Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:08,809 --> 00:00:10,675
Announcer: ROBERT YOUNG...
2
00:00:12,446 --> 00:00:14,313
AND JANE WYATT.
3
00:00:17,118 --> 00:00:20,652
WITH ELINOR DONAHUE, BILLY
GRAY, AND LAUREN CHAPIN...
4
00:00:31,198 --> 00:00:34,577
"HUMOROUS SKETCH FOR
RAFTERS CLUB ANNUAL HIGH JINKS."
5
00:00:34,601 --> 00:00:36,145
YEAH, THAT'S GOOD.
6
00:00:36,169 --> 00:00:38,581
HOW LONG DO YOU THINK IT'LL
TAKE TO KNOCK THIS OUT, JIM?
7
00:00:38,605 --> 00:00:40,550
OH, IT SHOULDN'T TAKE
US ANY TIME AT ALL.
8
00:00:40,574 --> 00:00:42,285
WE KNOW WHAT WE WANT.
ALL WE HAVE TO DO NOW
9
00:00:42,309 --> 00:00:44,821
IS GET A GOOD, FUNNY
IDEA AND THEN WRITE IT.
10
00:00:44,845 --> 00:00:46,122
HECK, WE GOT IT LIT.
11
00:00:46,146 --> 00:00:48,291
LET'S START PUTTING
SOMETHING DOWN.
12
00:00:48,315 --> 00:00:56,020
UH... UH, NO.
13
00:01:02,128 --> 00:01:04,708
THESE YOUR GIRLS? YEAH.
14
00:01:04,732 --> 00:01:07,210
YOU KNOW, MAC, WHAT WE
NEED IS A REAL FUNNY IDEA.
15
00:01:07,234 --> 00:01:10,647
THAT SKETCH THEY PUT ON LAST YEAR
GOT PRETTY TIRED BEFORE THE END.
16
00:01:10,671 --> 00:01:12,248
VERY PRETTY.
17
00:01:12,272 --> 00:01:13,717
GIRLS ARE NICE.
18
00:01:13,741 --> 00:01:16,085
BUT YOU'RE LUCKY
YOU HAVE A BOY, TOO.
19
00:01:16,109 --> 00:01:18,187
THERE'S SOMETHING ABOUT A BOY.
20
00:01:18,211 --> 00:01:22,124
YOU KNOW, I WAS ALWAYS
SORRY THAT I DIDN'T HAVE A BOY.
21
00:01:22,148 --> 00:01:24,093
WELL, YOU SHOULD'VE
GOTTEN MARRIED, MAC.
22
00:01:24,117 --> 00:01:27,029
WELL, I FIGURED THAT'D
BE GOING TOO FAR.
23
00:01:28,355 --> 00:01:30,767
BUT IT SEEMS LIKE
WHEN YOU HAVE A BOY
24
00:01:30,791 --> 00:01:34,203
YOU HAVE SOMEONE TO
SORT OF... CARRY ON FOR YOU,
25
00:01:34,227 --> 00:01:36,506
CARRY ON THE NAME. YEAH.
26
00:01:36,530 --> 00:01:38,808
NOW, YOU'VE WORKED UP A
GOOD INSURANCE BUSINESS HERE,
27
00:01:38,832 --> 00:01:41,711
AND YOU HAVE SOMEONE WHO'LL
CARRY IT ON FOR YOU SOMEDAY.
28
00:01:41,735 --> 00:01:44,547
YOU KNOW, MAC, I'VE THOUGHT
ABOUT THAT A GOOD DEAL.
29
00:01:44,571 --> 00:01:46,282
YES, I BELIEVE HE HAS THE SPARK.
30
00:01:46,306 --> 00:01:49,619
I THINK WE MAY HAVE ANOTHER
SALESMAN IN THE FAMILY.
31
00:01:49,643 --> 00:01:51,554
MUST MAKE A MAN FEEL GREAT
32
00:01:51,578 --> 00:01:54,045
TO KNOW THAT HE HAS A SON WHO...
33
00:01:55,516 --> 00:01:57,960
IS THAT HIM WITH THE LAWN MOWER?
34
00:01:57,984 --> 00:02:01,252
YES, THAT'S, UH, ONE
OF HIS REGULAR JOBS.
35
00:02:13,434 --> 00:02:15,266
GIRLS ARE NICE.
36
00:02:21,308 --> 00:02:24,309
A REAL FUNNY IDEA.
37
00:02:25,612 --> 00:02:27,490
MAC, YOU WANT TO
TYPE FOR A WHILE?
38
00:02:27,514 --> 00:02:29,213
YEAH, OKAY.
39
00:02:35,255 --> 00:02:37,266
I DON'T KNOW WHETHER
THAT BOY IS NATURALLY LAZY
40
00:02:37,290 --> 00:02:39,201
OR IF HE PRACTICES
IT. WHAT'D YOU SAY?
41
00:02:39,225 --> 00:02:40,904
OH, NOTHING.
42
00:02:40,928 --> 00:02:43,807
HEY! HA HA HA!
43
00:02:43,831 --> 00:02:46,208
MAYBE I GOT
SOMETHING HERE! YEAH?
44
00:02:46,232 --> 00:02:49,646
LISTEN. WE TAKE SOME OF THE
GUYS AND DRESS THEM LIKE WOMEN...
45
00:02:49,670 --> 00:02:52,248
PUT FUNNY HATS ON THEM. YOU
KNOW, LIKE THEY DID LAST YEAR.
46
00:02:52,272 --> 00:02:56,185
THEN WE'LL GIVE 'EM SOME
FUNNY STUFF TO SAY! HA HA HA!
47
00:02:56,209 --> 00:02:57,487
REAL SCREAMERS!
48
00:02:57,511 --> 00:02:58,755
CURTAIN'S GOING UP!
49
00:02:58,779 --> 00:03:01,123
HERE, YOU PUT IT DOWN.
I'M TIRED OF TYPING.
50
00:03:01,147 --> 00:03:03,125
ALL RIGHT.
51
00:03:03,149 --> 00:03:04,627
PUT WHAT DOWN?
52
00:03:04,651 --> 00:03:07,497
THE IDEA THAT I... JUST HAD.
53
00:03:07,521 --> 00:03:10,066
UH... YEAH.
54
00:03:10,090 --> 00:03:11,935
BESIDES, IT'S THE SAME
THING THEY DID LAST YEAR.
55
00:03:11,959 --> 00:03:13,503
WE WANT SOMETHING BRAND NEW.
56
00:03:13,527 --> 00:03:14,737
YEAH.
57
00:03:16,329 --> 00:03:19,041
WELL, HE FINALLY GOT IT STARTED.
58
00:03:19,065 --> 00:03:20,276
HI, DAD. WHATCHA DOIN'?
59
00:03:20,300 --> 00:03:23,012
BUD, I WANT TO CONGRATU...
60
00:03:40,487 --> 00:03:42,866
GIRLS ARE NICE.
61
00:03:42,890 --> 00:03:44,968
LISTEN, JIM, I'VE
BEEN THINKING...
62
00:03:44,992 --> 00:03:47,604
I LIKE YOUR IDEA MUCH
BETTER THAN MINE.
63
00:03:47,628 --> 00:03:49,739
WHY DON'T YOU KNOCK
OUT A ROUGH DRAFT
64
00:03:49,763 --> 00:03:51,608
AND I'LL HELP YOU
POLISH IT UP, OKAY?
