All language subtitles for Babylon.Berlin.S03E11.BRRip.x264-ION10_English

Previously on Babylon Berlin...

-Let's pack your bags and go home.
-It's too late now.

I don't want to live in that stupid hotel
where you suck up to that spiv.

"Those boys are fun.
One was called Fritz Höckert,

-the other Otto."
-They were using fake names.

Richard Pechtmann and Horst Kessler.

They are Benda's murderers.

If they know my name,
they will get to you at some point.

-You didn't talk to anyone about this?
-No.

-You're late.
-Sorry, Rottenführer.

We're in a conference, don't you see?

But I have urgent new findings

-in the Betty Winter case.
-Is it about preventing an imminent crime?

No, I wanted--

No comment at the moment.
We're still investigating.

Counselor, a photograph with your
closest and most important colleagues.

-Do you believe in coincidence?
-Not at all.

Interesting. Neither do I.

Perhaps our belief in the infallibility

of the identification department
is a bit excessive.

TWO WEEKS EARLIER

Anyone here?

We're about to close.

Sit down.

-Pardon?
-I said sit down.

As long as I don't know what you want
from me, I'd rather stand, all right?

All right, I'll be brief.

I don't want to waste your time or mine.

My name is Leopold Ulrich,

I'm the head of the Berlin police
identification department.

On September 21st of this year,
that is, exactly three days ago,

the body of Felix Krempin,
a lighting technician,

arrived at the Charité in Berlin
for an autopsy.

A projectile was extracted from his head.

In such cases,
it is my duty to identify the artifact.

Condition, make, age,
and so on and so forth.

In brief, I determine all the data
which can be classified.

It goes without saying
that matching the data

with the prophylactic data file,
which I myself developed, is my field.

Everyone with priors
is recorded and categorized.

I don't have to explain the procedure
to you, you have experienced it yourself.

With you, it was dealing with stolen goods
in eight instances

and 14 instances of fraud.

On this card,
there is also a note about firearms.

This is where you come in,
Mr. Bela Gosztony.

Gosztony.

The weapon I matched with the projectile
found in Felix Krempin's head...

is registered to your name.

I have nothing to do with this.

Maybe not you directly, but your brother,

Mr. Sandor Gosztony.

Sandor.

Also has a record
for numerous cases of fraud.

And, unlike you, for grievous bodily harm.

If I read this correctly,
it was a knifing.

Killing me won't be of any use.

I have deposited the evidence
I just mentioned in a safe

at police headquarters.

An envelope,
to be opened in the case of my death,

is also in said safe,
addressed to my assistant,

in the heavily secured rooms
of police headquarters.

So at any moment in time,
I could bust you both,

like they say in your circles.

-What do you want, money?
-No.

That's not why I'm here.

I want you to carry on.

With what?

-With the sabotage of the film shoot?
-No.

With the murders.

But...

Why?

Who?

That's up to you. I don't care.

I just want it to continue.

He's out of his head!

Why should we do that?

Because otherwise
you'll be arrested in 30 minutes,

sentenced in four weeks,

and executed in about six months.

The evidence is overwhelming.

So, kill.

Ideally, create a pattern, then we can
interchange the suspect coordinates.

A pattern.

Stick with the masquerade.

The hunt for the Phantom,
that's a good story.

The city will hold its breath.

Moritz?

How's your injury?

I can't hear you.

Let me see.

I mustn't laugh so much.

And you always laugh so much.

A Fokker D-7.

-Udet, Göring, Richthofen.
-Not Richthofen.

He was already dead when it was used.

Where is this from?

We've been handing it out.

In the schoolyard?

Have you read it?

No.

Can I borrow it?

Sure.

BE BRIEF!

MY STRUGGLE A RECKONING. BY ADOLF HITLER

Yes?

Yes, of course he's here.

Leave the boy alone, Helga.
He's fine. And he likes it here.

Yes, Moritz stays with me. Final decision.

Lieutenant.

I heard about Kessler.
He was one of your men, right?

He was the second guy...

involved in the Benda affair.

The Bolsheviks are on our doorstep now.

But we'll get the guy.

I heard he left some evidence behind.

The only two men who were accessories
to the Benda affair...

are either dead or missing.

Still no trace of Pechtmann?

I don't trust you.

Retired Colonel Wendt.

I don't trust you either.

Why should I?

If we don't keep each other in check,
we should not be doing business anymore.

Soon we won't have to do business
with the likes of you anymore.

Have you been able to question
Horst Kessler's lover yet?

As you are a witness in this case,
I'm bound by the law, Detective.

I'm not allowed to talk to you
about this case.

Come on, Böhm.

