All language subtitles for Part 1)

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hello<00:00:41.440> i'm<00:00:41.600> ingvar<00:00:42.079> malmsteen<00:00:42.800> in

hello i'm ingvar malmsteen in

hello i'm ingvar malmsteen in
and<00:00:44.559> welcome<00:00:45.120> to<00:00:45.280> my<00:00:45.440> video<00:00:45.760> here<00:00:45.920> we're<00:00:46.079> going

and welcome to my video here we're going

and welcome to my video here we're going
to<00:00:46.239> talk<00:00:46.399> a<00:00:46.399> little<00:00:46.559> bit<00:00:46.719> about<00:00:47.200> my<00:00:47.360> style<00:00:47.680> of

to talk a little bit about my style of

to talk a little bit about my style of
playing<00:00:48.079> and<00:00:48.160> hopefully<00:00:48.480> you're<00:00:48.559> going<00:00:48.640> to

playing and hopefully you're going to

playing and hopefully you're going to
learn<00:00:49.039> something

learn something

learn something
and<00:00:50.399> today<00:00:50.640> we're<00:00:50.800> going<00:00:50.879> to<00:00:50.960> talk<00:00:51.120> about

and today we're going to talk about

and today we're going to talk about
picking<00:00:51.760> phrases<00:00:52.399> legato<00:00:52.879> phrases<00:00:53.440> harmonic

picking phrases legato phrases harmonic

picking phrases legato phrases harmonic
minor<00:00:54.800> and<00:00:54.879> diminished

minor and diminished

minor and diminished
chord<00:00:56.800> progressions<00:00:57.280> and<00:00:57.360> so<00:00:57.600> forth

chord progressions and so forth

chord progressions and so forth
and<00:00:58.719> um<00:00:59.440> hopefully<00:00:59.760> you're<00:00:59.920> going<00:01:00.000> to<00:01:00.079> enjoy

and um hopefully you're going to enjoy

and um hopefully you're going to enjoy
it<00:01:00.399> as<00:01:00.480> much<00:01:00.719> as<00:01:01.039> i<00:01:01.280> am

it as much as i am

it as much as i am
and<00:01:02.399> if<00:01:02.480> you<00:01:02.559> want<00:01:02.640> to<00:01:02.719> play<00:01:02.879> along<00:01:03.359> this<00:01:03.600> is

and if you want to play along this is

and if you want to play along this is
the<00:01:03.840> note<00:01:04.080> you<00:01:04.320> tuned<00:01:04.559> to<00:01:04.960> here<00:01:05.119> we<00:01:05.280> go

the note you tuned to here we go

the note you tuned to here we go
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all<00:01:25.200> right<00:01:25.600> now<00:01:25.759> we're<00:01:25.840> going<00:01:25.920> to<00:01:26.000> talk<00:01:26.240> about

all right now we're going to talk about

all right now we're going to talk about
some<00:01:27.119> picking<00:01:27.520> phrases<00:01:27.920> on<00:01:28.400> one<00:01:28.640> string

some picking phrases on one string

some picking phrases on one string
the<00:01:29.680> top<00:01:30.000> e

the top e

the top e
which<00:01:31.520> are<00:01:31.680> actually<00:01:31.920> tuned<00:01:32.159> down<00:01:32.320> to<00:01:32.479> e<00:01:32.720> flat

which are actually tuned down to e flat

which are actually tuned down to e flat
together<00:01:33.439> tuned<00:01:33.680> to<00:01:33.840> e<00:01:34.000> flat<00:01:34.400> uh<00:01:34.640> this<00:01:34.880> is<00:01:34.960> from

together tuned to e flat uh this is from

together tuned to e flat uh this is from
a<00:01:35.280> song<00:01:35.520> called<00:01:35.759> evil<00:01:36.159> eye

a song called evil eye

a song called evil eye
for<00:01:37.600> my<00:01:37.759> first<00:01:38.000> soul<00:01:38.320> album<00:01:38.560> being<00:01:38.799> the<00:01:38.880> mom<00:01:39.200> in

for my first soul album being the mom in

for my first soul album being the mom in
rising<00:01:39.920> force<00:01:40.240> and<00:01:40.320> here<00:01:40.479> it<00:01:40.640> is

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okay<00:01:48.240> that<00:01:48.399> was<00:01:48.560> the<00:01:48.720> normal<00:01:49.040> speed<00:01:49.439> and<00:01:49.520> here

okay that was the normal speed and here

okay that was the normal speed and here
it<00:01:49.840> is<00:01:50.000> a<00:01:50.000> little<00:01:50.159> bit<00:01:50.399> slower

it is a little bit slower

it is a little bit slower
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hey

hey
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okay that was something from uh evil eye

okay that was something from uh evil eye
uh<00:02:18.720> i<00:02:18.879> use<00:02:19.200> a<00:02:19.280> very<00:02:19.760> stiff<00:02:20.319> pick<00:02:20.560> it's<00:02:20.720> a<00:02:20.959> 1.5

uh i use a very stiff pick it's a 1.5

uh i use a very stiff pick it's a 1.5
millimeter<00:02:22.319> dunlop<00:02:22.879> actually<00:02:23.680> and<00:02:24.080> some

millimeter dunlop actually and some

millimeter dunlop actually and some
people<00:02:24.480> find<00:02:24.640> it<00:02:24.720> hard<00:02:24.959> to<00:02:25.040> play<00:02:25.280> with<00:02:25.440> those

people find it hard to play with those

people find it hard to play with those
but<00:02:25.920> i<00:02:26.239> find<00:02:26.480> it<00:02:26.640> better<00:02:26.879> for<00:02:27.280> accurate

but i find it better for accurate

but i find it better for accurate
picking

picking

picking
and<00:02:29.040> for<00:02:29.200> that<00:02:29.360> particular

and for that particular

and for that particular
thing<00:02:31.040> i<00:02:31.200> always<00:02:31.519> do<00:02:31.760> um

thing i always do um

thing i always do um
something<00:02:33.280> called<00:02:33.599> alternate<00:02:34.080> picking

something called alternate picking

something called alternate picking
down<00:02:35.920> up<00:02:36.239> down<00:02:36.640> up

down up down up

down up down up
something<00:02:37.920> like<00:02:38.080> this

something like this

something like this
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you<00:02:50.640> know<00:02:50.800> so<00:02:50.959> you<00:02:51.120> can<00:02:51.280> uh<00:02:51.920> get<00:02:52.160> lots<00:02:52.560> more

you know so you can uh get lots more

you know so you can uh get lots more
speed<00:02:53.040> instead<00:02:53.360> if<00:02:53.440> you<00:02:53.599> want<00:02:53.680> to<00:02:53.840> go<00:02:54.000> down<00:02:54.319> or

speed instead if you want to go down or

speed instead if you want to go down or
only<00:02:54.879> up<00:02:55.120> you<00:02:55.200> do<00:02:55.519> one<00:02:55.920> down<00:02:56.160> one<00:02:56.400> up<00:02:56.640> or<00:02:57.120> up<00:02:57.280> and

only up you do one down one up or up and

only up you do one down one up or up and
down

down

down
and<00:02:58.560> you<00:02:58.640> can<00:02:58.720> do<00:02:58.879> all<00:02:59.040> sorts<00:02:59.280> of<00:02:59.360> different

and you can do all sorts of different

and you can do all sorts of different
things

things

things
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here's<00:03:08.800> another<00:03:09.120> example<00:03:09.680> of<00:03:09.920> the<00:03:10.159> ultimate

here's another example of the ultimate

here's another example of the ultimate
picking<00:03:11.280> version<00:03:12.000> although<00:03:12.319> it's<00:03:12.480> only<00:03:13.200> one

picking version although it's only one

picking version although it's only one
note<00:03:13.680> or<00:03:13.840> maybe<00:03:14.080> you<00:03:14.159> can<00:03:14.319> just<00:03:14.480> slide<00:03:14.800> the

note or maybe you can just slide the

note or maybe you can just slide the
finger<00:03:16.000> up<00:03:16.080> and<00:03:16.239> down<00:03:16.720> and<00:03:17.360> it's<00:03:17.599> a<00:03:17.840> slightly

finger up and down and it's a slightly

finger up and down and it's a slightly
different<00:03:18.560> right<00:03:18.800> hand<00:03:18.959> technique<00:03:19.440> there

different right hand technique there

different right hand technique there
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versus

versus

versus
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well it's it seems like if you play only

well it's it seems like if you play only
on<00:03:46.239> one<00:03:46.480> string<00:03:47.120> and<00:03:47.280> uh<00:03:47.519> play<00:03:47.760> very<00:03:48.000> fast<00:03:48.319> it

on one string and uh play very fast it

on one string and uh play very fast it
seems<00:03:48.720> like<00:03:48.879> i

seems like i

seems like i
seem<00:03:50.080> to<00:03:50.159> anchor<00:03:50.480> the<00:03:50.640> hand<00:03:50.959> more<00:03:51.120> to<00:03:51.280> the

