Original subtitles

["This is my party" by wesu playing]

[Song continues]

[Song continues]

[Vocalizing]

[Song continues]

[Theme music]

[Instrumental music]

[Indistinct chatter]

Eddie: Can you tell me anything else?

He said that he would hurt me...

If I didn't tell him where everything was.

Well, you did the right thing by telling.

It's not a matter of the right thing...

She had no choice.

Well, did they say anything else? Uh...

Call each other by name, anything like that?

Yeah, then they gave us their address and phone number.

Oh, David!

And you said they just came in? And you didn't open the door?

I don't open the door to strangers.

Well, what did they take?

Pearls, uh, a diamond necklace, rings.

And, a painting.

A kandinsky.

Cost me half a million.

We needed it like a hole in the head...

Which now, i got!

Mr. Haggard: You happy? - It was an investment.

Besides, it was insured.

How long was this house on the market?

Over a year. You can't find a buyer these days...

If we sold it in '87, like I said...

We would be in sarasota today, and, none of this would...

You think people don't get robbed in sarasota? Tell!

Mrs. Haggard: The... the point is... you never listen to me.

I don't listen? When you yap, the whole neighborhood...

[Horn honking]

You know, it's a little hard gettin' worked up

over rich folks losin' a few trinkets.

Especially, since they're such nice people. [Sighs]

Yeah, that's gonna be you and your girl in about 30 years.

Oh, see now you need to stop 'cause if that ever happens,

you come and shoot me.

Ah, I'll shoot you, my man. How y'all doin'?

Alright. You know she's getting a little antsy,

being all cooped up and all.

You know what they say, when it starts itchin', it's healing.

[Scoffs] Yo, it is itchin', my brother.

It's itchin'.

[Instrumental music]

J.c.: There were no signs of forced entry,

so, we're looking at a professional pick-man, lieu.

$600,000 heist.

Well, there's a lot of rich people up riverside drive,

gentlemen. I want you to run the mo through cars.

Canvas the neighbors and I want you to take McNamara up

and help you do leg work.

Looks like we've got a new player in town, gentlemen.

Let's catch him before he busts any more skulls.

- Alright? - Ma'am.

So, you my man, get to do the door-to-door.

Why do I get the door-to-door?

I think those folks on that street will be little more

likely to open their door for you.

- And, their hearts. - Right.

So, next case on convent Avenue, you mooks do the canvas.

- Absolutely, baby. - Whatever you say, tough guy.

[Instrumental music]

Alright, now, close your eyes, I got something for you.

- Yeah? - Yeah, close 'em.

[Giggles]

Hmm...

Ooh...

Hmm-hmm. Okay, open.

I gotta go see this.

Oh... this is beautiful.

Um-um. Keep it. Keep it, keep it.

It's a present. Besides, you earned it.

Tsk... I don't want it.

Baby, we gotta talk.

Talk about what?

I don't... I don't wanna do this anymore.

[Sighs] First times always the hardest.

It gets easier from now on.

Yeah, but those people, they were old...

Old richpeople.

Come on, baby. I finally got something good going on here.

Okay, what if we get caught?

Nobody's gettin' caught!

You scope 'em out. Jimmy gets us in.

Jimmy's the best there is. You know that. He's a pro.

But, baby, you don't needthis.

See, what you're doing now? You see?

You're messin' with my business.

I got a right to talk.

I said... I got it handled.

Are you hearing me?

[Choking] Yes! Yes. I hear you. Stop, stop it!

[Breathing heavily]

Just a few more jobs and we'll be set.

Then I'll take care of you for the rest of your life.

You promised that you wouldn't hurt me anymore.

[Sighs] Come here. I'm sorry, baby.

I'm sorry. Come here.

I'm sorry. I'm sorry.

But, you got to believe in me, baby.

If you don't, then, who will?

I do.

Come here.

You know I do.

Thank you.

Hey-hey-hey. Check out white boy. Hmm!

[Laughs] I bet you he's runnin' from the folks uptown!

[Laughing]

Upper east-side, projects, it don't matter.

Nobody sees nothin'. Let me have an orange.

How'd you guys do?

Ah, a couple of home invasions in California, Florida.

- No matching mo's. - Anything on the street yet?

No, that is why we are here.

Tryin' to catch up with our boy, Lenny krupps.

I know Lenny. From, ah, from Grant street.

He ran that phony antique scam.

Don't tell me he fences art, now?

He's payin'.

No, but I bet he knows these guys.

Eddie: There he is.

Here. Keep, take it!

Lenny!

[Instrumental music]

[Panting]

Ah!

- Hey, hey, hey, hey! - Ugh.

What the hell is wrong, Lenny, man?

- You know I don't like to run! - Just wanna talk to you, baby!

Yo... can we do it standing up?

Yeah. Come on.

J.c.: Get up.

Eddie: Alright, now.

Say, we're in the market for a painting.

Yeah, well, there's some nice galleries down in the village.

And, this insurance company would be very grateful,

if we find the said painting.

A couple thousand grateful?

Ah, yeah. We'll see what we can do about that.

- You go see Roscoe up on 85th. - Roscoe?

- He's an art dealer now? - Roscoe? No.

He's more like a... broker.

- Yo, Roscoe! - Well, well, well.

- Hey. - Hey, there, buddy-boy.

Is there something I can help you gentlemen with?

Yeah. Is that your car outside?

Yeah, why?

It's a pretty nice car. Business must be good.

We're interested in a painting.

Painting? I sell electronics. You want a painting?

I got a black velvet nude in the back room.

You could have it cheap.

No, we're lookin' for something a little more upscale.

We heard you were a patron of the arts.

Now this particular painting was stolen

from an apartment on Tuesday.

- I know nothin' about that. J.C.: Oh, yeah?

But if someone did come to you with a painting...

You'd let us know, right?

Yeah. Absolutely! I'm civic minded.

And hook us up.

Guys, I can't get involved like that.

Look at this!

Bad '70s shirts...

Handbags...

There's plenty of other boxes back there.

Roscoe, you got a bill of lading for this stuff?

You got warrants?

Be back in an hour with a warrant.

Wait a minute, wait a minute.

Maybe I did hear about a guy that was talkin' about...

A painting.

Well, then you contact this guy and you tell him

you got a fish.

[Instrumental music]

You know... I was thinking about purchasing some art, you know.

[Laughs]

My man, your idea of art is a de la hoya poster.

See, I'm talking about a Tony torres

or a Luis hernandes Cruz... You know, something like that?

Who are they, fighters, too?

You see, this is how you embarrass yourself.

They're puerto rican artists. 'Kay, can you say artists?

- Artist. Artist. - Good.

McNamara: Alright, guys, heads up.

I think I got something.

[Sighs]

- Nice shirt, man. - Roscoe gave it to me.

[Sighs] Roscoe sells some fugly stuff.

[Chuckles] Yeah, and, what do you sell?

You don't look like no art dealer.

Neither do you, but I'm willing to overlook it

if it's a real kandinsky.

No, we don't know that yet.

Damn!

McNamara: Police, stop!

Mc namara look like he got a little bit of speed on him.

You think he can catch the brother?

- Uhh... nah. - Nah.

Eddie: Come on! - Stop!

Eddie: Ah, he's goin' now.

J.c.: Come no, macky, you're running like a little girl.

Let's put some speed on the brother!

J.c.: Yo, baby! Come on! Eddie: Let's see the cowboy!

Eddie: Ya better go, baby! - Very funny.

Eddie: You're doin' it now. J.C.: Ooh, boy!

[Grunts]

Eddie: Ooh...

Are you alright, there, buddy boy?

Good job, McNamara.

[Chuckles]

Then, where did you get the painting you tried to sell me?

I never tried to sell you any painting.

- You misunderstood. - Why'd you run then?

Well, the judge says I have a right to run from cops.

You're corrupt and violent people.

Dion, come on, make it easy on yourself. You know we got you.

You ain't got Jack!

Ha! I never stole anything in my whole life.

Attempted robbery, aggravated assault.

Possession of stolen property.

- Ain't none of those stuck... - In Philly they didn't.

Here they will.

How about we search your crib, huh?

[Scoffs] Go ahead.

Matter of fact, you don't even need a search warrant.

I'm telling you, do it.

You'll find nothing.

J.c.: You open up under that window, right?

What happened?

- Are you detective Williams? - Yes, ma'am, I am.

I'm Mariah barton, I understand

you're holding Dion broat in regard to some kind of burglary.

Yes. What's your connection to him?

I'm his alibi.

We were together all afternoon.

J.c.: Doing what?

Hmm... what do you think?

So, nobody else saw you together?

We're not into that.

You know, if you're lying, that makes you an accessory, right?

- You know that? - I know.

Ah...

That's a nasty bruise.

I walked into my closet door.

Is this guy really worth going to jail for?

When will you be releasing him?

Lieutenant Cooper, I was looking for you.

Arthur.

Or should I say, captain o'byrne?

I didn't know you were coming.

Yeah, well, I was gonna call but I figured

why be formal? Just drop by.

Congratulations on your promotion.

Ironical, isn't it?

That I should end up being your boss.

Yeah, it's ironical alright.

I hope it won't be a problem though, Virginia?

No. Not for me... Arthur.

- Good. [Chuckles] - Hm. Good.

Well, I gotta go downtown. We'll get together though.

I wanted to talk to you about your squad's performance.

Hey, by the way, how's McNamara working out?

Fine, what about my squad's performance?

Ah, it's just a couple of areas need a little attention.

Control, discipline...

A little fine tuning. We'll talk about it.

J.c.: Lordy me... what a waste.

Eddie: [Scoffs] What're you gonna rescue her, now?

You know, papa, you wanna try not getting all up in my

brain every five seconds, okay?

- Thank you. - I can't help it, man.

- You're just so obvious. - And you are so wrong.

- Oh, yeah. Right. - Let's forget it.

[Clears throat] Gentlemen...

- What's going on? - Broat's got an alibi.

Woman says she was with him all afternoon.

Cooper: Do you believe her?

Lieutenant, she's got bruises on her face.

Well, you saying he put them there?

Who else?

[Sighs] Did you search his place?

- It's clean. Cooper: So, no witness...

No evidence and enough alibi to establish reasonable doubt.

- Kick him. - Lieutenant, wait a minute.

I said, kick him!

Now, we can put him on a 24 hour surveillance

and you can use anti-crime units if you have to. Understood?

Moreno: Hey, Eddie!

- What're you doing here? - Hello to you, too.

Well, I mean aren't you supposed to be in therapy, right?

I just got back. I came to talk to Cooper.

About what?

My job.

I'll see you later.

Yeah.

- How could you be so stupid? - I was trying to help!

They'll find out you work for a real estate company.

They'll know you visited that apartment!

We can be out of town by then!

I said, we got a good deal here.

I'm not ready to walk away!

Do you want something over here, money? Huh?

It's your business or somethin'?

Why don't you keep walkin'?

Punk-ass bitch!

[Sighs]

They had nothing on me.

They had to let me go. I had it all figured out!

- I thought you needed my help. - Haa.

[Chuckles]

Alright, alright, baby. It's cool.

It's cool. I do need you.

Alright? I do.

It's just that you got to learn to stay out of my business,

that's all.

Hm! Stupid-ass cops probably watching us right now.

Come on.

[Suspenseful music]

As soon as you're off sick leave

you'll be right back on the roster.

Well, I was thinking, maybe I could get back sooner...

Thanks. On a desk, or something.

Yeah. Well, we don't want to rush things.

I mean, the most important thing is that you get well.

Oh, I know.

- And, how do you feel? - Really good.

I mean, all things considered. [Chuckles]

The thing is, I just want to make sure that...

There'll be a place for me

I mean, you have all your slots filled...

Nina, as long as I'm running this squad,

there will be a place for you.

What about McNamara?

I don't want him getting jammed because of me.

I wouldn't worry about McNamara if I were you.

He's probably gonna be captain in a few years.

♪ Hey girl ain't no mystery ♪

♪ at least

♪ far as I can see

♪ I wanna keep you here

♪ oh, layin' next to me

♪ sharin' our love

♪ between the sheets

♪ hey

♪ oh ♪ oh baby

♪ baby

♪ and your love ♪

- So, how's your dad? - He's doing good.

He had to go to a meeting.

You know, his cell count's up.

Sounds like he's doin' better than me.

Oh, come on. You know you're doing fine.

You have no reason to rush back.

You got disability, what's the problem?

I feel like I'm on welfare.

See that's crazy. I mean, you...

You nearly died, I mean, you did die.

I just, I don't like being dependent.

You... you think you're a burden on me?

Well...

Yeah. Right now.

Alright...

Forgetting the fact that you took my bullet...

- Eddie... - Alright.

I won't mention it. It's, uh...

What I'm trying to say is,

I like taking care of you.

And, I would take care of you the rest of your life,

if you let me.

[Torres sighs]

That's good to hear.

But, I don't wanna be taken care of.

I don't mean it literally, alright? I...

I know. I know, i'm...

I'm used to paying my own way.

I need to get back on the job.

Oh, come on, Eddie, you'd feel the same if it were you.

I don't know about that!

I'd probably take disability for the rest of my life.

And, let you wait on me hand and foot.

- Dream on! - That's a good dream, right?

- Ha-ha-ha. - Come on, cheers!

["This is my party" by wesu playing]

[Song continues]

[Song continues]

[Upbeat music]

[Vocalizing]

We had that building covered front and back,

till this truck came and jammed me up.

Don't worry about it, tough guy. I've got you.

Mister Fleming, we're on our way...

She didn't know me.

51 years, we've been together.

- And, she didn't know me. - I'm sure she'll recover soon.

If we had money, i'd've given it. What's money?

But we have nothing.

Our children bought us the apartment.

You find the bastards who did this.

That's why we're here, sir.

In fact, I have some photographs I'd like you to take a look at.

If you'd be so kind as to take a seat.

It was dark. It happened so fast.

Yeah, I know. Please take your time.

I'm not...

Uh, I don't know.

Sir, listen to me very carefully.

We know who the man is, okay? But we need you to know.

Please...

Take another look.

Yeah. This is him. Yeah, definitely. This is him.

Mr. Fleming: This is the one. - And you're sure about this?

Mr. Fleming: Definitely.

Now, please, I want to be with my wife.

- Excuse me. - Thanks for your time.

Well, looks like broat's our guy.

Yeah, well, if this ID holds up.

Why wouldn't it?

[Instrumental music]

Well... don't you think you're clever.

Excuse me?

The woman he attacked last night is in a coma.

They don't think she's gonna make it.

What are you talking about?

The woman you visited yesterday at 122 riverside drive.

I visit lots of apartments.

- That's my job. - Right.

You also visited 431 west 107 street, last Tuesday.

So?

So, let me put it together for you.

You find apartments that are for sale.

You make sure the owner's are old and they're rich.

You scout them out for your little boyfriend.

Then he robs them.

And you know what? We're going to catch him.

And, when we do...

You're gonna go down with him.

Unless you help us.

There's nothing I can help you with.

Well, why don't you help yourself?

Or do you enjoy being his... his little punching bag?

Listen to me.

[Sighs] This is my card.

My home number's on the back.

Please use it.

[Intense music]

I didn't mean to hurt that old lady, okay?

She fell.

It was an accident.

I'm not doing this anymore.

Just a couple more scores and I promise,

we're out of here.

That detective Williams scares me.

It's like he knows things.

Wha... he threaten you?

- Huh? He touch you? - No.

'Cause if another man touch you,

I swear, I'm gonna hurt him!

I don't give a damn who he is!

I'd leave that man alone if I were you.

Dion... Dion, let's just go, okay?

- Anywhere... - Wait, wait, wait.

What's this, "leave him alone" crap? Huh?

Since when do you care about some funky-ass cop?

No, I don't, I don't! I'm just... i'm...

- I'm just worried about you. - Oh, yeah?

That's why you're carrying this around? Huh?

What's this number on the back? Huh?

You went in my bag?

- You've been lying to me. - No! Get off me!

Not until you tell me the truth

you been with him?