She isn't the sharpest knife
in the drawer.

But her statement points to the fact

that we might be dealing
with a red-light district dispute.

-Kessler was a pimp?
-We have a suspect.

I'm about to question a witness.
That's all I'll say.

If you'll compare...

loop, arch, whorl. The same picture.
Walter Weintraub.

And there is no doubt this knife
is the crime weapon?

The blood on the blade is blood type AB.

That's Vera Lohmann's blood type.

Excuse me, but the perpetrator
was wearing gloves.

So he can't leave any fingerprints, right?

-If the perpetrator really wore gloves--
-He did.

This explains
the difficulty in recovering evidence.

The print was weak.

But unambiguous.

Correct, correct, but Weishaupt
and I suspect that the handle was wiped.

But you can ascribe this knife
to Walter Weintraub without a doubt?

Yes.

Yes.

-Okay, thank you.
-We have expanded the search for him

And intensified it.

We're checking doctors now.

...what he did.

Erich, please.

There. I don't give a shit.

Look what you did with your botched job.

Look at her!

Blind in her left eye
and waterworks in the other one.

You stupid pig,
you'll pay for this for sure.

Wrecking a woman's eyes.

Using a stupid quack of a doctor.
How could you be so stupid?

Ilse, is that true?

-I don't know.
-Look at her!

It's black in the left
and blurred in the right.

You can cry, but you'll pay too.

Wrecking a mother's eyes and pretending
nothing has happened? Stupid whore.

Young man, watch your language.

What do you want, you jerk?

-Is your wife blind or are you?
-Erich, please.

-I'm handling this.
-Get out.

What?

Let's go, out!

I want compensation, you hear me?

I'll sue you!

You're bleeding.

Piss off!

I didn't want this to happen, Lotte.

In order to avoid spectacles like this
one, I'm against women in homicide.

Thank you.

I'm all right. I'll sit down.

You're welcome to use this space.

And you?

I need to go upstairs.

Pechtmann disappeared
right after the lineup.

Kessler was shot in front of me.

-The maid was sentenced to death.
-Rightfully so, yes.

Chief Constable...

It is obvious...

that all those involved
are systematically eliminated.

By whom?

Who stands to gain here?

We both have our suspicions, but...

how do you want to prove Councilor Wendt
is involved in these events, Rath?

By keeping the investigations going.

And by drawing Wendt out of his shell.

Thank you.

Madam, you said on the phone you have
something I might be interested in.

May I know what it is?

My husband kept a diary.

Until recently,
I found it impossible to read it.

The wounds of my grief were too fresh.

The... indiscretion
seemed to be too great to me.

But after our last meeting...

and after the maid had been sentenced,
I was able to bring myself to do it.

There is a page where he casually...

but clearly expresses
his disgust at Zörgiebel's harshness

concerning the police action on May 1st.

The entry makes it clear that
there was an order to shoot after all.

Zörgiebel personally discussed it
with every single officer in charge.

And afterwards,
they made it out to be self-defense.

Yes.

Madam, would it be at all possible
for me to borrow this?

With the exception of this passage,

I guarantee I'll keep this
strictly confidential.

DR. K. HEESE
OPTHALMOLOGIST

-Hello, Mrs. Schwarzbach.
-Hello.

You have a letter.

I had it sent up to your room.

Thank you.

Dear Helga,

when the wick of this candle has gone out,
my life light will no longer shine.

Allow me to turn to you one last time

to let you know how precious
those few hours with you were to me.

My aim too high, my abilities too weak.

But our few hours together
still provide solace.

-I need to go to Schloss Liebenberg.
-Don't blame anyone for my death.

It is my choice. Mine alone.

I will wait for you
in the afterlife if it exists.

Alfred.

You won't get far with this in court.

I don't know of any instance
allowing a diary as evidence.

I'm not interested in a trial.

Either you resign of your own accord,
Mr. Zörgiebel,

or the public will learn
what August Benda has written.

The man who fell victim
to an act of revenge

for the police action on May 1st.

You are the most impertinent man
I have ever met.

Farewell... Mr. Zörgiebel.

-Oh, God.
-Alfred.

-Get me salt.
-What?

A lot of salt and a jug of water.

And a flexible tube and a funnel.

Alfred? Alfred, wake up.

That's good.

That's good.

Evening.

There is more.

A lot more.

Let us know when you have new stuff.

Listen, Gereon, I have decided

to see my presence on that list
as a veritable accolade.

Really?

A Jew belongs in the coffeehouse,
my revered grandfather used to say.

And 20 years later,
his unworthy grandson Samuel Katelbach

becomes a member
of a revolutionary cell

without his own doing
and overnight, so to speak.