seem to anchor the hand more to the

seem to anchor the hand more to the
picard<00:03:52.000> whereas<00:03:52.319> where<00:03:52.720> when<00:03:52.959> i<00:03:53.040> do<00:03:53.280> like<00:03:53.519> a

picard whereas where when i do like a

picard whereas where when i do like a
alternate

alternate

alternate
up<00:03:55.280> and<00:03:55.439> down<00:03:55.680> on<00:03:55.840> the<00:03:55.920> string

up and down on the string

up and down on the string
it's<00:03:57.519> a<00:03:57.599> little<00:03:57.840> different<00:03:58.239> i<00:03:58.319> don't<00:03:58.480> know

it's a little different i don't know

it's a little different i don't know
exactly<00:03:59.040> why<00:03:59.280> everybody<00:03:59.680> asked<00:03:59.840> me<00:04:00.000> why<00:04:00.239> but<00:04:00.480> i

exactly why everybody asked me why but i

exactly why everybody asked me why but i
i<00:04:00.959> just<00:04:01.200> find<00:04:01.439> that<00:04:01.599> more<00:04:02.080> efficient

i just find that more efficient

i just find that more efficient
for<00:04:03.360> me

yeah it's mostly the wrist it's not the

yeah it's mostly the wrist it's not the
arm<00:04:09.760> is

it seemed to me it seemed to me that my

it seemed to me it seemed to me that my
technique<00:04:24.240> sort<00:04:24.400> of<00:04:24.880> evolved

technique sort of evolved

technique sort of evolved
very<00:04:26.160> quickly<00:04:26.880> into<00:04:27.199> one<00:04:28.080> way

very quickly into one way

very quickly into one way
and<00:04:29.360> uh

and uh

and uh
basically<00:04:31.520> what<00:04:31.680> i<00:04:31.759> think<00:04:31.919> it<00:04:32.080> is<00:04:32.400> it's

basically what i think it is it's

basically what i think it is it's
basically<00:04:33.040> what<00:04:33.280> it's<00:04:33.440> the<00:04:33.520> most<00:04:33.840> efficient

basically what it's the most efficient

basically what it's the most efficient
way<00:04:34.720> to<00:04:34.800> do<00:04:35.040> it

way to do it

way to do it
um<00:04:36.320> with<00:04:36.479> the<00:04:36.560> least<00:04:36.880> amount<00:04:37.199> of

um with the least amount of

um with the least amount of
work<00:04:39.280> it's<00:04:39.440> called<00:04:39.840> i<00:04:40.000> think<00:04:40.160> it's<00:04:40.320> called<00:04:40.639> uh

work it's called i think it's called uh

work it's called i think it's called uh
economical<00:04:41.919> playing<00:04:42.240> or<00:04:42.320> something<00:04:43.120> like

economical playing or something like

economical playing or something like
that<00:04:43.759> uh<00:04:44.000> in<00:04:44.160> other<00:04:44.320> words<00:04:44.880> you<00:04:44.960> don't<00:04:45.120> move

that uh in other words you don't move

that uh in other words you don't move
your<00:04:45.520> left<00:04:45.759> hand<00:04:46.000> too<00:04:46.240> much<00:04:46.800> when<00:04:46.960> you<00:04:47.120> do<00:04:47.199> one

your left hand too much when you do one

your left hand too much when you do one
faster<00:04:48.000> you<00:04:48.080> get<00:04:48.320> just<00:04:48.479> move<00:04:48.720> it<00:04:48.800> as<00:04:48.960> much<00:04:49.199> as

faster you get just move it as much as

faster you get just move it as much as
you

you

you
possibly<00:04:50.800> have<00:04:51.040> to<00:04:51.680> no<00:04:51.919> more<00:04:52.240> same<00:04:52.400> thing<00:04:52.560> with

possibly have to no more same thing with

possibly have to no more same thing with
the<00:04:52.800> right<00:04:53.040> hand

the right hand

the right hand
so<00:04:54.080> you<00:04:54.160> shouldn't<00:04:54.720> go<00:04:54.960> like<00:04:55.120> this<00:04:55.360> you<00:04:55.440> should

so you shouldn't go like this you should

so you shouldn't go like this you should
go<00:04:55.680> like<00:04:55.919> this

go like this

go like this
very<00:04:57.440> small<00:04:57.840> movements<00:04:58.240> and<00:04:58.400> efficient

very small movements and efficient

very small movements and efficient
movements<00:04:59.759> yeah

al de mijol has got an exceptional

al de mijol has got an exceptional
picking<00:05:09.120> technique<00:05:09.520> i<00:05:09.919> however

picking technique i however

picking technique i however
don't<00:05:11.199> use<00:05:11.680> his<00:05:11.840> style<00:05:12.160> at<00:05:12.320> all<00:05:12.960> he<00:05:13.199> has<00:05:13.360> a

don't use his style at all he has a

don't use his style at all he has a
completely<00:05:13.840> different<00:05:14.080> way<00:05:14.240> to<00:05:14.320> do<00:05:14.479> it

completely different way to do it

completely different way to do it
um

um

um
he<00:05:16.960> doesn't<00:05:17.280> even<00:05:17.440> anchor<00:05:17.759> his<00:05:17.840> hand<00:05:18.080> to<00:05:18.240> the

he doesn't even anchor his hand to the

he doesn't even anchor his hand to the
guitar<00:05:19.120> he<00:05:19.280> plays<00:05:19.759> with<00:05:20.000> his<00:05:20.160> hand<00:05:20.479> totally

guitar he plays with his hand totally

guitar he plays with his hand totally
free

free

free
which<00:05:22.320> is<00:05:22.560> good<00:05:22.720> for<00:05:22.880> him<00:05:23.280> it's<00:05:23.440> not<00:05:23.600> good<00:05:23.759> for

which is good for him it's not good for

which is good for him it's not good for
me<00:05:24.560> and<00:05:24.960> that's<00:05:25.199> why<00:05:25.520> the<00:05:25.600> way<00:05:25.759> i<00:05:25.919> do<00:05:26.080> it<00:05:26.320> is

me and that's why the way i do it is

me and that's why the way i do it is
just<00:05:26.880> because<00:05:27.120> that's<00:05:27.280> the<00:05:27.360> way<00:05:27.520> it<00:05:27.600> feels

just because that's the way it feels

just because that's the way it feels
good<00:05:28.000> to<00:05:28.080> me<00:05:28.240> so<00:05:28.479> in<00:05:28.560> other<00:05:28.720> words<00:05:29.440> nobody

good to me so in other words nobody

good to me so in other words nobody
really<00:05:30.080> has<00:05:30.320> to<00:05:30.400> do<00:05:30.479> it<00:05:30.639> in<00:05:30.960> any<00:05:31.120> specific<00:05:31.520> way

really has to do it in any specific way

really has to do it in any specific way
whatever<00:05:32.080> is<00:05:32.320> right<00:05:32.639> for<00:05:32.880> them<00:05:33.120> you<00:05:33.199> know

whatever is right for them you know

whatever is right for them you know
um

um

um
i've<00:05:36.000> found

i've found

i've found
okay<00:05:39.039> now<00:05:39.280> i'm<00:05:39.440> going<00:05:39.520> to<00:05:39.600> show<00:05:39.840> you<00:05:40.080> some

okay now i'm going to show you some

okay now i'm going to show you some
more<00:05:41.199> or<00:05:41.199> less<00:05:41.520> trademark

more or less trademark

more or less trademark
lines<00:05:43.199> i<00:05:43.280> do<00:05:43.520> on<00:05:44.000> a<00:05:44.080> single<00:05:44.479> string<00:05:44.800> it<00:05:44.880> could

lines i do on a single string it could

lines i do on a single string it could
be<00:05:45.199> done<00:05:45.360> on<00:05:45.520> any<00:05:45.759> string<00:05:46.160> in<00:05:46.240> this<00:05:46.400> case<00:05:46.639> we<00:05:46.720> do

be done on any string in this case we do

be done on any string in this case we do
it<00:05:46.960> on<00:05:47.039> e<00:05:47.199> string<00:05:47.520> again

it on e string again

it on e string again
high<00:05:48.560> e

high e

high e
and<00:05:49.600> one<00:05:49.759> of<00:05:49.840> them<00:05:50.000> goes<00:05:50.240> like<00:05:50.400> this

