Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,000 --> 00:00:02,079
Why are you a cop, Davis?
2
00:00:02,080 --> 00:00:04,079
(THWACK!)
- Come on!
3
00:00:04,080 --> 00:00:06,319
- I've had enough of him.
- Just leave it, Piri.
4
00:00:06,320 --> 00:00:08,319
Play by the rules.
5
00:00:08,320 --> 00:00:08,978
It belongs to you.
6
00:00:08,990 --> 00:00:10,799
I'm done with the bridge,
the visions, the ghosts.
7
00:00:10,800 --> 00:00:12,839
Yeah, well, maybe the
bridge isn't done with you.
8
00:00:12,840 --> 00:00:14,839
(THUD!)
9
00:00:14,840 --> 00:00:16,840
Ow.
10
00:00:18,280 --> 00:00:21,959
(HELICOPTER WHIRRS)
- Caleb gets to keep his plaything.
- Grow up.
11
00:00:21,960 --> 00:00:25,839
He's a bit of a tricky customer ― do
you mind just keeping me in the loop?
12
00:00:25,840 --> 00:00:27,840
(GLASSES CLINK)
13
00:00:28,280 --> 00:00:30,280
(SIGHS)
14
00:00:34,160 --> 00:00:37,199
No tooth, no ghost ―
he didn't die here.
15
00:00:37,200 --> 00:00:40,359
The water in his lungs and
stomach isn't river water;
16
00:00:40,360 --> 00:00:43,319
it's salt. Someone went to a lot of
trouble to make that look like an accident.
17
00:00:43,320 --> 00:00:45,919
- Pretty sure Stephen knows who it is.
- No cutting corners.
18
00:00:45,920 --> 00:00:48,999
No back scratching. No deals.
- It's all currency in this town.
19
00:00:49,000 --> 00:00:51,880
Get an ID on our
victim in 24 hours.
20
00:00:57,000 --> 00:00:58,999
(TENSE MUSIC)
21
00:01:13,720 --> 00:01:15,920
(LOUD, BASSY MUSIC PLAYS)
22
00:01:21,720 --> 00:01:23,720
(LAUGHTER ECHOES)
23
00:01:29,720 --> 00:01:32,000
(MUSIC CONTINUES PLAYING)
24
00:01:37,720 --> 00:01:40,520
(BASSY MUSIC CONTINUES PLAYING)
25
00:01:45,280 --> 00:01:47,279
Little something
for the birthday boy.
26
00:01:47,280 --> 00:01:49,280
Oh. Thanks, Daz.
27
00:01:51,560 --> 00:01:54,840
I thought Piripi
would have been here.
28
00:01:56,000 --> 00:01:58,279
Better have his, then.
- Oh, I can't. (CHUCKLES)
29
00:01:58,280 --> 00:02:02,159
- (CHUCKLES) Come on.
- Oh, OK. I got it. OK. Fuck it.
30
00:02:02,160 --> 00:02:04,160
That's the one.
31
00:02:05,680 --> 00:02:09,639
I don't know why you don't
just stay in bed. (CHUCKLES)
32
00:02:09,640 --> 00:02:11,640
(UNSETTLING MUSIC)
33
00:02:15,360 --> 00:02:17,359
Thanks. I had fun.
34
00:02:17,360 --> 00:02:20,440
- Yeah. Me too.
- You right to get home?
35
00:02:20,960 --> 00:02:22,960
Mm-hm.
36
00:02:25,000 --> 00:02:27,000
(DOOR CLICKS)
37
00:02:33,000 --> 00:02:35,000
(UNSETTLING MUSIC)
38
00:02:41,000 --> 00:02:43,000
(MUSIC CONTINUES)
39
00:02:49,000 --> 00:02:51,000
(MUSIC CONTINUES)
40
00:02:57,000 --> 00:02:59,000
(MUSIC CONTINUES)
41
00:03:03,120 --> 00:03:05,120
(LAMP CLICKS)
42
00:03:10,520 --> 00:03:12,520
(SIGHS)
43
00:03:16,680 --> 00:03:18,680
(THUD!)
44
00:03:23,400 --> 00:03:25,400
(SIGHS)
45
00:03:31,400 --> 00:03:33,400
(CONTEMPLATIVE MUSIC)
46
00:03:36,320 --> 00:03:38,320
(DOOR OPENS)
47
00:03:41,880 --> 00:03:44,760
I didn't take you for an early bird.
48
00:03:45,400 --> 00:03:47,399
I was thinking about
what you said, overnight,
49
00:03:47,400 --> 00:03:50,559
about our dead guy was
working with his hands.
50
00:03:50,560 --> 00:03:54,520
I made a list of the construction places
and all associated businesses in town.
51
00:03:54,640 --> 00:03:58,599
Queenstown's shipping in tradies
from all over ― meet demand.
52
00:03:58,600 --> 00:04:01,960
Might explain why nobody knows him.
- Great minds.
53
00:04:06,040 --> 00:04:08,120
We'll start with the A's.
54
00:04:10,080 --> 00:04:12,319
I'm not sure that's
how Google works.
55
00:04:12,320 --> 00:04:15,103
Good morning. This is DS
Ariki Davis from Queenstown CIB.
56
00:04:15,115 --> 00:04:16,279
Hi, Bruce. It's Tilly.
57
00:04:16,280 --> 00:04:18,519
- How's it going?
- Yes, Pig Tilly. Yeah. How's Stace?
58
00:04:18,520 --> 00:04:20,315
I was just giving you
a call to see if you
59
00:04:20,339 --> 00:04:22,399
have a colleague who
hasn't shown up for work,
60
00:04:22,400 --> 00:04:25,759
- male in his 30s, Maori?
- Have you had got any brown-boy no-shows?
61
00:04:25,760 --> 00:04:27,760
(LIFT BELL DINGS)
62
00:04:33,760 --> 00:04:36,240
(INDISTINCT CONVERSATIONS)
63
00:04:41,480 --> 00:04:43,480
(PAPER RUSTLES)
64
00:04:49,480 --> 00:04:51,480
(PAPER RUSTLES)
65
00:04:57,480 --> 00:04:59,480
(POIGNANT MUSIC)
66
00:05:01,800 --> 00:05:03,800
- Hey.
- Hey.
67
00:05:05,360 --> 00:05:07,360
It's for you.
68
00:05:08,520 --> 00:05:11,520
- Where did it come from?
- From work.
69
00:05:12,320 --> 00:05:15,000
I thought it might be important.
70
00:05:20,320 --> 00:05:22,320
(TENSE MUSIC)
71
00:05:23,840 --> 00:05:25,840
You're, um...
72
00:05:27,400 --> 00:05:30,000
You're temping at the council?
73
00:05:30,160 --> 00:05:33,840
Yeah. Just till they
replace the last girl.