A group of democratic fighters
who believe in this state.

And for that reason alone, the state
declares them enemies of the state.

Please put the soup dishes there.

And I want to tell you another thing.

If you ever find the complete list,

you will see that it contains
a few hundred names.

At least.

You know what? That's a good thing.

They can't gag a few hundred people
just like that.

That's a lot of people. Even if they
arrest or, God forbid, kill the odd one,

there are still a few hundred others left
who can open their mouths.

Like you...

Gereon.

You're about to become part of that list,
too. You just don't know it yet.

I take my modest and gracious presence
in your household as a mandate

to draw out
your democratic leanings a bit.

So.

Hang on a minute.

Minutiae to the right.

Minutiae to the left.

Good evening.

Excuse me, Mr. Ulrich.

-I noticed something.
-You did?

Yes. Here.

I think there's been a mistake.

These are Walter Weintraub's fingerprints
which were found on the knife.

And those are Weintraub's prints
from your file, his right hand.

But look.

The epidermal ridge...
the direction is wrong, isn't it?

-The minutiae point to the right.
-Yes. Right hand.

Yes, but... the print is reversed.

The minutiae.

You're right. There must be a mix-up.
I'll see to it right away.

-How-- how can they get mixed up?
-What do you mean?

This looks more...
like a deliberate forgery, Mr. Ulrich.

Who here could have do--

And... enjoy your meal.

Is the boy is in his room?

I've not seen Master Moritz today.

That'll be her.

Her?

Good evening, Mr. Rath.
I'm here to see Mr. Katelbach. Is he in?

What are you doing here?

Charming as ever, Mr. Rath.

I'm sorry.

I was expecting someone else.

Come on in, please.

-Good evening.
-Good evening, Mrs. Elisabeth.

What do we have here?

A little pancake soup
for the nasty autumn wind.

What's in there?

That's-- that's goulash.

I see.

How was I to know
that you'd bring food? I--

It's okay, Mr. Katelbach.
You should take a look first.

Top box.
You will be interested, too.

With best wishes
from the Ministry of the Reichswehr.

How did you get this?

Good sources. It's the name of the game.

If you would be so kind
to help me with my coat, I'll tell you.

Yes, of course.

Thank you.

You've set the table. How thoughtful.

And why is there sauerkraut
in the goulash?

It's the Szegedin variation.

It's a specialty from my home country.

From when it still included Hungary.

And you know how to do this?

If you give me some schnapps,
we may actually be able to eat this.

This is Rath.
I'm sorry, Mr. Gräf, we have work to do.

-Must be very important, Detective.
-Indeed, it is.

-Okay. Where shall we meet?
-At headquarters. Right away.

You mentioned our connection.
It wasn't long ago.

You said...

our souls were reaching out to each other.

You said...

they were weaving together
like the strands of a braid.

How right you were.

I was?

I know what it's like to be standing
at the abyss in despair,

not knowing what to do.

Come here.

Please.

Did you lock up?

Yes, I-- yes.

What are you doing here?

I forgot this.

And the light, too.

You know what?

If you're still working, I should be, too.

That's nice of you, but I'm done.

Mr. Ulrich,

it's not a problem.

Have a nice evening, Mr... Gräf.

Gräf.

Mr. Rath.

Develop the film and print it.
Around 90 minutes?

-Yes. I'll let you know immediately.
-I'll be in my office.

Okay.

Miss Ritter?

Charlotte?

Hello?

Right, Detective,
this won't take long now.

Your metabolism... stagnates,

your air passages contract.

In a few minutes, you'll be immobile.

The press will have to wait.

Ulrich!

Where is Charlotte?

She shares your fate, Detective.

The flippant little brat.

Where is Charlotte?

-Where is she?
-She doesn't have much time left.

What's this supposed to be?

Secret Command Document?

Rearmament of the Reichswehr?

Mr. Ulrich!

What are you doing?

Go.

Turn right.

Ladies and gentlemen,
this case is a prime example

of the public's misconception
of the police's investigative work.

For years now, investigative successes
are ascribed to the departments

that usually only have played
the smallest and most insignificant part

in the solution
of complex criminal mysteries

and spectacular cases.

In order to counter these,
I would say, scandalous developments,

I decided some time ago
to take on a secret experiment.

That's why you, gentlemen, are here today,

and I thank you all
for attending in high numbers.

Thank you. Thanks very much.

The aim of this experiment...

is to provide unequivocal evidence

that the newest forensic methods,

in particular those
of the police identification department,

are at the forefront
of both evidence collection

and successfully convicting perpetrators.

To put it in simpler terms,

without the identification department,
Berlin's homicide department

would be a neglectable footnote
in the history of the Berlin police.

That's enough.

Shall I... leave?

All right, then...

Stop!

No?

Where's Miss Ritter?

Detective, you are very useful evidence
of the theory

that passion is capable
of mobilizing superhuman strengths.

Where is she?

I'm no amateur.

I know how valuable a human pawn can be.

All the more so if, as in your case,

Detective,
pronounced irrational affectations

reduce your capacity to take action.

You're in love with the wench.

It's touching,
but it makes you predictable.

Tell me where she is

or I'll shoot you.

No, you won't.

You will give me the time
I still need here

to conclude
my deliberations satisfactorily.

I will leave headquarters,
and you will let me go in peace.

And then, from a secret location,
I will call you and tell you

where your assistant is.
It's not very far from here, by the way--

She is fighting against the collapse of
her metabolism and the plunge into a coma.

Please excuse this brief interruption.

He's got to do it.

All right. Where was I?

Come. And hurry!

What happened?

So it was the aim of the experiment
to make it clear

that the methods
of the identification department

can guide the path
of the leading investigator

easily in the wrong
and/or the contradictory direction.

At the beginning of the experiment,
there was an accident

that was not an accident.

The death of Betty Winter was very
obviously not due to fate and coincidence.

Charlotte!

Charlotte.

Alarm!
Hostage situation in the great hall.

Yes, hurry!

The the evidence
at the crime scene is ambiguous

as the financiers of the film
try to cover up evidence

that would point toward a crime.

But one witness noticed a mysterious man

in a black robe during the incident.

At first, the lighting technician
is the suspect.

However, he is eliminated before he can
make an incriminating statement.

It was quick and easy for me personally

to identify and match the projectile
with the crime weapon.

However, the responsible officers don't
pay any attention to this revelation.

This is where the second,
the new path of the investigation starts:

the experiment.

I meet with the Hungarian-born perpetrator
and his participating brother.

These gentlemen wanted to get revenge

on the Armenian financier of the film
for an old, brutal crime.

Their plan for revenge culminated
in the killing of the female star

and the ensuing collapse
of the film production.

Charlotte!

But shortly before the crime,

the previously compliant accomplice,

the lighting technician,
refuses to participate.

He didn't want to get involved in murder.

One of the Hungarian brothers steps in,
driven by a blind desire for revenge,

and uses the striking black disguise
for the very first time.

A pattern is born without
the perpetrators being aware of it.

Stick with the masquerade. The hunt
for the Phantom makes for a good story.

I consciously ignore any possible motive
and order the two men

to commit another crime,

which will then insinuate
a connection with the other crime at will.

Kill. You'd best create a pattern.

Then we can swap
the coordinates of suspects at will.

To this end, I procure
the identical model of a hunting knife

which belongs to a newly released inmate.

Soon afterwards, the knife
is used to kill the witness,

a possible substitute for the dead
main protagonist, in her dressing room.

A criminal assistant
observes the perpetrator as he escapes,

unsuspecting of the fact

that this will add fuel to the plan
to confuse the investigation.

Using bogus trinkets,

I now cast suspicion
on the husband of Betty Winter,

who has a sufficient profile
for a main suspect,

thanks to his behavioral problems.

In order to make the case
even more astonishing,

a simple trick is used shortly afterwards

to direct suspicion to a new person,

namely the partner
of the Armenian financier.

Together with the next victim,
another film actress,

he meets his violent end.

Charlotte.

The self-proclaimed investigating elite
of the homicide department

is by now helplessly in the dark

that they even call on the help
of so-called criminal telepathy.

An old wives' tale.

An entire department, including
its star team, lacking any direction.

But they are still prepared
to step in front of the press

and praise the fruits of their marginal
contribution to finding the truth.

This is where they find peace
in their confused, their futile,

their ridiculous actions.

Thank you.

One moment.

One moment.

This is glove that I developed

for the mechanical hand
in my personal laboratory.

Using a precise reproduction
of the finger prints

you have a glove that you can use
to leave the traces of someone else.

Detective, you're just in time.

You can be a witness
yourself become a murderer.

The prints I will leave
with this glove on this gun

will identify you, Mr. Rath,

as the undoubted perpetrator
in the murder case of Ernst Gennat.

I found your secret chamber.

Miss Ritter is in the care of our doctors.

She is being taken to the police clinic
as we speak.

You lost.

Do you understand what I'm saying?

You lost.

Wait! I'm not done yet.

I'm not done yet!

Thank you.

Everyone needs some luck

and good police officers.

Thank you.

Gereon.

Careful.

Subtitle translation by Stephanie Geiges