All language subtitles for FBI.S05E09.Fortunate.Son.720p.AMZN.WEB-DL.DDP5.1.H.264-NTb.en

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: Eߣ�B��B��B�B�B��matroskaB��B��S�g�M�t�M��S��I�fS��M��S��T�kS����O�I�f@�*ױ�B@M��libebml v1.2.3 + libmatroska v1.3.0WA�mkvmerge v5.3.0 ('I could have danced') built on Feb 9 2012 10:38:07D��AC�TDa� ��*�8s�������n/�̰�/X�dT�k���ׁsńB>��������S_TEXT/UTF8Sn�SDH�D!C�u��������[suspenseful music]�� *����� *Come on. Come on, let's go.���C�u��������- What's going on? - Just get in the car.��Ƞ�����♪ ♪��SC�u��D+�����[engine revs]���������[engine revving]���C�u��W������[tires squealing]���C�u��kˠ����[breathing shakily]�� C�u�炄*�����Get down!��Ƞ�����[gunshot]��nC�u�炤:�����[gunshots] [yelling]��Ҡ�����[horn honking]�� �C�u��������Dad!��7�����7Come on. Stay with me, Dad!���C�u���]�����Hey, hey, hey, man!��C�u��휠����[groaning]�� �C�u@��?�����- Dad. - No, no, no. Go.�� ������ �Get out of here. - No, Dad, please.��������Go somewhere safe, all right?��,C�u��}�ȡAnd make sure that the bag in the truck stays with you, okay?�� ����� - What bag? - Go! Now!�� �C�u��8�����It's okay, it's okay. I'm here to help.��!�����!Just stay with me.�������� �Hey. Hey!�� �C�u��X������Stay with me.���������Just stay with me. Can you hear me?��頟��� �Can you hear me? Sir?���C�u��l+�����Sir?��Ӡ�����Stay with me.���C�u���㠘���Oh. Thank you.���������Hey!�������� Hey.��Ҡ�����I tried calling you earlier.��nC�u@���C�����Yeah. Sorry about that.��Ӡ�����I was, uh, stuck in a meeting.��B����� I'm working this case in LA,��6�����Kand there's a lot of moving parts.���C�u@���v�����Ah, nothing easy about that place, but weather's good.�� ������ �Okay?��������Since when do you hate LA? - Since forever. Come on.�� �C�u@���9�����It's got no flavor.��7�����7People are all-- - Superficial?�������� �Yeah, they all want to be actors or surfers.��yC�u@��癠����They eat sushi all day. They hate art?�� ����� Just telling me how I feel.�������� �[chuckles]�� ������I have a meeting uptown, but, uh,��yC�u���������I'd like to talk to you about some stuff later?��ޠ�����- Stuff? - Yeah.��6�����Stuff. - Wait.�� C�u@�������Can I get a hint? - No.�������But it's good stuff.��󠧡�� So I'll chase you down later.���������Okay. Chase me.���C�u��D������[device beeping]�� 蠙��� �Hey! What's up?��XC�u��Z������What?���������Did you just give me a head nod?��!����� I'm sorry. I just--��蠓���You okay?���C�u��u������Drop the bag! Now!��Ӡ�����[people yelling]��Ҡ���� �Drop the bag!���C�u���������Hey!��A�����AYou heard him. Drop the bag.��Ҡ����Come on, pal.��cC�u���������Put the bag on the ground. Now.���������♪ ♪��'C�u��݌�����What's in it? Explosive?���������No.��Ǡ�����Drugs.�� C�u�� ������Whoa, whoa, wait.��z�����zOkay, that's fentanyl.��b����� �Okay, if that bag rips, we're all dead.���C�u��H�����♪ ♪��vC�u��Y_�����Okay, so...��Ҡ�����Your name is Trevor Logan,�� �C�u��s������and you found a duffel bag full of fentanyl�� ������ �in your father's car. - Right.���C�u��������And I thought I'd bring it to the FBI���������to make sure no one got hurt.��Ҡ���� �Or died.��dC�u���<�����We appreciate that, Trevor.���������But, uh, we need to go back a little further.�� �C�u@���ɠ����How did your father get all this fentanyl?��A�ơ��AAnd why did he end up leaving it so that you discovered it?�� �C�u���������Because he got shot.�������lWhen?��MC�u��ص�����This morning. About an hour ago.�� ������ �Okay.��ܠ����aLet's start at the beginning.���C�u@���蠷���Tell us about the shooting, start to finish.�� ������ �My father woke me up real early.��+������He said we needed to get out of town.�� C�u@�� ����He grabbed the duffel bag and ran outside.���������I followed him.��ܠ�����I didn't even have time to change.��dC�u@��)�����Okay, that's good. And then what happened?�� ����� We started to drive off.�� �ġ��And these men pulled up in a black car, started shooting.��UC�u@��Ng�ȡThey hit my father a few times, but he managed to drive away.�� ������ �Where is he now?��y������At the hospital.���C�u@��dM�����There's one about five blocks from our house.��,�����,[apprehensive music]����¡���He told me to drive away and get the hell out of there.��C�u���'�����So I did.��Ҡ���� �This is a pretty crazy story.��B�����)Well, it means it's probably true.���C�u@����á��I still don't understand why he brought the drugs to us.���������And why did you come down to 26 Fed today, Trevor?�� �C�u���S�����I don't want to die.���������And I don't want my father to die.��6C�u���[�����So I thought if I came to you and gave you the drugs,���������you'd help us.���C�u���񠘡��♪ ♪��C�u@�� p�����I need a gurney! Stat!�� b����� bLooks like he's telling the truth.��z������Yeah. What about the actual shooting?�� C�u@��!l�����Finding anything? - Well, we've been looking,���������but so far, nothing.��Ҡ����WOkay, so this kid walks into 26 Fed���C�u@��8~�����with five kilos of uncut fentanyl.�� Ǡ���� �- Sounds was like a riddle. - It is.��������lBut what is the answer, and what do we do with him?�� +C�u@��S�����I mean, we could charge him with possession���������but that feels callous.�������� xYeah, he seems like a decent kid.��������Can we pull up the father's résumé, please?�� AC�u@��w������Multiple priors, drug distribution,�� x����� xlarceny, armed robbery.��Ǡ����?So Trevor's father is in the game in some capacity.��aC�u@���������He gets shot by God knows who for God knows what.�� +����� +Rival dealer. Rival gang.��c������Pissed-off customer.���C�u@���������And his son tries to make it right.���������So let's give him a chance to do that.��d����� Maybe we can turn this serendipity��W�����`into something positive and take down���C�u���������a major fentanyl supplier.��M�����So if you help us take down this fentanyl supplier,�� WC�u@���t�ǡ��we'll do everything that we can to help you and your father.���������We're gonna need you to wear a wire, talk to your dad,�� �C�u��������find out where these drugs came from.��y�����yWait, you want me to set up my own father?�� mC�u��_�����No. No way.���������No, I can't do that.�������� 6We're not asking you to set him up, Trevor, okay?�� �C�u@��,�����We're asking you to get information from him.����¡���It's information that he would never give us on his own�� ������?so you can help him get out of this mess.�� �C�u��T䠡���You two can start over.���������Start over where?��yC�u��jD�����Wherever you want.��ޠ���� �I want to go someplace warm.��XC�u@��A�����Like Arizona.��Ǡ�����Okay.��,������We can help you with that.�� ������But first, you gotta do what we asked.�� �C�u��� �����Okay.���������Sure.��ݠ���� �I'll do it.���C�u���j�����Wise decision.��M�����MYou mean the only decision.��6C�u���D�����My father needs help.�� ����� So I'll do whatever it takes.��M�����W♪ ♪��UC�u��𠘡��- Hey. - Hey.���������Is now a good time?��M�����KYeah. Sure.�� @C�u�� {�����I'm guessing you figured out what you want to do.�� b����� bYeah.���C�u��;������I'm gonna have the baby.���������[both chuckle]��n����� Oh, my God.���������Wow.��MC�u@��Q᠙���That's amazing.�������Yeah, I feel really good about it.��X����� mYeah, me too.��������This is--this is great news.���C�u��o������Yeah.��z�����zLook, the thing is, um--�� AC�u@���/�����I want to do it by myself.�������What do you mean?��x�š�� �I just think that it's best if I raise the baby on my own.��UC�u��������♪ ♪��b�á��bYou can be involved, of course, if that's what you want.���C�u@���8�����Of course I want to be involved, but why--�� B����� BI just need--�� b������I just--I need to be able to have control�� �C�u@���Ġ����of my life and the baby's.��m�����mNo, I get that, but--�������� Well, there's-- there's this possible opening��C�u�� Ԡ����in the Intelligence Unit in Los Angeles.��ݠ�����So I was maybe gonna move there.���C�u��,u�����I spoke to a lawyer, and he said that he could�� ������ �draw up some paperwork for us.�� �C�u��Aՠ����That way, we could make it official.���C�u��U������You want me to sign away my parental rights?�� Ǡ���� �No.��6������No, uh, not at all.�� �C�u@��u�����This would just be, like, a contract that�� +����� +lays out our understanding.��6�����aOur understanding.�� �C�u���b�����This is really hard.�� ������ �Okay?��6������And from the beginning, you said whatever I want���C�u���ʠ����and whatever's best for the baby, so...�� +C�u��ț�ġ��Look, just let me send you the paperwork and you read it.�� ������ �And then we can talk about it.��XC�u��ހ�����Mm-hmm.�� c����� cOkay.��領��� L♪ ♪��'C�u@�� ($�����And like I said, just be natural.��ݠ�����Don't force the conversation.