74
00:05:37,000 --> 00:05:39,000
Thanks, Ava.
75
00:05:40,520 --> 00:05:42,520
(SHREDDER CLUNKS)
76
00:05:48,520 --> 00:05:50,520
(SHREDDER WHIRRS)
77
00:05:56,040 --> 00:05:58,040
(BIRD SQUAWKS)
78
00:05:59,280 --> 00:06:01,280
(BIRD SQUAWKS)
79
00:06:04,480 --> 00:06:08,479
Hey. The saltwater in
the victim's lungs, stomach.
80
00:06:08,480 --> 00:06:12,199
The body could've been driven
in from one of the coasts ―
81
00:06:12,200 --> 00:06:14,232
lots of traffic in and
out of Milford Sound.
82
00:06:14,244 --> 00:06:15,679
It's almost a four-hour drive.
83
00:06:15,680 --> 00:06:17,760
Coastal Otago's closer.
84
00:06:22,000 --> 00:06:23,999
Not by chopper.
85
00:06:24,000 --> 00:06:26,000
(TENSE MUSIC)
86
00:06:32,000 --> 00:06:34,000
(MUSIC CONTINUES)
87
00:06:40,000 --> 00:06:42,000
(MUSIC FADES)
88
00:06:46,000 --> 00:06:47,999
Visa issues?
89
00:06:48,000 --> 00:06:50,319
Do I look like a
guy who has issues?
90
00:06:50,320 --> 00:06:52,479
Well, the minister
wasn't dressed for golf.
91
00:06:52,480 --> 00:06:55,919
Yeah. There's more than one
way to do business, Darren.
92
00:06:55,920 --> 00:07:00,719
Must be a hard lesson, realising
money can't buy you everything.
93
00:07:00,720 --> 00:07:03,439
You obviously are a man
who doesn't have enough money.
94
00:07:03,440 --> 00:07:05,440
(SCOFFS, CHUCKLES))
95
00:07:07,000 --> 00:07:09,000
(CART ENGINE REVS)
96
00:07:09,400 --> 00:07:11,400
(CART ENGINE REVS)
97
00:07:11,880 --> 00:07:13,880
Ariki.
98
00:07:15,920 --> 00:07:17,919
Are you OK?
99
00:07:17,920 --> 00:07:19,920
Yeah.
100
00:07:22,840 --> 00:07:24,840
- Sure?
- Yeah.
101
00:07:30,840 --> 00:07:34,799
Darren Gibbston ― the guy that's
helping Renee with her fundraiser.
102
00:07:34,800 --> 00:07:38,679
- Yeah. Father Christmas?
- He owns that place.
103
00:07:38,680 --> 00:07:42,399
He's the King of Construction.
- And a bar owner?
104
00:07:42,400 --> 00:07:45,679
- He holds court here.
Everyone comes.
105
00:07:45,680 --> 00:07:48,919
Chances are our victim's
been through those doors.
106
00:07:48,920 --> 00:07:50,919
It's a good thought.
107
00:07:50,920 --> 00:07:52,920
(KNOCKS AT DOOR)
108
00:07:57,720 --> 00:07:59,800
Shall we try out the back?
109
00:08:02,480 --> 00:08:05,999
- You ever come here?
- Not really my scene any more.
110
00:08:06,000 --> 00:08:08,000
(DING-DONG!)
111
00:08:09,360 --> 00:08:11,360
(SIGHS)
112
00:08:13,400 --> 00:08:15,880
(INDISTINCT CONVERSATIONS)
113
00:08:21,120 --> 00:08:23,120
Tilly.
114
00:08:23,360 --> 00:08:25,840
Was this company on your list?
115
00:08:27,040 --> 00:08:29,040
No.
116
00:08:32,720 --> 00:08:34,720
(KNOCKS AT WINDOW)
117
00:08:37,720 --> 00:08:39,720
(LEATHER CLICKS)
118
00:08:43,520 --> 00:08:47,199
- BOTH: Morning.
- I'm Detective Sergeant Ariki Davis.
119
00:08:47,200 --> 00:08:50,080
This is Constable Tilly Gardiner.
120
00:08:50,720 --> 00:08:52,719
Names?
121
00:08:52,720 --> 00:08:55,400
- Trent Jarvis.
- Lola Marshall.
122
00:08:57,280 --> 00:08:59,560
You work in construction?
123
00:09:01,360 --> 00:09:03,879
We're trying to ID a man
in his mid-to late-20s,
124
00:09:03,880 --> 00:09:07,080
works in a trade, Maori,
medium build ―
125
00:09:07,400 --> 00:09:10,160
182cm.
126
00:09:10,920 --> 00:09:12,920
Could be Piripi.
127
00:09:13,360 --> 00:09:15,360
Show him a pic.
- Oh yeah.
128
00:09:19,360 --> 00:09:21,360
Here. Piripi Williams.
129
00:09:22,800 --> 00:09:25,200
Is he in trouble? We haven't
seen him for a couple of days.
130
00:09:29,520 --> 00:09:31,520
He's deceased.
131
00:09:35,000 --> 00:09:38,600
We're gonna need you to
come and ID the body.
132
00:09:41,840 --> 00:09:43,840
We're very sorry.
133
00:09:47,280 --> 00:09:49,280
(SOBS) He was fine.
134
00:09:52,880 --> 00:09:54,880
(POIGNANT MUSIC)
135
00:10:01,280 --> 00:10:03,280
(MUSIC CONTINUES)
136
00:10:09,280 --> 00:10:11,280
(MUSIC CONTINUES)
137
00:10:13,040 --> 00:10:15,040
(SOBS)
138
00:10:19,560 --> 00:10:21,560
(SOBS)
139
00:10:23,920 --> 00:10:25,920
(SOBS)
140
00:10:27,040 --> 00:10:29,040
Thank you.
141
00:10:30,440 --> 00:10:32,440
Sorry. I, um...
142
00:10:32,920 --> 00:10:34,920
Sorry. (SNIFFLES)
143
00:10:35,680 --> 00:10:37,680
Don't be sorry.
144
00:10:41,040 --> 00:10:43,440
OK if ask you a few questions?
145
00:10:43,920 --> 00:10:45,920
Yeah. Yeah.
146
00:10:47,280 --> 00:10:50,960
- Was Piripi local?
I haven't seen him round.
147
00:10:51,520 --> 00:10:53,639
- Um... (CLEARS THROAT)
just here for work.
148
00:10:53,640 --> 00:10:57,439
He lives on the Gold Coast.
His kids are there.
149
00:10:57,440 --> 00:10:59,440
And his ex.
150
00:11:02,000 --> 00:11:05,000
So, you were colleagues, friends?
151
00:11:07,600 --> 00:11:09,680
Friends with benefits.
152
00:11:14,040 --> 00:11:17,919
Can you talk me through
the night Piripi died ―
153
00:11:17,920 --> 00:11:19,919
his movements?
154
00:11:19,920 --> 00:11:21,920
(SOBS)
155
00:11:24,320 --> 00:11:26,320
(SOBS)
- Lola?
156
00:11:27,000 --> 00:11:29,480
(SNIFFLES) It's all my fault.
157
00:11:31,440 --> 00:11:34,320
- What was your fault?
- (SNIFFLES)
158
00:11:36,360 --> 00:11:38,360
I just left him there.
159
00:11:40,440 --> 00:11:43,040
We left him there ― me and Trent.
160
00:11:44,440 --> 00:11:46,440
At One Lane Bridge.
161
00:11:49,160 --> 00:11:51,160
(SOBS, SNIFFLES)
162
00:11:52,040 --> 00:11:55,159
We went to clear
our heads after work ―
163
00:11:55,160 --> 00:11:57,440
lit a fire, had a few drinks.
164
00:11:58,480 --> 00:12:00,480
We found...
165
00:12:01,720 --> 00:12:05,600
27 empty beer cans.
Was it just the three of you?
166
00:12:09,280 --> 00:12:11,880
Well... we didn't stay long.
167
00:12:12,080 --> 00:12:15,760
You know, Lola wanted
to go into town, party;
168
00:12:16,360 --> 00:12:19,479
Piripi wanted to stay
and get shitfaced.
169
00:12:19,480 --> 00:12:22,760
He didn't really
like Vinyl, the crowd.
170
00:12:26,000 --> 00:12:28,399
Jesus, I mean,
he must've been smashed.
171
00:12:28,400 --> 00:12:32,280
I mean, how did he think
he was gonna drive home?
172
00:12:32,640 --> 00:12:34,640
Piripi drove there?
173
00:12:35,280 --> 00:12:40,680
You don't think we'd leave him
out there, with no way to get back.
174
00:12:42,240 --> 00:12:44,719
What's your relationship
with the deceased?
175
00:12:44,720 --> 00:12:47,119
Colleagues, business partners ―
176
00:12:47,120 --> 00:12:49,120
we co-own the company.
177
00:12:52,080 --> 00:12:54,160
We... weren't a good fit.
178
00:12:55,800 --> 00:12:58,199
So why get into a partnership?
179
00:12:58,200 --> 00:13:00,200
He's good with people.
180
00:13:01,200 --> 00:13:04,800
Was good with people;
standing his ground.
181
00:13:08,080 --> 00:13:10,319
Whatever you need, just let us know.
182
00:13:10,320 --> 00:13:13,839
Does his whanau know? I can get you
contact details if you need them.
183
00:13:13,840 --> 00:13:17,639
Yeah, they'll be notified
now that we have an ID.
184
00:13:17,640 --> 00:13:20,640
Oh. Sorry ― we've
gotta get to work.
185
00:13:21,640 --> 00:13:24,560
- Hey, where is that?
- New build at Hanley's Farm.
186
00:13:27,400 --> 00:13:29,400
(SIGHS)
187
00:13:35,000 --> 00:13:37,000
(SOBS)
188
00:13:37,160 --> 00:13:39,160
(SOBS)
189
00:13:41,640 --> 00:13:43,640
(SOBS)
190
00:13:50,520 --> 00:13:54,479
Hi. This is Detective Sergeant
Ariki Davis from Queenstown CIB.
191
00:13:54,480 --> 00:13:56,560
Am I speaking with Maria?
192
00:13:57,720 --> 00:13:59,720
Hi, Maria.
193
00:14:00,240 --> 00:14:02,240
(POIGNANT MUSIC)
194
00:14:08,240 --> 00:14:10,240
(MUSIC CONTINUES)
195
00:14:13,360 --> 00:14:16,519
Piripi Williams.
He's got a clean record,
196
00:14:16,520 --> 00:14:17,752
both here and in Oz.
197
00:14:17,764 --> 00:14:20,479
You get anything useful
from his colleagues?
198
00:14:20,480 --> 00:14:22,839
They were drinking with
him at One Lane Bridge.
199
00:14:22,840 --> 00:14:25,759
They left him out there,
which explains the tyre marks.
200
00:14:25,760 --> 00:14:28,519
I've put a description out
of the victim's vehicle.
201
00:14:28,520 --> 00:14:30,519
Do they have a motive?
202
00:14:30,520 --> 00:14:33,519
Trent Jarvis is a frustrated
business partner.
203
00:14:33,520 --> 00:14:37,279
I'm taking a look at
their financial records.
204
00:14:37,280 --> 00:14:39,359
Lola could have done it ―
205
00:14:39,360 --> 00:14:42,439
she was in love with him,
but he wasn't that into her.
206
00:14:42,440 --> 00:14:45,719
You interviewed a
potential suspect?
207
00:14:45,720 --> 00:14:47,720
- Um...
- Yeah.
208
00:14:50,080 --> 00:14:54,039
Lola was emotional, and I thought
Tilly might get more out of her than me.
209
00:14:54,040 --> 00:14:56,039
She did a good job.
210
00:14:56,040 --> 00:14:59,439
Um, yeah, I just let her talk,
211
00:14:59,440 --> 00:15:01,839
listened, gave her a tissue.
212
00:15:01,840 --> 00:15:04,039
They'd been having sex for
the past couple of months,
213
00:15:04,040 --> 00:15:07,079
despite the fact he's on again,
off again with his ex over in Oz,
214
00:15:07,080 --> 00:15:09,879
so she does has potential motive.
215
00:15:09,880 --> 00:15:11,879
Yeah.
216
00:15:11,880 --> 00:15:15,839
And if Piripi did drown in the river, then
these two would be number-one suspects.
217
00:15:15,840 --> 00:15:18,239
But with the saltwater in his lungs,
218
00:15:18,240 --> 00:15:20,799
it just doesn't make any sense.
219
00:15:20,800 --> 00:15:24,679
And why would you admit to being at
the scene if you dumped the body?
220
00:15:24,680 --> 00:15:27,080
Keep up the good work, korua.
221
00:15:32,760 --> 00:15:36,039
Have you got the
images of their footwear?
222
00:15:36,040 --> 00:15:38,040
Ah. Yes.
223
00:15:41,560 --> 00:15:44,599
Maybe they were wearing other boots.
224
00:15:44,600 --> 00:15:46,599
Have you got Gibbston's, though?
225
00:15:46,600 --> 00:15:49,880
We could make it
into a gala event. Ooh.
226
00:15:51,200 --> 00:15:53,200
Phone.
227
00:15:53,800 --> 00:15:55,800
Oh. (CHUCKLES)
228
00:15:55,840 --> 00:15:59,120
Good timing.
I'm with your lovely lady.
229
00:15:59,360 --> 00:16:03,240
Yeah, just getting for
the photo for the paper.
230
00:16:04,600 --> 00:16:08,159
Absolutely, absolutely,
I'll get someone to let you in.
231
00:16:08,160 --> 00:16:10,160
(CLICK!)
232
00:16:18,040 --> 00:16:20,040
(GRUNTS)
233
00:16:25,720 --> 00:16:27,719
You work here?
234
00:16:27,720 --> 00:16:30,520
You gotta pay the bills somehow.
235
00:16:35,360 --> 00:16:37,360
(TYPES)
236
00:16:37,800 --> 00:16:39,799
How long were they here?
237
00:16:39,800 --> 00:16:41,799
About 2, 2.30.
238
00:16:41,800 --> 00:16:45,159
Piripi Williams, he was a tradie.
239
00:16:45,160 --> 00:16:47,159
He part of the clientele?
240
00:16:47,160 --> 00:16:51,120
Most tradies make their
way through here at some stage.
241
00:16:51,840 --> 00:16:54,560
Probably best for all concerned that
I leave you to view it yourself.
242
00:16:59,040 --> 00:17:01,040
(TENSE MUSIC)
243
00:17:05,600 --> 00:17:07,680
Thanks for letting us in.
244
00:17:13,040 --> 00:17:15,959
I promise I won't be taking
any more advice from Stephen.
245
00:17:15,960 --> 00:17:18,759
You pick a side,
and you stick to it.
246
00:17:18,760 --> 00:17:22,040
- Those days are gone.
The man's a shell.
247
00:17:26,760 --> 00:17:28,760
(POIGNANT MUSIC)
248
00:17:35,320 --> 00:17:37,320
Thanks, mate.
249
00:17:41,560 --> 00:17:43,559
Whoa. How are you, mate?
250
00:17:43,560 --> 00:17:45,560
(MUSIC CONTINUES)
251
00:17:50,520 --> 00:17:52,520
(MUSIC CONTINUES)
252
00:17:54,560 --> 00:17:57,040
(INDISTINCT CONVERSATIONS)
253
00:17:57,520 --> 00:17:59,519
(CLICK!)
254
00:17:59,520 --> 00:18:01,520
(FOOTSTEPS APPROACH)
255
00:18:01,880 --> 00:18:04,759
Did you talk to the
local press about the case?
256
00:18:04,760 --> 00:18:07,239
- No.
- Well, there is an article online,
257
00:18:07,240 --> 00:18:09,440
naming our victim.
- What?
258
00:18:09,920 --> 00:18:12,799
- We haven't named him publicly.
How did the paper find out?
259
00:18:12,800 --> 00:18:16,400
(INDISTINCT CONVERSATIONS,
PHONE RINGS)
260
00:18:18,360 --> 00:18:20,360
(SIGHS)
261
00:18:23,400 --> 00:18:26,319
- I'll make some calls.
- This isn't helpful.
- Yeah, I'll sort it. I'll sort it.
262
00:18:26,320 --> 00:18:29,799
Get Comms to threaten them
with a Media Council complaint ―
263
00:18:29,800 --> 00:18:32,799
I do not want this going to print.
Bad enough it's up online.
264
00:18:32,800 --> 00:18:35,719
You might have more luck talking
to the editor ― over a drink.
265
00:18:35,720 --> 00:18:39,199
Let's stick with official
channels, hmm?
266
00:18:39,200 --> 00:18:41,280
It is official channels.
267
00:18:41,560 --> 00:18:44,040
Trent. It's DS Davis.
268
00:18:46,040 --> 00:18:48,039
(SIGHS) What?
269
00:18:48,040 --> 00:18:51,999
No. What? Why would I say that
about my own business partner?
270
00:18:52,000 --> 00:18:55,959
Yeah, it brings the whole company
down, makes us look shit.
271
00:18:55,960 --> 00:18:57,959
Yeah, well...
272
00:18:57,960 --> 00:18:59,959
Yeah, fine. Yeah.
273
00:18:59,960 --> 00:19:02,799
Now, get out of sight!
- (WHIMPERS)
274
00:19:02,800 --> 00:19:04,800
Fuck's sake.
275
00:19:07,200 --> 00:19:09,200
(SAW WHIRRS)
276
00:19:09,640 --> 00:19:12,999
Come on, man. I am sinking massive
numbers into your economy ―
277
00:19:13,000 --> 00:19:15,799
that's multiple zeros. And, wait,
278
00:19:15,800 --> 00:19:18,199
that goes away when you
don't come to the party.
279
00:19:18,200 --> 00:19:22,159
So what part of investment-based
citizenship do you not actually understand?
280
00:19:22,160 --> 00:19:24,160
Right? Good. OK.
281
00:19:25,800 --> 00:19:27,799
You wear a lot of hats.
282
00:19:27,800 --> 00:19:30,719
Half the team are
sick ― adapt or die.
283
00:19:30,720 --> 00:19:32,720
Or just, you know, have a plan B.
284
00:19:32,960 --> 00:19:34,959
Some days you need
the whole alphabet.
285
00:19:34,960 --> 00:19:37,759
(CHUCKLES) The whole alphabet.
286
00:19:37,760 --> 00:19:39,760
(CAR ENGINE REVS)
287
00:19:42,320 --> 00:19:44,320
(CELL PHONE BUZZES)
288
00:19:47,400 --> 00:19:49,400
(CLICK!)
289
00:19:49,640 --> 00:19:51,640
(KEYPAD CLICKS)
290
00:19:52,000 --> 00:19:54,679
Do you reckon he
was those things ―
291
00:19:54,680 --> 00:19:57,360
drinker, philanderer, cowboy?
292
00:19:58,760 --> 00:20:01,599
I just think it's a combo
of racial stereotyping
293
00:20:01,600 --> 00:20:04,880
and just straight-up
lazy journalism.
294
00:20:06,040 --> 00:20:08,040
(FOOTSTEPS CLICK)
295
00:20:12,280 --> 00:20:14,479
But there's nothing
to indicate that it's
296
00:20:14,480 --> 00:20:16,480
racial stereotyping.
297
00:20:20,440 --> 00:20:23,399
Read the byline ―
Maori tradie found dead.
298
00:20:23,400 --> 00:20:25,679
If he was European,
it would just say 'tradie'.
299
00:20:25,680 --> 00:20:28,319
It's completely shredded
his reputation, his name;
300
00:20:28,320 --> 00:20:30,920
makes our job that much harder.
301
00:20:32,280 --> 00:20:36,200
You know, there are lots of
good things about this town.
302
00:20:36,600 --> 00:20:38,600
(MOUSE CLICKS)
303
00:20:38,760 --> 00:20:42,680
- That's different.
She's local, and she's white.
304
00:20:46,160 --> 00:20:48,160
(FOOTSTEPS CLICK)
305
00:20:54,760 --> 00:20:56,760
Night.
306
00:20:59,400 --> 00:21:01,400
(MOUSE CLICKS)
307
00:21:03,880 --> 00:21:05,880
(GROANS)
308
00:21:11,880 --> 00:21:13,880
(UNSETTLING MUSIC)
309
00:21:19,880 --> 00:21:21,880
(MUSIC CONTINUES)
310
00:21:27,880 --> 00:21:29,880
(MUSIC CONTINUES)
311
00:21:35,880 --> 00:21:37,880
(MUSIC CONTINUES)
312
00:21:43,880 --> 00:21:45,880
(MUSIC CONTINUES)
313
00:21:51,880 --> 00:21:53,880
(MUSIC FADES)
314
00:21:57,560 --> 00:21:59,560
(SIGHS)
315
00:22:00,760 --> 00:22:03,319
You were there ―
at the crime scene.
316
00:22:03,320 --> 00:22:05,600
I had nothing to do with it.
317
00:22:10,600 --> 00:22:12,966
I was visiting Joe, and I
stumbled across the body.
318
00:22:12,978 --> 00:22:14,519
Well, why didn't
you call it in?
319
00:22:14,520 --> 00:22:16,519
The last thing I need is
to be involved in another
320
00:22:16,520 --> 00:22:18,719
homicide investigation.
321
00:22:18,720 --> 00:22:22,120
I didn't kill him;
I don't know anything.
322
00:22:25,160 --> 00:22:28,240
Please don't make
me go back in there.
323
00:22:34,680 --> 00:22:37,079
- Go home.
- The first 72 hours ―
324
00:22:37,080 --> 00:22:39,160
I'm not going anywhere.
325
00:22:39,600 --> 00:22:41,679
You're running on empty, Davis.
326
00:22:41,680 --> 00:22:45,080
Go home, refuel, recharge ―
all the re's.
327
00:22:47,200 --> 00:22:49,400
Hey, tomorrow's a new day.
328
00:22:51,560 --> 00:22:53,559
(SIGHS)
329
00:22:53,560 --> 00:22:55,559
(THUD!)
330
00:22:55,560 --> 00:22:57,559
(CLATTERING)
331
00:22:57,560 --> 00:22:59,560
(TENSE MUSIC)
332
00:23:01,120 --> 00:23:03,120
(THUD!)
333
00:23:03,560 --> 00:23:05,560
(MUSIC BUILDS)
334
00:23:09,880 --> 00:23:11,879
Caleb!
335
00:23:11,880 --> 00:23:15,079
- Yes?
- It's a PR disaster.
336
00:23:15,080 --> 00:23:19,039
It doesn't even mention us
anywhere, OK? It's in our favour.
337
00:23:19,040 --> 00:23:21,439
It paints him as a rogue.
We have plausible deniability.
338
00:23:21,440 --> 00:23:22,925
I want them fired.
339
00:23:22,937 --> 00:23:26,679
You do that, we never
deliver the job on time.
340
00:23:26,680 --> 00:23:29,159
Which do you want?
- Fire them.
341
00:23:29,160 --> 00:23:31,240
We'll find someone else.
342
00:23:31,920 --> 00:23:33,919
What's wrong with you?
343
00:23:33,920 --> 00:23:37,719
You need to secure this property, otherwise
it's all been for shits and giggles ―
344
00:23:37,720 --> 00:23:40,199
that's the real PR nightmare.
345
00:23:40,200 --> 00:23:43,879
You need to do your job,
secure the property,
346
00:23:43,880 --> 00:23:47,760
and stop trying to sabotage
my fucking vision.
347
00:23:51,880 --> 00:23:53,880
(TENSE MUSIC)
348
00:23:59,880 --> 00:24:01,880
(MUSIC CONTINUES)
349
00:24:02,680 --> 00:24:04,680
(SIGHS)
350
00:24:10,680 --> 00:24:12,680
(ACTION MUSIC)
351
00:24:14,400 --> 00:24:16,400
(PANTS)
352
00:24:22,400 --> 00:24:24,400
(MUSIC CONTINUES)
353
00:24:30,400 --> 00:24:32,400
(MUSIC CONTINUES)
354
00:24:33,600 --> 00:24:35,600
(PANTS)
355
00:24:41,600 --> 00:24:43,600
(MUSIC CONTINUES)
356
00:24:49,600 --> 00:24:51,600
(MUSIC FADES)
357
00:24:54,320 --> 00:24:56,919
(PHONE BEEPS)
- Hi, Mum. It's me again.
358
00:24:56,920 --> 00:24:58,920
Can you call me back?
359
00:25:04,120 --> 00:25:06,120
(POIGNANT MUSIC)
360
00:25:08,360 --> 00:25:10,360
(PHONE ALERT CHIMES)
361
00:25:16,360 --> 00:25:18,360
(MUSIC CONTINUES)
362
00:25:24,360 --> 00:25:26,360
(MUSIC FADES)
363
00:25:32,360 --> 00:25:34,360
(YELLING ECHOES)
364
00:25:34,440 --> 00:25:36,440
...why the fuck...?
365
00:25:38,280 --> 00:25:40,759
(INDISTINCT CONVERSATIONS)
366
00:25:40,760 --> 00:25:44,440
- ...this is...
- ...ruined everything...
367
00:25:46,280 --> 00:25:48,280
(BIKE CLATTERS)
368
00:25:54,280 --> 00:25:56,560
(CONVERSATION CONTINUES)
369
00:26:02,280 --> 00:26:04,280
(TENSE MUSIC)
370
00:26:06,400 --> 00:26:10,479
ENGLISH ACCENT: ...your
fault! Don't blame me!
371
00:26:10,480 --> 00:26:12,760
(CONVERSATION CONTINUES)
372
00:26:17,040 --> 00:26:19,119
You have no fucking idea!
373
00:26:19,120 --> 00:26:21,600
What the fuck would you know?!
374
00:26:23,480 --> 00:26:25,480
Your fault!
375
00:26:27,280 --> 00:26:29,559
- (BARKS)
- (GASPS) Holy fuck.
376
00:26:29,560 --> 00:26:31,559
(BARKS)
377
00:26:31,560 --> 00:26:33,559
(TENSE MUSIC)
378
00:26:33,560 --> 00:26:35,560
(BARKS)
379
00:26:36,040 --> 00:26:38,040
(BARKS)
380
00:26:38,120 --> 00:26:40,120
(BARKS)
381
00:26:40,560 --> 00:26:42,559
(BARKS)
382
00:26:42,560 --> 00:26:44,560
(MUSIC CONTINUES)
383
00:26:47,120 --> 00:26:49,120
(BARKS)
384
00:26:50,480 --> 00:26:52,479
(PANTS)
385
00:26:52,480 --> 00:26:54,480
(BARKS)
386
00:26:54,800 --> 00:26:56,799
(PANTS)
387
00:26:56,800 --> 00:26:58,800
(BARKS)
388
00:27:01,560 --> 00:27:03,560
(DOG BARKS)
389
00:27:03,720 --> 00:27:07,120
- Oi!
- (BARKS)
- Hold on. Hold on. Hold on.
390
00:27:07,760 --> 00:27:10,159
I'm Detective Sergeant Ariki Davis.
391
00:27:10,160 --> 00:27:12,159
I heard fighting, so I entered
the premises, just to...
392
00:27:12,160 --> 00:27:14,639
- (BARKS)
- ...assess the situation.
393
00:27:14,640 --> 00:27:17,240
- There's nobody here.
- (BARKS)
394
00:27:17,600 --> 00:27:19,719
- Look, they must've fled the scene.
- Let's go.
395
00:27:19,720 --> 00:27:21,720
- (BARKS)
- (PANTS)
396
00:27:22,640 --> 00:27:24,639
- Come on.
- (PANTS)
397
00:27:24,640 --> 00:27:26,640
(BARKS)
398
00:27:33,280 --> 00:27:35,480
Stupid, stupid arsehole!
399
00:27:41,280 --> 00:27:43,280
(POIGNANT MUSIC)
400
00:27:49,280 --> 00:27:51,280
(MUSIC CONTINUES)
401
00:27:57,280 --> 00:27:59,280
(MUSIC CONTINUES)
402
00:28:05,280 --> 00:28:07,280
(MUSIC CONTINUES)
403
00:28:13,280 --> 00:28:15,280
(MUSIC CONTINUES)
404
00:28:21,280 --> 00:28:23,280
(MUSIC BUILDS)
405
00:28:29,280 --> 00:28:31,280
(MUSIC FADES)
406
00:28:37,280 --> 00:28:39,280
(WIND WHISTLES)
407
00:28:45,280 --> 00:28:47,280
(TENSE MUSIC)
408
00:28:47,320 --> 00:28:49,919
Hey, Senior. Hey, it's Davis.
409
00:28:49,920 --> 00:28:51,999
I'm gonna need a pick-up.
410
00:28:52,000 --> 00:28:54,000
I've got a lead.
411
00:29:00,000 --> 00:29:02,000
(MUSIC CRESCENDOES)
412
00:29:04,960 --> 00:29:07,879
Look, are you sure it's their
company doing the construction?
413
00:29:07,880 --> 00:29:10,399
Yeah, it's the same logo ―
Deep South Holdings.
414
00:29:10,400 --> 00:29:13,520
See, Trent lied when he said
that he was working at Hanley Farm.
415
00:29:16,040 --> 00:29:16,941
I'll request a warrant.
416
00:29:16,953 --> 00:29:18,999
All right. I'll have a
shower, and I'll come in now.
417
00:29:19,000 --> 00:29:21,600
No, no. Wait till the morning.
418
00:29:25,560 --> 00:29:27,560
You really want this.
419
00:29:29,600 --> 00:29:33,199
It's personal. You know,
this town made it personal.
420
00:29:33,200 --> 00:29:36,599
They just named him,
and they shamed him.
421
00:29:36,600 --> 00:29:39,280
Piripi. I'm not letting that go.
422
00:29:40,240 --> 00:29:42,319
Just be careful, Davis.
423
00:29:42,320 --> 00:29:45,520
Personal got you in
trouble last time.
424
00:29:49,600 --> 00:29:51,600
(WATER SPLASHES)
425
00:29:57,680 --> 00:29:59,680
(WATER PATTERS)
426
00:30:00,720 --> 00:30:02,720
(SIGHS)
427
00:30:06,600 --> 00:30:08,599
(DRAMATIC MUSIC)
428
00:30:08,600 --> 00:30:10,600
(GASPS)
429
00:30:13,040 --> 00:30:15,440
(GASPS)
- (CELL PHONE RINGS)
430
00:30:20,400 --> 00:30:22,399
Davis.
- It's Ava.
431
00:30:22,400 --> 00:30:24,759
You said to call if I
ever needed your help.
432
00:30:24,760 --> 00:30:28,439
- Ava. Where are you?
- I'm at One Lane Bridge.
433
00:30:28,440 --> 00:30:30,440
(PHONE LINE BEEPS)
434
00:30:34,240 --> 00:30:36,440
Hey. You've reached Ava.
435
00:30:41,120 --> 00:30:43,120
Ava!
436
00:30:46,080 --> 00:30:48,080
Ava!
437
00:30:52,200 --> 00:30:54,200
Shit.
438
00:31:00,200 --> 00:31:02,600
Ava!
- You see ghosts, right?
439
00:31:04,120 --> 00:31:06,120
Spirits, the dead.
440
00:31:08,040 --> 00:31:10,840
I saw them ― I saw the articles
Lois Tremaine left for you.
441
00:31:15,480 --> 00:31:18,639
Come on. Let's get
you back into town.
442
00:31:18,640 --> 00:31:21,639
I keep seeing a woman
who died here,
443
00:31:21,640 --> 00:31:23,640
Evelyn McDonald.
444
00:31:27,800 --> 00:31:31,080
Could you ask her what
she wants from me?
445
00:31:33,560 --> 00:31:35,560
She keeps sending these
signs and symbols.
446
00:31:37,120 --> 00:31:39,879
The locks and hawks,
they're everywhere.
447
00:31:39,880 --> 00:31:41,880
It must be important.
448
00:31:42,200 --> 00:31:44,399
Ava, how did you get here?
449
00:31:44,400 --> 00:31:46,399
Please can you help me?
450
00:31:46,400 --> 00:31:48,599
I'm in the middle of an
investigation right now, OK?
451
00:31:48,600 --> 00:31:51,200
I don't need this distraction.
452
00:31:54,680 --> 00:31:57,279
What?
- Please. I'm searching.
453
00:31:57,280 --> 00:31:59,679
Yeah, we're all searching.
454
00:31:59,680 --> 00:32:02,079
This isn't the place
to be looking, Ava.
455
00:32:02,080 --> 00:32:04,680
I don't have anyone else to ask.
456
00:32:07,000 --> 00:32:09,000
(SIGHS)
457
00:32:15,760 --> 00:32:17,760
OK.
458
00:32:18,920 --> 00:32:20,919
OK.
459
00:32:20,920 --> 00:32:22,920
OK, but not tonight.
460
00:32:25,000 --> 00:32:27,000
Come on.
461
00:32:34,840 --> 00:32:36,840
(TINKLY MUSIC)
462
00:32:42,840 --> 00:32:44,840
(MUSIC CONTINUES)
463
00:32:48,320 --> 00:32:51,279
I thought you were
working at Hanley Farm.
464
00:32:51,280 --> 00:32:54,399
- Just dropping off some stuff.
- You're building geometric domes.
