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These are the user uploaded subtitles that are being translated: 1 00:00:10,334 --> 00:00:13,532 [ JAMES BLAKE'S "TIMELESS" PLAYS ] 2 00:00:13,534 --> 00:00:16,732 ♪♪ 3 00:00:16,734 --> 00:00:19,865 ♪♪ 4 00:00:19,867 --> 00:00:23,198 ♪ TIMELESS ♪ 5 00:00:23,200 --> 00:00:26,132 ♪ TIMELESS ♪ 6 00:00:26,134 --> 00:00:31,732 [ VOCALIZING ] 7 00:00:33,267 --> 00:00:36,198 ♪ TIMELESS ♪ 8 00:00:36,200 --> 00:00:39,699 [ VOCALIZING ] 9 00:00:42,267 --> 00:00:48,832 ♪ I CAN'T BE SELFLESS ♪ 10 00:00:48,834 --> 00:00:52,032 ♪ I'M ACTING MY AGE ♪ 11 00:00:55,934 --> 00:00:58,265 ♪ YOU KNOW YOU SLIDE OUT ♪ 12 00:00:58,267 --> 00:01:03,032 ♪ WHEN YOU SLIDE IN WITH GRACEFUL SHADOW ♪ 13 00:01:03,034 --> 00:01:04,965 ♪ YOU KNOW YOU SLIDE OUT ♪ 14 00:01:04,967 --> 00:01:09,265 ♪ WHEN YOU SLIDE IN WITH GRACEFUL SHADOW ♪ 15 00:01:09,267 --> 00:01:14,431 ♪♪ 16 00:01:14,433 --> 00:01:19,398 ♪♪ 17 00:01:19,400 --> 00:01:21,965 ♪ TIMELESS ♪ 18 00:01:24,334 --> 00:01:28,165 ♪ TIMELESS ♪ 19 00:01:28,167 --> 00:01:33,565 ♪♪ 20 00:01:33,567 --> 00:01:38,932 ♪♪ 21 00:01:38,934 --> 00:01:44,565 ♪♪ 22 00:01:44,567 --> 00:01:50,065 ♪♪ 23 00:01:50,067 --> 00:01:55,398 ♪♪ 24 00:01:55,400 --> 00:01:57,498 -YOU DON'T HAVE TO LEAVE. -YOU DON'T HAVE TO LEAVE. 25 00:01:57,500 --> 00:01:59,432 ♪ TIMELESS ♪ 26 00:01:59,434 --> 00:02:01,065 -I'LL CALL YOU SOON. -I'LL CALL YOU SOON. 27 00:02:01,067 --> 00:02:04,932 ♪♪ 28 00:02:04,934 --> 00:02:08,932 ♪♪ 29 00:02:08,934 --> 00:02:13,065 ♪♪ 30 00:02:13,067 --> 00:02:17,265 ♪♪ 31 00:02:17,267 --> 00:02:19,665 GENTLY JAMES. 32 00:02:19,667 --> 00:02:24,665 ♪♪ 33 00:02:24,667 --> 00:02:25,865 YOU HAVE MY ADDRESS, RIGHT? 34 00:02:25,867 --> 00:02:26,932 -YES. -IN WEST ADAMS? 35 00:02:26,934 --> 00:02:28,465 Gently: YES. WEST ADAMS. 36 00:02:28,467 --> 00:02:31,265 OKAY. 37 00:02:31,267 --> 00:02:36,732 ♪♪ 38 00:02:36,734 --> 00:02:42,265 ♪♪ 39 00:02:42,267 --> 00:02:47,931 ♪♪ 40 00:02:47,933 --> 00:02:49,732 ♪♪ 41 00:02:49,734 --> 00:02:52,732 [ SADE'S "CHERISH THE DAY" PLAYS ] 42 00:02:52,734 --> 00:02:56,632 ♪♪ 43 00:02:56,634 --> 00:03:00,665 ♪♪ 44 00:03:00,667 --> 00:03:04,632 ♪ YOU SHOW ME HOW DEEP LOVE CAN BE ♪ 45 00:03:04,634 --> 00:03:07,732 -- Captions by VITAC -- www.vitac.com 46 00:03:07,734 --> 00:03:10,665 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 47 00:03:10,667 --> 00:03:15,732 ♪♪ 48 00:03:15,734 --> 00:03:20,865 ♪♪ 49 00:03:20,867 --> 00:03:26,065 ♪ THIS IS MY PRAYER ♪ 50 00:03:26,534 --> 00:03:29,532 ♪ I CHERISH THE DAY ♪ 51 00:03:29,534 --> 00:03:32,732 ♪♪ 52 00:03:32,734 --> 00:03:37,798 ♪ WHO KNEW THAT LOVE COULD BE FOR ME? ♪ 53 00:03:37,800 --> 00:03:39,065 WELL, THANK YOU, MA'AM. 54 00:03:39,067 --> 00:03:41,198 MM-HMM. SO, WHAT YOU FEEL LIKE 55 00:03:41,200 --> 00:03:42,598 FOR DINNER TONIGHT, MISS LUMA? 56 00:03:42,600 --> 00:03:46,498 OH, A BIG LUNCH TODAY. 57 00:03:46,500 --> 00:03:49,665 CARDS WITH JEANNE AND FRANCIS TONIGHT. 58 00:03:49,667 --> 00:03:51,132 RIGHT. 59 00:03:51,134 --> 00:03:53,065 ONE OF THEM BIG BOWLS OF SALAD 60 00:03:53,067 --> 00:03:54,732 THAT YOU MAKE ALL THE TIME 61 00:03:54,734 --> 00:03:59,865 WITH MEAT THAT REALLY IS NOT MEAT, BUT TASTES LIKE MEAT. 62 00:03:59,867 --> 00:04:03,398 YOU KNOW, I'M SURPRISED YOU LIKE THOSE SO MUCH. 63 00:04:03,400 --> 00:04:04,865 ME TOO. 64 00:04:04,867 --> 00:04:07,532 I MEAN, IT TASTES LIKE MEAT. 65 00:04:07,534 --> 00:04:10,598 I MEAN, IT REALLY TASTES LIKE MEAT. 66 00:04:10,600 --> 00:04:12,998 I KNOW. IT'S SCARY GOOD. 67 00:04:13,000 --> 00:04:15,732 DON'T TELL ME WHAT IT'S MADE OF. I DON'T WANT TO KNOW. 68 00:04:15,734 --> 00:04:19,398 JUST SMOTHER IT WITH HOT SAUCE. 69 00:04:19,400 --> 00:04:20,865 YOU KNOW HOW I LIKE IT. 70 00:04:20,867 --> 00:04:24,265 I DO. YOU LIKE A BOWL OF HOT SAUCE FOR LUNCH 71 00:04:24,267 --> 00:04:26,332 WITH JUST A LITTLE BIT OF SALAD IN IT. 72 00:04:26,334 --> 00:04:29,298 OH, JOKES TODAY, I SEE. 73 00:04:29,300 --> 00:04:31,565 [ LAUGHS ] 74 00:04:31,567 --> 00:04:34,031 I'LL TURN YOU OVER, YOUNG LADY. 75 00:04:34,033 --> 00:04:36,232 I DON'T WANT THAT, MISS LUMA. 76 00:04:36,234 --> 00:04:37,465 I DON'T WANT NONE. 77 00:04:37,467 --> 00:04:39,798 [ CHUCKLES ] 78 00:04:39,800 --> 00:04:41,798 ♪♪ 79 00:04:41,800 --> 00:04:44,065 -SO, HOW WAS THE WEEK? -SAME. 80 00:04:44,067 --> 00:04:45,932 COME ON. YOU CAN DO BETTER THAN THAT. 81 00:04:45,934 --> 00:04:48,332 LIKE, HOW DID YOU DO ON THAT ALGEBRA TEST? 82 00:04:48,334 --> 00:04:49,598 YOU ALREADY KNOW. 83 00:04:49,600 --> 00:04:51,532 HEY. 84 00:04:51,534 --> 00:04:53,532 [ BOTH CHUCKLE ] 85 00:04:53,534 --> 00:04:56,598 HOW ARE THINGS AT HOME? 86 00:04:56,600 --> 00:04:59,065 I JUST AM COMING TO ACCEPT IT AND BE LIKE, "WHATEVER." 87 00:04:59,067 --> 00:05:00,665 I CAN'T PLEASE HER, AND TRYING DOESN'T MATTER. 88 00:05:00,667 --> 00:05:01,865 UNH-UNH, TRYING ALWAYS MATTERS. 89 00:05:01,867 --> 00:05:02,798 NOTHING BEATS A FAILURE BUT A TRY. 90 00:05:02,800 --> 00:05:04,398 BUT A TRY. I KNOW. 91 00:05:04,400 --> 00:05:05,932 THANK YOU. AND, AGAIN, IT'S NOT ALL THAT BAD. 92 00:05:05,934 --> 00:05:08,198 I MEAN, SHE LET YOU GO TO THIS LECTURE, 93 00:05:08,200 --> 00:05:10,265 AND SHE'S OFF TO CHURCH WITHOUT YOU. 94 00:05:10,267 --> 00:05:12,598 I MEAN, I'M ACTUALLY SHOCKED. 95 00:05:12,600 --> 00:05:13,998 [ CHUCKLES ] 96 00:05:14,000 --> 00:05:15,499 SHE'S PROBABLY IN HER CAR PRAYING FOR US RIGHT NOW. 97 00:05:15,501 --> 00:05:17,232 SHE DEFINITELY IS. 98 00:05:17,234 --> 00:05:19,865 YOUR MAMA'S ALWAYS BEEN PARANOID. I'M THE CHILL ONE. 99 00:05:19,867 --> 00:05:24,432 ANCIENT EGYPTIAN RELIGION LIVES AGAIN WITHIN KEMETIC ORTHODOXY, 100 00:05:24,434 --> 00:05:27,765 THE CURRENT-DAY PRACTICE OF THE TRADITIONAL SPIRITUALITY 101 00:05:27,767 --> 00:05:30,332 OF KEMET, KNOWN TODAY AS EGYPT. 102 00:05:30,334 --> 00:05:34,532 THIS MOST ANCIENT TRADITION IS HONORED ANEW 103 00:05:34,534 --> 00:05:37,798 BY PEOPLE ALL AROUND THE GLOBE, 104 00:05:37,800 --> 00:05:44,398 RETURNING THE PRINCIPLES AND BELIEFS OF MA'AT TO A NEW WORLD. 105 00:05:44,400 --> 00:05:46,265 Librarian: ALL YOU HAD TO DO WAS TO RENEW THEM 106 00:05:46,267 --> 00:05:48,165 BEFORE THE DUE DATE EXPIRED, RIGHT? 107 00:05:48,167 --> 00:05:51,765 OKAY, BUT THERE'S NO WAY I'M PAYING $200 108 00:05:51,767 --> 00:05:53,965 FOR ANYTHING IN THE LOS ANGELES PUBLIC LIBRARY. 109 00:05:53,967 --> 00:05:55,132 I JUST FEEL LIKE -- 110 00:05:55,134 --> 00:05:56,732 BUT YOU DID, SO HERE WE ARE. 111 00:05:56,734 --> 00:05:58,065 WHAT IS GOING ON? 112 00:05:58,067 --> 00:05:59,932 -THIS IS WHERE WE ARE, RIGHT? -OKAY. 113 00:05:59,934 --> 00:06:01,732 I DON'T KNOW. I'M LIKING THE VIEW. 114 00:06:01,734 --> 00:06:03,299 -OKAY? -IT'S TOO MUCH MONEY. 115 00:06:03,301 --> 00:06:05,765 IT'S NOT -- WELL, THAT'S NOT MY PROBLEM. 116 00:06:05,767 --> 00:06:07,332 HOW LONG YOU BEEN HERE? 117 00:06:07,334 --> 00:06:09,598 FEELS LIKE A HALF AN HOUR AT LEAST. 118 00:06:09,600 --> 00:06:11,198 [ SIGHS ] 119 00:06:11,200 --> 00:06:12,999 I NEED YOU TO PAY THE FINE SO WE CAN MOVE ON. 120 00:06:13,001 --> 00:06:14,665 WE GOT PEOPLE IN LINE. 121 00:06:14,667 --> 00:06:16,131 LOOK, I FEEL LIKE THE PART YOU'RE NOT UNDERSTANDING 122 00:06:16,133 --> 00:06:18,265 IS THIS ISN'T A NEGOTIATION. THIS IS HAPPENING. 123 00:06:18,267 --> 00:06:19,798 YOU ARE NOT GONNA STAND HERE AND TELL ME 124 00:06:19,800 --> 00:06:20,932 WHAT IS GOING TO HAPPEN. 125 00:06:20,934 --> 00:06:22,665 YOU ARE NOT GOING TO TELL ME WHAT TO DO. 126 00:06:22,667 --> 00:06:25,732 YOU'RE TURNING IN BOOKS THAT ARE OVER A YEAR PAST DUE. 127 00:06:25,734 --> 00:06:28,065 FINES ARE THE CONSEQUENCES, AND THAT'S THAT. 128 00:06:28,067 --> 00:06:30,065 YOU'RE RIGHT. I'M NOT GONNA STAND HERE 129 00:06:30,067 --> 00:06:31,598 AND TELL YOU WHAT YOU'RE ABOUT TO DO. 130 00:06:31,600 --> 00:06:32,865 I'M-A TELL YOU WHAT YOU I'M ABOUT TO DO, 131 00:06:32,867 --> 00:06:33,932 AND THAT'S STAND HERE, PLANTED UNTIL -- 132 00:06:33,934 --> 00:06:35,465 UH, EXCUSE ME, EXCUSE ME. 133 00:06:35,467 --> 00:06:38,132 LADIES, CAN WE TABLE THIS CONVERSATION 134 00:06:38,134 --> 00:06:40,065 WHILE THE REST OF US IN LINE HANDLE OUR BOOK BUSINESS? 135 00:06:40,067 --> 00:06:41,532 WE DON'T WANT NO PROBLEMS. 136 00:06:41,534 --> 00:06:43,932 WE JUST WANT TO READ. 137 00:06:43,934 --> 00:06:46,099 THEY SAY IT'S FUNDAMENTAL. 138 00:06:49,667 --> 00:06:53,698 OKAY, LOOK, I-I-I HAVE A YOUNG LADY, MY NIECE, 139 00:06:53,700 --> 00:06:55,699 AND SHE'S IN THE EGYPTIAN'S KEMETIC CLASS, 140 00:06:55,701 --> 00:06:57,431 AND IT'S ABOUT TO END IN 6 TO 7 MINUTES, 141 00:06:57,433 --> 00:06:58,898 AND THIS LOOKS LIKE 142 00:06:58,900 --> 00:07:01,198 A 12-TO-13-MINUTE KIND OF CONVERSATION. 143 00:07:01,200 --> 00:07:03,265 SO CAN YOU HELP A BROTHER OUT? 144 00:07:03,267 --> 00:07:06,732 WELL, I HAVE AN OLD LADY, MY BOSS, 145 00:07:06,734 --> 00:07:10,732 SHE WANTS ME BACK A.S.A.P., SO SORRY. 146 00:07:10,734 --> 00:07:12,465 I CAN'T HELP. 147 00:07:12,467 --> 00:07:14,265 AND I'M NOT TRYING TO DISRESPECT YOU, 148 00:07:14,267 --> 00:07:16,031 AND I'M REALLY SORRY TO PUSH, 149 00:07:16,033 --> 00:07:17,899 BUT MISS LUMA TOLD ME SHE NEEDED THIS HANDLED TODAY, 150 00:07:17,901 --> 00:07:19,965 AND I'M THE ONLY PERSON THAT CAN HANDLE IT. 151 00:07:19,967 --> 00:07:22,698 NOW, SHE WANTS ME BACK IN 15 MINUTES. 152 00:07:22,700 --> 00:07:26,699 THERE'S, LIKE, 20 MINUTES' WORTH OF PEOPLE IN THIS LINE. 153 00:07:26,701 --> 00:07:28,565 HALF OF THESE PEOPLE PROBABLY AIN'T EVEN GOT 154 00:07:28,567 --> 00:07:31,665 A LIBRARY CARD. 155 00:07:31,667 --> 00:07:34,198 YOU'RE RIGHT. I DON'T HAVE A LIBRARY CARD, 156 00:07:34,200 --> 00:07:37,732 BUT I ALSO DON'T HAVE 20 MINUTES TO WAIT FOR THAT LINE TO MOVE 157 00:07:37,734 --> 00:07:40,731 AFTER THE 20 MINUTES YOU TWO ARE GONNA TAKE BATTLING IT OUT 158 00:07:40,733 --> 00:07:43,332 FOR, UH, MISS, UM...? 159 00:07:43,334 --> 00:07:46,099 LUMA. LUMA LANGSTON. 160 00:07:48,600 --> 00:07:52,332 OH... LUMA LANGSTON? 161 00:07:52,334 --> 00:07:53,598 YOU KNOW HER? 162 00:07:53,600 --> 00:07:55,998 I MEAN, I-I-I KNOW OF HER. 163 00:07:56,000 --> 00:07:59,399 MY -- MY GRANDDAD USED TO WATCH ALL HER FILMS. 164 00:07:59,401 --> 00:08:01,399 HAVE YOU SEEN THEM? 165 00:08:01,401 --> 00:08:02,865 I WOULDN'T SAY I'VE SEEN THEM ALL, 166 00:08:02,867 --> 00:08:05,999 BUT I DID SEE "DIAMOND OF DIXIE." 167 00:08:06,001 --> 00:08:07,265 THAT'S A GOOD ONE. [ CHUCKLES ] 168 00:08:07,267 --> 00:08:08,598 [ CHUCKLING ] YEAH. 169 00:08:08,600 --> 00:08:10,465 UH, UM, MY GRANDDAD USED TO ALWAYS SAY 170 00:08:10,467 --> 00:08:13,265 THAT MISS LUMA LANGSTON WAS THE REAL "DIAMOND OF DIXIE," 171 00:08:13,267 --> 00:08:15,998 AND NOT THAT WHITE LADY SHE PLAYED THE MAID FOR. 172 00:08:16,000 --> 00:08:17,732 -YEAH. -YEAH. 173 00:08:17,734 --> 00:08:20,132 YOUR GRANDDAD WAS RIGHT. 174 00:08:22,000 --> 00:08:23,798 UM... 175 00:08:23,800 --> 00:08:26,398 ANYWAY, UM, THESE ARE HER BOOKS. 176 00:08:26,400 --> 00:08:28,532 YOU KNOW, SHE'S READING A LOT SLOWER NOWADAYS. 177 00:08:28,534 --> 00:08:30,998 SO SHE'S DONE WITH THESE, SHE WANTS TO TURN THEM IN, 178 00:08:31,000 --> 00:08:32,798 GET MORE BOOKS, 179 00:08:32,800 --> 00:08:35,865 AND I'M NOT LEAVING HERE TILL YOU TEND TO THIS. 180 00:08:35,867 --> 00:08:38,631 I WANT YOU TO WAIVE HER FINES. 181 00:08:38,633 --> 00:08:39,899 SHE DESERVES THAT. 182 00:08:39,901 --> 00:08:40,899 SHE SHOULD HAVE ANYTHING SHE WANTS. 183 00:08:40,901 --> 00:08:42,032 WE SHOULD GIVE THAT TO HER. 184 00:08:42,034 --> 00:08:43,931 WE GOT TO HONOR OUR ELDERS. 185 00:08:43,933 --> 00:08:45,332 YOU CAN DO IT, 186 00:08:45,334 --> 00:08:47,932 AND I'M NOT LEAVING THIS SPOT TILL YOU DO. 187 00:08:47,934 --> 00:08:49,465 UM, CAN I -- CAN I TAKE CARE OF THE FINES? 188 00:08:49,467 --> 00:08:51,565 NO, NO, NO, NO, NO, NO. 189 00:08:51,567 --> 00:08:53,365 EXCUSE ME. [ CHUCKLES ] 190 00:08:53,367 --> 00:08:54,865 THIS ISN'T ABOUT MONEY. 191 00:08:54,867 --> 00:08:55,865 I KNOW. 192 00:08:55,867 --> 00:08:57,532 THIS IS ABOUT WHAT'S RIGHT. 193 00:08:57,534 --> 00:08:59,665 HEY, LOOK 194 00:09:01,934 --> 00:09:06,732 WHAT'S RIGHT IS THAT YOU GET WHAT YOU WANT HERE. 195 00:09:06,734 --> 00:09:08,832 AND YOU WANT TO TURN IN THESE BOOKS 196 00:09:08,834 --> 00:09:10,832 AND YOU WANT TO NOT PAY THE FINES 197 00:09:10,834 --> 00:09:11,832 AND YOU WANT TO GET MORE BOOKS. 198 00:09:11,834 --> 00:09:15,565 SO GET WHAT YOU WANT. 199 00:09:18,033 --> 00:09:21,732 SERIOUSLY, IT WOULD -- IT WOULD BE AN HONOR FOR ME. 200 00:09:21,734 --> 00:09:24,198 I KNOW THAT MY GRANDDAD IS UP THERE SOMEWHERE SMILING. 201 00:09:24,200 --> 00:09:25,532 [ CHUCKLES ] 202 00:09:25,534 --> 00:09:27,398 HUH? 203 00:09:27,400 --> 00:09:28,332 THAT'S CUTE. 204 00:09:28,334 --> 00:09:30,732 [ CHUCKLES ] BUT, UH, 205 00:09:30,734 --> 00:09:32,665 I NEED HER TO RESPECT THE SITUATION. 206 00:09:32,667 --> 00:09:34,731 I NEED HER TO PUT SOME RESPECT ON MISS LUMA'S NAME. 207 00:09:34,733 --> 00:09:37,865 YOU KNOW WHAT I'M SAYING? IT'S NOT REALLY ABOUT THE MONEY. 208 00:09:37,867 --> 00:09:40,465 I JUST NEED HER TO DO WHAT'S RIGHT. 209 00:09:40,467 --> 00:09:43,932 ♪♪ 210 00:09:43,934 --> 00:09:46,532 OKAY. 211 00:09:46,534 --> 00:09:51,131 ♪♪ 212 00:09:51,133 --> 00:09:53,865 SIS, COME ON. DO THIS. 213 00:09:53,867 --> 00:09:56,132 IT'S THE RIGHT THING TO DO. SHE DESERVES THIS. 214 00:09:56,134 --> 00:10:00,065 YOU HAVE THE POWER TO DO IT. WHY WON'T YOU? 215 00:10:00,067 --> 00:10:03,231 Y-Y-YOU'RE GONNA BE OLD ONE DAY, 216 00:10:03,233 --> 00:10:07,598 GOD WILLING, AND YOU'RE GONNA NEED HELP. 217 00:10:07,600 --> 00:10:10,465 DO THE RIGHT THING? 218 00:10:10,467 --> 00:10:11,932 [ SIGHS ] 219 00:10:11,934 --> 00:10:16,532 I'M WAIVING $207 FROM MISS LUMA LANGSTON. 220 00:10:16,534 --> 00:10:19,932 I'M ALSO NOTING THAT THIS IS THE FIRST AND FINAL TIME 221 00:10:19,934 --> 00:10:21,832 A WAIVER WILL BE GIVEN TO MISS LUMA 222 00:10:21,834 --> 00:10:25,299 OR TO HER CAREGIVER, GENTLY JAMES, CITYWIDE. 223 00:10:25,301 --> 00:10:26,499 PERIOD. PERIOD. 224 00:10:26,501 --> 00:10:29,631 I AGREE. THANK YOU SO MUCH. 225 00:10:29,633 --> 00:10:31,165 THANK YOU. 226 00:10:31,167 --> 00:10:34,098 UM... 227 00:10:34,100 --> 00:10:36,598 SHE WANTS TO CHECK THESE OUT NEXT. 228 00:10:36,600 --> 00:10:38,899 I KNOW, I KNOW. 229 00:10:38,901 --> 00:10:40,565 IT'S VERY ANNOYING. 230 00:10:40,567 --> 00:10:43,165 I APPRECIATE YOU. THANK YOU SO MUCH. 231 00:10:43,167 --> 00:10:47,532 ♪♪ 232 00:10:47,534 --> 00:10:51,299 ♪♪ 233 00:10:55,100 --> 00:10:57,765 [ FRANCCI'S "SOMEDAYS" PLAYS ] 234 00:10:57,767 --> 00:10:59,165 [ AIR BRAKES HISS ] 235 00:10:59,167 --> 00:11:02,798 ♪ SOME DAYS I WISH I COULD STAY IN BED ♪ 236 00:11:02,800 --> 00:11:04,532 THANKS. 237 00:11:04,534 --> 00:11:08,398 ♪ AND JUST FORGET ABOUT THE PROBLEMS THAT I HAVE ♪ 238 00:11:08,400 --> 00:11:10,031 [ HORN HONKS ] 239 00:11:10,033 --> 00:11:15,632 ♪ OH, AND SOME DAYS, I WISH I COULD SNAP MY FINGERS ♪ 240 00:11:15,634 --> 00:11:20,598 ♪ AND JUST LIKE THAT, ALL OF MY WORRIES DISAPPEAR ♪ 241 00:11:20,600 --> 00:11:22,998 ♪ BUT THAT AIN'T LIFE AT ALL ♪ 242 00:11:23,000 --> 00:11:28,499 ♪ LIFE AIN'T WHAT IT SEEMS THESE DAYS ♪ 243 00:11:28,501 --> 00:11:31,432 ♪ I'VE BEEN TRYING TO FEED MY PAIN ♪ 244 00:11:31,434 --> 00:11:36,732 [ TYSON FURY'S "ALL NIGHT LONG" PLAYS ] 245 00:11:36,734 --> 00:11:38,065 WHAT? 246 00:11:38,067 --> 00:11:43,065 ♪ OH, I'M DOWN, OH ♪ 247 00:11:43,067 --> 00:11:44,198 YOU DID IT? 248 00:11:44,200 --> 00:11:47,665 ♪ SHE'S ALWAYS ON TIME ♪ 249 00:11:47,667 --> 00:11:49,398 ♪ ESPECIALLY AT NIGHTTIME ♪ 250 00:11:49,400 --> 00:11:50,665 I DID IT! 251 00:11:50,667 --> 00:11:53,999 GIRL, I DIDN'T THINK YOU COULD PULL THIS OFF. 252 00:11:54,001 --> 00:11:56,265 I HAD NO FAITH IN YOU. 253 00:11:56,267 --> 00:11:58,199 [ BOTH LAUGH ] 254 00:11:58,201 --> 00:12:00,798 ♪ OH, I'M DOWN, BABY ♪ 255 00:12:00,800 --> 00:12:02,398 GIRL, YOU'RE SOMETHING ELSE. 256 00:12:02,400 --> 00:12:06,065 YOU KNOW I TAKE YOUR DARES AND BETS AND ULTIMATUMS 257 00:12:06,067 --> 00:12:09,398 AND "DON'T YOU COME HOME TILL IT'S DONES" VERY SERIOUSLY. 258 00:12:09,400 --> 00:12:13,132 YOU DID WELL, MY DEAR. YOU REALLY DID. 259 00:12:13,134 --> 00:12:16,565 AND I CAN'T TELL YOU HOW GRATEFUL I AM. 260 00:12:16,567 --> 00:12:17,765 OH, LORD. 261 00:12:17,767 --> 00:12:19,798 THANK YOU. 262 00:12:19,800 --> 00:12:23,565 UH, I KEEP TRYING TO TELL YOU AUDIOBOOKS ARE THE NEW THING. 263 00:12:23,567 --> 00:12:25,132 I THINK YOU'D LIKE THEM. 264 00:12:25,134 --> 00:12:27,732 IT'S JUST BASICALLY PEOPLE ACTING OUT THE STORY FOR YOU 265 00:12:27,734 --> 00:12:29,298 RIGHT IN YOUR EAR. 266 00:12:29,300 --> 00:12:32,465 THE JOY OF BOOKS 267 00:12:32,467 --> 00:12:37,065 IS THAT YOU GET TO ACT IT OUT FOR YOURSELF. 268 00:12:37,067 --> 00:12:38,332 AH? 269 00:12:38,334 --> 00:12:40,198 YES, MA'AM. 270 00:12:40,200 --> 00:12:43,998 YOU KNOW, I REALLY SHOULD'VE RETURNED THE BOOKS 271 00:12:44,000 --> 00:12:45,832 WHEN I WAS FINISHED WITH THEM. 272 00:12:45,834 --> 00:12:47,832 BUT, YOU KNOW... 273 00:12:47,834 --> 00:12:50,198 OR GIVEN YOU SOME MONEY TO GO PAY FOR THEM. 274 00:12:50,200 --> 00:12:52,398 THAT WAS TOO MUCH MONEY. 275 00:12:52,400 --> 00:12:56,431 YES, BUT RIGHT IS RIGHT. 276 00:12:56,433 --> 00:12:59,232 YOU KNOW, THIS GUY IN LINE 277 00:12:59,234 --> 00:13:02,332 OFFERED TO PAY WHEN HE HEARD THEY WERE YOURS. 278 00:13:02,334 --> 00:13:04,598 I TURNED HIM DOWN, THOUGH. 279 00:13:04,600 --> 00:13:07,999 YOU SHOULD'VE LET HIM PAY. 280 00:13:08,001 --> 00:13:10,198 YOU KNOW, IF A WELL-MANNERED MAN 281 00:13:10,200 --> 00:13:13,932 DECIDES TO GIVE YOU A HAND, UM, IT CAN'T HURT. 282 00:13:13,934 --> 00:13:17,431 ACTUALLY, A WELL-MANNERED MAN CAN HURT. 283 00:13:17,433 --> 00:13:18,898 YOU JUST HAVE TO MAKE SURE 284 00:13:18,900 --> 00:13:20,765 THAT IT'S WORTH IT. [ CHUCKLES ] 285 00:13:20,767 --> 00:13:24,065 OKAY, THAT PART. [ CHUCKLES ] 286 00:13:24,067 --> 00:13:26,732 [ TELEPHONE RINGING ] 287 00:13:26,734 --> 00:13:29,998 -[ LAUGHS ] -EVAN FISHER. MY MAN. 288 00:13:30,000 --> 00:13:31,198 HEY. 289 00:13:31,200 --> 00:13:32,465 YOU STAY WORKING ON THE WEEKEND, BRUH? 290 00:13:32,467 --> 00:13:33,865 HEY, MAN, YOU KNOW I GOT TO WIN. 291 00:13:33,867 --> 00:13:36,732 UM, WATCH OUT FOR HER? 20 MINUTES? 292 00:13:36,734 --> 00:13:37,932 I GOT YOU. 293 00:13:37,934 --> 00:13:40,465 [ INHALES SHARPLY ] UNH-UNH. 294 00:13:40,467 --> 00:13:43,865 I'M LITERALLY HERE TO DO A DIAGNOSTIC AND ONE LAST THING. 295 00:13:43,867 --> 00:13:45,198 YEAH, THAT'S WHAT I SAID TWO HOURS AGO. 296 00:13:45,200 --> 00:13:46,265 NO, I'M SERIOUS, DANA. 297 00:13:46,267 --> 00:13:48,065 OKAY. 298 00:13:48,067 --> 00:13:49,332 I NEED YOU TO LOOK AT THIS ONE THING. 299 00:13:49,334 --> 00:13:50,398 ONE THING, EVAN, I PROMISE. PLEASE? 300 00:13:50,400 --> 00:13:51,865 [ SIGHS ] OKAY. 301 00:13:51,867 --> 00:13:53,265 THANK YOU. 302 00:13:53,267 --> 00:13:54,598 SEE THOSE MULTIPLE ALGORITHMS 303 00:13:54,600 --> 00:13:55,798 RUNNING CONCURRENTLY OUTSIDE THE BRACKET? 304 00:13:55,800 --> 00:13:57,332 IT'S CREATING FALSE ENTRY. 305 00:13:57,334 --> 00:13:58,998 ACCOUNTS ARE BEING OPENED EVEN WHEN THE WRONG PASSWORD 306 00:13:59,000 --> 00:14:00,598 IS ENTERED AS LONG AS THE NUMBER EXISTS 307 00:14:00,600 --> 00:14:02,032 SOMEWHERE WITHIN THE COMBINATION. 308 00:14:02,034 --> 00:14:04,032 LIKE I TOLD YOU, I INFORMED MANAGEMENT ABOUT THIS 309 00:14:04,034 --> 00:14:05,765 IN MY END-OF-QUARTER ANALYSIS THREE WEEKS AGO. 310 00:14:05,767 --> 00:14:06,998 -OKAY. -THEY KNOW. 311 00:14:07,000 --> 00:14:09,299 BEYOND THAT, THERE'S NOT MUCH I CAN DO. 312 00:14:09,301 --> 00:14:12,031 I DON'T GET IT, EVAN. UH, THIS IS BIG. 313 00:14:12,033 --> 00:14:13,765 I TOLD YOU IT WAS BIG. 314 00:14:13,767 --> 00:14:16,465 SO WHY GIVE UP? 315 00:14:16,467 --> 00:14:18,132 YOU COME IN ON WEEKENDS. YOU STAY LATE. 316 00:14:18,134 --> 00:14:19,932 YOU'RE THE BEST AT THIS, BUT IT'S LIKE YOU DON'T CARE. 317 00:14:19,934 --> 00:14:21,365 LOOK, I DO MY JOB, 318 00:14:21,367 --> 00:14:23,232 AND I USE THIS JOB TO LEARN, TO GET BETTER. 319 00:14:23,234 --> 00:14:26,399 THAT'S WHY I'M HERE. 320 00:14:26,401 --> 00:14:29,098 I'M A COMPANY MAN. JUST NOT FOR THIS COMPANY. 321 00:14:29,100 --> 00:14:34,332 LOOK, I'M DOING SOMETHING THAT WILL BE BIG ONE DAY FOR MY OWN. 322 00:14:34,334 --> 00:14:37,432 THAT NEW COMPANY OF YOURS? IT'S GONNA NEED A V.P. 323 00:14:37,434 --> 00:14:38,298 [ SIGHS ] 324 00:14:38,300 --> 00:14:39,432 I'LL SEND YOU MY RéSUMé. 325 00:14:39,434 --> 00:14:41,765 OH. [ CHUCKLES ] I'M SURE YOU WILL. 326 00:14:41,767 --> 00:14:44,831 [ TELEPHONE RINGING ] 327 00:14:44,833 --> 00:14:47,298 ♪♪ 328 00:14:47,300 --> 00:14:49,098 I DID SEE "DIAMOND OF DIXIE." 329 00:14:49,100 --> 00:14:50,432 THAT'S A GOOD ONE. [ CHUCKLES ] 330 00:14:50,434 --> 00:14:51,698 [ CHUCKLING ] YEAH. 331 00:14:51,700 --> 00:14:54,465 ♪ MMM, MNH ♪ 332 00:14:54,467 --> 00:14:57,832 ♪ I COULD STOP A TRAIN IF I WANT TO ♪ 333 00:14:59,867 --> 00:15:02,865 ♪ STOP IT IN ITS TRACKS SO IT DON'T MOVE ♪ 334 00:15:02,867 --> 00:15:06,031 Librarian: OR TO HER CAREGIVER, GENTLY JAMES. 335 00:15:06,033 --> 00:15:11,865 ♪ FOR YOUR LOVE, THERE'S NOTHING THAT I WON'T DO ♪ 336 00:15:11,867 --> 00:15:15,932 ♪ BUT YOU DON'T FEEL THE SAME, SO IT'S NO USE ♪ 337 00:15:15,934 --> 00:15:21,265 ♪ I CAN'T MAKE YOU STAY ♪ 338 00:15:21,267 --> 00:15:22,931 ♪♪ 339 00:15:22,933 --> 00:15:26,299 ♪ STAY ♪ 340 00:15:26,301 --> 00:15:28,499 [ CHUCKLES ] 341 00:15:28,501 --> 00:15:31,898 ♪ STAY ♪ 342 00:15:31,900 --> 00:15:34,565 ♪♪ 343 00:15:34,567 --> 00:15:39,331 ♪ STAY ♪ 344 00:15:39,333 --> 00:15:41,032 ♪ CAN'T MAKE YOU STAY ♪ 345 00:15:41,034 --> 00:15:42,665 GET WHAT YOU WANT. 346 00:15:42,667 --> 00:15:47,065 ♪ COOK YOUR FAVORITE MEAL WHEN I'M OFF WORK ♪ 347 00:15:47,067 --> 00:15:50,331 ♪ I'M TIRED, BUT I KNOW WHAT MY GIRL'S WORTH ♪ 348 00:15:50,333 --> 00:15:52,732 Gently: DAMN THIS OLD LEAKY FRIDGE. 349 00:15:52,734 --> 00:15:54,532 [ CELLPHONE CHIMES ] 350 00:15:54,534 --> 00:15:58,232 ♪ GOOD LOVIN', DON'T I ALWAYS PUT MY GIRL FIRST? ♪ 351 00:15:58,234 --> 00:16:00,031 ♪ I SWEAR I GIVE A BETTER LOVIN' THAN YOU DESERVE ♪ 352 00:16:00,033 --> 00:16:02,165 WOW. 353 00:16:02,167 --> 00:16:04,498 ♪ STAY ♪ 354 00:16:04,500 --> 00:16:05,832 OH, MY GOD. 355 00:16:05,834 --> 00:16:08,065 -[ CHUCKLES ] -♪ CAN'T MAKE YOU STAY ♪ 356 00:16:08,067 --> 00:16:11,599 -I CAN'T SEE IT, HONEY. -OKAY. I'LL MAKE IT BIGGER. 357 00:16:11,601 --> 00:16:13,732 ♪ WHOA, MAMA, YOU SAY I TALK SO GOOD ♪ 358 00:16:13,734 --> 00:16:15,132 OKAY. 359 00:16:15,134 --> 00:16:17,865 OH. HE HAS A NICE LOOK ABOUT HIM. 360 00:16:17,867 --> 00:16:19,665 ♪ WITH A SMILE LIKE YOURS, OH, I REALLY SHOULD ♪ 361 00:16:19,667 --> 00:16:21,532 NOT YOUR TYPE, THOUGH. 362 00:16:21,534 --> 00:16:23,432 WHAT'S MY TYPE, MISS LUMA? 363 00:16:23,434 --> 00:16:26,132 BIG AND DUMB. 364 00:16:26,134 --> 00:16:28,065 [ BOTH LAUGH ] 365 00:16:28,067 --> 00:16:31,598 DON'T GET ME WRONG, GIRL. THEY'RE A GREAT TYPE. 366 00:16:31,600 --> 00:16:36,765 I HAVE RATHER ENJOYED THAT TYPE MYSELF OVER THE YEARS, 367 00:16:36,767 --> 00:16:39,365 AND HE'S NOT THAT, I'M SORRY TO SAY. 368 00:16:39,367 --> 00:16:41,365 [ BOTH LAUGH ] 369 00:16:41,367 --> 00:16:44,132 IT LOOKS LIKE HE WORKS AT SOME KIND OF TECH COMPANY. 370 00:16:44,134 --> 00:16:45,732 YOU KNOW THAT MEANS MONEY. 371 00:16:45,734 --> 00:16:47,399 WELL, YOU SHOULD KNOW THAT. 372 00:16:47,401 --> 00:16:51,065 I MEAN, YOU WOULDN'T BE ABLE TO GIVE $200 TO A LIBRARIAN 373 00:16:51,067 --> 00:16:52,498 IF YOU DIDN'T HAVE MONEY. 374 00:16:52,500 --> 00:16:53,765 TRUE. 375 00:16:53,767 --> 00:16:56,232 WHAT'S THAT? WHO'S THAT? 376 00:16:56,234 --> 00:16:58,665 LOOKS LIKE HIS FAMILY. 377 00:16:58,667 --> 00:17:00,798 THAT'S A NICE FAMILY PHOTO. 378 00:17:00,800 --> 00:17:03,099 YEAH, I GUESS. 379 00:17:03,101 --> 00:17:05,798 SEE? THAT'S YOUR PROBLEM, I WOULD THINK. 380 00:17:05,800 --> 00:17:07,465 THAT'S TRULY YOUR PROBLEM. 381 00:17:07,467 --> 00:17:12,865 YOU HAVE AN ATTENTION-DEFICIT SYNDROME TOWARDS MEN. 382 00:17:12,867 --> 00:17:14,332 MM-HMM. 383 00:17:14,334 --> 00:17:20,465 I MEAN, NOT ONE OF THEM CAN HOLD YOUR ATTENTION. 384 00:17:20,467 --> 00:17:21,398 HUH? 385 00:17:21,400 --> 00:17:22,598 [ SCOFFS ] 386 00:17:22,600 --> 00:17:24,065 WHAT'S WRONG? 387 00:17:24,067 --> 00:17:26,532 YOU'RE RIGHT. ♪ SHE SAID RUN AWAY, BOY ♪ 388 00:17:26,534 --> 00:17:29,065 BUT I DON'T THINK IT'S A PROBLEM. 389 00:17:29,067 --> 00:17:31,465 DOESN'T FEEL LIKE A PROBLEM. 390 00:17:31,467 --> 00:17:33,798 FEELS JUST FINE TO ME. 391 00:17:33,800 --> 00:17:37,532 GIRL [CHUCKLES] YOU'RE SO MUCH LIKE ME, 392 00:17:37,534 --> 00:17:39,265 IT'S A HOOT TO SEE. 393 00:17:39,267 --> 00:17:39,999 [ CHUCKLES ] 394 00:17:43,400 --> 00:17:46,398 [ MUSIC PLAYING ] 395 00:17:46,400 --> 00:17:47,931 [ CHILDREN SHOUTING ] 396 00:17:47,933 --> 00:17:55,398 ♪♪ 397 00:17:55,400 --> 00:18:02,998 ♪♪ 398 00:18:03,000 --> 00:18:10,732 ♪♪ 399 00:18:10,734 --> 00:18:13,332 HEY, SWEETHEART. LOVE YOU. 400 00:18:13,334 --> 00:18:14,998 ♪♪ 401 00:18:15,000 --> 00:18:18,131 HEY, HEY, HEY. 402 00:18:18,133 --> 00:18:19,598 WHAT'D SHE SAY? 403 00:18:19,600 --> 00:18:20,998 UH, SAME THING. 404 00:18:21,000 --> 00:18:22,598 MOTHER DOESN'T UNDERSTAND HER, DOESN'T LIKE HER, 405 00:18:22,600 --> 00:18:24,265 AND LIFE IS BASICALLY HOPELESS. 406 00:18:24,267 --> 00:18:25,798 WHAT DID ELLENE SAY? 407 00:18:25,800 --> 00:18:28,132 DAUGHTER HATES HER, SHE DOESN'T KNOW WHY, 408 00:18:28,134 --> 00:18:31,365 SHE'S A TERRIBLE MOTHER, AND LIFE IS A DISASTER. 409 00:18:31,367 --> 00:18:35,499 NICE. [ SIGHS ] HEY, MAN, I FEEL FOR YOU. 410 00:18:35,501 --> 00:18:38,032 HAVING TO PLAY BOTH SIDES. LIVING WITH ALL THIS DRAMA. 411 00:18:38,034 --> 00:18:39,699 YOU DON'T KNOW THE HALF OF IT, MAN. 412 00:18:39,701 --> 00:18:41,165 HEY, SIS. 413 00:18:41,167 --> 00:18:42,532 HEY. 414 00:18:42,534 --> 00:18:44,398 MM. THANK YOU. 415 00:18:44,400 --> 00:18:45,998 THANK YOU FOR HANDLING HER TODAY. 416 00:18:46,000 --> 00:18:48,532 YEAH, SHE'S FINE. EVERYTHING'S GONNA BE OKAY. 417 00:18:48,534 --> 00:18:51,532 MM-HMM. YOU WANT TO STAY FOR LUNCH? 418 00:18:51,534 --> 00:18:53,398 AND I'LL JUST WHIP YOU UP A LITTLE SANDIE REAL QUICK? 419 00:18:53,400 --> 00:18:56,665 COOL. [ CELLPHONE CHIMES ] 420 00:18:56,667 --> 00:18:57,532 [ SIGHS ] 421 00:18:57,534 --> 00:19:00,532 UM... 422 00:19:00,534 --> 00:19:01,665 I GOT TO GO. 423 00:19:01,667 --> 00:19:03,665 [ CHUCKLES ] I'M GONNA ROLL. 424 00:19:03,667 --> 00:19:04,932 HERE YOU GO. 425 00:19:04,934 --> 00:19:07,132 DAMN, MAN, WHAT'S UP? 426 00:19:07,134 --> 00:19:10,099 I DON'T KNOW, BUT I'M GONNA FIND OUT. 427 00:19:10,101 --> 00:19:12,698 NICK. 428 00:19:12,700 --> 00:19:13,965 [ SIGHS ] 429 00:19:13,967 --> 00:19:15,432 COMING, SWEETHEART. 430 00:19:15,434 --> 00:19:19,865 ♪♪ 431 00:19:19,867 --> 00:19:24,865 Woman: SO, BY THE TIME THIS PARTICULAR PODCAST AIRS... 432 00:19:24,867 --> 00:19:26,665 [ HORN HONKS IN DISTANCE ] 433 00:19:26,667 --> 00:19:29,932 ...BLACK WOMEN'S EQUAL PAY DAY WILL HAVE COME AND GONE. 434 00:19:29,934 --> 00:19:30,865 HEY. 435 00:19:30,867 --> 00:19:31,732 HEY. 436 00:19:31,734 --> 00:19:32,998 HOW ARE YOU? 437 00:19:33,000 --> 00:19:34,198 I'M GOOD. HOW ARE YOU? 438 00:19:34,200 --> 00:19:36,465 GOOD. HAPPY TO SEE YOU. 439 00:19:36,467 --> 00:19:37,932 YOU'RE GONNA BE EVEN HAPPIER 440 00:19:37,934 --> 00:19:40,699 ONCE YOU TASTE WHAT'S INSIDE THIS MAGNIFICENT DOOR. 441 00:19:40,701 --> 00:19:42,765 OKAY, SHOW ME. 442 00:19:42,767 --> 00:19:46,298 ♪ I CAN'T, I CAN'T LIVE WITHOUT IT, WITHOUT IT ♪ 443 00:19:46,300 --> 00:19:49,131 Woman: ONE VANILLA BEAN, ONE PECAN. 444 00:19:49,133 --> 00:19:53,599 ♪ DON'T TAKE, DON'T TAKE YOUR LOVE FROM ME, FROM ME ♪ 445 00:19:53,601 --> 00:19:57,598 ♪ I CAN'T, I CAN'T LIVE WITHOUT IT, WITHOUT IT ♪ 446 00:19:57,600 --> 00:20:00,465 HI. UM, I'LL HAVE AN ORIGINAL... 447 00:20:00,467 --> 00:20:01,332 OKAY. 448 00:20:01,334 --> 00:20:02,798 ...AND... 449 00:20:02,800 --> 00:20:04,665 UH, IS THERE A MENU? 450 00:20:04,667 --> 00:20:07,032 YOU WANT ME TO ORDER FOR YOU? PLEASE. 451 00:20:07,034 --> 00:20:09,165 ONE COOKIES AND CREAM. ONE STRAWBERRY. 452 00:20:09,167 --> 00:20:13,198 ALL RIGHT. 453 00:20:13,200 --> 00:20:14,831 HERE YOU GO. 454 00:20:14,833 --> 00:20:16,432 -THANK YOU SO MUCH. -THANK YOU. 455 00:20:16,434 --> 00:20:18,532 IS THERE A PLACE TO SIT? 456 00:20:18,534 --> 00:20:20,199 TAKE A BITE FIRST. 457 00:20:20,201 --> 00:20:22,931 Evan: ALRIGHT. 458 00:20:22,933 --> 00:20:25,865 SO WHAT'S UP? WHAT'S UP? WHAT YOU THINK? 459 00:20:25,867 --> 00:20:27,998 [ CHUCKLES ] 460 00:20:28,000 --> 00:20:32,665 [ INDISTINCT CONVERSATIONS ] 461 00:20:32,667 --> 00:20:34,798 DAMN! 462 00:20:34,800 --> 00:20:35,665 RIGHT? 463 00:20:35,667 --> 00:20:37,332 MM-HMM. 464 00:20:37,334 --> 00:20:40,198 OKAY, WHAT'S IN THIS? 465 00:20:40,200 --> 00:20:42,665 JUST A WHOLE LOT OF BAD TO MAKE IT GOOD. 466 00:20:42,667 --> 00:20:44,298 [ CHUCKLES ] 467 00:20:44,300 --> 00:20:45,165 OKAY. 468 00:20:45,167 --> 00:20:46,365 [ GRUNTS ] 469 00:20:46,367 --> 00:20:47,965 SO WE STARTED WITH ORIGINAL. UH-HUH. 470 00:20:47,967 --> 00:20:49,332 BUT THAT WAS JUST TO CLEANSE YOUR PALETTE. 471 00:20:49,334 --> 00:20:54,132 NOW YOU HAVE YOUR CHOICE -- OREO, STRAWBERRY? 472 00:20:54,134 --> 00:20:55,465 MM. 473 00:20:55,467 --> 00:20:57,398 OH, YOUR CHOICE SAYS A LOT ABOUT YOU. 474 00:20:57,400 --> 00:20:58,265 [ CHUCKLES ] 475 00:20:58,267 --> 00:20:59,865 OH, OKAY, I SEE. 476 00:20:59,867 --> 00:21:01,732 SO THIS IS SOME KIND OF TRICK, SOME KIND OF TEST. 477 00:21:01,734 --> 00:21:03,665 NO. 478 00:21:03,667 --> 00:21:04,999 JUST PICK THE ONE YOU WANT. 479 00:21:05,001 --> 00:21:06,665 NO, YOU JUST SAID IT SAYS A LOT ABOUT ME. 480 00:21:06,667 --> 00:21:09,398 IT DOES, BUT THERE'S NO RIGHT ANSWER. 481 00:21:09,400 --> 00:21:10,531 MM. 482 00:21:10,533 --> 00:21:12,598 IT'S ALL INFORMATION. 483 00:21:12,600 --> 00:21:14,732 LIFE IS INFORMATION. 484 00:21:14,734 --> 00:21:17,198 I'M INFORMATION-GATHERING. 485 00:21:17,200 --> 00:21:19,465 [ CHUCKLES ] 486 00:21:19,467 --> 00:21:22,265 WELL, YOU KNOW, I DO, UH, ANALYSIS FOR A LIVING, 487 00:21:22,267 --> 00:21:26,198 SO THIS DOESN'T INTIMIDATE ME. 488 00:21:26,200 --> 00:21:28,132 I BELIEVE YOU. 489 00:21:28,134 --> 00:21:30,398 OH, OKAY. 490 00:21:30,400 --> 00:21:33,932 UH, WELL, IF I PICK THE STRAWBERRY, 491 00:21:33,934 --> 00:21:38,965 MAYBE YOU THINK I'M SOFT BECAUSE I LIKE FRUIT. 492 00:21:38,967 --> 00:21:41,999 THEN IF I PICK THE OREO, MAYBE YOU THINK I AM ONE. 493 00:21:42,001 --> 00:21:43,499 [ BOTH LAUGH ] 494 00:21:43,501 --> 00:21:48,131 ON THE OTHER HAND, IF I PICK STRAWBERRY, 495 00:21:48,133 --> 00:21:52,798 MAYBE YOU THINK I'M SENSITIVE AND SWEET. 496 00:21:52,800 --> 00:21:55,065 OR MAYBE THE RICH, DARK CHOCOLATE 497 00:21:55,067 --> 00:21:59,465 SAYS SOMETHING ABOUT ME. 498 00:21:59,467 --> 00:22:01,332 YEAH, I SEE YOU'RE GOOD AT YOUR JOB. 499 00:22:01,334 --> 00:22:02,398 YEAH. 500 00:22:02,400 --> 00:22:03,265 I CAN SEE THAT. 501 00:22:03,267 --> 00:22:04,232 YEAH. 502 00:22:04,234 --> 00:22:09,399 [ BOTH CHUCKLE ] 503 00:22:09,401 --> 00:22:10,399 THIS ONE. 504 00:22:10,401 --> 00:22:13,198 YES! FANTASTIC CHOICE! 505 00:22:13,200 --> 00:22:14,798 [ CHUCKLES ] OREO'S MY FAVORITE. 506 00:22:14,800 --> 00:22:18,065 OH, OH, OKAY, OKAY. 507 00:22:18,067 --> 00:22:19,932 SO THIS IS INFORMATION. 508 00:22:19,934 --> 00:22:21,998 AH, SO IT'S MORE ABOUT WHAT YOU WANT 509 00:22:22,000 --> 00:22:23,332 AND LESS ABOUT WHAT I GET WRONG. 510 00:22:23,334 --> 00:22:24,132 IS THAT HOW YOU WORK? I MEAN -- 511 00:22:24,134 --> 00:22:25,765 IS THAT -- IS THAT IT? 512 00:22:25,767 --> 00:22:28,565 YOU KNOW THE SAYING -- HAPPY WIFE, HAPPY LIFE. 513 00:22:28,567 --> 00:22:29,632 [ SCOFFS ] 514 00:22:29,634 --> 00:22:31,065 LOOK, OKAY... 515 00:22:31,067 --> 00:22:32,332 UH-HUH. ...I'M NOT SAYING 516 00:22:32,334 --> 00:22:34,332 THAT APPLIES PERFECTLY TO THIS SITUATION, 517 00:22:34,334 --> 00:22:37,665 BUT THE UNDERLYING PRINCIPLE REMAINS THE SAME. 518 00:22:37,667 --> 00:22:40,332 PEOPLE WANT TO BE AROUND HAPPY PEOPLE 519 00:22:40,334 --> 00:22:42,332 MORE THAN AROUND PEOPLE WHO AREN'T HAPPY. 520 00:22:42,334 --> 00:22:47,731 SO WHY NOT JUST TRY OUR BEST TO MAKE EACH OTHER HAPPY 521 00:22:47,733 --> 00:22:49,065 IN EVERY INTERACTION, 522 00:22:49,067 --> 00:22:52,698 IN EVERY MOMENT WITH EVERY PERSON? 523 00:22:52,700 --> 00:22:55,065 LIKE, YOU JUST MADE ME HAPPY. 524 00:22:55,067 --> 00:22:56,432 DOESN'T THAT MAKE YOU HAPPY? 525 00:22:56,434 --> 00:22:58,232 YEAH, IT DOES. 526 00:22:58,234 --> 00:23:01,198 YEAH, AND SITTING HERE WITH YOU, 527 00:23:01,200 --> 00:23:07,132 ANSWERING YOUR D.M., THAT MADE ME HAPPY TO DO FOR YOU. 528 00:23:07,134 --> 00:23:10,498 EVEN SITTING ON THIS DIRTY-ASS CURB IS NICE... 529 00:23:10,500 --> 00:23:11,565 [ BOTH LAUGH ] 530 00:23:11,567 --> 00:23:14,865 ...IN THIS MOMENT. 531 00:23:14,867 --> 00:23:20,565 THAT'S ALL THERE IS. THAT'S ALL WE HAVE, YOU KNOW? 532 00:23:20,567 --> 00:23:23,098 YEAH. 533 00:23:23,100 --> 00:23:28,532 ♪♪ 534 00:23:28,534 --> 00:23:31,399 OKAY. 535 00:23:31,401 --> 00:23:33,799 BUT WHAT ABOUT PEOPLE WHO -- 536 00:23:33,801 --> 00:23:36,998 WHO DON'T MAKE EACH OTHER HAPPY? 537 00:23:37,000 --> 00:23:40,965 I MEAN, LIKE, WHAT IF I -- I PICKED THE OREO? 538 00:23:40,967 --> 00:23:44,532 OR WHAT IF I WANTED TO TAKE YOU TO A RESTAURANT 539 00:23:44,534 --> 00:23:48,265 WITH TABLES AND CHAIRS? 540 00:23:48,267 --> 00:23:50,598 WELL, I GUESS WE WOULDN'T BE SITTING HERE HAPPY. 541 00:23:50,600 --> 00:23:55,631 AS IN YOU'D BE UPSET? 542 00:23:55,633 --> 00:23:59,299 NO. AS IN I'D BE GONE. 543 00:23:59,301 --> 00:24:02,732 LIFE'S TOO SHORT, YOU KNOW? 544 00:24:04,900 --> 00:24:07,198 MMM! 545 00:24:07,200 --> 00:24:09,532 YOU GOT TO TRY THE OREO. 546 00:24:09,534 --> 00:24:12,932 [ HORNS HONKING ] 547 00:24:16,400 --> 00:24:19,265 UH, SO, IT'S A COMPANY THAT PROVIDES THE WIREFRAMES 548 00:24:19,267 --> 00:24:21,598 FROM SECURITY LOG-INS. 549 00:24:21,600 --> 00:24:23,132 [ CHUCKLES ] 550 00:24:23,134 --> 00:24:25,265 SO WHEN YOU GO TO A SITE OR AN APP 551 00:24:25,267 --> 00:24:27,065 AND YOU PUT YOUR PERSONAL INFORMATION IN, 552 00:24:27,067 --> 00:24:29,065 WE BUILD THAT PART 553 00:24:29,067 --> 00:24:30,999 AND THEN SELL IT OVER TO VARIOUS DEVELOPERS. 554 00:24:31,001 --> 00:24:33,331 OKAY. DO YOU LIKE IT? 555 00:24:33,333 --> 00:24:35,131 IT'S A LIVING. 556 00:24:35,133 --> 00:24:36,831 SO YOU DON'T LIKE IT. 557 00:24:36,833 --> 00:24:39,231 I LIKE THE LIVING IT PROVIDES ME. 558 00:24:39,233 --> 00:24:40,831 I LIKE HOW I LIVE, WHERE I LIVE, 559 00:24:40,833 --> 00:24:45,765 HELPING MY FAMILY, PAYING FOR SCHOOL. 560 00:24:45,767 --> 00:24:50,398 I THINK THAT'S ENOUGH FOR ME RIGHT NOW. 561 00:24:50,400 --> 00:24:52,732 I AM WORKING ON MY OWN PERSONAL, UH, 562 00:24:52,734 --> 00:24:55,532 COMPANY CONCEPT, THIS IDEA I HAVE CALLED ZUBERI. 563 00:24:55,534 --> 00:24:57,732 IT MEANS "STRENGTH" IN SWAHILI. 564 00:24:57,734 --> 00:24:59,465 SO THIS PLACE IS JUST A STEP. 565 00:24:59,467 --> 00:25:02,998 OKAY. 566 00:25:03,000 --> 00:25:06,732 UH, HOW LONG YOU, UH, BEEN LIVING IN WEST ADAMS? 567 00:25:06,734 --> 00:25:09,398 I KIND OF GREW UP OVER HERE. 568 00:25:09,400 --> 00:25:11,065 THERE ARE SOME BEAUTIFUL HOMES. 569 00:25:11,067 --> 00:25:12,465 I DIDN'T GROW UP IN THE BEAUTIFUL PART, 570 00:25:12,467 --> 00:25:15,465 BUT ALWAYS WANTED TO LIVE IN THAT PART, THOUGH. 571 00:25:15,467 --> 00:25:17,465 THAT'S HALF THE REASON I CAME HOME -- 572 00:25:17,467 --> 00:25:19,465 THE CHANCE TO LIVE IN ONE OF THESE HOUSES. 573 00:25:19,467 --> 00:25:21,798 MM. 574 00:25:21,800 --> 00:25:23,331 LUMA LANGSTON. 575 00:25:23,333 --> 00:25:24,665 MAN. 576 00:25:24,667 --> 00:25:26,065 THAT'S CRAZY THAT YOU WORK FOR HER. 577 00:25:26,067 --> 00:25:28,065 IT'S AN HONOR EVERY DAY. 578 00:25:28,067 --> 00:25:30,798 SO IS SHE AS COOL AS SHE WAS BACK THEN? 579 00:25:30,800 --> 00:25:33,899 COOLER. INFINITELY COOLER THAN I'D EVER BE 580 00:25:33,901 --> 00:25:36,031 IF I'D GONE THROUGH ALL THAT SHE HAS. 581 00:25:36,033 --> 00:25:39,832 SO MUCH TALENT, AND SHE NEVER GOT A CHANCE TO SHOW IT. 582 00:25:39,834 --> 00:25:42,865 SHE'S ALWAYS PLAYING THE MAIDS AND SIDEKICKS 583 00:25:42,867 --> 00:25:45,465 IN THE BACKGROUND OF OTHER PEOPLE'S STORIES. 584 00:25:45,467 --> 00:25:49,532 THAT WOMAN CAN SING, SHE ACTS, SHE CAN DANCE. 585 00:25:49,534 --> 00:25:52,265 IN SIX FILMS. SHE'S A GENIUS, 586 00:25:52,267 --> 00:25:58,131 AND SHE'S KNOWN FOR PLAYING A MAID IN SIX LOUSY FILMS. 587 00:25:58,133 --> 00:25:59,999 WHAT DID SHE DO TO SURVIVE ALL THOSE YEARS? 588 00:26:00,001 --> 00:26:02,465 TAUGHT DRAMA AT L.A. UNIFIED. 589 00:26:02,467 --> 00:26:06,199 SHE PASSED HER GIFT ON TO OTHERS. 590 00:26:06,201 --> 00:26:07,132 SOUNDS AMAZING. 591 00:26:07,134 --> 00:26:10,065 NO, SHE'S A QUEEN. 592 00:26:10,067 --> 00:26:12,265 SHOULD I TURN HERE? 593 00:26:12,267 --> 00:26:14,865 YOU KNOW, ACTUALLY, YOU CAN DROP ME OFF A COUPLE BLOCKS UP. 594 00:26:14,867 --> 00:26:17,031 I GOT AN ERRAND TO RUN. I NEED TO GRAB SOME WHEELS. 595 00:26:17,033 --> 00:26:18,265 OH, I GOT YOU. 596 00:26:18,267 --> 00:26:20,598 YEAH, I'M ENJOYING YOUR LUXURY WHIP, 597 00:26:20,600 --> 00:26:22,665 BUT I NEED A FLATBED. 598 00:26:22,667 --> 00:26:24,398 OH, A FLATBED? 599 00:26:24,400 --> 00:26:25,598 THAT'S THE WORST KIND OF ERRAND. 600 00:26:25,600 --> 00:26:27,932 [ BOTH LAUGH ] 601 00:26:27,934 --> 00:26:31,198 YOU NEED A HAND? 602 00:26:31,200 --> 00:26:35,865 YEAH, I'LL TAKE A HAND. 603 00:26:35,867 --> 00:26:38,899 OKAY. 604 00:26:38,901 --> 00:26:44,832 [ INDISTINCT CONVERSATIONS ] 605 00:26:44,834 --> 00:26:48,398 HEY, GENTLY! GENTLY! 606 00:26:48,400 --> 00:26:50,098 GENTLY! 607 00:26:50,100 --> 00:26:52,432 DO YOU MIND IF WE STOP FOR A SECOND? 608 00:26:52,434 --> 00:26:55,232 ♪ IT'S PREEMPTORY ♪ 609 00:26:55,234 --> 00:26:58,332 ♪ FIRST SHE AIN'T REMEMBER ME ♪ 610 00:26:58,334 --> 00:27:01,265 ♪ BUT NOVEMBER ME IS DIFFERENT THAN DECEMBER ME ♪ 611 00:27:01,267 --> 00:27:02,332 ♪ WHEN SHE REMEMBERED ME ♪ 612 00:27:02,334 --> 00:27:04,099 HEY, GENTLY, HELP YOUR BOY OUT. 613 00:27:04,101 --> 00:27:05,565 I GOT TO GET TO THE SPOT BEFORE THEY CLOSE. 614 00:27:05,567 --> 00:27:06,932 THEY CLOSE EARLY ON SUNDAY. 615 00:27:06,934 --> 00:27:08,265 ♪ SHE ALWAYS THANK WHAT'S UP ABOVE ♪ 616 00:27:08,267 --> 00:27:10,732 DO YOU MIND? HE'S THE SWEETEST KID. 617 00:27:10,734 --> 00:27:11,999 HE RECYCLES TO TAKE CARE OF HIMSELF. 618 00:27:12,001 --> 00:27:13,398 IT'S COOL. IT'S COOL. 619 00:27:13,400 --> 00:27:15,999 YO, POP THE TRUNK. I GOT TO GET THERE. 620 00:27:16,001 --> 00:27:17,065 THANKS, EVAN. 621 00:27:17,067 --> 00:27:18,498 [ BOTH CHUCKLE ] 622 00:27:18,500 --> 00:27:21,365 [ LIQUID SLOSHING ] 623 00:27:21,367 --> 00:27:23,998 ♪ REGARDLESS, WE FOUND IT ♪ 624 00:27:24,000 --> 00:27:27,198 ♪♪ 625 00:27:27,200 --> 00:27:29,332 ♪ REGARDLESS, WE FOUND IT ♪ 626 00:27:29,334 --> 00:27:33,098 Lil Fat: [ GRUNTS ] 627 00:27:33,100 --> 00:27:34,765 [ SIGHS ] 628 00:27:34,767 --> 00:27:36,465 THANK YOU FOR STOPPING, GENTLY. 629 00:27:36,467 --> 00:27:39,398 LIL FAT, THIS IS EVAN. 630 00:27:39,400 --> 00:27:41,532 AND BETTER NOT BE A DRIP DROP OF SODA 631 00:27:41,534 --> 00:27:43,265 OR NOTHING COMING OUT THEM BAGS. 632 00:27:43,267 --> 00:27:44,665 WHAT I LOOK LIKE? 633 00:27:44,667 --> 00:27:47,298 NOW, I'M A PROFESSIONAL AT THIS GAME, OKAY? 634 00:27:47,300 --> 00:27:50,065 I CLEAN MY CANS BEFORE THEY GO IN THESE BAGS. 635 00:27:50,067 --> 00:27:51,532 THESE THE CLEAN BAGS. 636 00:27:51,534 --> 00:27:55,032 THE DIRTY ONES IN THE TRUNK. I GOT CLASS. 637 00:27:55,034 --> 00:27:58,865 YO, THIS IS SERIOUS BUSINESS AT THIS POINT. 638 00:27:58,867 --> 00:28:00,565 DID Y'ALL HEAR ABOUT HOW THAT FOOL TOOK AMERICA 639 00:28:00,567 --> 00:28:02,298 OUT OF THE PARIS CLIMATE-CHANGE ACCORDS? 640 00:28:02,300 --> 00:28:05,965 LOOK, RECYCLING IS A BUSINESS, AND I'M A BUSINESSMAN, BUT -- 641 00:28:05,967 --> 00:28:08,398 PEOPLE GOT TO RECOGNIZE THAT CLIMATE CHANGE 642 00:28:08,400 --> 00:28:10,532 ISN'T JUST ABOUT SOME POLAR BEARS 643 00:28:10,534 --> 00:28:11,532 LOSING THEIR ICEBERGS. 644 00:28:11,534 --> 00:28:12,932 IT AFFECTS THE FOOD THAT WE EAT 645 00:28:12,934 --> 00:28:14,665 AND THE ROADS THAT WE DRIVE ON AND THE -- 646 00:28:14,667 --> 00:28:16,732 THE AIR THAT WE BREATHE. 647 00:28:16,734 --> 00:28:18,998 HAVE Y'ALL SEEN THOSE PEOPLE EVERY NIGHT ON CNN 648 00:28:19,000 --> 00:28:21,198 WALKING AROUND ALL OVER THE GLOBE WITH, 649 00:28:21,200 --> 00:28:22,899 UH, SURGICAL MASKS ON? 650 00:28:22,901 --> 00:28:25,465 HEY, THE SPOT IS UP A BLOCK TO THE LEFT. 651 00:28:25,467 --> 00:28:28,065 ALRIGHT, I GOT YOU. 652 00:28:28,067 --> 00:28:31,598 MAN, YO, THIS TESLA'S DOPE. 653 00:28:31,600 --> 00:28:32,798 THANK YOU. 654 00:28:32,800 --> 00:28:33,998 ALL ELECTRIC, RIGHT? 655 00:28:34,000 --> 00:28:35,665 YEAH, UH... OH, MY... 656 00:28:35,667 --> 00:28:37,598 THANKS AGAIN FOR DROPPING OFF LIL FAT. 657 00:28:37,600 --> 00:28:40,732 I'M GONNA GET THESE KEYS, AND WE'LL BE OUT, ALL RIGHT? 658 00:28:40,734 --> 00:28:42,865 ALL RIGHT. YOU COME MEET MY PEOPLE REAL QUICK. 659 00:28:42,867 --> 00:28:44,998 [ DJ QUIK'S "DOLLAZ + SENSE" PLAYS ] 660 00:28:45,000 --> 00:28:47,332 ♪ ACACIA, POPLAR, MAPLE, SPRUCE, CEDAR, ELM ♪ 661 00:28:47,334 --> 00:28:48,998 ♪ WESTSIDE TREES SPRAYIN' ALL THE FLEAS ♪ 662 00:28:49,000 --> 00:28:50,631 ♪ THAT'S FROM THE 300 AND 400 BLOCK P-FUNK RIDERS ♪ 663 00:28:50,633 --> 00:28:52,165 [ DOG BARKING IN DISTANCE ] 664 00:28:52,167 --> 00:28:54,365 ♪ SO...WATCH YO'...AT THAT CENTER DIVIDER ♪ 665 00:28:54,367 --> 00:28:56,231 ♪ NOW AARON TYLER, TELL ME WHY YOU SEEM SO TAME ♪ 666 00:28:56,233 --> 00:28:57,565 ♪ WHEN I CAUGHT YOU AT THE AIRPORT ♪ 667 00:28:57,567 --> 00:28:59,831 WHAT YOU DONE SNAGGED NOW? [ CHUCKLES ] 668 00:28:59,833 --> 00:29:01,498 ♪ YOU LOOKED UP AND YOU SEEN MY...COMIN' ♪ 669 00:29:01,500 --> 00:29:03,365 COME ON. 670 00:29:03,367 --> 00:29:05,232 ♪ AND YOU LOOKED LIKE YO... WAS 'BOUT TO START RUNNIN' ♪ 671 00:29:05,234 --> 00:29:07,798 ♪ BUT ALL I WANTED TO DO WAS KICK A LITTLE CONVERSATION ♪ 672 00:29:07,800 --> 00:29:10,132 BEN, THIS IS EVAN, A NEW FRIEND. 673 00:29:10,134 --> 00:29:12,132 EVAN, THIS IS MY PARENT, BEN. 674 00:29:12,134 --> 00:29:14,365 BLOOD. WHAT SET YOU FROM? 675 00:29:14,367 --> 00:29:16,631 UNCLE BONE, PLEASE SIT DOWN. 676 00:29:16,633 --> 00:29:18,598 WHAT SET YOU FROM? TV SET? 677 00:29:18,600 --> 00:29:20,865 I SEE YOU POSTING ABOUT "GAME OF THRONES." 678 00:29:20,867 --> 00:29:22,999 [ CHUCKLES ] I AIN'T SHAMED. 679 00:29:23,001 --> 00:29:24,398 WESTEROS, STAY HARD. 680 00:29:24,400 --> 00:29:25,732 THAT'S TRUE. 681 00:29:25,734 --> 00:29:27,198 -[ CHUCKLES ] -HERE. CAR'S OVER HERE. 682 00:29:27,200 --> 00:29:28,198 OKAY. 683 00:29:28,200 --> 00:29:29,198 I'LL HAVE IT BACK BY YOUR SHIFT. 684 00:29:29,200 --> 00:29:31,332 ALRIGHT. 685 00:29:31,334 --> 00:29:35,665 ♪ YOU NEED TO STAY DOWN, YOU COMPTON CLOWN ♪ 686 00:29:35,667 --> 00:29:37,065 ♪ AND GET OFF OF THE NUTS ♪ 687 00:29:37,067 --> 00:29:38,899 ♪ BECAUSE I'M DOWN WITH THE TREES ♪ 688 00:29:38,901 --> 00:29:40,431 ♪ I'M DOWN WITH DEATH ROW ♪ 689 00:29:40,433 --> 00:29:42,798 HOMEY, I'LL TAKE CARE OF IT, MAN. 690 00:29:42,800 --> 00:29:46,131 NOBODY MOVES NOTHING AROUND HERE WITHOUT MY SAY-SO. 691 00:29:46,133 --> 00:29:49,131 YEAH, I UNDERSTAND, YEAH. UM... 692 00:29:49,133 --> 00:29:50,399 YOU GOOD? 693 00:29:50,401 --> 00:29:53,665 YEAH, I'M -- I'M -- YEAH, I'M GOOD. 694 00:29:53,667 --> 00:29:56,465 -OKAY. -YEAH. OKAY. 695 00:29:56,467 --> 00:30:00,131 OH, UH, IT WAS A PLEASURE TO MEET YOU, SIR. 696 00:30:00,133 --> 00:30:01,998 YOU TOO. 697 00:30:02,000 --> 00:30:04,598 ♪ IF IT DON'T MAKE DOLLARS, IT DON'T MAKE SENSE ♪ 698 00:30:04,600 --> 00:30:06,998 ♪ SO DON'T KILL GAME, LET THE PIMPIN' COMMENCE ♪ 699 00:30:07,000 --> 00:30:09,198 ♪ IF IT DON'T MAKE DOLLARS, IT DON'T MAKE SENSE ♪ 700 00:30:09,200 --> 00:30:11,665 ♪ BECAUSE YOU GOTTA GIVE IT UP TO THE CROWN PRINCE ♪ 701 00:30:11,667 --> 00:30:14,431 ♪ SHOUTS GOES OUT TO MY WELL-KNOWN ROAD DOG ♪ 702 00:30:14,433 --> 00:30:16,698 WHAT THE HELL WAS THAT? 703 00:30:16,700 --> 00:30:18,098 NO IDEA. 704 00:30:18,100 --> 00:30:20,031 ♪ THEY DON'T UNDERSTAND IT, BABY ♪ 705 00:30:20,033 --> 00:30:22,099 ♪ THEY CAN'T FADE US OUT HERE ON THESE COMPTON STREETS ♪ 706 00:30:22,101 --> 00:30:24,232 "WESTEROS, STAY HARD"? 707 00:30:24,234 --> 00:30:25,498 COME ON, HOMEY. 708 00:30:25,500 --> 00:30:26,898 [ CHUCKLES ] 709 00:30:26,900 --> 00:30:28,565 ♪ WHASSUP? ♪ 710 00:30:28,567 --> 00:30:30,532 ♪ AND BIG SUGE, KNOWN FOR KEEPIN'...POPPIN' ♪ 711 00:30:30,534 --> 00:30:32,532 HEAR THIS FOOL? [ CHUCKLES ] 712 00:30:36,401 --> 00:30:38,131 ♪ YOU BEEN ON MY MIND LIKE EVERY SINGLE NIGHT ♪ 713 00:30:38,133 --> 00:30:39,065 SO, YOU PAID OFF COLLEGE? 714 00:30:39,067 --> 00:30:40,331 [ CHUCKLES ] 715 00:30:40,333 --> 00:30:42,132 THAT'S REALLY DOPE. WHERE'D YOU GO? 716 00:30:42,134 --> 00:30:44,231 ♪ AND I CAN'T HELP BUT THINK THAT YOU AND ME WOULD BE ♪ 717 00:30:44,233 --> 00:30:45,965 STANFORD. AND NOT A SCHOLARSHIP IN SIGHT. 718 00:30:45,967 --> 00:30:48,765 BARELY MADE IT. A LOT OF STUDENT LOANS. 719 00:30:48,767 --> 00:30:52,065 BUT, UH, I PAID IT OFF ABOUT SIX MONTHS AGO. 720 00:30:52,067 --> 00:30:53,365 SO QUESTION -- 721 00:30:53,367 --> 00:30:54,598 MM. 722 00:30:54,600 --> 00:30:56,398 DID YOU GET THE TESLA BEFORE... 723 00:30:56,400 --> 00:30:57,765 [ LAUGHING ] 724 00:30:57,767 --> 00:30:59,965 ...OR AFTER YOU PAID OFF THE LOANS? 725 00:30:59,967 --> 00:31:01,932 [ LAUGHS ] 726 00:31:01,934 --> 00:31:07,265 BEFORE. IT WAS VERY TRIFLING AND, UH, IRRESPONSIBLE. 727 00:31:07,267 --> 00:31:08,865 NO. GOOD FOR YOU. 728 00:31:08,867 --> 00:31:10,599 THANK YOU. 729 00:31:10,601 --> 00:31:12,532 WHAT ABOUT YOU? WHERE'D YOU GO TO SCHOOL? 730 00:31:12,534 --> 00:31:14,798 I DIDN'T. 731 00:31:14,800 --> 00:31:17,465 I WENT FROM MY HIGH-SCHOOL GRADUATION 732 00:31:17,467 --> 00:31:20,398 STRAIGHT TO L.A.X. ON A $500 ONE-WAY TICKET 733 00:31:20,400 --> 00:31:22,332 TO EUROPE, AND I JUST NEVER LOOKED BACK. 734 00:31:22,334 --> 00:31:23,799 WOW. 735 00:31:23,801 --> 00:31:28,265 WELL, YOUR INSTAGRAM IS LIKE A TOURIST TRAP. 736 00:31:28,267 --> 00:31:31,465 I WANT TO GO EVERYWHERE YOU WENT AND DO EVERYTHING YOU DID. 737 00:31:31,467 --> 00:31:35,332 YEAH, IT WAS A LOT HARDER THAN I MAKE IT LOOK ON THE 'GRAM. 738 00:31:35,334 --> 00:31:36,932 IT WAS DEFINITELY AN ADVENTURE. 739 00:31:36,934 --> 00:31:39,731 I JUST WANTED TO SEE THE WORLD SO BAD, YOU KNOW? 740 00:31:39,733 --> 00:31:42,365 SO I WORKED MY WAY THROUGH IT. 741 00:31:42,367 --> 00:31:44,431 WAITRESSING IN GREECE. 742 00:31:44,433 --> 00:31:46,231 I WAS A SWIM INSTRUCTOR IN BERLIN. 743 00:31:46,233 --> 00:31:50,832 I WOULD WORK AND ENJOY, JUST MOVE WHEN I WANTED. 744 00:31:50,834 --> 00:31:53,932 ♪ FURTHER ALONG, FURTHER ALONG ♪ 745 00:31:53,934 --> 00:31:56,065 ♪ BUT I'M NOT SURE YOU READ THE SIGNS ♪ 746 00:31:56,067 --> 00:31:57,065 ♪ I CAN BE THE ONE ♪ 747 00:31:57,067 --> 00:31:59,065 AS IN, YOU'D BE GONE? 748 00:31:59,067 --> 00:32:01,132 ♪ STAY HOLDING YOU DOWN ♪ 749 00:32:01,134 --> 00:32:04,198 YEAH, THAT'S RIGHT. 750 00:32:04,200 --> 00:32:06,065 ♪ I PROMISE YOU'LL HAVE ME FOREVER ♪ 751 00:32:06,067 --> 00:32:07,798 ♪ AND WE'LL RIDE OFF IN THE SUNSET ♪ 752 00:32:07,800 --> 00:32:10,132 ♪ IN YOUR '72 CAMARO LIKE ♪ 753 00:32:10,134 --> 00:32:14,265 SO, UH, THE ONLY PLACE TO GET A USED FRIDGE 754 00:32:14,267 --> 00:32:15,932 IN ALL OF LOS ANGELES 755 00:32:15,934 --> 00:32:19,532 IS ALL THE WAY OUT IN CARSON? [ LAUGHS ] 756 00:32:19,534 --> 00:32:21,532 -[ CHUCKLES ] -I MEAN, PROBABLY NOT THE ONLY, 757 00:32:21,534 --> 00:32:23,731 BUT THIS ONE MEETS ALL THE REQUIREMENTS, 758 00:32:23,733 --> 00:32:26,465 ACCORDING TO THAT TRUSTY FLYER BACK AT HARRIET'S. 759 00:32:26,467 --> 00:32:28,132 IT'S ONE THE -- YOU KNOW, THOSE BIG, OLD, LARGE, 760 00:32:28,134 --> 00:32:29,465 ROUND-ISH ONES... YEAH. 761 00:32:29,467 --> 00:32:32,265 ...THAT FIT IN PERFECTLY IN OLD HOUSES? 762 00:32:32,267 --> 00:32:35,865 AND IT'S DIRT CHEAP, WHICH IS THE KIND OF CHEAP I PREFER. 763 00:32:35,867 --> 00:32:38,198 SO CARSON IT IS. 764 00:32:38,200 --> 00:32:40,765 [ LAUGHS ] 765 00:32:40,767 --> 00:32:42,865 KEEP GOING, KEEP GOING, KEEP GOING, 766 00:32:42,867 --> 00:32:44,532 KEEP GOING, KEEP GOING, KEEP GOING. 767 00:32:44,534 --> 00:32:47,398 RIGHT THERE. 768 00:32:47,400 --> 00:32:49,498 ALRIGHT. 769 00:32:49,500 --> 00:32:50,965 OOH. 770 00:32:50,967 --> 00:32:52,832 [ SIGHS ] 771 00:32:52,834 --> 00:32:54,632 THE SIGN SAYS SHE'LL BE BACK IN ONE HOUR. 772 00:32:54,634 --> 00:32:55,965 AW, MAN. 773 00:32:55,967 --> 00:32:58,232 HEY, SO WE WAIT. 774 00:32:58,234 --> 00:33:00,532 IS THAT COOL? 775 00:33:00,534 --> 00:33:01,998 HEY, WE CAME HERE TO ACHIEVE A GOAL, 776 00:33:02,000 --> 00:33:03,665 AND DAMN IT, WE'RE GONNA ACHIEVE IT. 777 00:33:03,667 --> 00:33:04,765 I HEARD THAT. 778 00:33:04,767 --> 00:33:06,765 SO, WHAT WE GONNA DO IN CARSON? 779 00:33:06,767 --> 00:33:08,432 WHY YOU SAY IT LIKE THAT? 780 00:33:08,434 --> 00:33:10,932 LOOK, I'M FROM THE SOUTH BAY, AND WE GOT A THING ABOUT CARSON. 781 00:33:10,934 --> 00:33:13,265 LOOK, THEY THINK THAT THEY'RE SOUTH BAY, 782 00:33:13,267 --> 00:33:15,732 BUT THEY'RE JUST A NO-MAN'S-LAND 783 00:33:15,734 --> 00:33:17,865 BETWEEN GARDENA, COMPTON, AND LONG BEACH. 784 00:33:17,867 --> 00:33:19,165 WHAT ARE WE GONNA DO, GO TO IKEA? 785 00:33:19,167 --> 00:33:20,465 YOU KNOW THAT'S ALL THEY GOT GOING ON. 786 00:33:20,467 --> 00:33:22,732 WOW, YOU'RE REALLY SLICING CARSON! 787 00:33:22,734 --> 00:33:24,198 OH. [ CHUCKLES ] 788 00:33:24,200 --> 00:33:25,732 I-I DIDN'T KNOW YOU REPPED THE SOUTH BAY LIKE THAT. 789 00:33:25,734 --> 00:33:26,865 I DO. 790 00:33:26,867 --> 00:33:28,498 [ BOTH CHUCKLE ] 791 00:33:28,500 --> 00:33:29,698 UH, YOU KNOW WHO'S FROM CARSON? 792 00:33:29,700 --> 00:33:30,465 HUH? 793 00:33:30,467 --> 00:33:32,932 BONE. UNCLE BONE. 794 00:33:32,934 --> 00:33:34,665 YOU KNOW THE ONE. SHOULD I TELL HIM WHAT YOU SAID? 795 00:33:34,667 --> 00:33:37,465 WELL, YOU KNOW, I ALSO THINK CARSON'S A BEAUTIFUL PLACE, 796 00:33:37,467 --> 00:33:38,865 AND THE PEOPLE ARE VERY FORGIVING HERE. 797 00:33:38,867 --> 00:33:40,165 SO, YOU KNOW... 798 00:33:40,167 --> 00:33:42,632 AH, GET OUT OF HERE. [ LAUGHS ] 799 00:33:42,634 --> 00:33:44,432 HEY, YOU BETTER NOT TELL HIM, EITHER. 800 00:33:44,434 --> 00:33:46,232 WON'T TELL BONE THAT. [ CHUCKLES ] 801 00:33:46,234 --> 00:33:50,631 SO, WHERE WE GOING? 802 00:33:50,633 --> 00:33:53,765 YOU CHOOSE. 803 00:33:53,767 --> 00:33:55,665 OH, YEAH! YOU ALREADY LOST. 804 00:33:55,667 --> 00:33:56,931 [ LAUGHS ] 805 00:33:56,933 --> 00:33:58,331 IT'S ALREADY OVER FOR YOU. 806 00:33:58,333 --> 00:33:59,165 OH, ONE! 807 00:33:59,167 --> 00:34:00,632 [ LAUGHS ] 808 00:34:00,634 --> 00:34:03,298 ♪ WATCHIN', I'M WIDE OPEN TO THE BLESSINGS I FIND ♪ 809 00:34:03,300 --> 00:34:04,832 IT'S NOT CALLED "SNAIL." 810 00:34:04,834 --> 00:34:06,532 [ BOTH LAUGH ] 811 00:34:06,534 --> 00:34:08,765 "CENTIPEDE," NOT "SNAIL." 812 00:34:08,767 --> 00:34:11,431 OOH, OOH! OOH! DID YOU SEE IT SPINNING?! 813 00:34:11,433 --> 00:34:14,198 OH, MY GOD. I'M SO COOL. 814 00:34:14,200 --> 00:34:16,399 OKAY, YOU'RE BAD AT THIS. I NEED TO DO THE SHOOTING. 815 00:34:16,401 --> 00:34:17,465 -OKAY, I'LL -- -I NEED TO DO -- 816 00:34:17,467 --> 00:34:19,399 -AW! -YEAH, MAN. 817 00:34:19,401 --> 00:34:21,532 ALRIGHT, ALRIGHT. GO AHEAD. YOU GOT IT. 818 00:34:21,534 --> 00:34:22,665 -EXCUSE ME. -OH! OH! 819 00:34:22,667 --> 00:34:23,932 -OH, WE BOXING OUT NOW? -BOXING OUT. 820 00:34:23,934 --> 00:34:25,998 OKAY. NO! NO! NO! NO! NO! 821 00:34:26,000 --> 00:34:27,665 YOU CAN'T KEEP UP WITH ME! [ LAUGHS ] 822 00:34:27,667 --> 00:34:29,731 WAIT. LET ME JUST... EXCUSE ME, SIR. 823 00:34:29,733 --> 00:34:30,798 EXCUSE ME. EXCUSE ME. 824 00:34:30,800 --> 00:34:32,798 WE GOT IT. WE GOT IT. 825 00:34:32,800 --> 00:34:34,265 [ BOTH LAUGH ] 826 00:34:34,267 --> 00:34:39,299 ♪ HONEY DEW ♪ 827 00:34:39,301 --> 00:34:41,499 ♪ HONEY DEW, HONEY DEW ♪ 828 00:34:41,501 --> 00:34:46,198 ♪ HONEY DEW ♪ 829 00:34:46,200 --> 00:34:49,298 ♪ HONEY DEW, HONEY DEW ♪ 830 00:34:49,300 --> 00:34:52,065 ♪♪ 831 00:34:52,067 --> 00:34:54,098 ♪ HONEY DEW ♪ 832 00:34:54,100 --> 00:34:55,198 ♪ MMM ♪ 833 00:34:55,200 --> 00:34:58,465 ♪ I NEED YOU ♪ 834 00:34:58,467 --> 00:34:59,865 NACHO ME. [ BOTH LAUGH ] 835 00:34:59,867 --> 00:35:01,398 NACHO-MI CAMPBELL. 836 00:35:01,400 --> 00:35:03,865 AW, NO, YOU DIDN'T. THAT'S JUST... 837 00:35:03,867 --> 00:35:06,332 HERE. 838 00:35:06,334 --> 00:35:07,732 -OH, NO. -AH. 839 00:35:07,734 --> 00:35:09,398 I'LL GET IT. 840 00:35:09,400 --> 00:35:10,798 [ CHUCKLES ] 841 00:35:10,800 --> 00:35:14,332 [ LAUGHTER ] 842 00:35:14,334 --> 00:35:16,332 WOW. GET IT! 843 00:35:16,334 --> 00:35:17,998 KIND OF TAKING ME BACK. 844 00:35:18,000 --> 00:35:18,932 [ BOTH CHUCKLE ] 845 00:35:18,934 --> 00:35:20,865 -OKAY. -HUH? 846 00:35:20,867 --> 00:35:23,732 OKAY, FIRST KISS. 847 00:35:23,734 --> 00:35:24,998 NOPE. 848 00:35:25,000 --> 00:35:25,732 NO? 849 00:35:25,734 --> 00:35:27,265 MNH-MNH. 850 00:35:27,267 --> 00:35:29,798 WALTER KIMBROUGH. 2003. 851 00:35:29,800 --> 00:35:31,332 JUST -- YEP. 852 00:35:31,334 --> 00:35:34,332 BEHIND THE BLEACHERS. 853 00:35:34,334 --> 00:35:36,332 AH, UM... 854 00:35:36,334 --> 00:35:38,465 SHERRY TAYLOR. 855 00:35:38,467 --> 00:35:39,831 CHURCH BASEMENT. 856 00:35:39,833 --> 00:35:41,832 DANG. SEE? THAT FACE. 857 00:35:41,834 --> 00:35:43,798 THAT'S WHAT I'M TALKING ABOUT. CHURCH BASEMENT? 858 00:35:43,800 --> 00:35:45,532 THAT'S -- THAT'S WHY I DIDN'T WANT TO SAY ANYTHING. 859 00:35:45,534 --> 00:35:47,665 SACRILEGE. [ LAUGHS ] 860 00:35:47,667 --> 00:35:51,498 YEAH, I'M STILL PRAYING FOR FORGIVENESS. 861 00:35:51,500 --> 00:35:52,832 COME ON. LET'S -- LET'S CHANGE THE SUBJECT. 862 00:35:52,834 --> 00:35:54,098 SOMETHING -- I DON'T -- I DON'T WANT TO 863 00:35:54,100 --> 00:35:55,598 TALK ABOUT MY TEEN YEARS. 864 00:35:55,600 --> 00:35:58,065 WHY NOT? YOU WEREN'T YOUNG, DUMB, AND RECKLESS? 865 00:35:58,067 --> 00:36:02,865 NO, I DID EVERYTHING BY THE BOOKS. 866 00:36:02,867 --> 00:36:06,798 I WAS LUCKY IF I MADE IT TO CLASS TWO DAYS OUT THE WEEK. 867 00:36:06,800 --> 00:36:09,132 FOR REAL? 868 00:36:09,134 --> 00:36:12,598 WHERE WERE YOUR PARENTS? 869 00:36:12,600 --> 00:36:15,265 WHAT'S THAT SUPPOSED TO MEAN? 870 00:36:15,267 --> 00:36:16,698 WHAT DO -- WHAT -- WHAT DO YOU MEAN? 871 00:36:16,700 --> 00:36:19,132 WHAT YOU JUST SAID. 872 00:36:19,134 --> 00:36:22,332 WHAT DID I SAY? 873 00:36:22,334 --> 00:36:25,932 MY DAD DIED IN THE STREETS WHEN I WAS 9. 874 00:36:25,934 --> 00:36:28,365 BEN TOOK ME IN AND DID THE BEST HE COULD. 875 00:36:31,867 --> 00:36:34,198 WOW. UM... 876 00:36:34,200 --> 00:36:37,465 HE SOUNDS AMAZING. 877 00:36:37,467 --> 00:36:39,932 WHERE WAS YOUR MOM? 878 00:36:42,200 --> 00:36:44,465 WHAT'S WITH ALL THE QUESTIONS? 879 00:36:44,467 --> 00:36:46,932 YOU KNOW, MAYBE I DIDN'T HAVE SOMEBODY MAKING ME SANDWICHES 880 00:36:46,934 --> 00:36:48,598 AND CUTTING THE CRUST OFF MY BREAD, 881 00:36:48,600 --> 00:36:50,398 WATCHING OVER MY EVERY MOVE, 882 00:36:50,400 --> 00:36:54,398 BUT I HAD BEN, AND HE CHANGED HIS LIFE FOR ME. 883 00:36:54,400 --> 00:36:57,132 HE EVEN GOT A JOB DELIVERING THE L.A. TIMES. 884 00:36:57,134 --> 00:36:58,431 NOT THE SEXIEST JOB, 885 00:36:58,433 --> 00:36:59,765 BUT HE DID IT IN HIS PRIME. HE DID THAT FOR ME. 886 00:36:59,767 --> 00:37:02,232 WAIT. WAIT, WAIT. I WASN'T -- I WASN'T JUDGING HIM. 887 00:37:02,234 --> 00:37:03,931 WELL, SOUNDED LIKE YOU WERE. 888 00:37:03,933 --> 00:37:05,332 WELL, I WASN'T. 889 00:37:05,334 --> 00:37:07,332 WELL, THAT'S NOT WHAT I HEARD. 890 00:37:07,334 --> 00:37:12,332 [ SIGHS ] I'M SORRY. 891 00:37:12,334 --> 00:37:13,865 I'M SORRY THAT HAPPENED TO YOU. 892 00:37:13,867 --> 00:37:19,732 [ SIGHS ] DON'T DO THAT. 893 00:37:19,734 --> 00:37:23,699 YOU KNOW WHAT? IT'S ALL GOOD. 894 00:37:23,701 --> 00:37:25,365 THEY'RE PROBABLY BACK NOW. WAIT, WAIT, WAIT. 895 00:37:25,367 --> 00:37:26,832 WE SHOULD GET GOING. I DIDN'T MEAN TO OFFEND YOU. 896 00:37:26,834 --> 00:37:28,365 I'M NOT -- IT'S OKAY. COME -- COME ON. COME -- 897 00:37:28,367 --> 00:37:30,465 JUST -- LET'S JUST GO. 898 00:37:30,467 --> 00:37:34,365 ♪♪ 899 00:37:34,367 --> 00:37:37,999 ♪♪ 900 00:37:38,001 --> 00:37:40,931 [ SIGHS ] 901 00:37:40,933 --> 00:37:46,265 ♪♪ 902 00:37:46,267 --> 00:37:51,598 ♪♪ 903 00:37:51,600 --> 00:37:57,099 ♪♪ 904 00:37:57,101 --> 00:37:58,965 [ ENGINE STARTS ] 905 00:38:05,367 --> 00:38:07,732 [ INSECTS CHIRPING ] 906 00:38:07,734 --> 00:38:10,399 [ INDISTINCT CONVERSATIONS ] 907 00:38:15,734 --> 00:38:18,398 HI. HOPE YOU WEREN'T WAITING TOO LONG. 908 00:38:18,400 --> 00:38:19,265 I'M SANAH. 909 00:38:19,267 --> 00:38:20,065 GENTLY. 910 00:38:20,067 --> 00:38:21,598 HI. HI. EVAN. 911 00:38:21,600 --> 00:38:23,132 HI, EVAN. YOU GUYS ARE HERE FOR THE FRIDGE, RIGHT? 912 00:38:23,134 --> 00:38:26,798 OKAY, COME ON. COME ON BACK. 913 00:38:26,800 --> 00:38:31,698 FEEL FREE TO TAKE A LOOK AROUND. EVERYTHING IS FOR SALE. 914 00:38:31,700 --> 00:38:35,832 BUT THE FRIDGE YOU CALLED ABOUT IS RIGHT BEHIND THIS CURTAIN. 915 00:38:35,834 --> 00:38:36,998 CHECK IT OUT. 916 00:38:37,000 --> 00:38:38,732 IT'S PERFECT. 917 00:38:38,734 --> 00:38:41,398 SHE'S OLD, BUT SHE WORKS. 918 00:38:41,400 --> 00:38:42,598 NO, IT'S GREAT. 919 00:38:42,600 --> 00:38:44,265 YES. I EVEN PLUGGED IT IN FOR YOU. 920 00:38:44,267 --> 00:38:46,165 OH. 921 00:38:46,167 --> 00:38:48,532 ISN'T SHE A BEAUTY? FEEL THAT COOL AIR? 922 00:38:48,534 --> 00:38:52,265 MM-HMM, I DO. LET ME SEE. 923 00:38:52,267 --> 00:38:54,232 OKAY. 924 00:39:02,267 --> 00:39:04,965 [ CLICKS TONGUE ] DAMN. 925 00:39:04,967 --> 00:39:06,965 IT'S TOO WIDE. 926 00:39:06,967 --> 00:39:08,165 YOU SURE? 927 00:39:08,167 --> 00:39:09,432 YEAH, IT WON'T FIT BY AN INCH. 928 00:39:09,434 --> 00:39:10,765 OH, NO. 929 00:39:10,767 --> 00:39:12,131 IT'S DEEP ENOUGH, BUT IT'S TOO WIDE. 930 00:39:12,133 --> 00:39:14,798 I MEAN, CAN WE EVEN TRY TO FIT IT IN? 931 00:39:14,800 --> 00:39:16,831 MAYBE YOU CAN CHANGE SOMETHING IN THE KITCHEN OR -- 932 00:39:16,833 --> 00:39:18,765 NO. 933 00:39:18,767 --> 00:39:20,031 ARE YOU SURE? WE CAN -- 934 00:39:20,033 --> 00:39:22,165 I AM. IT'S HER HOUSE. IT'S A WALL. 935 00:39:22,167 --> 00:39:23,565 IT CAN'T BE CHANGED, 936 00:39:23,567 --> 00:39:25,798 SO IT'S NOT GONNA WORK. THANK YOU. 937 00:39:25,800 --> 00:39:27,131 -OKAY, ALRIGHT. -THANK YOU. 938 00:39:27,133 --> 00:39:28,665 NICE MEETING YOU GUYS. YOU TOO. 939 00:39:28,667 --> 00:39:29,731 IF YOU CHANGE YOUR MIND, I'M HERE. 940 00:39:29,733 --> 00:39:30,798 -THANK YOU. -TAKE CARE 941 00:39:30,800 --> 00:39:32,699 DAMN. 942 00:39:34,067 --> 00:39:36,165 HEY, GENTLY. 943 00:39:37,900 --> 00:39:40,298 LET'S JUST TAKE CARE OF IT. 944 00:39:40,300 --> 00:39:42,332 WE CAN GO TO A REAL APPLIANCE PLACE, 945 00:39:42,334 --> 00:39:45,598 AND WE CAN PICK OUT SOMETHING WITH THE MEASUREMENTS. 946 00:39:45,600 --> 00:39:48,932 I CAN'T DO THAT. 947 00:39:48,934 --> 00:39:50,732 I CAN HANDLE IT. 948 00:39:50,734 --> 00:39:53,132 YOU KNOW, WE CAN GET IT DELIVERED, INSTALLED. 949 00:39:53,134 --> 00:39:54,732 IT'S EASIER. 950 00:39:54,734 --> 00:39:56,932 [ SCOFFING ] THAT'S YOUR SOLUTION TO EVERYTHING, HUH? 951 00:39:56,934 --> 00:39:59,065 JUST THROW SOME MONEY AT IT. 952 00:39:59,667 --> 00:40:01,865 I WAS JUST SAYING IT WAS EASIER, 953 00:40:01,867 --> 00:40:03,465 AND I WAS OFFERING YOU A HAND. 954 00:40:03,467 --> 00:40:05,799 NO, YOU'RE TRYING TO FIX SOMETHING THE WAY YOU WANT 955 00:40:05,801 --> 00:40:07,932 IT DONE, AND YOU'RE JUDGING MY WAY. 956 00:40:07,934 --> 00:40:10,198 THIS IS A REAL APPLIANCE PLACE. 957 00:40:10,200 --> 00:40:12,998 I AM TAKING CARE OF IT. 958 00:40:13,000 --> 00:40:14,065 AND SHE DOESN'T WANT TO FIND SOMETHING 959 00:40:14,067 --> 00:40:15,665 WITH THE RIGHT MEASUREMENTS. 960 00:40:15,667 --> 00:40:17,031 SHE WANTS SOMETHING THAT FITS IN HER HOUSE, 961 00:40:17,033 --> 00:40:18,898 THAT FEELS LIKE IT BELONGS THERE. 962 00:40:18,900 --> 00:40:20,565 SHE DOESN'T CARE IF IT'S FANCY TO, 963 00:40:20,567 --> 00:40:22,365 YOU KNOW, IMPRESS PEOPLE. 964 00:40:22,367 --> 00:40:25,198 SHE DIDN'T WORK A JOB SHE DIDN'T LOVE JUST BECAUSE. 965 00:40:25,200 --> 00:40:27,732 SHE LIVED A LIFE OF PASSION AND PLEASURE 966 00:40:27,734 --> 00:40:29,765 FILLED WITH REAL PEOPLE AND REAL THINGS, 967 00:40:29,767 --> 00:40:31,632 AND I FEEL LIKE THAT'S SOMETHING YOU CAN'T REALLY UNDERSTAND. 968 00:40:31,634 --> 00:40:33,232 -LET'S JUST GO. -WHAT'S YOUR DEAL THAT YOU FEEL 969 00:40:33,234 --> 00:40:34,965 YOU CAN TALK TO SOMEBODY LIKE THAT? 970 00:40:34,967 --> 00:40:36,665 I CAN TALK TO YOU HOWEVER I WANT. 971 00:40:36,667 --> 00:40:37,499 YOU CAN'T CONTROL ME. 972 00:40:37,501 --> 00:40:38,765 THAT'S NOT COOL. 973 00:40:38,767 --> 00:40:41,299 THAT'S NOT WHAT I'M GONNA DEAL WITH. 974 00:40:41,301 --> 00:40:43,498 PERIOD. POINT BLACK. THE END. 975 00:40:43,500 --> 00:40:46,365 SO, LOOK, YOU CAN EITHER GET IN OR GET LEFT. 976 00:40:46,367 --> 00:40:47,232 I'M READY TO GO. 977 00:40:47,234 --> 00:40:49,032 I'M GOOD. 978 00:40:52,334 --> 00:40:54,265 AS IN, I'M GONE. 979 00:40:54,267 --> 00:40:56,265 'CAUSE THAT'S WHAT YOU WERE GONNA DO ANYWAY. 980 00:40:56,267 --> 00:40:58,598 SO YOU MIGHT AS WELL DO IT NOW. 981 00:40:58,600 --> 00:41:02,665 ♪♪ 982 00:41:02,667 --> 00:41:06,532 ♪♪ 983 00:41:06,534 --> 00:41:09,265 [ ENGINE STARTS ] 984 00:41:09,267 --> 00:41:11,532 [ SABRINA CLAUDIO'S "STAND STILL" PLAYS ] 985 00:41:11,534 --> 00:41:18,665 ♪♪ 986 00:41:18,667 --> 00:41:21,998 AIN'T THIS ABOUT A... 987 00:41:22,000 --> 00:41:27,465 [ JOSIAH BELL'S "NUMB" PLAYS ] 988 00:41:27,467 --> 00:41:28,932 ♪ FADED IN THE BATHROOM OF SOHO ♪ 989 00:41:28,934 --> 00:41:31,165 THANKS. 990 00:41:34,267 --> 00:41:38,398 ♪ GOT ME FEELING HIGH, BUT WE'RE SO LOW ♪ 991 00:41:38,400 --> 00:41:41,132 ♪♪ 992 00:41:41,134 --> 00:41:44,998 ♪ DON'T KNOW WHAT IT IS, BUT I NEED MORE ♪ 993 00:41:45,000 --> 00:41:48,132 ♪♪ 994 00:41:48,134 --> 00:41:51,398 ♪ NOTHING MORE LEFT TO SAY ♪ 995 00:41:51,400 --> 00:41:54,831 ♪ LEFT TO SAY ♪ 996 00:41:54,833 --> 00:41:59,032 ♪ STUPID LOVE GONE TO WASTE ♪ 997 00:41:59,034 --> 00:42:01,532 ♪♪ 998 00:42:01,534 --> 00:42:08,532 ♪ I'M SO NUMB, I'M SO NUMB, I CAN FEEL EVERYTHING ♪ 999 00:42:08,534 --> 00:42:10,465 ♪♪ 1000 00:42:10,467 --> 00:42:13,498 ♪ SO NUMB, WE'RE SO NUMB ♪ 1001 00:42:13,500 --> 00:42:17,999 ♪ WE CAN BE ANYTHING ♪ 1002 00:42:18,001 --> 00:42:21,798 ♪ TELL ME IF IT'S OKAY ♪ 1003 00:42:21,800 --> 00:42:25,065 ♪ TELL ME IF IT'S OKAY ♪ 1004 00:42:25,067 --> 00:42:28,532 ♪ SHOW ME HOW YOU NEED ME ♪ 1005 00:42:28,534 --> 00:42:29,932 ♪ SHOW ME ♪ 1006 00:42:29,934 --> 00:42:33,665 ♪ BLESSED ♪ 1007 00:42:33,667 --> 00:42:36,932 ♪ BLESSED ♪ 1008 00:42:36,934 --> 00:42:40,265 ♪ YES ♪ 1009 00:42:40,267 --> 00:42:42,931 ♪ YES ♪ 1010 00:42:42,933 --> 00:42:46,331 ♪ DON'T KNOW WHERE TO START, AND IT'S OKAY ♪ 1011 00:42:46,333 --> 00:42:49,798 ♪♪ 1012 00:42:49,800 --> 00:42:54,065 ♪ I DON'T EVEN KNOW IF IT'S OKAY ♪ 1013 00:42:54,067 --> 00:42:56,665 ♪♪ 1014 00:42:56,667 --> 00:43:01,132 ♪ DO WE HAVE THE COURAGE TO BE BRAVE? ♪ 1015 00:43:01,134 --> 00:43:03,665 ♪♪ 1016 00:43:03,667 --> 00:43:07,532 ♪ NOTHING MORE LEFT TO SAY ♪ 1017 00:43:07,534 --> 00:43:10,332 ♪♪ 1018 00:43:10,334 --> 00:43:14,398 ♪ STUPID LOVE GONE TO WASTE ♪ 1019 00:43:14,400 --> 00:43:17,265 ♪♪ 1020 00:43:17,267 --> 00:43:19,332 ♪ SO NUMB ♪ 1021 00:43:19,382 --> 00:43:23,932 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 70357

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