65
00:03:51,632 --> 00:03:53,543
YEAH, OKAY.
66
00:03:53,567 --> 00:03:56,379
JUST SIT STILL. I CAN FIND
MY WAY OUT ALL RIGHT.
67
00:03:56,403 --> 00:03:58,548
AS LONG AS YOU'RE
HOT ON THE IDEA,
68
00:03:58,572 --> 00:03:59,883
YOU KEEP ON WORKING.
69
00:03:59,907 --> 00:04:01,618
AND I'LL CALL YOU
IN A COUPLE OF DAYS.
70
00:04:01,642 --> 00:04:04,320
SO LONG. SO LONG, MAC.
71
00:04:07,881 --> 00:04:09,781
WHAT IDEA?
72
00:04:16,556 --> 00:04:20,169
WELL, HOW MUCH WORK DID
YOU TWO GENIUSES ACCOMPLISH?
73
00:04:20,193 --> 00:04:22,972
HEH. NOT A WHOLE LOT.
74
00:04:22,996 --> 00:04:24,340
WHERE'S BUD?
75
00:04:24,364 --> 00:04:26,676
BUD? HE'S UPSTAIRS RESTING.
76
00:04:26,700 --> 00:04:29,245
RESTING? FROM WHAT?
77
00:04:29,269 --> 00:04:31,313
WHAT'S WITH THAT BOY ANYWAY?
78
00:04:31,337 --> 00:04:33,382
I USED TO HAVE SUCH
HIGH HOPES FOR HIM.
79
00:04:33,406 --> 00:04:36,352
BUT LATELY, I DON'T KNOW,
THERE'S NO INITIATIVE, NO DRIVE.
80
00:04:36,376 --> 00:04:38,621
WELL, I GET A LITTLE
DISTURBED ONCE IN A WHILE.
81
00:04:38,645 --> 00:04:40,657
BUT THEN I REMEMBER
WHAT YOU ALWAYS SAY...
82
00:04:40,681 --> 00:04:42,792
THAT THESE THINGS
ARE JUST PHASES
83
00:04:42,816 --> 00:04:44,193
AND THEY SOON PASS.
84
00:04:44,217 --> 00:04:46,495
WELL, THIS PHASE
IS TAKING TOO LONG.
85
00:04:46,519 --> 00:04:48,297
GOSH, I REMEMBER
WHEN I WAS A BOY,
86
00:04:48,321 --> 00:04:50,099
I WAS OUT MAKING MY OWN WAY.
87
00:04:50,123 --> 00:04:52,234
NOT THAT I WANT HIM TO EARN
HIS OWN LIVING, OF COURSE, BUT...
88
00:04:52,258 --> 00:04:55,805
Kathy: MOMMY! COME HERE,
MOMMY! WE'VE GOT A BIG PACKAGE!
89
00:04:55,829 --> 00:04:57,028
PACKAGE?
90
00:04:58,398 --> 00:05:00,743
OH, SWEETIE, WHAT
DO YOU GOT HERE?
91
00:05:00,767 --> 00:05:02,979
I DON'T KNOW YET. A
MAN JUST DELIVERED IT.
92
00:05:03,003 --> 00:05:05,081
WELL, WHO SENT
IT? AND WHAT DID...
93
00:05:05,105 --> 00:05:06,348
WELL, WHAT'S THAT?
94
00:05:06,372 --> 00:05:08,184
WHAT'S THAT?
95
00:05:08,208 --> 00:05:09,919
THIS? MOTHER, WHAT DO YOU WANT
96
00:05:09,943 --> 00:05:11,821
WITH A RED PLASTIC GRAVY BOAT?
97
00:05:11,845 --> 00:05:15,257
THERE'S A GREEN ONE!
AND A YELLOW ONE!
98
00:05:15,281 --> 00:05:17,393
GOLLY! IT'S FULL OF THEM!
99
00:05:17,417 --> 00:05:19,228
OH, IT MUST'VE BEEN
SENT BY MISTAKE.
100
00:05:19,252 --> 00:05:20,396
TO WHOM WAS IT ADDRESSED?
101
00:05:20,420 --> 00:05:22,031
I FORGOT TO LOOK.
102
00:05:22,055 --> 00:05:24,400
OH, DEAR, KATHY. HOW
MANY TIMES HAVE I TOLD YOU
103
00:05:24,424 --> 00:05:27,125
NOT TO RIP PACKAGES OPEN
UNTIL YOU KNOW WHO THEY'RE FOR?
104
00:05:29,462 --> 00:05:30,973
WELL, IT'S FROM THE...
105
00:05:30,997 --> 00:05:34,243
FLEEGER SALES COMPANY
OF SCRANTON, PENNSYLVANIA,
106
00:05:34,267 --> 00:05:35,611
IF THAT HELPS ANY.
107
00:05:35,635 --> 00:05:38,480
HEY! WHAT'S THE BIG IDEA,
OPENING A GUY'S MAIL?
108
00:05:38,504 --> 00:05:40,116
THIS IS YOURS?
109
00:05:40,140 --> 00:05:42,318
OH, NOW I'VE HEARD EVERYTHING.
110
00:05:42,342 --> 00:05:44,854
A GUY CAN'T HAVE ANY PRIVACY
AT ALL AROUND THIS HOUSE.
111
00:05:44,878 --> 00:05:45,988
WHO OPENED IT?
112
00:05:46,012 --> 00:05:47,790
IT WAS OPENED BY MISTAKE, BUD.
113
00:05:47,814 --> 00:05:49,058
WE APOLOGIZE.
114
00:05:49,082 --> 00:05:50,827
WHO OPENED IT? THAT'S
WHAT I WANT TO KNOW.
115
00:05:50,851 --> 00:05:53,029
I THINK THERE'S A MORE BURNING
QUESTION BEFORE THE HOUSE.
116
00:05:53,053 --> 00:05:54,530
JUST WHAT ARE YOU PLANNING TO DO
117
00:05:54,554 --> 00:05:56,665
WITH A WHOLE CRATE
OF PLASTIC GRAVY BOATS?
118
00:05:56,689 --> 00:05:58,367
I'M GONNA GO INTO BUSINESS.
I'M GONNA SELL THEM.
119
00:05:58,391 --> 00:06:00,169
YOU ARE? OH, DEAR.
120
00:06:00,193 --> 00:06:02,038
DO WE HAVE TO GO THROUGH
THAT SELLING RIGMAROLE AGAIN?
121
00:06:02,062 --> 00:06:04,306
NOW, WAIT, HONEY. LET'S
NOT DISCOURAGE HIM.
122
00:06:04,330 --> 00:06:06,575
YOU HAVE TO ADMIT,
IT'S A WIDE-OPEN FIELD.
123
00:06:06,599 --> 00:06:08,410
I'LL BE THERE ISN'T A
FAMILY IN SPRINGFIELD
124
00:06:08,434 --> 00:06:10,346
WITH A RED OR BLUE
PLASTIC GRAVY BOAT.
125
00:06:10,370 --> 00:06:12,615
WELL, YOU KNOW WHAT FAMILY
WILL END UP WITH ALL OF THEM.
126
00:06:12,639 --> 00:06:14,050
BUD, I THINK YOU'D
BETTER SEND THESE BACK
127
00:06:14,074 --> 00:06:15,284
WHILE THEY'RE STILL
IN GOOD CONDITION.
128
00:06:15,308 --> 00:06:16,685
SEND THEM BACK?
129
00:06:16,709 --> 00:06:18,254
BUT I'M GONNA SELL
THEM AND MAKE BIG MONEY.
130
00:06:18,278 --> 00:06:19,889
THAT'S RIDICULOUS? RIDICULOUS?
131
00:06:19,913 --> 00:06:21,991
WELL, WHAT ABOUT
FLOYD HARVEY? WHO?
132
00:06:22,015 --> 00:06:24,560
FLOYD HARVEY OF
LUVERNE, WISCONSIN.
133
00:06:24,584 --> 00:06:26,362
HE MADE $30 THE FIRST WEEK.
134
00:06:26,386 --> 00:06:28,086
HERE, LOOK AT THIS AD.
135
00:06:29,622 --> 00:06:31,000
THERE'S FLOYD'S PICTURE.
136
00:06:31,024 --> 00:06:33,069
"EARN BIG MONEY IN
YOUR SPARE TIME." SEE?
137
00:06:33,093 --> 00:06:34,837
YES, I SEE IT.
NOW, LISTEN, BUD...
138
00:06:34,861 --> 00:06:36,939
FLOYD WRITES, "I
WAS A FAILURE AT 42."
139
00:06:36,963 --> 00:06:38,641
AND I'M STARTING OUT
YOUNGER THAN HE IS, TOO!
140
00:06:38,665 --> 00:06:40,965
YES, YOU'RE A
FAILURE AT ONLY 14.
141
00:06:42,769 --> 00:06:45,148
"I WAS BROKE AND HUNGRY
WHEN I SAW YOUR AD.
142
00:06:45,172 --> 00:06:47,049
"THAT WAS MY LUCKY DAY.
143
00:06:47,073 --> 00:06:49,886
"MY FIRST BATCH OF DURABLE,
HEAVY-DUTY PLASTIC GRAVY BOATS
144
00:06:49,910 --> 00:06:51,509
SOLD LIKE HOTCAKES."
145
00:06:52,813 --> 00:06:54,791
HEY! CUT THAT OUT!
YOU'LL BREAK THEM!
146
00:06:54,815 --> 00:06:56,815
I'M NOT HURTIN' THE
DUMB OLD THING!
147
00:06:58,518 --> 00:07:01,330
DOGGONE IT, I NEVER GET ANY
COOPERATION AROUND HERE AT ALL.
148
00:07:01,354 --> 00:07:02,765
NOW, WAIT, BUD.
149
00:07:02,789 --> 00:07:04,901
I'M FOR THIS. WELL, I'M NOT.
150
00:07:04,925 --> 00:07:06,869
I SAY SEND THEM BACK RIGHT NOW.
151
00:07:06,893 --> 00:07:09,172
BUT I CAN'T. IT SAYS RIGHT IN
THE AD YOU CAN'T RETURN THEM.
152
00:07:09,196 --> 00:07:10,572
BESIDES, I'D LOSE MY INVESTMENT.
153
00:07:10,596 --> 00:07:13,642
INVESTMENT? DID YOU
SEND HIM SOME MONEY?
154
00:07:13,666 --> 00:07:16,545
W-WELL, I... I HAD TO.
IT WAS THE ONLY WAY...
155
00:07:16,569 --> 00:07:19,348
HOW MUCH?
156
00:07:19,372 --> 00:07:20,950
WELL, WHEN YOU
CONSIDER FLOYD MADE $30...
157
00:07:20,974 --> 00:07:22,852
HOW MUCH?
158
00:07:22,876 --> 00:07:24,753
MM, $9.
159
00:07:24,777 --> 00:07:27,223
WHERE DID YOU GET $9 FROM?
160
00:07:27,247 --> 00:07:30,159
WELL, MY SAVINGS BANK
SORT OF FELL ON THE FLOOR,
161
00:07:30,183 --> 00:07:31,627
AND IT SORT OF BROKE.
162
00:07:31,651 --> 00:07:33,529
WELL, THAT'S THE END.
THAT'S ALL, I GIVE UP.
163
00:07:33,553 --> 00:07:35,064
YOU AND YOUR FATHER
WILL JUST FIGURE OUT
164
00:07:35,088 --> 00:07:37,408
HOW TO GET THAT MONEY BACK.
165
00:07:38,892 --> 00:07:41,337
WELL, I CAN'T GET
THE MONEY BACK.
166
00:07:41,361 --> 00:07:43,940
WELL, THE BEST WAY I KNOW OF
TO GET YOUR MONEY BACK, BUD,
167
00:07:43,964 --> 00:07:46,575
IS TO GET OUT AND
SELL THOSE THINGS.
168
00:07:46,599 --> 00:07:48,644
THAT'S WHAT I WANT TO
DO. I KNOW I CAN SELL THEM.
169
00:07:48,668 --> 00:07:50,179
OF COURSE YOU CAN.
170
00:07:50,203 --> 00:07:52,281
IN FACT, I'VE ALREADY
SOLD ONE TO MRS. PHILLIPS.
171
00:07:52,305 --> 00:07:54,783
I JUST TOLD HER TO BUY IT, AND
SHE BOUGHT IT SIGHT UNSEEN.
172
00:07:54,807 --> 00:07:57,619
GOOD. ONLY TOOK ME 3
MINUTES TO MAKE THE SALE.
173
00:07:57,643 --> 00:07:59,722
OF COURSE, I CAN'T EXPECT
TO DO THAT GOOD EVERY TIME.
174
00:07:59,746 --> 00:08:01,224
NO, HARDLY.
175
00:08:01,248 --> 00:08:03,125
I'LL HAVE TO ALLOW MYSELF
FIVE MINUTES PER SALE.
176
00:08:03,149 --> 00:08:04,793
DON'T WASTE YOUR TIME FIGURING.
177
00:08:04,817 --> 00:08:06,863
JUST GO OUT AND
DO IT. OKAY, DAD.
178
00:08:06,887 --> 00:08:08,797
AND REMEMBER, SON,
YOU'RE A SALESMAN...
179
00:08:08,821 --> 00:08:12,701
JUST LIKE... WELL, YOU KNOW WHO.
180
00:08:12,725 --> 00:08:14,436
YOU BET I KNOW, DAD.
181
00:08:14,460 --> 00:08:16,294
LIKE FLOYD HARVEY.
182
00:08:20,300 --> 00:08:22,478
WELL, SURE, HONEY, I'LL ADMIT
183
00:08:22,502 --> 00:08:25,781
THAT PLASTIC GRAVY BOATS ARE
KIND OF AN ODD THING TO SELL,
184
00:08:25,805 --> 00:08:27,616
BUT THE POINT IS HE'S
DOING SOMETHING.
185
00:08:27,640 --> 00:08:29,085
AND HE'S DOING IT ON HIS OWN.
186
00:08:29,109 --> 00:08:31,153
WELL, THAT'S FINE.
BUT LET'S FACE IT...
187
00:08:31,177 --> 00:08:32,621
HE'S NO SALESMAN.
188
00:08:32,645 --> 00:08:34,523
NO SALESMAN? THAT'S
THE ONE THING HE IS.
189
00:08:34,547 --> 00:08:36,392
IT'S IN HIS BLOOD.
190
00:08:36,416 --> 00:08:38,416
WELL... IT IS.
191
00:08:44,324 --> 00:08:49,338
HERE, SIR, WE HAVE... EXHIBIT A.
192
00:08:49,362 --> 00:08:51,540
MAGIC VARNISH REMOVER.
193
00:08:51,564 --> 00:08:54,043
TAKES OFF ALL VARNISH,
PUTS ON NEW COAT...
194
00:08:54,067 --> 00:08:56,412
ALL WITH ONE MAGIC APPLICATION.
195
00:08:56,436 --> 00:08:58,847
BUD SOLD ONE
BOTTLE... TO MRS. DAVIS.
196
00:08:58,871 --> 00:09:02,251
OR RATHER, I DID. UNBEKNOWNST
TO BUD, I CALL MYRTLE.
197
00:09:02,275 --> 00:09:04,153
AND EVEN THEN, I HAD TO PRACTICALLY
PUSH HIM ALL THE WAY TO THE HOUSE
198
00:09:04,177 --> 00:09:05,454
TO MAKE THE SALE.
199
00:09:05,478 --> 00:09:08,012
HONEY, I KNOW ALL
THIS... I'M NOT THROUGH.
200
00:09:09,983 --> 00:09:11,382
COME ON.
201
00:09:16,222 --> 00:09:17,533
WHAT'S THAT?
202
00:09:17,557 --> 00:09:20,669
IMPORTED BARE ROOT...
JAPANESE NECTARINE TREES.
203
00:09:20,693 --> 00:09:23,239
WELL, HE SOLD TWO OF THOSE.
204
00:09:23,263 --> 00:09:24,773
BOTH TO MRS. MYRTLE DAVIS.
205
00:09:24,797 --> 00:09:26,108
OH, I HAD TO TALK AWFULLY FAST
206
00:09:26,132 --> 00:09:27,676
TO SELL HER ON THIS LITTLE ITEM.
207
00:09:27,700 --> 00:09:29,478
HONEY, I KNOW ALL THIS.
208
00:09:29,502 --> 00:09:32,448
BUT HE'S OLDER NOW.
AND YOU CAN'T DENY
209
00:09:32,472 --> 00:09:35,017
THAT THE ONE THING HE ALWAYS
COMES BACK TO IS SELLING.
210
00:09:35,041 --> 00:09:36,919
WHEN I WAS A KID, I
COULD SELL ANYTHING.
211
00:09:36,943 --> 00:09:38,620
AND I THINK HE'S
GONNA BE JUST LIKE ME.
212
00:09:38,644 --> 00:09:40,289
YOU MEAN YOU WANT
HIM TO BE LIKE YOU.
213
00:09:40,313 --> 00:09:41,757
WELL, NO, THAT'S NOT IT.
214
00:09:41,781 --> 00:09:44,360
DEAR, HE'S NOT THE
AGGRESSIVE TYPE. HE'S SHY.
215
00:09:44,384 --> 00:09:46,628
MAYBE HE'D MAKE A GOOD
ARCHITECT OR ENGINEER.
216
00:09:46,652 --> 00:09:48,998
BUT NOT A SALESMAN.
217
00:09:49,022 --> 00:09:51,033
WELL, I'M NOT THE LOUD,
AGGRESSIVE TYPE, EITHER.
218
00:09:51,057 --> 00:09:53,735
BUT I CONSIDER MYSELF
A PRETTY FAIR SALESMAN.
219
00:09:53,759 --> 00:09:57,139
AND ONE DAY YOU'RE GONNA SEE
BUD TAKE OVER MY INSURANCE AGENCY.
220
00:09:57,163 --> 00:09:59,575
BUD? YOU BET. HE'LL
CARRY ON FOR ME.
221
00:09:59,599 --> 00:10:02,178
A MAN'S SON IS AN
EXTENSION OF HIMSELF.
222
00:10:02,202 --> 00:10:03,912
SELLING WAS BORN
IN HIM, MARGARET,
223
00:10:03,936 --> 00:10:06,248
AND SALESMEN ARE BORN, NOT MADE.
224
00:10:06,272 --> 00:10:08,473
ONE DAY, HE'LL...
225
00:10:30,230 --> 00:10:33,009
WELL, GOSH, I CAN'T
SELL THIS OLD JUNK.
226
00:10:33,033 --> 00:10:36,245
YES, YOU CAN, SON. YOU CAN!
227
00:10:36,269 --> 00:10:38,214
NO, I CAN'T. I'VE TRIED, DAD.
228
00:10:38,238 --> 00:10:39,848
I JUST HAVEN'T
GOT WHAT IT TAKES.
229
00:10:39,872 --> 00:10:41,950
SON, YOU DON'T
KNOW WHAT YOU HAVE.
230
00:10:41,974 --> 00:10:45,054
YES, I DO. I HAVE FIVE
DOZEN PLASTIC GRAVY BOATS
231
00:10:45,078 --> 00:10:47,318
AND NO PLACE TO PUT THEM.
232
00:10:52,718 --> 00:10:55,097
CONFIDENCE... THAT'S
WHAT YOU NEED, BUD.
233
00:10:55,121 --> 00:10:57,799
CONFIDENCE. NOW, STAND UP
STRAIGHT, PUFF OUT YOUR CHEST,
234
00:10:57,823 --> 00:11:00,503
AND SAY, "I'M THE GREATEST
SALESMAN IN THE WORLD!"
235
00:11:00,527 --> 00:11:04,706
AND BELIEVE IT. THINK IT,
LIVE IT, BREATHE IT, SLEEP IT.
236
00:11:04,730 --> 00:11:06,909
CAN YOU DO THAT? WELL, SURE.
237
00:11:06,933 --> 00:11:08,477
THE ONLY THING I
CAN'T DO IS SELL.
238
00:11:08,501 --> 00:11:10,446
DON'T SAY THAT.
239
00:11:10,470 --> 00:11:12,948
LOOK, SON... SAY,
"I'M BUD ANDERSON.
240
00:11:12,972 --> 00:11:15,017
I'M JAMES ANDERSON, JR."
241
00:11:15,041 --> 00:11:17,653
I KNOW WHO I AM, DAD.
THAT ISN'T MY PROBLEM.
242
00:11:17,677 --> 00:11:19,221
I JUST CAN'T SELL.
243
00:11:19,245 --> 00:11:21,524
BUD... IT'S JUST
NOT FOR ME, DAD.
244
00:11:21,548 --> 00:11:23,025
NOT MY FIELD.
245
00:11:23,049 --> 00:11:25,528
I'M A SQUARE PEG
IN A ROUND HOLE.
246
00:11:25,552 --> 00:11:29,131
THAT SQUARE PEG BUSINESS
IS JUST A RATIONALIZATION.
247
00:11:29,155 --> 00:11:31,167
IT'S A WHAT? LOOK, SON...
248
00:11:31,191 --> 00:11:33,102
MAYBE YOU NEED TO
IMPROVE YOUR TECHNIQUE.
249
00:11:33,126 --> 00:11:35,037
NOW, STAND UP AND...
250
00:11:35,061 --> 00:11:38,140
COME ON, STAND UP.
WE'RE GONNA PRACTICE.
251
00:11:38,164 --> 00:11:39,808
GOSH, DAD, I CAN'T DO IT.
252
00:11:39,832 --> 00:11:42,711
YOU CAN DO ANYTHING IF
YOU JUST PUT YOUR MIND TO IT.
253
00:11:42,735 --> 00:11:44,213
NOW, COME ON.
254
00:11:44,237 --> 00:11:46,949
BUT, DAD, I KNOW THERE'S
NOTHING TO BE AFRAID OF,
255
00:11:46,973 --> 00:11:48,884
BUT EVERY TIME I
GO UP TO A HOUSE,
256
00:11:48,908 --> 00:11:51,353
I GET ALL SHAKY INSIDE.
257
00:11:51,377 --> 00:11:53,222
MY BRAIN SORT OF FREEZES UP.
258
00:11:53,246 --> 00:11:57,093
WHEN I RING A DOORBELL, I
HOPE AND PRAY NOBODY COMES.
259
00:11:57,117 --> 00:12:00,062
SURE, I KNOW ALL ABOUT THAT.
260
00:12:00,086 --> 00:12:02,164
BUT THAT'S SOMETHING
YOU HAVE TO GET OVER.
261
00:12:02,188 --> 00:12:05,334
AND THE BEST WAY TO DO THAT IS
TO PRACTICE ON SOMEONE WHO...
262
00:12:05,358 --> 00:12:07,869
Jim: OH, BETTY. YOU'RE
JUST IN TIME. FOR WHAT?
263
00:12:07,893 --> 00:12:10,239
BUD'S GONNA PRACTICE
HIS SALESMANSHIP ON YOU.
264
00:12:10,263 --> 00:12:11,873
SHE DOESN'T WANT A GRAVY BOAT.
265
00:12:11,897 --> 00:12:13,609
MAKE HER WANT IT.
266
00:12:13,633 --> 00:12:15,877
DO YOU WANT ONE? NO!
267
00:12:15,901 --> 00:12:17,546
SEE, DAD? I CAN'T SELL.
268
00:12:17,570 --> 00:12:19,781
BUT YOU'RE NOT SELLING.
269
00:12:19,805 --> 00:12:21,883
HERE, LOOK.
270
00:12:21,907 --> 00:12:24,353
FIRST, YOU GIVE HER A BIG SMILE.
271
00:12:24,377 --> 00:12:27,289
THEN YOU SAY, "HOW
DO YOU DO, MADAM?
272
00:12:27,313 --> 00:12:29,391
"MAY I HAVE A FEW MINUTES
OF YOUR VALUABLE TIME
273
00:12:29,415 --> 00:12:32,461
TO SHOW YOU ONE OF THE NEWEST PRODUCTS
FROM THE MAGIC WORLD OF PLASTICS?"
274
00:12:32,485 --> 00:12:34,096
I'LL TAKE TWO DOZEN.
275
00:12:34,120 --> 00:12:35,797
WELL, WAIT TILL I
TELL YOU WHAT IT IS.
276
00:12:35,821 --> 00:12:38,456
IF IT'S GRAVY BOATS,
CANCEL THE ORDER.
277
00:12:40,193 --> 00:12:42,471
WELL, ANYWAY, THAT'S
A GOOD OPENING.
278
00:12:42,495 --> 00:12:44,406
YOU'VE GAINED HER
INTEREST AND GOODWILL,
279
00:12:44,430 --> 00:12:46,509
AND NOW YOU'RE READY
TO SHOW HER THE PRODUCT.
280
00:12:46,533 --> 00:12:49,077
AND TELL HER HOW
WONDERFUL IT IS.
281
00:12:49,101 --> 00:12:50,746
ISN'T THAT KIND OF CROOKED?
282
00:12:50,770 --> 00:12:52,381
NOT IF YOU BELIEVE IT.
283
00:12:52,405 --> 00:12:54,016
NOW, YOU GO OUTSIDE
AND RING THE BELL.
284
00:12:54,040 --> 00:12:56,285
OH, GEE, DAD, I DON'T WANT TO
DO A CORNBALL THING LIKE THAT.
285
00:12:56,309 --> 00:12:57,653
I'D FEEL SILLY.
286
00:12:57,677 --> 00:12:58,920
I KNOW IT SEEMS SILLY.
287
00:12:58,944 --> 00:13:00,956
BUT THESE THINGS ARE
ALL A PART OF SELLING.
288
00:13:00,980 --> 00:13:03,292
YOU SHOULD PRACTICE THEM UNTIL
THEY'RE SECOND NATURE TO YOU.
289
00:13:03,316 --> 00:13:04,627
DO I HAVE TO DO THIS?
290
00:13:04,651 --> 00:13:06,228
MM-HMM. REMEMBER... BIG SMILE,
291
00:13:06,252 --> 00:13:09,654
LOTS OF PEP, CONFIDENCE.
292
00:13:11,491 --> 00:13:13,435
WHO CAME IN?
293
00:13:13,459 --> 00:13:14,870
NO ONE. BUD JUST WENT OUT.
294
00:13:14,894 --> 00:13:16,972
HE'S GONNA RING THE BELL
AND PRACTICE HIS SALES TALK.
295
00:13:16,996 --> 00:13:18,541
YOU DON'T GIVE
UP EASILY, DO YOU?
296
00:13:18,565 --> 00:13:20,709
A GOOD SALESMAN NEVER GIVES UP.
297
00:13:20,733 --> 00:13:22,611
I'LL TELL YOU WHAT. YOU
GO IN THE LIVING ROOM,
298
00:13:22,635 --> 00:13:24,313
AND I'LL SEND HIM IN
THERE. HE CAN WORK ON YOU.
299
00:13:24,337 --> 00:13:26,081
YOU'LL MAKE A GOOD GUINEA PIG.
300
00:13:26,105 --> 00:13:28,206
YOU SAY THE SWEETEST THINGS.
301
00:13:35,582 --> 00:13:36,714
BUD?
302
00:13:49,329 --> 00:13:52,774
BUD. WHAT ARE YOU DOING?
303
00:13:52,798 --> 00:13:56,434
OH. WELL, I'M TRYING TO
REMEMBER MY OPENING WORDS.
304
00:13:58,571 --> 00:14:00,282
"HOW DO YOU DO?"
305
00:14:00,306 --> 00:14:01,783
OH, YEAH.
306
00:14:01,807 --> 00:14:03,985
COME ON, GET UP
HERE. LET'S TRY THIS.
307
00:14:04,009 --> 00:14:06,176
OKAY.
308
00:14:13,886 --> 00:14:15,163
HOW DO YOU DO, MADAM?
309
00:14:15,187 --> 00:14:16,565
MADAM?!
310
00:14:16,589 --> 00:14:19,167
IF A MAN ANSWERS THE
DOOR, YOU SAY "SIR".
311
00:14:19,191 --> 00:14:21,837
BUT YOU TOLD ME TO SAY "MADAM".
312
00:14:21,861 --> 00:14:23,505
OH, BOY.
313
00:14:23,529 --> 00:14:25,541
WELL, WHAT DO YOU
WANT, YOUNG MAN?
314
00:14:25,565 --> 00:14:28,076
WELL, MY TIME IS VALUABLE,
315
00:14:28,100 --> 00:14:32,348
AND, UH... THE,
UH, MAGIC WORLD...
316
00:14:32,372 --> 00:14:34,672
WELL... THESE ARE NICE.
317
00:14:36,008 --> 00:14:38,086
UH, MAYBE YOU'D BETTER...
318
00:14:38,110 --> 00:14:39,921
TALK TO MY WIFE ABOUT THAT.
319
00:14:39,945 --> 00:14:43,792
OH? IS THAT YOUR
WIFE IN THERE, MADAM?
320
00:14:43,816 --> 00:14:44,816
YES.
321
00:14:53,760 --> 00:14:55,404
YES, YOUNG MAN?
322
00:14:55,428 --> 00:15:00,175
UH, WELL, MY TIME
IS, UH, VALUABLE.
323
00:15:00,199 --> 00:15:03,078
BUT I'VE GOT THIS
THING HERE. IT'S A...
324
00:15:03,102 --> 00:15:04,680
MOMMY, CAN I POP SOME CORN?!
325
00:15:04,704 --> 00:15:07,349
SHH. DEAR, BUD'S
REHEARSING. GO ON, DEAR.
326
00:15:07,373 --> 00:15:10,319
WELL, WHAT I'M
SELLING, UH, IS THESE.
327
00:15:10,343 --> 00:15:13,756
THEY'RE, UH...
THEY'RE GRAVY BOATS.
328
00:15:13,780 --> 00:15:18,126
AND, UH, YOU PUT
GRAVY IN THEM, AND SO...
329
00:15:18,150 --> 00:15:20,228
IF YOU'VE GOT SOME GRAVY...
330
00:15:20,252 --> 00:15:22,097
YOU... YOU CAN...
331
00:15:22,121 --> 00:15:24,366
WILL SOMEBODY GET
HER OUT OF HERE?
332
00:15:24,390 --> 00:15:26,234
YES, KITTEN, LEAVE HIM ALONE.
333
00:15:26,258 --> 00:15:28,404
AND, BUD, STAND UP STRAIGHT.
334
00:15:28,428 --> 00:15:30,706
LOOK HER IN THE EYE,
GIVE IT SOME ENTHUSIASM.
335
00:15:30,730 --> 00:15:32,073
NOW, GO ON.
336
00:15:32,097 --> 00:15:34,410
I HAVEN'T GOT
ANYTHING ELSE TO SAY.
337
00:15:34,434 --> 00:15:36,545
WELL, WHAT ARE THEY MADE OF?
338
00:15:36,569 --> 00:15:37,746
PLASTIC.
339
00:15:37,770 --> 00:15:40,015
DON'T TELL ME. TELL HER.
340
00:15:40,039 --> 00:15:41,317
PLASTIC.
341
00:15:41,341 --> 00:15:43,619
OH, BUD! YOU'RE NOT EVEN TRYING!
342
00:15:43,643 --> 00:15:46,254
DOGGONE IT, DAD! I TOLD
YOU I COULDN'T DO IT!
343
00:15:46,278 --> 00:15:47,545
BUD, WAIT A MINUTE.
344
00:15:48,948 --> 00:15:50,659
SON...
345
00:15:50,683 --> 00:15:52,795
YOU'RE NOT ONLY
LETTING YOURSELF DOWN.
346
00:15:52,819 --> 00:15:54,196
YOU'RE LETTING ME DOWN, TOO.
347
00:15:54,220 --> 00:15:55,698
I TOLD YOUR MOTHER
YOU COULD DO THIS,
348
00:15:55,722 --> 00:15:57,766
AND I'M BANKING ON
YOU TO COME THROUGH.
349
00:15:57,790 --> 00:15:59,835
DAD, IF IT WAS ONLY
SOMETHING I COULD HANDLE...
350
00:15:59,859 --> 00:16:01,870
YOU CAN AND YOU WILL.
351
00:16:01,894 --> 00:16:05,307
I THINK I'LL GIVE
YOU A GOAL, A QUOTA.
352
00:16:05,331 --> 00:16:07,309
GIVE YOU SOMETHING TO SHOOT FOR.
353
00:16:07,333 --> 00:16:08,744
WHEN I COME HOME TOMORROW NIGHT,
354
00:16:08,768 --> 00:16:10,946
I WANT TO SEE TEN
SALE SLIPS ALL MADE OUT.
355
00:16:10,970 --> 00:16:12,514
TEN? TEN.
356
00:16:12,538 --> 00:16:14,483
AND THEN EVERY NIGHT AFTER
THAT, I WANT TO SEE TEN MORE
357
00:16:14,507 --> 00:16:15,818
UNTIL THEY'RE ALL SOLD.
358
00:16:15,842 --> 00:16:17,386
BUT, DAD... SON...
359
00:16:17,410 --> 00:16:19,988
I KNOW YOU'RE NOT
GOING TO LET ME DOWN.
360
00:16:20,012 --> 00:16:21,990
WELL, I HAVE TO GET
SOME IDEAS TOGETHER
361
00:16:22,014 --> 00:16:23,826
FOR A SHOW I'M WRITING.
362
00:16:23,850 --> 00:16:25,549
GOOD NIGHT, SON.
363
00:16:41,601 --> 00:16:43,679
Jim: HI, HONEY.
364
00:16:43,703 --> 00:16:45,947
OH, IT'S GETTING LATE. DON'T YOU
THINK YOU OUGHT TO GO TO BED?
365
00:16:45,971 --> 00:16:48,083
YEAH, PRETTY SOON.
366
00:16:48,107 --> 00:16:50,819
I HAVEN'T MADE VERY
MUCH PROGRESS.
367
00:16:50,843 --> 00:16:52,654
I CAN'T SEEM TO
GET MY MIND ON IT.
368
00:16:52,678 --> 00:16:54,356
I KEEP THINKING ABOUT BUD.
369
00:16:54,380 --> 00:16:58,026
JIM, DON'T YOU THINK YOU'VE
BEEN A LITTLE HARD ON HIM?
370
00:16:58,050 --> 00:17:00,061
I HAD TO, HONEY,
FOR HIS OWN GOOD.
371
00:17:00,085 --> 00:17:01,764
IT'S THE ONLY WAY
HE'LL FIND HIMSELF,
372
00:17:01,788 --> 00:17:03,766
FIND OUT WHAT HE CAN REALLY DO.
373
00:17:03,790 --> 00:17:06,802
ARE YOU GOING TO STICK
TO THAT QUOTA BUSINESS?
374
00:17:06,826 --> 00:17:10,506
I HAVE TO NOW. IF I BACK
DOWN, WE'LL BOTH LOSE.
375
00:17:10,530 --> 00:17:12,007
LOOK, DON'T WORRY.
376
00:17:12,031 --> 00:17:14,175
ALL HE HAS TO DO IS
SELL THAT FIRST ONE,
377
00:17:14,199 --> 00:17:15,644
AND THE REST IS EASY.
378
00:17:15,668 --> 00:17:17,178
HE'LL MAKE HIS QUOTA.
379
00:17:17,202 --> 00:17:19,715
THE FIRST ONE WILL DO IT? SURE.
380
00:17:19,739 --> 00:17:22,984
YOU RUN ALONG TO BED.
I'LL BE UP IN A MINUTE.
381
00:17:23,008 --> 00:17:24,442
ALL RIGHT, DEAR.
382
00:17:38,891 --> 00:17:42,225
HELLO, MR. DAVIS?
