Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Danish
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranî)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
We are climbing up,
the 132 metres of the Pirelli Skyscraper. In Milan.
Once in New York, I saw a window cleaner, he was singing.
When he got to the bottom, I asked him, "Why are you singing?"
He said, "I like to see others work behind the windows,"
forgetting that he was also working.
Exactly!
As I am also working.
It's just that, I'm performing a bit,
but I'm performing to make you participate in the emotions.
That's my job, bringing the audience with me,
the viewers that are at home,
and take them, slowly, slowly,
from the ground floor up to 120 metres.
If I look down…
My God, what a view…
Which floor are we at now?
We are at… the 24th floor.
Pan a bit towards the inside,
let's see if we can discover who is there.
This is the 25th floor.
Who is she?
I don't recognise the young lady, I know Dr Camagni.
Dr Castellani.
26th floor.
Here we have the Budget office.
Do they all have air conditioning?
Yes, yes, all have air conditioning.
Now, we are at the 30th floor — the chairman's office.
Engineer Leopoldo, Dr Andrea.
Is he the owner's son?
Yes, he is the son of Engineer Leopoldo, the vice president.
Here is the Belvedere.
Through the Belvedere, you can see the other side. Pan over here.
Here, the skyscraper still under construction.
This way, yes, perfect, like that.
Yes, pan upwards.
The train from Milan to Reggio Calabria Centrale
is now leaving from Platform 1.
"HAVING LEFT FROM A BUSY STATION IN THE NORTH,
"AT DAWN WE REACHED THE DESERTED CALABRIAN COAST.
"NEVER BEFORE HAD ITALIAN SPELEOLOGY
"TAKEN AN EXPLORATION CAMPAIGN SO FAR SOUTH…"
CAVES BULLETIN SEPTEMBER/OCTOBER 1961 GSP
Ah!
Ah!
Oh! No, no!
Oh, oh!
Oh, oh!
Oh, oh!
Oh, oh!
Oh, oh!
IN 1961, A TEAM OF VERY YOUNG SPELEOLOGISTS
SET OUT FOR AN EXPLORATORY CAMPAIGN
FROM THE BOOMING NORTH TO THE RURAL SOUTH,
IN THE CALABRIAN HINTERLAND OF MOUNT POLLINO.
BETWEEN CERCHIARA AND SAN LORENZO BELLIZZI,
THE TEAM EXPLORED THE ABYSS OF BIFURTO
AND AFTER ENDLESS DAYS OF IMMERSION, REACHED ITS BOTTOM AT - 687 METERS.
IT WAS THEN, THE THIRD DEEPEST CAVE IN THE WORLD.
IL BUCO IS FREELY INSPIRED BY THAT ENTERPRISE
AND DEDICATED TO ITS PROTAGONISTS.
Subtitles by TITRAFILM
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.