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[ JAMES BLAKE'S "TIMELESS"
PLAYS ]
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♪♪
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00:00:16,734 --> 00:00:19,865
♪♪
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00:00:19,867 --> 00:00:23,198
♪ TIMELESS ♪
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00:00:23,200 --> 00:00:26,132
♪ TIMELESS ♪
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[ VOCALIZING ]
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♪ TIMELESS ♪
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[ VOCALIZING ]
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00:00:42,267 --> 00:00:48,832
♪ I CAN'T BE SELFLESS ♪
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00:00:48,834 --> 00:00:52,032
♪ I'M ACTING MY AGE ♪
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00:00:55,934 --> 00:00:58,265
♪ YOU KNOW YOU SLIDE OUT ♪
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00:00:58,267 --> 00:01:03,032
♪ WHEN YOU SLIDE IN
WITH GRACEFUL SHADOW ♪
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00:01:03,034 --> 00:01:04,965
♪ YOU KNOW YOU SLIDE OUT ♪
14
00:01:04,967 --> 00:01:09,265
♪ WHEN YOU SLIDE IN
WITH GRACEFUL SHADOW ♪
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00:01:09,267 --> 00:01:14,431
♪♪
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00:01:14,433 --> 00:01:19,398
♪♪
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00:01:19,400 --> 00:01:21,965
♪ TIMELESS ♪
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♪ TIMELESS ♪
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00:01:28,167 --> 00:01:33,565
♪♪
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00:01:33,567 --> 00:01:38,932
♪♪
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00:01:38,934 --> 00:01:44,565
♪♪
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00:01:44,567 --> 00:01:50,065
♪♪
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00:01:50,067 --> 00:01:55,398
♪♪
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00:01:55,400 --> 00:01:57,498
-YOU DON'T HAVE TO LEAVE.
-YOU DON'T HAVE TO LEAVE.
25
00:01:57,500 --> 00:01:59,432
♪ TIMELESS ♪
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00:01:59,434 --> 00:02:01,065
-I'LL CALL YOU SOON.
-I'LL CALL YOU SOON.
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00:02:01,067 --> 00:02:04,932
♪♪
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00:02:04,934 --> 00:02:08,932
♪♪
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00:02:08,934 --> 00:02:13,065
♪♪
30
00:02:13,067 --> 00:02:17,265
♪♪
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00:02:17,267 --> 00:02:19,665
GENTLY JAMES.
32
00:02:19,667 --> 00:02:24,665
♪♪
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00:02:24,667 --> 00:02:25,865
YOU HAVE MY ADDRESS, RIGHT?
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00:02:25,867 --> 00:02:26,932
-YES.
-IN WEST ADAMS?
35
00:02:26,934 --> 00:02:28,465
Gently:
YES. WEST ADAMS.
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OKAY.
37
00:02:31,267 --> 00:02:36,732
♪♪
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00:02:36,734 --> 00:02:42,265
♪♪
39
00:02:42,267 --> 00:02:47,931
♪♪
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00:02:47,933 --> 00:02:49,732
♪♪
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00:02:49,734 --> 00:02:52,732
[ SADE'S "CHERISH THE DAY"
PLAYS ]
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00:02:52,734 --> 00:02:56,632
♪♪
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00:02:56,634 --> 00:03:00,665
♪♪
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00:03:00,667 --> 00:03:04,632
♪ YOU SHOW ME HOW DEEP LOVE
CAN BE ♪
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-- Captions by VITAC --
www.vitac.com
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00:03:07,734 --> 00:03:10,665
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
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♪♪
48
00:03:15,734 --> 00:03:20,865
♪♪
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00:03:20,867 --> 00:03:26,065
♪ THIS IS MY PRAYER ♪
50
00:03:26,534 --> 00:03:29,532
♪ I CHERISH THE DAY ♪
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00:03:29,534 --> 00:03:32,732
♪♪
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00:03:32,734 --> 00:03:37,798
♪ WHO KNEW THAT LOVE
COULD BE FOR ME? ♪
53
00:03:37,800 --> 00:03:39,065
WELL, THANK YOU, MA'AM.
54
00:03:39,067 --> 00:03:41,198
MM-HMM.
SO, WHAT YOU FEEL LIKE
55
00:03:41,200 --> 00:03:42,598
FOR DINNER TONIGHT,
MISS LUMA?
56
00:03:42,600 --> 00:03:46,498
OH, A BIG LUNCH TODAY.
57
00:03:46,500 --> 00:03:49,665
CARDS WITH JEANNE
AND FRANCIS TONIGHT.
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00:03:49,667 --> 00:03:51,132
RIGHT.
59
00:03:51,134 --> 00:03:53,065
ONE OF THEM BIG BOWLS
OF SALAD
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00:03:53,067 --> 00:03:54,732
THAT YOU MAKE ALL THE TIME
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00:03:54,734 --> 00:03:59,865
WITH MEAT THAT REALLY IS NOT
MEAT, BUT TASTES LIKE MEAT.
62
00:03:59,867 --> 00:04:03,398
YOU KNOW, I'M SURPRISED
YOU LIKE THOSE SO MUCH.
63
00:04:03,400 --> 00:04:04,865
ME TOO.
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00:04:04,867 --> 00:04:07,532
I MEAN,
IT TASTES LIKE MEAT.
65
00:04:07,534 --> 00:04:10,598
I MEAN, IT REALLY
TASTES LIKE MEAT.
66
00:04:10,600 --> 00:04:12,998
I KNOW.
IT'S SCARY GOOD.
67
00:04:13,000 --> 00:04:15,732
DON'T TELL ME WHAT IT'S MADE OF.
I DON'T WANT TO KNOW.
68
00:04:15,734 --> 00:04:19,398
JUST SMOTHER IT
WITH HOT SAUCE.
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00:04:19,400 --> 00:04:20,865
YOU KNOW HOW I LIKE IT.
70
00:04:20,867 --> 00:04:24,265
I DO. YOU LIKE A BOWL
OF HOT SAUCE FOR LUNCH
71
00:04:24,267 --> 00:04:26,332
WITH JUST A LITTLE BIT
OF SALAD IN IT.
72
00:04:26,334 --> 00:04:29,298
OH, JOKES TODAY, I SEE.
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00:04:29,300 --> 00:04:31,565
[ LAUGHS ]
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00:04:31,567 --> 00:04:34,031
I'LL TURN YOU OVER,
YOUNG LADY.
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00:04:34,033 --> 00:04:36,232
I DON'T WANT THAT,
MISS LUMA.
76
00:04:36,234 --> 00:04:37,465
I DON'T WANT NONE.
77
00:04:37,467 --> 00:04:39,798
[ CHUCKLES ]
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00:04:39,800 --> 00:04:41,798
♪♪
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00:04:41,800 --> 00:04:44,065
-SO, HOW WAS THE WEEK?
-SAME.
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00:04:44,067 --> 00:04:45,932
COME ON. YOU CAN DO
BETTER THAN THAT.
81
00:04:45,934 --> 00:04:48,332
LIKE, HOW DID YOU DO
ON THAT ALGEBRA TEST?
82
00:04:48,334 --> 00:04:49,598
YOU ALREADY KNOW.
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00:04:49,600 --> 00:04:51,532
HEY.
84
00:04:51,534 --> 00:04:53,532
[ BOTH CHUCKLE ]
85
00:04:53,534 --> 00:04:56,598
HOW ARE THINGS AT HOME?
86
00:04:56,600 --> 00:04:59,065
I JUST AM COMING TO ACCEPT IT
AND BE LIKE, "WHATEVER."
87
00:04:59,067 --> 00:05:00,665
I CAN'T PLEASE HER,
AND TRYING DOESN'T MATTER.
88
00:05:00,667 --> 00:05:01,865
UNH-UNH,
TRYING ALWAYS MATTERS.
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00:05:01,867 --> 00:05:02,798
NOTHING BEATS A FAILURE
BUT A TRY.
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00:05:02,800 --> 00:05:04,398
BUT A TRY. I KNOW.
91
00:05:04,400 --> 00:05:05,932
THANK YOU. AND, AGAIN,
IT'S NOT ALL THAT BAD.
92
00:05:05,934 --> 00:05:08,198
I MEAN, SHE LET YOU
GO TO THIS LECTURE,
93
00:05:08,200 --> 00:05:10,265
AND SHE'S OFF TO CHURCH
WITHOUT YOU.
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00:05:10,267 --> 00:05:12,598
I MEAN,
I'M ACTUALLY SHOCKED.
95
00:05:12,600 --> 00:05:13,998
[ CHUCKLES ]
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00:05:14,000 --> 00:05:15,499
SHE'S PROBABLY IN HER CAR
PRAYING FOR US RIGHT NOW.
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00:05:15,501 --> 00:05:17,232
SHE DEFINITELY IS.
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00:05:17,234 --> 00:05:19,865
YOUR MAMA'S ALWAYS BEEN
PARANOID. I'M THE CHILL ONE.
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00:05:19,867 --> 00:05:24,432
ANCIENT EGYPTIAN RELIGION LIVES
AGAIN WITHIN KEMETIC ORTHODOXY,
100
00:05:24,434 --> 00:05:27,765
THE CURRENT-DAY PRACTICE
OF THE TRADITIONAL SPIRITUALITY
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00:05:27,767 --> 00:05:30,332
OF KEMET, KNOWN TODAY AS EGYPT.
102
00:05:30,334 --> 00:05:34,532
THIS MOST ANCIENT TRADITION
IS HONORED ANEW
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00:05:34,534 --> 00:05:37,798
BY PEOPLE ALL AROUND THE GLOBE,
104
00:05:37,800 --> 00:05:44,398
RETURNING THE PRINCIPLES AND
BELIEFS OF MA'AT TO A NEW WORLD.
105
00:05:44,400 --> 00:05:46,265
Librarian: ALL YOU HAD
TO DO WAS TO RENEW THEM
106
00:05:46,267 --> 00:05:48,165
BEFORE THE DUE DATE
EXPIRED, RIGHT?
107
00:05:48,167 --> 00:05:51,765
OKAY, BUT THERE'S NO WAY
I'M PAYING $200
108
00:05:51,767 --> 00:05:53,965
FOR ANYTHING IN
THE LOS ANGELES PUBLIC LIBRARY.
109
00:05:53,967 --> 00:05:55,132
I JUST FEEL LIKE --
110
00:05:55,134 --> 00:05:56,732
BUT YOU DID,
SO HERE WE ARE.
111
00:05:56,734 --> 00:05:58,065
WHAT IS GOING ON?
112
00:05:58,067 --> 00:05:59,932
-THIS IS WHERE WE ARE, RIGHT?
-OKAY.
113
00:05:59,934 --> 00:06:01,732
I DON'T KNOW.
I'M LIKING THE VIEW.
114
00:06:01,734 --> 00:06:03,299
-OKAY?
-IT'S TOO MUCH MONEY.
115
00:06:03,301 --> 00:06:05,765
IT'S NOT --
WELL, THAT'S NOT MY PROBLEM.
116
00:06:05,767 --> 00:06:07,332
HOW LONG YOU BEEN HERE?
117
00:06:07,334 --> 00:06:09,598
FEELS LIKE A HALF AN HOUR
AT LEAST.
118
00:06:09,600 --> 00:06:11,198
[ SIGHS ]
119
00:06:11,200 --> 00:06:12,999
I NEED YOU TO PAY THE FINE
SO WE CAN MOVE ON.
120
00:06:13,001 --> 00:06:14,665
WE GOT PEOPLE IN LINE.
121
00:06:14,667 --> 00:06:16,131
LOOK, I FEEL LIKE THE PART
YOU'RE NOT UNDERSTANDING
122
00:06:16,133 --> 00:06:18,265
IS THIS ISN'T A NEGOTIATION.
THIS IS HAPPENING.
123
00:06:18,267 --> 00:06:19,798
YOU ARE NOT GONNA STAND
HERE AND TELL ME
124
00:06:19,800 --> 00:06:20,932
WHAT IS GOING TO HAPPEN.
125
00:06:20,934 --> 00:06:22,665
YOU ARE NOT GOING TO
TELL ME WHAT TO DO.
126
00:06:22,667 --> 00:06:25,732
YOU'RE TURNING IN BOOKS
THAT ARE OVER A YEAR PAST DUE.
127
00:06:25,734 --> 00:06:28,065
FINES ARE THE CONSEQUENCES,
AND THAT'S THAT.
128
00:06:28,067 --> 00:06:30,065
YOU'RE RIGHT.
I'M NOT GONNA STAND HERE
129
00:06:30,067 --> 00:06:31,598
AND TELL YOU WHAT
YOU'RE ABOUT TO DO.
130
00:06:31,600 --> 00:06:32,865
I'M-A TELL YOU WHAT YOU
I'M ABOUT TO DO,
131
00:06:32,867 --> 00:06:33,932
AND THAT'S STAND HERE,
PLANTED UNTIL --
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00:06:33,934 --> 00:06:35,465
UH, EXCUSE ME,
EXCUSE ME.
133
00:06:35,467 --> 00:06:38,132
LADIES, CAN WE TABLE
THIS CONVERSATION
134
00:06:38,134 --> 00:06:40,065
WHILE THE REST OF US IN LINE
HANDLE OUR BOOK BUSINESS?
135
00:06:40,067 --> 00:06:41,532
WE DON'T WANT
NO PROBLEMS.
136
00:06:41,534 --> 00:06:43,932
WE JUST WANT TO READ.
137
00:06:43,934 --> 00:06:46,099
THEY SAY
IT'S FUNDAMENTAL.
138
00:06:49,667 --> 00:06:53,698
OKAY, LOOK, I-I-I HAVE
A YOUNG LADY, MY NIECE,
139
00:06:53,700 --> 00:06:55,699
AND SHE'S IN
THE EGYPTIAN'S KEMETIC CLASS,
140
00:06:55,701 --> 00:06:57,431
AND IT'S ABOUT TO END IN
6 TO 7 MINUTES,
141
00:06:57,433 --> 00:06:58,898
AND THIS LOOKS LIKE
142
00:06:58,900 --> 00:07:01,198
A 12-TO-13-MINUTE
KIND OF CONVERSATION.
143
00:07:01,200 --> 00:07:03,265
SO CAN YOU HELP
A BROTHER OUT?
144
00:07:03,267 --> 00:07:06,732
WELL, I HAVE AN OLD LADY,
MY BOSS,
145
00:07:06,734 --> 00:07:10,732
SHE WANTS ME BACK A.S.A.P.,
SO SORRY.
146
00:07:10,734 --> 00:07:12,465
I CAN'T HELP.
147
00:07:12,467 --> 00:07:14,265
AND I'M NOT TRYING
TO DISRESPECT YOU,
148
00:07:14,267 --> 00:07:16,031
AND I'M REALLY SORRY TO PUSH,
149
00:07:16,033 --> 00:07:17,899
BUT MISS LUMA TOLD ME
SHE NEEDED THIS HANDLED TODAY,
150
00:07:17,901 --> 00:07:19,965
AND I'M THE ONLY PERSON
THAT CAN HANDLE IT.
151
00:07:19,967 --> 00:07:22,698
NOW, SHE WANTS ME BACK
IN 15 MINUTES.
152
00:07:22,700 --> 00:07:26,699
THERE'S, LIKE, 20 MINUTES' WORTH
OF PEOPLE IN THIS LINE.
153
00:07:26,701 --> 00:07:28,565
HALF OF THESE PEOPLE
PROBABLY AIN'T EVEN GOT
154
00:07:28,567 --> 00:07:31,665
A LIBRARY CARD.
155
00:07:31,667 --> 00:07:34,198
YOU'RE RIGHT.
I DON'T HAVE A LIBRARY CARD,
156
00:07:34,200 --> 00:07:37,732
BUT I ALSO DON'T HAVE 20 MINUTES
TO WAIT FOR THAT LINE TO MOVE
157
00:07:37,734 --> 00:07:40,731
AFTER THE 20 MINUTES YOU TWO
ARE GONNA TAKE BATTLING IT OUT
158
00:07:40,733 --> 00:07:43,332
FOR, UH, MISS, UM...?
159
00:07:43,334 --> 00:07:46,099
LUMA.
LUMA LANGSTON.
160
00:07:48,600 --> 00:07:52,332
OH...
LUMA LANGSTON?
161
00:07:52,334 --> 00:07:53,598
YOU KNOW HER?
162
00:07:53,600 --> 00:07:55,998
I MEAN,
I-I-I KNOW OF HER.
163
00:07:56,000 --> 00:07:59,399
MY -- MY GRANDDAD USED TO
WATCH ALL HER FILMS.
164
00:07:59,401 --> 00:08:01,399
HAVE YOU SEEN THEM?
165
00:08:01,401 --> 00:08:02,865
I WOULDN'T SAY I'VE
SEEN THEM ALL,
166
00:08:02,867 --> 00:08:05,999
BUT I DID SEE
"DIAMOND OF DIXIE."
167
00:08:06,001 --> 00:08:07,265
THAT'S A GOOD ONE.
[ CHUCKLES ]
168
00:08:07,267 --> 00:08:08,598
[ CHUCKLING ] YEAH.
169
00:08:08,600 --> 00:08:10,465
UH, UM, MY GRANDDAD
USED TO ALWAYS SAY
170
00:08:10,467 --> 00:08:13,265
THAT MISS LUMA LANGSTON
WAS THE REAL "DIAMOND OF DIXIE,"
171
00:08:13,267 --> 00:08:15,998
AND NOT THAT WHITE LADY
SHE PLAYED THE MAID FOR.
172
00:08:16,000 --> 00:08:17,732
-YEAH.
-YEAH.
173
00:08:17,734 --> 00:08:20,132
YOUR GRANDDAD WAS RIGHT.
174
00:08:22,000 --> 00:08:23,798
UM...
175
00:08:23,800 --> 00:08:26,398
ANYWAY, UM,
THESE ARE HER BOOKS.
176
00:08:26,400 --> 00:08:28,532
YOU KNOW, SHE'S READING
A LOT SLOWER NOWADAYS.
177
00:08:28,534 --> 00:08:30,998
SO SHE'S DONE WITH THESE,
SHE WANTS TO TURN THEM IN,
178
00:08:31,000 --> 00:08:32,798
GET MORE BOOKS,
179
00:08:32,800 --> 00:08:35,865
AND I'M NOT LEAVING HERE
TILL YOU TEND TO THIS.
180
00:08:35,867 --> 00:08:38,631
I WANT YOU TO
WAIVE HER FINES.
181
00:08:38,633 --> 00:08:39,899
SHE DESERVES THAT.
182
00:08:39,901 --> 00:08:40,899
SHE SHOULD HAVE
ANYTHING SHE WANTS.
183
00:08:40,901 --> 00:08:42,032
WE SHOULD
GIVE THAT TO HER.
184
00:08:42,034 --> 00:08:43,931
WE GOT TO
HONOR OUR ELDERS.
185
00:08:43,933 --> 00:08:45,332
YOU CAN DO IT,
186
00:08:45,334 --> 00:08:47,932
AND I'M NOT LEAVING THIS SPOT
TILL YOU DO.
187
00:08:47,934 --> 00:08:49,465
UM, CAN I -- CAN
I TAKE CARE OF THE FINES?
188
00:08:49,467 --> 00:08:51,565
NO, NO, NO, NO, NO, NO.
189
00:08:51,567 --> 00:08:53,365
EXCUSE ME.
[ CHUCKLES ]
190
00:08:53,367 --> 00:08:54,865
THIS ISN'T ABOUT MONEY.
191
00:08:54,867 --> 00:08:55,865
I KNOW.
192
00:08:55,867 --> 00:08:57,532
THIS IS ABOUT
WHAT'S RIGHT.
193
00:08:57,534 --> 00:08:59,665
HEY, LOOK
194
00:09:01,934 --> 00:09:06,732
WHAT'S RIGHT IS THAT YOU
GET WHAT YOU WANT HERE.
195
00:09:06,734 --> 00:09:08,832
AND YOU WANT TO TURN IN
THESE BOOKS
196
00:09:08,834 --> 00:09:10,832
AND YOU WANT TO
NOT PAY THE FINES
197
00:09:10,834 --> 00:09:11,832
AND YOU WANT TO GET
MORE BOOKS.
198
00:09:11,834 --> 00:09:15,565
SO GET WHAT YOU WANT.
199
00:09:18,033 --> 00:09:21,732
SERIOUSLY, IT WOULD --
IT WOULD BE AN HONOR FOR ME.
200
00:09:21,734 --> 00:09:24,198
I KNOW THAT MY GRANDDAD IS
UP THERE SOMEWHERE SMILING.
201
00:09:24,200 --> 00:09:25,532
[ CHUCKLES ]
202
00:09:25,534 --> 00:09:27,398
HUH?
203
00:09:27,400 --> 00:09:28,332
THAT'S CUTE.
204
00:09:28,334 --> 00:09:30,732
[ CHUCKLES ]
BUT, UH,
205
00:09:30,734 --> 00:09:32,665
I NEED HER TO RESPECT
THE SITUATION.
206
00:09:32,667 --> 00:09:34,731
I NEED HER TO PUT SOME RESPECT
ON MISS LUMA'S NAME.
207
00:09:34,733 --> 00:09:37,865
YOU KNOW WHAT I'M SAYING?
IT'S NOT REALLY ABOUT THE MONEY.
208
00:09:37,867 --> 00:09:40,465
I JUST NEED HER
TO DO WHAT'S RIGHT.
209
00:09:40,467 --> 00:09:43,932
♪♪
210
00:09:43,934 --> 00:09:46,532
OKAY.
211
00:09:46,534 --> 00:09:51,131
♪♪
212
00:09:51,133 --> 00:09:53,865
SIS, COME ON. DO THIS.
213
00:09:53,867 --> 00:09:56,132
IT'S THE RIGHT THING TO DO.
SHE DESERVES THIS.
214
00:09:56,134 --> 00:10:00,065
YOU HAVE THE POWER TO DO IT.
WHY WON'T YOU?
215
00:10:00,067 --> 00:10:03,231
Y-Y-YOU'RE GONNA
BE OLD ONE DAY,
216
00:10:03,233 --> 00:10:07,598
GOD WILLING,
AND YOU'RE GONNA NEED HELP.
217
00:10:07,600 --> 00:10:10,465
DO THE RIGHT THING?
218
00:10:10,467 --> 00:10:11,932
[ SIGHS ]
219
00:10:11,934 --> 00:10:16,532
I'M WAIVING $207
FROM MISS LUMA LANGSTON.
220
00:10:16,534 --> 00:10:19,932
I'M ALSO NOTING THAT THIS
IS THE FIRST AND FINAL TIME
221
00:10:19,934 --> 00:10:21,832
A WAIVER WILL BE GIVEN
TO MISS LUMA
222
00:10:21,834 --> 00:10:25,299
OR TO HER CAREGIVER,
GENTLY JAMES, CITYWIDE.
223
00:10:25,301 --> 00:10:26,499
PERIOD.
PERIOD.
224
00:10:26,501 --> 00:10:29,631
I AGREE.
THANK YOU SO MUCH.
225
00:10:29,633 --> 00:10:31,165
THANK YOU.
226
00:10:31,167 --> 00:10:34,098
UM...
227
00:10:34,100 --> 00:10:36,598
SHE WANTS TO
CHECK THESE OUT NEXT.
228
00:10:36,600 --> 00:10:38,899
I KNOW, I KNOW.
229
00:10:38,901 --> 00:10:40,565
IT'S VERY ANNOYING.
230
00:10:40,567 --> 00:10:43,165
I APPRECIATE YOU.
THANK YOU SO MUCH.
231
00:10:43,167 --> 00:10:47,532
♪♪
232
00:10:47,534 --> 00:10:51,299
♪♪
233
00:10:55,100 --> 00:10:57,765
[ FRANCCI'S "SOMEDAYS" PLAYS ]
234
00:10:57,767 --> 00:10:59,165
[ AIR BRAKES HISS ]
235
00:10:59,167 --> 00:11:02,798
♪ SOME DAYS I WISH I COULD
STAY IN BED ♪
236
00:11:02,800 --> 00:11:04,532
THANKS.
237
00:11:04,534 --> 00:11:08,398
♪ AND JUST FORGET ABOUT
THE PROBLEMS THAT I HAVE ♪
238
00:11:08,400 --> 00:11:10,031
[ HORN HONKS ]
239
00:11:10,033 --> 00:11:15,632
♪ OH, AND SOME DAYS, I WISH
I COULD SNAP MY FINGERS ♪
240
00:11:15,634 --> 00:11:20,598
♪ AND JUST LIKE THAT,
ALL OF MY WORRIES DISAPPEAR ♪
241
00:11:20,600 --> 00:11:22,998
♪ BUT THAT AIN'T LIFE AT ALL ♪
242
00:11:23,000 --> 00:11:28,499
♪ LIFE AIN'T WHAT IT SEEMS
THESE DAYS ♪
243
00:11:28,501 --> 00:11:31,432
♪ I'VE BEEN TRYING
TO FEED MY PAIN ♪
244
00:11:31,434 --> 00:11:36,732
[ TYSON FURY'S
"ALL NIGHT LONG" PLAYS ]
245
00:11:36,734 --> 00:11:38,065
WHAT?
246
00:11:38,067 --> 00:11:43,065
♪ OH, I'M DOWN, OH ♪
247
00:11:43,067 --> 00:11:44,198
YOU DID IT?
248
00:11:44,200 --> 00:11:47,665
♪ SHE'S ALWAYS ON TIME ♪
249
00:11:47,667 --> 00:11:49,398
♪ ESPECIALLY AT NIGHTTIME ♪
250
00:11:49,400 --> 00:11:50,665
I DID IT!
251
00:11:50,667 --> 00:11:53,999
GIRL, I DIDN'T THINK YOU
COULD PULL THIS OFF.
252
00:11:54,001 --> 00:11:56,265
I HAD NO FAITH IN YOU.
253
00:11:56,267 --> 00:11:58,199
[ BOTH LAUGH ]
254
00:11:58,201 --> 00:12:00,798
♪ OH, I'M DOWN, BABY ♪
255
00:12:00,800 --> 00:12:02,398
GIRL,
YOU'RE SOMETHING ELSE.
256
00:12:02,400 --> 00:12:06,065
YOU KNOW I TAKE YOUR DARES
AND BETS AND ULTIMATUMS
257
00:12:06,067 --> 00:12:09,398
AND "DON'T YOU COME HOME
TILL IT'S DONES" VERY SERIOUSLY.
258
00:12:09,400 --> 00:12:13,132
YOU DID WELL, MY DEAR.
YOU REALLY DID.
259
00:12:13,134 --> 00:12:16,565
AND I CAN'T TELL YOU
HOW GRATEFUL I AM.
260
00:12:16,567 --> 00:12:17,765
OH, LORD.
261
00:12:17,767 --> 00:12:19,798
THANK YOU.
262
00:12:19,800 --> 00:12:23,565
UH, I KEEP TRYING TO TELL YOU
AUDIOBOOKS ARE THE NEW THING.
263
00:12:23,567 --> 00:12:25,132
I THINK YOU'D LIKE THEM.
264
00:12:25,134 --> 00:12:27,732
IT'S JUST BASICALLY PEOPLE
ACTING OUT THE STORY FOR YOU
265
00:12:27,734 --> 00:12:29,298
RIGHT IN YOUR EAR.
266
00:12:29,300 --> 00:12:32,465
THE JOY OF BOOKS
267
00:12:32,467 --> 00:12:37,065
IS THAT YOU GET TO ACT IT OUT
FOR YOURSELF.
268
00:12:37,067 --> 00:12:38,332
AH?
269
00:12:38,334 --> 00:12:40,198
YES, MA'AM.
270
00:12:40,200 --> 00:12:43,998
YOU KNOW, I REALLY SHOULD'VE
RETURNED THE BOOKS
271
00:12:44,000 --> 00:12:45,832
WHEN I WAS FINISHED
WITH THEM.
272
00:12:45,834 --> 00:12:47,832
BUT, YOU KNOW...
273
00:12:47,834 --> 00:12:50,198
OR GIVEN YOU SOME MONEY
TO GO PAY FOR THEM.
274
00:12:50,200 --> 00:12:52,398
THAT WAS TOO MUCH MONEY.
275
00:12:52,400 --> 00:12:56,431
YES, BUT RIGHT IS RIGHT.
276
00:12:56,433 --> 00:12:59,232
YOU KNOW, THIS GUY IN LINE
277
00:12:59,234 --> 00:13:02,332
OFFERED TO PAY WHEN HE
HEARD THEY WERE YOURS.
278
00:13:02,334 --> 00:13:04,598
I TURNED HIM DOWN,
THOUGH.
279
00:13:04,600 --> 00:13:07,999
YOU SHOULD'VE LET HIM PAY.
280
00:13:08,001 --> 00:13:10,198
YOU KNOW,
IF A WELL-MANNERED MAN
281
00:13:10,200 --> 00:13:13,932
DECIDES TO GIVE YOU A HAND,
UM, IT CAN'T HURT.
282
00:13:13,934 --> 00:13:17,431
ACTUALLY, A WELL-MANNERED MAN
CAN HURT.
283
00:13:17,433 --> 00:13:18,898
YOU JUST HAVE TO MAKE SURE
284
00:13:18,900 --> 00:13:20,765
THAT IT'S WORTH IT.
[ CHUCKLES ]
285
00:13:20,767 --> 00:13:24,065
OKAY, THAT PART.
[ CHUCKLES ]
286
00:13:24,067 --> 00:13:26,732
[ TELEPHONE RINGING ]
287
00:13:26,734 --> 00:13:29,998
-[ LAUGHS ]
-EVAN FISHER. MY MAN.
288
00:13:30,000 --> 00:13:31,198
HEY.
289
00:13:31,200 --> 00:13:32,465
YOU STAY WORKING
ON THE WEEKEND, BRUH?
290
00:13:32,467 --> 00:13:33,865
HEY, MAN,
YOU KNOW I GOT TO WIN.
291
00:13:33,867 --> 00:13:36,732
UM, WATCH OUT FOR HER?
20 MINUTES?
292
00:13:36,734 --> 00:13:37,932
I GOT YOU.
293
00:13:37,934 --> 00:13:40,465
[ INHALES SHARPLY ]
UNH-UNH.
294
00:13:40,467 --> 00:13:43,865
I'M LITERALLY HERE TO DO
A DIAGNOSTIC AND ONE LAST THING.
295
00:13:43,867 --> 00:13:45,198
YEAH, THAT'S WHAT I SAID
TWO HOURS AGO.
296
00:13:45,200 --> 00:13:46,265
NO, I'M SERIOUS, DANA.
297
00:13:46,267 --> 00:13:48,065
OKAY.
298
00:13:48,067 --> 00:13:49,332
I NEED YOU TO LOOK AT
THIS ONE THING.
299
00:13:49,334 --> 00:13:50,398
ONE THING, EVAN, I PROMISE.
PLEASE?
300
00:13:50,400 --> 00:13:51,865
[ SIGHS ] OKAY.
301
00:13:51,867 --> 00:13:53,265
THANK YOU.
302
00:13:53,267 --> 00:13:54,598
SEE THOSE MULTIPLE ALGORITHMS
303
00:13:54,600 --> 00:13:55,798
RUNNING CONCURRENTLY
OUTSIDE THE BRACKET?
304
00:13:55,800 --> 00:13:57,332
IT'S CREATING FALSE ENTRY.
305
00:13:57,334 --> 00:13:58,998
ACCOUNTS ARE BEING OPENED
EVEN WHEN THE WRONG PASSWORD
306
00:13:59,000 --> 00:14:00,598
IS ENTERED AS LONG AS
THE NUMBER EXISTS
307
00:14:00,600 --> 00:14:02,032
SOMEWHERE WITHIN
THE COMBINATION.
308
00:14:02,034 --> 00:14:04,032
LIKE I TOLD YOU, I INFORMED
MANAGEMENT ABOUT THIS
309
00:14:04,034 --> 00:14:05,765
IN MY END-OF-QUARTER ANALYSIS
THREE WEEKS AGO.
310
00:14:05,767 --> 00:14:06,998
-OKAY.
-THEY KNOW.
311
00:14:07,000 --> 00:14:09,299
BEYOND THAT, THERE'S
NOT MUCH I CAN DO.
312
00:14:09,301 --> 00:14:12,031
I DON'T GET IT, EVAN.
UH, THIS IS BIG.
313
00:14:12,033 --> 00:14:13,765
I TOLD YOU IT WAS BIG.
314
00:14:13,767 --> 00:14:16,465
SO WHY GIVE UP?
315
00:14:16,467 --> 00:14:18,132
YOU COME IN ON WEEKENDS.
YOU STAY LATE.
316
00:14:18,134 --> 00:14:19,932
YOU'RE THE BEST AT THIS,
BUT IT'S LIKE YOU DON'T CARE.
317
00:14:19,934 --> 00:14:21,365
LOOK, I DO MY JOB,
318
00:14:21,367 --> 00:14:23,232
AND I USE THIS JOB TO LEARN,
TO GET BETTER.
319
00:14:23,234 --> 00:14:26,399
THAT'S WHY I'M HERE.
320
00:14:26,401 --> 00:14:29,098
I'M A COMPANY MAN.
JUST NOT FOR THIS COMPANY.
321
00:14:29,100 --> 00:14:34,332
LOOK, I'M DOING SOMETHING THAT
WILL BE BIG ONE DAY FOR MY OWN.
322
00:14:34,334 --> 00:14:37,432
THAT NEW COMPANY OF YOURS?
IT'S GONNA NEED A V.P.
323
00:14:37,434 --> 00:14:38,298
[ SIGHS ]
324
00:14:38,300 --> 00:14:39,432
I'LL SEND YOU MY RéSUMé.
325
00:14:39,434 --> 00:14:41,765
OH. [ CHUCKLES ]
I'M SURE YOU WILL.
326
00:14:41,767 --> 00:14:44,831
[ TELEPHONE RINGING ]
327
00:14:44,833 --> 00:14:47,298
♪♪
328
00:14:47,300 --> 00:14:49,098
I DID SEE
"DIAMOND OF DIXIE."
329
00:14:49,100 --> 00:14:50,432
THAT'S A GOOD ONE.
[ CHUCKLES ]
330
00:14:50,434 --> 00:14:51,698
[ CHUCKLING ] YEAH.
331
00:14:51,700 --> 00:14:54,465
♪ MMM, MNH ♪
332
00:14:54,467 --> 00:14:57,832
♪ I COULD STOP A TRAIN
IF I WANT TO ♪
333
00:14:59,867 --> 00:15:02,865
♪ STOP IT IN ITS TRACKS
SO IT DON'T MOVE ♪
334
00:15:02,867 --> 00:15:06,031
Librarian: OR TO HER CAREGIVER,
GENTLY JAMES.
335
00:15:06,033 --> 00:15:11,865
♪ FOR YOUR LOVE, THERE'S
NOTHING THAT I WON'T DO ♪
336
00:15:11,867 --> 00:15:15,932
♪ BUT YOU DON'T FEEL THE SAME,
SO IT'S NO USE ♪
337
00:15:15,934 --> 00:15:21,265
♪ I CAN'T MAKE YOU STAY ♪
338
00:15:21,267 --> 00:15:22,931
♪♪
339
00:15:22,933 --> 00:15:26,299
♪ STAY ♪
340
00:15:26,301 --> 00:15:28,499
[ CHUCKLES ]
341
00:15:28,501 --> 00:15:31,898
♪ STAY ♪
342
00:15:31,900 --> 00:15:34,565
♪♪
343
00:15:34,567 --> 00:15:39,331
♪ STAY ♪
344
00:15:39,333 --> 00:15:41,032
♪ CAN'T MAKE YOU STAY ♪
345
00:15:41,034 --> 00:15:42,665
GET WHAT YOU WANT.
346
00:15:42,667 --> 00:15:47,065
♪ COOK YOUR FAVORITE MEAL
WHEN I'M OFF WORK ♪
347
00:15:47,067 --> 00:15:50,331
♪ I'M TIRED, BUT I KNOW
WHAT MY GIRL'S WORTH ♪
348
00:15:50,333 --> 00:15:52,732
Gently:
DAMN THIS OLD LEAKY FRIDGE.
349
00:15:52,734 --> 00:15:54,532
[ CELLPHONE CHIMES ]
350
00:15:54,534 --> 00:15:58,232
♪ GOOD LOVIN', DON'T I ALWAYS
PUT MY GIRL FIRST? ♪
351
00:15:58,234 --> 00:16:00,031
♪ I SWEAR I GIVE A BETTER LOVIN'
THAN YOU DESERVE ♪
352
00:16:00,033 --> 00:16:02,165
WOW.
353
00:16:02,167 --> 00:16:04,498
♪ STAY ♪
354
00:16:04,500 --> 00:16:05,832
OH, MY GOD.
355
00:16:05,834 --> 00:16:08,065
-[ CHUCKLES ]
-♪ CAN'T MAKE YOU STAY ♪
356
00:16:08,067 --> 00:16:11,599
-I CAN'T SEE IT, HONEY.
-OKAY. I'LL MAKE IT BIGGER.
357
00:16:11,601 --> 00:16:13,732
♪ WHOA, MAMA,
YOU SAY I TALK SO GOOD ♪
358
00:16:13,734 --> 00:16:15,132
OKAY.
359
00:16:15,134 --> 00:16:17,865
OH.
HE HAS A NICE LOOK ABOUT HIM.
360
00:16:17,867 --> 00:16:19,665
♪ WITH A SMILE LIKE YOURS,
OH, I REALLY SHOULD ♪
361
00:16:19,667 --> 00:16:21,532
NOT YOUR TYPE, THOUGH.
362
00:16:21,534 --> 00:16:23,432
WHAT'S MY TYPE,
MISS LUMA?
363
00:16:23,434 --> 00:16:26,132
BIG AND DUMB.
364
00:16:26,134 --> 00:16:28,065
[ BOTH LAUGH ]
365
00:16:28,067 --> 00:16:31,598
DON'T GET ME WRONG, GIRL.
THEY'RE A GREAT TYPE.
366
00:16:31,600 --> 00:16:36,765
I HAVE RATHER ENJOYED THAT TYPE
MYSELF OVER THE YEARS,
367
00:16:36,767 --> 00:16:39,365
AND HE'S NOT THAT,
I'M SORRY TO SAY.
368
00:16:39,367 --> 00:16:41,365
[ BOTH LAUGH ]
369
00:16:41,367 --> 00:16:44,132
IT LOOKS LIKE HE WORKS AT
SOME KIND OF TECH COMPANY.
370
00:16:44,134 --> 00:16:45,732
YOU KNOW THAT MEANS MONEY.
371
00:16:45,734 --> 00:16:47,399
WELL, YOU SHOULD
KNOW THAT.
372
00:16:47,401 --> 00:16:51,065
I MEAN, YOU WOULDN'T BE ABLE TO
GIVE $200 TO A LIBRARIAN
373
00:16:51,067 --> 00:16:52,498
IF YOU DIDN'T HAVE MONEY.
374
00:16:52,500 --> 00:16:53,765
TRUE.
375
00:16:53,767 --> 00:16:56,232
WHAT'S THAT? WHO'S THAT?
376
00:16:56,234 --> 00:16:58,665
LOOKS LIKE HIS FAMILY.
377
00:16:58,667 --> 00:17:00,798
THAT'S A NICE FAMILY PHOTO.
378
00:17:00,800 --> 00:17:03,099
YEAH, I GUESS.
379
00:17:03,101 --> 00:17:05,798
SEE? THAT'S YOUR PROBLEM,
I WOULD THINK.
380
00:17:05,800 --> 00:17:07,465
THAT'S TRULY YOUR PROBLEM.
381
00:17:07,467 --> 00:17:12,865
YOU HAVE AN ATTENTION-DEFICIT
SYNDROME TOWARDS MEN.
382
00:17:12,867 --> 00:17:14,332
MM-HMM.
383
00:17:14,334 --> 00:17:20,465
I MEAN, NOT ONE OF THEM
CAN HOLD YOUR ATTENTION.
384
00:17:20,467 --> 00:17:21,398
HUH?
385
00:17:21,400 --> 00:17:22,598
[ SCOFFS ]
386
00:17:22,600 --> 00:17:24,065
WHAT'S WRONG?
387
00:17:24,067 --> 00:17:26,532
YOU'RE RIGHT.
♪ SHE SAID RUN AWAY, BOY ♪
388
00:17:26,534 --> 00:17:29,065
BUT I DON'T THINK
IT'S A PROBLEM.
389
00:17:29,067 --> 00:17:31,465
DOESN'T FEEL LIKE
A PROBLEM.
390
00:17:31,467 --> 00:17:33,798
FEELS JUST FINE TO ME.
391
00:17:33,800 --> 00:17:37,532
GIRL [CHUCKLES]
YOU'RE SO MUCH LIKE ME,
392
00:17:37,534 --> 00:17:39,265
IT'S A HOOT TO SEE.
393
00:17:39,267 --> 00:17:39,999
[ CHUCKLES ]
394
00:17:43,400 --> 00:17:46,398
[ MUSIC PLAYING ]
395
00:17:46,400 --> 00:17:47,931
[ CHILDREN SHOUTING ]
396
00:17:47,933 --> 00:17:55,398
♪♪
397
00:17:55,400 --> 00:18:02,998
♪♪
398
00:18:03,000 --> 00:18:10,732
♪♪
399
00:18:10,734 --> 00:18:13,332
HEY, SWEETHEART.
LOVE YOU.
400
00:18:13,334 --> 00:18:14,998
♪♪
401
00:18:15,000 --> 00:18:18,131
HEY, HEY, HEY.
402
00:18:18,133 --> 00:18:19,598
WHAT'D SHE SAY?
403
00:18:19,600 --> 00:18:20,998
UH, SAME THING.
404
00:18:21,000 --> 00:18:22,598
MOTHER DOESN'T UNDERSTAND HER,
DOESN'T LIKE HER,
405
00:18:22,600 --> 00:18:24,265
AND LIFE IS
BASICALLY HOPELESS.
406
00:18:24,267 --> 00:18:25,798
WHAT DID ELLENE SAY?
407
00:18:25,800 --> 00:18:28,132
DAUGHTER HATES HER,
SHE DOESN'T KNOW WHY,
408
00:18:28,134 --> 00:18:31,365
SHE'S A TERRIBLE MOTHER,
AND LIFE IS A DISASTER.
409
00:18:31,367 --> 00:18:35,499
NICE. [ SIGHS ]
HEY, MAN, I FEEL FOR YOU.
410
00:18:35,501 --> 00:18:38,032
HAVING TO PLAY BOTH SIDES.
LIVING WITH ALL THIS DRAMA.
411
00:18:38,034 --> 00:18:39,699
YOU DON'T KNOW
THE HALF OF IT, MAN.
412
00:18:39,701 --> 00:18:41,165
HEY, SIS.
413
00:18:41,167 --> 00:18:42,532
HEY.
414
00:18:42,534 --> 00:18:44,398
MM. THANK YOU.
415
00:18:44,400 --> 00:18:45,998
THANK YOU FOR HANDLING HER
TODAY.
416
00:18:46,000 --> 00:18:48,532
YEAH, SHE'S FINE.
EVERYTHING'S GONNA BE OKAY.
417
00:18:48,534 --> 00:18:51,532
MM-HMM.
YOU WANT TO STAY FOR LUNCH?
418
00:18:51,534 --> 00:18:53,398
AND I'LL JUST WHIP YOU UP
A LITTLE SANDIE REAL QUICK?
419
00:18:53,400 --> 00:18:56,665
COOL.
[ CELLPHONE CHIMES ]
420
00:18:56,667 --> 00:18:57,532
[ SIGHS ]
421
00:18:57,534 --> 00:19:00,532
UM...
422
00:19:00,534 --> 00:19:01,665
I GOT TO GO.
423
00:19:01,667 --> 00:19:03,665
[ CHUCKLES ]
I'M GONNA ROLL.
424
00:19:03,667 --> 00:19:04,932
HERE YOU GO.
425
00:19:04,934 --> 00:19:07,132
DAMN, MAN, WHAT'S UP?
426
00:19:07,134 --> 00:19:10,099
I DON'T KNOW,
BUT I'M GONNA FIND OUT.
427
00:19:10,101 --> 00:19:12,698
NICK.
428
00:19:12,700 --> 00:19:13,965
[ SIGHS ]
429
00:19:13,967 --> 00:19:15,432
COMING, SWEETHEART.
430
00:19:15,434 --> 00:19:19,865
♪♪
431
00:19:19,867 --> 00:19:24,865
Woman: SO, BY THE TIME THIS PARTICULAR PODCAST AIRS...
432
00:19:24,867 --> 00:19:26,665
[ HORN HONKS IN DISTANCE ]
433
00:19:26,667 --> 00:19:29,932
...BLACK WOMEN'S EQUAL PAY DAY WILL HAVE COME AND GONE.
434
00:19:29,934 --> 00:19:30,865
HEY.
435
00:19:30,867 --> 00:19:31,732
HEY.
436
00:19:31,734 --> 00:19:32,998
HOW ARE YOU?
437
00:19:33,000 --> 00:19:34,198
I'M GOOD. HOW ARE YOU?
438
00:19:34,200 --> 00:19:36,465
GOOD. HAPPY TO SEE YOU.
439
00:19:36,467 --> 00:19:37,932
YOU'RE GONNA
BE EVEN HAPPIER
440
00:19:37,934 --> 00:19:40,699
ONCE YOU TASTE WHAT'S INSIDE
THIS MAGNIFICENT DOOR.
441
00:19:40,701 --> 00:19:42,765
OKAY, SHOW ME.
442
00:19:42,767 --> 00:19:46,298
♪ I CAN'T, I CAN'T LIVE
WITHOUT IT, WITHOUT IT ♪
443
00:19:46,300 --> 00:19:49,131
Woman:
ONE VANILLA BEAN, ONE PECAN.
444
00:19:49,133 --> 00:19:53,599
♪ DON'T TAKE, DON'T TAKE
YOUR LOVE FROM ME, FROM ME ♪
445
00:19:53,601 --> 00:19:57,598
♪ I CAN'T, I CAN'T LIVE
WITHOUT IT, WITHOUT IT ♪
446
00:19:57,600 --> 00:20:00,465
HI. UM, I'LL HAVE
AN ORIGINAL...
447
00:20:00,467 --> 00:20:01,332
OKAY.
448
00:20:01,334 --> 00:20:02,798
...AND...
449
00:20:02,800 --> 00:20:04,665
UH, IS THERE A MENU?
450
00:20:04,667 --> 00:20:07,032
YOU WANT ME TO ORDER FOR YOU?
PLEASE.
451
00:20:07,034 --> 00:20:09,165
ONE COOKIES AND CREAM.
ONE STRAWBERRY.
452
00:20:09,167 --> 00:20:13,198
ALL RIGHT.
453
00:20:13,200 --> 00:20:14,831
HERE YOU GO.
454
00:20:14,833 --> 00:20:16,432
-THANK YOU SO MUCH.
-THANK YOU.
455
00:20:16,434 --> 00:20:18,532
IS THERE A PLACE TO SIT?
456
00:20:18,534 --> 00:20:20,199
TAKE A BITE FIRST.
457
00:20:20,201 --> 00:20:22,931
Evan: ALRIGHT.
458
00:20:22,933 --> 00:20:25,865
SO WHAT'S UP? WHAT'S UP?
WHAT YOU THINK?
459
00:20:25,867 --> 00:20:27,998
[ CHUCKLES ]
460
00:20:28,000 --> 00:20:32,665
[ INDISTINCT CONVERSATIONS ]
461
00:20:32,667 --> 00:20:34,798
DAMN!
462
00:20:34,800 --> 00:20:35,665
RIGHT?
463
00:20:35,667 --> 00:20:37,332
MM-HMM.
464
00:20:37,334 --> 00:20:40,198
OKAY, WHAT'S IN THIS?
465
00:20:40,200 --> 00:20:42,665
JUST A WHOLE LOT OF BAD
TO MAKE IT GOOD.
466
00:20:42,667 --> 00:20:44,298
[ CHUCKLES ]
467
00:20:44,300 --> 00:20:45,165
OKAY.
468
00:20:45,167 --> 00:20:46,365
[ GRUNTS ]
469
00:20:46,367 --> 00:20:47,965
SO WE STARTED WITH ORIGINAL.
UH-HUH.
470
00:20:47,967 --> 00:20:49,332
BUT THAT WAS JUST TO
CLEANSE YOUR PALETTE.
471
00:20:49,334 --> 00:20:54,132
NOW YOU HAVE YOUR CHOICE --
OREO, STRAWBERRY?
472
00:20:54,134 --> 00:20:55,465
MM.
473
00:20:55,467 --> 00:20:57,398
OH, YOUR CHOICE SAYS
A LOT ABOUT YOU.
474
00:20:57,400 --> 00:20:58,265
[ CHUCKLES ]
475
00:20:58,267 --> 00:20:59,865
OH, OKAY, I SEE.
476
00:20:59,867 --> 00:21:01,732
SO THIS IS SOME KIND OF TRICK,
SOME KIND OF TEST.
477
00:21:01,734 --> 00:21:03,665
NO.
478
00:21:03,667 --> 00:21:04,999
JUST PICK THE ONE
YOU WANT.
479
00:21:05,001 --> 00:21:06,665
NO, YOU JUST SAID
IT SAYS A LOT ABOUT ME.
480
00:21:06,667 --> 00:21:09,398
IT DOES, BUT THERE'S
NO RIGHT ANSWER.
481
00:21:09,400 --> 00:21:10,531
MM.
482
00:21:10,533 --> 00:21:12,598
IT'S ALL INFORMATION.
483
00:21:12,600 --> 00:21:14,732
LIFE IS INFORMATION.
484
00:21:14,734 --> 00:21:17,198
I'M INFORMATION-GATHERING.
485
00:21:17,200 --> 00:21:19,465
[ CHUCKLES ]
486
00:21:19,467 --> 00:21:22,265
WELL, YOU KNOW, I DO,
UH, ANALYSIS FOR A LIVING,
487
00:21:22,267 --> 00:21:26,198
SO THIS DOESN'T
INTIMIDATE ME.
488
00:21:26,200 --> 00:21:28,132
I BELIEVE YOU.
489
00:21:28,134 --> 00:21:30,398
OH, OKAY.
490
00:21:30,400 --> 00:21:33,932
UH, WELL, IF I PICK
THE STRAWBERRY,
491
00:21:33,934 --> 00:21:38,965
MAYBE YOU THINK I'M SOFT
BECAUSE I LIKE FRUIT.
492
00:21:38,967 --> 00:21:41,999
THEN IF I PICK THE OREO,
MAYBE YOU THINK I AM ONE.
493
00:21:42,001 --> 00:21:43,499
[ BOTH LAUGH ]
494
00:21:43,501 --> 00:21:48,131
ON THE OTHER HAND,
IF I PICK STRAWBERRY,
495
00:21:48,133 --> 00:21:52,798
MAYBE YOU THINK I'M
SENSITIVE AND SWEET.
496
00:21:52,800 --> 00:21:55,065
OR MAYBE THE RICH,
DARK CHOCOLATE
497
00:21:55,067 --> 00:21:59,465
SAYS SOMETHING ABOUT ME.
498
00:21:59,467 --> 00:22:01,332
YEAH, I SEE YOU'RE
GOOD AT YOUR JOB.
499
00:22:01,334 --> 00:22:02,398
YEAH.
500
00:22:02,400 --> 00:22:03,265
I CAN SEE THAT.
501
00:22:03,267 --> 00:22:04,232
YEAH.
502
00:22:04,234 --> 00:22:09,399
[ BOTH CHUCKLE ]
503
00:22:09,401 --> 00:22:10,399
THIS ONE.
504
00:22:10,401 --> 00:22:13,198
YES! FANTASTIC CHOICE!
505
00:22:13,200 --> 00:22:14,798
[ CHUCKLES ]
OREO'S MY FAVORITE.
506
00:22:14,800 --> 00:22:18,065
OH, OH, OKAY, OKAY.
507
00:22:18,067 --> 00:22:19,932
SO THIS IS INFORMATION.
508
00:22:19,934 --> 00:22:21,998
AH, SO IT'S MORE ABOUT
WHAT YOU WANT
509
00:22:22,000 --> 00:22:23,332
AND LESS ABOUT
WHAT I GET WRONG.
510
00:22:23,334 --> 00:22:24,132
IS THAT HOW YOU WORK?
I MEAN --
511
00:22:24,134 --> 00:22:25,765
IS THAT -- IS THAT IT?
512
00:22:25,767 --> 00:22:28,565
YOU KNOW THE SAYING --
HAPPY WIFE, HAPPY LIFE.
513
00:22:28,567 --> 00:22:29,632
[ SCOFFS ]
514
00:22:29,634 --> 00:22:31,065
LOOK, OKAY...
515
00:22:31,067 --> 00:22:32,332
UH-HUH.
...I'M NOT SAYING
516
00:22:32,334 --> 00:22:34,332
THAT APPLIES PERFECTLY
TO THIS SITUATION,
517
00:22:34,334 --> 00:22:37,665
BUT THE UNDERLYING PRINCIPLE
REMAINS THE SAME.
518
00:22:37,667 --> 00:22:40,332
PEOPLE WANT TO BE AROUND
HAPPY PEOPLE
519
00:22:40,334 --> 00:22:42,332
MORE THAN AROUND PEOPLE
WHO AREN'T HAPPY.
520
00:22:42,334 --> 00:22:47,731
SO WHY NOT JUST TRY OUR BEST
TO MAKE EACH OTHER HAPPY
521
00:22:47,733 --> 00:22:49,065
IN EVERY INTERACTION,
522
00:22:49,067 --> 00:22:52,698
IN EVERY MOMENT
WITH EVERY PERSON?
523
00:22:52,700 --> 00:22:55,065
LIKE, YOU JUST
MADE ME HAPPY.
524
00:22:55,067 --> 00:22:56,432
DOESN'T THAT
MAKE YOU HAPPY?
525
00:22:56,434 --> 00:22:58,232
YEAH, IT DOES.
526
00:22:58,234 --> 00:23:01,198
YEAH, AND SITTING
HERE WITH YOU,
527
00:23:01,200 --> 00:23:07,132
ANSWERING YOUR D.M., THAT MADE
ME HAPPY TO DO FOR YOU.
528
00:23:07,134 --> 00:23:10,498
EVEN SITTING ON THIS
DIRTY-ASS CURB IS NICE...
529
00:23:10,500 --> 00:23:11,565
[ BOTH LAUGH ]
530
00:23:11,567 --> 00:23:14,865
...IN THIS MOMENT.
531
00:23:14,867 --> 00:23:20,565
THAT'S ALL THERE IS.
THAT'S ALL WE HAVE, YOU KNOW?
532
00:23:20,567 --> 00:23:23,098
YEAH.
533
00:23:23,100 --> 00:23:28,532
♪♪
534
00:23:28,534 --> 00:23:31,399
OKAY.
535
00:23:31,401 --> 00:23:33,799
BUT WHAT ABOUT PEOPLE WHO --
536
00:23:33,801 --> 00:23:36,998
WHO DON'T MAKE
EACH OTHER HAPPY?
537
00:23:37,000 --> 00:23:40,965
I MEAN, LIKE, WHAT IF I --
I PICKED THE OREO?
538
00:23:40,967 --> 00:23:44,532
OR WHAT IF I WANTED TO
TAKE YOU TO A RESTAURANT
539
00:23:44,534 --> 00:23:48,265
WITH TABLES AND CHAIRS?
540
00:23:48,267 --> 00:23:50,598
WELL, I GUESS WE WOULDN'T
BE SITTING HERE HAPPY.
541
00:23:50,600 --> 00:23:55,631
AS IN YOU'D BE UPSET?
542
00:23:55,633 --> 00:23:59,299
NO. AS IN I'D BE GONE.
543
00:23:59,301 --> 00:24:02,732
LIFE'S TOO SHORT,
YOU KNOW?
544
00:24:04,900 --> 00:24:07,198
MMM!
545
00:24:07,200 --> 00:24:09,532
YOU GOT TO TRY THE OREO.
546
00:24:09,534 --> 00:24:12,932
[ HORNS HONKING ]
547
00:24:16,400 --> 00:24:19,265
UH, SO, IT'S A COMPANY
THAT PROVIDES THE WIREFRAMES
548
00:24:19,267 --> 00:24:21,598
FROM SECURITY LOG-INS.
549
00:24:21,600 --> 00:24:23,132
[ CHUCKLES ]
550
00:24:23,134 --> 00:24:25,265
SO WHEN YOU GO TO A SITE
OR AN APP
551
00:24:25,267 --> 00:24:27,065
AND YOU PUT YOUR PERSONAL
INFORMATION IN,
552
00:24:27,067 --> 00:24:29,065
WE BUILD THAT PART
553
00:24:29,067 --> 00:24:30,999
AND THEN SELL IT OVER
TO VARIOUS DEVELOPERS.
554
00:24:31,001 --> 00:24:33,331
OKAY. DO YOU LIKE IT?
555
00:24:33,333 --> 00:24:35,131
IT'S A LIVING.
556
00:24:35,133 --> 00:24:36,831
SO YOU DON'T LIKE IT.
557
00:24:36,833 --> 00:24:39,231
I LIKE THE LIVING
IT PROVIDES ME.
558
00:24:39,233 --> 00:24:40,831
I LIKE HOW I LIVE,
WHERE I LIVE,
559
00:24:40,833 --> 00:24:45,765
HELPING MY FAMILY,
PAYING FOR SCHOOL.
560
00:24:45,767 --> 00:24:50,398
I THINK THAT'S ENOUGH
FOR ME RIGHT NOW.
561
00:24:50,400 --> 00:24:52,732
I AM WORKING ON
MY OWN PERSONAL, UH,
562
00:24:52,734 --> 00:24:55,532
COMPANY CONCEPT, THIS IDEA
I HAVE CALLED ZUBERI.
563
00:24:55,534 --> 00:24:57,732
IT MEANS "STRENGTH"
IN SWAHILI.
564
00:24:57,734 --> 00:24:59,465
SO THIS PLACE
IS JUST A STEP.
565
00:24:59,467 --> 00:25:02,998
OKAY.
566
00:25:03,000 --> 00:25:06,732
UH, HOW LONG YOU, UH,
BEEN LIVING IN WEST ADAMS?
567
00:25:06,734 --> 00:25:09,398
I KIND OF GREW UP
OVER HERE.
568
00:25:09,400 --> 00:25:11,065
THERE ARE SOME
BEAUTIFUL HOMES.
569
00:25:11,067 --> 00:25:12,465
I DIDN'T GROW UP
IN THE BEAUTIFUL PART,
570
00:25:12,467 --> 00:25:15,465
BUT ALWAYS WANTED TO LIVE
IN THAT PART, THOUGH.
571
00:25:15,467 --> 00:25:17,465
THAT'S HALF THE REASON
I CAME HOME --
572
00:25:17,467 --> 00:25:19,465
THE CHANCE TO LIVE
IN ONE OF THESE HOUSES.
573
00:25:19,467 --> 00:25:21,798
MM.
574
00:25:21,800 --> 00:25:23,331
LUMA LANGSTON.
575
00:25:23,333 --> 00:25:24,665
MAN.
576
00:25:24,667 --> 00:25:26,065
THAT'S CRAZY THAT YOU
WORK FOR HER.
577
00:25:26,067 --> 00:25:28,065
IT'S AN HONOR EVERY DAY.
578
00:25:28,067 --> 00:25:30,798
SO IS SHE AS COOL
AS SHE WAS BACK THEN?
579
00:25:30,800 --> 00:25:33,899
COOLER. INFINITELY COOLER
THAN I'D EVER BE
580
00:25:33,901 --> 00:25:36,031
IF I'D GONE THROUGH
ALL THAT SHE HAS.
581
00:25:36,033 --> 00:25:39,832
SO MUCH TALENT, AND SHE NEVER
GOT A CHANCE TO SHOW IT.
582
00:25:39,834 --> 00:25:42,865
SHE'S ALWAYS PLAYING
THE MAIDS AND SIDEKICKS
583
00:25:42,867 --> 00:25:45,465
IN THE BACKGROUND
OF OTHER PEOPLE'S STORIES.
584
00:25:45,467 --> 00:25:49,532
THAT WOMAN CAN SING,
SHE ACTS, SHE CAN DANCE.
585
00:25:49,534 --> 00:25:52,265
IN SIX FILMS.
SHE'S A GENIUS,
586
00:25:52,267 --> 00:25:58,131
AND SHE'S KNOWN FOR PLAYING
A MAID IN SIX LOUSY FILMS.
587
00:25:58,133 --> 00:25:59,999
WHAT DID SHE DO
TO SURVIVE ALL THOSE YEARS?
588
00:26:00,001 --> 00:26:02,465
TAUGHT DRAMA
AT L.A. UNIFIED.
589
00:26:02,467 --> 00:26:06,199
SHE PASSED HER GIFT
ON TO OTHERS.
590
00:26:06,201 --> 00:26:07,132
SOUNDS AMAZING.
591
00:26:07,134 --> 00:26:10,065
NO, SHE'S A QUEEN.
592
00:26:10,067 --> 00:26:12,265
SHOULD I TURN HERE?
593
00:26:12,267 --> 00:26:14,865
YOU KNOW, ACTUALLY, YOU CAN
DROP ME OFF A COUPLE BLOCKS UP.
594
00:26:14,867 --> 00:26:17,031
I GOT AN ERRAND TO RUN.
I NEED TO GRAB SOME WHEELS.
595
00:26:17,033 --> 00:26:18,265
OH, I GOT YOU.
596
00:26:18,267 --> 00:26:20,598
YEAH, I'M ENJOYING
YOUR LUXURY WHIP,
597
00:26:20,600 --> 00:26:22,665
BUT I NEED A FLATBED.
598
00:26:22,667 --> 00:26:24,398
OH, A FLATBED?
599
00:26:24,400 --> 00:26:25,598
THAT'S THE WORST
KIND OF ERRAND.
600
00:26:25,600 --> 00:26:27,932
[ BOTH LAUGH ]
601
00:26:27,934 --> 00:26:31,198
YOU NEED A HAND?
602
00:26:31,200 --> 00:26:35,865
YEAH, I'LL TAKE A HAND.
603
00:26:35,867 --> 00:26:38,899
OKAY.
604
00:26:38,901 --> 00:26:44,832
[ INDISTINCT CONVERSATIONS ]
605
00:26:44,834 --> 00:26:48,398
HEY, GENTLY! GENTLY!
606
00:26:48,400 --> 00:26:50,098
GENTLY!
607
00:26:50,100 --> 00:26:52,432
DO YOU MIND IF WE STOP
FOR A SECOND?
608
00:26:52,434 --> 00:26:55,232
♪ IT'S PREEMPTORY ♪
609
00:26:55,234 --> 00:26:58,332
♪ FIRST SHE AIN'T REMEMBER ME ♪
610
00:26:58,334 --> 00:27:01,265
♪ BUT NOVEMBER ME IS DIFFERENT
THAN DECEMBER ME ♪
611
00:27:01,267 --> 00:27:02,332
♪ WHEN SHE REMEMBERED ME ♪
612
00:27:02,334 --> 00:27:04,099
HEY, GENTLY,
HELP YOUR BOY OUT.
613
00:27:04,101 --> 00:27:05,565
I GOT TO GET TO THE SPOT
BEFORE THEY CLOSE.
614
00:27:05,567 --> 00:27:06,932
THEY CLOSE EARLY ON SUNDAY.
615
00:27:06,934 --> 00:27:08,265
♪ SHE ALWAYS THANK
WHAT'S UP ABOVE ♪
616
00:27:08,267 --> 00:27:10,732
DO YOU MIND?
HE'S THE SWEETEST KID.
617
00:27:10,734 --> 00:27:11,999
HE RECYCLES
TO TAKE CARE OF HIMSELF.
618
00:27:12,001 --> 00:27:13,398
IT'S COOL. IT'S COOL.
619
00:27:13,400 --> 00:27:15,999
YO, POP THE TRUNK.
I GOT TO GET THERE.
620
00:27:16,001 --> 00:27:17,065
THANKS, EVAN.
621
00:27:17,067 --> 00:27:18,498
[ BOTH CHUCKLE ]
622
00:27:18,500 --> 00:27:21,365
[ LIQUID SLOSHING ]
623
00:27:21,367 --> 00:27:23,998
♪ REGARDLESS, WE FOUND IT ♪
624
00:27:24,000 --> 00:27:27,198
♪♪
625
00:27:27,200 --> 00:27:29,332
♪ REGARDLESS, WE FOUND IT ♪
626
00:27:29,334 --> 00:27:33,098
Lil Fat: [ GRUNTS ]
627
00:27:33,100 --> 00:27:34,765
[ SIGHS ]
628
00:27:34,767 --> 00:27:36,465
THANK YOU FOR STOPPING,
GENTLY.
629
00:27:36,467 --> 00:27:39,398
LIL FAT, THIS IS EVAN.
630
00:27:39,400 --> 00:27:41,532
AND BETTER NOT BE
A DRIP DROP OF SODA
631
00:27:41,534 --> 00:27:43,265
OR NOTHING
COMING OUT THEM BAGS.
632
00:27:43,267 --> 00:27:44,665
WHAT I LOOK LIKE?
633
00:27:44,667 --> 00:27:47,298
NOW, I'M A PROFESSIONAL
AT THIS GAME, OKAY?
634
00:27:47,300 --> 00:27:50,065
I CLEAN MY CANS
BEFORE THEY GO IN THESE BAGS.
635
00:27:50,067 --> 00:27:51,532
THESE THE CLEAN BAGS.
636
00:27:51,534 --> 00:27:55,032
THE DIRTY ONES IN THE TRUNK.
I GOT CLASS.
637
00:27:55,034 --> 00:27:58,865
YO, THIS IS SERIOUS BUSINESS
AT THIS POINT.
638
00:27:58,867 --> 00:28:00,565
DID Y'ALL HEAR ABOUT HOW
THAT FOOL TOOK AMERICA
639
00:28:00,567 --> 00:28:02,298
OUT OF THE PARIS
CLIMATE-CHANGE ACCORDS?
640
00:28:02,300 --> 00:28:05,965
LOOK, RECYCLING IS A BUSINESS,
AND I'M A BUSINESSMAN, BUT --
641
00:28:05,967 --> 00:28:08,398
PEOPLE GOT TO RECOGNIZE
THAT CLIMATE CHANGE
642
00:28:08,400 --> 00:28:10,532
ISN'T JUST ABOUT
SOME POLAR BEARS
643
00:28:10,534 --> 00:28:11,532
LOSING THEIR ICEBERGS.
644
00:28:11,534 --> 00:28:12,932
IT AFFECTS THE FOOD
THAT WE EAT
645
00:28:12,934 --> 00:28:14,665
AND THE ROADS THAT
WE DRIVE ON AND THE --
646
00:28:14,667 --> 00:28:16,732
THE AIR THAT WE BREATHE.
647
00:28:16,734 --> 00:28:18,998
HAVE Y'ALL SEEN THOSE PEOPLE
EVERY NIGHT ON CNN
648
00:28:19,000 --> 00:28:21,198
WALKING AROUND ALL OVER
THE GLOBE WITH,
649
00:28:21,200 --> 00:28:22,899
UH, SURGICAL MASKS ON?
650
00:28:22,901 --> 00:28:25,465
HEY, THE SPOT IS UP
A BLOCK TO THE LEFT.
651
00:28:25,467 --> 00:28:28,065
ALRIGHT, I GOT YOU.
652
00:28:28,067 --> 00:28:31,598
MAN, YO, THIS TESLA'S DOPE.
653
00:28:31,600 --> 00:28:32,798
THANK YOU.
654
00:28:32,800 --> 00:28:33,998
ALL ELECTRIC, RIGHT?
655
00:28:34,000 --> 00:28:35,665
YEAH, UH...
OH, MY...
656
00:28:35,667 --> 00:28:37,598
THANKS AGAIN FOR DROPPING OFF
LIL FAT.
657
00:28:37,600 --> 00:28:40,732
I'M GONNA GET THESE KEYS,
AND WE'LL BE OUT, ALL RIGHT?
658
00:28:40,734 --> 00:28:42,865
ALL RIGHT. YOU COME MEET
MY PEOPLE REAL QUICK.
659
00:28:42,867 --> 00:28:44,998
[ DJ QUIK'S
"DOLLAZ + SENSE" PLAYS ]
660
00:28:45,000 --> 00:28:47,332
♪ ACACIA, POPLAR, MAPLE,
SPRUCE, CEDAR, ELM ♪
661
00:28:47,334 --> 00:28:48,998
♪ WESTSIDE TREES
SPRAYIN' ALL THE FLEAS ♪
662
00:28:49,000 --> 00:28:50,631
♪ THAT'S FROM THE 300 AND 400
BLOCK P-FUNK RIDERS ♪
663
00:28:50,633 --> 00:28:52,165
[ DOG BARKING IN DISTANCE ]
664
00:28:52,167 --> 00:28:54,365
♪ SO...WATCH YO'...AT
THAT CENTER DIVIDER ♪
665
00:28:54,367 --> 00:28:56,231
♪ NOW AARON TYLER, TELL ME
WHY YOU SEEM SO TAME ♪
666
00:28:56,233 --> 00:28:57,565
♪ WHEN I CAUGHT YOU
AT THE AIRPORT ♪
667
00:28:57,567 --> 00:28:59,831
WHAT YOU DONE SNAGGED NOW?
[ CHUCKLES ]
668
00:28:59,833 --> 00:29:01,498
♪ YOU LOOKED UP
AND YOU SEEN MY...COMIN' ♪
669
00:29:01,500 --> 00:29:03,365
COME ON.
670
00:29:03,367 --> 00:29:05,232
♪ AND YOU LOOKED LIKE YO...
WAS 'BOUT TO START RUNNIN' ♪
671
00:29:05,234 --> 00:29:07,798
♪ BUT ALL I WANTED TO DO WAS
KICK A LITTLE CONVERSATION ♪
672
00:29:07,800 --> 00:29:10,132
BEN, THIS IS EVAN,
A NEW FRIEND.
673
00:29:10,134 --> 00:29:12,132
EVAN, THIS IS MY PARENT,
BEN.
674
00:29:12,134 --> 00:29:14,365
BLOOD.
WHAT SET YOU FROM?
675
00:29:14,367 --> 00:29:16,631
UNCLE BONE,
PLEASE SIT DOWN.
676
00:29:16,633 --> 00:29:18,598
WHAT SET YOU FROM?
TV SET?
677
00:29:18,600 --> 00:29:20,865
I SEE YOU POSTING ABOUT
"GAME OF THRONES."
678
00:29:20,867 --> 00:29:22,999
[ CHUCKLES ]
I AIN'T SHAMED.
679
00:29:23,001 --> 00:29:24,398
WESTEROS, STAY HARD.
680
00:29:24,400 --> 00:29:25,732
THAT'S TRUE.
681
00:29:25,734 --> 00:29:27,198
-[ CHUCKLES ]
-HERE. CAR'S OVER HERE.
682
00:29:27,200 --> 00:29:28,198
OKAY.
683
00:29:28,200 --> 00:29:29,198
I'LL HAVE IT BACK
BY YOUR SHIFT.
684
00:29:29,200 --> 00:29:31,332
ALRIGHT.
685
00:29:31,334 --> 00:29:35,665
♪ YOU NEED TO STAY DOWN,
YOU COMPTON CLOWN ♪
686
00:29:35,667 --> 00:29:37,065
♪ AND GET OFF OF THE NUTS ♪
687
00:29:37,067 --> 00:29:38,899
♪ BECAUSE I'M DOWN
WITH THE TREES ♪
688
00:29:38,901 --> 00:29:40,431
♪ I'M DOWN WITH DEATH ROW ♪
689
00:29:40,433 --> 00:29:42,798
HOMEY, I'LL TAKE
CARE OF IT, MAN.
690
00:29:42,800 --> 00:29:46,131
NOBODY MOVES NOTHING
AROUND HERE WITHOUT MY SAY-SO.
691
00:29:46,133 --> 00:29:49,131
YEAH, I UNDERSTAND, YEAH.
UM...
692
00:29:49,133 --> 00:29:50,399
YOU GOOD?
693
00:29:50,401 --> 00:29:53,665
YEAH, I'M -- I'M --
YEAH, I'M GOOD.
694
00:29:53,667 --> 00:29:56,465
-OKAY.
-YEAH. OKAY.
695
00:29:56,467 --> 00:30:00,131
OH, UH, IT WAS A PLEASURE
TO MEET YOU, SIR.
696
00:30:00,133 --> 00:30:01,998
YOU TOO.
697
00:30:02,000 --> 00:30:04,598
♪ IF IT DON'T MAKE DOLLARS,
IT DON'T MAKE SENSE ♪
698
00:30:04,600 --> 00:30:06,998
♪ SO DON'T KILL GAME,
LET THE PIMPIN' COMMENCE ♪
699
00:30:07,000 --> 00:30:09,198
♪ IF IT DON'T MAKE DOLLARS,
IT DON'T MAKE SENSE ♪
700
00:30:09,200 --> 00:30:11,665
♪ BECAUSE YOU GOTTA GIVE IT UP
TO THE CROWN PRINCE ♪
701
00:30:11,667 --> 00:30:14,431
♪ SHOUTS GOES OUT
TO MY WELL-KNOWN ROAD DOG ♪
702
00:30:14,433 --> 00:30:16,698
WHAT THE HELL WAS THAT?
703
00:30:16,700 --> 00:30:18,098
NO IDEA.
704
00:30:18,100 --> 00:30:20,031
♪ THEY DON'T UNDERSTAND IT,
BABY ♪
705
00:30:20,033 --> 00:30:22,099
♪ THEY CAN'T FADE US OUT HERE
ON THESE COMPTON STREETS ♪
706
00:30:22,101 --> 00:30:24,232
"WESTEROS, STAY HARD"?
707
00:30:24,234 --> 00:30:25,498
COME ON, HOMEY.
708
00:30:25,500 --> 00:30:26,898
[ CHUCKLES ]
709
00:30:26,900 --> 00:30:28,565
♪ WHASSUP? ♪
710
00:30:28,567 --> 00:30:30,532
♪ AND BIG SUGE, KNOWN
FOR KEEPIN'...POPPIN' ♪
711
00:30:30,534 --> 00:30:32,532
HEAR THIS FOOL?
[ CHUCKLES ]
712
00:30:36,401 --> 00:30:38,131
♪ YOU BEEN ON MY MIND
LIKE EVERY SINGLE NIGHT ♪
713
00:30:38,133 --> 00:30:39,065
SO, YOU PAID OFF COLLEGE?
714
00:30:39,067 --> 00:30:40,331
[ CHUCKLES ]
715
00:30:40,333 --> 00:30:42,132
THAT'S REALLY DOPE.
WHERE'D YOU GO?
716
00:30:42,134 --> 00:30:44,231
♪ AND I CAN'T HELP BUT THINK
THAT YOU AND ME WOULD BE ♪
717
00:30:44,233 --> 00:30:45,965
STANFORD. AND NOT
A SCHOLARSHIP IN SIGHT.
718
00:30:45,967 --> 00:30:48,765
BARELY MADE IT.
A LOT OF STUDENT LOANS.
719
00:30:48,767 --> 00:30:52,065
BUT, UH, I PAID IT OFF
ABOUT SIX MONTHS AGO.
720
00:30:52,067 --> 00:30:53,365
SO QUESTION --
721
00:30:53,367 --> 00:30:54,598
MM.
722
00:30:54,600 --> 00:30:56,398
DID YOU GET THE TESLA
BEFORE...
723
00:30:56,400 --> 00:30:57,765
[ LAUGHING ]
724
00:30:57,767 --> 00:30:59,965
...OR AFTER YOU
PAID OFF THE LOANS?
725
00:30:59,967 --> 00:31:01,932
[ LAUGHS ]
726
00:31:01,934 --> 00:31:07,265
BEFORE. IT WAS VERY TRIFLING
AND, UH, IRRESPONSIBLE.
727
00:31:07,267 --> 00:31:08,865
NO. GOOD FOR YOU.
728
00:31:08,867 --> 00:31:10,599
THANK YOU.
729
00:31:10,601 --> 00:31:12,532
WHAT ABOUT YOU?
WHERE'D YOU GO TO SCHOOL?
730
00:31:12,534 --> 00:31:14,798
I DIDN'T.
731
00:31:14,800 --> 00:31:17,465
I WENT FROM
MY HIGH-SCHOOL GRADUATION
732
00:31:17,467 --> 00:31:20,398
STRAIGHT TO L.A.X.
ON A $500 ONE-WAY TICKET
733
00:31:20,400 --> 00:31:22,332
TO EUROPE, AND I JUST
NEVER LOOKED BACK.
734
00:31:22,334 --> 00:31:23,799
WOW.
735
00:31:23,801 --> 00:31:28,265
WELL, YOUR INSTAGRAM
IS LIKE A TOURIST TRAP.
736
00:31:28,267 --> 00:31:31,465
I WANT TO GO EVERYWHERE YOU WENT
AND DO EVERYTHING YOU DID.
737
00:31:31,467 --> 00:31:35,332
YEAH, IT WAS A LOT HARDER THAN
I MAKE IT LOOK ON THE 'GRAM.
738
00:31:35,334 --> 00:31:36,932
IT WAS DEFINITELY
AN ADVENTURE.
739
00:31:36,934 --> 00:31:39,731
I JUST WANTED TO SEE
THE WORLD SO BAD, YOU KNOW?
740
00:31:39,733 --> 00:31:42,365
SO I WORKED MY WAY
THROUGH IT.
741
00:31:42,367 --> 00:31:44,431
WAITRESSING IN GREECE.
742
00:31:44,433 --> 00:31:46,231
I WAS A SWIM INSTRUCTOR
IN BERLIN.
743
00:31:46,233 --> 00:31:50,832
I WOULD WORK AND ENJOY,
JUST MOVE WHEN I WANTED.
744
00:31:50,834 --> 00:31:53,932
♪ FURTHER ALONG, FURTHER ALONG ♪
745
00:31:53,934 --> 00:31:56,065
♪ BUT I'M NOT SURE
YOU READ THE SIGNS ♪
746
00:31:56,067 --> 00:31:57,065
♪ I CAN BE THE ONE ♪
747
00:31:57,067 --> 00:31:59,065
AS IN, YOU'D BE GONE?
748
00:31:59,067 --> 00:32:01,132
♪ STAY HOLDING YOU DOWN ♪
749
00:32:01,134 --> 00:32:04,198
YEAH, THAT'S RIGHT.
750
00:32:04,200 --> 00:32:06,065
♪ I PROMISE YOU'LL
HAVE ME FOREVER ♪
751
00:32:06,067 --> 00:32:07,798
♪ AND WE'LL RIDE OFF
IN THE SUNSET ♪
752
00:32:07,800 --> 00:32:10,132
♪ IN YOUR '72 CAMARO LIKE ♪
753
00:32:10,134 --> 00:32:14,265
SO, UH, THE ONLY PLACE
TO GET A USED FRIDGE
754
00:32:14,267 --> 00:32:15,932
IN ALL OF LOS ANGELES
755
00:32:15,934 --> 00:32:19,532
IS ALL THE WAY OUT IN CARSON?
[ LAUGHS ]
756
00:32:19,534 --> 00:32:21,532
-[ CHUCKLES ]
-I MEAN, PROBABLY NOT THE ONLY,
757
00:32:21,534 --> 00:32:23,731
BUT THIS ONE MEETS
ALL THE REQUIREMENTS,
758
00:32:23,733 --> 00:32:26,465
ACCORDING TO THAT TRUSTY FLYER
BACK AT HARRIET'S.
759
00:32:26,467 --> 00:32:28,132
IT'S ONE THE -- YOU KNOW,
THOSE BIG, OLD, LARGE,
760
00:32:28,134 --> 00:32:29,465
ROUND-ISH ONES...
YEAH.
761
00:32:29,467 --> 00:32:32,265
...THAT FIT IN PERFECTLY
IN OLD HOUSES?
762
00:32:32,267 --> 00:32:35,865
AND IT'S DIRT CHEAP, WHICH IS
THE KIND OF CHEAP I PREFER.
763
00:32:35,867 --> 00:32:38,198
SO CARSON IT IS.
764
00:32:38,200 --> 00:32:40,765
[ LAUGHS ]
765
00:32:40,767 --> 00:32:42,865
KEEP GOING, KEEP GOING,
KEEP GOING,
766
00:32:42,867 --> 00:32:44,532
KEEP GOING,
KEEP GOING, KEEP GOING.
767
00:32:44,534 --> 00:32:47,398
RIGHT THERE.
768
00:32:47,400 --> 00:32:49,498
ALRIGHT.
769
00:32:49,500 --> 00:32:50,965
OOH.
770
00:32:50,967 --> 00:32:52,832
[ SIGHS ]
771
00:32:52,834 --> 00:32:54,632
THE SIGN SAYS SHE'LL
BE BACK IN ONE HOUR.
772
00:32:54,634 --> 00:32:55,965
AW, MAN.
773
00:32:55,967 --> 00:32:58,232
HEY, SO WE WAIT.
774
00:32:58,234 --> 00:33:00,532
IS THAT COOL?
775
00:33:00,534 --> 00:33:01,998
HEY, WE CAME HERE TO
ACHIEVE A GOAL,
776
00:33:02,000 --> 00:33:03,665
AND DAMN IT, WE'RE
GONNA ACHIEVE IT.
777
00:33:03,667 --> 00:33:04,765
I HEARD THAT.
778
00:33:04,767 --> 00:33:06,765
SO, WHAT WE GONNA DO
IN CARSON?
779
00:33:06,767 --> 00:33:08,432
WHY YOU SAY IT LIKE THAT?
780
00:33:08,434 --> 00:33:10,932
LOOK, I'M FROM THE SOUTH BAY,
AND WE GOT A THING ABOUT CARSON.
781
00:33:10,934 --> 00:33:13,265
LOOK, THEY THINK THAT
THEY'RE SOUTH BAY,
782
00:33:13,267 --> 00:33:15,732
BUT THEY'RE JUST
A NO-MAN'S-LAND
783
00:33:15,734 --> 00:33:17,865
BETWEEN GARDENA, COMPTON,
AND LONG BEACH.
784
00:33:17,867 --> 00:33:19,165
WHAT ARE WE GONNA DO,
GO TO IKEA?
785
00:33:19,167 --> 00:33:20,465
YOU KNOW THAT'S ALL
THEY GOT GOING ON.
786
00:33:20,467 --> 00:33:22,732
WOW, YOU'RE REALLY
SLICING CARSON!
787
00:33:22,734 --> 00:33:24,198
OH. [ CHUCKLES ]
788
00:33:24,200 --> 00:33:25,732
I-I DIDN'T KNOW YOU REPPED
THE SOUTH BAY LIKE THAT.
789
00:33:25,734 --> 00:33:26,865
I DO.
790
00:33:26,867 --> 00:33:28,498
[ BOTH CHUCKLE ]
791
00:33:28,500 --> 00:33:29,698
UH, YOU KNOW
WHO'S FROM CARSON?
792
00:33:29,700 --> 00:33:30,465
HUH?
793
00:33:30,467 --> 00:33:32,932
BONE. UNCLE BONE.
794
00:33:32,934 --> 00:33:34,665
YOU KNOW THE ONE.
SHOULD I TELL HIM WHAT YOU SAID?
795
00:33:34,667 --> 00:33:37,465
WELL, YOU KNOW, I ALSO THINK
CARSON'S A BEAUTIFUL PLACE,
796
00:33:37,467 --> 00:33:38,865
AND THE PEOPLE ARE
VERY FORGIVING HERE.
797
00:33:38,867 --> 00:33:40,165
SO, YOU KNOW...
798
00:33:40,167 --> 00:33:42,632
AH, GET OUT OF HERE.
[ LAUGHS ]
799
00:33:42,634 --> 00:33:44,432
HEY, YOU BETTER NOT
TELL HIM, EITHER.
800
00:33:44,434 --> 00:33:46,232
WON'T TELL BONE THAT.
[ CHUCKLES ]
801
00:33:46,234 --> 00:33:50,631
SO, WHERE WE GOING?
802
00:33:50,633 --> 00:33:53,765
YOU CHOOSE.
803
00:33:53,767 --> 00:33:55,665
OH, YEAH!
YOU ALREADY LOST.
804
00:33:55,667 --> 00:33:56,931
[ LAUGHS ]
805
00:33:56,933 --> 00:33:58,331
IT'S ALREADY
OVER FOR YOU.
806
00:33:58,333 --> 00:33:59,165
OH, ONE!
807
00:33:59,167 --> 00:34:00,632
[ LAUGHS ]
808
00:34:00,634 --> 00:34:03,298
♪ WATCHIN', I'M WIDE OPEN
TO THE BLESSINGS I FIND ♪
809
00:34:03,300 --> 00:34:04,832
IT'S NOT CALLED "SNAIL."
810
00:34:04,834 --> 00:34:06,532
[ BOTH LAUGH ]
811
00:34:06,534 --> 00:34:08,765
"CENTIPEDE," NOT "SNAIL."
812
00:34:08,767 --> 00:34:11,431
OOH, OOH! OOH!
DID YOU SEE IT SPINNING?!
813
00:34:11,433 --> 00:34:14,198
OH, MY GOD.
I'M SO COOL.
814
00:34:14,200 --> 00:34:16,399
OKAY, YOU'RE BAD AT THIS.
I NEED TO DO THE SHOOTING.
815
00:34:16,401 --> 00:34:17,465
-OKAY, I'LL --
-I NEED TO DO --
816
00:34:17,467 --> 00:34:19,399
-AW!
-YEAH, MAN.
817
00:34:19,401 --> 00:34:21,532
ALRIGHT, ALRIGHT.
GO AHEAD. YOU GOT IT.
818
00:34:21,534 --> 00:34:22,665
-EXCUSE ME.
-OH! OH!
819
00:34:22,667 --> 00:34:23,932
-OH, WE BOXING OUT NOW?
-BOXING OUT.
820
00:34:23,934 --> 00:34:25,998
OKAY. NO! NO!
NO! NO! NO!
821
00:34:26,000 --> 00:34:27,665
YOU CAN'T KEEP UP WITH ME!
[ LAUGHS ]
822
00:34:27,667 --> 00:34:29,731
WAIT. LET ME JUST...
EXCUSE ME, SIR.
823
00:34:29,733 --> 00:34:30,798
EXCUSE ME. EXCUSE ME.
824
00:34:30,800 --> 00:34:32,798
WE GOT IT. WE GOT IT.
825
00:34:32,800 --> 00:34:34,265
[ BOTH LAUGH ]
826
00:34:34,267 --> 00:34:39,299
♪ HONEY DEW ♪
827
00:34:39,301 --> 00:34:41,499
♪ HONEY DEW, HONEY DEW ♪
828
00:34:41,501 --> 00:34:46,198
♪ HONEY DEW ♪
829
00:34:46,200 --> 00:34:49,298
♪ HONEY DEW, HONEY DEW ♪
830
00:34:49,300 --> 00:34:52,065
♪♪
831
00:34:52,067 --> 00:34:54,098
♪ HONEY DEW ♪
832
00:34:54,100 --> 00:34:55,198
♪ MMM ♪
833
00:34:55,200 --> 00:34:58,465
♪ I NEED YOU ♪
834
00:34:58,467 --> 00:34:59,865
NACHO ME.
[ BOTH LAUGH ]
835
00:34:59,867 --> 00:35:01,398
NACHO-MI CAMPBELL.
836
00:35:01,400 --> 00:35:03,865
AW, NO, YOU DIDN'T.
THAT'S JUST...
837
00:35:03,867 --> 00:35:06,332
HERE.
838
00:35:06,334 --> 00:35:07,732
-OH, NO.
-AH.
839
00:35:07,734 --> 00:35:09,398
I'LL GET IT.
840
00:35:09,400 --> 00:35:10,798
[ CHUCKLES ]
841
00:35:10,800 --> 00:35:14,332
[ LAUGHTER ]
842
00:35:14,334 --> 00:35:16,332
WOW. GET IT!
843
00:35:16,334 --> 00:35:17,998
KIND OF TAKING ME BACK.
844
00:35:18,000 --> 00:35:18,932
[ BOTH CHUCKLE ]
845
00:35:18,934 --> 00:35:20,865
-OKAY.
-HUH?
846
00:35:20,867 --> 00:35:23,732
OKAY, FIRST KISS.
847
00:35:23,734 --> 00:35:24,998
NOPE.
848
00:35:25,000 --> 00:35:25,732
NO?
849
00:35:25,734 --> 00:35:27,265
MNH-MNH.
850
00:35:27,267 --> 00:35:29,798
WALTER KIMBROUGH. 2003.
851
00:35:29,800 --> 00:35:31,332
JUST --
YEP.
852
00:35:31,334 --> 00:35:34,332
BEHIND THE BLEACHERS.
853
00:35:34,334 --> 00:35:36,332
AH, UM...
854
00:35:36,334 --> 00:35:38,465
SHERRY TAYLOR.
855
00:35:38,467 --> 00:35:39,831
CHURCH BASEMENT.
856
00:35:39,833 --> 00:35:41,832
DANG.
SEE? THAT FACE.
857
00:35:41,834 --> 00:35:43,798
THAT'S WHAT I'M TALKING ABOUT.
CHURCH BASEMENT?
858
00:35:43,800 --> 00:35:45,532
THAT'S -- THAT'S WHY I DIDN'T
WANT TO SAY ANYTHING.
859
00:35:45,534 --> 00:35:47,665
SACRILEGE.
[ LAUGHS ]
860
00:35:47,667 --> 00:35:51,498
YEAH, I'M STILL PRAYING
FOR FORGIVENESS.
861
00:35:51,500 --> 00:35:52,832
COME ON. LET'S -- LET'S
CHANGE THE SUBJECT.
862
00:35:52,834 --> 00:35:54,098
SOMETHING -- I DON'T --
I DON'T WANT TO
863
00:35:54,100 --> 00:35:55,598
TALK ABOUT MY TEEN YEARS.
864
00:35:55,600 --> 00:35:58,065
WHY NOT? YOU WEREN'T YOUNG,
DUMB, AND RECKLESS?
865
00:35:58,067 --> 00:36:02,865
NO, I DID EVERYTHING
BY THE BOOKS.
866
00:36:02,867 --> 00:36:06,798
I WAS LUCKY IF I MADE IT TO
CLASS TWO DAYS OUT THE WEEK.
867
00:36:06,800 --> 00:36:09,132
FOR REAL?
868
00:36:09,134 --> 00:36:12,598
WHERE WERE YOUR PARENTS?
869
00:36:12,600 --> 00:36:15,265
WHAT'S THAT SUPPOSED
TO MEAN?
870
00:36:15,267 --> 00:36:16,698
WHAT DO -- WHAT --
WHAT DO YOU MEAN?
871
00:36:16,700 --> 00:36:19,132
WHAT YOU JUST SAID.
872
00:36:19,134 --> 00:36:22,332
WHAT DID I SAY?
873
00:36:22,334 --> 00:36:25,932
MY DAD DIED IN THE STREETS
WHEN I WAS 9.
874
00:36:25,934 --> 00:36:28,365
BEN TOOK ME IN AND DID
THE BEST HE COULD.
875
00:36:31,867 --> 00:36:34,198
WOW. UM...
876
00:36:34,200 --> 00:36:37,465
HE SOUNDS AMAZING.
877
00:36:37,467 --> 00:36:39,932
WHERE WAS YOUR MOM?
878
00:36:42,200 --> 00:36:44,465
WHAT'S WITH
ALL THE QUESTIONS?
879
00:36:44,467 --> 00:36:46,932
YOU KNOW, MAYBE I DIDN'T HAVE
SOMEBODY MAKING ME SANDWICHES
880
00:36:46,934 --> 00:36:48,598
AND CUTTING THE CRUST
OFF MY BREAD,
881
00:36:48,600 --> 00:36:50,398
WATCHING OVER MY EVERY MOVE,
882
00:36:50,400 --> 00:36:54,398
BUT I HAD BEN, AND HE
CHANGED HIS LIFE FOR ME.
883
00:36:54,400 --> 00:36:57,132
HE EVEN GOT A JOB
DELIVERING THE L.A. TIMES.
884
00:36:57,134 --> 00:36:58,431
NOT THE SEXIEST JOB,
885
00:36:58,433 --> 00:36:59,765
BUT HE DID IT IN HIS PRIME.
HE DID THAT FOR ME.
886
00:36:59,767 --> 00:37:02,232
WAIT. WAIT, WAIT. I WASN'T --
I WASN'T JUDGING HIM.
887
00:37:02,234 --> 00:37:03,931
WELL, SOUNDED LIKE YOU WERE.
888
00:37:03,933 --> 00:37:05,332
WELL, I WASN'T.
889
00:37:05,334 --> 00:37:07,332
WELL, THAT'S NOT
WHAT I HEARD.
890
00:37:07,334 --> 00:37:12,332
[ SIGHS ] I'M SORRY.
891
00:37:12,334 --> 00:37:13,865
I'M SORRY
THAT HAPPENED TO YOU.
892
00:37:13,867 --> 00:37:19,732
[ SIGHS ]
DON'T DO THAT.
893
00:37:19,734 --> 00:37:23,699
YOU KNOW WHAT?
IT'S ALL GOOD.
894
00:37:23,701 --> 00:37:25,365
THEY'RE PROBABLY BACK NOW.
WAIT, WAIT, WAIT.
895
00:37:25,367 --> 00:37:26,832
WE SHOULD GET GOING.
I DIDN'T MEAN TO OFFEND YOU.
896
00:37:26,834 --> 00:37:28,365
I'M NOT -- IT'S OKAY.
COME -- COME ON. COME --
897
00:37:28,367 --> 00:37:30,465
JUST --
LET'S JUST GO.
898
00:37:30,467 --> 00:37:34,365
♪♪
899
00:37:34,367 --> 00:37:37,999
♪♪
900
00:37:38,001 --> 00:37:40,931
[ SIGHS ]
901
00:37:40,933 --> 00:37:46,265
♪♪
902
00:37:46,267 --> 00:37:51,598
♪♪
903
00:37:51,600 --> 00:37:57,099
♪♪
904
00:37:57,101 --> 00:37:58,965
[ ENGINE STARTS ]
905
00:38:05,367 --> 00:38:07,732
[ INSECTS CHIRPING ]
906
00:38:07,734 --> 00:38:10,399
[ INDISTINCT CONVERSATIONS ]
907
00:38:15,734 --> 00:38:18,398
HI. HOPE YOU WEREN'T
WAITING TOO LONG.
908
00:38:18,400 --> 00:38:19,265
I'M SANAH.
909
00:38:19,267 --> 00:38:20,065
GENTLY.
910
00:38:20,067 --> 00:38:21,598
HI. HI.
EVAN.
911
00:38:21,600 --> 00:38:23,132
HI, EVAN. YOU GUYS ARE HERE
FOR THE FRIDGE, RIGHT?
912
00:38:23,134 --> 00:38:26,798
OKAY, COME ON.
COME ON BACK.
913
00:38:26,800 --> 00:38:31,698
FEEL FREE TO TAKE A LOOK AROUND.
EVERYTHING IS FOR SALE.
914
00:38:31,700 --> 00:38:35,832
BUT THE FRIDGE YOU CALLED ABOUT
IS RIGHT BEHIND THIS CURTAIN.
915
00:38:35,834 --> 00:38:36,998
CHECK IT OUT.
916
00:38:37,000 --> 00:38:38,732
IT'S PERFECT.
917
00:38:38,734 --> 00:38:41,398
SHE'S OLD, BUT SHE WORKS.
918
00:38:41,400 --> 00:38:42,598
NO, IT'S GREAT.
919
00:38:42,600 --> 00:38:44,265
YES. I EVEN PLUGGED
IT IN FOR YOU.
920
00:38:44,267 --> 00:38:46,165
OH.
921
00:38:46,167 --> 00:38:48,532
ISN'T SHE A BEAUTY?
FEEL THAT COOL AIR?
922
00:38:48,534 --> 00:38:52,265
MM-HMM, I DO.
LET ME SEE.
923
00:38:52,267 --> 00:38:54,232
OKAY.
924
00:39:02,267 --> 00:39:04,965
[ CLICKS TONGUE ]
DAMN.
925
00:39:04,967 --> 00:39:06,965
IT'S TOO WIDE.
926
00:39:06,967 --> 00:39:08,165
YOU SURE?
927
00:39:08,167 --> 00:39:09,432
YEAH, IT WON'T FIT
BY AN INCH.
928
00:39:09,434 --> 00:39:10,765
OH, NO.
929
00:39:10,767 --> 00:39:12,131
IT'S DEEP ENOUGH,
BUT IT'S TOO WIDE.
930
00:39:12,133 --> 00:39:14,798
I MEAN, CAN WE EVEN
TRY TO FIT IT IN?
931
00:39:14,800 --> 00:39:16,831
MAYBE YOU CAN CHANGE SOMETHING
IN THE KITCHEN OR --
932
00:39:16,833 --> 00:39:18,765
NO.
933
00:39:18,767 --> 00:39:20,031
ARE YOU SURE?
WE CAN --
934
00:39:20,033 --> 00:39:22,165
I AM. IT'S HER HOUSE.
IT'S A WALL.
935
00:39:22,167 --> 00:39:23,565
IT CAN'T BE CHANGED,
936
00:39:23,567 --> 00:39:25,798
SO IT'S NOT GONNA WORK.
THANK YOU.
937
00:39:25,800 --> 00:39:27,131
-OKAY, ALRIGHT.
-THANK YOU.
938
00:39:27,133 --> 00:39:28,665
NICE MEETING YOU GUYS.
YOU TOO.
939
00:39:28,667 --> 00:39:29,731
IF YOU CHANGE YOUR MIND,
I'M HERE.
940
00:39:29,733 --> 00:39:30,798
-THANK YOU.
-TAKE CARE
941
00:39:30,800 --> 00:39:32,699
DAMN.
942
00:39:34,067 --> 00:39:36,165
HEY, GENTLY.
943
00:39:37,900 --> 00:39:40,298
LET'S JUST
TAKE CARE OF IT.
944
00:39:40,300 --> 00:39:42,332
WE CAN GO TO A REAL
APPLIANCE PLACE,
945
00:39:42,334 --> 00:39:45,598
AND WE CAN PICK OUT SOMETHING
WITH THE MEASUREMENTS.
946
00:39:45,600 --> 00:39:48,932
I CAN'T DO THAT.
947
00:39:48,934 --> 00:39:50,732
I CAN HANDLE IT.
948
00:39:50,734 --> 00:39:53,132
YOU KNOW, WE CAN GET
IT DELIVERED, INSTALLED.
949
00:39:53,134 --> 00:39:54,732
IT'S EASIER.
950
00:39:54,734 --> 00:39:56,932
[ SCOFFING ] THAT'S YOUR
SOLUTION TO EVERYTHING, HUH?
951
00:39:56,934 --> 00:39:59,065
JUST THROW SOME MONEY
AT IT.
952
00:39:59,667 --> 00:40:01,865
I WAS JUST SAYING
IT WAS EASIER,
953
00:40:01,867 --> 00:40:03,465
AND I WAS OFFERING YOU
A HAND.
954
00:40:03,467 --> 00:40:05,799
NO, YOU'RE TRYING TO FIX
SOMETHING THE WAY YOU WANT
955
00:40:05,801 --> 00:40:07,932
IT DONE, AND YOU'RE
JUDGING MY WAY.
956
00:40:07,934 --> 00:40:10,198
THIS IS A REAL
APPLIANCE PLACE.
957
00:40:10,200 --> 00:40:12,998
I AM TAKING CARE OF IT.
958
00:40:13,000 --> 00:40:14,065
AND SHE DOESN'T WANT TO
FIND SOMETHING
959
00:40:14,067 --> 00:40:15,665
WITH THE RIGHT
MEASUREMENTS.
960
00:40:15,667 --> 00:40:17,031
SHE WANTS SOMETHING
THAT FITS IN HER HOUSE,
961
00:40:17,033 --> 00:40:18,898
THAT FEELS LIKE
IT BELONGS THERE.
962
00:40:18,900 --> 00:40:20,565
SHE DOESN'T CARE
IF IT'S FANCY TO,
963
00:40:20,567 --> 00:40:22,365
YOU KNOW,
IMPRESS PEOPLE.
964
00:40:22,367 --> 00:40:25,198
SHE DIDN'T WORK A JOB
SHE DIDN'T LOVE JUST BECAUSE.
965
00:40:25,200 --> 00:40:27,732
SHE LIVED A LIFE OF PASSION
AND PLEASURE
966
00:40:27,734 --> 00:40:29,765
FILLED WITH REAL PEOPLE
AND REAL THINGS,
967
00:40:29,767 --> 00:40:31,632
AND I FEEL LIKE THAT'S SOMETHING
YOU CAN'T REALLY UNDERSTAND.
968
00:40:31,634 --> 00:40:33,232
-LET'S JUST GO.
-WHAT'S YOUR DEAL THAT YOU FEEL
969
00:40:33,234 --> 00:40:34,965
YOU CAN TALK TO SOMEBODY
LIKE THAT?
970
00:40:34,967 --> 00:40:36,665
I CAN TALK TO YOU
HOWEVER I WANT.
971
00:40:36,667 --> 00:40:37,499
YOU CAN'T CONTROL ME.
972
00:40:37,501 --> 00:40:38,765
THAT'S NOT COOL.
973
00:40:38,767 --> 00:40:41,299
THAT'S NOT WHAT I'M
GONNA DEAL WITH.
974
00:40:41,301 --> 00:40:43,498
PERIOD. POINT BLACK.
THE END.
975
00:40:43,500 --> 00:40:46,365
SO, LOOK, YOU CAN EITHER
GET IN OR GET LEFT.
976
00:40:46,367 --> 00:40:47,232
I'M READY TO GO.
977
00:40:47,234 --> 00:40:49,032
I'M GOOD.
978
00:40:52,334 --> 00:40:54,265
AS IN, I'M GONE.
979
00:40:54,267 --> 00:40:56,265
'CAUSE THAT'S WHAT YOU
WERE GONNA DO ANYWAY.
980
00:40:56,267 --> 00:40:58,598
SO YOU MIGHT AS WELL
DO IT NOW.
981
00:40:58,600 --> 00:41:02,665
♪♪
982
00:41:02,667 --> 00:41:06,532
♪♪
983
00:41:06,534 --> 00:41:09,265
[ ENGINE STARTS ]
984
00:41:09,267 --> 00:41:11,532
[ SABRINA CLAUDIO'S
"STAND STILL" PLAYS ]
985
00:41:11,534 --> 00:41:18,665
♪♪
986
00:41:18,667 --> 00:41:21,998
AIN'T THIS ABOUT A...
987
00:41:22,000 --> 00:41:27,465
[ JOSIAH BELL'S "NUMB" PLAYS ]
988
00:41:27,467 --> 00:41:28,932
♪ FADED IN THE BATHROOM
OF SOHO ♪
989
00:41:28,934 --> 00:41:31,165
THANKS.
990
00:41:34,267 --> 00:41:38,398
♪ GOT ME FEELING HIGH,
BUT WE'RE SO LOW ♪
991
00:41:38,400 --> 00:41:41,132
♪♪
992
00:41:41,134 --> 00:41:44,998
♪ DON'T KNOW WHAT IT IS,
BUT I NEED MORE ♪
993
00:41:45,000 --> 00:41:48,132
♪♪
994
00:41:48,134 --> 00:41:51,398
♪ NOTHING MORE LEFT TO SAY ♪
995
00:41:51,400 --> 00:41:54,831
♪ LEFT TO SAY ♪
996
00:41:54,833 --> 00:41:59,032
♪ STUPID LOVE GONE TO WASTE ♪
997
00:41:59,034 --> 00:42:01,532
♪♪
998
00:42:01,534 --> 00:42:08,532
♪ I'M SO NUMB, I'M SO NUMB,
I CAN FEEL EVERYTHING ♪
999
00:42:08,534 --> 00:42:10,465
♪♪
1000
00:42:10,467 --> 00:42:13,498
♪ SO NUMB, WE'RE SO NUMB ♪
1001
00:42:13,500 --> 00:42:17,999
♪ WE CAN BE ANYTHING ♪
1002
00:42:18,001 --> 00:42:21,798
♪ TELL ME IF IT'S OKAY ♪
1003
00:42:21,800 --> 00:42:25,065
♪ TELL ME IF IT'S OKAY ♪
1004
00:42:25,067 --> 00:42:28,532
♪ SHOW ME HOW YOU NEED ME ♪
1005
00:42:28,534 --> 00:42:29,932
♪ SHOW ME ♪
1006
00:42:29,934 --> 00:42:33,665
♪ BLESSED ♪
1007
00:42:33,667 --> 00:42:36,932
♪ BLESSED ♪
1008
00:42:36,934 --> 00:42:40,265
♪ YES ♪
1009
00:42:40,267 --> 00:42:42,931
♪ YES ♪
1010
00:42:42,933 --> 00:42:46,331
♪ DON'T KNOW WHERE TO START,
AND IT'S OKAY ♪
1011
00:42:46,333 --> 00:42:49,798
♪♪
1012
00:42:49,800 --> 00:42:54,065
♪ I DON'T EVEN KNOW
IF IT'S OKAY ♪
1013
00:42:54,067 --> 00:42:56,665
♪♪
1014
00:42:56,667 --> 00:43:01,132
♪ DO WE HAVE THE COURAGE
TO BE BRAVE? ♪
1015
00:43:01,134 --> 00:43:03,665
♪♪
1016
00:43:03,667 --> 00:43:07,532
♪ NOTHING MORE LEFT TO SAY ♪
1017
00:43:07,534 --> 00:43:10,332
♪♪
1018
00:43:10,334 --> 00:43:14,398
♪ STUPID LOVE GONE TO WASTE ♪
1019
00:43:14,400 --> 00:43:17,265
♪♪
1020
00:43:17,267 --> 00:43:19,332
♪ SO NUMB ♪
1021
00:43:19,382 --> 00:43:23,932
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