����ġ�� �You know, try to keep an eye out for your father's phone.��XC�u�� [suspenseful music]��cC�u@�� f�����Don't worry about any of that.��蠖����Don't worry?��Ҡ�����What if they're still looking for you?��C�u�� -6�����No, no.���������They probably think I'm dead.��Ҡ���� lOr close to it.���C�u�� C�����What if they come here, to the hospital?�� ����� They won't. There's too many cameras.�� �C�u�� ]Ӡ����Hey, you got the bag, right?��󠚡���- Yeah. - Okay.���������Just like you said.���C�u@�� sU�����Should I deliver the bag to someone?�� ����� Or return it to the owner maybe?������� Just keep it safe.���C�u@�� �%�����Okay?���������That's all you gotta do. Just keep it safe.����š��@When I get out of here, I'll take care of everything else.���C�u�� ������Trevor, see if you can locate his phone.��頏����So...���C�u@�� �֠����What are you doing?�������Nothing.��ޠ���� �Just, um, I've never been in a hospital room.�� C�u�� �?�����[chuckles] Well, it ain't much to see.�� ����� ♪ ♪��_C�u��  �����So you're dealing drugs these days?���������Listen.��Ƞ���� �We ain't talking about this, okay?��WC�u�� +䠓���Not here.��n�����nNot now.��nC�u�� @Z�����[sighs]���������Enough, man. No more questions.��MC�u@�� ^������When you're feeling better, I think we should move.��4�ơ��4Go somewhere with warm weather where people aren't shooting�� �C�u�� |O�����at each other all the time.�������� mI'm serious.���C�u�� �A�����We need to start a new life, a better life.��'C�u�� �h�����I agree.���������Excuse me.���������I need to run some tests.��!C�u�� �-�����♪ ♪��vC�u�� 3�����The kid did a good job.��C�u�� 3������Everything okay?��Ƞ�����Uh, yeah, yeah.��������XJust dealing with some personal stuff.�� C�u�� H񠏡��Nina?��M�����MYep.��X����� �She, uh--she wants to have the baby.��C�u�� c������What?�� ����� That's amazing.�� ����� *Yeah, but it's complicated.��頢���Hey, good work in there.��6C�u@�� |򠕡��I did okay?���������Oh, yeah.�� ������You did great.�������� �You asked a lot of good questions,��ݠ����land when it got suspicious, you kept it nice and cool.���C�u�� ������I tried to get what you wanted,���������but my father, he's really paranoid.�� �C�u�� ���á��But he's a good man, despite some of the things he does.��J�����JThat's good to know.���C�u@�� �v�����We still got work to do.��Ǡ�����So what about the phone?��X����� It wasn't there.��+�����JWe left in such a hurry this morning,��cC�u�� �#�����he probably forgot to bring it with him.��MC�u�� �5�����You happen to know your father's password in case�� 蠥��� �we actually find the phone?��������Yeah.��WC�u�� ������Trevor22.��X����� WIt's not like that.��������I set it up for him.��yC�u��  �����He's not so good with technology.��������It's 311, last door on the left.�� LC�u�� M�����Hold on.���������Hey. Hey! - Stay right there.��Ҡ���� b[tense music]�� �C�u�� e�����♪ ♪��(C�u@��0F�����He's gone.���������All right.�������� �I'll call it in to set up a containment.��������KLet's go back.���C�u��b2�����Is that you and your mom?��B�����BYeah.��A����� �[soft apprehensive music]�� �C�u��{9�����She died when I was three.��L����� I'm sorry to hear that.���C�u@���u�����These people are never gonna leave us alone.�������Ever.�� �����4And that's why we're gonna take them down, okay?�� �C�u���8�ġ��Do you have any idea where your dad might keep his phone?��Š�����♪ ♪���C�u��┠����Tiff. Got it.��6�����6Anything good?���������Uh, yeah.�� C�u@���y�����Yeah, no, this is real good.��z�����z"Yo Vince. Where you at?��y����� �Suspect said they never received the product."��nC�u��ڠ����And then there's another one that afternoon.�� @����� @"You ignoring me."��������4Last one that night--�� C�u��)�����"Answer me, or you a dead man."�� @����� @This is all starting to make sense.���������Yeah.��C�u@��=*�����Vince was running drugs, and he decided��!�����!to keep the product rather than delivering it,��y����� �so his boss tried to kill him.���C�u��Q�����Tale as old as time.��ޠ�����Yeah.��ݠ���� �We should get that phone to the JOC.�� �C�u@��gɠ����Anything else of interest on that burner phone?�� Ǡ���� �Lots of texts about product and deliveries,���������but no leads on who the actual supplier might be.�� �C�u@���������- Did you run the other number? - Uh, also a burner.��ݠ�����I tried to ping it, but that phone's been deactivated.��W�����4Elise, where are we on video near the apartment?�� �C�u@���Y�����Just found this right near Trevor's place.��6�����6Okay. Yeah.��ޠ����Matches the description Scola sent over.�� �C�u@��������Did you run it through facial rec?��Ӡ�����No hits.�������� �[sighs] All right. Well, keep working.��y�����@[suspenseful music]���C�u���֠����So--so what?�� ����� We're basically nowhere.���������♪ ♪��=C�u��G�����Someone broke into the apartment?�� ����� How do you know?��頞��� �Because I went back.���C�u@�������I needed a change of clothes.�������I told you to stay away.�������� �Just tell me what's going on.��B������Who are these people? - Hey, hey, hey. No.���C�u��/������We're not talking about this.������� bCome on, Trevor. Stay with it.��+C�u��C������These people are scaring me, Dad.�� @����� @They shot you.��Ԡ����They broke into our apartment.���C�u��]X�����They're not gonna stop until they get what they want.�� ������ �Well, Nico can chase all he wants,�� LC�u��qI�����but he ain't gonna find me.�� Ҡ���� �Or my dope.��+������Nico. Okay, we got a name.��yC�u@���������Try and get a last name.��ݠ�����The dude's name is Nico?���������That's who you're working with? - Yeah.��mC�u@��������Yeah, he screwed me out of a few deals,��n�����nso I'm just taking what's mine, that's all.�� ������What's his last name?���C�u���Q�����It doesn't matter.�� ����� - I'm just trying to-- - I said it doesn't matter.�� �C�u���+�����Okay, back off.���������No more questions.��������XWe got enough.�� �������Okay.���C�u��ꡠ����I'm sorry.���������It's just all this violence is making me nervous.�� c�����I know.��,C�u@��������Don't worry, T, all right?��c�����cWe're gonna be fine.�������� You just keep your eyes on that duffel bag, okay?���C�u��%���That's our golden ticket, kid.��ݠ�����♪ ♪���C�u@��F������All we know is, the supplier's name is Nico.��*�����*I'm guessing that's his first name,��ޠ���� so we need to run that through every database��������we have access to.��BC�u@��_�ǡ��We are looking for a connection between him and Vince Logan.��y�����ySame neighborhood, same high school--��������6- Same cell block. - What do you got?���C�u��tʠ����Found someone named Nico Chao.�� A�ǡ�� ASpent some time in Rikers with Vince Logan, same cell block.�� �C�u@���Ѡ����It could be a long shot, but--��ݠ�����Jordan, talk to me.�������� xNico Chao, what do you know?��������Yeah, he's popping up all over the place.���C�u�����ơ��Looks like he's in the heroin business as well as fentanyl.��3C�u@���������Yeah? Eyes up, people.��頵����Believed to be one of the largest supplies��b�ɡÁ Kof fentanyl in the Northeastern corridor of the United States.�� �C�u@��ԗ�����I can hook you up with a current case agent.��+�����+He'll have more answers. - Great.�������� )Please do that. Thank you.���������All right, folks. We now have a name.���C�u@���렬���We now have a target-- Nico Chao.��y�����yLet's get to work.��Y����� �Figure out who this man is and how we nail his ass.�� �C�u��@�����♪ ♪���C�u@��&.�����I've been a DEA agent here��o�����oin New York for the past ten years.���������Nico's been on our radar that whole time.���������Really? Hard guy to take down.���C�u@��=@�����Yeah, the problem is, he never touches product,�� b����� bso every time we'd try to bring a case against him,�������wit got kicked. - Don't worry.��zC�u@��Q1�����I'm gonna change that.���������Your lips to God's ears.��A����� �He currently supplies most of lower New York,����š��lso if he's taken off the board, the city's a better place.�� �C�u@��n �����Sure.��C�����CSo how do we find him?��W������He lives atop a little club he owns���¡���over in Soho called Luna's, but spends most of his time�� �C�u@���S�����in the Plaza uptown.��,�����,The Plaza? Why?��M����� yField of view.��M������He and his people control it.���C�u@�����¡��One of them sees a strange face, the deal-making halts.�� 򠼡�� �So like I said, he's not an easy guy to approach.�� LC�u���������Maybe, but we got a bag of fentanyl to play with.�� *����� *Stolen bag of fentanyl?���C�u��������It's a risky play.��頝����We got what we got.��7����� Drinks on me if you get him.���C�u@��传����You know, I think this DEA guy's right.��B�����BThis is a risky play.��頟��� +Nico's a businessman.��y������He cares more about money than violence,��BC�u���������so I'm guessing he'd be open to a deal.�� ����� - Hi. - Hey.�������� �- How are you? - I'm good.���C�u��/�����How are you? How's white collar?��蠘����Oh, it's good.���������I lied. It's very boring.��C�u��"Ơ����[both chuckle]�� ����� Hey, do you have a sec?������� Yeah.���������Good to see you.���C�u@��;H�����I don't want to bother you,���������I just wanted to see if you had a moment��Ҡ���� �to check out the document. - No, I haven't.��������wSorry. This has been an intense day.���C�u@��R������Yeah, I heard about the lobby this morning.��x�����xYeah, kid's trying to fix things���������with his deadbeat father.���C�u@��h?�����Heart's in the right place, head's another matter.�� @����� @Okay, well, I--���á��@I just want to clarify that this isn't about me and you.��'C�u@���������Oh, no?���������No, I just--�� ����� �I'm just trying to do what's best for me��c�����@and the baby, and not have to worry about logistics.���C�u@���䠳���Yeah, I just, uh, I need some more time.�� ����� [soft music]��B�����aOkay, well, I appreciate the way you're handling it,��+C�u@���p�����and it's just a document, okay?��X�����XNothing set in stone.��Ǡ����I'm gonna go set up an undercover buy,���C�u��܂�����so I gotta get going.��Ƞ�����Okay.��󠘡�� �♪ ♪��vC�u@���������All right, suspect and another male Asian�� ������ �are on the east end of the Plaza.��n�����Scola is landing now, Tiff.���C�u��!S�����Copy that.��8�����8[tense music]���C�u��7|�����Hey, Scola, that guy that's with Nico?��K�����KPretty sure that's the same guy that ran from us���C�u@�M������earlier at the apartment.���������We're good.��z����� Yeah, but he saw us.���������We're good.��C�u@��sՠ����My name's Stuart.��X�����XI know you?��ݠ���� 5No.��7�����lThen we don't got anything to talk about.���C�u���������I get that.���������But-- - But what?��yC�u@���������I got a bag of fentanyl. Five kilos.�� ������ �Used to belong to some dude named Vince.��������Now it belongs to me.���C�u@���Ơ����I don't know what you're talking about.�� ������ �His kid sold it to me this morning.��+������Told me his dad got killed.���C�u���R�����He found all this dope in his car.�� M����� MI bought it from him at a discount.�� )C�u���Ƞ����You know what I'm talking about now?�� !������Look, I had no idea what went down���C�u@��k�����or how this kid came into possession of it.�� ����� Till he came clean, that is.��ݠ�����So why not just sell what he gave you?���C�u��!P�����Why come here?�������Because I don't want bad blood with you.�� 6C�u@��9Ѡ����I'd like to make things right.�� x����� xWant to make things right? All right.�� ������Return whatever was taken.���C�u��S<�����I will.���������But I'm gonna need some sort of compensation.�� ������)Call it a finder's fee.���C�u��i!�����[scoffs]���������You asking to get paid to return�� ������someone else's property?�� C�u@���j�����Scola?���������You got more players entering the Plaza.�������� �I say you cut your losses and start walking.��������VNow.�� C�u���c�����All right, look, look.��B����� �I think this could be a good thing for both of us.��6C�u���������How's that?��ݠ�����I've been looking for a supplier.�� b�����?You and me can work this out.���C�u@���Z�����I'm thinking maybe we could do some business.��+�����+I got a lot of clients out west.��������)These people are thirsty for fentanyl.���C�u���������I run a club.��x�����xYou and your West Coast friends want a drink?�� �������Come in any time.��C�u@��������About this stuff you're talking about?�� ����� I ain't involved in any of that.��X�����b- Time to go, homey. - All right. Okay.��C�u@��(4�����That's not a problem.��z�����zBut you've gotta work with me here a little bit.��6����� �That's it, all right? That's all I'm asking.�� �C�u@��P�����I ain't never seen you before, bro.���������So I need assurances. - Yeah? Like what?�� �����Like the kid, Vince's son.�� �C�u��pΠ����I want to talk to him and you together this afternoon.��l�����l5:00 p.m. at Luna's, before they open.�� 6C�u���p�����If this story makes sense,��6�����6we'll work it out and make this right.���C�u���v�����Okay.��������See you at 5:00.���C�u��������♪ ♪��C�u@��Ƞ����I don't like it, Scola.��ޠ�����But he's a businessman.��A����� He can't afford to just write off that much product.��yC�u@��`�����He's also a serious drug dealer��Ǡ�����who's not afraid to use violence.�������� bYou're taking on a lot of risk here, Stuart.��+C�u@��*������So is Trevor.��Ӡ�����We're not gonna bring the drugs inside.�������� xTrevor can tell his story, okay?��,�á���Vouch for me, apologize to Nico for what his father did.�� �C�u@��I������And then if the guy wants to do business,��ޠ¡���we'll tell him we'll meet up later on with the product,�� �������in the Plaza, out in the open, so it's more safe.�� C�u��h������Okay. Let's do it.��Ҡ�����But there better be plenty of backup.���C�u������Are you sure about this?���������Of course not, but I think we can pull it off.��WC�u���C�����Why are you pushing so hard to make this happen?���������Building a case against a guy selling poison.�� C�u@���񠫡��Part of the job, last I checked.���������You sure us the only reason?��������What are you getting at, Tiff?���C�u���%�����It just seems like you're really invested���������in this kid, Trevor.��n����� *Yeah, I suppose so.�� �C�u@���������Seems like a good kid. He's trying to save his father.�� Ǡġ�� �But you can't save somebody who doesn't want to be saved.�� bC�u�������That's fair enough.��L�����LIt's not our problem.��Ҡ����Not right now, anyway.���C�u��ˠ����All right, let's go talk to Trevor.�� K����� KSee if this kid wants to play ball.���C�u@��@k�����I'll do whatever it takes to get me���������and my father out of this mess.��B����� �You sure?���������I mean, there's a lot of risks involved��yC�u��W������and we can't make any guarantees.�� ������ �I know.�� �C�u@��q �����But just in case things don't go well,���������I want to see my father one more time.��!����� No, that's not a good idea.�� �����?He's all I got, man.���C�u���������If something happens, I at least want to know that I--��W�����W[apprehensive music]�� bC�u���������It's been years since I told my father I love him.���������So I need to-- - Okay.�� �C�u���1�����I get it.��頦��� +We don't have a lot of time,��X������so we're gonna make this quick.��C�u���6�����Five more days?�� ������ �Yeah, the doctor says they want the wounds�� �C�u���à����to heal the right way, you know?�� @����� @He says I could die if the sutures open up.�� 6C�u@��������This kid Trevor is unbelievable, man.���������Okay, well, then just do what he says.��6������Yeah, I don't really have a choice.�� �C�u��0�����Hey, where's that bag of mine, by the way?��b�����bIt's in a closet at my friend's apartment.���C�u��D������What friend?��Ҡ���� *Carlos.���C�u��^Š����You seem nervous.��n�����nNo.��頖��� WI--I'm good.��o������Yeah? Are you sure?�� �C�u�������Because it feels like you got something on your mind--���������something you want to say.���C�u���������That I just wanted to--��ޠ���� BYou wanted to what?���C�u���9�����To tell you--��!C�u@��� �����I know we don't talk about our feelings, you know?��5�����5But I just want you to know that--��M������Hey, hey.�� �C�u@��������When'd you get this chain?��Ҡ�����What are you doing?��7������Where'd you get the money to pay for this chain?���C�u��������Okay, time to get out of there.�� ������ �It's--it's fake.�� c������I've had it for months.���C�u��#������[suspenseful music]�� ������ �♪ ♪���C�u��La�����So go sit on that bag and don't��c�����ccome back here anymore, okay? You understand?�� nC�u��m������Just nod and walk out.�� C�u@���J�����I'm doing this for us.��X�����XDoing what?��Ǡ���� What are you-- what are you doing?��頨���What is that supposed to mean?��zC�u���̠����Trevor, get out now.���������I--I--��������I just wanted to say that-- - No, no, no more talking.�� �C�u���������♪ ♪��>C�u@��"������All right, let's go over the script.��7�����7You remember what you're supposed to say?��ݠ����My father's dead.��6C�u@��8Р����I found the product, sold it to you.���������And you know him how?��M�¡�� I used to sell weed from him when I was in high school,���C�u@��Ns�����and now I work at his bar in Tribeca.��n�����nWhat else?��蠾���VI need to apologize to Nico for what my father did.���C�u��lL�����And say I want to make things right.��M�����MAnd I'll take it from there.�� b������Let's do this.��nC�u���i�����Come on.��Ҡ�����[suspenseful music]�� ������l♪ ♪��vC�u@���K�����Scola and the kid are on 11th Street.���������Are you two set?�������� +Ready to move in on your signal, Scola.���C�u@���1�����Copy that. Any sign of Nico or his people?�� ������ �Negative.��ݠ�����Place has been pretty quiet since we got here.���C�u@���p�����No one in or out.���������Remember, use the fear, all right?�� ����� �He's gonna want to hear it in your voice.���C�u��鯠����I don't think that's gonna to be a problem.���������I feel like I'm gonna throw up.�� �C�u���F�����Deep breath.���������[inhales]�� 6������That's it.���C�u��������You good?���C�u��/j�����Hello.���������Anybody here?��Ҡ���� �Scola, I don't like this.�� �C�u��Gɠ����This feels like a setup.��Ƞ����*Nico?��BC�u��^5�����Where you at?�������� �[person groaning]��������What's going on?���C�u��t~�����What's happening? - Shh.���������Stay right there.��YC�u���)�����[person groaning]�� AC�u��������Guys, move in. I got two down.���������Gunshot wound to the upper extremities.��n����� m♪ ♪��uC�u@���1�����Hey.���������Where's Scola?��+������He's back there.��頢��� �Go stand with Tiff, now.��X�����Get out of here. - You okay?���C�u�������You just stay relaxed.���������Come on. Let's go.��6C�u��=�����All right, can you talk to me?��Ǡ�����Can you me who did this?��Y�����Kitchen's clear.��,C�u��0q�����♪ ♪���������[person gasping, crying]�� cC�u@��Tj�����FBI. Show me your hands.���������[gasps] Don't shoot, please.�������� �- Do you work here? - Yes.��������?I hid when the shooting started.��7C�u@��kࠪ���- Did you see who did it? - No.�� ����� Not his face. He had a mask on.��c����� �- There was just one man? - I think so.��yC�u@���ܠ����I hid behind here as soon as he started shooting.��Ҡ¡���I kept hiding because I thought you guys were with him.�� +C�u@���\�����Okay.���������Wounds went through and through.��Ӡ���� yNo vital organs were damaged.��������xWhich means we won't have answers��,C�u@��������until they're out of surgery.��+�����+Any luck with the witness canvas?��A����� lLooks like the shooter snuck in��z������through the service entrance, left the same way.���C�u���נ����The waitress showed me multiple security cameras.�� *����� *I think you're gonna want to see this.���C�u@�����š��These two cameras cover the back hallway and the DJ booth.�� W����� WOkay. Think they got a look at our shooter?��*������Yeah. Take a look.��MC�u��  ����♪ ♪���C�u��,蠠���And then he goes here.���C�u@��B������Can't see his face.���������- What's he doing? - He's looking for something.�� ������Let me speed it up.�� C�u@��l砕���He's white.��ޠ�����Bet he left some prints.��+����� I'll get ERT to start dusting.����¡���This guy knows exactly where the hidden compartment is.���C�u@���~�����He must be an insider.���������Oh, that's a bold move, robbing the boss.�������� �[phone rings]�� ������- Hey, Scola. - Jubal, what's up?���C�u@��������I just got a call.��z�����zVince Logan left the hospital two hours ago.�� �������What, he just up and left?��cC�u@���������Well, apparently he snuck out the back door.��M�����MHey, Scola, check Trevor's phone.�������� �Maybe Vince reached out to him.��������wI doubt that.���C�u���������What do you mean? Why do you say that?��ݠ�����Vince Logan just shot Nico and his lieutenant.�� xC�u���䠷���You really think he's the one that did this?��M�����MWe do.��W������Why would he--���C�u@�������It was that last visit, Trevor.��6�����6The questions, the chain.�������� �He sensed what was going on--��B�����that you were working with law enforcement.��6C�u��"V�����So he grabbed, or tried to grab,��ܠơ���all the money and dope that he could and make a run for it.�� �C�u��6������Then why did he--�� 砥��� �I was trying to fix things.��B�����)[sniffling]���C�u��P������[apprehensive music]��?�����?Hey.��LC�u��j&�����Hang in there, Trevor.�� n����� nWe still need your help.�� C�u��}������♪ ♪��C�u@���r�����You find any video outside the bar?��Ӡ�����Yeah, we got a shot of the service entrance.��6����� This is moments after the shooting.���C�u���d�����[tense music]��砧����Okay, okay. Let's go tighter.���C�u���%�����Come on.�������� �Scola was right. Vince Logan is the shooter.��Ǡ�����Elise, run that plate.���C�u���������On it.��7�����Okay, Kelly? Roll it back.���C�u�� ������Yeah.��ݠ�����Play it here.��7C�u�� *E�����♪ ♪���C�u@�� C �����Okay, freeze it.��������There's blood on his shirt. His wounds have opened up.��ݠ�����Shows it was stolen an hour ago,��XC�u@�� Y1�����half a block from the hospital.���������- Can we access its GPS? - On it.��A����� @It is over in Kew Gardens and...�� LC�u�� u������The vehicle is not moving.��X�����XAll right, get agents over there now.��c����� �♪ ♪��C�u�� �h�����Stay in the car.���������FBI!�������� KPut your weapon down.�� bC�u�� ������[panting]�� �C�u�� �Π����Come on, Vince. You got nowhere to go.�� +������Get back!��XC�u@�� �࠳���Look, you need medical attention, Vince.��c�����cPut the gun down. We'll get you some help.��X������You look--I'm not going back to jail, all right?���C�u�� ������I mean it.��W�����W[gunshots] [all shouting]�� b������♪ ♪��'C�u@��!+m�����All right, let's just wait him out.��M�����MHe's losing blood. - Works for me.�� n������I told you to stay in the car.���C�u@��!>������He's bleeding. He's going to die.���������- Trying to talk to him, but-- - Let me talk to him.�� 蠫����I can convince him to surrender.���C�u��!^B�����He's my father. He'll listen to me.�� ����� ♪ ♪��C�u��!�i�����All right.�������� �We're gonna to do this,���C�u��!�Z�����you are at my side the entire time.��Ҡ�����You understand me?��������VYeah.���C�u��!�l�����Don't worry. I got this.��M�����)Slow.��C�u��!�ꠎ���Dad!���������It's me!��7������Get out of here, Trevor!��������xPlease, just do what they say.�� C�u@��!�w�����No, kid, get out of here.���������You messed this whole damn thing up!�� B������What do you think I am, dumb?���C�u@��!������Think I wouldn't figure out what you were doing?�� c����� cI tried to help.��Ӡ����6Yeah, well, you did the opposite.��xC�u��"������No, no, no.��X�����Listen to your kid, Vince.�� �C�u@��"1�����Nico and his buddy are gonna be all right.�� 頴��� �You're looking at an armed robbery charge���������for two dope dealers.�� C�u��"G������The way things are going here,��ݠ�����you might not even have to post bail.�� @�����He's right.�� BC�u��"b𠠡��We can still fix this.���������But you gotta surrender now.���C�u��"�M�����Snipers are in place, Vince.�� �����xHey, your son, he's smart.��wC�u��"�1�����He cares about you.�������Please just listen to him.�� �C�u��"�b�����Be the father that he thinks you are.�� b����� b♪ ♪��_C�u��#b�����No!��ݠ�����[gunfire]�� AC�u��#������[breathing shakily]�� ������ �♪ ♪��=C�u��#D������[sobbing]���C�u@��#�e�����I screwed up.���������[somber music]�������� I never should have brought that bag to your office.�� +C�u��#�J�����I thought it was the right thing to do, but--��Ҡ�����It was.��yC�u��#�������That fentanyl would've destroyed a lot of lives.�� �C�u��#�A�����This wasn't your fault, Trevor.�� C�u��$2�����I never even got a chance to say I love him.�� Š���� �♪ ♪��'C�u��$P렘���- Hey. - Hey.�� �C�u��$dܠ����I heard you had a pretty rough day.�� ������ �Yeah.��Ơ����KIt, uh...�� C�u��$����It wasn't the outcome we'd hoped for.���������But...�� 研����I'm sorry.���C�u��$�l�����I can't sign that, Nina.�� K����� KI'm sorry.�� �C�u��$�]�����But I'm this baby's father.���������That little boy or little girl is gonna need me.��wC�u��$�`�á��They're gonna need to know that their father loved them.��m�����m[soft pensive music]���C�u��$�������- I'm not saying that-- - I get what you're asking.�� �C�u��%������I can't do it.���������I cannot waive my right.�� b�����- Okay, but then I-- - I'll work with you.�� mC�u��%.<�����I will give you the flexibility that you need.���C�u��%EԠ����But I need to be there.���C�u��%a3�����It's non-negotiable for me.�� Š���� �♪ ♪���C�u��%�Ҡ����[exhales shakily]���C�u��%�������Okay.��Ƞ����6We can see how it goes.�� aC�u��%�������Thank you.��7�����7Yeah.��o����� �♪ ♪��=C�u��%�g�����It's a boy.���������What?�������� 5- We're having a boy. - Oh, my God.�� mC�u��&Ơ����That's amazing.��b�����bMm-hmm.��YC�u��&%᠔���So maybe--���C�u��&B�¡��Maybe we should go to dinner and talk about baby names.��ܠ�����[chuckles] - Yeah.���C�u��&\������- Yeah? - I'd like that.���������Okay.��c�����a♪ ♪��'C�u��&�G�����[dramatic music]�� 󠘡�� �♪ ♪��_C�u��'�����[wolf howls]���60152

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