Original subtitles

AND GOD LOOKED DOWN UPON PARADISE LOST,

AND HE SAID, "CAIN..."

YES, GOD?

"WHERE IS YOUR BROTHER?"

OKAY, DAVID, LOOK. HERE'S WHAT WE'RE GONNA DO.

WE'RE GONNA START YOU OFF

AT 600 MILLIGRAMS OF DEPAKOTE.

WE WILL ADD LITHIUM AS NEEDED.

TAKE IT AT 6:00 A.M...

YOU'RE GONNA REGRET THIS, DAVID.

12:00 P.M. AND... David: I ALREADY DO.

I HAVE ANOTHER PATIENT.

WE WILL TALK ABOUT WHY YOU DID IT TOMORROW.

Chase: IT'S GONNA BE OKAY. IT'S GONNA BE OKAY.

ALL RIGHT? YOU'RE GONNA BE FINE.

YOU'RE GONNA BE OKAY. IT'S ALL RIGHT.

IT'S OKAY. IT'S OKAY.

YEAH.

YOU JUST MIGHT WANT TO, UH... TRY TO STOP TALKING TO YOURSELF.

RIGHT.

♪ SHE'S LIKE A WINDOW, SHE'S LIKE A... ♪

SO, JUST A NOTE. THAT'S ALL.

♪ SHE'S LIKE THE RESIN ON THE TREES ♪

YOU KNOW WHY THIS HAS NEVER WORKED OUT FOR YOU BEFORE?

'CAUSE YOU ALWAYS GOT TO TAKE YOURSELF WITH YOU.

FUCKING IDIOT.

AND WE'RE OFF.

♪ SHE'S LIKE A GHOST THAT HIDES IN THE HOUSE... ♪

ARE YOU OKAY?

SO, UM...

SO... SO YOU LIKED THE POEM, RIGHT?

SO, YOU HUNGRY?

SO, ARE YOU HUNGRY?

DAVID?

HEY, I'M SORRY. I DIDN'T KNOW ANYONE WAS HOME.

I WAS JUST GONNA LEAVE THAT PACKAGE.

DON'T BE SORRY.

I'M REALLY GLAD THAT YOU'RE HERE.

YOU WANT TO COME IN?

IS ANYONE ELSE HERE?

NO.

I'M ALONE... ALL ALONE.

BIG SURPRISE.

Chase: ISABELLA, WHAT'S WRONG?

NOTHING.

I'M...

I'M FINE. I'M... I'M... I'M JUST FINE.

IT'S JUST DAVID, I...

I DON'T KNOW WHY HE'S DOING IT.

I...

HAVE YOU HEARD FROM HIM?

NO.

I WAS SLEEPING AT MY MOM'S FOR A WHILE.

BUT SINCE I'VE BEEN BACK, HE HASN'T BEEN HOME AT ALL.

I DON'T WANT TO GO ALONE, CHASE.

AND I DON'T WANT JUST ANYONE AROUND ME.

I DON'T WANT ANYONE ELSE. I JUST WANT HIM.

I JUST WANT HIM, CHASE.

I JUST WANT HIM.

I...

I CALL HIM ONCE EVERY DAY, BUT HE NEVER PICKS UP.

SO I LEAVE HIM A MESSAGE SAYING...

"I LOVE YOU.

I MISS YOU."

AND THEN I... SIT AND WAIT...

AND WAIT.

AND THEN NOTHING.

HE WON'T EVEN TELL ME WHY HE WON'T SPEAK TO ME.

HE JUST STOPPED.

I CAN'T LIVE LIKE THIS.

NOT LIKE THIS.

ISABELLA...

HE'S LEAVING ME, CHASE.

I CAN FEEL IT.

I'M...

I'M SO TIRED.

I'M JUST SO TIRED.

I JUST WANT TO SLEEP.

YOU KNOW, MY FATHER USED TO SAY

THAT THERE ARE TWO KINDS OF PEOPLE IN THE WORLD.

THERE ARE DEAD PEOPLE,

AND THERE ARE PEOPLE WHO ARE GONNA BE DEAD PEOPLE.

AND YOU, SIR.

WHICH KIND ARE YOU?

HOW THE FUCK SHOULD I KNOW?

THE SAD THING IS...

YOU DO KNOW.

AND I KNOW.

AND, REALLY, IT'S JUST A MATTER OF TIME.

IT'S JUST A MATTER OF TIME.

ALL RIGHT. HIGHER OR LOWER?

LOWER.

FUCK.

NEXT ROUND'S ON YOU.

DOUBLE OR NOTHING.

OKAY.

ALL RIGHT.

HIGHER OR LOWER?

SO, DID YOU FUCK HER?

Justin: EVERYBODY WAS ASKING ABOUT YOU.

YOU'RE SCARING THEM NOW.

THEY WERE WORRYING THEIR FUCKING MINDS ABOUT YOU.

WHAT WAS GOING ON?

OH, JUSTIN, I WAS SO STUPID.

IT WAS ME AND ELIZABETH AND EVAN,

AND WE WERE ALL HANGING OUT AT HIS PLACE, RIGHT?

SO WE'RE ALL PARTYING AND THIS AND THAT,

AND ELIZABETH AND I DECIDED TO GET 20 CODEINE PILLS.

I WAS SO STUPID... ONE AFTER THE OTHER AFTER THE OTHER.

IT WAS JUST TO HAVE TO TAKE OCCASIONALLY, RIGHT?

'CAUSE ELIZABETH NEVER COMES TO TOWN.

BRILLIANT FUCKING ROCK STAR ME...

DRINKING THIS, I'M DRINKING THAT,

AND THIS, LIKE, NORWEIGIAN LIQUOR.

WE'D BEEN UP FOR, LIKE, THREE NIGHTS STRAIGHT.

WE ALL ENDED UP IN THE BIGGEST FIGHT EVER.

WE WERE DRINKING MOONSHINE. AND BEFORE YOU KNOW IT, LIKE...

I DON'T KNOW. WHATEVER.

'CAUSE ELIZABETH NEVER COMES TO TOWN...

SO STUPID...

ALL I WANTED TO DO WAS JUST HAVE FUN.

SO STUPID. I'M SORRY.

ELIZABETH AND EVAN...

I WANT A BLOODY MARY WITH GIN.

NO WAY...

WHATEVER.

I'M JUST EXHAUSTED.

I'LL HAVE A SHOT OF JACK.

AND IF I COULD HAVE SOME WATER ON THE SIDE,

THAT WOULD BE GREAT.

YEAH, YEAH. OF COURSE, THAT'S COOL. THANKS.

HEY, BARTENDER. NO SHOTS.

THIS GIRL...

THIS GIRL NEEDS SOME SERIOUS MENTAL HELP.

IN FACT...

THERE'S ONLY ONE CURE FOR HER SICKNESS.

AND WHAT WOULD THAT CURE FOR HER SICKNESS BE, THERE, HOTSHOT?

YOU GOT IT.

♪ AND ALL THE LOSSES THAT HAVE NEVER BEEN... ♪

♪ NOW, SHOULD YOU, SHOULD YOU CALL ME ♪

♪ TO GIVE BACK SOMETHING THAT YOU THOUGHT WAS LOST ♪

♪ OR IS THIS JUST A DREAM?

♪ MAYBE SOMEBODY'S DREAMING OVER SOMEONE'S LOSS? ♪

♪ GOODBYE...

OKAY, WHAT'S IT LIKE?

WELL, IT'S LIKE EVERYTHING YOU NEEDED,

BUT LIKE NOTHING YOU EVER HAD.

BUT YOU GOT TO POUND IT.

POUND IT LIKE A MOTHERFUCKING QUEEN.

SHOW ME WHAT YOU'RE MADE OF, CHICK.

YOU GOT TO FUCKING POUND IT.

YOU'RE FUCKING KIDDING ME.

"POUND IT.

POUND IT LIKE A MOTHERFUCKING QUEEN."

WELL, OKAY.

FINE. I CAN DO THAT.

UHH!

FUCK.

HEY, HEY.

YOU.

WHAT'S THE DRINK CALLED?

THE DRINK?

YEAH. "THE DRINK."

THE DRINK'S CALLED LOVE.

WHAT KIND OF LOVE?

LIME SALTED LOVE.

I WANT YOUR NUMBER, THOUGH.

♪ ...AND TELL ME IF IT'S IN YOUR EYES... ♪

LOOK. I HAVE TO LEAVE, OKAY?

I WISH I DIDN'T, BUT I DO.

SO I'M ONLY GONNA SAY THIS ONCE.

I FINALLY FOUND YOU.

I'M GONNA CALL TOMORROW NIGHT, SO PICK UP, OKAY?

♪ NOW, SHOULD YOU, SHOULD YOU CALL ME ♪

♪ TO GIVE BACK SOMETHING...

WELL, I GUESS THIS IS THE LAST TIME

WE'RE GOING TO THAT BAR.

THANKS, ELLIE. MM-HMM.

SO, YEAH, SHE'S ON HER WAY BACK.

UM, HAVE YOU EVER MET HER BEFORE? NO, I NEVER MET HER.

YOU'RE GONNA LIKE HER. SHE'S COOL. YEAH?

SHUT UP!!

WHERE HAVE YOU BEEN?

Zephyr: OH, GOD.

WELL, I FINALLY GET TO YOUR PLACE,

AND MY CAR BLOWS A TIRE.

SHUT UP. SO I HAD TO CHANGE IT,

AND THEN I FOLLOWED THE DIRECTIONS

YOU GAVE ME TO THIS PLACE.

WELL, ELLIE, MEET ZEPHYR, MY VERY FOXY FRIEND,

AND ZEPHYR, MEET ELLIE, MY VERY RECKLESS FRIEND.

NICE TO MEET YOU. LIKEWISE.

FUCKING CRAZY-ASS BITCHES.

SIT THE FUCK DOWN.

LET ME GET YOU A DRINK. ON ME, OF COURSE.

I WANT A BLOODY MARY WITH GIN.

A BLOODY MARY WITH GIN?

THAT'S WHAT I ALMOST ALWAYS DRINK.

PEOPLE ACT LIKE IT'S SO BIZARRE TO HAVE GIN

INSTEAD OF VODKA, YOU KNOW WHAT I MEAN?

WELL, PEOPLE JUST DO

WHAT THE PERSON IN FRONT OF THEM DOES,

AND THEN THE PERSON BEHIND THEM

JUST KIND OF FUCKS THEM UP THE ASS.

BUT, UH, WHO CARES, RIGHT? AS LONG AS YOU LOOK GOOD.

IT'S SO IN VOGUE. YEAH, YEAH.

YOU WANT TO KNOW WHAT'S EVEN MORE IN VOGUE THESE DAYS? WHAT?

HAVING AN EATING DISORDER, BEING BISEXUAL...

OR BEING, LIKE, 1/16th NATIVE AMERICAN.

SERIOUSLY.

HOW MANY TIMES HAVE YOU HEARD THAT BEFORE?

"OH, YEAH. WELL, YOU KNOW, IT'S LIKE I'M IRISH AND GERMAN,

"AND, LIKE, ON MY MOTHER'S SIDE, WE'RE NATIVE AMERICAN...

"YOU KNOW, LIKE, CHEROKEE.

"AND I REALLY, REALLY, REALLY WANT TO LEARN MORE ABOUT IT,

"SO I STARTED TAKING YOGA CLASSES,

AND MAYBE I CAN FIND MY POWER ANIMAL THERE."

WoOH, MY GOD. YOU PLAY WITH WILL DAILEY.

YEAH. SHUT UP. YOU DO NOT.

I SWEAR TO GOD.

OH, MY GOD. HE'S, LIKE, SO HOT!

OH.

THANK YOU. THERE YOU GO.

YOU GUYS, THIS IS WILL DAILEY.

HE'S GOT THIS NEW VINYL THAT HE WANTS ME TO LISTEN TO,

AND, UM, I REALLY WANT TO HEAR IT, SO I'LL BE BACK.

TRANSLATION... "HEY, GUYS."

"I'M GONNA GO FUCK HIM IN THE BATHROOM.

DON'T MIND ME. HE'LL JUST BE A MINUTE."

YEAH, ABSOLUTELY. ALWAYS.

LET'S DO SOME SHOTS.

LET'S DO SHOTS. YOU WANT SOME MOONSHINE?

ALL RIGHT. ALL RIGHT?

ALL RIGHT, MOONSHINE.

OH, FUCK.

ZEPHYR, YOU SEE THAT GUY OVER THERE?

THAT BARTENDER? HE'S A SICK FUCK.

I HAD A FEW FRIENDS OF MINE

FUCK HIM UP REAL BAD LAST YEAR AFTER...

AFTER, UM... AFTER HE TRIED TO RAPE ME.

OKAY.

OKAY.

ALL RIGHT. HERE HE COMES.

I'M KIND OF FREAKING OUT.

IT'S OKAY. I GOT YOU.

WHY DON'T YOU FINISH UP AND GO? YOU'RE CUT OFF.

CUT OFF?

WE'RE CUT OFF? THAT'S RIGHT.

WHAT IF I CUT THAT LITTLE NUB

THAT YOU LIKE TO CALL A DICK OFF?

WHAT'D YOU SAY, BITCH?

OH, NOTHING THAT YOU AND YOUR WHITE-TRASH MOM

CAN'T FIGURE OUT TONIGHT

WHEN YOU'RE SUCKING EACH OTHER OFF BETWEEN THE SHEETS.

HEY! HEY! HEY! HEY!

STOP IT! RUN!

FUCKING BITCH!

OH.

AH.

ZEPHYR?

HMM?

LET'S STICK TOGETHER.

WE'RE ALREADY STUCK.

HM.

WHAT... WHAT ARE YOU DOING HERE?

OH, MAN, IT IS SO GOOD TO SEE YOU.

AND I'M SORRY.

I TOTALLY MEANT TO CALL YOU,

BUT, UM, I THINK I'M GONNA HAVE TO LEAVE.

OKAY, WHAT? WHY?

WELL, SUMMER AND I HAD THIS AGREEMENT

THAT I COULD STAY WITH HER UNTIL I GOT A JOB,

BUT NOW SHE WANTS ME TO PAY HER TO SLEEP ON HER COUCH.

OH, SHE'S SO FUCKED UP, DUDE.

PLUS, SHE'S BEEN BRINGING HOME

A DIFFERENT GUY EVERY NIGHT.

AND, ELLIE, WHEN I TELL YOU,

SOME OF THEM ARE REALLY FUCKING SCARY.

I MEAN, LAST NIGHT, FOR INSTANCE,

I WOKE UP TO THIS GUY CARESSING MY HAIR,

AND, UM...

JERKING OFF IN THE DARK.

SO I JUST LEFT, AND I SLEPT IN MY CAR.

YOU SLEPT IN YOUR CAR?

OKAY.

I FUCKING HATE SUMMER RIGHT NOW.

OKAY. UM...

I KNOW MY PLACE IS KIND OF SMALL, AND IT KIND OF SUCKS,

AND MY LIFE IS JUST A LITTLE BIT NUTS.

ARE YOU SURE?

OKAY, COME HERE.

ALL RIGHT, SO, THIS IS OUR LOVELY KITCHEN.

NICE.

YEAH, RIGHT? OH, CHECK IT.

AND IF YOU LOOK OUT THE WINDOW, YOU CAN SEE THAT COUPLE

RIGHT IN THERE IN THAT PINK HOUSE,

AND THEY'RE ALWAYS, ALWAYS FUCKING.

HEY, ASHA. WHAT'S UP?

IT'S A... THIS IS MY FRIEND ZEPHYR.

SHE'S GONNA BE STAYING WITH US FOR A WHILE.

THAT'S GREAT.

ELLIE, I HAVE TO TALK TO YOU ABOUT SOMETHING.

IT'S ABOUT YOUR DOG.

SHE'S MADE NO EFFORT TO BECOME FRIENDS WITH ME

OR HANG OUT OR ANYTHING.

SHE'S RUDE, AND SHE COMPLETELY KEEPS TO HERSELF.

SHE ISOLATES AND COMPLETELY IGNORES ME.

SHE PRETENDS TO BE MY FRIEND, BUT I KNOW SHE'S FAKING IT.

I CAN SEE IT.

ELLIE, YOUR DOG HAS NO LOGIC.

WELL, ASHA, THAT'S BECAUSE DOGS

DON'T HAVE HUMAN, RATIONAL, COGNITIVE THINKING.

OH, YEAH?

WELL, NEITHER DO I.

I HATE THIS PLACE.

AND A PACK OF KOOLS, I'M FINE!

ANY VISITORS TODAY?

OR SHOULD I SAY ANY UNKNOWN VISITORS?

"UNKNOWN VISITORS"...

WHERE'D YOU GET THAT FROM?

I WAS LISTENING TO YOU TALK IN YOUR SLEEP LAST NIGHT.

WE HAD A REAL SWEET CONVERSATION.

I GOT TO SAY I'M A LITTLE OFFENDED THAT YOU DON'T RECALL.

HOW'S THAT?

WoCRESCENT-GREEN SHEETS!

SO EVERYONE LOOK LIKE SOLDIERS!

♪ AND THEY RIDE AND RIDE...

CRESCENT-GREEN SHEETS.

WHEN DO WE GET OUT OF HERE?

WHEN OUR WORK IS DONE.

THEN I CAN GO ON MY MERRY, MERRY WAY.

THIS WAY?

MM, MM, MM, MM.

I GOT TO RUN, CROCKETT.

I'LL TALK TO YOU LATER.

OKAY, I'LL BE BACK IN A COUPLE HOURS, OKAY?

COME HERE, CHASE. CATCH YOU LATER, CHAMP.

I LOVE YOU, DAD.

YEAH. KEEP AN EYE ON CHARLIE FOR ME?

GOT IT. ALL RIGHT.

HEY. OH.

THANKS.

SEE YOU, DAD. SEE YOU.

SEE YOU, CHARLIE.

SEE YOU.

COME IN.

HEY. Chase: YOU'RE NOT GONNA BELIEVE THIS, MAN.

I THINK I'VE FINALLY FOUND ONE I'D LIKE TO KEEP. HOW'S IT GOING?

DON'T TELL ME YOU GOT A GIRL.

I THINK... YEAH, I THINK I MIGHT REALLY LOVE THIS ONE, MAN.

WOW.

YEAH.

I WAS JUST READING YOUR POETRY, ACTUALLY.

REALLY? YEAH.

ELLIE, I THINK, YOU KNOW, IT'S AWESOME.

YOU'RE REALLY TALENTED.

REALLY? YOU MEAN IT?

SERIOUSLY TALENTED.

THANK YOU.

THAT MEANS A LOT TO ME COMING FROM YOU.

OKAY, SO...

TONIGHT'S THE NIGHT, RIGHT?

TONIGHT'S THE NIGHT.

AND DON'T FUCK UP ON ANYTHING THAT I TOLD YOU.

OTHERWISE YOU'LL RUIN IT.

I WON'T. I'M JUST GONNA CHANGE REAL QUICK.

NO, NO, NO, NO, NO.

I HAVE THE PERFECT THING FOR YOU IN MY CAR, SO LET'S GO. OKAY.

ALL RIGHT.

OVERACT.

WOULD YOU LADIES LIKE TO JOIN ME AND MY BOYFRIEND

FOR A DRINK AND A RAIL?

♪ YOU'RE MY TIME, I PAY WITH MY BLOOD ♪

I'M ON TOP.

I'M ON TOP. I'M ON TOP.

OKAY, WHAT UP WITH THE COKE?

I'M ON TOP. I'M ON TOP.

NO NEED TO BE HOSTILE. SERIOUSLY, CHILL OUT.

WE HAVE PLENTY TO GO 'ROUND.

ASKED ME TO JACK OFF FOR YOU.

AND RIGHT WHEN HE WAS ABOUT TO SHOOT IT ON THE WALL,

HIS MOM WALKED IN.

I WAS LIKE, "NO, NO, NO, NO! DON'T!"

"JANIS, WATCH!

NO, NO, NO, NO, NO! STOP IT!"

WHOO-AAH! YOU GUYS ARE FUCKING DISGUSTING.

PUT THE SHIT DOWN.

COME ON. SHUT UP. LET'S GO.

I THINK WE'RE GOOD.

YEAH.

YOU ALL RIGHT?

YEAH. YEAH.

THAT WAS FUN.

YEAH.

I JUST, UH...

UH. MM.

I'M SORRY.

I'M JUST... I'M KIND OF SCARED.

Shh. IT'S OKAY.

HOW ARE YOU TODAY? HOW ARE YOU TODAY?

HOW ARE YOU TODAY? HOW ARE YOU TODAY?

OKAY.

SO, THE LITHIUM AND THE DEPAKOTE ISN'T WORKING.

I THINK I'M JUST GONNA THROW A LITTLE ZYPREXA INTO THE MIX.

COSMO, A MARTINI, SOMETHING?

SOMETHING?

NOTHING?

JESUS CHRIST. WHAT A STIFF.

HOW ARE YOU TODAY?

I'M NOT DOING ALL RIGHT.

OH, YOU'RE NOT FEELING TOO GOOD.

ALL RIGHT.

I'LL GIVE YOU SOME SEROQUEL.

WILL THAT MAKE YOU FEEL BETTER?

WILL THAT DO IT? WILL THAT BE GOOD?

FUCKING LIFE.

GET ONE. GET ONE.

CHRIST!

OKAY.

I'LL ORDER SOME SEROQUEL.

THAT SHOULD SMOOTH THINGS OUT.

HEY, DO YOU WANT TO GO TO, UH, THE POACHER JAM

THIS SUNDAY AT FAIRFAX AT 10:00?

OH... CHASE, I CAN'T.

I HAVE TO GO TO THE PHOTO GALLERY WITH ZEPHYR.

I ALREADY PROMISED HER.

ALL RIGHT. WHATEVER.

WHAT? BESIDES, THAT ONE SUCKS.

LET'S JUST GO TO THE ONE ON SUNDAY.

IT'S SO MUCH BETTER.

NO.

I DON'T LIKE THAT ONE, AND YOU KNOW THAT.

WHY CAN'T YOU JUST GO TO THE PHOTO GALLERY

ON A DIFFERENT DAY?

BECAUSE IT'S HER OPENING NIGHT, HENCE, ONE TIME.

BESIDES, HER AGENT PUT HER STUFF

ON A REALLY SPECIAL DISPLAY.

WHAT'S WRONG WITH YOU?

YOU'RE SO FUCKING PREDICTABLE.

WHAT ARE YOU TALKING ABOUT?

YOU.

YOU'RE ALWAYS FOCUSING ON SOMEONE ELSE.

IT'S ALWAYS ZEPHYR THIS, ZEPHYR THAT.

WHAT ABOUT YOU? WHAT ARE YOUR DREAMS?

WHAT ARE YOU MADE OF?

YOU KNOW, I'VE REALIZED THAT NO MATTER WHAT,

YOU WILL ALWAYS CHOOSE HER FIRST.

I'M JUST LOOKING OUT FOR YOU, AND YOU DON'T GET IT.

NO, YOU'RE NOT LOOKING OUT FOR ANYBODY

BUT YOUR FUCKING SELF.

IT'S... IT'S LIKE... IT'S LIKE YOU JUST LOVE THIS IMAGE,

THIS WHOLE MYSTERY-MAN FACADE.

YOU KNOW, YOU JUST LOVE THE RUSH OF BEING A FUCKING VICTIM.

THAT'S IT.

I'M WASTING MY TIME.

I'M JUST WASTING MY FUCKING TIME WITH YOU.

YOUR TIME. IT'S NOT YOUR TIME, CHASE.

EVERYTHING'S ALWAYS ABOUT YOU.

YOU'RE SO FUCKING SELF-ABSORBED.

IT'S JUST LIKE YOU JUST SUCK AND SUCK

AND TAKE AND TAKE AND TAKE AND TAKE AND TAKE AND TAKE

UNTIL THERE'S NOTHING LEFT,

AND THEN YOU KEEP TAKING MORE AND MORE AND MORE.

IT'S LIKE, YOU KNOW,

YOU CAN BLAME THIS ONE OR CONDEMN THAT ONE, CHASE,

BUT, REALLY, IT DOESN'T MATTER

'CAUSE AT THE END OF THE DAY,

THE WORLD DOESN'T OWE YOU A FUCKING THING!

YOU NEVER LOOK AT YOURSELF.

AND YOU KNOW EXACTLY WHAT I'M TALKING ABOUT.

WHEN ARE YOU GONNA TAKE A FUCKING RISK, ELLIE?

A FUCKING RISK?

WHY DON'T YOU TAKE A FUCKING RISK?

YOU CAN'T DO ANYTHING.

YOU CAN'T DO ANYTHING.

YOU BORE ME.

I BORE YOU?

THEN WHY DON'T YOU FUCKING CREATE ME INTO SOMETHING, HUH?!

MAKE ME INTO SOMETHING! MOLD ME INTO SOMETHING!

COME ON! COME ON!

BRING IT OUT OF ME! BRING IT OUT!

BRING IT OUT!

BRING IT OUT.

JUST... OR FORGET IT.

YOU DON'T GET IT.

HEY.

IT FEELS LIKE MY HEART FELL ASLEEP IN YOUR HAND.

YOUR HEART FALLS ASLEEP IN ZEPHYR'S HAND.

MY HEART FALLS ASLEEP IN BOTH OF YOUR HANDS.

ELLIE, I NEED YOU TO DO SOMETHING FOR ME.

WHAT IS IT?

YOU ARE GOING TO LISTEN TO ME.

I'VE HEARD YOU'VE BEEN SAYING THINGS ABOUT ME...

THINGS ABOUT ME TO YOUR LITTLE FRIEND HEATHER.

YOU EVIL, WRETCHED CHILD!

WHAT HAPPENS IN THIS HOUSE IS NOBODY'S BUSINESS!

THIS IS OUR HOUSE.

DO YOU UNDERSTAND ME?

WHAT DID MOMMY JUST DO TO YOU?

YOU HIT ME.

WRONG! WRONG ANSWER!

DID I SLAP YOU? NO.

MOMMY DOESN'T SLAP YOU.

YOU'RE THE ONE THAT MADE ME SICK.

NO! MOMMY, NO!

THAT'S ONE.

PLEASE, MOMMY, NO! NOT BILLY!

THAT'S TWO!

PLEASE!

AW, MAKE A WISH 'CAUSE THAT'S THREE.

PLEASE, MOMMY, NO! WHAT'S THE WISH?

NOT BILLY! WHAT'S THE WISH?

WHAT'S THE WISH?! NOT BILLY.

YOU WERE TOO LATE...

AS ALWAYS.

TOO LATE.

REMEMBER, IF YOU TELL DADDY

BAD THINGS ABOUT MOMMY...

THEN DADDY'S GONNA DIE, TOO.

AND WHEN DADDY DIES...

THERE'S NO ONE LEFT. I'LL ALWAYS BE ALONE.

AND YOU, MY DEAR,

ARE SUCH A HOPEFUL CHILD.

A HOPEFUL CHILD...

WITH NO HOPE.

HEY, ZEPHYR.

HMM?

I REALLY LOVE YOU.

I LOVE YOU, TOO.

SHE... SHE SENT ME A PACKAGE.

IT'S CHASE'S...

IT'S HIS POETRY.

MAYA MUST HAVE DROPPED IT OFF.

AND HE'S DEAD.

IT'S MY FAULT.

CHASE FELT THE SAME WAY, DAVID.

IT'S TURNED.

HOW DOES IT FEEL TO NEED?

LEAVE ME ALONE.

$200.

THAT'S ALL I GOT.

FUCK.

WHAT HAPPENED TO YOUR EYE?

I DON'T WANT TO TALK ABOUT IT.

I DON'T NEED THIS.

I NEED HELP, DAVID.

HEY, DAVID, I OVERSLEPT THROUGH YOUR ALA...

SO, WHERE'S ISABELLA?

SHE'S AT HER MOM'S.

WE'RE HAVING PROBLEMS.

YOU'RE FUCKING WITH THE WRONG PEOPLE, CHASE.

YOU ARE IN NO POSITION

TO DETERMINE WHAT HURTS AND WHAT HELPS, DAVID.

SEEING YOU LIKE THIS, THAT HURTS.

EVERY WEDNESDAY AT 4:00...

EVERY WEDNESDAY.

WHAT THE FUCK ARE YOU TALKING ABOUT?

DAD SAID THAT THE BELT WAS TO HELP REMIND ME

OF WHICH DAY OF THE WEEK IT HAPPENED.

HE SAID, "I'M MAKING SURE YOU'LL NEVER FORGET."

I'M SORRY.

BUT I'M NOT DAD.

I'M NOT DAD.

YEAH, BUT YOU LET IT HAPPEN.

I WAS AWAY AT SCHOOL.

BUT YOU KNEW THEN, AND YOU KNOW NOW.

AND YOU'RE NOT GONNA DO A DAMN THING ABOUT IT.

WHEN ARE YOU GONNA MAN UP, DAVID?

DAVID, YOU FUCKING COWARD!

MAN THE FUCK UP!

YOU'RE A FUCKING DISGRACE.

GET THE FUCK OUT!

YOU'RE GONNA REGRET THIS.

I ALREADY DO.

CHARLIE, N-O-O-O-O-O-O!!

WHAT... WHAT'S GOING ON, ZEPHYR?

I GOT IT! AAH!

OH! I TOLD YOU SO, MOTHERFUCKER!

I START NEXT WEEK. AND CHECK THIS OUT.

THEY ARE GONNA BE THROWING

THE SICKEST NEW YEAR'S EVE PARTY.

IT'S AN AMAZING LOFT.

AND EVERYTHING FOR ME AND MY GUESTS IS FREE,

INCLUDING MY OWN HOTEL ROOM.

SO YOU, MY DEAR, ARE COMING WITH.

OHH!

I CAN'T BELIEVE IT. I'M SO EXCITED FOR YOU.

I CAN'T WAIT TO GO.

AAH!

SO, HER FLIGHT'S DELAYED?

YEAH, THAT'S WHAT SHE SAID IN THE MESSAGE.

WHY DIDN'T YOU TELL ME

THAT HE WAS GETTING SICKER?

WHY DIDN'T YOU TELL ME THAT HE WAS GETTING SICKER?

BYE.

FUCKING BITCH.

I DON'T EVEN KNOW WHAT I WOULD DO IF MY DAD DIED.

YOUR PARENTS STILL TOGETHER?

NO, NO.

I HAVEN'T HEARD FROM MY MOM IN YEARS.

UM, BUT MY DAD AND I ARE SUPER CLOSE.

I HAVE TO GO TO HIS FUNERAL.

TONIGHT... UH, I HAVE TO LEAVE.

WILL YOU COME WITH ME, PLEASE?

I-I CAN'T DO THAT.

PLEASE?

PLEASE?

YOU DON'T LIKE HER, THEN?

NO, I DON'T LIKE MY STEPDAD.

BUT MOM DOES.

ZEPHYR...

WHAT'S YOUR DEAL?

THE EFFECT YOU HAVE ON ELLIE, I...

IT'S... IT'S LIKE YOU'RE MAGIC OR SOMETHING.

SHE REALLY TOUCHES MY HEART.

IT'S THE WAY THAT SHE... BREAKS.

IT'S... SO BEAUTIFUL.

CHASE, PLEASE COME WITH ME.

YOU KNOW THAT I WOULD IF I COULD. CHASE, I CAN'T GO THERE.

CHASE, COME ON. COME WITH ME.

STOP, PLEASE. CHASE, CHASE!

COME WITH ME, CHASE! I CAN'T GO ALONE.

I CAN'T GO ALONE, CHASE! I CAN'T.

YOU KNOW I CAN'T GO ALONE! ELLIE...

ELLIE, LISTEN TO ME.

I DON'T WANT TO GO. I DON'T WANT TO GO. LISTEN TO ME.

I DON'T WANT TO GO!

ALL RIGHT, LIKE...

I MEAN, IF THINGS GET REALLY BAD...

AND I MEAN, YOU KNOW, REALLY BAD...

LISTEN, I'LL COME OUT, OKAY? I'LL COME OUT.

I JUST... YOU KNOW...

I'M GONNA TAKE CARE OF YOU, OKAY?

YOU'RE MY GIRL. I'LL TAKE GOOD CARE OF YOU.

ZEPHYR, WHO BROKE YOUR HEART?

WELL, LET'S SEE.

MY MOM...

WHEN SHE LEFT MY DAD FOR CHUCK.

I SWEAR MY MOM LITERALLY SLEPT THROUGH MY WHOLE CHILDHOOD.

SHE WOULDN'T COME OUT OF HER ROOM FOR WEEKS.

MONTHS, EVEN.

SO IT WAS JUST ME,

MY SISTER, AND CHUCK.

CHUCK.

EW.

ISN'T THAT THE UGLIEST, MOST DISGUSTING-SOUNDING NAME?

CHUCK. IT'S JUST PERFECT FOR HIM.

OH.

I GUESS THAT WAS THE ONLY THING I-I COULD CONTROL,

WAS PROTECTING HER.

WAIT. I'M SORRY.

PROTECTING WHO FROM WHAT?

FROM HIM FUCKING HER, TOO.

"IF IT'S NOT YOU, THEN IT'S HER,"

AND IF YOU SAY ONE WORD,

"I WILL FUCKING KILL YOU BOTH."

AND I WAS A KID, SO...

I BELIEVED HIM.

THEN ONE DAY I BUSTED INTO MY MOM'S ROOM,

AND I TOLD HER I WAS LEAVING,

AND I WAS TAKING NATALIE WITH...

AND SHE JUST... SHE JUST LOOKED AT ME,

AND SHE ASKED ME IF I STILL LOVED HER.

AND I SAID, "YES."

"BUT I-I CAN'T. I...

I CAN'T DO THIS ANYMORE."

AND I... AND I JUST LEFT.

AND I NEVER LOOKED BACK.

AND I NEVER MENTIONED CHUCK.

GOD.

I CAN'T BELIEVE I WAS ONLY...

ONLY 12.

ARE YOU OKAY, CHASE?

ZEPHYR, I WOULD KILL THAT MAN FOR YOU.

CHASE, NO, NO, NO.

I...

I DON'T... I DON'T LIKE YOU LIKE THAT.

I DON'T LIKE YOU LIKE THAT, EITHER.

WHAT'S YOUR POINT? THEN WHAT ARE YOU DOING?

I DON'T KNOW.

GET OFF OF ME, YOU SICK FUCK!

I WOULD NEVER DO THAT TO HER!

YOU'RE FUCKING KIDDING ME.

ELLIE, ELLIE, NO. NO, IT'S NOT LIKE THAT.

♪ WHERE ARE WE GOING TONIGHT?

♪ I SAID, "WHERE ARE WE GOING?"

♪ WHERE ARE WE GOING TONIGHT?"

MAY I HAVE THIS DANCE?

♪ I SAID, "WHERE ARE WE GOING?"

♪ WHERE ARE WE GOING TONIGHT?"

♪ ALL RIGHT, NOW

♪ I SAID, "WHERE ARE WE GOING?"

♪ WHERE ARE WE GOING TONIGHT?"

♪ COME ON, COME ON, COME ON

♪ WE'RE GOING S.F.R.

♪ S.F.R. TONIGHT

♪ WE'RE GOING S.F.R.

♪ S.F.R. TONIGHT

♪ RIGHT NOW

♪ WE'RE GOING S.F.R.

♪ S.F.R. TONIGHT

♪ RIGHT

♪ WE'RE GOING S.F.R.

♪ S.F.R. TONIGHT

♪ COME ON, COME ON, COME ON, COME ON, COME ON, COME ON ♪

♪ COME ON, COME ON, COME ON...

Crowd: 9, 8, 7, 6, 5, 4, 3, 2, 1!

HAPPY NEW YEAR!

WoYEAH!

YEAH!

YEAH!

ROB REESE. NICE TO MEET YOU.

Liz:

HI, I'M J.P.

J.P., WHAT'S UP?

AND THIS IS MY FIANCéE, LIZ.

FANTASTIC. FANTASTIC.

YOU KNOW, I THINK I FORGOT MY PURSE AT THE BAR.

I'M GONNA BE RIGHT BACK.

GOOD LUCK.

YOUR PURSE?

FUCK HIM. ANYHOW, LISTEN.

SO, I HIRE HER FOR THIS MOVIE I'M DOING, THIS PICTURE.

IT'S LIKE A SUBTERRANEAN KIND OF ANT-COLONY THING, AND SHE'S...

HEY! WHAT'S UP, MAN?!

NO, NO! I'M IN IBIZA!

DUDE, SHE COULDN'T GET HER TITS OUT FAST ENOUGH!

YEAH, DUDE, I'M AT A PHONE PARTY.

HOLD ON.

YOU GUYS ARE GREAT!

WHAT? WHAT?

YEAH, PARIS HILTON LOST HER CHIHUAHUA.

OKAY, I'LL CALL YOU WHEN I GET BACK TO THE COAST.

THAT'S... THAT IS ROB REESE CREATIVE PRODUCING.

YOU KNOW WHAT I'M SAYING?

YOU'RE AN ARTIST, RIGHT?

OKAY.

YOU'VE GOT FATHER ISSUES. NO.

THIS IS EXCELLENT. I FEEL SUCH A CONNECTION.

WHAT DO YOU SAY WE GO UP, GET A ROOM,

START NEW YEAR'S OFF WITH A BANG?

NOT EVEN IF I WAS HELEN KELLER ON ROOFIES, OKAY? YEAH.

NOT EVEN ON THE DRUNKEST NIGHT.

YEAH, NO.

YEAH. GO FUCK YOURSELF.

YEAH.

HERE, CHASE.

MINE WORKS.

I HAVEN'T SEEN YOU ALL NIGHT.

I KNOW.

HAVING FUN?

YEAH, SURE. IT'S ALL RIGHT.

COOL.

SHUT UP.

SO, CHASE,

HOW DO YOU WANT TO START THIS NEW YEAR OFF, HUH?

DON'T ASK ME THAT.

WHY? WHAT'S WRONG WITH THAT?

YOU TWO HAVING A GOOD TIME?

YEAH.

IT'S NEW YEAR'S. I COULD TAKE IT OR LEAVE IT.

I HEAR YOU, BRO.

FUCK IT.

IT'S JUST NEW YEAR'S.

GIVE ME A RING TOMORROW.

OKAY. WILL DO.

WE'RE OUT OF HERE.

ZEPHYR...

WHAT DO YOU WANT FOR THIS YEAR THAT IS NEW?

HMM.

I WANT TO FEEL LOVED...

WITH JUST THAT... THAT... THAT FEELING,

THAT LOVE FEELING.

YEAH.

HMM.

ZEPHYR?

ELLIE?

ZEPHYR.

ELLIE. ELLIE.

ZEPHYR.

♪ ...TO BE HER LOVER

DO YOU KNOW ANYBODY NAMED NATALIE?

♪ ...DISCOVER

NO ONE BESIDES MY SISTER.

♪ TONIGHT'S THE NIGHT

WHY DO YOU ASK?

I DON'T KNOW. I DON'T KNOW.

I WAS JUST... WONDERING.

♪ I NEED TO FEEL JUST LIKE THE OTHERS ♪

COME HERE.

WHEN YOU WERE A LITTLE GIRL, DID YOUR...

DID YOUR MOM PLAY

WITH YOUR LONG, BEAUTIFUL HAIR?

SHE USED TO BRUSH IT UNTIL IT RIPPED OUT,

AND I COULDN'T STOP SCREAMING.

I'M SORRY.

NO. NO.

DON'T BE SORRY.

I'M NOT SORRY.

♪ WELL, I GUESS

♪ UNTIL SHE'S WITH THE NEXT

♪ A VOLUNTARY PRINCESS

♪ MAKE IT, FAKE IT, ANY WAY YOU WANT IT ♪

♪ I WAS IN DOUBT TO LOVE AS A TEST ♪

♪ I NEED TO FEEL JUST LIKE THE OTHERS ♪

♪ IT'S TIME, CHRISTINE

♪ MY LOVE FOR YOU AND ME

♪ YOU'RE TOO SHY, AND YOU TRY TO SEE ♪

♪ OH, NEVER MIND, I'M DYING

♪ I'M TRYING

♪ SHOT ME DOWN

♪ SHOT ME DOWN

♪ SHOT ME DOWN

♪ OH, YEAH, YEAH

Ellie: ZEPHYR? ♪ SHOT ME DOWN

♪ I'M REALLY SORRY

♪ SHOT ME DOWN I DON'T...

♪ I DIDN'T MEAN IT

I DON'T KNOW WHAT I'M DOING.

♪ DON'T YOU WANT ME?

Zephyr: DOES IT MATTER?

IF IT FEELS GOOD, DON'T STOP.

HEY.

CAN YOU HELP? ARE YOU GUYS HOLDING?

HOW MUCH DO YOU WANT?

I DON'T KNOW.

WHATEVER... WHATEVER WILL FUCK ME UP.

CAN WE GET IN YOUR CAR?

SLIDE OVER.

YOU TWO UP FOR A ROUND?

YOU GOT AN OUTFIT?

OH, HEY. I NEVER SHOT BEFORE.

I DON'T KNOW HOW TO DO ANY OF THIS.

UM...

I'LL FIX HER.

JUST RELAX.

OKAY.

MAKE A FIST. LIKE THAT?

THERE YOU GO. THERE YOU GO.

OKAY.

Ellie's mother: AND YOU, MY DEAR, ARE SUCH A HOPEFUL CHILD.

Zephyr: IT'S MY FAULT.

Zephyr: IF IT FEELS GOOD...

SHE'S GONE, MAN. DON'T STOP.

Ellie's mother: A HOPEFUL CHILD.

Zephyr: IF IT FEELS GOOD...

EASY. DON'T STOP. DON'T STOP.

Ellie's mother: WITH NO HOPE.

N-O-O-O-O!

ELLIE? ELLIE?

ELLIE?

NO.

PLEASE.

PLEASE...

IT'S MY FAULT.

I'M SO SORRY. I'M SO SORRY.

DON'T LEAVE ME. DON'T LEAVE ME.

COME BACK. NO.

COME BACK. COME BACK.

LOOK AT ME.

COME BACK. COME BACK. COME BACK.

COME BACK. COME BACK.

I LOVE YOU. I LOVE YOU.

IT'S MY FAULT.

IT'S OKAY.

IT'S OKAY.

I KNOW YOU LIKE THIS. I KNOW.

SO WE'LL JUST... HAVE OUR OWN LITTLE SECRET, OKAY?

COME ON, LET'S GO.

NO, NO, NO, NO!

NO. NO. STOP! STOP! STOP!

PLEASE MAKE HIM STOP! ELLIE, ELLIE, ELLIE.

N-O-O! NO, NO, NO!

I DON'T LIKE HIM! Shh.

PLEASE... STOP.

PLEASE.

NEVER TURN YOUR BACK... TO THE DOOR.

'CAUSE I NEED... TO BE READY TO SEE HIM.

I NEED TO SEE HIM COME IN.

SO YOU REALLY DO SEE HIM.

WHO DO YOU SEE?

A SCARY MAN.

I CAN HEAR HIS... FOOTSTEPS.

Shh.

I CAN HEAR HIS FOOTSTEPS.

Shh.

HERE HE COMES.

Shh.

CLOSER.

Shh.

CLOSER.

CLOSER.

Shh.

Shh.

Shh.

I CAN'T SEE HIM.

Zephyr: I CAN.

WHERE IS HE?

WITH ME.

WHY DON'T YOU TELL MOM?

BECAUSE SHE LOVES HIM.

THEN WHY IS HE WITH YOU?

SO THAT IT WON'T...

BE... YOU.

WHEN DOES HE HURT YOU?

AT NIGHT.

CAN I... HELP?

YOU CAN'T.

YOU CAN'T.

BECAUSE THEN YOU WILL BE... LIKE ME.

HOW OLD ARE YOU? THE OLDEST.

CAN YOU PLEASE... MAKE HIM STOP?

I DON'T THINK THAT I'M READY FOR THIS.

THERE IS NOTHING INSIDE OF ME.

I THINK IT WOULD BE BEST...

IF YOU SHOWED ME THE DOOR.

THAT...

THAT OVER THERE.

THAT'S THE DOOR.

THAT'S THE DOOR TO THE ROOM.

IT'S THE ROOM...

WHERE...

BAD THINGS... HAPPEN.

IT'S THE...

ROOM WHERE PEOPLE LOSE...

INNOCENCE.

IT'S THE ROOM THAT IS ALL... GRAY.

IT'S NOT QUITE...

QUITE...

QUITE BLACK.

IRREVERSIBLY...

GRAY.

IT'S THE ROOM

WHERE YOU LET IT ALL... GO.

IT HURTS INSIDE...

THE DARK...

HALLWAY.

OPPOSITE END OF WHEREVER YOU ARE.

AND EVERYBODY KNOWS.

NO ONE KNOWS.

I WISH I COULD TELL SOMEONE.

TELL ME.

I CAN'T, NATALIE.

NOTHING'S SAFE.

NOTHING'S EVER SAFE.

IT NEVER STOPS.

IT NEVER... STOPS.

Both: CLOSE YOUR EYES.

I WANT TO SHOW YOU SOMETHING

THAT YOU'VE NEVER SEEN BEFORE.

WHAT'S THAT?

LIFE.

LIFE.

LIFE.

LIFE.

Hey, David. What's up? It's me, man.

I haven't talked to you since New Year's.

I'm sure you're probably pretty busy,

but, look, man, I'm sorry to bother you.

I just, um, wanted to call you because I know how...

I say that you weren't there

and that you could have stopped it if you were.

Well, man, I think we both know that that's not true.

I can't forget about him.

That means that, uh...

our brother Charlie...

would be alive if it weren't for me.

It was like it was yesterday.

It was that car.

It was the blood everywhere. His blood was everywhere.

His blood was everywhere, David.

All this time that I thought that you were the bad brother,

and it was my fault.

I know I haven't been a good brother.

I'm sorry for everything.

Bye.

DAVY?

DAVID?

DAVID!

YOU LOOK GOOD, DAVID.

WAKE UP, SLEEPING BEAUTY!

SLINK.

DO YOU BELIEVE IN GOD?

YOU MEAN J.C.?

NO.

NO.

NOT THE SON OF...

BUT GOD.

DAVID.

I DIDN'T KNOW THERE WAS A DIFFERENCE, DAVID.

DO YOU THINK HE'LL LET ME GO?

DO YOU KNOW WHAT YOUR PROBLEM IS, DAVID?

EVERYTHING AROUND YOU IS FAKE.

IT'S THE THINGS THAT YOU DON'T SEE...

THAT ARE REAL.

IT'S TIME...

TO JUST...

LAY BACK AND LET THE POWERS THAT BE BE.

YOU'RE NOT IN CONTROL OF IT ANYMORE, DAVID.

HE'S GIVING YOU HIS PAIN, DAVID.

HE'S GIVING YOU HIS PAIN! NO!

NO! NO!

NO!

NO!

SO, THE UNKNOWN VISITOR

HAS FINALLY ARRIVED.

WHOSE PLACE HAVE YOU TRIED TO MAKE YOUR OWN THESE DAYS?

I CAN'T DO NOTHING BUT RUN. NOBODY'S PLACE, DAD.

YOU KNOW THAT.

CAN WE TALK A MINUTE?

I NEED HELP, DAD.

I FEEL LIKE I HAVE DEMONS INSIDE OF ME...

INSIDE MY HEART...

TEARING APART MY SOUL.

THE DEMONS IN YOUR SOUL.

LET ME ASK YOU ONE QUESTION.

CAN YOU TELL ME THE... THE NAMES

OF THE VACANT SPIRITS KNOCKING ON MY DOORS?

CAN YOU FEEL THE... THE EMPTY HALLWAYS?

STREETS?!

SOMETIMES THEY SAY FATHER KNOWS BEST,

BUT IN THIS CASE, I'M NOT SO SURE ABOUT THAT!

WE HAD SOME GOOD TIMES, DAD.

WE HAD SOME FUCKING REAL GOOD TIMES.

NOW YOUR VOICE IS TREMBLING.

IT'S SHAKING, MY UNKNOWN VISITOR, AND I KNOW BETTER.

AND SOMETIMES THERE'S NO ANSWER.

YET NOBODY CAN COME UP WITH ONE GOOD REASON...

WHY I SHOULDN'T BLOW MY HEAD OFF!

TELL ME, SON.

WHERE IS GOD?!

HE'S WITHIN ME, TURNING THE OTHER CHEEK.

I WANT MY BOY BACK, AND I WANT HIM NOW!

WHO LEAVES A BOY 4 YEARS OLD

WITH A BROTHER ONLY 3 YEARS OLDER THAN HIM?!

I MEAN, WHO DOES THAT, DAD?!

WHO DOES THAT?!

WHY DON'T YOU SEE ME, DAD?

PLEASE! REMEMBER ME!

YOU'VE ALWAYS BEEN A DREAMER.

YOU NEVER WILL BE YOU.

I NEVER WILL BE ME.

RUN AWAY, CHASE.

JUST KEEP RUNNING.

AND YOU'LL GET THERE.

YOU'LL GET THERE.

YOU'LL FIND YOUR HOME.

WILL YOU EVER LOVE ME AGAIN?

I'LL ALWAYS LIVE IN VINEYARDS

WHERE WILD CHILDREN STEAL EVERYTHING.

WHERE ARE YOU?!

I'M RIGHT HERE.

YOU CAN DO WHATEVER YOU WANT TO DO.

REALLY...

IT DOESN'T... MATTER.

WHY DOESN'T IT MATTER?

BECAUSE...

BECAUSE?

IT WON'T EVER BE THE SAME.

AND GOD LOOKED DOWN UPON PARADISE LOST,

AND HE SAID, "CAIN..."

YES, GOD?

AAH!

NO!

HELP ME!

HELP ME!

HELP ME! HELP ME!

YOU GOT TO HELP ME! YOU GOT TO HELP ME!

I NEED HELP!

HELP ME! HELP ME! PLEASE HELP ME!

HE-E-LP!

HELP ME! HELP ME!

NO! NO! NO!

YOU WANT TO... KNOW THE TRUTH?

NO! OH, GOD!

NO! I...

AAH! AAH!

I KNOW!

I KNOW, I KNOW.

I KNOW.

I KNOW!!

AAH! AAH!

I KNOW!

I KNOW, I KNOW, I KNOW.

Chase: I WON.

DID NOT.

I ALWAYS WIN.

WHY IS MY NAME CHARLIE?

I TOLD MOM AND DAD TO NAME YOU THAT.

YOU DID? YEP.

I GAVE IT TO YOU SO YOU WOULD BE A SOLDIER LIKE GRANDPA.

GRANDPA WAS A SOLDIER FOR REALS?

YEP.

DOES THAT MEAN I HAVE TO BE A SOLDIER?

YOU CAN BE WHATEVER YOU WANT TO BE.

YOU WANT TO BE A SOLDIER WITH ME?

I WANT TO BE A WRITER.

I'M GONNA BE THE BEST SOLDIER IN THE WHOLE WIDE WORLD.

I'M GONNA BE THE BEST WRITER.

CROSS YOUR HEART.

HOPE TO DIE.

Charlie: COME ON. YOU PROMISED.

COME ON, CHASE.

COME ON. YOU PROMISED ME.

I'M TIRED OF WAITING FOR YOU.

COME ON, CHASE.

COME ON.

I'M SICK OF WAITING FOR YOU.

I'M TIRED.

YOU PROMISED ME.

COME ON, CHASE.

HURRY UP, CHASE. I'VE BEEN WAITING FOR YOU.

READY?

READY.

OKAY, LET'S GO.

♪ MY PAIN IS YOUR PAIN

♪ IS MY PAIN IS YOURS AGAIN

♪ SORROW IS SORROW

♪ WE BEG, AND WE BORROW

♪ SO GO

♪ GO WHERE THE UGLY DOGS GO

♪ GO

♪ GO WHERE THE UGLY DOGS GO

♪ HIDE FROM THE WOMEN

♪ HIDE FROM THE MEN

♪ SORROW IS SORROW

♪ AND IT'S COMING AGAIN

♪ SO GO

♪ GO WHERE THE UGLY DOGS GO

♪ GO

♪ GO WHERE THE UGLY DOGS GO

♪ SEASONS FOR YOU

♪ SEASONS FOR ME

♪ NOTHING TO DO

♪ AND THERE'S NOTHING TO SEE

♪ I WANT TO PLAY IN A FIELD WITH YOU ♪

♪ I WANT TO PLAY WITH YOUR HAIR ♪

♪ I WANT TO PLAY WITH A GIRL IN A FIELD WITH YOU ♪♪

♪ SUNSET WILL KEEP YOUR EYES PEELED ♪

♪ FEEL WINDS BLOWING THE SOUL

♪ VULTURES, SAILORS

♪ TO THEM IS JUST A GAME

♪ BUT YOU NEED THIS

♪ YOU'VE BEEN PULLING TEETH FOR PAIN ♪

♪ SO I'LL KEEP MY EYE ON YOU

♪ OOH

♪ FIRST THING, YOU KNOW IT'S NOT RAINING ♪

♪ SO YOU TAKE IT 'CAUSE YOUR PERFECT DAY IS HERE ♪

♪ YEAH, YOU GOT YOUR PRETTY LITTLE MOUTH ♪

♪ AND A GOOD-LOOKING SUIT, YOU'RE ON YOUR WAY ♪

♪ IF YOU JUST BOTTLE IT UP

♪ IF YOU SAY YOUR GRACES

♪ SO I'LL KEEP MY EYE ON YOU

♪ AND I'LL TAKE MY TIME WITH YOU ♪

♪ AND I'LL WORK MY CHARM ON YOU ♪

♪ AND I'LL CHANGE MY MIND ON YOU ♪

♪ OOH

♪ OOH

♪ OOH

♪ YEAH, YOU JUST KEEP ON GOING

♪ WITH YOUR... SHUFFLE AND YOUR HEAD ON FIRE ♪

♪ YEAH, YOU JUST KEEP ON PUSHING ♪

♪ WITH YOUR... SHUFFLE AND YOUR HEAD ON FIRE ♪

♪ YEAH, YOU JUST KEEP ON GOING

♪ WITH YOUR... SHUFFLE AND YOUR HEAD ON FIRE ♪

♪ AHH