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something<00:05:58.960> like<00:05:59.120> that<00:05:59.280> and<00:05:59.440> slowly<00:05:59.919> that

something like that and slowly that

something like that and slowly that
would<00:06:00.240> be<00:06:00.479> the<00:06:01.120> form<00:06:01.360> of<00:06:01.520> it

that was two more strings there

that was two more strings there
fortunately<00:06:13.440> another<00:06:13.840> one<00:06:14.000> i<00:06:14.080> use<00:06:14.400> also<00:06:14.800> very

fortunately another one i use also very

fortunately another one i use also very
very<00:06:15.199> often<00:06:15.520> is<00:06:15.680> a<00:06:15.840> downward<00:06:16.720> one

very often is a downward one

very often is a downward one
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slowly

slowly

slowly
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that could be done on any string in any

that could be done on any string in any
k<00:06:33.680> in<00:06:33.840> this<00:06:34.000> case<00:06:34.240> was<00:06:34.400> an<00:06:34.479> e<00:06:34.639> string<00:06:35.039> and<00:06:35.120> it

k in this case was an e string and it

k in this case was an e string and it
was<00:06:35.440> in<00:06:35.840> f<00:06:36.080> sharp<00:06:36.720> minor

was in f sharp minor

was in f sharp minor
okay<00:06:39.280> the<00:06:39.440> downward

okay the downward

okay the downward
pattern<00:06:40.880> that<00:06:41.039> i<00:06:41.120> showed<00:06:41.360> you<00:06:41.520> can<00:06:41.600> also<00:06:41.840> do<00:06:42.080> up

pattern that i showed you can also do up

pattern that i showed you can also do up
it<00:06:42.880> would<00:06:43.039> be<00:06:43.199> like<00:06:43.360> this

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down

down

down
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all right and now we're going to talk a

all right and now we're going to talk a
little<00:06:57.759> bit<00:06:57.919> about<00:06:58.240> uh<00:06:58.639> legato<00:06:59.440> where<00:07:00.000> the

little bit about uh legato where the

little bit about uh legato where the
left<00:07:00.400> hand<00:07:00.639> does<00:07:00.880> most<00:07:01.120> of<00:07:01.120> the<00:07:01.199> work<00:07:01.520> and<00:07:01.759> this

left hand does most of the work and this

left hand does most of the work and this
one<00:07:02.080> does<00:07:02.319> very<00:07:02.560> little

one does very little

one does very little
one<00:07:03.919> example<00:07:04.319> would<00:07:04.479> be<00:07:04.720> um

without this with the picking this

without this with the picking this
without

[Music]

[Music]
[Laughter]

[Laughter]

[Laughter]
[Applause]

[Music]

[Music]
that<00:07:31.759> could<00:07:31.919> be<00:07:32.000> done<00:07:32.240> in<00:07:32.319> all<00:07:32.479> sorts<00:07:32.720> of

that could be done in all sorts of

that could be done in all sorts of
different<00:07:32.960> ways<00:07:33.280> this<00:07:33.440> was<00:07:33.599> an<00:07:33.759> e<00:07:34.000> minor<00:07:34.639> on

different ways this was an e minor on

different ways this was an e minor on
the<00:07:34.880> e<00:07:35.039> string<00:07:35.520> only

the e string only

the e string only
okay<00:07:38.000> here's<00:07:38.319> a<00:07:38.400> good<00:07:38.639> example<00:07:39.120> on<00:07:39.599> uh

okay here's a good example on uh

okay here's a good example on uh
how<00:07:40.639> little<00:07:40.880> the<00:07:41.039> right<00:07:41.199> hand<00:07:41.520> actually<00:07:41.759> means

how little the right hand actually means

how little the right hand actually means
when<00:07:42.720> you<00:07:42.880> play<00:07:43.039> legato<00:07:43.520> you<00:07:43.599> can<00:07:43.759> even

when you play legato you can even

when you play legato you can even
put<00:07:44.560> your<00:07:44.720> right<00:07:44.879> hand<00:07:45.120> over<00:07:45.280> here<00:07:45.440> and<00:07:45.520> just

put your right hand over here and just

put your right hand over here and just
muffle<00:07:46.080> the<00:07:46.240> strings

muffle the strings

muffle the strings
and<00:07:48.160> do<00:07:48.319> whatever<00:07:48.639> you<00:07:48.720> want

whatever you want you know stuff like

whatever you want you know stuff like
that<00:07:59.360> you<00:07:59.440> can<00:07:59.520> do<00:07:59.680> that<00:07:59.840> on<00:08:00.000> all<00:08:00.160> strings<00:08:00.479> too

that you can do that on all strings too

that you can do that on all strings too
but<00:08:00.960> we're<00:08:01.120> talking<00:08:01.360> about<00:08:01.520> the<00:08:01.680> one<00:08:01.840> string

but we're talking about the one string

but we're talking about the one string
now

now

now
and<00:08:04.400> here<00:08:04.639> just<00:08:04.879> this<00:08:05.120> is<00:08:05.280> an<00:08:05.440> example<00:08:05.759> i'm

and here just this is an example i'm

and here just this is an example i'm
going<00:08:06.000> to<00:08:06.160> improvise<00:08:06.720> now<00:08:07.039> uh

going to improvise now uh

going to improvise now uh
where<00:08:08.560> is<00:08:08.800> very<00:08:09.120> little<00:08:09.440> picking

where is very little picking

where is very little picking
is<00:08:10.560> just<00:08:10.800> basically<00:08:11.199> a<00:08:11.280> picking<00:08:11.599> for<00:08:11.840> each

is just basically a picking for each

is just basically a picking for each
three<00:08:12.319> or<00:08:12.400> four<00:08:12.639> notes<00:08:13.039> and<00:08:13.680> most<00:08:13.919> of<00:08:14.000> the<00:08:14.400> work

three or four notes and most of the work

three or four notes and most of the work
is<00:08:14.720> done<00:08:14.960> with<00:08:15.039> the<00:08:15.120> left<00:08:15.360> hand<00:08:15.759> you<00:08:15.919> know<00:08:16.000> you

is done with the left hand you know you

is done with the left hand you know you
can<00:08:16.240> do<00:08:16.400> it<00:08:16.479> something<00:08:16.800> like<00:08:16.960> this

can do it something like this

can do it something like this
[Music]

oh

oh
[Music]

[Applause]

[Applause]
[Music]

[Music]

[Music]
[Applause]

[Music]

[Music]
now

now

now
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[Music]

[Music]
[Applause]

[Applause]

[Applause]
[Music]

[Music]

[Music]
here's<00:10:21.279> an<00:10:21.440> example<00:10:21.760> of<00:10:21.839> a<00:10:21.920> harmonic<00:10:22.640> minor

here's an example of a harmonic minor

here's an example of a harmonic minor
scale<00:10:23.760> on<00:10:23.920> all<00:10:24.240> strings

scale on all strings

scale on all strings
and<00:10:25.519> it's<00:10:25.760> uh

and it's uh

and it's uh
off<00:10:26.959> of<00:10:27.120> a<00:10:27.279> track<00:10:27.519> called<00:10:27.760> 1622<00:10:28.800> over<00:10:29.040> 2<00:10:29.279> 6<00:10:29.519> and

off of a track called 1622 over 2 6 and

off of a track called 1622 over 2 6 and
22<00:10:30.560> from<00:10:30.800> my<00:10:30.959> new<00:10:31.200> album<00:10:31.600> magnum<00:10:32.079> opus

22 from my new album magnum opus

22 from my new album magnum opus
go<00:10:33.360> something<00:10:33.600> like<00:10:33.839> this

go something like this

go something like this
[Music]

okay here's the same example uh a bit

okay here's the same example uh a bit
slower

slower

slower
you<00:11:00.800> know<00:11:01.120> slowed<00:11:01.440> down

you know slowed down

you know slowed down
[Music]

uh when i was very young

uh when i was very young
i<00:11:38.160> listened<00:11:38.480> a<00:11:38.480> lot<00:11:38.640> to<00:11:38.800> the<00:11:38.959> purple<00:11:39.519> and

i listened a lot to the purple and

i listened a lot to the purple and
richard<00:11:39.920> blackmore<00:11:40.880> in<00:11:41.040> uh

richard blackmore in uh

richard blackmore in uh
that<00:11:43.839> type<00:11:44.079> of<00:11:44.240> thing

that type of thing

that type of thing
and<00:11:45.279> uh<00:11:45.839> it's<00:11:46.240> nice

and uh it's nice

and uh it's nice
but<00:11:47.279> it<00:11:47.360> got<00:11:47.600> a<00:11:47.680> little<00:11:48.079> uh<00:11:48.480> stale<00:11:48.880> for<00:11:49.040> me<00:11:49.440> you

but it got a little uh stale for me you

but it got a little uh stale for me you
know<00:11:49.839> a<00:11:49.920> little<00:11:50.079> bit<00:11:50.320> because<00:11:50.560> if<00:11:50.720> he's<00:11:50.880> in<00:11:50.959> g's

know a little bit because if he's in g's

know a little bit because if he's in g's
here

here

here
he<00:11:53.040> was<00:11:53.200> in<00:11:53.839> c<00:11:54.079> sharp<00:11:54.399> is<00:11:54.480> here

he was in c sharp is here

he was in c sharp is here
so<00:11:57.360> i<00:11:57.440> like<00:11:57.760> i<00:11:57.839> like<00:11:58.000> to<00:11:58.160> start<00:11:58.399> playing<00:11:58.639> a

so i like i like to start playing a

so i like i like to start playing a
little<00:11:58.800> more<00:11:59.120> linear<00:11:59.920> lines<00:12:00.560> you<00:12:00.639> know<00:12:00.800> like

little more linear lines you know like

little more linear lines you know like
that

that

that
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[Applause]

[Applause]
[Music]

[Music]

[Music]
which<00:12:06.320> actually<00:12:06.560> what<00:12:06.720> it<00:12:06.880> is<00:12:07.120> is<00:12:07.279> more<00:12:07.519> like

which actually what it is is more like

which actually what it is is more like
minor<00:12:08.160> scales<00:12:08.639> and<00:12:08.720> so<00:12:08.880> forth<00:12:09.120> rather<00:12:09.440> than

minor scales and so forth rather than

minor scales and so forth rather than
the<00:12:09.920> pentatonic<00:12:10.800> and<00:12:10.959> i<00:12:11.040> just<00:12:11.279> find<00:12:11.600> it<00:12:11.760> much

the pentatonic and i just find it much

the pentatonic and i just find it much
more<00:12:12.480> expressive

more expressive

more expressive
and<00:12:14.399> i<00:12:14.639> just<00:12:14.880> tended<00:12:15.120> to<00:12:15.200> be<00:12:15.360> something<00:12:15.600> that<00:12:15.760> i

and i just tended to be something that i

and i just tended to be something that i
really<00:12:16.079> dug

really dug

really dug
you<00:12:17.760> know<00:12:18.160> you<00:12:18.320> know<00:12:18.480> to<00:12:18.639> throw<00:12:18.959> together

you know you know to throw together

you know you know to throw together
lines

lines

lines
with<00:12:20.959> like<00:12:21.360> you<00:12:21.519> know<00:12:21.839> in<00:12:22.000> scales<00:12:22.720> then<00:12:22.959> of

with like you know in scales then of

with like you know in scales then of
course<00:12:23.839> kind<00:12:24.160> of<00:12:24.240> like<00:12:24.480> arpeggios<00:12:25.440> and

course kind of like arpeggios and

course kind of like arpeggios and
diminished<00:12:26.399> lines<00:12:26.800> and<00:12:26.880> frugin<00:12:27.519> and<00:12:27.680> so<00:12:27.839> forth

diminished lines and frugin and so forth

diminished lines and frugin and so forth
and<00:12:28.240> so<00:12:28.399> on<00:12:28.959> rather<00:12:29.279> than<00:12:29.360> just<00:12:29.600> the<00:12:29.680> regular

and so on rather than just the regular

and so on rather than just the regular
blues<00:12:30.480> thing<00:12:31.200> so<00:12:31.360> it's<00:12:31.519> just<00:12:31.680> a<00:12:31.760> matter<00:12:32.000> of

blues thing so it's just a matter of

blues thing so it's just a matter of
taste<00:12:32.399> you<00:12:32.480> know<00:12:32.639> i<00:12:32.800> just<00:12:32.959> felt<00:12:33.200> that<00:12:33.279> the<00:12:33.360> most

taste you know i just felt that the most

taste you know i just felt that the most
guitar<00:12:34.000> players<00:12:34.639> sound<00:12:34.959> a<00:12:35.040> little

guitar players sound a little

guitar players sound a little
we<00:12:37.440> had<00:12:37.600> word<00:12:38.000> inbred<00:12:38.480> in<00:12:38.639> a<00:12:38.720> way<00:12:38.959> because<00:12:39.279> most

we had word inbred in a way because most

we had word inbred in a way because most
guitar<00:12:39.839> players<00:12:40.160> had<00:12:40.480> uh<00:12:40.800> some<00:12:41.120> too<00:12:41.279> many

guitar players had uh some too many

guitar players had uh some too many
similarities<00:12:42.880> and<00:12:43.200> it<00:12:43.279> became<00:12:43.600> a<00:12:43.680> little<00:12:43.839> bit

similarities and it became a little bit

similarities and it became a little bit
uh<00:12:44.720> you<00:12:44.800> know<00:12:45.279> limiting<00:12:45.839> for<00:12:46.000> me

uh you know limiting for me

uh you know limiting for me
that's<00:12:47.120> why<00:12:47.360> i<00:12:47.519> started<00:12:47.839> playing<00:12:48.160> the<00:12:48.240> more

that's why i started playing the more

that's why i started playing the more
linear<00:12:48.880> way<00:12:49.440> like<00:12:49.680> more<00:12:49.839> like<00:12:50.000> a

linear way like more like a

linear way like more like a
violinist<00:12:51.920> that<00:12:52.160> is<00:12:52.240> the<00:12:52.399> reason<00:12:52.720> for<00:12:52.880> that

violinist that is the reason for that

violinist that is the reason for that
well<00:12:55.279> now<00:12:55.440> we're<00:12:55.519> gonna<00:12:55.839> obviously<00:12:56.240> talk

well now we're gonna obviously talk

well now we're gonna obviously talk
about<00:12:56.880> uh

about uh

about uh
some<00:12:58.399> minor<00:12:59.200> scales<00:13:00.079> uh<00:13:00.240> that<00:13:00.480> i<00:13:00.959> frequently

some minor scales uh that i frequently

some minor scales uh that i frequently
use<00:13:01.760> and<00:13:02.000> phrases

use and phrases

use and phrases
uh<00:13:03.360> one<00:13:03.519> of<00:13:03.680> them<00:13:03.839> is<00:13:04.000> uh<00:13:04.160> from

uh one of them is uh from

uh one of them is uh from
a<00:13:05.360> song<00:13:05.519> called<00:13:05.760> far<00:13:05.920> beyond<00:13:06.240> the<00:13:06.320> sun<00:13:06.639> goes

a song called far beyond the sun goes

a song called far beyond the sun goes
like<00:13:07.120> this

you could play that slow also

you could play that slow also
[Music]

that's harmonic minor which is an

that's harmonic minor which is an
augmented<00:13:29.519> seventh

augmented seventh

augmented seventh
in<00:13:30.639> other<00:13:30.800> words

in other words

in other words
let's<00:13:31.760> say<00:13:31.920> is<00:13:32.000> an<00:13:32.160> e<00:13:32.320> minor<00:13:32.639> scale<00:13:33.120> that<00:13:33.360> the

let's say is an e minor scale that the

let's say is an e minor scale that the
seventh<00:13:33.920> wouldn't<00:13:34.160> be<00:13:34.639> d<00:13:35.120> it<00:13:35.200> would<00:13:35.360> be<00:13:35.440> d

seventh wouldn't be d it would be d

seventh wouldn't be d it would be d
sharp

sharp

sharp
and<00:13:37.040> if<00:13:37.200> you<00:13:37.440> yeah<00:13:38.079> that's<00:13:38.320> something<00:13:38.560> i<00:13:38.639> use

and if you yeah that's something i use

and if you yeah that's something i use
very<00:13:39.120> often<00:13:39.839> and<00:13:40.000> you<00:13:40.160> can<00:13:40.240> do<00:13:40.399> that<00:13:40.560> in

very often and you can do that in

very often and you can do that in
phrygian<00:13:41.120> modes<00:13:41.440> as<00:13:41.519> well

i was from the opening i'd never die

i was from the opening i'd never die
[Music]

[Music]

[Music]
and<00:14:01.040> um<00:14:01.760> what<00:14:02.000> else<00:14:02.240> rising<00:14:02.639> force

and um what else rising force

and um what else rising force
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[Applause]
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[Music]

[Music]
[Applause]

[Applause]

[Applause]
[Music]

[Music]

[Music]
that's<00:14:13.760> some<00:14:13.920> things<00:14:14.160> i<00:14:14.240> use<00:14:14.480> very<00:14:14.720> often

that's some things i use very often

that's some things i use very often
basically<00:14:15.760> where<00:14:16.000> it's<00:14:16.079> all<00:14:16.240> based<00:14:16.480> on<00:14:16.560> minor

basically where it's all based on minor

basically where it's all based on minor
scales

scales

scales
and

and

and
in<00:14:19.760> patterns<00:14:20.320> basically<00:14:20.800> like<00:14:21.040> you<00:14:21.120> know

in patterns basically like you know

in patterns basically like you know
[Music]

[Music]

[Music]
something<00:14:33.600> like<00:14:33.760> that

something like that

something like that
it's<00:14:34.720> quite<00:14:34.959> simple<00:14:35.279> if<00:14:35.360> you<00:14:35.600> just<00:14:35.680> figure<00:14:35.920> out

it's quite simple if you just figure out

it's quite simple if you just figure out
the<00:14:36.079> scales<00:14:36.480> first<00:14:36.800> and<00:14:36.880> then<00:14:37.040> practice<00:14:37.760> a<00:14:37.760> lot

the scales first and then practice a lot

the scales first and then practice a lot
on<00:14:38.240> it

well

well
the<00:14:48.079> funny<00:14:48.399> thing<00:14:48.720> is<00:14:48.880> that<00:14:49.120> i<00:14:49.279> i've<00:14:49.519> never

the funny thing is that i i've never

the funny thing is that i i've never
considered<00:14:50.240> myself<00:14:50.880> a<00:14:51.360> fast<00:14:51.680> guitar<00:14:52.160> player

considered myself a fast guitar player

considered myself a fast guitar player
i've<00:14:52.560> never

i've never

i've never
deliberately<00:14:55.199> sort<00:14:55.360> of<00:14:56.000> tried<00:14:56.240> to<00:14:56.320> play<00:14:56.800> fast

deliberately sort of tried to play fast

deliberately sort of tried to play fast
you<00:14:57.360> know<00:14:58.240> um

you know um

you know um
i<00:14:59.839> always<00:15:00.160> try<00:15:00.320> to

i always try to

i always try to
put<00:15:01.440> a<00:15:01.519> lot<00:15:01.680> of<00:15:01.920> substance

put a lot of substance

put a lot of substance
into<00:15:03.440> what<00:15:03.600> i<00:15:03.839> play

into what i play

into what i play
so<00:15:04.880> even<00:15:05.120> if<00:15:05.279> it's<00:15:05.440> done<00:15:05.920> fast<00:15:06.320> even<00:15:06.800> and<00:15:06.959> it

so even if it's done fast even and it

so even if it's done fast even and it
would<00:15:07.199> have<00:15:07.279> been<00:15:07.519> played<00:15:07.760> slow<00:15:08.079> it<00:15:08.160> would<00:15:08.320> be

would have been played slow it would be

would have been played slow it would be
melodic<00:15:08.959> anyway<00:15:09.360> it<00:15:09.519> would<00:15:10.000> have<00:15:10.240> some<00:15:10.480> sort

melodic anyway it would have some sort

melodic anyway it would have some sort
of<00:15:10.800> meaning<00:15:11.519> a<00:15:11.600> lot<00:15:11.760> of<00:15:11.839> guitar<00:15:12.320> players<00:15:13.040> when

of meaning a lot of guitar players when

of meaning a lot of guitar players when
they<00:15:13.360> play<00:15:13.600> fast<00:15:13.920> they<00:15:14.000> play<00:15:14.160> rapid<00:15:14.800> rep

they play fast they play rapid rep

they play fast they play rapid rep
repetitions<00:15:16.000> like<00:15:16.240> um

repetitions like um

repetitions like um
[Applause]

[Applause]

[Applause]
like<00:15:19.120> that<00:15:19.839> whereas<00:15:20.160> i<00:15:20.240> go

more linear and more in au pair just

more linear and more in au pair just
that<00:15:26.240> type<00:15:26.480> of<00:15:26.639> thing<00:15:27.040> and<00:15:27.199> okay<00:15:27.440> yeah<00:15:27.680> sure<00:15:28.000> so

that type of thing and okay yeah sure so

that type of thing and okay yeah sure so
i

i

i
play<00:15:29.440> quite<00:15:29.759> fast<00:15:30.000> now<00:15:30.160> and<00:15:30.320> again<00:15:30.480> but<00:15:31.120> i

play quite fast now and again but i

play quite fast now and again but i
never<00:15:31.440> really<00:15:31.839> looked<00:15:32.079> at<00:15:32.160> it<00:15:32.320> as<00:15:32.560> a<00:15:32.720> very

never really looked at it as a very

never really looked at it as a very
you<00:15:33.920> know<00:15:34.079> like<00:15:34.240> an<00:15:34.399> incentive<00:15:34.880> to<00:15:35.040> play<00:15:35.839> um<00:15:36.320> as

you know like an incentive to play um as

you know like an incentive to play um as
far<00:15:36.639> as<00:15:36.800> the<00:15:36.959> followers<00:15:37.440> goes

far as the followers goes

far as the followers goes
they<00:15:39.680> say<00:15:40.079> imitation<00:15:40.560> is<00:15:41.199> you<00:15:41.279> know<00:15:41.440> the

they say imitation is you know the

they say imitation is you know the
finest<00:15:42.480> form<00:15:42.800> of<00:15:42.880> flattery<00:15:43.360> or<00:15:43.440> something

finest form of flattery or something

finest form of flattery or something
like<00:15:43.920> that<00:15:44.560> and<00:15:44.720> that's<00:15:44.959> fine<00:15:45.680> um

like that and that's fine um

like that and that's fine um
the<00:15:46.720> only<00:15:46.800> thing<00:15:46.959> that<00:15:47.120> sometimes<00:15:47.519> upset<00:15:47.839> me

the only thing that sometimes upset me

the only thing that sometimes upset me
is<00:15:48.079> that<00:15:48.240> a<00:15:48.240> lot<00:15:48.399> of<00:15:48.480> people<00:15:48.800> copy<00:15:49.199> me<00:15:49.759> copy

is that a lot of people copy me copy

is that a lot of people copy me copy
exactly<00:15:50.480> what<00:15:50.639> i<00:15:50.720> do<00:15:50.959> when<00:15:51.120> they<00:15:51.199> don't<00:15:51.360> give

exactly what i do when they don't give

exactly what i do when they don't give
me<00:15:51.680> credit<00:15:51.920> for<00:15:52.160> it<00:15:52.240> but<00:15:52.560> then<00:15:52.800> again

me credit for it but then again

me credit for it but then again
that<00:15:54.880> happens<00:15:55.279> you<00:15:55.440> know<00:15:56.000> you<00:15:56.079> know

that happens you know you know

that happens you know you know
no<00:15:56.959> big<00:15:57.120> deal

yes paganini vivaldi tchaikovsky all the

yes paganini vivaldi tchaikovsky all the
violent<00:16:08.160> concertos

violent concertos

violent concertos
some<00:16:10.320> of<00:16:10.480> the<00:16:11.040> box<00:16:11.360> stuff

some of the box stuff

some of the box stuff
it's<00:16:12.399> quite<00:16:12.720> technical<00:16:13.519> but<00:16:13.680> it's<00:16:13.839> always

it's quite technical but it's always

it's quite technical but it's always
very<00:16:14.399> beautiful

very beautiful

very beautiful
and<00:16:15.759> that's<00:16:16.160> i<00:16:16.240> mean<00:16:16.399> i<00:16:16.560> wouldn't<00:16:16.720> put<00:16:16.959> myself

and that's i mean i wouldn't put myself

and that's i mean i wouldn't put myself
in<00:16:17.680> the<00:16:17.839> same

in the same

in the same
level<00:16:19.120> as<00:16:19.279> them<00:16:19.600> of<00:16:19.680> course<00:16:20.079> but<00:16:20.240> uh

level as them of course but uh

level as them of course but uh
those<00:16:21.360> are<00:16:21.440> my<00:16:22.000> sort<00:16:22.160> of<00:16:22.320> role<00:16:22.639> models<00:16:23.120> when<00:16:23.279> it

those are my sort of role models when it

those are my sort of role models when it
comes<00:16:23.600> to<00:16:23.759> composite<00:16:24.240> composition<00:16:24.800> and

comes to composite composition and

comes to composite composition and
improvising<00:16:25.759> and

improvising and

improvising and
playing

playing

playing
so<00:16:27.920> i<00:16:28.079> always<00:16:28.320> try<00:16:28.480> to<00:16:28.560> put

so i always try to put

so i always try to put
as<00:16:29.440> much

as much

as much
melody<00:16:30.720> and<00:16:30.800> beauty<00:16:31.279> even<00:16:31.519> though<00:16:31.759> it's<00:16:31.920> fast

melody and beauty even though it's fast

melody and beauty even though it's fast
you<00:16:32.320> know<00:16:32.720> so<00:16:32.959> that<00:16:33.199> i<00:16:33.279> think<00:16:33.440> it's<00:16:33.519> very

you know so that i think it's very

you know so that i think it's very
important

well

well
the<00:17:55.840> way<00:17:56.080> i<00:17:56.160> look<00:17:56.400> at<00:17:56.480> it<00:17:56.640> is<00:17:56.880> like

the way i look at it is like

the way i look at it is like
um<00:17:59.919> i<00:18:00.000> look<00:18:00.160> back<00:18:00.400> at<00:18:00.480> the<00:18:00.559> records<00:18:00.960> now<00:18:01.520> i<00:18:01.600> know

um i look back at the records now i know

um i look back at the records now i know
i<00:18:01.919> could<00:18:02.080> do<00:18:02.160> it<00:18:02.240> better<00:18:02.640> now<00:18:03.360> but<00:18:03.520> when<00:18:03.760> i<00:18:03.840> did

i could do it better now but when i did

i could do it better now but when i did
them<00:18:04.320> it<00:18:04.400> was<00:18:04.559> the<00:18:04.640> best<00:18:04.880> i<00:18:04.960> could<00:18:05.200> do<00:18:05.440> so<00:18:05.600> i

them it was the best i could do so i

them it was the best i could do so i
must<00:18:05.840> say<00:18:06.080> i<00:18:06.160> liked<00:18:06.480> them<00:18:06.640> all<00:18:07.200> it<00:18:07.360> was<00:18:07.520> the

must say i liked them all it was the

must say i liked them all it was the
best<00:18:07.840> i've<00:18:08.080> always<00:18:08.320> tried<00:18:08.559> my<00:18:08.799> very<00:18:08.960> best

i think

i think
i<00:18:13.919> like<00:18:14.080> the<00:18:14.240> seven<00:18:14.640> sign

i like the seven sign

i like the seven sign
i<00:18:16.240> like<00:18:16.480> trilogy<00:18:17.200> the<00:18:17.360> first<00:18:17.760> one

i like trilogy the first one

i like trilogy the first one
and<00:18:19.120> uh

and uh

and uh
the<00:18:20.960> one<00:18:21.280> album<00:18:21.600> i've<00:18:21.760> been<00:18:21.919> working<00:18:22.240> on

the one album i've been working on

the one album i've been working on
lately<00:18:22.960> it's<00:18:23.039> called<00:18:23.360> magnum<00:18:23.840> opus

lately it's called magnum opus

lately it's called magnum opus
i'm<00:18:25.120> very<00:18:25.360> very<00:18:25.600> pleased<00:18:25.840> with<00:18:26.000> that<00:18:26.160> one<00:18:26.320> i

i'm very very pleased with that one i

i'm very very pleased with that one i
think<00:18:26.559> that<00:18:26.720> must<00:18:26.880> be<00:18:27.039> my<00:18:27.200> very<00:18:27.440> favorite

think that must be my very favorite

think that must be my very favorite
um

um

um
but<00:18:29.760> i<00:18:29.840> also<00:18:30.080> like<00:18:30.240> eclipse<00:18:30.720> i<00:18:30.880> like

but i also like eclipse i like

but i also like eclipse i like
the<00:18:32.960> live<00:18:33.280> album<00:18:33.919> i'm<00:18:34.160> not<00:18:34.400> too<00:18:34.720> crazy<00:18:35.280> about

the live album i'm not too crazy about

the live album i'm not too crazy about
uh<00:18:36.080> odyssey<00:18:36.640> for<00:18:36.799> some<00:18:36.960> reason

uh odyssey for some reason

uh odyssey for some reason
uh<00:18:38.160> although<00:18:38.480> it<00:18:38.640> was<00:18:38.799> a<00:18:38.880> very<00:18:39.039> popular<00:18:39.360> album

uh although it was a very popular album

uh although it was a very popular album
and<00:18:39.760> sold<00:18:40.000> them<00:18:40.160> many<00:18:40.559> many<00:18:40.840> copies<00:18:42.160> i<00:18:42.320> think

and sold them many many copies i think

and sold them many many copies i think
that<00:18:42.799> uh

that uh

that uh
trilogy<00:18:44.799> seven<00:18:45.120> sign<00:18:45.360> rising<00:18:45.760> force

trilogy seven sign rising force

trilogy seven sign rising force
uh<00:18:47.760> and<00:18:47.919> magnum<00:18:48.400> opus<00:18:48.880> are<00:18:49.280> the<00:18:49.440> ones<00:18:49.840> i<00:18:50.400> feel

uh and magnum opus are the ones i feel

uh and magnum opus are the ones i feel
most<00:18:51.520> proud<00:18:51.919> of

most proud of

most proud of
i<00:18:53.440> also<00:18:53.760> quite<00:18:54.000> like<00:18:54.160> my<00:18:54.400> alcatraz<00:18:54.960> album<00:18:56.000> with

i also quite like my alcatraz album with

i also quite like my alcatraz album with
graham<00:18:56.559> on<00:18:56.720> it<00:18:56.799> i<00:18:56.880> thought<00:18:57.039> that<00:18:57.200> was<00:18:57.360> very

graham on it i thought that was very

graham on it i thought that was very
good<00:18:57.760> so

well you know that's a question that's

well you know that's a question that's
the<00:19:12.880> question<00:19:13.120> i<00:19:13.280> actually<00:19:13.600> don't<00:19:13.760> think<00:19:13.919> i

the question i actually don't think i

the question i actually don't think i
can<00:19:14.160> answer<00:19:14.559> because

can answer because

can answer because
uh

uh

uh
all<00:19:16.720> the<00:19:16.880> songs<00:19:17.200> i've<00:19:17.360> written

all the songs i've written

all the songs i've written
are<00:19:18.640> like<00:19:19.039> almost<00:19:19.280> like<00:19:19.520> my<00:19:19.760> children<00:19:20.160> or

are like almost like my children or

are like almost like my children or
something<00:19:20.559> you<00:19:20.720> know

something you know

something you know
you<00:19:22.000> know<00:19:22.160> if<00:19:22.240> you<00:19:22.400> have<00:19:22.640> 10<00:19:22.880> children<00:19:23.280> you

you know if you have 10 children you

you know if you have 10 children you
don't<00:19:23.520> like<00:19:24.320> one<00:19:24.640> better<00:19:24.880> than<00:19:25.039> another<00:19:25.520> you

don't like one better than another you

don't like one better than another you
know<00:19:25.840> they<00:19:26.480> all<00:19:26.720> have<00:19:26.880> their<00:19:27.120> own<00:19:27.360> qualities

know they all have their own qualities

know they all have their own qualities
um

i i am quite proud of everything you

i i am quite proud of everything you
know<00:19:33.679> because<00:19:33.840> i<00:19:33.919> would<00:19:34.080> never<00:19:34.320> leave

know because i would never leave

know because i would never leave
anything<00:19:34.880> on<00:19:35.039> an<00:19:35.200> album<00:19:35.440> that<00:19:35.600> i<00:19:35.679> didn't<00:19:35.919> think

anything on an album that i didn't think

anything on an album that i didn't think
was

was

was
up<00:19:37.440> to<00:19:37.600> par<00:19:37.840> you<00:19:37.919> know

yeah there's there's one song that i

yeah there's there's one song that i
always<00:19:48.480> enjoy<00:19:48.880> very<00:19:49.039> much<00:19:49.280> to<00:19:49.440> play<00:19:49.760> it's<00:19:50.080> far

always enjoy very much to play it's far

always enjoy very much to play it's far
beyond<00:19:50.559> the<00:19:50.840> sun<00:19:52.000> uh

beyond the sun uh

beyond the sun uh
for<00:19:53.039> my<00:19:53.200> first<00:19:53.840> soul<00:19:54.080> album<00:19:54.480> uh

for my first soul album uh

for my first soul album uh
i've<00:19:55.600> always<00:19:55.919> liked<00:19:56.240> that<00:19:56.400> song<00:19:56.720> and<00:19:56.799> i<00:19:56.880> always

i've always liked that song and i always

i've always liked that song and i always
like<00:19:57.360> to<00:19:57.440> play<00:19:57.600> it<00:19:57.760> live<00:19:58.000> you<00:19:58.080> know<00:19:58.320> it's<00:19:58.640> one

like to play it live you know it's one

like to play it live you know it's one
of<00:19:58.880> those<00:19:58.960> songs<00:19:59.200> i<00:19:59.280> really<00:19:59.520> like<00:19:59.760> playing

of those songs i really like playing

of those songs i really like playing
live<00:20:00.400> you<00:20:00.480> know<00:20:00.640> because<00:20:00.880> it's<00:20:01.039> a<00:20:01.120> lot<00:20:01.280> of

live you know because it's a lot of

live you know because it's a lot of
guitar<00:20:02.159> runs<00:20:02.480> and<00:20:02.559> stuff

guitar runs and stuff

guitar runs and stuff
it's<00:20:03.440> kind<00:20:03.600> of<00:20:03.679> fun<00:20:03.919> you<00:20:04.080> know<00:20:04.640> but<00:20:04.799> i<00:20:04.960> like<00:20:05.120> to

it's kind of fun you know but i like to

it's kind of fun you know but i like to
play<00:20:05.360> everything

play everything

play everything
[Music]

[Music]

[Music]
[Applause]

[Applause]

[Applause]
[Music]

all right we're back here

all right we're back here
and<00:20:33.679> now<00:20:33.840> we're<00:20:33.919> going<00:20:34.000> to<00:20:34.080> talk<00:20:34.320> about<00:20:34.480> some

and now we're going to talk about some

and now we're going to talk about some
harmonic<00:20:35.120> minor

harmonic minor

harmonic minor
scales<00:20:36.480> and<00:20:36.640> the<00:20:36.799> relative<00:20:37.200> scales<00:20:37.520> to<00:20:37.600> that

scales and the relative scales to that

scales and the relative scales to that
which<00:20:38.000> is<00:20:38.080> called<00:20:38.320> phrygian

which is called phrygian

which is called phrygian
um

um

um
i<00:20:41.039> don't<00:20:41.200> know<00:20:41.280> where<00:20:41.440> to<00:20:41.520> start<00:20:41.760> exactly<00:20:42.080> but

i don't know where to start exactly but

i don't know where to start exactly but
we<00:20:42.400> can<00:20:42.559> start<00:20:42.720> with<00:20:42.880> an<00:20:43.120> e

we can start with an e

we can start with an e
uh<00:20:45.280> phrygian<00:20:45.840> scale<00:20:46.480> which<00:20:46.799> would<00:20:46.960> go<00:20:47.120> like

uh phrygian scale which would go like

uh phrygian scale which would go like
this

that's e

that's e
now<00:20:53.039> if<00:20:53.120> you<00:20:53.280> play<00:20:53.520> exactly<00:20:53.919> the<00:20:54.000> same<00:20:54.320> notes

now if you play exactly the same notes

now if you play exactly the same notes
as<00:20:54.960> i<00:20:55.120> played<00:20:55.440> now<00:20:55.760> but<00:20:55.919> you<00:20:56.080> start<00:20:56.320> on<00:20:56.480> a<00:20:56.799> and

as i played now but you start on a and

as i played now but you start on a and
end<00:20:57.120> on<00:20:57.280> a<00:20:57.760> you<00:20:58.000> end<00:20:58.159> up<00:20:58.240> with<00:20:58.400> a<00:20:58.640> a

end on a you end up with a a

end on a you end up with a a
harmonic

harmonic

harmonic
minor<00:21:02.159> harmonic

minor harmonic

minor harmonic
that<00:21:03.919> goes<00:21:04.159> like<00:21:04.320> this

that goes like this

that goes like this
[Music]

[Music]

[Music]
in<00:21:08.000> other<00:21:08.159> words<00:21:08.320> it's<00:21:08.559> exactly<00:21:08.960> the<00:21:09.120> same

in other words it's exactly the same

in other words it's exactly the same
notes<00:21:10.080> so<00:21:10.240> you<00:21:10.400> play<00:21:10.559> an<00:21:10.720> a<00:21:10.799> minor<00:21:11.200> chord

you get a harmonic minor if you play an

you get a harmonic minor if you play an
e<00:21:19.039> chord

e chord

e chord
[Music]

[Music]

[Music]
[Applause]

[Applause]

[Applause]
you<00:21:24.000> play<00:21:24.240> exactly<00:21:24.559> the<00:21:24.640> same<00:21:24.880> phrase<00:21:25.200> but

you play exactly the same phrase but

you play exactly the same phrase but
it's<00:21:26.080> two<00:21:26.240> different<00:21:26.480> things

it's two different things

it's two different things
and<00:21:27.679> that<00:21:28.000> a<00:21:28.159> lot<00:21:28.320> of<00:21:28.400> people<00:21:28.880> confuse<00:21:29.280> those

and that a lot of people confuse those

and that a lot of people confuse those
things

things

things
you<00:21:30.960> can<00:21:31.120> also<00:21:31.360> incorporate<00:21:31.840> diminish<00:21:32.240> to

you can also incorporate diminish to

you can also incorporate diminish to
that<00:21:32.880> would<00:21:33.039> be<00:21:33.360> on<00:21:33.520> the<00:21:33.600> major<00:21:34.080> third<00:21:34.480> of<00:21:34.640> the

that would be on the major third of the

that would be on the major third of the
e

e

e
[Music]

[Music]

[Music]
like<00:21:38.799> that

like that

like that
and<00:21:39.840> you<00:21:40.000> can<00:21:40.080> also<00:21:40.240> use<00:21:40.400> that<00:21:40.559> in<00:21:40.880> a<00:21:41.120> harmonic

and you can also use that in a harmonic

and you can also use that in a harmonic
minor

so in other words everything is quite

so in other words everything is quite
simple<00:21:47.520> it's<00:21:47.600> very<00:21:47.760> logical<00:21:48.240> very

simple it's very logical very

simple it's very logical very
mathematical<00:21:49.200> so<00:21:49.600> if<00:21:49.760> you<00:21:49.840> just<00:21:50.159> open<00:21:50.400> that

mathematical so if you just open that

mathematical so if you just open that
little<00:21:50.720> one<00:21:51.039> door

little one door

little one door
it's<00:21:52.240> all<00:21:52.400> there<00:21:52.960> in<00:21:53.120> front<00:21:53.360> of<00:21:53.440> you

it's all there in front of you

it's all there in front of you
so

so

so
that's<00:21:56.159> it

that's it

that's it
okay<00:21:58.559> then<00:21:58.799> uh<00:21:58.960> now<00:21:59.120> we're<00:21:59.200> gonna<00:21:59.360> talk<00:21:59.520> a

okay then uh now we're gonna talk a

okay then uh now we're gonna talk a
little<00:21:59.760> bit<00:21:59.919> more<00:22:00.159> about<00:22:00.400> the<00:22:00.559> different

little bit more about the different

little bit more about the different
patterns<00:22:01.600> and<00:22:01.760> phrases<00:22:02.480> within<00:22:03.120> a<00:22:03.200> harmonic

patterns and phrases within a harmonic

patterns and phrases within a harmonic
minor

minor

minor
and<00:22:05.120> um

and um

and um
phrygian<00:22:06.400> which<00:22:06.720> is<00:22:06.960> that<00:22:07.280> relative

phrygian which is that relative

phrygian which is that relative
okay

okay

okay
and<00:22:09.919> for<00:22:10.159> simplicity<00:22:10.880> we'll<00:22:11.520> stay<00:22:11.760> with<00:22:11.919> the<00:22:12.000> a

and for simplicity we'll stay with the a

and for simplicity we'll stay with the a
minor<00:22:12.799> and<00:22:12.960> the<00:22:13.039> e-phrygian<00:22:13.600> which<00:22:13.840> are

minor and the e-phrygian which are

minor and the e-phrygian which are
relative

relative

relative
okay<00:22:15.360> here's<00:22:15.679> a<00:22:16.080> thing<00:22:16.320> you<00:22:16.400> can<00:22:16.559> do<00:22:16.720> in<00:22:16.880> both

slow

slow
[Applause]

[Applause]

[Applause]
[Music]

[Music]

[Music]
[Applause]

[Applause]

[Applause]
[Music]

[Music]

[Music]
that<00:22:38.720> would<00:22:38.880> work<00:22:39.280> in<00:22:39.440> both<00:22:39.919> a<00:22:40.080> minor<00:22:40.400> harmonic

that would work in both a minor harmonic

that would work in both a minor harmonic
and<00:22:41.520> e-phrygian

and e-phrygian

and e-phrygian
um

um

um
what<00:22:44.480> else<00:22:44.880> well<00:22:45.440> you<00:22:45.600> can<00:22:45.760> do<00:22:45.840> the<00:22:46.000> scales<00:22:46.480> as

what else well you can do the scales as

what else well you can do the scales as
i<00:22:46.720> said

i'll do that again

i'll do that again
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[Applause]
that's<00:22:57.840> an<00:22:58.080> a<00:22:58.240> minor<00:22:58.720> if<00:22:58.880> you<00:22:59.039> do<00:22:59.520> exactly<00:22:59.919> same

that's an a minor if you do exactly same

that's an a minor if you do exactly same
scale<00:23:00.480> but<00:23:00.640> you

scale but you

scale but you
start<00:23:01.840> an<00:23:02.000> e<00:23:02.240> and<00:23:02.400> end<00:23:02.640> on<00:23:02.799> e<00:23:03.039> you<00:23:03.200> go

start an e and end on e you go

start an e and end on e you go
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and<00:23:28.960> i<00:23:29.280> do<00:23:29.520> often<00:23:30.000> also

and i do often also

and i do often also
riffs<00:23:31.520> that<00:23:31.760> are

riffs that are

riffs that are
the<00:23:32.880> base<00:23:33.120> the<00:23:33.200> whole<00:23:33.440> song<00:23:33.760> on<00:23:33.840> the<00:23:34.000> riff<00:23:34.720> in

the base the whole song on the riff in

the base the whole song on the riff in
phrygian<00:23:35.919> which<00:23:36.159> is<00:23:36.400> a<00:23:36.559> minor<00:23:37.440> e<00:23:37.679> version<00:23:38.080> same

phrygian which is a minor e version same

phrygian which is a minor e version same
as<00:23:38.480> i<00:23:38.559> said<00:23:38.799> before<00:23:39.360> for<00:23:39.440> instance<00:23:39.760> this<00:23:39.840> song

as i said before for instance this song

as i said before for instance this song
called<00:23:40.240> voodoo<00:23:40.720> from<00:23:40.880> a<00:23:40.960> new<00:23:41.120> album<00:23:41.679> magnum

called voodoo from a new album magnum

called voodoo from a new album magnum
opus<00:23:42.640> goes<00:23:42.880> like<00:23:43.120> this

opus goes like this

opus goes like this
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that's very typical e phrygian riff

that's very typical e phrygian riff
which<00:23:54.000> is<00:23:54.159> also<00:23:54.400> in<00:23:54.559> a<00:23:54.640> minor

which is also in a minor

which is also in a minor
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it's<00:24:02.159> all<00:24:02.320> relative<00:24:02.960> there<00:24:03.120> you<00:24:03.200> have<00:24:03.360> it

it's all relative there you have it

it's all relative there you have it
okay<00:24:05.760> now<00:24:05.919> we're<00:24:06.000> going<00:24:06.080> to<00:24:06.159> talk<00:24:06.400> about

okay now we're going to talk about

okay now we're going to talk about
something<00:24:06.880> they<00:24:07.039> also<00:24:07.200> do<00:24:07.440> very<00:24:07.679> frequently

something they also do very frequently

something they also do very frequently
bored<00:24:08.640> heavily<00:24:08.960> from<00:24:09.200> baroque<00:24:09.679> classical

bored heavily from baroque classical

bored heavily from baroque classical
music

music

music
mainly<00:24:11.360> bach<00:24:11.840> stuff<00:24:12.080> like<00:24:12.240> that<00:24:12.880> and<00:24:13.279> here's

mainly bach stuff like that and here's

mainly bach stuff like that and here's
an<00:24:13.600> example<00:24:14.080> from<00:24:14.240> the<00:24:14.400> album<00:24:14.880> magnum<00:24:15.440> opus

an example from the album magnum opus

an example from the album magnum opus
and<00:24:16.799> from<00:24:17.039> the<00:24:17.120> song<00:24:17.679> vengeance

and from the song vengeance

and from the song vengeance
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here<00:24:33.360> it<00:24:33.520> is<00:24:33.679> slow

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and<00:24:57.520> another<00:24:57.919> example<00:24:58.320> of<00:24:58.480> that<00:24:58.720> is<00:24:58.880> like<00:24:59.039> the

and another example of that is like the

and another example of that is like the
introduction<00:24:59.760> of<00:24:59.840> the<00:25:00.000> same<00:25:00.240> song<00:25:00.559> vengeance

introduction of the same song vengeance

introduction of the same song vengeance
from<00:25:01.200> the<00:25:01.279> album<00:25:01.760> magnum<00:25:02.159> opus

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[Music]
but<00:25:21.679> you<00:25:21.840> can<00:25:21.919> do<00:25:22.080> that<00:25:22.240> in<00:25:22.320> a<00:25:22.400> lot<00:25:22.559> of

but you can do that in a lot of

but you can do that in a lot of
different<00:25:22.880> ways<00:25:23.200> you<00:25:23.279> can<00:25:23.440> do<00:25:23.679> um<00:25:24.159> like<00:25:24.320> this

as i said there's no boundaries

as i said there's no boundaries
whatsoever

whatsoever

whatsoever
once<00:25:48.559> you<00:25:48.640> have<00:25:48.799> the<00:25:48.880> scales<00:25:49.360> down

once you have the scales down

once you have the scales down
practice<00:25:50.640> a<00:25:50.720> lot<00:25:50.960> and<00:25:51.039> there<00:25:51.200> you<00:25:51.360> have<00:25:51.520> it

well it was mainly bach really i mean uh

well it was mainly bach really i mean uh
the<00:26:04.720> reason<00:26:04.960> i<00:26:05.120> started<00:26:05.360> playing

the reason i started playing

the reason i started playing
the<00:26:06.480> way<00:26:06.640> i<00:26:06.720> do<00:26:07.200> mainly<00:26:07.520> is<00:26:07.679> from<00:26:07.840> classical

the way i do mainly is from classical

the way i do mainly is from classical
music

music

music
and

and

and
bach<00:26:10.799> paganini<00:26:11.679> vivaldi<00:26:12.240> and<00:26:12.320> so<00:26:12.480> forth

and that's that's where my main

and that's that's where my main
influence<00:26:18.799> comes<00:26:19.120> from<00:26:19.279> you<00:26:19.440> know<00:26:19.600> like

influence comes from you know like

influence comes from you know like
really<00:26:20.480> classical<00:26:21.039> influences<00:26:21.679> you<00:26:21.840> know<00:26:22.880> um

really classical influences you know um

really classical influences you know um
that's<00:26:25.679> what<00:26:25.760> it<00:26:25.919> is

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hey<00:26:32.400> y'all

hey y'all

hey y'all
okay<00:26:33.679> now<00:26:33.840> we're<00:26:33.919> gonna<00:26:34.080> talk<00:26:34.240> a<00:26:34.240> little<00:26:34.400> bit

okay now we're gonna talk a little bit

okay now we're gonna talk a little bit
about<00:26:35.200> diminished<00:26:36.080> runs

about diminished runs

about diminished runs
which<00:26:37.360> i<00:26:37.440> use<00:26:37.679> also<00:26:37.919> very<00:26:38.159> frequently<00:26:38.720> in<00:26:39.120> the

which i use also very frequently in the

which i use also very frequently in the
phrygian<00:26:40.080> mode<00:26:40.559> also<00:26:40.880> in<00:26:41.039> harmonic<00:26:41.520> minor

phrygian mode also in harmonic minor

phrygian mode also in harmonic minor
mode

mode

mode
i<00:26:42.960> usually<00:26:43.279> do<00:26:43.520> them<00:26:43.760> in<00:26:44.000> um

i usually do them in um

i usually do them in um
three<00:26:45.039> string<00:26:45.760> arpeggios<00:26:46.960> such<00:26:47.279> as

like that and diminish scale basically

like that and diminish scale basically
what<00:26:53.360> it<00:26:53.520> is<00:26:53.679> it's<00:26:54.320> every<00:26:54.559> note<00:26:55.039> is<00:26:55.200> a<00:26:55.600> third

what it is it's every note is a third

what it is it's every note is a third
minor<00:26:56.559> third<00:26:57.279> interval<00:26:58.080> like<00:26:58.320> this

minor third interval like this

minor third interval like this
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okay<00:27:07.520> so<00:27:07.679> if<00:27:07.840> you<00:27:08.000> play<00:27:08.240> for<00:27:08.320> instance<00:27:08.640> an<00:27:08.799> e

okay so if you play for instance an e

okay so if you play for instance an e
phrygian

phrygian

phrygian
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start<00:27:20.000> your<00:27:20.240> arpeggio<00:27:21.120> the<00:27:21.279> minister

start your arpeggio the minister

start your arpeggio the minister
arpeggio<00:27:22.320> on<00:27:22.480> the<00:27:22.559> major<00:27:22.960> third

arpeggio on the major third

arpeggio on the major third
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such as that

such as that
and<00:27:49.360> that's<00:27:49.679> how<00:27:49.919> i<00:27:50.159> incorporate<00:27:50.720> the

and that's how i incorporate the

and that's how i incorporate the
diminished<00:27:51.440> in<00:27:51.679> uh<00:27:52.240> things<00:27:52.720> it<00:27:52.799> can<00:27:53.039> also<00:27:53.200> be

diminished in uh things it can also be

diminished in uh things it can also be
done<00:27:53.760> uh<00:27:54.000> with<00:27:54.240> a<00:27:54.559> augmented

done uh with a augmented

done uh with a augmented
fifth<00:27:56.559> in<00:27:56.720> an<00:27:56.799> a<00:27:56.960> minor<00:27:57.279> scale<00:27:57.679> for<00:27:57.840> instance

fifth in an a minor scale for instance

fifth in an a minor scale for instance
an<00:27:58.240> e<00:27:58.399> minor<00:27:58.720> now

back to e

back to e
it's<00:28:12.960> just<00:28:13.279> you<00:28:13.440> know<00:28:13.760> also<00:28:14.000> very<00:28:14.240> classically

it's just you know also very classically

it's just you know also very classically
influenced<00:28:15.120> chord<00:28:15.360> progressions<00:28:15.919> and<00:28:16.000> so

influenced chord progressions and so

influenced chord progressions and so
forth<00:28:16.320> and<00:28:16.399> so<00:28:16.640> on

forth and so on

forth and so on
okay<00:28:18.559> here<00:28:18.720> is<00:28:18.880> a<00:28:18.960> diminished<00:28:19.520> arpeggio<00:28:20.240> in<00:28:20.399> a

okay here is a diminished arpeggio in a

okay here is a diminished arpeggio in a
slower<00:28:21.279> pace

slower pace

slower pace
okay

okay

okay
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and<00:28:42.960> how<00:28:43.120> you<00:28:43.279> move<00:28:43.600> up

and how you move up

and how you move up
uh<00:28:44.799> each<00:28:45.039> fret<00:28:45.279> should<00:28:45.440> be

uh each fret should be

uh each fret should be
a<00:28:46.480> third<00:28:46.880> minor<00:28:47.200> third<00:28:47.440> so<00:28:47.679> it's<00:28:47.840> three<00:28:48.080> frets

a third minor third so it's three frets

a third minor third so it's three frets
each<00:28:48.720> time<00:28:49.120> and<00:28:49.360> it's<00:28:49.520> exactly<00:28:49.919> the<00:28:50.000> same

each time and it's exactly the same

each time and it's exactly the same
pattern

pattern

pattern
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that<00:28:55.760> can<00:28:55.919> be<00:28:56.080> done<00:28:56.240> in<00:28:56.399> any<00:28:56.640> scale

that can be done in any scale

that can be done in any scale
or<00:28:58.080> any<00:28:58.480> mode<00:28:58.720> so<00:28:58.880> to<00:28:59.039> speak<00:28:59.279> but<00:28:59.440> that<00:28:59.919> is

or any mode so to speak but that is

or any mode so to speak but that is
diminished<00:29:00.880> arpeggio