ideas is that of the triple
goddess which robert graves wrote about
in his book the white goddess an
influential typology the triple goddess
sorts goddesses into one of three types
virgin mother and crone if you find this
virgin mother crown thing troubling you
are not alone it's a system that sees
women through the eyes of men and
basically categorizes them on whether
they're sexy and since that is
uncomfortable making we're going to look
at the basic roles of goddesses in myths
in the terms used by maria gambutas life
death and regeneration goddesses of life
are maternal often associated with the
life-giving earth the greek gaia is a
prime example although there aren't a
lot of myths about her specifically
she's often supplanted by demeter
sometimes these life-giving goddesses
are associated with primeval creation
like tiamat in the sumerian creation
stories or si pactly the great goddess
of mexico who swam through the
primordial waters of chaos in the form
of an enormous crocodile which seems
like a pretty sweet way to travel
life-giving goddesses are occasionally
seen as protectors as well as nurturers
an example is the persian goddess
anahita who was sometimes depicted in
armor sometimes as a nurturing mother
and who was said to have power over the
water in dry as heck with two hockey
sticks persia water mom brings forth and
preserves life and as moms often do also
probably reminds you to shower goddesses
of death are often seen as queens of the
underworld like persephone whom we've
met and isis who was able to resurrect
her husband osiris in these roles great
goddesses control the cycles of growth
decay and rebirth
the seasons one of the goddesses we met
in an earlier episode itsunami died and
went to the underworld after giving
birth to fire her husband isanagi went
to look for her but finding her as a
rotting corpse was terrified so he ran
away i mean can you blame him izanami
considered this a divorce which also
seems reasonable and so she returned to
the underworld on occasion goddesses
associated with death are portrayed as
witches or seers often appearing as wise
old women like the greek witch hecate
who is sometimes said to have three
heads a snakes a horses and a dogs
making her a one goddess petting zoo
death goddesses are also often
associated with fate apportioning a
person's life ordaining health disease
prosperity and suffering the greek
moirai and the norse norns were
goddesses of this type and finally
goddesses of regeneration often relate
to sexuality in myths appearing as
virgins or nymphs sometimes they're also
responsible for creativity according to
leonard and mcclure their pulsing sexual
energies impel mortal creation to renew
itself and thus their influence redeems
individual mortality through beauty
passion and offspring pulsing sexual
energy
is it getting hot in here is it just
these mother goddesses one other
interesting thing about goddesses of
regeneration they seem to have a
tendency to bestow their favors on
mortal men and that just does not seem
to work out for example we're going to
go somewhere we haven't visited yet
ireland take us there thoughtbubble one
irish regeneration goddess is neve of
the golden hair whose name means beauty
neve was the daughter of the sea and tyr
nanoog the land of the blessed one day
neve stole the poet ashen away from his
people and brought him to tiranganog
where they lived together as lovers for
what turned out to be a very long time
while he was with her ashin remained
young and virile and chanted as he was
ashan forgot about his people who
continued to age and to die as mortals
tend to do he stayed at tiernanog for
centuries and really it's tough to blame
him but ashin became homesick eventually
neve grew tired of his complaining so
she sent him home on a magical horse
with a warning not to dismount but as
soon as the magical steed touched human
soil the saddle buckle broke and ocean
fell to the ground in an instant all of
the centuries that ocean had spent on
the isle of the blessed caught up with
him and he grew old
and died strangely there's an almost
identical story from japan in this one
the sea goddess atohime falls in love
with a mortal fisherman and takes him to
her palace under the sea after a few
days of romance the fisherman starts to
worry about the people he left at home
he begs atohime to let him return and
she agrees but only if he promises to
carry a tiny box to the surface
and never open it so you see where this
is going hundreds of years had passed
not just a few days and guess what
he opens the box all of the years that
had passed surround him like a mist and
his body withers into dust thanks for
that thought bubble that was uplifting
so great mother goddesses can create the
world and grant you fertility and peace
and equality and all that other good
stuff
or they can steal you away from your
home ravish you for a couple centuries
and then turn your body into dust that's
part of what makes great goddesses so
powerful no matter what form they take
they're usually multifaceted unlike some
gods i could name zeus great goddesses
are almost always complex and
contradictory which is the way we like
it here at crash course i'm definitely
sending that mother's day card now
thanks for watching we'll see you next
time
check out our crash course mythology
tote tote bag and poster available now
at dftba.com crash course mythology is
filmed in the chad and stacy emigos
studio in indianapolis indiana and is
produced with the help of all of these
very nice people our animation team is
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a link to a free trial thanks for
watching and if we've learned anything
today it's that those old mythic words
ring true don't look in the box chicago
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