All language subtitles for Yprt 4

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it's<00:00:04.560> like<00:00:04.720> i<00:00:04.799> play<00:00:04.960> a<00:00:05.040> fast<00:00:05.359> linear<00:00:05.600> scale

it's like i play a fast linear scale

it's like i play a fast linear scale
would<00:00:06.080> be

thumb goes back a little bit not so much

thumb goes back a little bit not so much
you<00:00:26.560> know

you know

you know
but<00:00:28.160> there's<00:00:28.480> a<00:00:28.560> difference<00:00:29.039> yeah<00:00:29.519> sure

all right um

all right um
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that's<00:00:41.280> a<00:00:41.360> very<00:00:41.600> standard<00:00:42.000> blue<00:00:42.320> slick<00:00:43.040> like

that's a very standard blue slick like

that's a very standard blue slick like
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that<00:00:48.399> one's<00:00:48.719> alright

that one's alright

that one's alright
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i don't remember exactly what i did

i don't remember exactly what i did
there<00:01:19.040> but<00:01:19.119> if<00:01:19.280> i<00:01:19.360> played<00:01:19.600> a<00:01:19.600> little<00:01:19.759> slow

there but if i played a little slow

there but if i played a little slow
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uh there's there's almost on every album

uh there's there's almost on every album
there's<00:01:43.840> some<00:01:44.079> sort<00:01:44.320> of<00:01:44.399> blues<00:01:44.799> thing<00:01:45.040> that<00:01:45.200> i

there's some sort of blues thing that i

there's some sort of blues thing that i
do

do

do
uh<00:01:46.399> on<00:01:46.640> sevensign<00:01:47.280> it<00:01:47.360> was<00:01:47.759> i<00:01:47.920> don't<00:01:48.159> know

uh on sevensign it was i don't know

uh on sevensign it was i don't know
um

um

um
eclipse<00:01:51.439> was<00:01:51.600> like<00:01:51.759> better<00:01:52.079> mice<00:01:52.399> and<00:01:52.799> better

eclipse was like better mice and better

eclipse was like better mice and better
is<00:01:53.200> a<00:01:53.280> good<00:01:53.520> example<00:01:54.000> i<00:01:54.079> can<00:01:54.240> show<00:01:54.399> you<00:01:54.479> that

is a good example i can show you that

is a good example i can show you that
it's<00:01:54.960> a<00:01:55.119> riff<00:01:55.439> first<00:01:55.759> then<00:01:56.159> the<00:01:56.320> blues<00:01:56.640> part

it's a riff first then the blues part

it's a riff first then the blues part
you<00:01:57.119> know

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uh

uh

uh
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hmm

hmm

hmm
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uh

uh
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that's<00:03:24.959> one<00:03:25.200> example<00:03:25.680> from<00:03:26.080> that<00:03:26.319> album<00:03:26.720> uh

that's one example from that album uh

that's one example from that album uh
but<00:03:27.680> it's<00:03:27.840> always<00:03:28.159> some<00:03:28.400> blues<00:03:28.799> creeping<00:03:29.200> in

but it's always some blues creeping in

but it's always some blues creeping in
somewhere<00:03:30.000> here<00:03:30.159> and<00:03:30.319> there

somewhere here and there

somewhere here and there
um

um

um
on<00:03:33.280> um

on um

on um
on<00:03:35.040> magnum<00:03:35.440> opus<00:03:35.760> is<00:03:35.920> a<00:03:36.000> song<00:03:36.239> called<00:03:36.560> uh<00:03:37.120> no

on magnum opus is a song called uh no

on magnum opus is a song called uh no
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love lost it goes

love lost it goes
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it's like sort of like more hendrix blue

it's like sort of like more hendrix blue
style<00:04:00.000> thing

style thing

style thing
there's<00:04:01.120> always<00:04:01.519> always<00:04:02.080> something<00:04:02.319> on<00:04:02.480> every

there's always always something on every

there's always always something on every
album<00:04:03.280> like<00:04:03.519> that<00:04:03.840> you<00:04:04.000> know

album like that you know

album like that you know
those<00:04:05.360> are<00:04:05.439> the<00:04:05.439> ones<00:04:05.680> that<00:04:05.760> come<00:04:06.000> to<00:04:06.159> mind

those are the ones that come to mind

those are the ones that come to mind
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well it was it was a revelation

well it was it was a revelation
absolutely<00:04:19.759> a<00:04:19.759> revelation<00:04:20.320> it<00:04:20.639> was<00:04:20.799> what<00:04:21.040> made

absolutely a revelation it was what made

absolutely a revelation it was what made
me<00:04:21.359> want<00:04:21.519> to<00:04:21.600> stop<00:04:21.840> playing<00:04:22.000> guitar<00:04:22.400> in<00:04:22.400> the

me want to stop playing guitar in the

me want to stop playing guitar in the
first<00:04:22.720> place

first place

first place
um

um

um
i<00:04:25.040> just<00:04:25.199> liked<00:04:25.600> his<00:04:25.840> whole<00:04:26.000> attitude<00:04:26.479> and

i just liked his whole attitude and

i just liked his whole attitude and
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playing and look and everything

playing and look and everything
and<00:04:29.280> it<00:04:29.360> was<00:04:29.600> a<00:04:29.759> big<00:04:30.000> impact<00:04:30.639> definitely

um

um
sure<00:04:39.280> oh<00:04:39.520> let<00:04:39.680> me<00:04:39.840> see

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that's one another one i really like is

that's one another one i really like is
this<00:04:59.919> one

this one

this one
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oh

oh

oh
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wow

wow

wow
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well i mean that there's too many things

well i mean that there's too many things
to<00:06:09.039> mention<00:06:09.360> you<00:06:09.440> know<00:06:09.680> i<00:06:09.759> mean<00:06:09.919> the<00:06:10.080> thing<00:06:10.319> is

to mention you know i mean the thing is

to mention you know i mean the thing is
that

that

that
before<00:06:11.680> he<00:06:11.840> did<00:06:12.000> what<00:06:12.160> he<00:06:12.400> did<00:06:12.720> nobody<00:06:13.199> ever

before he did what he did nobody ever

before he did what he did nobody ever
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did it and i consider him the jesus of

did it and i consider him the jesus of
rock<00:06:16.319> guitar<00:06:16.960> you<00:06:17.039> know<00:06:17.360> consider<00:06:17.919> i<00:06:18.000> mean

rock guitar you know consider i mean

rock guitar you know consider i mean
there's<00:06:18.319> no<00:06:18.479> question<00:06:18.800> about<00:06:19.120> it<00:06:19.919> and<00:06:20.160> uh<00:06:20.560> the

there's no question about it and uh the

there's no question about it and uh the
impact<00:06:21.120> that<00:06:21.280> he<00:06:21.360> had<00:06:21.520> on<00:06:21.680> everybody<00:06:22.400> i<00:06:22.479> mean

impact that he had on everybody i mean

impact that he had on everybody i mean
is<00:06:23.919> unparalleled<00:06:24.639> by<00:06:24.880> anybody<00:06:25.280> else<00:06:25.759> and<00:06:26.000> uh

is unparalleled by anybody else and uh

is unparalleled by anybody else and uh
he<00:06:26.720> still<00:06:27.039> influences<00:06:27.520> me<00:06:28.240> in<00:06:28.479> in<00:06:28.639> a<00:06:28.720> way<00:06:29.039> you

he still influences me in in a way you

he still influences me in in a way you
know<00:06:29.759> i<00:06:29.840> mean<00:06:30.000> i<00:06:30.160> still<00:06:30.400> like<00:06:30.560> to<00:06:30.639> listen<00:06:30.880> to

know i mean i still like to listen to

know i mean i still like to listen to
him<00:06:31.120> and<00:06:31.199> everything

him and everything

him and everything
and<00:06:32.840> um<00:06:34.000> there's<00:06:34.240> not<00:06:34.400> enough<00:06:34.720> good<00:06:34.880> words<00:06:35.120> i

and um there's not enough good words i

and um there's not enough good words i
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can say about him you know

can say about him you know
so<00:06:37.199> obviously<00:06:37.520> that<00:06:37.680> everybody<00:06:38.000> else<00:06:38.240> thinks

so obviously that everybody else thinks

so obviously that everybody else thinks
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the same way i guess

the same way i guess
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uh well here here's one that takes a lot

uh well here here's one that takes a lot
of<00:06:52.560> stretching<00:06:53.039> it's<00:06:53.199> from<00:06:53.360> the<00:06:53.520> icarus<00:06:53.919> dream

of stretching it's from the icarus dream

of stretching it's from the icarus dream
suite

suite

suite
opus<00:06:55.759> five<00:06:56.000> no<00:06:56.240> it<00:06:56.240> was<00:06:56.400> four<00:06:56.639> in<00:06:56.800> fact

opus five no it was four in fact

opus five no it was four in fact
um<00:06:58.080> from<00:06:58.240> rising<00:06:58.560> force<00:06:58.880> it<00:06:58.960> goes<00:06:59.120> like<00:06:59.280> this

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and you said you won that slope too

and you said you won that slope too
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here's<00:07:52.160> a<00:07:52.319> good<00:07:52.479> example<00:07:52.960> of<00:07:53.120> uh

here's a good example of uh

here's a good example of uh
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forest stretches legatos

forest stretches legatos
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on two open strings is from a song

on two open strings is from a song
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called angel in heath

called angel in heath
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there is slow

there is slow
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do

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it's<00:08:55.680> quite<00:08:55.839> samples<00:08:56.160> e<00:08:56.320> minor

it's quite samples e minor

it's quite samples e minor
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uh i don't know

uh i don't know
it's<00:09:09.360> it's<00:09:09.680> just<00:09:09.920> something<00:09:10.320> you<00:09:10.640> i<00:09:10.880> guess<00:09:11.440> if

it's it's just something you i guess if

it's it's just something you i guess if
you<00:09:11.760> play<00:09:11.920> with<00:09:12.000> your<00:09:12.080> ears<00:09:12.480> and<00:09:12.560> don't<00:09:12.720> worry

you play with your ears and don't worry

you play with your ears and don't worry
so<00:09:13.120> much<00:09:13.279> about<00:09:13.440> what<00:09:13.600> your<00:09:13.680> fingers<00:09:14.080> do<00:09:14.800> and

so much about what your fingers do and

so much about what your fingers do and
if<00:09:15.200> it<00:09:15.279> sounds<00:09:15.760> good<00:09:16.240> then<00:09:16.480> it's<00:09:16.720> it's<00:09:16.880> good

if it sounds good then it's it's good

if it sounds good then it's it's good
you<00:09:17.519> know<00:09:17.760> i<00:09:17.839> mean<00:09:18.080> i<00:09:18.160> never<00:09:18.399> really<00:09:18.560> thought

you know i mean i never really thought

you know i mean i never really thought
about<00:09:19.200> picking<00:09:19.839> never<00:09:20.080> really<00:09:20.240> thought<00:09:20.399> about

about picking never really thought about

about picking never really thought about
my

my

my
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fingering nothing

fingering nothing
you<00:09:23.200> know<00:09:23.519> it's<00:09:23.680> always<00:09:24.080> something<00:09:24.399> that<00:09:24.480> came

you know it's always something that came

you know it's always something that came
quite<00:09:24.959> natural<00:09:25.279> to<00:09:25.440> me<00:09:25.519> and<00:09:25.680> whatever<00:09:26.320> sounded

quite natural to me and whatever sounded

quite natural to me and whatever sounded
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good that's what i did you know

good that's what i did you know
so<00:09:28.480> that's<00:09:28.720> that's<00:09:28.959> my<00:09:29.279> suggestion<00:09:29.760> that<00:09:29.920> you

so that's that's my suggestion that you

so that's that's my suggestion that you
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actually play with your ears don't worry

actually play with your ears don't worry
so<00:09:31.600> much<00:09:31.760> about<00:09:32.000> how<00:09:32.160> you<00:09:32.240> do<00:09:32.480> it

here's a lick that spans from all well

here's a lick that spans from all well
it's<00:09:37.440> actually<00:09:37.680> only<00:09:37.920> five<00:09:38.160> strings

it's actually only five strings

it's actually only five strings
from<00:09:39.360> e<00:09:39.680> from<00:09:39.839> a<00:09:40.000> to<00:09:40.240> e

from e from a to e

from e from a to e
and<00:09:41.279> something<00:09:41.519> like<00:09:41.680> this

and something like this

and something like this
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and uh you know basically what it is

and uh you know basically what it is
it's<00:09:50.480> a<00:09:50.560> scale

it's a scale

it's a scale
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like that you can do it in any any place

like that you can do it in any any place
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you know it's all scales really that's

you know it's all scales really that's
all<00:10:11.440> it<00:10:11.600> is

yeah oh yeah

yeah oh yeah
any<00:10:16.480> key

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it doesn't matter you know it's what it

it doesn't matter you know it's what it
is<00:10:36.880> is<00:10:37.040> that<00:10:37.440> if<00:10:37.600> you<00:10:37.680> learn<00:10:37.920> the<00:10:38.000> notes<00:10:38.320> in<00:10:38.399> the

is is that if you learn the notes in the

is is that if you learn the notes in the
scale<00:10:39.360> you<00:10:39.519> can<00:10:39.680> play<00:10:39.839> them<00:10:40.000> up<00:10:40.160> and<00:10:40.240> down<00:10:40.640> any

scale you can play them up and down any

scale you can play them up and down any
way<00:10:41.040> you<00:10:41.200> want

way you want

way you want
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and uh that's what it is really

and uh that's what it is really
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one

one

one
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um quite a long time ago my older sister

um quite a long time ago my older sister
used<00:12:45.760> to<00:12:45.839> listen<00:12:46.079> to<00:12:46.320> uh

used to listen to uh

used to listen to uh
very<00:12:47.360> early<00:12:47.680> genesis<00:12:48.240> records<00:12:48.720> and<00:12:49.200> i<00:12:49.519> found

very early genesis records and i found

very early genesis records and i found
it<00:12:50.000> very<00:12:50.160> interesting<00:12:50.480> the<00:12:50.639> chord

it very interesting the chord

it very interesting the chord
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progressions they used

progressions they used
and<00:12:52.880> then<00:12:53.040> i<00:12:53.200> realized<00:12:54.160> of<00:12:54.240> course<00:12:54.480> that<00:12:54.560> that

and then i realized of course that that

and then i realized of course that that
was<00:12:55.040> mainly<00:12:55.440> bach<00:12:56.000> influence<00:12:56.399> bakami<00:12:56.880> valley

was mainly bach influence bakami valley

was mainly bach influence bakami valley
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and stuff and

and stuff and
um<00:12:59.279> so<00:12:59.440> i<00:12:59.519> listened<00:12:59.760> a<00:12:59.839> lot<00:13:00.000> to<00:13:00.160> bach<00:13:00.800> and

um so i listened a lot to bach and

um so i listened a lot to bach and
vivaldi

vivaldi

vivaldi
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and that became a very big influence on

and that became a very big influence on
me<00:13:04.399> you<00:13:04.480> know<00:13:04.720> as<00:13:04.800> far<00:13:04.959> as<00:13:05.200> just<00:13:05.839> melodies<00:13:06.320> and

me you know as far as just melodies and

me you know as far as just melodies and
chord<00:13:06.639> progressions<00:13:07.200> and<00:13:07.680> stuff<00:13:07.920> like<00:13:08.079> that

chord progressions and stuff like that

chord progressions and stuff like that
and<00:13:09.120> sounds<00:13:09.600> and<00:13:09.760> everything<00:13:10.160> and<00:13:10.240> then<00:13:10.880> i

and sounds and everything and then i

and sounds and everything and then i
realized<00:13:11.600> uh<00:13:12.240> i<00:13:12.560> discovered

realized uh i discovered

realized uh i discovered
paganini<00:13:15.120> i<00:13:15.279> totally<00:13:15.600> realized<00:13:16.000> that<00:13:16.160> i

paganini i totally realized that i

paganini i totally realized that i
thought<00:13:16.399> the<00:13:16.639> violin<00:13:17.200> sound<00:13:17.600> was<00:13:17.839> my<00:13:18.000> fav<00:13:18.399> was

thought the violin sound was my fav was

thought the violin sound was my fav was
my<00:13:18.720> favorite<00:13:19.040> one

my favorite one

my favorite one
and<00:13:19.920> that's<00:13:20.160> what<00:13:20.399> i've<00:13:20.959> always<00:13:21.200> been<00:13:21.360> trying

and that's what i've always been trying

and that's what i've always been trying
to<00:13:21.680> explain<00:13:22.000> to<00:13:22.160> people<00:13:22.880> i'm<00:13:23.040> not<00:13:23.279> a<00:13:23.360> classical

to explain to people i'm not a classical

to explain to people i'm not a classical
guitar<00:13:24.240> player<00:13:24.720> at<00:13:24.880> all<00:13:25.440> i<00:13:25.680> play<00:13:25.920> classical

guitar player at all i play classical

guitar player at all i play classical
guitar<00:13:26.800> but<00:13:26.959> i<00:13:27.040> play<00:13:27.279> it

guitar but i play it

guitar but i play it
totally<00:13:28.399> unorthodox<00:13:29.120> i<00:13:29.200> don't<00:13:29.360> play<00:13:29.519> it<00:13:29.680> like

totally unorthodox i don't play it like

totally unorthodox i don't play it like
you're<00:13:30.000> supposed<00:13:30.480> to<00:13:31.040> or<00:13:31.200> nothing

you're supposed to or nothing

you're supposed to or nothing
and<00:13:33.680> i<00:13:33.760> used<00:13:33.920> it<00:13:34.000> as<00:13:34.399> a<00:13:34.560> flavor

and i used it as a flavor

and i used it as a flavor
to<00:13:36.079> the<00:13:36.320> electric<00:13:36.800> guitar<00:13:37.279> so<00:13:37.360> electric

to the electric guitar so electric

to the electric guitar so electric
guitar<00:13:38.000> is<00:13:38.079> definitely<00:13:38.320> my<00:13:38.480> main<00:13:38.720> instrument

well the baroque uh was um

well the baroque uh was um
baroque<00:13:52.560> was<00:13:52.720> always<00:13:53.120> very<00:13:53.360> structured

baroque was always very structured

baroque was always very structured
and<00:13:54.720> had<00:13:54.959> sort<00:13:55.120> of<00:13:55.199> a<00:13:55.279> rhythm<00:13:55.600> in<00:13:55.760> it<00:13:55.920> and<00:13:56.000> they

and had sort of a rhythm in it and they

and had sort of a rhythm in it and they
had<00:13:56.320> a<00:13:56.399> lot<00:13:56.560> of<00:13:56.639> counterpoint

had a lot of counterpoint

had a lot of counterpoint
uh<00:13:58.800> like<00:13:59.120> fugues<00:13:59.680> and<00:13:59.839> stuff<00:14:00.079> like<00:14:00.240> that<00:14:00.480> which

uh like fugues and stuff like that which

uh like fugues and stuff like that which
i<00:14:00.880> always<00:14:01.279> liked

i always liked

i always liked
and<00:14:02.639> for<00:14:02.720> some<00:14:02.880> reason<00:14:03.360> i<00:14:03.519> just<00:14:04.079> you<00:14:04.160> know<00:14:04.560> dug

and for some reason i just you know dug

and for some reason i just you know dug
it<00:14:04.880> more<00:14:05.040> than<00:14:05.199> anything<00:14:05.519> else<00:14:05.760> and<00:14:06.160> most<00:14:06.399> of

it more than anything else and most of

it more than anything else and most of
the<00:14:06.560> romantic<00:14:07.120> era<00:14:07.519> and

the romantic era and

the romantic era and
you<00:14:08.399> know<00:14:08.720> the

you know the

you know the
the<00:14:09.600> newest<00:14:10.000> classical<00:14:10.399> stuff<00:14:10.639> i<00:14:10.880> i<00:14:11.120> just

the newest classical stuff i i just

the newest classical stuff i i just
don't<00:14:11.680> quite<00:14:11.920> like<00:14:12.160> so<00:14:12.320> much<00:14:12.560> you<00:14:12.639> know

don't quite like so much you know

don't quite like so much you know
i<00:14:13.760> do<00:14:13.920> like<00:14:14.160> tchaikovsky<00:14:14.720> and<00:14:14.800> paganini<00:14:15.360> which

i do like tchaikovsky and paganini which

i do like tchaikovsky and paganini which
is<00:14:15.920> newer<00:14:16.480> than<00:14:16.639> baroque

is newer than baroque

is newer than baroque
and<00:14:18.000> beethoven<00:14:18.560> as<00:14:18.639> well<00:14:19.360> but

and beethoven as well but

and beethoven as well but
bach<00:14:21.519> vivaldi<00:14:22.079> and<00:14:22.480> albinoni<00:14:23.040> and<00:14:23.120> stuff<00:14:23.279> like

bach vivaldi and albinoni and stuff like

bach vivaldi and albinoni and stuff like
that<00:14:23.600> that<00:14:23.760> was<00:14:23.920> always<00:14:24.160> my<00:14:24.320> favorite

never

never
i<00:14:34.720> interpret<00:14:35.199> it<00:14:35.360> exactly<00:14:35.760> the<00:14:35.920> way<00:14:36.079> i<00:14:36.240> feel

i interpret it exactly the way i feel

i interpret it exactly the way i feel
it<00:14:37.440> should<00:14:37.600> be<00:14:37.680> interpreted<00:14:38.399> i<00:14:38.560> i<00:14:38.639> don't<00:14:39.040> play

it should be interpreted i i don't play

it should be interpreted i i don't play
it<00:14:39.440> not<00:14:39.680> for<00:14:39.839> note

it not for note

it not for note
except<00:14:41.920> sometimes<00:14:42.560> you<00:14:42.639> know<00:14:42.800> sometimes<00:14:43.199> i

except sometimes you know sometimes i

except sometimes you know sometimes i
play<00:14:43.519> norfolk<00:14:43.920> like<00:14:44.079> buddy<00:14:44.320> in<00:14:44.399> air<00:14:44.560> for

play norfolk like buddy in air for

play norfolk like buddy in air for
instance

instance

instance
um

um

um
i<00:14:47.440> take<00:14:47.600> it<00:14:47.680> more<00:14:47.839> like<00:14:48.079> an<00:14:48.240> influence<00:14:48.720> rather

i take it more like an influence rather

i take it more like an influence rather
than

than

than
something<00:14:50.079> that<00:14:50.240> i<00:14:50.480> try<00:14:50.720> to<00:14:51.279> completely

something that i try to completely

something that i try to completely
recreate<00:14:53.199> you<00:14:53.279> know

recreate you know

recreate you know
because<00:14:54.639> i<00:14:54.720> don't<00:14:54.880> play<00:14:55.040> it<00:14:55.120> on<00:14:55.199> a

because i don't play it on a

because i don't play it on a
conventional<00:14:55.760> instrument<00:14:56.160> anyway<00:14:56.639> you<00:14:56.720> know

conventional instrument anyway you know

conventional instrument anyway you know
i<00:14:57.279> do<00:14:57.440> flute<00:14:57.680> con<00:14:57.920> shadows<00:14:58.240> and<00:14:58.320> stuff<00:14:58.560> like

i do flute con shadows and stuff like

i do flute con shadows and stuff like
that<00:14:58.959> on<00:14:59.120> electric<00:14:59.440> guitar

that on electric guitar

that on electric guitar
you<00:15:00.560> know

well i mean

well i mean
it's<00:15:08.639> hard<00:15:08.800> to<00:15:09.199> explain<00:15:09.680> exactly<00:15:10.160> you<00:15:10.240> know

it's hard to explain exactly you know

it's hard to explain exactly you know
because<00:15:10.880> classical<00:15:11.279> music<00:15:11.519> wasn't<00:15:11.760> something

because classical music wasn't something

because classical music wasn't something
that<00:15:12.160> was<00:15:12.320> pushed<00:15:12.880> onto<00:15:13.199> me<00:15:13.360> you<00:15:13.440> know

that was pushed onto me you know

that was pushed onto me you know
um<00:15:14.720> it<00:15:14.880> was<00:15:15.040> something<00:15:15.279> that<00:15:15.519> i<00:15:15.680> discovered

um it was something that i discovered

um it was something that i discovered
and<00:15:16.480> i<00:15:16.639> decided<00:15:17.040> i<00:15:17.199> liked<00:15:17.600> it

and i decided i liked it

and i decided i liked it
and<00:15:19.199> uh<00:15:19.440> it's<00:15:19.600> hard<00:15:19.839> it's<00:15:19.920> hard<00:15:20.079> for<00:15:20.240> me<00:15:20.399> to

and uh it's hard it's hard for me to

and uh it's hard it's hard for me to
like<00:15:20.720> say<00:15:20.959> exactly<00:15:21.360> to<00:15:21.440> give<00:15:21.680> somebody<00:15:22.160> uh

like say exactly to give somebody uh

like say exactly to give somebody uh
like<00:15:22.639> a<00:15:23.199> a<00:15:23.360> recipe<00:15:24.320> for<00:15:24.720> what<00:15:24.880> was<00:15:25.040> good<00:15:25.279> for

like a a recipe for what was good for

like a a recipe for what was good for
them<00:15:26.160> so

them so

them so
you<00:15:27.040> just<00:15:27.120> gotta<00:15:27.360> listen<00:15:27.600> to<00:15:27.760> all<00:15:27.920> sorts<00:15:28.160> of

you just gotta listen to all sorts of

you just gotta listen to all sorts of
stuff<00:15:28.480> and<00:15:28.720> then<00:15:28.880> decide<00:15:29.279> what<00:15:29.440> you<00:15:29.600> think<00:15:29.839> is

stuff and then decide what you think is

stuff and then decide what you think is
good<00:15:30.240> you<00:15:30.399> know

good you know

good you know
i<00:15:31.360> have<00:15:31.519> to<00:15:31.680> like<00:15:31.920> bach

i have to like bach

i have to like bach
uh<00:15:33.279> all<00:15:33.440> sorts<00:15:33.680> of<00:15:33.759> bach<00:15:34.160> you<00:15:34.240> know<00:15:34.480> so<00:15:34.639> called

uh all sorts of bach you know so called

uh all sorts of bach you know so called
phillip<00:15:35.120> emmanuel<00:15:35.519> bach<00:15:35.759> johann<00:15:36.000> sebastian

phillip emmanuel bach johann sebastian

phillip emmanuel bach johann sebastian
bach<00:15:36.800> whatever

bach whatever

bach whatever
um

um

um
and<00:15:39.600> you<00:15:39.680> know<00:15:39.920> something<00:15:40.560> beethoven<00:15:41.040> some

and you know something beethoven some

and you know something beethoven some
mozart<00:15:42.240> some<00:15:42.560> i'll<00:15:42.639> be<00:15:42.880> only<00:15:43.519> you<00:15:43.600> know

mozart some i'll be only you know

mozart some i'll be only you know
tchaikovsky<00:15:44.560> vivaldi<00:15:45.279> paganini<00:15:46.399> uh<00:15:46.880> that's

tchaikovsky vivaldi paganini uh that's

tchaikovsky vivaldi paganini uh that's
what<00:15:47.360> i<00:15:47.600> like<00:15:47.839> but<00:15:48.000> that<00:15:48.160> doesn't<00:15:48.320> mean

what i like but that doesn't mean

what i like but that doesn't mean
everybody<00:15:48.800> else<00:15:48.959> would<00:15:49.120> like<00:15:49.360> it<00:15:49.440> so<00:15:49.680> just<00:15:50.000> you

everybody else would like it so just you

everybody else would like it so just you
know<00:15:50.240> have<00:15:50.399> to<00:15:50.480> go<00:15:50.639> through<00:15:50.880> all<00:15:51.279> sorts<00:15:51.519> of<00:15:51.680> it

know have to go through all sorts of it

know have to go through all sorts of it
you<00:15:51.839> know

everyone

everyone
everyone<00:16:02.639> has<00:16:02.959> some<00:16:03.199> sort<00:16:03.440> of<00:16:03.519> classical

everyone has some sort of classical

everyone has some sort of classical
influence

influence

influence
and<00:16:05.279> and<00:16:05.440> i'm<00:16:05.519> not<00:16:05.920> i'm<00:16:06.160> not<00:16:06.399> meaning

and and i'm not i'm not meaning

and and i'm not i'm not meaning
a<00:16:07.680> theme<00:16:08.160> or<00:16:08.320> a<00:16:08.399> chord<00:16:08.560> progression<00:16:09.199> from<00:16:09.519> an

a theme or a chord progression from an

a theme or a chord progression from an
actual<00:16:10.079> classical<00:16:10.560> piece<00:16:11.199> more<00:16:11.440> like

actual classical piece more like

actual classical piece more like
the<00:16:12.560> way<00:16:12.880> they<00:16:13.199> actually<00:16:13.600> wrote<00:16:13.920> and<00:16:14.079> why<00:16:14.320> they

the way they actually wrote and why they

the way they actually wrote and why they
composed<00:16:15.040> and<00:16:15.120> the<00:16:15.199> way<00:16:15.360> they<00:16:15.519> would<00:16:15.759> arrange

composed and the way they would arrange

composed and the way they would arrange
that's<00:16:17.040> the<00:16:17.199> influence

here's an example of what i do when i

here's an example of what i do when i
just<00:16:22.560> borrow<00:16:22.880> a<00:16:23.040> classical<00:16:23.440> piece<00:16:23.680> and<00:16:24.320> play

just borrow a classical piece and play

just borrow a classical piece and play
it<00:16:24.639> my<00:16:24.880> own<00:16:24.959> way<00:16:25.199> this<00:16:25.360> is<00:16:25.519> a<00:16:25.680> bach<00:16:26.000> piece

it my own way this is a bach piece

it my own way this is a bach piece
it's<00:16:27.360> called<00:16:27.680> air<00:16:27.839> on<00:16:28.000> the<00:16:28.079> g<00:16:28.240> string<00:16:28.560> i<00:16:28.720> play

it's called air on the g string i play

it's called air on the g string i play
it<00:16:28.959> like<00:16:29.120> this

it like this

it like this
[Music]

which is not the orthodox way it's my

which is not the orthodox way it's my
way

okay now i'm going to show you some of

okay now i'm going to show you some of
my<00:17:13.520> own

my own

my own
semi-classical<00:17:15.520> compositions<00:17:16.160> that<00:17:16.319> i<00:17:16.400> do<00:17:16.559> on

semi-classical compositions that i do on

semi-classical compositions that i do on
nylon<00:17:17.039> string<00:17:17.280> guitars

nylon string guitars

nylon string guitars
but

but

but
i'm<00:17:19.760> first<00:17:20.000> going<00:17:20.079> to<00:17:20.160> tell<00:17:20.319> you<00:17:20.400> a<00:17:20.480> bit<00:17:20.640> about

i'm first going to tell you a bit about

i'm first going to tell you a bit about
this<00:17:21.039> bizarre<00:17:21.439> instrument<00:17:21.839> here<00:17:22.480> it<00:17:22.640> looks

this bizarre instrument here it looks

this bizarre instrument here it looks
like<00:17:22.959> a<00:17:23.039> standard<00:17:23.360> stratocaster<00:17:24.079> but<00:17:24.720> it

like a standard stratocaster but it

like a standard stratocaster but it
isn't

isn't

isn't
it<00:17:26.160> sounds<00:17:26.480> like<00:17:26.640> a<00:17:26.720> classical<00:17:27.120> guitar

it sounds like a classical guitar

it sounds like a classical guitar
because<00:17:28.160> it<00:17:28.319> has<00:17:28.480> nylon<00:17:28.960> strings

because it has nylon strings

because it has nylon strings
and<00:17:30.160> a<00:17:30.240> pickup<00:17:30.720> in<00:17:30.880> here<00:17:31.520> as<00:17:31.679> you<00:17:31.760> can<00:17:31.919> see<00:17:32.160> no

and a pickup in here as you can see no

and a pickup in here as you can see no
pickups<00:17:32.720> here

pickups here

pickups here
you<00:17:34.880> know<00:17:35.120> and<00:17:35.280> it<00:17:35.360> sounds<00:17:35.679> like

you know and it sounds like

you know and it sounds like
[Music]

[Music]

[Music]
it's<00:17:38.240> like<00:17:38.400> a<00:17:38.480> classical<00:17:38.880> guitars<00:17:39.840> pretty

it's like a classical guitars pretty

it's like a classical guitars pretty
amazing<00:17:40.799> built<00:17:40.960> by<00:17:41.200> fender

amazing built by fender

amazing built by fender
very<00:17:42.880> good<00:17:43.120> indeed

very good indeed

very good indeed
here<00:17:44.559> here<00:17:44.720> is<00:17:44.880> the<00:17:45.200> uh<00:17:45.440> intro<00:17:45.840> for<00:17:46.000> a<00:17:46.080> song

here here is the uh intro for a song

here here is the uh intro for a song
called<00:17:46.559> black<00:17:46.799> star<00:17:47.120> from<00:17:47.280> the<00:17:47.360> album<00:17:47.679> rising

called black star from the album rising

called black star from the album rising
force<00:17:48.720> it's<00:17:49.039> a

force it's a

force it's a
sort<00:17:50.240> of<00:17:50.799> in<00:17:50.960> a<00:17:51.039> classical<00:17:51.520> vein

sort of in a classical vein

sort of in a classical vein
i<00:17:52.799> wrote<00:17:53.039> it<00:17:53.120> though

i wrote it though

i wrote it though
[Music]

[Music]

[Music]
all<00:18:40.000> right<00:18:40.400> let's<00:18:40.559> talk<00:18:40.799> about<00:18:41.440> the<00:18:41.679> main

all right let's talk about the main

all right let's talk about the main
classical<00:18:42.400> composers<00:18:42.960> that<00:18:43.200> had<00:18:43.360> a<00:18:43.440> great

classical composers that had a great

classical composers that had a great
impact<00:18:44.400> on<00:18:44.559> me

impact on me

impact on me
there<00:18:45.520> are<00:18:45.760> more<00:18:45.919> than<00:18:46.160> those<00:18:46.799> that<00:18:46.960> we're

there are more than those that we're

there are more than those that we're
gonna<00:18:47.280> do<00:18:47.520> some<00:18:47.760> four<00:18:48.000> of<00:18:48.080> them<00:18:48.240> now<00:18:48.960> but<00:18:49.200> um

gonna do some four of them now but um

gonna do some four of them now but um
the<00:18:50.320> first<00:18:50.559> one<00:18:50.799> would<00:18:50.960> be<00:18:51.440> probably<00:18:52.000> bach

influenced me a lot of in the pedal

influenced me a lot of in the pedal
notes<00:18:56.720> and<00:18:56.880> stuff<00:18:57.120> like<00:18:57.280> that<00:18:58.000> and<00:18:58.160> i<00:18:58.240> can<00:18:58.559> for

notes and stuff like that and i can for

notes and stuff like that and i can for
instance<00:18:59.120> uh<00:18:59.200> the

instance uh the

instance uh the
two<00:19:01.360> californian<00:19:01.919> d<00:19:02.080> minor

[Music]

[Music]
something<00:19:18.000> like<00:19:18.160> that<00:19:18.400> you<00:19:18.480> know<00:19:18.799> it<00:19:18.960> was<00:19:19.039> a

something like that you know it was a

something like that you know it was a
little<00:19:19.200> sloppy<00:19:19.520> there<00:19:19.679> but<00:19:20.160> that<00:19:20.400> just<00:19:20.799> this

little sloppy there but that just this

little sloppy there but that just this
principle<00:19:21.440> of<00:19:21.520> that<00:19:22.080> also<00:19:22.720> his<00:19:23.120> in<00:19:23.200> there<00:19:23.440> in<00:19:23.520> b

principle of that also his in there in b

principle of that also his in there in b
minor

minor

minor
[Music]

i was also done a little sloppy but to

i was also done a little sloppy but to
get<00:19:58.799> general<00:19:59.120> idea

get general idea

get general idea
it's<00:20:00.320> also<00:20:00.640> the<00:20:00.720> arpeggios<00:20:01.520> and<00:20:01.600> the<00:20:01.760> whole

it's also the arpeggios and the whole

it's also the arpeggios and the whole
notation<00:20:02.720> of<00:20:02.880> it

notation of it

notation of it
another<00:20:04.640> one<00:20:04.799> is<00:20:04.960> vivaldi

another one is vivaldi

another one is vivaldi
uh

uh

uh
i<00:20:07.360> don't<00:20:07.520> know<00:20:07.840> uh<00:20:08.080> any<00:20:08.320> exact<00:20:08.640> pieces<00:20:08.960> but<00:20:09.200> uh

i don't know uh any exact pieces but uh

i don't know uh any exact pieces but uh
everything<00:20:09.840> is<00:20:09.919> done<00:20:10.080> like<00:20:10.240> the<00:20:10.320> flute

everything is done like the flute

everything is done like the flute
concertos<00:20:10.960> and<00:20:11.039> everything<00:20:11.280> and<00:20:11.360> i<00:20:11.520> did

concertos and everything and i did

concertos and everything and i did
something<00:20:12.080> on<00:20:12.320> the

something on the

something on the
the<00:20:13.200> album<00:20:13.600> magnum<00:20:14.000> opus<00:20:14.400> it's<00:20:14.559> called<00:20:14.799> the

the album magnum opus it's called the

the album magnum opus it's called the
countability<00:20:16.240> i'll<00:20:16.400> do<00:20:16.559> a<00:20:16.640> little<00:20:16.799> bit<00:20:16.960> of<00:20:17.120> it

countability i'll do a little bit of it

countability i'll do a little bit of it
it's<00:20:17.360> quite<00:20:17.600> long<00:20:17.840> so<00:20:17.919> i'll<00:20:18.000> do<00:20:18.240> just<00:20:18.400> a<00:20:18.480> little

it's quite long so i'll do just a little

it's quite long so i'll do just a little
bit

it goes longer

it goes longer
but<00:20:58.960> that's<00:20:59.200> one<00:20:59.360> of<00:20:59.360> the<00:20:59.440> things<00:20:59.679> and<00:20:59.840> also

but that's one of the things and also

but that's one of the things and also
everything<00:21:00.640> from<00:21:00.799> the<00:21:01.120> flute<00:21:01.360> concertos<00:21:01.919> to

everything from the flute concertos to

everything from the flute concertos to
uh<00:21:02.720> the<00:21:02.880> four<00:21:03.200> seasons<00:21:03.679> and<00:21:03.840> everything<00:21:04.159> like

uh the four seasons and everything like

uh the four seasons and everything like
that

that

that
then<00:21:06.799> of<00:21:06.880> course<00:21:07.039> we<00:21:07.200> have<00:21:07.280> paganini

then of course we have paganini

then of course we have paganini
where

where

where
i<00:21:10.720> think<00:21:11.039> all<00:21:11.200> my<00:21:11.440> ideas<00:21:11.760> of<00:21:11.919> power<00:21:12.159> arpeggios

i think all my ideas of power arpeggios

i think all my ideas of power arpeggios
actually<00:21:13.039> originated<00:21:13.520> from

actually originated from

actually originated from
i<00:21:14.799> don't<00:21:14.960> know<00:21:15.200> the<00:21:15.360> exact<00:21:15.760> pieces<00:21:16.080> but<00:21:16.240> i<00:21:16.320> can

i don't know the exact pieces but i can

i don't know the exact pieces but i can
show<00:21:16.559> you<00:21:16.640> an<00:21:16.720> example<00:21:17.200> of<00:21:17.280> what

show you an example of what

show you an example of what
some<00:21:18.720> of<00:21:18.799> the<00:21:18.880> things<00:21:19.039> that<00:21:19.200> he<00:21:19.280> would<00:21:19.520> do

some of the things that he would do

some of the things that he would do
[Music]

[Music]

[Music]
something<00:21:26.960> like<00:21:27.120> that<00:21:27.360> or<00:21:27.760> the<00:21:27.919> fourth

something like that or the fourth

something like that or the fourth
violent<00:21:28.799> concerto

violent concerto

violent concerto
[Music]

[Music]

[Music]
[Applause]

[Applause]

[Applause]
[Music]

[Music]

[Music]
[Applause]

[Applause]

[Applause]
[Music]

[Music]

[Music]
okay<00:21:51.280> that's<00:21:51.600> paganini<00:21:52.080> but<00:21:52.240> there's<00:21:52.400> of

okay that's paganini but there's of

okay that's paganini but there's of
course<00:21:52.720> there's<00:21:52.880> a<00:21:52.960> lot<00:21:53.200> more<00:21:53.440> to<00:21:54.159> everything

course there's a lot more to everything

course there's a lot more to everything
they've<00:21:54.799> done

they've done

they've done
then<00:21:55.919> of<00:21:56.080> course<00:21:56.240> we<00:21:56.400> have<00:21:56.559> also<00:21:56.960> beethoven

then of course we have also beethoven

then of course we have also beethoven
i<00:21:58.640> used<00:21:58.799> to<00:21:58.880> do<00:21:59.120> in<00:21:59.280> my<00:21:59.440> solo<00:21:59.840> the<00:22:00.000> fifth

i used to do in my solo the fifth

i used to do in my solo the fifth
symphony

symphony

symphony
[Music]

[Music]

[Music]
[Applause]

[Applause]

[Applause]
[Music]

so i i just do short bits of it

so i i just do short bits of it
um

um

um
that's<00:22:28.159> pretty<00:22:28.400> much<00:22:28.720> it<00:22:28.960> except<00:22:29.280> for

that's pretty much it except for

that's pretty much it except for
the<00:22:30.880> ninth

the ninth

the ninth
beethoven

beethoven

beethoven
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[Applause]

[Applause]
[Music]

[Music]

[Music]
oh

as i said earlier on i never play them

as i said earlier on i never play them
exactly<00:22:58.159> like<00:22:58.320> they're<00:22:58.480> supposed<00:22:58.799> to<00:22:58.880> be<00:22:59.039> i

exactly like they're supposed to be i

exactly like they're supposed to be i
just<00:22:59.520> borrow<00:22:59.919> ideas<00:23:00.320> from<00:23:00.559> it<00:23:01.039> and<00:23:01.200> i<00:23:01.360> do<00:23:01.520> my

just borrow ideas from it and i do my

just borrow ideas from it and i do my
thing

[Music]

[Music]
[Applause]

all right let's talk a little bit about

all right let's talk a little bit about
vibrato<00:24:54.559> which<00:24:54.799> i<00:24:55.039> consider

vibrato which i consider

vibrato which i consider
probably<00:24:56.720> the<00:24:56.880> fingerprint<00:24:57.440> of<00:24:57.600> any<00:24:57.840> player

probably the fingerprint of any player

probably the fingerprint of any player
or<00:24:58.960> any<00:24:59.200> singer<00:24:59.600> or<00:25:00.000> violinist<00:25:00.559> or<00:25:00.640> anything

or any singer or violinist or anything

or any singer or violinist or anything
like<00:25:01.120> that<00:25:01.840> vibrato<00:25:02.480> is

like that vibrato is

like that vibrato is
this

this

this
okay<00:25:06.480> you<00:25:06.559> can<00:25:06.640> do<00:25:06.799> vibrato<00:25:07.279> very<00:25:07.600> fast

okay you can do vibrato very fast

okay you can do vibrato very fast
we<00:25:09.440> can<00:25:09.520> do<00:25:09.679> it<00:25:09.840> slow

we can do it slow

we can do it slow
you<00:25:12.080> can<00:25:12.240> do<00:25:12.400> it<00:25:12.559> up<00:25:12.880> and<00:25:13.039> down<00:25:13.520> or<00:25:14.159> just<00:25:14.480> up<00:25:14.720> or

you can do it up and down or just up or

you can do it up and down or just up or
just<00:25:15.200> down<00:25:16.000> from<00:25:16.159> the<00:25:16.240> vibrato<00:25:16.880> bar<00:25:17.360> and<00:25:17.520> stuff

just down from the vibrato bar and stuff

just down from the vibrato bar and stuff
like<00:25:17.919> that<00:25:18.400> where<00:25:18.559> you<00:25:18.640> can<00:25:18.880> bend<00:25:19.120> up

like that where you can bend up

like that where you can bend up
[Music]

in any event what i in my opinion what i

in any event what i in my opinion what i
like<00:25:28.320> the<00:25:28.400> best<00:25:28.640> is<00:25:29.039> a<00:25:29.200> wide<00:25:29.520> slow<00:25:29.760> vibrato

like the best is a wide slow vibrato

like the best is a wide slow vibrato
which<00:25:30.640> would<00:25:30.799> be

which would be

which would be
[Music]

[Music]

[Music]
very<00:25:37.360> violent<00:25:37.919> violin<00:25:38.400> style<00:25:39.120> you<00:25:39.279> know

very violent violin style you know

very violent violin style you know
what<00:25:40.159> i

what i

what i
try<00:25:41.360> to<00:25:41.520> emulate<00:25:41.840> the<00:25:42.000> cell<00:25:42.320> like<00:25:42.480> you<00:25:42.559> know

try to emulate the cell like you know

try to emulate the cell like you know
this<00:25:42.960> vibrators<00:25:43.520> with<00:25:43.760> is<00:25:44.000> like<00:25:44.240> mostly

this vibrators with is like mostly

this vibrators with is like mostly
violin<00:25:45.440> and<00:25:45.679> influenced

violin and influenced

violin and influenced
you<00:25:47.039> can<00:25:47.120> do<00:25:47.279> very<00:25:47.520> broadly<00:25:47.760> with<00:25:47.919> the<00:25:48.080> travel

you can do very broadly with the travel

you can do very broadly with the travel
bar

you can do it all sorts of different

you can do it all sorts of different
ways<00:25:55.840> you<00:25:55.919> can<00:25:56.000> do<00:25:56.080> it<00:25:56.159> like<00:25:56.400> this

depends depends on what effect you want

depends depends on what effect you want
to<00:26:02.799> get

to get

to get
you<00:26:03.919> know<00:26:04.159> when<00:26:04.320> you<00:26:04.480> bend<00:26:04.720> the<00:26:04.799> string

you know when you bend the string

you know when you bend the string
[Applause]

it's once again

it's once again
it's<00:26:13.600> playing<00:26:13.760> with<00:26:13.919> your<00:26:14.080> ears<00:26:14.880> that's<00:26:15.039> what

it's playing with your ears that's what

it's playing with your ears that's what
it's<00:26:15.360> all<00:26:15.520> about

it's all about

it's all about
whatever<00:26:16.799> sounds<00:26:17.039> good<00:26:17.200> to<00:26:17.360> you<00:26:17.600> it's<00:26:17.760> good

whatever sounds good to you it's good

whatever sounds good to you it's good
you<00:26:18.799> know

you know

you know
i<00:26:20.159> for<00:26:20.400> one<00:26:20.720> like<00:26:20.960> it<00:26:21.120> slow<00:26:21.679> but

i for one like it slow but

i for one like it slow but
there<00:26:23.600> you<00:26:23.679> have<00:26:23.919> it

very much very much indeed

very much very much indeed
pitch<00:26:33.200> is<00:26:33.600> really<00:26:34.080> all<00:26:34.400> it's<00:26:34.559> all<00:26:34.799> about

pitch is really all it's all about

pitch is really all it's all about
you<00:26:35.840> know<00:26:36.080> when<00:26:36.240> you<00:26:36.400> bend<00:26:36.640> the<00:26:36.720> string

you know when you bend the string

you know when you bend the string
you<00:26:39.520> bend<00:26:39.760> it<00:26:39.919> from<00:26:40.080> that

you bend it from that

you bend it from that
you<00:26:42.000> know<00:26:42.240> so<00:26:42.400> you<00:26:42.480> gotta<00:26:42.720> know<00:26:42.960> exactly<00:26:43.279> when

you know so you gotta know exactly when

you know so you gotta know exactly when
you're<00:26:43.679> actually<00:26:43.840> hitting<00:26:44.080> that<00:26:44.320> particular

you're actually hitting that particular

you're actually hitting that particular
pitch

pitch

pitch
and<00:26:45.760> then<00:26:46.000> you<00:26:46.159> throw<00:26:46.400> in<00:26:46.480> the<00:26:46.559> vibrato

and then you throw in the vibrato

and then you throw in the vibrato
afterwards<00:26:48.080> and<00:26:48.320> vibrators<00:26:48.880> as<00:26:49.039> i<00:26:49.200> said<00:26:49.679> very

afterwards and vibrators as i said very

afterwards and vibrators as i said very
very<00:26:50.159> important

very important

very important
in<00:26:51.520> my<00:26:51.679> opinion<00:26:52.080> in<00:26:52.159> all<00:26:52.320> sorts<00:26:52.559> of<00:26:52.640> music

in my opinion in all sorts of music

in my opinion in all sorts of music
singing<00:26:53.440> violin<00:26:53.840> whatever<00:26:54.240> flute

singing violin whatever flute

singing violin whatever flute
but<00:26:56.559> the<00:26:56.720> best<00:26:57.039> way<00:26:57.279> to<00:26:57.440> learn<00:26:57.760> that<00:26:58.320> is<00:26:58.559> not<00:26:58.720> to

but the best way to learn that is not to

but the best way to learn that is not to
worry<00:26:59.200> so<00:26:59.360> much<00:26:59.520> about<00:26:59.760> the<00:26:59.919> fingers<00:27:00.480> and

worry so much about the fingers and

worry so much about the fingers and
picking<00:27:01.919> and<00:27:02.320> all<00:27:02.400> that<00:27:02.640> stuff<00:27:02.960> and<00:27:03.039> then

picking and all that stuff and then

picking and all that stuff and then
string<00:27:03.600> don't<00:27:03.760> worry<00:27:03.919> so<00:27:04.080> much<00:27:04.159> about<00:27:04.400> it<00:27:04.559> play

string don't worry so much about it play

string don't worry so much about it play
with<00:27:04.799> your<00:27:04.960> ears<00:27:06.240> use<00:27:06.480> your<00:27:06.720> ears<00:27:07.440> and<00:27:07.600> if<00:27:07.760> it

with your ears use your ears and if it

with your ears use your ears and if it
sounds<00:27:08.320> good<00:27:08.640> it<00:27:08.799> is<00:27:09.039> good<00:27:09.520> that's<00:27:09.760> all<00:27:09.919> i<00:27:10.080> can

sounds good it is good that's all i can

sounds good it is good that's all i can
say<00:27:10.400> the<00:27:10.559> only<00:27:10.720> the<00:27:10.799> best<00:27:11.039> lesson<00:27:11.279> i<00:27:11.440> can<00:27:11.520> give

say the only the best lesson i can give

say the only the best lesson i can give
anybody

anybody

anybody
you<00:27:12.960> know<00:27:13.360> because<00:27:13.600> nobody<00:27:13.919> ever<00:27:14.080> taught<00:27:14.320> me

you know because nobody ever taught me

you know because nobody ever taught me
anything<00:27:14.880> i<00:27:14.960> never<00:27:15.200> took<00:27:15.360> a<00:27:15.440> lesson<00:27:15.760> in<00:27:15.840> my

anything i never took a lesson in my

anything i never took a lesson in my
life

life

life
i<00:27:17.200> always<00:27:17.440> play<00:27:17.679> with<00:27:17.760> my<00:27:17.919> ears

i always play with my ears

i always play with my ears
and<00:27:19.039> it<00:27:19.200> seemed<00:27:19.440> to<00:27:19.520> work<00:27:20.159> so<00:27:20.320> that's<00:27:20.559> my<00:27:20.720> best

and it seemed to work so that's my best

and it seemed to work so that's my best
lesson

lesson

lesson
best<00:27:22.880> advice

all right now we're going to do a a

all right now we're going to do a a
track<00:27:34.399> called<00:27:34.799> overture<00:27:35.520> 1622

track called overture 1622

track called overture 1622
uh<00:27:37.760> where<00:27:38.000> there's<00:27:38.399> two

uh where there's two

uh where there's two
major<00:27:39.600> guitar<00:27:40.080> parts<00:27:40.640> and<00:27:41.120> there's<00:27:41.360> one

major guitar parts and there's one

major guitar parts and there's one
lead<00:27:43.440> melody<00:27:44.080> and<00:27:44.159> then<00:27:44.320> there's<00:27:44.559> a

lead melody and then there's a

lead melody and then there's a
counterpoint<00:27:45.120> to<00:27:45.279> that

counterpoint to that

counterpoint to that
what<00:27:47.120> we<00:27:47.200> gotta<00:27:47.360> do<00:27:47.520> first<00:27:47.840> is<00:27:48.000> the<00:27:48.159> first<00:27:48.480> take

what we gotta do first is the first take

what we gotta do first is the first take
that's<00:27:49.679> when<00:27:49.840> you're<00:27:49.919> gonna<00:27:50.080> hit<00:27:50.320> without

that's when you're gonna hit without

that's when you're gonna hit without
counterpoint<00:27:51.360> and<00:27:51.440> it<00:27:51.520> sounds<00:27:51.760> something

counterpoint and it sounds something

counterpoint and it sounds something
like<00:27:52.240> this