CAN I SPEAK TO MYRTLE?
383
00:18:17,897 --> 00:18:20,576
HA HA! WHAT'S THE MATTER,
AFRAID TO GO UP THERE?
384
00:18:20,600 --> 00:18:23,345
NO, OF COURSE
NOT. I'M NOT AFRAID.
385
00:18:23,369 --> 00:18:24,947
SURE WAS ACTING LIKE IT.
386
00:18:24,971 --> 00:18:26,949
WANT ME TO DO IT FOR YOU? NO.
387
00:18:26,973 --> 00:18:30,018
BET YOU I COULD DO IT.
GIVE ME YOUR SALES SLIPS.
388
00:18:30,042 --> 00:18:31,553
BEAT IT, WILL YOU?
THIS IS MY JOB.
389
00:18:31,577 --> 00:18:33,789
DAD'S BANKING ON ME
TO BRING HOME MY QUOTA.
390
00:18:33,813 --> 00:18:35,824
WELL, I JUST GOTTA
DO IT, JUST GOTTA.
391
00:18:35,848 --> 00:18:37,793
WHY DON'T YOU DO IT, THEN?
392
00:18:37,817 --> 00:18:39,416
I'M GOING TO.
393
00:18:59,906 --> 00:19:01,917
YES? UH, WELL...
394
00:19:01,941 --> 00:19:03,952
I'M... HOW DO YOU DO, MADAM?
395
00:19:03,976 --> 00:19:06,054
I'M FROM THE MAGIC
WORLD OF PLASTIC, AND I...
396
00:19:06,078 --> 00:19:09,346
THAT'S FINE. YOU
CAN JUST KEEP IT.
397
00:19:25,431 --> 00:19:26,742
MARGARET, I'M HOME!
398
00:19:26,766 --> 00:19:28,376
YOU DON'T HAVE TO SHOUT.
399
00:19:28,400 --> 00:19:30,311
SNEAKING UP ON A FELLA, HUH?
400
00:19:31,771 --> 00:19:33,070
HIYA, BUD.
401
00:19:35,340 --> 00:19:37,653
HOW DID IT GO TODAY?
402
00:19:37,677 --> 00:19:39,320
HI, DAD.
403
00:19:39,344 --> 00:19:41,045
DID IT GO ANY BETTER?
404
00:19:42,848 --> 00:19:45,583
WAS IT ANY, UH,
EASIER THIS TIME?
405
00:19:47,720 --> 00:19:49,987
WHERE ARE YOUR TEN SALES SLIPS?
406
00:19:51,523 --> 00:19:54,202
DAD, I... I'M JUST
NO GOOD AT IT.
407
00:19:54,226 --> 00:19:56,171
OH, BUD, WHAT'S THE
MATTER WITH YOU ANYWAY?
408
00:19:56,195 --> 00:19:58,707
DID YOU TRY? DIDN'T
YOU SELL ANY AT ALL?
409
00:19:58,731 --> 00:20:00,976
I SOLD ONE.
410
00:20:01,000 --> 00:20:02,778
TO WHOM?
411
00:20:02,802 --> 00:20:05,368
MRS. DAVIS.
412
00:20:11,978 --> 00:20:16,546
DAD, I TRIED OTHER
PLACES! I... DAD!
413
00:20:21,286 --> 00:20:22,931
NO, DEAR, DON'T
WAIT DINNER FOR ME.
414
00:20:22,955 --> 00:20:24,700
I HAVE TO FINISH
THIS SKETCH TONIGHT,
415
00:20:24,724 --> 00:20:26,835
AND I CAN WORK HERE
BETTER THAN I CAN AT HOME.
416
00:20:26,859 --> 00:20:29,204
WELL, I HAVE TO, DEAR.
THEY'RE COUNTING ON ME.
417
00:20:29,228 --> 00:20:31,506
THE SHOW MUST GO ON.
418
00:20:31,530 --> 00:20:33,942
NO, IT WON'T TAKE ME LONG.
419
00:20:33,966 --> 00:20:36,667
OKAY, DEAR. I'LL SEE
YOU LATER. GOOD-BYE.
420
00:20:47,479 --> 00:20:48,979
OHH.
421
00:21:14,573 --> 00:21:16,051
Mac: JIM! HMM?
422
00:21:16,075 --> 00:21:17,686
HA HA! HIYA, BOY!
423
00:21:17,710 --> 00:21:19,788
HOW ARE YOU GETTING
ALONG WITH IT? HI, MAC.
424
00:21:19,812 --> 00:21:21,189
OH, I CAN HARDLY
WAIT TILL I READ IT.
425
00:21:21,213 --> 00:21:22,590
IF YOU'VE GOT IT ABOUT DONE,
426
00:21:22,614 --> 00:21:24,159
I'LL TAKE IT HOME
TONIGHT AND READ IT.
427
00:21:24,183 --> 00:21:27,495
WELL, IT'S... IT'S NOT
QUITE DONE, MAC.
428
00:21:27,519 --> 00:21:29,597
IN FACT, IT'S NEVER
GOING TO BE DONE.
429
00:21:29,621 --> 00:21:31,432
I CAN'T DO THIS!
430
00:21:31,456 --> 00:21:33,035
WHAT'S WRONG, JIM?
431
00:21:33,059 --> 00:21:35,003
YOU'VE GOT THE WRONG
FELLA, THAT'S WHAT'S WRONG.
432
00:21:35,027 --> 00:21:37,572
I CAN'T DO THIS SORT OF
THING. IT'S OUT OF MY LINE.
433
00:21:37,596 --> 00:21:38,874
WELL, JIM...
434
00:21:38,898 --> 00:21:40,942
IT'S JUST NOT FOR
ME. LET'S FACE IT.
435
00:21:40,966 --> 00:21:44,245
OH, I KNOW THERE'S
NOTHING TO BE AFRAID OF.
436
00:21:44,269 --> 00:21:47,082
BUT I SWEAR, EVERY TIME I
LOOK AT THAT TYPEWRITER,
437
00:21:47,106 --> 00:21:48,650
I GET ALL SHAKY INSIDE
438
00:21:48,674 --> 00:21:51,108
AND MY BRAIN SEEMS
TO FREEZE UP, AND...
439
00:21:53,713 --> 00:21:55,012
JIM, WHAT'S THE MATTER?
440
00:21:56,415 --> 00:21:58,894
WHERE HAVE I HEARD
THOSE WORDS BEFORE?
441
00:21:58,918 --> 00:22:01,919
HEY, JIM, YOU LOOK LIKE
YOU JUST SAW A GHOST.
442
00:22:03,756 --> 00:22:06,134
NO, MAC, I JUST SAW
SOMETHING WORSE...
443
00:22:06,158 --> 00:22:09,571
A PICTURE OF A SHORTSIGHTED,
EGOTISTICAL FATHER.
444
00:22:09,595 --> 00:22:11,973
AND I DON'T LIKE
WHAT I SAW. HUH?
445
00:22:11,997 --> 00:22:13,274
I'M GOING HOME, MAC.
446
00:22:13,298 --> 00:22:15,110
WELL, WHAT ABOUT THE SKETCH?
447
00:22:15,134 --> 00:22:17,278
YOU WRITE IT. I HAVE SOMETHING
MORE IMPORTANT TO WRITE.
