All language subtitles for Leverage - 1.13 - The.Second.David.Job.eng

Where are they?

(EXCLAIMS IN SHOCK)

Clear the room.
Clear the room!

(PEOPLE CHATTERING)

Are you here
to kill me, Ian?

Well, before we conclude
this meeting,

I want to introduce to you
the newest Vice President
of IYS Insurance.

James Sterling.

(ALL APPLAUDING)

All of you know Jim Sterling
as our chief investigator,

the man who recovered
a Michelangelo

that was stolen
from me three months ago.

But that's not the reason
he's standing here now.

Well, it certainly
didn't hurt.

(ALL LAUGH)

Uh-huh! That's right.
Yeah, I'm at the museum.

I'll be home around 6:00.

Uh-huh.

(DEVICE BLEEPS)

Uh, no, no, I'll, uh...

I'll fix them something
to eat when I get home.

(DEVICE BLEEPS)

So, what I'm proposing
is that we both insure,

and secure
our clients' art.

Our personnel,
our technology.

No more writing
multi-million dollar checks

because some museum guard
took a nap under the Picasso.

(ALL CHUCKLE)

The showcase will be
my wing of the museum.

Every painting there
will be either mine

or belong to a high
profile client of IYS.

A perfect show of faith.

Thank you for your
vote of confidence.

How you doing?

ELIOT: Gentlemen!

So what do you think?

Corner office.

Don't know what to say.

How about, uh...

Something like
I'm more comfortable
in enclosed spaces.

(CLICKS TONGUE)

Let's take
a look over here.

Okay.

You know, I think
you'd fit through
that window

if you're traveling
fast enough.

(SCOFFS)

BLACKPOOLE: Last time
I saw you, you were
selling me something.

It's a nice team you had,
by the way, uh...

Portia, was that her name?
Oh! I mean, Sophie.

Yes, yes, thank you.
I got out of sales.

So, what are you in now?

Theft.

Yeah, I'm going to rob
the Two Davids gallery
on opening day.

(SCOFFS)

Nice wet bar.

Aren't you going
to call the police?

Of course not.

You're a sick
man, Nathan.

(CHUCKLES)

You still blame me
for the death of your son.

You turned down
the insurance claim

for the treatment
that would have saved him.

It's our policy
to say no to all claims

until they've been
fully investigated.

Stalled! Fully stalled!

I don't let my personal
feelings affect policy.

Your policy.

This company
never automatically
turned down claims

until you came along.

I have responsibility
to my shareholders.

People lost their homes,
children died.

No exceptions.

(DEVICE BLEEPING)

(WHISPERING)
What are you doing here?

(WHISPERING)
What are you doing here?

You're going to
mess this up.

You're going to
mess me up.

I was here first.
I was here first.

(SOFTLY) What are you doing?

Damn it, Hardison.

(SHUSHING)
This is my spot. You go.

I'm going to make
you an offer.

One time only.

You resign as CEO.

You donate all your
assets to charity,

and I will not
rob the museum.

All my assets?

Yeah.

How generous.

We're done here.

NATHAN: Yeah,
I've got some errands, too.

Rope, masks,
knock out gas!

Be seeing you, Sterling.

Nate.

Behind you, look.

What?
Behind you.

You mess me up, what...
Hey!

Just stay where you are.
Whoa, whoa, hey.

Hey!

Hey.

HARDISON: I left stuff.
It's got my badge, my ID...
MAN: Hold on just a second.

Just... Hey! Wait.
It looks like we got
a situation here.

Are you seeing this?

(MAN CHATTERING OVER RADIO)

Can we get some security over
to the Blackpoole Gallery?

MAN OVER RADIO: I think
he's trying to get an exit
here to the north stairwell.

Eliot, help me.
I got you.

Help me, help me.
Hey, stop him.

(GROANS)

I got it, I got it.

I'm sorry,
don't I know you?

(BOTH SPEAKING SPANISH)

(SIGHS SMUGLY)

Of course
she bloody speaks Spanish.

MAN: We're checking
Blackpoole wing,
second floor right now.

All right,
check one floor up.

I think I saw another guy
dressed just like this one.

Got it. Let's go.

Move.

I'm going to kick
your butt.

Stand over there.
I'm going to kick
your butt.

(GASPS)
Where did you...

Run now, talk later.

(EXCLAIMS IN DESPAIR)

What?

Let's go.

Need a ride?

(MEN CLAMORING)

NATHAN: Uh, Hardison,
what is this?

Yeah, well since Sterling
blew our covers

I had to find
a new safe house.

Lay low.

This is your idea
of laying low?

Wow!

Hey, don't break nothing.

There's nothing to break.

Who ripped out the toilets?

This was an
IRS foreclosure,
I got it cheap.

IRS doesn't take toilets.

They do when
they're solid gold.

Heard this used to be
MC Hammer's place.

I guess you can touch this,

with a SWAT team
and a Federal warrant.

What?

You see that?

We're a mess.

Yep.

How'd you know
we'd be there?

Last week before
the exhibit opens,

security almost in place,
but not fully staffed.

Best time to
case the joint.

Plus I did chase all of you
at one point or another.

Was she in on this?

(EXHALES)
She can hear you, okay?

HARDISON: Wait a minute,
there is no this, Eliot.

Sophie did come back for me.

Wouldn't have had to
if she wouldn't have
lied to you.

Wait, no calls, three months,
I don't need you people.

What do you mean
you don't need us?
SOPHIE: I'm sorry.

I seem to remember
a certain job with horses

where I backed your play,
actually.

I don't care.
You don't con your crew!

(INDISTINCT CHATTERING)

(WHISTLING)

Glen Reader
Security System here.

And that's not
the worst of it.

Hmm?

The Davids are under
bulletproof glass
on a motion detector pad.

Really?
Mmm-hmm.

Environmentally sealed.
Really?

Kept at a constant
temperature and humidity
in the case.

I saw them working
on the air flow.

No, no, no, you can get past
the motion detectors, okay?

I have a link to the security
system and the video feed.

Guard rotation's
too heavy for a day grab.

And at night they got
two standing guards.

Why'd you come back?

We agreed to scatter
for six months.

All of you, all of you,
made an amateur move
being there.

It's too hard
to leave a job undone.
It's like an itch.

I put a lot of work into us.

Into that office,
it was like my second home.

I blew up my second home.

As annoying
as you people are,

I quit this crew
when I quit this crew.

Nobody makes me leave.

I just, I really wanted
to hurt Sterling.

Well, he's taken over
security for the gallery.

So, if we work together...

If we work together,
we can kill two birds
with one stone.

Break Blackpoole,
and humiliate Sterling.

No, no, Sterling,
he knows our game, man.

Okay? It's going to be
twice as hard
to steal those statues.

Oh, no, no, it'll be
four times as hard.

They know we're coming.

And how do they
know that?

I went to their office
and told them.

SOPHIE: Oh, Nate.

But we all want to hurt
these guys, right?

(SCOFFS) They humiliated us.
But, you know, taunting them?

The response
is going to be biblical.

That's what I'm
counting on.

Hey, I think
the roof's the way in,

but it looks like
they've rigged alarm sensors
to the skylights.

PARKER: I can
get around those.

Really? And end up on one
of the new 20 cameras
they got down there

from our last little
trip to the basement?

That was fun.

Yeah, could we
talk about that?

Talk about what?

You know, none of this
takes into account any
new security measures

that Sterling might
have added since.

Well, since Nate made
his little play date.

Where's the air coming from?

The statues
are in a sealed case,

kept at a constant humidity
and temperature.

Air moves in and out. How?

Well, all right,
from what I saw,

the airflow to the museum
passes through the base
of the display, right?

NATHAN: Hollow base
underneath the statues,

so what's underneath
the base?

The restoration room.
It's like a maze
of rooms down there.

Airflow control,
heating, storage.

How'd we miss that?

Grifter, hitter,
hacker, thief,

you're all trying to solve
your version of the crime

instead of just trying
to solve the crime.

There's a reason
we work together.

Yeah. Was.

(EXHALES)

Okay, we need access
to that restoration room,

we need somebody
on the inside.

Well, we can't run a con.
They know our faces.

What about Maggie?

SOPHIE: Well, exactly.
I mean most
of the museum people

aren't going
to recognize us.

But Maggie,
she works down there.

No, what about Maggie?
She's inside.

You just said that, she...

No, wait, now hush,
look, listen, listen,
I get, I get it.

Just have Eliot
call her as Dr. Sinclair.

We won't play her,
you just feel her out.

Have Eliot feel out my wife?

Feel out.

Ex, Nate, ex-wife.

PARKER: Okay, look,
you always have
a plan B, right?

So, fine, without Maggie,
what's the plan B?

(SNEEZES)

Sorry, these allergies
are just killing me this year.

So, we moved
the sarcophagus

from the Egyptian room
to the lecture hall.

It still needs
to be validated.

Ah!

Jim, this is Dr. Lloyd,
director of the museum.

And you know Maggie.

Mr. Sterling will be taking
over all the security
for Blackpoole Gallery.

Oh!

(ALARM BLARING)

I want that,
floor to ceiling,
all four floors.

You know, we...
We have security here.

Hmm?

Oh, hey, Doc.

Absolutely terrifying.

Every painting
in this gallery

belongs to either me
or a client of IYS,

and I'll do whatever
necessary to protect it.

Dr. Lloyd,
this is no longer a museum,

it's a vault
with visiting hours.

Mr. Blackpoole, you know,
I'd just like to add

that our security
has years of experience.

In fact, the FBI
was just here, and they...

(CELL PHONE RINGING)

Hello?

ELIOT OVER PHONE:
Hey, Maggie,
how you doing?

Dr. Sinclair...
Adam, what a nice surprise.

Ease into it,
don't rush her.

Yeah, listen, I'm in...
I'm back in Los Angeles
for a while.

(ELIOT SHUSHING)
You know, I had to ask
her out 10 times

before we even
got a coffee.
So just...

Coffee? I would love to.

Yeah, what time?
In an hour?

Yeah, I would love to.
Let me just...

Let me write down
where you want to go.

I know exactly
where that place is at.

All right,
I'm looking forward to it.

Yeah, right, now...

She probably just really
wants some hot coffee.

Shut up.
It's not like a date.

Are you kidding me?
You're fixing your hair?

Because I'm playing
the Professor Sinclair dude.

WAITRESS: There you are,
and for you.

Thank you.
WAITRESS:
You're welcome, enjoy.

(SIGHS)

You come here a lot?

No, I just wanted to see you.

That's a date.

Do we really need
to put a button cam
on Eliot?

Safety issue.

Hmm.
HARDISON: Mmm-hmm.

We're not going to talk
about art all afternoon,
are we?

No.

(CHUCKLES) Good.
That's all my ex-husband
ever wanted to talk about.

That was so tedious.

Listen,

I want to thank you.

I haven't dated a lot
since my marriage broke up.

Sorry to hear that.
No, don't be.

He was obsessive,
perfectionist, controlling.

Organized, she used to say
I was organized and punctual.

Hmm.
Mmm-hmm.

Must have had some
good qualities.

(SCOFFING) No,
not even in bed.

Oh!

Every night was prom night,
you know what I mean?

But worst of all,
he completely forgot

that I gave him that
same button camera

for Christmas
three years ago.

I can explain.

It didn't occur
to you that...

I feel used.

You lied to me, Nate.
How did I lie to you?

I don't know
why I'm surprised.

(SIGHS)

It's going great.

We can tell.

Maggie.
To think I felt
sorry for you.

Maggie...
The whole sob story

about being broke
and sleeping in
your car and a drunk.

Was.

Was broke,
was sleeping in the car,

the drunk thing,
not quite in the past yet.

What is all this, Nate?

This, them...

Maggie, we help people.

You break the law.

No, pick up
where the law leaves off.

(SCOFFING) Wow!

You are not
the same man I married.

Uh, what do you...
So who does this help?

Blackpoole's a bastard, Nate.

He was a bastard
when you worked for him.

What's changed?

Just help me understand.

I have to tell you
something, Mag.

(SIGHING) Please.

What?

Mag, when Sam
was in stage four,

I found a treatment
that would have helped him.

And I went to Ian
to pay for it,
and he wouldn't.

He wouldn't?

He wouldn't.

I told him we had mortgaged
the house, sold the car,
that we were broke.

And he still
wouldn't pay the claim.

Twenty years at that company,
and they wouldn't
help save our son.

Why didn't you
tell me this?

I work with these people,
Nate, I am friendly with them.

You just let me walk
around like an idiot.

He's my son, too.

I know, I know.

Why have you just been
carrying this around
all this time?

I didn't want you
to hate me, Maggie.

Why would I hate you?

I do.

If I had ever
seen you look at me

the way I looked
at myself in the mirror,

I would have blown
my damn brains out.

No! No!

No! No!

(SOBBING)

(MONITOR FLATLINING)

(SIGHS)

I'm sorry.
I'm sorry.

Come here.

When Eliot Spencer worked
here as a security guard
under a fake name,

he gave his real
cell phone number
as a reference.

Now look who just got
a call from that number?

Well, Maggie,
what a shame.

So, we reinforce the rebar,
replace the concrete.

With any luck
they'll never know
what hit 'em.

And that, that's the plan.

You actually
expect this to work?

Um...
No, no, no,
you're supposed to say,

"Wow, that's just
crazy enough to work."

Incredibly, chance
does seem to bend itself
to his bizarre machinations.

(WHISPERING)
That's his super power.

(SNIFFING)

Okay, now, do you
have what we need?

I have to check
the museum inventory.

Oh, easy.

This is confidential.

You're not reading
my emails, are you?

(SNICKERS) No, no.

Well, here.

This is the only
thing big enough
for what you need.

Great. Okay, now how
soon can you get that
in the restoration room?

(CHUCKLING) Now,
that's not my department.

You have to convince
the museum director,
Darien Lloyd

to pull it from the display.
Okay.

MAGGIE: Nate?
Hmm?

You can't just make
somebody do what
you want them to do.

Whoa!

(ALL SNICKER)

ELIOT: What?

That's what we do, I mean...

You're adorable.

NATHAN OVER RADIO: Now,
Maggie, it won't fall out,
just pretend it's not there.

Oh, yeah, just forget
my ex-husband's voice
in my head

telling me
what he thinks
I should do.

I'm in therapy to solve
exactly this problem.

Uh... Sorry. Okay.

Parker's on her approach
so I want you to...

So nobody else finds
it annoying when you nag them
in the middle of these things?

Why don't I run
this one, Nate?

Yeah, I don't nag.

You know,
I just have a...

You know,
clear big picture
viewpoint and...

No, actually
you know what?

We kind of like the way
Sophie ran the last one.

Yeah, yeah.

ELIOT: Right up to the point
where she got us caught,

but other than that
it was great.

Yeah, all right, fine, fine.
You're in therapy?

Um, how come you didn't...

Mmm, none of that,
no, no.
Hold on, let me just...

Hey, I'll cut you off.
NATHAN: Hold on, Mag.

What did Parker switch
his allergy medications with?

Pollen. Ragweed, mostly.

And dextroamphetamines.

Ooh!

(INHALES)

(SIGHS)

Oh! Oh, I'm so sorry.
Oh, I'm so sorry.

Did I step on your glasses?

No, no, no, it's okay.

Oh, okay.

Okay, why don't you
run up to him,

being just a little
bit out of breath

it changes the
speech rhythms,

makes it harder
to detect you're lying.

Lloyd.

You see?
Like that right there.
It's informative.

You learn, and you con.

Mmm-hmm.
Yeah, yeah.

You forgot this
in my office.

I, uh... When was that?

Five minutes ago.
I showed the designs
for the Two Davids exhibits,

you signed off
on the benches.

You okay?

SOPHIE: Good. Now,
steer him towards me.

Don't tell him,
just give him half an idea,
let him complete it.

I'll bring you the rest
of the plans after your
thing in the Egyptian room.

Okay, thanks.

I have a thing
in the Egyptian room?

(SIGHS)

Roll that back.

That's Parker.
Stay on Dr. Collins.

Dr. Lloyd's there, too.

Stay on Dr. Collins.

(COUGHING)

(SPEAKING ARABIC)

...Director Lloyd.

Dr. Ramen of
the Cairo Museum.

I was so worried
that I had the wrong day.

Oh, no, no, no,
I don't have
an appointment.

(COUGHS)

Oh, I guess I do.

Oh, dear, that, no,
that doesn't
sound good at all.

I've had it for weeks.

Well, I've confirmed
the markings,

and I concur,
definitely fourth dynasty.

The sarcophagus
of Pharaoh Mankalrey.

Everything's blurry.

I'm so relieved
to finally meet someone

who's got the good sense
to ignore all that silly,
silly curse business.

Say what?

Well, I'll certify
the authenticity
as you requested,

it was very nice
to meet you.

(COUGHING)

Nice to meet you.

Thank you.

Um, so, uh,
goodbye then.

And well,
I recommend you,
you see a doctor

about that cough.

It does seem to be
going to your chest.

It's just allergies.

Oh!

HARDISON: Okay, he's just
checked all the places

the sarcophagus was stored
before it hit the museum.

Okay, what's he found?

Oh, well, lookey here,
Dr. Ernst Volk,
University of Berlin, dead.

Dr. Schliemann,
London Museum, dead.

Uh-oh.

HARDISON: Oh, and also
the three guys that actually
discovered the tomb.

Eliot, what does that say?
It says dead.

D-E-D, dead, baby.

D-E-A-D.
D-E-A-D.

I know how to...

I was throwing
a little style up,
just a little bit.

A little style. I know
how to spell dead, damn it.

I can steal a bank,
I can spell dead.

(SHIVERING)

Wrap it up now, Maggie.

You're doing great.

There you are.
Can you just sign these?

Sure.

(COUGHS)

Hey, uh, Maggie,
you don't believe
in curses, do you?

(CHUCKLING) You know, mummies,
curses, unexplained deaths
around sarcophaguses?

Don't be silly.
Everyone knows
it's a fungus.

What?

Aspergillus flavus,
found on Egyptian artifacts.

Gets in the eyes and nose,
infection spreads,

and the next thing you know,
another death from the curse.

(CHUCKLES)

So, uh, what are the symptoms?

Congestion, memory loss,
blurry vision.

(SHIVERING)

Yep, yep, yep, yep,
seal it up, seal it up.

(SNEEZES)

No, let's get out of here.
Just, um...
Just give me a moment.

Yeah.

You need something?

I was just trying
to make myself useful.

Yeah, well,
last time you tried that

we had to blow up
the office.

That's not fair.

I was just
getting used to it.

What? Having an office?

Being part of a team.

Look, I didn't mean,
you know, it...

It wasn't supposed
to go down like that.

What's going on?

Sophie here
was just trying
to apologize.

No, I wasn't.

Oh, she tried that
with me earlier.
She kind of sucks at it.

Yeah, a little bit.

Oh, did she give you
the speech about
how we're thieves?

About how this
is what thieves do,

and if we were in
her shoes we'd have
done the same thing?

No, I think she was just
getting to that part.

You apologized
to him first?

Huh? Why am I last?

I wasn't apologizing. I...

That's the problem.

I just wanted to see if we...

We were all okay
with each other?

Okay, there it is.

I forgive you.
Apology accepted.

Yeah.
No, I wasn't. Uh-uh!

You, I didn't...

Oh, no, no, no, just,
uh, a bit left a little bit.

Yeah. There.

Line this end up
with the Vermeer.

Careful, watch the floor.

Right in front
of the Rembrandt,

so it's lit up
by the skylight.

BLACKPOOLE: And now,
for the first time
in 400 years,

the Two Davids
are reunited.

I would like to
express my gratitude
to the museum staff,

and of course
our fundraisers,

and all of you,
for the opportunity of
presenting Michelangelo's...

The pictures
have been distributed.

We're scanning every guest
that comes into the museum.

Eliot Spencer?

Eliot Spencer,
wanted in five countries
including Myanmar,

which is offering
a half million dollar
bounty on his head.

Bringing Spencer to justice,

and getting paid for it,
is icing on the cake.

Parker?

Parker,
wanted in nine countries
including Brazil and Yemen.

Tough choice,
I'll have to flip a coin.

How about Sophie Devereaux?

England, France,
Spain, Luxembourg.
Europe, basically.

France, wonderful shopping,

horrifying prisons.

STERLING: Alec Hardison?

MAN: Well, he'd better not
show his face in Iceland.

Perfect. I'll drop him
off on my way to France.

Nathan Ford?

Well, I have
something special
planned for him.

No, no, no,
it's Nathan Ford.

Uh-oh.

Well, well, well,
what the hell
are you doing here?

Well, I bought a ticket.

It's open to the public.
I don't think...

Of course.
Enjoy yourself.

You heard him.

Conspiracy to commit
robbery is what?

Five years?

Catching him
in the act, 20.

Pull guys off the gallery,
follow Nate Ford.

Where are you going?
Scratch an itch.

(SNEEZES)

You know, I have
a museum to run.

Anything happen here?

DR. LLOYD: No.

Dr. Collins
was asking you something.

You were working
on something.

No, she didn't. I...

(SNEEZES)

I moved a mummy.

Why?

No reason.

(SNEEZING)

STERLING: Come on, come on.

This is as fast as I go.

Look at this,

directly under the Davids.

Out of the sight lines
of the cameras.

They're going to drill
right up and through
the display base.

Who... Who?

Whoever's hiding
in that sarcophagus.

Come on.

(COUGHS)

That's a mummy.

(ALARM BEEPING)

I think you
set something off.

Yeah.

(PEOPLE CHATTERING)

WOMAN 1: Why are
they doing that?
WOMAN 2: I don't know.

(DEVICE BEEPING)

Thank you.

(DEVICE BEEPING)

(DEVICE BEEPING)

I can't see it.

Sterling,
get this thing open.

You two, open this up.

We can't.
Homeland Security.

What?

An unknown gas
has been released
in a public space.

We have to evacuate
the building.

Evacuate?

It's Federal protocol.

Uh, we're not
going to evacuate.

It's Federal protocol
for a chemical attack.

Did you say
chemical attack?

There is no
chemical attack.
It's a robbery.

It's a robbery!

(ALL CLAMORING)

Hey! Bloody hell!

All right, all security
personnel evacuate
the building immediately.

Evacuate the building
immediately.

We can't leave.
We don't even know
if they're in there.

We have no choice.

WOMAN OVER PA:
Ladies and gentlemen,

we ask you to evacuate
the building immediately...

Who is this?

What the hell
is going on here?

STERLING: They've
already stolen them.

They're using
the crowd to smuggle
them out with the fakes.

Nobody move until
I've confiscated
all the statutes.

Excuse me, sir, I thought
we were evacuating.

We are. Get them moving.
All right, keep going. Out!

All right, Geary,
corral them outside.

(DEVICE BLEEPING)

Everybody, hand your statues
to the men in the black suits.

Fine, do whatever
you need to do now,

at least we got everyone
out of the building.

You got everyone
out of the building.

They triggered
the door locks.

Geary, Geary? Where's Ford?

We have an alarm on the roof,
up on the roof.

(GRUNTS)

(SIGHS)

(ALARM SOUNDING)

Let's go to work.

You got him?

I got all of them.

You got us a panic,
the fire department's here.

Is this your idea
of control? Good.

This is your last chance,
Maggie. Come clean.

I don't know what
you're talking about.

BLACKPOOLE: The Two Davids.

(LAUGHS)

Thank God.

Got you, Nate.

Yes, that was
the whole point.

Power's back up
in about 15 seconds.

What do you mean?

NATHAN: You know
all that chasing me around?

"Don't let Nate Ford
near the Two Davids,

"how's Nate Ford
going to get
the Two Davids?"

I wasn't the mastermind
on this one, Sterling.

I'm the bait.

Three, two, one.

(BLACKPOOLE GASPING)

No!

The room was locked.

Sometimes the classics
really are the best.

They were masterpieces,
they're worth...

150 million dollars.

The Vermeer, Caravaggio,
two Van Eycks. At least...

We need to call the police.

Yes, he's right,
we really should
call the police.

BLACKPOOLE: No,
not the police.
What do you mean?

No, I'm responsible.

All the paintings
in this room, they
were my responsibility.

No, they were
all loaned to me.

Oh, well done.

Every single masterpiece
in this room
is insured by IYS.

That's a 150 million
dollar payout.

Now what do you think
your board of directors
are going to do,

when they realize that
you've lost the company
150 million dollars?

Where are they?

STERLING: Clear the room.
Where are they?

Clear the room!

Come on.

Are you here
to kill me, Ian?

Here's how it's going to go,
Sterling.

I'm all ears.

No, you talk to me,
not to him.

You talk to me.

Every single painting
will be returned to IYS

the moment Ian Blackpoole
is stripped of his position

and all his assets
in the company.

Also, his policy of denying
every claim, that ends.

Extortion.

I prefer to
call it oversight.

BLACKPOOLE OVER TAPE:
Last time I saw you,
you were selling me something.

NATHAN OVER TAPE:
I got out of sales.

So, what are you in now?

Theft.

Yeah, I'm going to rob
the Two Davids gallery
on opening day.

Aren't you going
to call the police?

Of course not.

When the owners
of these paintings

realize that Ian knew
there was going to be a theft,
but didn't call the police.

Well, they're going
to sue the hell out
of him, aren't they?

But if the company,
in good faith,
returns their paintings?

Uh, they might not fire you.

If you give them Blackpoole.

(LAUGHS)

No.

Sterling,
you work for me.

IYS is my company.

Can't let personal
feelings affect policy.

You have a responsibility
to shareholders.

No exceptions.

I have lost my only son.

Do you really think
you scare me? Huh?

Maggie, well,
you understand.

(GRUNTS)

Screw therapy,
that felt really good.

Of course, you know
your entire plan
depended on me

being a self-serving,
utter bastard.

Hmm, yeah,
that's a stretch.

I'll call you
when it's done.

You do that.

Where are you going?

Where is he going?

(SNEEZES)

Will you stop now?

I don't know.

Interesting.
Hmm.

You admitting
you don't know something.

(CELL PHONE RINGING)

(MAN CHATTERING ON PHONE)

It's done.
Blackpoole's out.

Time to return the artwork?

I think so.

Eliot and Hardison,
you will replace
the floor panels,

seal the hole,
no one will ever
know what happened.

We'll move all the artwork
into the loading dock,

make it look like
someone from the
outside dropped it off.

You are not
the man I married.

(EXCLAIMS IN SHOCK)

Well, what do you think
of this version?

I don't love him,

but I might like him
a little more.

Thank you, all of you.

You surprised me.

We had a good run.

It's a good time
to move on.

I'm going somewhere else.

Fresh start.

We made a difference.
Remember that.

Where are you going?

Let's see how
hard you look.

(SIGHS)

(SIGHS)