Original subtitles

(Dramatic music and glass breaking)

No you'll not take her.

Emily is not here, okay.

He has her.

(Glass breaking)

[Officer] Legally, you can't be here.

You can't change the way things are

what's winsford?

[Jen] He never told you about the second home.

[Tasha] I swear to god, if this is a trick.

(Tasha screaming)

(Dramatic music)

You forced me when you said that you'd take Emily.

(Screaming and grunting)

(Dramatic music)

[Announcer] Dr. Morgan, please come to the front desk.

Dr. Morgan to the front desk please.

(People speaking indistinctly)

[Jack] Three miscarriages, three failed attempts at ivf,

countless clinics and all the medication.

And I did that.

And no, no, no, I know what you're gonna say,

it's not my fault,

so we thought about adoption.

It wouldn't be your child.

Exactly.

A lot of men feel that way.

I mean, women too.

Well, Jen would be fine with adoption.

We did try a surrogate.

- Right. - In america.

A hundred grand...

They disappeared.

(Laughing)

I know we need to stop, but...

You can't let this go?

I don't know what to do,

Jack, can I offer you a solution?

Yes, please.

So, from what you've told me,

Jen is at the end of her fertility journey,

you can't have a family with her.

But you do have choices.

You can choose to let this go,

this idea of what a family should be.

It sounds as if you have a wife who loves you very much.

She could be your family.

Or...

(Dramatic music)

Do you want to start over...

With someone else?

(Dramatic music)

Because if you need to do that, then I want you to.

Okay?

It costs me saying that.

But we've been to hell and back enough times now

to know that the truth has to be faced eventually.

It's your life too, Jack, you deserve to be happy.

(Gentle music)

You can't stay with me just because you promised to.

I don't want that.

That's not love.

Love has to be selfish.

(Gentle music)

And if it's not, then...

It's something else entirely.

[Jack] All I ever wanted was just a family with you.

(Gentle music)

That's all.

(Car brakes screeching)

Oh shit.

(Dramatic music)

Are you okay?

Can you hear me?

Yeah.

(Dramatic music)

[Simon] It sounds as if you have a wife

she could be your family.

(Dramatic music)

Or...

Or I start again, with someone else.

(Dramatic music)

(Dramatic music)

(Dramatic music)

(Traffic outside whirs)

(Tap runs)

(Dramatic music)

[Jen flashback] Jack.

Jack.

(Dramatic music)

Jack. Jack.

What the hell are you doing?

- You can't go in there. - Is she's bleeding?

- Does she need an ambulance? - She'll hurt you.

She hates you, Jen.

She doesn't.

[Jack] Do you really think I'd do something like that

unless I absolutely had to.

Do you, Jen?

(Dramatic music)

Why did you bring her here?

(Panicked breathing)

She wanted to see her daughter.

- See her, to just see her? - Yeah.

Is that what she told you?

No, okay, she was gonna take her Jack,

- but she promised, she promised me.

It's what she does, she lies all the time.

If she takes Emily now,

I'll never see my daughter again, do you understand?

Now I need you to take Emily somewhere safe, all right,

somewhere she can't get to her.

Jack.

(Dramatic music)

What are you gonna do?

Make her an offer.

Money?

She's not gonna take money.

She already has, Jen.

I paid off her debt, I moved her into the house,

I married her.

And now she's weaponizing Emily and...

So what, you've been giving her money?

And now what, you're just gonna pay her off?

And what if she won't go?

(Dramatic music)

(Emily crying)

She'll go.

(Emily crying)

(Door knocking)

(Rapid door knocking)

(Door knocking)

(Door knocking)

(Door knocking)

What the hell happened, Jack?

(Jack panting)

Where is she?

Jack, where's Tasha?

I don't know, I don't know where she is.

She hit me and she ran, all right.

What did you do?

(Dramatic music)

What did I do?

What exactly do you think I did, huh?

She hit me and she ran

and pushed me in a six foot concrete hole, Jen.

And you're asking if she's okay.

Jesus f...

(Dramatic music)

I don't think you understand what happened.

She did this and she left me for dead, all right.

(Dramatic music)

Well then, you have to call the police.

You have to call them.

No, no.

(Dramatic music)

Fine, then I will.

No, Jen she'll twist this.

She'll twist it and then it'll be her word

and even... even you don't believe me.

(Dramatic music)

So we have to leave first thing in the morning, all right.

I'm sorry, but I have got myself involved

yeah. This is your wife you're talking about.

I'm well aware of that and that's why we have to go.

What are you talking about?

You and me, go where?

(Dramatic music)

It's always been about you and me.

(Dramatic music)

I don't understand.

(Dramatic music)

I wanted this.

This is what I want.

(Dramatic music)

I want you.

(Dramatic music)

Tell me you want me too.

I want you.

(Heavy breathing)

(Jen moaning)

(Dramatic music)

(Both moaning)

(Dramatic music)

New contract's in Toronto,

what if Tasha goes to the police?

She left me for dead, Jen, she's not going to the police.

So if we go to Toronto,

custody stays with me,

okay, you get us on a flight tomorrow night.

Right?

And then once we're there, the new company

the accommodation,

our feet?

Yeah.

I mean, you've had time to think about this, but...

I just can't help but think that this is.

Reactive.

Yes.

It is.

Look, I don't want to stay here and fight this out.

I don't want to put Emily through that.

Tasha's made it perfectly clear

that she will stop at nothing until she gets what she wants.

(Gentle music)

I need you with me.

I do, I need you.

(Gentle music)

You kept my name.

So tomorrow night,

to their new life.

We pretend she's mine.

- And Tasha?

And throws herself from one thing

(gentle music)

So you never even loved her?

- Your marriage, it was all just...

I mean, how could you have been so sure

that I would still be here at the end of all of...?

Why do you think I kept you so close?

(Gentle music)

I love you so much.

Right.

(Gentle music)

I'll be back tonight.

I need to get everything sorted.

(Gentle music)

Oh... hi.

(Gentle music)

(Birds chirping)

(Dramatic music)

(Dramatic music)

(Car engine revving)

(Dramatic music)

(Car engine revving)

(Dramatic music)

Tasha, what the fuck, are you all right?

- I'm fine.

God no, it's just a cut. I'm fine, I'm not in pain.

Okay well, we need to at least go back to mine.

I need to go back to winsford.

- I left. - No, no.

Listen, we're not going back to winsford.

This is fucked up, look what he's done to your neck.

It doesn't matter. If he's alive, I'm never

he'll find a way, and if he's dead...

(Dramatic music)

Just... just get in the car.

(Dramatic music)

(Birds chirping)

(Birds chirping)

(Dramatic music)

[Tasha] We need to find Emily.

(Dramatic music)

(Door clicks)

[Sam] So he's not at home or at Jen's.

Have you had any luck finding anything?

[Tasha] I've called all the hospitals.

- Yeah, and...? - Nothing.

So now what?

If he hasn't reported me, he's up to something else.

We have to find her soon, or...

Or what?

What can we do?

(Dramatic music)

[Tasha] Jen...

You told me we can't change the way things are

through sheer willpower...

But it's not true.

I don't know where Emily and Jack are,

but you do

you have that choice.

(Dramatic music)

(Dramatic music)

He was manipulating everything.

I hope you can see that.

So please do the right thing and bring her back to me.

I need my baby.

And I promise you, when you do, I'll be gone.

I'll be packed and ready to disappear

(dramatic music)

(Dramatic music)

(Mobile pings)

(Dramatic music)

(Dramatic music)

Oh my god.

(Dramatic music)

[Tasha] So please do the right thing

I need my baby.

And I promise you, when you do

I'll be packed and ready to disappear

(dramatic music)

(Car engines revving)

So when were you gonna tell me?

- Never? - Oh.

You're a piece of shit, I trusted you.

- Out of everyone, you do this. - It wasn't like that.

You showed up after two years because you had this idea.

- You pretended to help me. - No, no, I came back for you.

Bullshit, you came back for her.

You snuck into my house, you followed my husband.

You spent time with my daughter and then you stood back

and watched the whole thing fall apart.

What do you want from me?

You wanted to be a dad?

Is that all I am to all of you, a fucking uterus?

What? No.

No, I just, I needed to know.

I told you, Sam.

I told you she was Jack's.

The dates don't line up.

You thought I'd lied?

(Car engines revving)

You know what?

I've had enough of this shit.

- No, no, no, look, look, look, look, look, look...

Look, I made a mistake all right.

I'm here for you.

Look, you know how I feel about you

and you never say anything about it

because if you acknowledged it, you'd have to do something.

- [Colleague] Sam, you have a pick up.

All right, look, I've got...

I'm on a night shift.

I'm gonna be back at 7:00 A.M. in the morning

and we're gonna sort this out, all right.

I promise.

I fucked up.

(Dramatic music)

(Dramatic music)

[Jack] Why do you think I kept you so close?

(Dramatic music)

It's always been about you and me.

(Dramatic music)

- [Jack] Hey you. - Hi, just returning your call.

Look, I know it's late.

I'm pretty concerned about this christening situation.

Why don't you come over tomorrow?

Bring wine.

[Jack] Oh, I haven't had this in ages.

So fancy, thank you. Thank you so much.

This is what I want.

I want you.

[Tasha] Hi, it's me.

Sorry, I know you're at work.

I just need to get those old tax boxes down from the loft.

[Jack] Oh, well Tasha should be in, is she not?

She's not answering.

Well you've got your old keys,

don't worry about it.

Are you sure?

Agh! What the hell are doing in my kitchen?

- I think I'm gonna leave. - Yeah, I think you should.

Tell me you want me too.

(Dramatic music)

I want you.

[Jack] You could pick her up and have her..

An hour, no more than two, I promise, no more.

I've just got a couple of things

Jack, I don't think I should be the one to...

Two hours, I promise.

They've got your picture in their desk thing.

I love you.

[Tasha] What does she look like,

(dramatic music)

(Dramatic music)

(Cellphone beeping)

(Dramatic music)

(Door clicks)

(Dramatic music)

(Key quietly rattles)

(Dramatic music)

(Door slams)

(Car horns honking)

(Dramatic music)

(Birds chirping)

(Car engine revs)

(Car engines revving)

(Cellphone ringing)

(Cars whir overhead)

(Cellphone ringing)

Oh fuck.

(Dramatic music)

Fuck.

(Door bell ringing)

Hey, sorry, I know this is crazy

and I just need to,

- oh okay. - Yeah?

Yeah, yeah.

(Airplane engine roaring)

(Dramatic music)

(Dramatic music)

(Car engine starts)

(Cellphone ringing)

Agh! How do you turn your fucking Bluetooth off?

[Sam] I know where you're going.

Don't do it Tash, don't meet them.

You don't know anything.

[Sam] I'm 15 minutes away.

Heathrow terminal 2, right?

Yeah, look I'm on my way.

I need you to wait for me.

No, you don't get to do this, Sam.

- No, no, no.

This isn't about, I don't want you to forgive me or...

For what I did.

You cannot go back to him again.

It's not safe.

(Dramatic music)

I gotta go. I gotta go. I think I see them.

- No.

(Car engines revving)

(Dramatic music)

(Car horns honking)

(Tyres screeching)

(Car engines revving)

(Dramatic music)

(Car horns honking)

(Dramatic music)

(Car horns honking)

(Dramatic music)

(Car engines revving)

Jack.

(Tyres screech)

(Car engine revving)

(Dramatic music)

Jack, Jack, Jack.

- Jack. - Oh shit.

(Tyres screeching)

(Truck horn honking)

(Car brakes screeching)

(People speaking indistinctly)

(Flames roar)

(People panicking indistinctly)

(People speaking indistinctly)

Grab his leg.

(People speaking indistinctly)

(Truck exploding)

(People scream)

(Dramatic music)

(Police sirens blare)

[Reporter] Emergency responders

at the scene of a crash on the a4,

two miles east of Heathrow airport.

Eyewitness reports suggest a lorry

carrying flammable liquids burst into flames

when an SUV traveling west,

drove across the central

colliding with the vehicle.

At least one man has lost his life.

And five other people are

with at least two people still unaccounted for.

- [Policewoman] They're setting her now.

I'm looking for my... child, baby.

Brown hair, brown eyes, Emily.

Okay, whereabout did you lose her?

- She was in the car, in the car with me.

Yes, she was in the car.

Did somebody pull her out?

I can't even see the car anymore,

- okay, well, which car? - The SUV, it's black.

Okay. This is Sierra 47.

Anyone got guys in an SUV, color black, on site?

Okay madam, let's find you somewhere to sit down.

- No, no, no, no, no.

(Dramatic music)

(Police sirens blaring)

(Dramatic music)

(Police sirens blaring)

(Dramatic music)

(Gasping)

(Dramatic music)

(Screaming)

[Detective] Mrs. Warrington.

No!

[Detective] Mrs. Warrington.

We know you're in shock...

And I understand this is incredibly painful.

But as you know, we are looking into

how this could have happened

we also need to know how the incident began.

(Dramatic music)

Your husband and

when they were pulled from the vehicle,

no one knew to look for a car seat.

(Dramatic music)

The chemical fire burnt at a thousand degrees.

As with the poor lorry driver who died,

there was very little anyone could have done.

(Dramatic music)

Due to the severity of the fire,

however, enough evidence of Emily's DNA

was found on the car seat and within the vehicle

to confirm that

(dramatic music)

[Officer] So we have Natasha warrington

dangerous driving.

Paramedics found contusions on her neck,

they say wasn't caused by the incident.

Your ex-husband, Jack warrington

as you previously suggested.

You see, we have a written statement

from one of the motorists

but our records show

Natasha warrington wasn't responsible

(dramatic music)

[Doctor] We've been gradually lifting

in order to give the swelling a chance to dissipate.

But at this stage, we'd hoped for that

we really are at the mercy

he could regain consciousness within the next few days,

which we have every hope of happening.

But if not, then we'll have to start

(heart machine beeping)

(Gentle music)

(Heart machine beeping)

(Gentle music)

(Heart machine beeping)

(Gentle music)

(Heart machine beeping)

[Priest] All mighty god, the father, the son

come down on you

- [all] Amen.

(People speaking indistinctly)

(Church bells ringing)

(Birds chirping)

[Hayley] You're here.

Of course you are, of course she'd bring you.

He might not wake up.

Do you know that?

You might have got to her somehow

- but we all know you did it. - Hayley, come on.

You did this. You killed her

but that's what you wanted all along, isn't it?

You fucking bitch.

Okay, Hayley, that's enough all right.

(Dramatic music)

(Birds chirping)

(Gentle music)

[Jen] Tasha.

(Gentle music)

[Sam] Come on,

I just wanna talk to her.

[Jen] I just need to speak to her.

If I hadn't have texted her,

if I hadn't have gotten involved...

(Gentle music)

(Police sirens blaring)

(Gentle music)

She won't accept my calls,

you gotta give her some time.

Okay.

(Gentle music)

(Birds chirping)

(Gentle music)

(Gentle music)

(Gentle music)

(Birds chirping)

(Gentle music)

(Gentle music)

(Gentle music)

(Gentle music)

(Car engines revving)

(Gentle music)

(Gentle music)

(Gentle music)

(Emily crying)

(Dramatic music)

(Dramatic music)

(Dramatic music)

(Emily crying)

(Dramatic music)

(Dramatic music)

(Truck exploding)

(Screams)

(Cellphone rings)

(Gasping)

Sam, something's happened, I need you to listen to me.

(Airplane engine roaring)

Tasha, what are you doing?

- Come on. - This never happened.

I'm trusting you.

(Police sirens blaring)

(Emily crying)

[Tasha] Don't go too far.

(Gentle music)

Thank you for trusting me.

Seeing past what you thought I was.

(Gentle music)

Look, I'm sorry that you got dragged into all of this...

Our mess.

Something good came out of it though.

You have Emily.

It did.

(Gentle music)

(Gentle music)

It's not your fault, Jen.

You know that, right?

You weren't responsible for him.

And everything I've done,

the lies I've told,

it's not okay.

But I had to be sure.

He would've found a way to blame me.

I just...

I wish I'd seen the truth sooner.

(Gentle music)

(Tasha sighs)

(Gentle music)

We're sold a lie from birth,

the idea that there are good people and bad people,

but there aren't.

We all think we're good people.

We all... have the best of intentions.

You know, I have no doubt that in his mind,

he did it for love.

He did it for us, for me.

Some misplaced sense of...

What that might look like.

Love can justify almost anything

it makes us all do terrible things.

(Gentle music)

(Gentle music)

(Gentle music)

[Sam] Oh there she is.

(Gentle music)

(Gentle music)

(Heart machine beeping)

(Dramatic music)

(Heart machine beeping)

(Dramatic music)

(Dramatic music)

(Dramatic music)