465
00:32:54,400 --> 00:32:56,400
(KNOCKS)
466
00:32:56,680 --> 00:33:00,640
Your logo's all over it.
You working for the Kennards?
467
00:33:01,280 --> 00:33:03,279
This is part of an official
homicide investigation.
468
00:33:03,280 --> 00:33:05,479
Is Noel Kennard your boss?
469
00:33:05,480 --> 00:33:08,039
(GATE WHIRRS) Piripi Williams was
working here at the time of his death―
470
00:33:08,040 --> 00:33:11,679
We signed a non-disclosure
agreement. We can't discuss it.
471
00:33:11,680 --> 00:33:14,480
So unless you've got a warrant...
472
00:33:14,720 --> 00:33:16,720
(ENGINE STARTS)
473
00:33:22,720 --> 00:33:24,720
(GATE WHIRRS)
474
00:33:24,960 --> 00:33:26,960
(GATE CLANKS)
475
00:33:31,840 --> 00:33:35,159
I've changed my mind about...
476
00:33:35,160 --> 00:33:37,159
Frankie.
477
00:33:37,160 --> 00:33:39,159
Let's start with her.
478
00:33:39,160 --> 00:33:41,160
OK.
479
00:33:45,160 --> 00:33:47,160
(THUD!)
480
00:33:47,280 --> 00:33:50,559
She's smart, no criminal convictions,
481
00:33:50,560 --> 00:33:52,559
a New Zealand citizen.
- Hmm.
482
00:33:52,560 --> 00:33:55,719
- 4.0.
- That fucking cop from the golf club ―
483
00:33:55,720 --> 00:33:57,319
was all over the site last night.
- Really?
484
00:33:57,320 --> 00:34:00,559
All over there again
this morning. Yeah.
485
00:34:00,560 --> 00:34:03,519
- How did he get in?
- I don't know. He's a snoopy little fuck,
486
00:34:03,520 --> 00:34:06,319
and can we please
make his life hell?
487
00:34:06,320 --> 00:34:08,320
That's my boy.
488
00:34:13,880 --> 00:34:16,159
- What's this?
- I'm window shopping,
489
00:34:16,160 --> 00:34:18,160
for a Kiwi bride.
490
00:34:23,600 --> 00:34:25,599
Frankie.
491
00:34:25,600 --> 00:34:28,999
That's your solution ―
to marry Frankie?
492
00:34:29,000 --> 00:34:31,719
As soon as the ink is
dry on the wedding licence,
493
00:34:31,720 --> 00:34:34,400
I get to buy this house, the land.
494
00:34:37,800 --> 00:34:40,239
Well, she doesn't date members.
495
00:34:40,240 --> 00:34:43,040
It's business and not pleasure.
496
00:34:46,760 --> 00:34:47,827
Why did you choose her?
497
00:34:47,839 --> 00:34:50,040
Because people will
that believe she's my wife.
498
00:34:52,080 --> 00:34:55,760
I'm trying to do
what's best for this family.
499
00:34:56,120 --> 00:34:58,800
Hey, 'that fucking cop' of yours
500
00:34:58,920 --> 00:35:02,880
is the one getting into her pants,
501
00:35:03,120 --> 00:35:05,120
not me.
502
00:35:10,720 --> 00:35:12,720
(UNSETTLING MUSIC)
503
00:35:18,720 --> 00:35:20,720
(DOOR RATTLES)
504
00:35:26,720 --> 00:35:28,720
(MUSIC CONTINUES)
505
00:35:34,720 --> 00:35:36,720
(MUSIC BUILDS)
506
00:35:42,720 --> 00:35:44,720
(MUSIC CONTINUES)
507
00:35:50,720 --> 00:35:52,720
(MUSIC CONTINUES)
508
00:35:55,960 --> 00:35:57,960
(COMPUTER BEEPS)
509
00:35:59,200 --> 00:36:01,200
(COMPUTER BEEPS)
510
00:36:06,000 --> 00:36:08,000
(MOUSE CLICKS)
511
00:36:11,280 --> 00:36:13,280
(PAPER CLICKS)
512
00:36:19,280 --> 00:36:21,280
(MACHINE WHIRRS)
513
00:36:24,560 --> 00:36:27,799
The search warrant for the building
site you discovered last night ―
514
00:36:27,800 --> 00:36:30,919
- it's been turned down.
- Oh, those Kennards are pulling strings.
515
00:36:30,920 --> 00:36:33,799
I saw the son on site today.
- The message is to back off.
516
00:36:33,800 --> 00:36:35,759
I've got some calls in.
We'll get there eventually;
517
00:36:35,760 --> 00:36:38,479
we're just gonna have to
take the long way around.
518
00:36:38,480 --> 00:36:42,439
- OK.
- And they're threatening to press charges against you,
519
00:36:42,440 --> 00:36:44,440
for trespassing.
520
00:36:45,200 --> 00:36:49,160
I heard people fighting, so I had
reasonable cause to enter the property.
521
00:36:49,200 --> 00:36:51,280
There was no one on site.
522
00:36:57,200 --> 00:36:59,200
(FOOTSTEPS RETREAT)
523
00:37:00,040 --> 00:37:02,519
(INDISTINCT CONVERSATIONS)
524
00:37:02,520 --> 00:37:04,520
(ENGINE REVS)
525
00:37:05,120 --> 00:37:07,120
(PAPER RUSTLES)
526
00:37:07,880 --> 00:37:09,879
(CHAIR CLICKS)
527
00:37:09,880 --> 00:37:13,559
He might have had a drink or two at
the bar, but l haven't talked to him.
528
00:37:13,560 --> 00:37:15,560
Sounds like a bad egg.
529
00:37:16,640 --> 00:37:18,919
You've never meet him,
so how would you know that?
530
00:37:18,920 --> 00:37:21,519
Read about him in
this morning's paper.
531
00:37:21,520 --> 00:37:25,399
Honestly, guys like that
are bad for business.
532
00:37:25,400 --> 00:37:27,599
I could ask around.
- Yeah.
533
00:37:27,600 --> 00:37:31,400
If you hear anything,
we'd appreciate a call.
534
00:37:35,600 --> 00:37:37,600
(POIGNANT MUSIC)
535
00:37:38,240 --> 00:37:41,320
We need to be making
better progress.
536
00:37:43,680 --> 00:37:45,679
Stephen was there,
537
00:37:45,680 --> 00:37:49,280
at One Lane Bridge,
the night of the murder.
538
00:37:50,840 --> 00:37:54,799
It's his footprint on the scan,
but he had nothing to do with it.
539
00:37:54,800 --> 00:37:56,800
(DOOR CLICKS)
540
00:38:01,440 --> 00:38:03,479
Tilly, you promised me, OK?
541
00:38:03,480 --> 00:38:06,039
You promised me that you would
stay away from that fucker!
542
00:38:06,040 --> 00:38:09,999
- I promised I wouldn't talk shop.
He's not looking after himself;
543
00:38:10,000 --> 00:38:13,720
I was dropping off food.
544
00:38:14,880 --> 00:38:16,999
What more do you want from me?
545
00:38:17,000 --> 00:38:20,280
I'm already betraying
his confidence.
546
00:38:21,080 --> 00:38:23,360
I thought you'd be pleased.
547
00:38:25,320 --> 00:38:27,320
Is that the boots?
548
00:38:30,560 --> 00:38:32,560
(DOOR CLICKS)
549
00:38:35,080 --> 00:38:37,319
You've gotta come
down to the station.
550
00:38:37,320 --> 00:38:41,280
Senior will be dealing with you,
so there's no conflict of interest.
551
00:38:45,320 --> 00:38:47,320
(POIGNANT MUSIC)
552
00:38:53,320 --> 00:38:55,320
(MUSIC CONTINUES)
553
00:39:01,320 --> 00:39:03,320
(MUSIC CONTINUES)
554
00:39:09,280 --> 00:39:11,280
(MUSIC CONTINUES)
555
00:39:17,280 --> 00:39:19,280
(MUSIC CONTINUES)
556
00:39:25,280 --> 00:39:27,360
(POIGNANT STRING MUSIC)
557
00:39:33,280 --> 00:39:35,280
(MUSIC CONTINUES)
558
00:39:39,600 --> 00:39:41,600
(TINKLY MUSIC)
559
00:39:47,600 --> 00:39:49,600
(MUSIC CONTINUES)
560
00:39:55,600 --> 00:39:57,599
(SOBS)
561
00:39:57,600 --> 00:39:59,599
(SNIFFLES)
562
00:39:59,600 --> 00:40:01,599
(SOBS)
563
00:40:01,600 --> 00:40:03,599
(MUSIC CONTINUES)
564
00:40:03,600 --> 00:40:05,600
(MUSIC FADES)
565
00:40:07,440 --> 00:40:09,840
- (SLURPS)
- (KEYPAD CLICKS)
566
00:40:12,600 --> 00:40:14,600
(PHONE WHOOSHES)
567
00:40:16,640 --> 00:40:18,639
(KNOCK AT DOOR)
568
00:40:18,640 --> 00:40:20,640
Ariki?
569
00:40:23,560 --> 00:40:27,039
She's my great-aunt, Evelyn.
570
00:40:27,040 --> 00:40:29,240
The woman from the bridge.
571
00:40:36,920 --> 00:40:39,320
I need to know what happened.
572
00:40:40,560 --> 00:40:43,359
Hey, she's not some dirty secret,
573
00:40:43,360 --> 00:40:45,959
erased from the history books.
574
00:40:45,960 --> 00:40:47,959
Ava, I need to work.
575
00:40:47,960 --> 00:40:49,960
OK? I'm sorry.
576
00:40:57,360 --> 00:40:59,360
I get it.
577
00:41:00,840 --> 00:41:03,840
You've your own dead to worry about.
578
00:41:08,840 --> 00:41:10,840
(PAPER RUSTLES)
579
00:41:12,800 --> 00:41:14,959
I'm just grateful that
you're looking out for me.
580
00:41:14,960 --> 00:41:17,040
It's nice that someone cares.
581
00:41:18,840 --> 00:41:20,840
Night.
582
00:41:25,200 --> 00:41:27,200
(DOOR CLOSES)
583
00:41:33,200 --> 00:41:35,200
(SUSPENSEFUL MUSIC)
584
00:41:41,200 --> 00:41:43,200
(MUSIC CONTINUES)
585
00:41:49,200 --> 00:41:51,200
(MUSIC CONTINUES)
586
00:41:54,960 --> 00:41:56,960
(DOOR CLOSES)
587
00:42:02,960 --> 00:42:04,960
(MUSIC CONTINUES)
588
00:42:10,800 --> 00:42:12,800
Ava!
589
00:42:13,680 --> 00:42:15,679
Ava. Ava, listen.
590
00:42:15,680 --> 00:42:18,719
Look, there are some things
that I need to tell you, OK?
591
00:42:18,720 --> 00:42:21,719
- OK, what do they want, the ghosts?
- I don't know.
592
00:42:21,720 --> 00:42:25,320
I don't know ―
I haven't thought about that.
593
00:42:26,240 --> 00:42:28,719
- Do you know how she died?
- No.
594
00:42:28,720 --> 00:42:32,120
They? I'm guessing
they were together.
595
00:42:36,720 --> 00:42:38,720
(SUSPENSEFUL MUSIC)
596
00:42:39,880 --> 00:42:41,880
Ava. Ava!
597
00:42:43,040 --> 00:42:45,039
(RATTLING)
598
00:42:45,040 --> 00:42:47,040
(GASPS) Shit.
599
00:42:48,600 --> 00:42:51,119
Of course. This is why I'm
here ― to unlock the past.
600
00:42:51,120 --> 00:42:53,119
Ava, we need to go.
601
00:42:53,120 --> 00:42:55,120
Ava, let's go.
602
00:43:00,640 --> 00:43:02,640
Ava! Ava!
603
00:43:04,400 --> 00:43:06,399
- Argh!
- Listen to me.
604
00:43:06,400 --> 00:43:10,359
You can't fuck around with
this shit. OK? Listen to me.
605
00:43:10,360 --> 00:43:12,360
(POIGNANT MUSIC)
606
00:43:18,760 --> 00:43:20,760
(MUSIC CONTINUES)
607
00:43:26,760 --> 00:43:28,760
(MUSIC BUILDS)
608
00:43:34,760 --> 00:43:36,760
(THUNDER RUMBLES)
609
00:43:42,760 --> 00:43:44,760
(MUSIC CONTINUES)
610
00:43:52,560 --> 00:43:54,960
(RECITES PRAYER)
- (COUGHS)
611
00:43:56,480 --> 00:44:00,199
You seem to have an instinct for
finding bodies. Or do they find you?
612
00:44:00,200 --> 00:44:02,679
- You marry me...
- (CHUCKLES)
613
00:44:02,680 --> 00:44:04,720
...I make it worth your while.
614
00:44:05,080 --> 00:44:09,040
- Seriously?
- This town is too fucking small.
615
00:44:09,080 --> 00:44:13,479
- Would you help me?
- Trust me ― you don't want my help.
616
00:44:13,480 --> 00:44:15,480
(GRUNTS)
617
00:44:16,320 --> 00:44:18,399
Evelyn needs some piece.
618
00:44:18,400 --> 00:44:21,879
- The dead are the dead.
Just leave them be.
42505
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Czech
Danish
English
Esperanto
Estonian
Faroese
Finnish
Frisian
Galician
Georgian
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hmong
Hungarian
Icelandic
Indonesian
Irish
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Quechua
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof