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-I�wanna�ask�you�somethin'. -[crowd�cheering]
[Tammy] � All�right,�what�do�you wanna�ask�me,�George?
[George] � Well,�I�just�wanted to�ask�you,
do�you�love�me?
Baby,�you�know�I�do.
Not�a�good�idea.
We�made�this.
[whispering]�We�made�it.
[George]�All�my�life, I've�been�runnin',
and�I�know�where�I�wanna�go,
but�I�always�seem�to�end�up going�the�other�way.
[Tammy] � We're�playin'�Vegas next�week.
Oh,�I�am�so�excited,�Sheil.
I�just�wish�George�was.
[George] � I�don't�wanna�go. They're�gonna�laugh�at�us.
-Where's�George? -[laughter]
George�don't�even�know where�George�is.
tense�music
You�fed�me�to�them.
I�just�needed�off�the�ride.
You�can't�bear�happiness.
Nobody�wants�me�happy.
I�do.
[camera�shutter�clicks]
[Billy] � Yeah,�we're keeping�'em�busy.
Five�years, we�cut�12�Tammy�solo�albums,
and�six�duet�albums.
-You�two�must�be�exhausted. -[George]�Oh,�yeah.�I�am.
You�got�us�in�here�working on�our�Christmas�holiday.
Oh,�God,�George.
[George] And�then�the�label�wants�us
to�go�up�to�Eskimo�country for�New�Year's.
You�know,�we�might�have to�stay�in�an�igloo.
-[laughs] -We�might.
You�want�to�stay in�an�igloo,�Tammy?
It's�our�first�time�in�Canada,
and�we�couldn't�be more�excited.
Oh,�no,�we�went to�Niagara�Falls
on�our�honeymoon.
Mm-mm,�that�was the�Michigan�side.
-Was�it? -George.�Yep.
[George] I'm�not�gonna�argue�with�it.
In�a�marriage,�only�one�of�you can�hold�the�map.
I've�learned�that, so�I�defer�to�Tammy,�here.
[chuckles]
All�kidding�aside,�I�am--
I�am�really�proud�of�her.
Make�sure�you�write�that,�okay?
She's�had�15�solo number�one�hits
in�the�last�seven�years.
And�how�many�have�you�had?
Hits?
In�the�last�seven�years or�total?
What's�a�little�healthy competition�in�a�marriage?
He's�the�one making�it�a�competition.
Well,�here's�what�I'll�say.
I�think�this�is�true for�both�of�us.
There's�something�about having�a�number�one�hit...
it�does�something�to�a�person.
Mm.
After�your�first�number�one,
you�can't�wait for�the�next�one.
-Huh. -Yeah,�you�just�want
another�and�another.
[shutter�clicking]
soft�country�music
[George]�I've�been�noticing things�about�this�life,
being�a�star.
Not�the�kind�that�guides the�wayward�traveler
who�brought�the�wise�men to�Jesus,�but...
...I'm�talking�about the�kind�that's
forced�to�live down�here�on�Earth,
and�the�kind�that�everybody wants�something�from.
Some�more�and�more�and�more,
even�more,
even�if,�especially,
you've�already�given everything�you've�got�to�give.
[moody�country�music�playing]
And�in�return, you�get�no�control.
No�control�over�whether you�spend�the�day
surrounded�by�strangers wanting�to�talk�at�you
or�alone�in�a�hotel�room.
And�guess�what?
Nobody�cares�much
which�one�you�feel�like�doing on�any�given�day.
And�even�though
you�don't�like these�quick�shifts
between�pandemonium and�isolation,
it�gets�to�where you're�just�so�dang�used�to�it,
one�doesn't�feel�right without�the�other,�so...
when�you�take�your�time�off, instead�of�rest,
you�just�get�restless.
And,�uh--
that's�where�the--
the�trouble�starts.
-[bartender]�This�one's�on�me. -[door�creaks]
God�bless�you.
Get�in�the�car,�Jones.
That's�my�wife.
I�think�she's�mad�at�me.
Keep�my�seat�warm,�Peanutt.
Y'all�have�a�Merry�Christmas.
[bartender]�Merry�Christmas.
[clattering]
[Tammy] Every�time�you�get�drunk
and�disappear�for�a�week,
every�time�you�play�possum on�this�marriage,
a�little�bit�of�my�love�dies.
Our�love�can't�die. The�Bible�says--
Oh,�it�can.
Bible�don't�say�that.
I�know�my�verse,�Jones. It�doesn't�say�that�nowhere.
"Love�does�not�delight�in�evil
but�rejoices�with�the�truth.
Love�always�protects, always�trusts,�always�hopes,
always�perseveres."
1�Corinthians, Chapter�13,�verse�6.
Mm-hmm,�okay.
This�thing�that�makes�you a�hero�to�them,
the�drinking,�it�shames�me.
[breathing�heavily]
Well,�the�only�reason I'm�not�dead
is�'cause�you�love�me.
What�else�I�gotta�do�to�get�you to�stop�being�that�man?
[sighs]
[Loretta�Lynn's "Country�Christmas"�playing]
[light�chatter]
Mommy,�pop�the�popcorn
[George]�Oh.�All�right.
Apples,�nuts,�and�candy
Oh,�what�a�Christmas�tree
Daddy,�play�the�organ
[jiggles�door�handle]
[Tammy]�Sugar,�why�is this�door�locked?
[George]�Working�on Georgette's�present.
[Tammy]�Can�I�come�in? I'd�love�to�see�it.
Uh-uh.
It's�a�surprise.
Jones,�we�got�half�of�Nashville coming�over�here�tomorrow,
and�I�really�need�you to�be�sober.
Please,�baby,�for�me. I--I�want�a�nice�Christmas.
Well,�me�too. I�wish�half�of�Nashville
would�just�stay�home.
Hey,�baby,�you�stay off�that�naughty�list,
and�you'll�get�a�big�surprise.
Okay.
Sheila,�can�you�run�us down�to�the�auto�mall?
Do�you�mind?
-Uh-- -Oh,�we�haven't�finished.
Well,�I�know,�honey, but�we're�gonna�go
get�a�present�for�Daddy.
George�needs�a�distraction.
Come�on,�girls. Get�your�coats�on.
Let's�go.
Tina,�will�you�get--
I�think�I�put�my�shoes in�the�back�deck.
A�good�old country�Christmas
That's�what�it's�gonna�be
With�all�the�family gathered...
-[car�doors�slam] -[engine�turns�over]
[watch�ticking]
Mm.
light�tense�music
[grunting�softly]
[sucks�teeth]
[slurred�singing]
[grunts]
dark�music
Yeah. [grunts]
Yeah,�I�got�you right�where�I�want�you.
I'm�sorry,�fellas,
but�you�kinda outlived�your�purpose.
All�right.
Stay�right�there.
Just�stay�nice�and�still.
Okay.
All�right.
[muttering]
Watch�out!
[gunfire]
[glass�shatters]
Ah,�son�of�a�bitch!
[exhales]
What?
[chuckles]
Twitty�&�Lynn's�"Louisiana Woman,�Mississippi�Man"
[Conway] � �Hey, Louisiana�woman
[Loretta] � �Mississippi�man
[both] � �We�get�together every�time�we�can
Won't�Daddy�be�surprised,�huh?
Are�you�gonna�give�it to�him�at�the�party?
I�think�we�give�it�to�him right�when�we�get�home.
[truck�horn�blaring]
Merry�Christmas! Merry�Christmas!
[Loretta] � �Mississippi�man
[both] � �We�get�together every�time�we�can
[horn�blares]
[Conway] There's�too�much�love
In�this�Mississippi�heart
[Loretta] � �Too�much�love in�this�Louisiana�heart
Hey
[Tammy]�George,�baby. [laughs]
The�girls�and�I�have something�outside�for�you.
Come�on,�let's�go.
[Loretta�Lynn's�"Christmas Without�Daddy"�playing]
[Jan]�What�kinda�fool do�you�take�me�for?
[light�chatter]
Get�in�here,�Tam!
I'm�sure�he's�gonna be�home�soon.
[Sheila]�Come�on,�Tam. Play�your�hand.
You've�been on�your�feet�all�day.
-Mm.�All�right. -I�got�somethin'.
-[chuckles] -[gasps]
Oh,�you�don't�have�anything.
This�is�worth�$0.50�right�here.
[Jan]�Mm-mm.
No,�sir.�I'm�out.
No,�come�on.�Stay�in. Keep�her�honest.
-You�do�it. -[laughter]
All�right,�it's�all�mine.
I�wish�Nan�hadn't taken�the�girls.
They're�my�lucky�charm.
Yeah,�well,�I�didn't�want�them to�see�George�drunk.
They�worship�him, and�I'm�gonna�keep�it�that�way.
Every�time�that�I�have seen�George�lately...
[Tammy]�Mm-hmm.
He's�doing�a�lot�more eating�than�drinking.
I'm�sorry,�y'all,�I'm�just gonna�go�ahead�and�say�it.
-[Tammy]�Mm-hmm. -George�is�gettin'�fat
-[laughs] -No.
-[Jan]�Can�I�say�that? -[laughing]�No!
George�Jones�is�gettin'�fat.
Don't�you�say�that�to�him.
-You�know�how�sensitive�he�is. -You're�so�mean.
It's�not�mean�if�it's�true.
Marriage�changes�a�man.
They�get�too�comfortable.
Marriage�don't�change�anybody.
Tam.
Deal.
Did�you�just�win�that�hand?
I�don't�inspire�Rich�anymore. [chuckles]
What�are�you talking�about,�honey?
He�adores�you.
He�adores�work.
He�asked�me�to�ask�you if�you�had�a�chance
to�take�a�look�at�them�songs he�sent�over
for�you�and�George.
Oh,�sorry.
Tammy's�got�so�much on�her�mind�right�now,�Sheil.
Well,�he�asked�me�to�ask�you. So�I'm--I'm�asking.
Just�let�me�get through�Christmas,
and�then�I'll�have a�good�listen�to�'em.
You�can�tell�him�that.
I�don't�like�that�he�put�you in�that�position.
He�bought�me�that�dog.
That�was�nice�of�him.
Well,�in�that�case...
-[both�laugh] -[Sheila]�What?
[upbeat�country�music�playing]
[George] Hey,�next�round's�on�me!
-Merry�Christmas! -[patrons�cheering]
Jones,�what�you�gon'�do if�she�takes
them�lawn�mower�keys,�huh?
Ride�my�horse.
[laughs] You�ain't�got�no�horse.
I'll�buy�me�one.
Oh,�you're�gon'�buy a�horse�now?
Why�don't�you�buy�two?
Then�buy�two for�these�ladies�too.
-Then�we�can�go�for�a�ride. -Oh,�yes.
-Ride. -There's�an�idea.
Anybody�got a�ranch�around�here?
Mm-mm-mm.
Tammy�won't�come.
She�don't�love�us�no�more.
Course�she�loves�us.
[Charlene] Tammy�Wynette�is�proper.
Butter�won't�melt�in�her�mouth.
Yeah,�but�the�butter�always melts�in�Charlene's�mouth.
-[laughs] -It�does.
Always.
It's�like�a-- like�a�baked�potato.
Just�eat�all�that�butter�up.
Mm,�I�got�a�blue�ribbon for�talking.
[Peanutt] I�like�the�way�you�talk.
[Charlene]�laughs]
Little�girls
And�little�boys
[Brenda�Lee's�"This�Time Of�The�Year"�playing]
Dream�of�worlds
Full�of�toys
This�time�of�the�year
When�Christmas�is�near
Oh,�evergreens
Are�snowy�white
Sleigh�bells�ring
Through�the�night
This�time�of�the�year
I'm�trying�to�stay off�the�naughty�list.
Oh,�keep�the�hat.
[George]�Okay.
And�somewhere near�a�steeple
Ho,�ho,�ho!
-George�Jones? -[George]�Yeah.
-Merry�Christmas. -Merry--Merry�Christmas.
[Tammy]�And�I'm�gonna raise�you--
I�am--10.
-[Sheila�gasps]�No! -I�am.
[Jan]�I�don't�know�about�you, but�I�personally�prefer
not�to�get�reamed�up�the�butt.
-Tell�that�to�Porter�Wagoner. -[all�gasping]
[all�screaming]
[laughter,�chatter]
[engine�putters�out]
[mower�crashes]
[Sheila]�Buy�me a�new�dishwasher,�woman.
[laughter]
-[Tammy]�Okay. -[door�creaks]
[Jan]�Uh-oh.
-Porky�Pig's�home. -[door�slams]
Well,�he's�gonna�be stinking�drunk.
So�you�don't�pay�him�any�mind.
[laughter]
Gone�all�day.�Six�hours.
Uh,�hey,�ladies.
Merry�Sismas.
[Jan]�Well,�Merry�Christmas to�you,�George.
-Yep. -[Sheila]�You�look�well.
Yep.
All�right,�deal�me�in.
Hey,�now.
Don't�start�without�me.
-[thud] -[all�gasping]
[Sheila]�Oh,�my�God!
Oh,�Lord�have�mercy.
-Ready--two-- -[Sheila]�Why�are�we�counting?
-Are�we�not�counting? -[Jan]�Go!�Oh,�goodness.
We�gotta�try�it�again. We�gotta�try�it�again.
-Okay,�ready? -[all�grunting]
-We�got�it,�okay. -Okay,�watch�the�boots.
-Those�are�expensive. -[Jan]�Put�him�through--go.
-Head--foot--head�first. -Okay,�head�first.
Sweet�Jesus,�he's�made�of�lead.
How�do�you�think I�keep�my�girlish�figure?
[Tammy]�All�right,�I'm�gonna take�a�break�up�here.
-[Tammy�screaming] -Okay,�we�need�to�focus.
[Sheila]�Tammy,�can�we--
Tammy,�get�your�knees�under the�mid-part�of�the�body.
Wait�a�minute. I�gotta�figure�this�out.
Let's�just�let�him�down for�a�second.
[Jan]�Regroup. [grunting]
-[Tammy�panting]�Okay. -[Jan]�We're�doing�it!
-Lord! -[Jan]�I�feel�little�drunk�now.
[Sheila]�I�need�bourbon. I�need�a�cigarette.
-[Jan]�Oh,�my�God. -[Sheila]�Oh,�my�God.
[Tammy]�Oh,�my�God.
-[all�panting] -Okay.
I'm�sorry�I�said you�were�being�mean,�Jan.
-You're�not�being�mean. -[Tammy]�Lean�him�up.
-Okay. -Whew,�George�is�fat.
[Tammy]�I�gotta�take his�clothes�off�him.
Sheila,�go�make�us�some�drinks.
-[Sheila]�White�wine? -White�Russian.
-[Sheila]�Okay. -Come�on,�Tam.
[Tammy]�Okay,�ready?
-[both�laughing] -One,�two--
[Jan�sighs]
-[boots�thud] -[Tammy]�Okay.
I�can't�let�him sleep�in�these�pants.
Jan,�you�look�away. Close�your�eyes.
Nothing�I�haven't�seen�before.
[Tammy]�Oh,�yeah,�you�haven't seen�him�before.
-Get�off�me! -[Tammy�screams]
George.
[Jan]�I'm�calling�for�help!
[Tammy]�Jan,�he�doesn't�know what�he's�doing.
What�do�you�want? Tell�me�about�it!
-[Tammy]�No,�no,�no. -[Jan]�Sheila,�call�the�police.
-[George]�Tell�me�about�it�now! -What?�What?
-[George]�You�tell�me! -[screams]
[Georg]e�I�said, tell�me�about�it!
-Tell�you�what,�baby? -He�sent�you,�didn't�He?
Who�is�he?
Oh,�it's�the�only�Him there�is,�baby.
I�don't�know�who�he�is.
The�only�Him�there�is!
He's�the�only�Him�there�is!
I�don't�know�who�he�is, but�it's�not�God.
-[screams] -[Tammy]�Get�off�me!
-Jan! -[George�grunting]
[Tammy]�Jan.
tense�music
-[George�shouting] -[Tammy]�Jan?
[gun�cocks]
-[gunshot] -[debris�clattering]
[George]�Out�of�my�damn�house!
[gun�cocks]
Tell�me�about�it.�Tell�me.
Here,�I�been�here! I�been�here!
I�been�here!�Tell�me!
-[gunshot�fires] -[glass�shattering]
Outta�my�damn�house!
-[grunts] -[gun�cocks]
[grunts]
Out!�Out�of�my�damn�house!
[Jan�whispering] Tammy!�Tammy!
-[gunshot] -Tammy,�Tammy,�come�here!
-[George]�There�you�are!�Get! -Come�on,�honey!
-[Sheila]�Tam! -[Jan]�Tammy,�come--
-[gunshot] -Come�here,�come.
[George�screaming]
[Jan]�Get�down,�get�down.
[sirens�wailing]
-[gun�cocks] -[George]�Get�out!
[clattering]
Why�are�you�smiling?
[grunts]
[shells�clattering]
[groans]
-[door�slams�open] -[footsteps�approach]
Sir,�I'ma�need�you to�put�that�weapon�down.
[officer]�Hold�it�right�there!
Get�him�now!
[George]�Get--no,�no,�no,�no!
Hey,�hey,�hey,�hey!
You're�tearing my�britches�down!
-Come�on,�now! -[officer]�Come�on,�boys.
[George]�Hey,�you're�pulling my�britches�down!
Ah!�Come�on,�now!
[indistinct�shouting]
somber�music
I'll�be�good,�I�promise.
Please,�I'll�be-- I'll�be�good,�I�promise.
Don't�take�him.�Please,�don't.
[officer]�We're�gonna�take�him to�dry�him�out,�ma'am.
I�was�scared.
I�thought--
I�thought�He�was�coming.
-I�didn't--I�wasn't�ready. -[Tammy]�I'm�sorry.
I�wasn't�ready! I�wasn't�ready!
-[engine�turns�over] -Hey,�no!
-Baby,�wait! -[George�grunting]
-Hey! -Wait,�don't�take--don't--
-no. -[George]�Hey!
He�can�stay.�It's�okay.
[George]�I�wasn't�ready!
No!
Oh,�Tam.�Oh.
Oh,�honey.
No,�leave�it.
Leave�it.
I�want�him�to�see�what�he�did.
I'm�not�his�mama. I'm�not�cleaning�up�his�mess.
tense�music
[groans]
[duck�quacks]
[quacking]
[counselor] � We�don't�view addiction�as�a�moral�failing.
Instead,�we�see�it as�an�infirmity,
an�illness�that�can�be�treated.
[George]�Mm.
[counselor]�Now,�alcohol�is-- is�mostly�sugar,�is�what�it�is.
-And�you've�developed�a-- -[grunts]
Has�anyone�come�for�me?
-No? -[counselor]�No.
Um,�it's�a�predisposition
to�addiction�that�you've�had since�you�were�born.
Today's�the�day
You're�telling�him
That�he's�got to�set�you�free
And�that�being
One�man's�woman
Brings�you�down
It's�amazing�how�you�keep�going after�what�you've�been�through.
Oh,�thanks.
Put�on�a�show�like�that, get�off�stage,
and�start�writing�down�a�song.
[chuckles]
Now,�we�can�cancel�the�second leg�of�the�tour,�hon.
-There's�no�shame�in�that. -Mm-mm.�Nope.
Absolutely�not.
Fans�paid�good, hard-earned�money.
Jones�isn't�gonna�turn�me into�a�no-show.
There's�no�way on�God's�green�earth
that�you�should�be treated�this�way,
by�George�Jones or�anybody�else.
Well,�he's�gonna get�clean�in�rehab
and�he's�gonna�get�better.
-What�if�he�doesn't? -Richey,�don't.
No,�Tammy�needs�to�hear the�hard�truth.
The�way�I�see�it, hard�truth�is�love.
Divorcing�Jones�would�break�me.
[Richey]�It�doesn't�hurt to�be�ready.
I�can�have�Paul draw�up�the�papers.
Mm-mm.
He's�gonna�see�what�he�did. He's�gonna�change.
I�think�he�even�scared�himself this�time.
[Richey]�This�is�George�Jones we're�talking�about�here.
There's�a�whole�generation of�country�folks
always�pulling�for�him, of�course.
But�his�wife�needs to�plan�ahead�just�in�case,
for�her�daughters'�sakes.
You�may�not�find true�love�again
So�go�home while�you�still�can
And�find�a�way
To�work�it�out
With�your�man
Oh,�George.
What�in�the�hell�did�you�do?
Well,�I--
All�right,�you�need�anything, you�call�me,�now.
-Mm. -Or�Charlene.
Right.�Okay.
Hello?
Run,�woman,�run
Go�back�to�him and�fix�things�up
The�very�best�you�can
Tell�him�you�missed�him
While�you�were�gone
Run,�woman,�run back�to�your�man
Run
Woman,�run�back
To�your�man
[cheers�and�applause]
Thank�you.�Thank�you�very�much.
Where�is�she? Where�are�my�girls?
I�don't�wanna�get between�y'all,�Jones,�I�don't.
I'm�just�here�to�pick�up a�few�of�her�things.
She�didn't�come�see�me�once. She�didn't�even�call.
Well,�she's�taking�care of�business,�George.
She�had�tour�dates to�make�good�on.
Business.
Well,�you�tell�Tammy
if�she�wants to�pick�something�up,
she�can�do�it�herself.
All�right.
Do�you�need�any�help cleaning�this�up?
I�can�send�Sheila�over.
No,�no.�I�can�handle�it.
I'ma�get�this�place�fixed�up
just�like�it�was�before.
You�tell�Tammy�that�too.
[Richey]�Of�course.
[agent]�When�are�you�looking to�make�a�move?
[Tammy]�I�haven't�really thought�about�it�yet.
We're�just�looking�for�now.
I�do�love�these�windows. There's�so�much�light.
Mm-hmm,�yeah.
The�seller�is�very�eager.
These�modern�places seem�to�sit�awhile.
[Tammy]�Mm.
It'd�be�an�easy�close, assuming�all�cash.
And�the�kitchen's right�over�this�way.
All�modern�appliances, of�course.
-[Tammy]�Oh,�that's�nice. -[agent]�Yeah.
Go�right�this�way.
Would�you�mind giving�us�a�minute?
-Of�course. -[Tammy]�Thanks.
Come�on,�girls. Let's�take�Alphie�outside.
[indistinct�chatter]
[Tammy]�Well?
He�looked�just absolutely�pitiful,
moving�from�room�to�room.
He�got�it�back the�way�it�was�for�you,
like�it�never�happened.
But�it�did�happen.
He�just�wants�me to�forgive�and�forget.
Did�he�say�anything?
He�was�upset that�you�went�out�on�tour.
That's�what�he�was�upset�about?
Why�don't�you�have�Paul draw�up�those�divorce�papers,
just�in�case?
But,�uh--
Yeah,�do�it�quick before�I�change�my�mind.
[Richey]�All�right.
[garage�door�whirring]
[doctor]�You�see�right�here?
You've�had�five�or�six new�adhesions
since�the�last�surgery.
I�just�need�something�stronger to�help�me�make�it�through.
[doctor]�Tammy,�we�have to�schedule�another�operation.
[Tammy]�Oh,�they�make�it�worse. I'm�in�pain.
Please.
[doctor]�This�is�Dilaudid.
But�I'll�tell�you�right�now, you�need�that�surgery.
[pen�scratching]
[paper�tears]
["Jingle�Bells"�playing]
[light�chatter]
[Tina]�What's�in�this�one?
[George]�I�don't�know.
That's�why�you�gotta�open�it.
-Isn't�this�girl�pretty? -[Tina]�Look�at�my�dress.
[George]�Oh,�the�dress.
Now,�what�should�we�name this�girl?
-What's�she�look�like? -[Tina]�Hi,�Mommy.
Oh,�hey!
Merry�Christmas.
Christmas�is�long�gone,�George.
Well,�shoot, don't�tell�the�girls�that.
[Georgette]�Mommy,�look!
It�looks�just�like our�other�house.
That's�right. I�got�all�the�details�exactly.
Looky�here.
That's�your�room.
Find�it.
-[kisses] -[Gwen]�There�she�is.
[George]�Yeah.
[chuckles]
[girls�giggling]
I�love�my�new�car.
Jingle�bells,�jingle�bells, jingle,�jingle
[George�exhales]
You�got�another�one?
-No. -Oh,�I�see.
How�about�sharing�that�one?
How�dare�you�come�here acting�like�nothing�happened.
I�tell�you�what,�you�tell�me
what�I�need�to�say, and�I'll�say�it.
'Cause�you�don't�know?
I�just�wanna�get�it�perfect, that's�all.
Mm.
Well,�we're�not�in�the�studio.
-Right? -Mm-hmm.
And�this�isn't�a�take that�you�can�just�redo
because�you�drank�too�much.
[George�chuckles]
Tammy,�I�know that�I�don't�deserve�you.
I�know�that.
So�is�that�why you'd�have�me�dead?
What?
Don't�talk�like�that.
Why�you�talkin'�like�that?
-You're�gonna�kill�it,�George. -[George]�Kill�what?
All�I�can�think�is�that you�wanna�kill�my�love�for�you.
Mm-mm.
-I�don't�wanna�kill�it. -[Tammy]�Mm.
I�don't�wanna�kill�nothin'. I�ain't�got�killin'�in�me.
I�got�four�walls�full of�buckshot�says�otherwise--
All�right,�you�know�what?
That�wasn't�me. That�was�the�devil.
You�hate�yourself�so�much,
you�can't�help�but�hate�me for�loving�you.
Well,�did�you�stop?
Did�you�stop�loving�me when�I�was�gone?
Is�that�why you�didn't�come�see�me?
Did�you�stop? Come�on,�just�tell�me.
-It's�all�right. -Don't�touch�me,�please.
'Cause�I�didn't-- I�didn't�stop�loving�you.
Oh,�come�on.
-Scream�at�me.�Hit�me. -No.
As�long�as�we're�fighting, we're�talking.
-George,�don't. -Come�on!
Don't--I�don't--
The�girls�are�watching,�George.
[George]�I'm�sorry.
I�don't�wanna�fight�no�more.
melancholy�country�music
Oh,�God.
What�are�you�doing�here, Richey?
[Richey] We�got�the�divorce�papers.
Oh.
Thank�you.
-Okay. -Mm-hmm.
-Have�a�good�night. -Good�night.
[George]�My�wife�is the�prettiest.
[Tammy�chuckles]
[George]�My�wife�is the�most�talented.
-[Tammy]�George. -My�wife's�the�smartest.
My�wife's�the�most�forgiving.
-My�wife's�amazing. -Stop�it,�George.�Stop�it.
No,�I'm�never�gonna�stop.
[laughs]
[groans]�Shh.
This�place�will�be�good�for�us.
-[Tammy]�Mm. -Fresh�start.
It's�kinda�cold,�though.
-What�do�you�mean,�cold? -Like�a�tomb.
Hey,�I�like�it.
-Oh,�yeah? -Yeah.
You're�gonna�like�it�even better�with�the�Jones�touch.
[laughs]
-Kelly�green. -No.
-Banana�yellow. -No.
I'll�put�some�lattice�up downstairs.
-Mm-mm. -Probably�grow�some�ivy�on�it.
Ivy�won't�grow�indoors,�Jones.
[George]�With�them big�ol'�windows,
-anything�will�grow. -Mm-hmm.
[George]�But�if�it's too�much�upkeep,
I've�seen�some�plastic�ones
that�look just�like�the�real�thing.
[laughs]
You�ready�for�some�coffee?
[Tammy]�Yeah.
light�music
[paper�rustling]
[footsteps�receding]
[door�slams]
[car�door�clicks]
[engine�turns�over]
[tires�squealing]
[George]�Now,�you�tell�me,�boy!
-[bartender]�George!�George! -[George]�Just�tell�me�now!
-[bartender]�George! -[George]�Son�of�a�bitch!
George!�George!
Come�on,�George.
Calm�down.�It's--
-It'll�be�all�right. -[groans]
Fine.
Yeah.
She�don't�even�know what�to�do�with�the�kitchen.
[bartender] Here,�it'll�be�all�right.
Another�round?
[George]�She�don't�know what�to�do�with�that�kitchen.
No,�I've�had�enough.
[George] Yeah.�She'll�be�sorry�about�it.
[bartender] All�right,�George,�relax.
[Tammy]�I�think it's�under�Pugh,�P-U-G-H.
Nothing�for�Pugh.
No?�Huh.
Well,�I�dropped�it�off a�week�ago.
You'll�have�to�go back�to�your�doctor.
I�can't�help�you.
Sorry.
Could�you�check under�Wynette,�please?
Nothing�under�Wyn--
My�wife�is�not�gonna believe�this.
-Well,�shit! -[chuckles]
Well,�what�are�you�doing, standing�around�for?
Quick,�get�me something�to�sign�for.
[laughs]�Okay.
What�is�your wife's�name,�sugar?
-Paula. -[Tammy]�Paula.
Oh,�I�love�that�name.
Every�Paula�I�ever�met was�just�the�sweetest.
You're�a�lucky�man.
You�and�George, you're�family�to�us,�ma'am.
[Tammy] Oh,�don't�call�me�"ma'am."
You�call�me�Tammy.
What'd�you�say that�prescription�was�for?
Oh,�uh,
I�think�it�was�Dalmane.
Okay.
Oh,�thank�you.�Thank�you.
[George]�I'm�here�to�see�Bill.
[Steve] George,�you�can't�be�back�here.
I�can't�be�back�here? I�can't�be--
what�do�you�mean I�can't�be�back�here?
Ain't�you�never�heard
-of�George�Jones? -[Steve]�Take�it�easy!
I'm�the�greatest�damn country�singer�of�all�time!
Hey,�get�your�goddamn�hands off�him,�Jones!
You�understand�me,�son?
-[Billy]�God�damn�it! -[George]�Okay!
He�touched�me�first.
-This�son�of�a�bitch-- -Shut�up!
-Just�shut�up!�You�all�right? -[George]�This�was�his.
-You�all�right? -[Steve]�Yeah,�yeah.�I'm�good.
Man,�it�might�not�look�like�it, but�this�piece�of�shit�here
is�a�national�treasure.
Oh,�the�piece�of�shit�is�here?
Jones,�what�are�you�doing�here?
[George]�I'm�just�giving�her what�she�wants,�Billy.
Just�giving�that�woman what�she�wants.
All�right,�let's�talk about�it�in�the�office.
Come�on,�now.
-You�sure�you�okay,�Steve? -I'm�fine.
[Billy]�All�right,�then.
[Joe] � You�are�needed�in�Iowa.
You�are�not�needed�here. It�is�that�simple.
[Billy]�He's�about�as�sober as�we're�gonna�get�him.
[Ruth] I'm�asking�what�you�want.
You'd�prefer�that�I�go, wouldn't�you?
Under�the�circumstances, Ruth,�yes,�I�would�prefer�it.
We'll�cut�it�on�tonight, before�we�lose�him.
[indistinct�chatter�on�TV]
I'm�asking�what�you�want,�Joe.
You'd�prefer�that�I�go, wouldn't�you?
somber�music
[static�droning]
[crying]
[hyperventilating]
[sobbing]
Step�right�up
Come�on�in
If�you'd�like�to�take a�grand�tour
Of�a�lonely�house
That�once�was home�sweet�home
I�have�nothing here�to�sell�you
Just�some�things that�I�will�tell�you
Some�things�I�know would�chill�you
To�the�bone
[doctor] We�had�to�pump�her�stomach.
I'm�sure�she�didn't�mean�to.
Look,�she's�been in�so�much�pain.
[doctor]�She�needs another�surgery.
She's�been�putting�it�off and�putting�it�off.
Here�we�are.
We're�gonna�remove all�those�adhesions
and�hope�they�don't�come�back.
This�is�a�more�aggressive approach,�Tammy.
Cut�me.
And�this�old�house�will
Never�be�the�same
Without�the�love that�we�once�knew
Straight�ahead
That's�the�bed
I�don't�know if�you�meant�to�or�not...
...but�a�world without�Tammy�Wynette
is�not�a�world�I�wanna�live�in.
I'm�never�talking about�this�again.
See�her�picture
On�the�table
Don't�it�look�like she'd�be�able
Just�to�touch�me
And�say, "Good�morning,�dear"?
The�marriage�might�be�over, but...
he's�doing�the�work he's�supposed�to.
Jesus.
Isn't�that�just�brilliant?
Like�she�left�them�when
She�tore�my�world�apart
You�wrote a�beautiful�song,�Richey.
As�you�leave, you'll�see�the�nursery
Oh,�she�left�me without�mercy
Taking�nothing
But�our�baby
And�my�heart
Step�right�up
Come�on�in
[Tammy]�Look�at�this. "Suicide�Shocker."
It's�over�for�me.
No�girl�singer�survives�that.
[Billy]�Yeah,�but�you're�not a�girl�singer�anymore.
You're�the�woman who�did�her�best,
and�her�best�was not�good�enough.
Now�she's�picking�up the�pieces.
And�that's�a�song.
-That's�a�hit�song. -[Tammy]�Mm.
You�wanna�write�that�with�me?
It'd�be�my�honor.
[Tammy]�Hey,�fellas.
[musician] Awful�glad�to�see�you�smiling.
Oh,�you're�sweet.
We�just�want�you�to�know,
anywhere�you're�going, that's�where�we're�going.
You�just�tell�us when�and�where�to�show�up.
But�you're�George's�band.
No,�ma'am,�we're�your�band,
if�you'll�have�us.
[Tammy]�If�I'll�have�you? What�are�you�talking�about?
[laughter]
["'Til�I�Get�It�Right"�playing]
I'll�just�keep�on
Falling�in�love
Till�I�get�it�right
Right�now,�I'm�like
A�wounded�bird
Hungry�for�the�sky
But�if�I�try�my�wings
And�try�long�enough
I'm�bound�to�learn�to�fly
So�I'll�just�keep�on
Falling�in�love
Till�I�get�it�right
My�door�to�love
Has�opened�out
More�times�than�in
And�I'm�either�fool
Or�wise�enough
To�open�it�again
'Cause�I'll�never�know
What's�beyond�the�mountain
Till�I�reach the�other�side
So�I'll�just�keep�on
Falling�in�love
Till�I�get�it�right
If�practice�makes�perfect
Then�I'm�near�'bout as�perfect
As�I'll�ever�be
In�my�life
So�I'll�just�keep�on
Falling�in�love
Till�I�get�it�right
[whispering]�George.
[George] � �Step�right�up
Come�on�in
soft�country�music
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