- That's it. I'm leaving. - You ain't goin' nowhere!

Oww! You promised!

Tell me the truth!

Have you been with him?

Yeah. I been with him!

I been with him!

And, he was better than you.

[Sighs]

[Intense music]

[Knocking on door]

- What about the woman? - She's with torres.

She willing to testify against him?

Uh... no. Not yet.

Alright. Well, let me ask you a question.

Why is she at home? Why isn't she in central booking?

Because broat beat the hell out of her.

And, I think I can get her to roll on him.

[Scoffs]

I take it you don't agree?

Any woman who lets herself be abused

and goes back for more is a flake in my book.

Well, we're not goin' by your book.

You can't rely on women like that.

- You're telling me about women? McNamara: That's right.

'Cause you're not thinking with your head.

Well, you know what, Mac? No matter what part of anatomy

I'm thinkin' with, it makes more sense than you do, alright?

Alright! Boys...

Cooper: Can we just get on with this, please?

Lieutenant, this woman is scared and she's hurt.

She knows that next time broat will kill her.

Now, I believe I can persuade her,

the safest thing to do is to lock that man up.

Well, if we have Mr. Fleming's ID we don't even need her.

Cooper: Oh...

We do have Mr. Fleming's ID, don't we?

Well, we might have a small problem with that.

[Sighs] Tsk, you've got one day.

And, I mean one day, then we process her.

- Um... - Fresh ice.

Thanks.

You're a good nurse.

So I've been told.

What're you starin' at?

You never saw a woman beat up before?

A few.

Some worse than you.

Oh, so I guess I was lucky then, wasn't I?

[Sighs]

You know, I wish I knew why men do this.

Because you wanna possess every woman you're with.

- I don't know that that's true. Mariah: Sure it is.

Because, you're afraid.

Eddie: Of what?

Losing us.

So afraid of losing us, you do everything you can

to push us away.

God, men are so stupid.

[Knocking on door]

Hey.

- You find out anything? - Oh, yeah.

Men are stupid!

- Going somewhere, Jimmy? - Yeah. Far away from you.

Awe, come on, jimbo. Don't do me like that.

You are crazy. What's worse, you're unprofessional.

Alright, alright.

My bad, alright? My mistake.

I messed up, okay?

Just give me a chance to come correct, man.

You know they're looking for you.

I got us a townhouse on seventy-first.

The folks can hardly walk.

And they're filthy rich.

Who scoped it with the girl gone?

Forget the girl!

I don't need her.

Too much heat.

It's an old building.

No doorman. Roof access.

I'll give you sixty percent.

- Eighty. - Seventy.

That's my final offer, man.

It's a sweet deal.

All you got to do is show up with your tools.

Mariah: Here you go.

You're welcome.

What is your problem, detective?

You're the one with the problem.

And what is that?

You need me to tell you?

Here's a dollar, go buy some self-respect.

And I'll tell you something else

I don't feel sorry for you.

Who asked you to?

The first time a guy puts his hands on you,

you walk. Period, end of story.

Oh, you think you know what this is about.

- As a matter a fact I do know. - How?

What, did daddy get rambunctious with mama or something?

He did, didn't he?

Big, red-faced caveboy whaling on his little Irish wife.

First of all, my mom's Italian. Second of all, shut-up.

He take liberties with you, too?

You know, I'm beginning to understand why guys hit you.

[Sighs] I'm sorry. I didn't mean that.

The hell you didn't.

He was a good father. But... she should've left him.

Maybe she stayed because of you.

Or maybe she stayed because she thought she could change him.

And when she realized she couldn't, it was too late...

She was trapped.

Moreno: These are so good.

Que te pasa?

Look, Eddie you've got something to say, say it to me.

You're starting to creep me out.

Alright...

I know this may, you know, come out wrong

or sound sexist and selfish, but...

This is how I feel, so I gotta say it.

Well?

I don't want you going back out on the street.

You don't want me to be a cop?

Eddie: Not if it means putting your life n danger.

Oh, but you can put your life on the line. That's okay?

I was in the hospital.

I watched you die and when you flat-lined...

My whole world sank.

I don't ever want to go through that again. I can't.

I don't know what I'm supposed to say.

You're not supposed to say anything.

I just wanted you to know.

Well, now I know.

O'byrne: I understand you have a female suspect

in connection with this house invasion.

We have reason to believe she's an accomplice.

- But you haven't arrested her? - No.

My detectives requested more time to work on her. Why?

- Do we have a problem here? - Yes, we have a problem.

See, this house invasion thing, it's got citizens very scared

and very upset. Now the press is having a field day.

I'm getting calls from downtown,

why haven't we made an arrest yet?

And I come to find out that you have a suspect on hold.

No. I... I don't care what your guys thought.

See, this comes down to what I mentioned before.

Control and discipline. Right?

Either you're in charge of your squad or you're not, lieutenant.

- Which is it? - I'm in charge.

Then act like it! Bring the woman in.

Read her her rights, interrogate her, and book her.

And the next time you feel like deviating from procedure,

you check with me first. I'm pulling the reins

in on your little cowboy crew here. Do you understand me?

Yes. I understand you. And I will listen to you,

and I will give you the respect that your rank merits.

But don't you ever again make the mistake of thinking that

you can speak to me like that, Arthur. Do you understand me?

Bring the woman in.

Yes, sir.

The da will reduce your charges.

Now you may not even have to do time.

Look, all I want is to get away from him.

- I understand that, but... - No, you don't understand.

Look, what's gonna happen when he gets out of prison

and come after me? Are you gonna be there to protect me?

Whether or not this man goes to prison, he's gonna come

after you. So now what're you gonna do?

You gonna run around afraid for the rest of your life?

Leave me alone.

This isn't just about fear, is it?

Don't tell me you still are in love with this man?

- You don't get it. - Then explain it to me.

I don't think he meant to hurt me.

Look, I know you don't believe me, but he needs me.

In a way, i... I feel sorry for him.

This man beats you. He beats you...

And on top of that, he's a thief.

And you're tellin' me you feel sorry for him?

- He wasn't like that at first... - Well, you know what...

- He was sweet and gentle... - You know what? He has changed.

No. Deep down inside, he's the same.

He's a scared little boy.

J.c.: Just give me a little more time with her.

There is no more time, Williams. Fun and games are over.

- You said twenty-four hours. - What?

Am I talking to myself, here?

Lieutenant, this woman is not a criminal. She made a mistake.

Yeah, she made a mistake. A bad one.

What are you trying to protect her for, Williams?

Do you have something personal goin' on with this woman?

No! Not in the way you think.

Listen, I know we see criminals, we see drug dealers,

we see rapists, we see murderers.

Okay, that's... that's part of the job.

But, every now and then, you see a person

who's a good person in a bad place.

Now, I would rather try saving this woman

than just throwing her away.

Oh, that's very charitable, Williams.

Wanna try saving somebody? Try saving broat's next victim.

[Instrumental music]

I'm lieutenant Cooper.

Here's the situation, Ms. Barton.

Last night a man was shot and killed

in his home on west 71st street.

We believe that Dion broat was the killer.

Your men were with me last night.

I'm not saying you were involved in this, but you are implicated

in two other assaults and robberies.

Now we can put you away for a very long time here.

Unless you co-operate with us.

I already told detective Williams that I Don...

I know what you told detective Williams.

I'm offering you a lifeline here.

And I really suggest you take it.

I don't want to hurt him.

I just want him out of my life.

You don't want to hurt him.

You feel sorry for him?

He doesn't feel sorry for you.

Have you seen yourself?

Have you seen what he's done to you?

The next time he'll probably kill you.

Not if I don't provoke him.

This is not your fault!

The only person responsible

for hitting you... is him. Not you.

Did a man ever beat on you before?

Then you don't know what you're talking about, do you?

"I'm just too much man for you to handle. I can't help myself.

Oh, baby, I'm so sorry, it'll never happen again.

I just love you too much."

Can't you see that he's living off your fear?

And you're just giving him your power.

Take it back, Mariah,

or the only thing that's gonna be left of you is your voice

screaming on a nine-one-one tape.

What's up, champ?

What's happening?

I'm leaving town.

I came for my share.

Well, I ain't got no cash.

Well, that's okay. Just give me the stuff. Seventy percent.

Okay.

Surprise...

You know, you should learn your craft, ace.

Stay out of the business.

Some free advice?

Forget that girl. Run.

[Phone ringing]

- Yeah. Mariah: Hey.

- Where are you? - The cops came by my house.

Broat: They with you now? - No. They're gone.

Broat: Look, baby, I'm sorry about what happened. You okay?

No. Not really.

Broat: It tears me up when we fight like that.

I love you so much.

Mariah: That wasn't a fight, Dion. You beat me up.

Broat: I know, I know. I don't mean to hurt you.

I just want things to be good between us.

I swear, baby, it'll never happen again, I swear to god.

Mariah: You've sworn before.

Broat: But this time I mean it. Just give me one more chance.

[Sighs]

I don't know, Dion.

Broat: You got to believe me, baby.

I need you.

You want me to get a job, I'll get a job.

We'll go somewhere and start off fresh.

Just don't leave me. I'm begging you. Please?

Dion, hang up the cops are listening in. Hang up.

I think he bought it.

McNamara: What if he didn't buy her story, you know?

She made bail, she's out, she wants to be with him.

He's gonna buy it. His ego is too large not to.

[Phone ringing]

- Hello? Broat: You okay?

Where are you? Are you alright?

Broat: I'm good. They watching you?

Mariah: I don't know. Look, why don't you go on without me

and I'll catch up with you somewhere?

No, no, no, no, no.

- Where I go, you go. - Tell me what to do.

Broat: Remember that place we went to on the fourth of July?

Where we watched the fireworks?

- Alright, I'll be there... Broat: Look.

Broat: If you even think someone's following you,

turn around. We'll hook up another time.

Mariah: Alright. - I love you, baby.

I love you, too.

J.c., did you copy that?

J.c.: Affirmative. I'm moving in.

[Upbeat music]

J.c.: This is Williams. We're here.

Eddie: Ten-four. Let us know when you see him.

J.c.: Four. So, you know what to do, right?

Stand outside the cab until he sees me. And then get back in.

It's gonna be okay.

If I had a nickel for every time a man said that...

J.c.: Alright. I got broat and a driver.

Eddie: Copy that. We're moving in.

Get back in the car.

Mariah, get back in the car.

Mariah, what the hell are you doin'? Get back in the car.

Damn!

[Siren wailing]

- Mariah! Eddie: Police!

Hey, broat! Put your weapon down and put your hands up.

J.c.: Mariah, move!

You said you loved me.

I did. Until you beat it out of me.

Now all I feel for you is pity and I wanted you to know that!

You ain't nothin' but a lying bitch.

J.c.: Broat, I'm not gonna tell you again! Put the weapon down!

Think he'll treat you better than me? Huh?

It's not like that. It never was.

And it never will be!

[Gunshot]

Don't move!

McNamara: Come on. Let's go. Come on! Let's go!

[Sighs]

[Instrumental music]

So then she says that it's not enough for men

to love their women, they have to own them.

Yeah, I can see that.

Not all men are like that.

Listen, Eddie, I've been thinking about what you said.

About me going back on the street.

Uh-huh.

And I appreciate your feelings

and honesty and all that.

But...

But...

Well, I understand.

[Sighs]

I wish it could be different.

You know, i... I don't want to lose you, Nina.

But, uh...

I can't, you know, I, uh...

Well, maybe it'd be better if I went home.

I'll pack in the morning.

♪ Oh, oh, baby, baby

♪ feel your love surrounding me ♪

♪ woah, oh, oh, oh

♪ oh, oh, oh, baby, baby

♪ makin' sweet love between the sheets ♪

♪ we're gonna make it

♪ hey, girl, what's your fantasy? ♪

♪ I take you there, to that ecstasy ♪

♪ you know why? You blow my mind ♪

♪ I'll always be your freak

♪ let's make sweet love between the sheets ♪

♪ come on, girl

♪ oh, oh, baby ♪

[Wolf howling]

[Instrumental music]