Original subtitles

Kind: captions Language: en

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[Music] hello i'm ingvar malmsteen in

hello i'm ingvar malmsteen in

hello i'm ingvar malmsteen in and welcome to my video here we're going

and welcome to my video here we're going

and welcome to my video here we're going to talk a little bit about my style of

to talk a little bit about my style of

to talk a little bit about my style of playing and hopefully you're going to

playing and hopefully you're going to

playing and hopefully you're going to learn something

learn something

learn something and today we're going to talk about

and today we're going to talk about

and today we're going to talk about picking phrases legato phrases harmonic

picking phrases legato phrases harmonic

picking phrases legato phrases harmonic minor and diminished

minor and diminished

minor and diminished chord progressions and so forth

chord progressions and so forth

chord progressions and so forth and um hopefully you're going to enjoy

and um hopefully you're going to enjoy

and um hopefully you're going to enjoy it as much as i am

it as much as i am

it as much as i am and if you want to play along this is

and if you want to play along this is

and if you want to play along this is the note you tuned to here we go

the note you tuned to here we go

the note you tuned to here we go [Music]

[Music]

[Music] all right now we're going to talk about

all right now we're going to talk about

all right now we're going to talk about some picking phrases on one string

some picking phrases on one string

some picking phrases on one string the top e

the top e

the top e which are actually tuned down to e flat

which are actually tuned down to e flat

which are actually tuned down to e flat together tuned to e flat uh this is from

together tuned to e flat uh this is from

together tuned to e flat uh this is from a song called evil eye

a song called evil eye

a song called evil eye for my first soul album being the mom in

for my first soul album being the mom in

for my first soul album being the mom in rising force and here it is

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[Music]

[Music] [Applause]

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[Applause] okay that was the normal speed and here

okay that was the normal speed and here

okay that was the normal speed and here it is a little bit slower

it is a little bit slower

it is a little bit slower [Music]

hey

hey

hey [Applause]

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[Music]

[Music] [Applause]

[Applause]

[Applause] [Music]

okay that was something from uh evil eye

okay that was something from uh evil eye

okay that was something from uh evil eye uh i use a very stiff pick it's a 1.5

uh i use a very stiff pick it's a 1.5

uh i use a very stiff pick it's a 1.5 millimeter dunlop actually and some

millimeter dunlop actually and some

millimeter dunlop actually and some people find it hard to play with those

people find it hard to play with those

people find it hard to play with those but i find it better for accurate

but i find it better for accurate

but i find it better for accurate picking

picking

picking and for that particular

and for that particular

and for that particular thing i always do um

thing i always do um

thing i always do um something called alternate picking

something called alternate picking

something called alternate picking down up down up

down up down up

down up down up something like this

something like this

something like this [Applause]

[Applause]

[Applause] [Music]

[Music]

[Music] [Applause]

[Applause]

[Applause] you know so you can uh get lots more

you know so you can uh get lots more

you know so you can uh get lots more speed instead if you want to go down or

speed instead if you want to go down or

speed instead if you want to go down or only up you do one down one up or up and

only up you do one down one up or up and

only up you do one down one up or up and down

down

down and you can do all sorts of different

and you can do all sorts of different

and you can do all sorts of different things

things

things [Music]

[Music]

[Music] [Applause]

[Applause]

[Applause] [Music]

[Music]

[Music] [Applause]

[Applause]

[Applause] [Music]

[Music]

[Music] [Applause]

[Applause]

[Applause] here's another example of the ultimate

here's another example of the ultimate

here's another example of the ultimate picking version although it's only one

picking version although it's only one

picking version although it's only one note or maybe you can just slide the

note or maybe you can just slide the

note or maybe you can just slide the finger up and down and it's a slightly

finger up and down and it's a slightly

finger up and down and it's a slightly different right hand technique there

different right hand technique there

different right hand technique there [Music]

[Music]

[Music] versus

versus

versus [Applause]

[Music]

[Music]

[Music] [Applause]

well it's it seems like if you play only

well it's it seems like if you play only

well it's it seems like if you play only on one string and uh play very fast it

on one string and uh play very fast it

on one string and uh play very fast it seems like i

seems like i

seems like i seem to anchor the hand more to the

seem to anchor the hand more to the

seem to anchor the hand more to the picard whereas where when i do like a

picard whereas where when i do like a

picard whereas where when i do like a alternate

alternate

alternate up and down on the string

up and down on the string

up and down on the string it's a little different i don't know

it's a little different i don't know

it's a little different i don't know exactly why everybody asked me why but i

exactly why everybody asked me why but i

exactly why everybody asked me why but i i just find that more efficient

i just find that more efficient

i just find that more efficient for me

yeah it's mostly the wrist it's not the

yeah it's mostly the wrist it's not the

yeah it's mostly the wrist it's not the arm is

like it you know

it seemed to me it seemed to me that my

it seemed to me it seemed to me that my

it seemed to me it seemed to me that my technique sort of evolved

technique sort of evolved

technique sort of evolved very quickly into one way

very quickly into one way

very quickly into one way and uh

and uh

and uh basically what i think it is it's

basically what i think it is it's

basically what i think it is it's basically what it's the most efficient

basically what it's the most efficient

basically what it's the most efficient way to do it

way to do it

way to do it um with the least amount of

um with the least amount of

um with the least amount of work it's called i think it's called uh

work it's called i think it's called uh

work it's called i think it's called uh economical playing or something like

economical playing or something like

economical playing or something like that uh in other words you don't move

that uh in other words you don't move

that uh in other words you don't move your left hand too much when you do one

your left hand too much when you do one

your left hand too much when you do one faster you get just move it as much as

faster you get just move it as much as

faster you get just move it as much as you

you

you possibly have to no more same thing with

possibly have to no more same thing with

possibly have to no more same thing with the right hand

the right hand

the right hand so you shouldn't go like this you should

so you shouldn't go like this you should

so you shouldn't go like this you should go like this

go like this

go like this very small movements and efficient

very small movements and efficient

very small movements and efficient movements yeah

al de mijol has got an exceptional

al de mijol has got an exceptional

al de mijol has got an exceptional picking technique i however

picking technique i however

picking technique i however don't use his style at all he has a

don't use his style at all he has a

don't use his style at all he has a completely different way to do it

completely different way to do it

completely different way to do it um

um

um he doesn't even anchor his hand to the

he doesn't even anchor his hand to the

he doesn't even anchor his hand to the guitar he plays with his hand totally

guitar he plays with his hand totally

guitar he plays with his hand totally free

free

free which is good for him it's not good for

which is good for him it's not good for

which is good for him it's not good for me and that's why the way i do it is

me and that's why the way i do it is

me and that's why the way i do it is just because that's the way it feels

just because that's the way it feels

just because that's the way it feels good to me so in other words nobody

good to me so in other words nobody

good to me so in other words nobody really has to do it in any specific way

really has to do it in any specific way

really has to do it in any specific way whatever is right for them you know

whatever is right for them you know

whatever is right for them you know um

um

um i've found

i've found

i've found okay now i'm going to show you some

okay now i'm going to show you some

okay now i'm going to show you some more or less trademark

more or less trademark

more or less trademark lines i do on a single string it could

lines i do on a single string it could

lines i do on a single string it could be done on any string in this case we do

be done on any string in this case we do

be done on any string in this case we do it on e string again

it on e string again

it on e string again high e

high e

high e and one of them goes like this

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[Applause] [Music]

[Music]

[Music] something like that and slowly that

something like that and slowly that

something like that and slowly that would be the form of it

[Applause]

that was two more strings there

that was two more strings there

that was two more strings there fortunately another one i use also very

fortunately another one i use also very

fortunately another one i use also very very often is a downward one

very often is a downward one

very often is a downward one [Music]

[Music]

[Music] [Applause]

[Applause]

[Applause] [Music]

[Music]

[Music] slowly

slowly

slowly [Music]

[Music]

[Music] [Applause]

[Applause]

[Applause] [Music]

that could be done on any string in any

that could be done on any string in any

that could be done on any string in any k in this case was an e string and it

k in this case was an e string and it

k in this case was an e string and it was in f sharp minor

was in f sharp minor

was in f sharp minor okay the downward

okay the downward

okay the downward pattern that i showed you can also do up

pattern that i showed you can also do up

pattern that i showed you can also do up it would be like this

[Applause]

[Applause]

[Applause] down

down

down [Music]

[Music]

[Music] [Applause]

[Applause]

[Applause] [Music]

all right and now we're going to talk a

all right and now we're going to talk a

all right and now we're going to talk a little bit about uh legato where the

little bit about uh legato where the

little bit about uh legato where the left hand does most of the work and this

left hand does most of the work and this

left hand does most of the work and this one does very little

one does very little

one does very little one example would be um

or you know you can do

well you can pick it as well if you want

without this with the picking this

without this with the picking this

without this with the picking this without

[Music]

[Music]

[Music] [Laughter]

[Laughter]

[Laughter] [Applause]

[Music]

[Music]

[Music] that could be done in all sorts of

that could be done in all sorts of

that could be done in all sorts of different ways this was an e minor on

different ways this was an e minor on

different ways this was an e minor on the e string only

the e string only

the e string only okay here's a good example on uh

okay here's a good example on uh

okay here's a good example on uh how little the right hand actually means

how little the right hand actually means

how little the right hand actually means when you play legato you can even

when you play legato you can even

when you play legato you can even put your right hand over here and just

put your right hand over here and just

put your right hand over here and just muffle the strings

muffle the strings

muffle the strings and do whatever you want

[Music]

whatever you want you know stuff like

whatever you want you know stuff like

whatever you want you know stuff like that you can do that on all strings too

that you can do that on all strings too

that you can do that on all strings too but we're talking about the one string

but we're talking about the one string

but we're talking about the one string now

now

now and here just this is an example i'm

and here just this is an example i'm

and here just this is an example i'm going to improvise now uh

going to improvise now uh

going to improvise now uh where is very little picking

where is very little picking

where is very little picking is just basically a picking for each

is just basically a picking for each

is just basically a picking for each three or four notes and most of the work

three or four notes and most of the work

three or four notes and most of the work is done with the left hand you know you

is done with the left hand you know you

is done with the left hand you know you can do it something like this

can do it something like this

can do it something like this [Music]

me

[Music]

[Music]

so

[Music]

oh

oh

oh [Music]

[Applause]

[Applause]

[Applause] [Music]

[Music]

[Music] [Applause]

[Music]

my

[Music]

[Music]

[Music] now

now

now [Music]

[Music]

[Music] [Applause]

[Applause]

[Applause] [Music]

[Music]

[Music]

[Music] here's an example of a harmonic minor

here's an example of a harmonic minor

here's an example of a harmonic minor scale on all strings

scale on all strings

scale on all strings and it's uh

and it's uh

and it's uh off of a track called 1622 over 2 6 and

off of a track called 1622 over 2 6 and

off of a track called 1622 over 2 6 and 22 from my new album magnum opus

22 from my new album magnum opus

22 from my new album magnum opus go something like this

go something like this

go something like this [Music]

okay here's the same example uh a bit

okay here's the same example uh a bit

okay here's the same example uh a bit slower

slower

slower you know slowed down

you know slowed down

you know slowed down [Music]

uh when i was very young

uh when i was very young

uh when i was very young i listened a lot to the purple and

i listened a lot to the purple and

i listened a lot to the purple and richard blackmore in uh

richard blackmore in uh

richard blackmore in uh that type of thing

that type of thing

that type of thing and uh it's nice

and uh it's nice

and uh it's nice but it got a little uh stale for me you

but it got a little uh stale for me you

but it got a little uh stale for me you know a little bit because if he's in g's

know a little bit because if he's in g's

know a little bit because if he's in g's here

here

here he was in c sharp is here

he was in c sharp is here

he was in c sharp is here so i like i like to start playing a

so i like i like to start playing a

so i like i like to start playing a little more linear lines you know like

little more linear lines you know like

little more linear lines you know like that

that

that [Applause]

[Applause]

[Applause] [Music]

[Music]

[Music] which actually what it is is more like

which actually what it is is more like

which actually what it is is more like minor scales and so forth rather than

minor scales and so forth rather than

minor scales and so forth rather than the pentatonic and i just find it much

the pentatonic and i just find it much

the pentatonic and i just find it much more expressive

more expressive

more expressive and i just tended to be something that i

and i just tended to be something that i

and i just tended to be something that i really dug

really dug

really dug you know you know to throw together

you know you know to throw together

you know you know to throw together lines

lines

lines with like you know in scales then of

with like you know in scales then of

with like you know in scales then of course kind of like arpeggios and

course kind of like arpeggios and

course kind of like arpeggios and diminished lines and frugin and so forth

diminished lines and frugin and so forth

diminished lines and frugin and so forth and so on rather than just the regular

and so on rather than just the regular

and so on rather than just the regular blues thing so it's just a matter of

blues thing so it's just a matter of

blues thing so it's just a matter of taste you know i just felt that the most

taste you know i just felt that the most

taste you know i just felt that the most guitar players sound a little

guitar players sound a little

guitar players sound a little we had word inbred in a way because most

we had word inbred in a way because most

we had word inbred in a way because most guitar players had uh some too many

guitar players had uh some too many

guitar players had uh some too many similarities and it became a little bit

similarities and it became a little bit

similarities and it became a little bit uh you know limiting for me

uh you know limiting for me

uh you know limiting for me that's why i started playing the more

that's why i started playing the more

that's why i started playing the more linear way like more like a

linear way like more like a

linear way like more like a violinist that is the reason for that

violinist that is the reason for that

violinist that is the reason for that well now we're gonna obviously talk

well now we're gonna obviously talk

well now we're gonna obviously talk about uh

about uh

about uh some minor scales uh that i frequently

some minor scales uh that i frequently

some minor scales uh that i frequently use and phrases

use and phrases

use and phrases uh one of them is uh from

uh one of them is uh from

uh one of them is uh from a song called far beyond the sun goes

a song called far beyond the sun goes

a song called far beyond the sun goes like this

you could play that slow also

you could play that slow also

you could play that slow also [Music]

that's harmonic minor which is an

that's harmonic minor which is an

that's harmonic minor which is an augmented seventh

augmented seventh

augmented seventh in other words

in other words

in other words let's say is an e minor scale that the

let's say is an e minor scale that the

let's say is an e minor scale that the seventh wouldn't be d it would be d

seventh wouldn't be d it would be d

seventh wouldn't be d it would be d sharp

sharp

sharp and if you yeah that's something i use

and if you yeah that's something i use

and if you yeah that's something i use very often and you can do that in

very often and you can do that in

very often and you can do that in phrygian modes as well

i was from the opening i'd never die

i was from the opening i'd never die

i was from the opening i'd never die [Music]

[Music]

[Music] and um what else rising force

and um what else rising force

and um what else rising force [Applause]

[Applause]

[Applause] [Music]

[Music]

[Music] [Applause]

[Applause]

[Applause] [Music]

[Music]

[Music] that's some things i use very often

that's some things i use very often

that's some things i use very often basically where it's all based on minor

basically where it's all based on minor

basically where it's all based on minor scales

scales

scales and

and

and in patterns basically like you know

in patterns basically like you know

in patterns basically like you know [Music]

[Music]

[Music] something like that

something like that

something like that it's quite simple if you just figure out

it's quite simple if you just figure out

it's quite simple if you just figure out the scales first and then practice a lot

the scales first and then practice a lot

the scales first and then practice a lot on it

well

well

well the funny thing is that i i've never

the funny thing is that i i've never

the funny thing is that i i've never considered myself a fast guitar player

considered myself a fast guitar player

considered myself a fast guitar player i've never

i've never

i've never deliberately sort of tried to play fast

deliberately sort of tried to play fast

deliberately sort of tried to play fast you know um

you know um

you know um i always try to

i always try to

i always try to put a lot of substance

put a lot of substance

put a lot of substance into what i play

into what i play

into what i play so even if it's done fast even and it

so even if it's done fast even and it

so even if it's done fast even and it would have been played slow it would be

would have been played slow it would be

would have been played slow it would be melodic anyway it would have some sort

melodic anyway it would have some sort

melodic anyway it would have some sort of meaning a lot of guitar players when

of meaning a lot of guitar players when

of meaning a lot of guitar players when they play fast they play rapid rep

they play fast they play rapid rep

they play fast they play rapid rep repetitions like um

repetitions like um

repetitions like um [Applause]

[Applause]

[Applause] like that whereas i go

more linear and more in au pair just

more linear and more in au pair just

more linear and more in au pair just that type of thing and okay yeah sure so

that type of thing and okay yeah sure so

that type of thing and okay yeah sure so i

i

i play quite fast now and again but i

play quite fast now and again but i

play quite fast now and again but i never really looked at it as a very

never really looked at it as a very

never really looked at it as a very you know like an incentive to play um as

you know like an incentive to play um as

you know like an incentive to play um as far as the followers goes

far as the followers goes

far as the followers goes they say imitation is you know the

they say imitation is you know the

they say imitation is you know the finest form of flattery or something

finest form of flattery or something

finest form of flattery or something like that and that's fine um

like that and that's fine um

like that and that's fine um the only thing that sometimes upset me

the only thing that sometimes upset me

the only thing that sometimes upset me is that a lot of people copy me copy

is that a lot of people copy me copy

is that a lot of people copy me copy exactly what i do when they don't give

exactly what i do when they don't give

exactly what i do when they don't give me credit for it but then again

me credit for it but then again

me credit for it but then again that happens you know you know

that happens you know you know

that happens you know you know no big deal

yes paganini vivaldi tchaikovsky all the

yes paganini vivaldi tchaikovsky all the

yes paganini vivaldi tchaikovsky all the violent concertos

violent concertos

violent concertos some of the box stuff

some of the box stuff

some of the box stuff it's quite technical but it's always

it's quite technical but it's always

it's quite technical but it's always very beautiful

very beautiful

very beautiful and that's i mean i wouldn't put myself

and that's i mean i wouldn't put myself

and that's i mean i wouldn't put myself in the same

in the same

in the same level as them of course but uh

level as them of course but uh

level as them of course but uh those are my sort of role models when it

those are my sort of role models when it

those are my sort of role models when it comes to composite composition and

comes to composite composition and

comes to composite composition and improvising and

improvising and

improvising and playing

playing

playing so i always try to put

so i always try to put

so i always try to put as much

as much

as much melody and beauty even though it's fast

melody and beauty even though it's fast

melody and beauty even though it's fast you know so that i think it's very

you know so that i think it's very

you know so that i think it's very important

[Music]

[Music]

[Music]

[Music]

[Music]

well

well

well the way i look at it is like

the way i look at it is like

the way i look at it is like um i look back at the records now i know

um i look back at the records now i know

um i look back at the records now i know i could do it better now but when i did

i could do it better now but when i did

i could do it better now but when i did them it was the best i could do so i

them it was the best i could do so i

them it was the best i could do so i must say i liked them all it was the

must say i liked them all it was the

must say i liked them all it was the best i've always tried my very best

i think

i think

i think i like the seven sign

i like the seven sign

i like the seven sign i like trilogy the first one

i like trilogy the first one

i like trilogy the first one and uh

and uh

and uh the one album i've been working on

the one album i've been working on

the one album i've been working on lately it's called magnum opus

lately it's called magnum opus

lately it's called magnum opus i'm very very pleased with that one i

i'm very very pleased with that one i

i'm very very pleased with that one i think that must be my very favorite

think that must be my very favorite

think that must be my very favorite um

um

um but i also like eclipse i like

but i also like eclipse i like

but i also like eclipse i like the live album i'm not too crazy about

the live album i'm not too crazy about

the live album i'm not too crazy about uh odyssey for some reason

uh odyssey for some reason

uh odyssey for some reason uh although it was a very popular album

uh although it was a very popular album

uh although it was a very popular album and sold them many many copies i think

and sold them many many copies i think

and sold them many many copies i think that uh

that uh

that uh trilogy seven sign rising force

trilogy seven sign rising force

trilogy seven sign rising force uh and magnum opus are the ones i feel

uh and magnum opus are the ones i feel

uh and magnum opus are the ones i feel most proud of

most proud of

most proud of i also quite like my alcatraz album with

i also quite like my alcatraz album with

i also quite like my alcatraz album with graham on it i thought that was very

graham on it i thought that was very

graham on it i thought that was very good so

well you know that's a question that's

well you know that's a question that's

well you know that's a question that's the question i actually don't think i

the question i actually don't think i

the question i actually don't think i can answer because

can answer because

can answer because uh

uh

uh all the songs i've written

all the songs i've written

all the songs i've written are like almost like my children or

are like almost like my children or

are like almost like my children or something you know

something you know

something you know you know if you have 10 children you

you know if you have 10 children you

you know if you have 10 children you don't like one better than another you

don't like one better than another you

don't like one better than another you know they all have their own qualities

know they all have their own qualities

know they all have their own qualities um

i i am quite proud of everything you

i i am quite proud of everything you

i i am quite proud of everything you know because i would never leave

know because i would never leave

know because i would never leave anything on an album that i didn't think

anything on an album that i didn't think

anything on an album that i didn't think was

was

was up to par you know

yeah there's there's one song that i

yeah there's there's one song that i

yeah there's there's one song that i always enjoy very much to play it's far

always enjoy very much to play it's far

always enjoy very much to play it's far beyond the sun uh

beyond the sun uh

beyond the sun uh for my first soul album uh

for my first soul album uh

for my first soul album uh i've always liked that song and i always

i've always liked that song and i always

i've always liked that song and i always like to play it live you know it's one

like to play it live you know it's one

like to play it live you know it's one of those songs i really like playing

of those songs i really like playing

of those songs i really like playing live you know because it's a lot of

live you know because it's a lot of

live you know because it's a lot of guitar runs and stuff

guitar runs and stuff

guitar runs and stuff it's kind of fun you know but i like to

it's kind of fun you know but i like to

it's kind of fun you know but i like to play everything

play everything

play everything [Music]

[Music]

[Music] [Applause]

[Applause]

[Applause] [Music]

all right we're back here

all right we're back here

all right we're back here and now we're going to talk about some

and now we're going to talk about some

and now we're going to talk about some harmonic minor

harmonic minor

harmonic minor scales and the relative scales to that

scales and the relative scales to that

scales and the relative scales to that which is called phrygian

which is called phrygian

which is called phrygian um

um

um i don't know where to start exactly but

i don't know where to start exactly but

i don't know where to start exactly but we can start with an e

we can start with an e

we can start with an e uh phrygian scale which would go like

uh phrygian scale which would go like

uh phrygian scale which would go like this

that's e

that's e

that's e now if you play exactly the same notes

now if you play exactly the same notes

now if you play exactly the same notes as i played now but you start on a and

as i played now but you start on a and

as i played now but you start on a and end on a you end up with a a

end on a you end up with a a

end on a you end up with a a harmonic

harmonic

harmonic minor harmonic

minor harmonic

minor harmonic that goes like this

that goes like this

that goes like this [Music]

[Music]

[Music] in other words it's exactly the same

in other words it's exactly the same

in other words it's exactly the same notes so you play an a minor chord

you get a harmonic minor if you play an

you get a harmonic minor if you play an

you get a harmonic minor if you play an e chord

e chord

e chord [Music]

[Music]

[Music] [Applause]

[Applause]

[Applause] you play exactly the same phrase but

you play exactly the same phrase but

you play exactly the same phrase but it's two different things

it's two different things

it's two different things and that a lot of people confuse those

and that a lot of people confuse those

and that a lot of people confuse those things

things

things you can also incorporate diminish to

you can also incorporate diminish to

you can also incorporate diminish to that would be on the major third of the

that would be on the major third of the

that would be on the major third of the e

e

e [Music]

[Music]

[Music] like that

like that

like that and you can also use that in a harmonic

and you can also use that in a harmonic

and you can also use that in a harmonic minor

so in other words everything is quite

so in other words everything is quite

so in other words everything is quite simple it's very logical very

simple it's very logical very

simple it's very logical very mathematical so if you just open that

mathematical so if you just open that

mathematical so if you just open that little one door

little one door

little one door it's all there in front of you

it's all there in front of you

it's all there in front of you so

so

so that's it

that's it

that's it okay then uh now we're gonna talk a

okay then uh now we're gonna talk a

okay then uh now we're gonna talk a little bit more about the different

little bit more about the different

little bit more about the different patterns and phrases within a harmonic

patterns and phrases within a harmonic

patterns and phrases within a harmonic minor

minor

minor and um

and um

and um phrygian which is that relative

phrygian which is that relative

phrygian which is that relative okay

okay

okay and for simplicity we'll stay with the a

and for simplicity we'll stay with the a

and for simplicity we'll stay with the a minor and the e-phrygian which are

minor and the e-phrygian which are

minor and the e-phrygian which are relative

relative

relative okay here's a thing you can do in both

slow

slow

slow [Applause]

[Applause]

[Applause] [Music]

[Music]

[Music] [Applause]

[Applause]

[Applause] [Music]

[Music]

[Music] that would work in both a minor harmonic

that would work in both a minor harmonic

that would work in both a minor harmonic and e-phrygian

and e-phrygian

and e-phrygian um

um

um what else well you can do the scales as

what else well you can do the scales as

what else well you can do the scales as i said

i'll do that again

i'll do that again

i'll do that again [Applause]

[Applause]

[Applause] that's an a minor if you do exactly same

that's an a minor if you do exactly same

that's an a minor if you do exactly same scale but you

scale but you

scale but you start an e and end on e you go

start an e and end on e you go

start an e and end on e you go [Music]

[Music]

[Music] [Applause]

[Applause]

[Applause] [Music]

[Music]

[Music] and i do often also

and i do often also

and i do often also riffs that are

riffs that are

riffs that are the base the whole song on the riff in

the base the whole song on the riff in

the base the whole song on the riff in phrygian which is a minor e version same

phrygian which is a minor e version same

phrygian which is a minor e version same as i said before for instance this song

as i said before for instance this song

as i said before for instance this song called voodoo from a new album magnum

called voodoo from a new album magnum

called voodoo from a new album magnum opus goes like this

opus goes like this

opus goes like this [Music]

that's very typical e phrygian riff

that's very typical e phrygian riff

that's very typical e phrygian riff which is also in a minor

which is also in a minor

which is also in a minor [Music]

[Music]

[Music] it's all relative there you have it

it's all relative there you have it

it's all relative there you have it okay now we're going to talk about

okay now we're going to talk about

okay now we're going to talk about something they also do very frequently

something they also do very frequently

something they also do very frequently bored heavily from baroque classical

bored heavily from baroque classical

bored heavily from baroque classical music

music

music mainly bach stuff like that and here's

mainly bach stuff like that and here's

mainly bach stuff like that and here's an example from the album magnum opus

an example from the album magnum opus

an example from the album magnum opus and from the song vengeance

and from the song vengeance

and from the song vengeance [Music]

[Music]

[Music] [Applause]

[Applause]

[Applause] [Music]

[Music]

[Music] [Applause]

[Applause]

[Applause] [Music]

[Music]

[Music] here it is slow

[Applause]

[Applause]

[Applause] [Music]

[Applause]

[Applause]

[Applause] [Music]

[Music]

[Music] and another example of that is like the

and another example of that is like the

and another example of that is like the introduction of the same song vengeance

introduction of the same song vengeance

introduction of the same song vengeance from the album magnum opus

[Music]

[Music]

[Music]

[Music] but you can do that in a lot of

but you can do that in a lot of

but you can do that in a lot of different ways you can do um like this

[Music]

as i said there's no boundaries

as i said there's no boundaries

as i said there's no boundaries whatsoever

whatsoever

whatsoever once you have the scales down

once you have the scales down

once you have the scales down practice a lot and there you have it

well it was mainly bach really i mean uh

well it was mainly bach really i mean uh

well it was mainly bach really i mean uh the reason i started playing

the reason i started playing

the reason i started playing the way i do mainly is from classical

the way i do mainly is from classical

the way i do mainly is from classical music

music

music and

and

and bach paganini vivaldi and so forth

and that's that's where my main

and that's that's where my main

and that's that's where my main influence comes from you know like

influence comes from you know like

influence comes from you know like really classical influences you know um

really classical influences you know um

really classical influences you know um that's what it is

[Music]

[Music]

[Music] hey y'all

hey y'all

hey y'all okay now we're gonna talk a little bit

okay now we're gonna talk a little bit

okay now we're gonna talk a little bit about diminished runs

about diminished runs

about diminished runs which i use also very frequently in the

which i use also very frequently in the

which i use also very frequently in the phrygian mode also in harmonic minor

phrygian mode also in harmonic minor

phrygian mode also in harmonic minor mode

mode

mode i usually do them in um

i usually do them in um

i usually do them in um three string arpeggios such as

like that and diminish scale basically

like that and diminish scale basically

like that and diminish scale basically what it is it's every note is a third

what it is it's every note is a third

what it is it's every note is a third minor third interval like this

minor third interval like this

minor third interval like this [Music]

[Music]

[Music] okay so if you play for instance an e

okay so if you play for instance an e

okay so if you play for instance an e phrygian

phrygian

phrygian [Music]

[Music]

[Music] start your arpeggio the minister

start your arpeggio the minister

start your arpeggio the minister arpeggio on the major third

arpeggio on the major third

arpeggio on the major third [Music]

such as that

such as that

such as that and that's how i incorporate the

and that's how i incorporate the

and that's how i incorporate the diminished in uh things it can also be

diminished in uh things it can also be

diminished in uh things it can also be done uh with a augmented

done uh with a augmented

done uh with a augmented fifth in an a minor scale for instance

fifth in an a minor scale for instance

fifth in an a minor scale for instance an e minor now

that would be that one

and then suspend b

back to e

back to e

back to e it's just you know also very classically

it's just you know also very classically

it's just you know also very classically influenced chord progressions and so

influenced chord progressions and so

influenced chord progressions and so forth and so on

forth and so on

forth and so on okay here is a diminished arpeggio in a

okay here is a diminished arpeggio in a

okay here is a diminished arpeggio in a slower pace

slower pace

slower pace okay

okay

okay [Music]

[Music]

[Music] and how you move up

and how you move up

and how you move up uh each fret should be

uh each fret should be

uh each fret should be a third minor third so it's three frets

a third minor third so it's three frets

a third minor third so it's three frets each time and it's exactly the same

each time and it's exactly the same

each time and it's exactly the same pattern

pattern

pattern [Music]

[Music]

[Music] that can be done in any scale

that can be done in any scale

that can be done in any scale or any mode so to speak but that is

or any mode so to speak but that is

or any mode so to speak but that is diminished arpeggio