448
00:22:17,302 --> 00:22:20,716
I'M GONNA RIGHT A
WRONG I'VE COMMITTED.
449
00:22:20,740 --> 00:22:23,640
OH, UH, LOCK UP
BEFORE YOU LEAVE.
450
00:22:24,744 --> 00:22:27,222
BUD, I... JIM, WHAT IS IT?
451
00:22:27,246 --> 00:22:28,556
MARGARET, WHERE'S BUD?
452
00:22:28,580 --> 00:22:30,625
I DON'T KNOW. HE CAME
HOME AFTER SCHOOL,
453
00:22:30,649 --> 00:22:33,328
THEN LEFT WITHOUT A WORD, AND
DIDN'T EVEN COME BACK FOR DINNER.
454
00:22:33,352 --> 00:22:35,864
OH, THIS IS ALL MY FAULT.
455
00:22:35,888 --> 00:22:38,066
I DON'T KNOW WHERE I
EVER GOT THE BRILLIANT IDEA
456
00:22:38,090 --> 00:22:40,969
TRYING TO FORCE HIM
TO BE A REPLICA OF ME.
457
00:22:40,993 --> 00:22:44,427
I MIGHT HAVE AT LEAST PICKED
A BETTER EXAMPLE FOR HIM.
458
00:22:45,631 --> 00:22:47,109
WHAT'S THIS?
459
00:22:47,133 --> 00:22:49,811
"TO DAD."
460
00:22:49,835 --> 00:22:51,880
HONEY, THESE ARE
THE SALES SLIPS!
461
00:22:51,904 --> 00:22:53,481
HE MADE HIS QUOTA!
462
00:22:53,505 --> 00:22:57,986
MRS. JANE JOHNS, MRS.
JOHN JANE, MRS. JANE JONES...
463
00:22:58,010 --> 00:23:00,321
MRS. JOHN SMITH.
464
00:23:00,345 --> 00:23:03,225
OH, FOR PETE'S SAKE. HE
MADE UP EVERY ONE OF THESE.
465
00:23:03,249 --> 00:23:04,960
Betty: HEY, ANYBODY HOME?!
466
00:23:04,984 --> 00:23:06,862
UPSTAIRS, BETTY! IN BUD'S ROOM!
467
00:23:06,886 --> 00:23:09,564
WAIT. "DAD, HERE ARE MY
TEN SALES SLIPS FOR TODAY.
468
00:23:09,588 --> 00:23:12,067
I'LL HAVE THE MONEY
FOR THEM LATER TONIGHT."
469
00:23:12,091 --> 00:23:14,236
WHERE'S HE GONNA GET THE
MONEY? HE HASN'T GOT A NICKEL.
470
00:23:14,260 --> 00:23:16,138
HI. SAY, CAN YOU TELL
ME WHAT'S WITH BUD?
471
00:23:16,162 --> 00:23:18,740
I KNOW ONLY TRIED TO FORCE A
SQUARE PEG IN WHERE IT DIDN'T FIT,
472
00:23:18,764 --> 00:23:20,876
BUT I PUT HIM IN A POSITION
WHERE HE HAS TO LIE ABOUT IT.
473
00:23:20,900 --> 00:23:22,510
IF YOU'RE TALKING ABOUT
BUD, MAYBE YOU CAN TELL ME
474
00:23:22,534 --> 00:23:23,745
WHAT HE'S DOING
DOWN AT THE DRIVE-IN.
475
00:23:23,769 --> 00:23:25,046
THE DRIVE-IN?
476
00:23:25,070 --> 00:23:26,481
RALPH AND I WERE DOWN
THERE HAVING A MALT.
477
00:23:26,505 --> 00:23:28,316
WE SAW HIM OUT IN THE
BACK WITH THIS BIG APRON ON.
478
00:23:28,340 --> 00:23:29,606
I CALLED TO HIM, BUT HE HID.
479
00:23:31,510 --> 00:23:34,589
SO THAT'S WHERE THE MONEY
FOR THESE IS COMING FROM.
480
00:23:34,613 --> 00:23:36,925
HEH. IT'S A FUNNY THING.
481
00:23:36,949 --> 00:23:39,394
A FRONT DOOR
SCARES HIM TO DEATH.
482
00:23:39,418 --> 00:23:41,062
BUT I'LL BET EVEN FLOYD HARVEY
483
00:23:41,086 --> 00:23:43,398
DOESN'T HAVE BUD'S
KIND OF COURAGE.
484
00:23:43,422 --> 00:23:45,300
I'LL SEE YOU LATER, HONEY.
485
00:23:45,324 --> 00:23:48,003
I'M GOING TO THE DRIVE-IN.
486
00:23:48,027 --> 00:23:50,471
EXACTLY WHAT WAS
HE TALKING ABOUT?
487
00:23:50,495 --> 00:23:52,507
HE'S SIMPLY REVEALING
THAT HE'S WISE ENOUGH
488
00:23:52,531 --> 00:23:53,909
TO KNOW WHEN
HE'S MADE A MISTAKE,
489
00:23:53,933 --> 00:23:55,677
AND BIG ENOUGH TO ADMIT IT.
490
00:23:55,701 --> 00:23:58,468
HE'S A PRETTY
SWEET OLD KNOTHEAD.
491
00:24:16,288 --> 00:24:18,956
PARDON ME. IS THIS
THE BUS DEPOT?
492
00:24:21,193 --> 00:24:24,005
HI, DAD. HI.
493
00:24:24,029 --> 00:24:25,695
NICE PLACE YOU HAVE HERE.
494
00:24:27,967 --> 00:24:29,845
WHAT TIME DO YOU GO TO WORK?
495
00:24:29,869 --> 00:24:32,747
ABOUT 4:00.
496
00:24:32,771 --> 00:24:36,117
IT'S 10:00 NOW. ANY
TIME OFF FOR DINNER?
497
00:24:36,141 --> 00:24:39,020
UH-UH.
498
00:24:39,044 --> 00:24:42,557
WELL, THAT'S SIX HOURS.
HOW MUCH THEY PAYING YOU?
499
00:24:42,581 --> 00:24:45,526
70 CENTS AN HOUR.
500
00:24:45,550 --> 00:24:48,096
WELL, THAT MORE THAN MAKES IT.
501
00:24:48,120 --> 00:24:51,867
ACCOUNT PAID IN FULL.
502
00:24:51,891 --> 00:24:53,902
HUH?
503
00:24:53,926 --> 00:24:56,271
DON'T JUST STAND
THERE. GET ME A TOWEL.
504
00:24:56,295 --> 00:24:59,107
WE'LL POLISH OFF THESE
KIDS IN SHORT ORDER.
505
00:24:59,131 --> 00:25:02,377
THEN, AS SOON AS WE'RE FINISHED,
I'LL TELL YOU WHAT LET'S DO.
506
00:25:02,401 --> 00:25:05,080
LET'S US SQUARE PEGS
GO FORCE OURSELVES
507
00:25:05,104 --> 00:25:06,647
INTO A BIG ROUND BOOTH
508
00:25:06,671 --> 00:25:09,450
AND HAVE OURSELVES
A BIG SQUARE MEAL.
509
00:25:09,474 --> 00:25:10,685
HOW ABOUT IT?
510
00:25:10,709 --> 00:25:13,343
YOU'RE THE SALESMAN. HEH!
37281
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof