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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,768 --> 00:00:03,598 [ DRAMATIC MUSIC PLAYS ] 2 00:00:31,532 --> 00:00:33,732 [ DANIELS GROANING, WHIMPERING ] 3 00:00:36,537 --> 00:00:39,537 YOU IN THERE! 4 00:00:39,540 --> 00:00:40,970 COME ON OUT! 5 00:00:40,974 --> 00:00:45,654 John: HEY! DROP THE KNIFE. 6 00:00:45,646 --> 00:00:49,146 SIR, DROP THE KNIFE! 7 00:00:49,150 --> 00:00:50,580 [ DOG BARKING ] 8 00:00:52,953 --> 00:00:55,563 Lucero: STOP! 9 00:00:55,556 --> 00:00:58,226 John: HEY! 10 00:00:59,660 --> 00:01:01,730 DO NOT TAKE ANOTHER STEP FORWARD! 11 00:01:01,729 --> 00:01:05,799 SIR! DROP IT! 12 00:01:05,799 --> 00:01:10,339 JOHN COOPER'S LEARNED, IN THE STREETS OF LOS ANGELES, 13 00:01:10,338 --> 00:01:13,508 A SINGLE STEP CAN SEPARATE LIFE AND DEATH. 14 00:01:13,507 --> 00:01:16,077 [ ALARM CLOCK BLARING ] 15 00:01:16,076 --> 00:01:19,076 OHH! 16 00:01:19,079 --> 00:01:20,409 [ CHRISTOPHER CRYING ] 17 00:01:20,414 --> 00:01:23,954 OKAY, OKAY. OKAY, OKAY, OKAY. 18 00:01:23,951 --> 00:01:27,121 ALL RIGHT, OKAY. OHH. 19 00:01:27,121 --> 00:01:28,821 [ SIGHS ] 20 00:01:28,822 --> 00:01:31,162 OKAY, OKAY, OKAY. 21 00:01:31,159 --> 00:01:32,859 OKAY. 22 00:01:32,860 --> 00:01:35,200 [ CHRISTOPHER SIGHS ] 23 00:01:35,196 --> 00:01:38,496 [ SIGHS ] 24 00:01:38,499 --> 00:01:40,499 [ EXHALES SHARPLY ] [ GASPS ] 25 00:01:40,501 --> 00:01:44,041 [ LAUGHS ] GOTCHA, TOUGH GUY. 26 00:01:44,037 --> 00:01:45,367 I GOT TO GO TO SCHOOL. 27 00:01:45,373 --> 00:01:48,083 SEE YOU TONIGHT? EL CARMEN -- 8:00. 28 00:01:48,075 --> 00:01:50,775 IF YOU'RE LUCKY. AS A HORSESHOE. 29 00:01:50,778 --> 00:01:51,908 MY FRIENDS ARE GONNA 30 00:01:51,912 --> 00:01:53,912 BOOZE YOU UNDER THE TABLE, OFFICER SHERMAN. 31 00:01:53,914 --> 00:01:55,984 I THOUGHT YOUR FRIENDS WERE AFRAID OF COPS. 32 00:01:55,983 --> 00:01:57,853 NOT ANYMORE. 33 00:02:00,721 --> 00:02:01,721 [ MOANS ] 34 00:02:01,722 --> 00:02:03,062 [ SCREAMS ] 35 00:02:03,056 --> 00:02:05,586 [ GASPS ] I GOT TO GO! I KNOW! 36 00:02:05,593 --> 00:02:07,863 McCabe: "AT WHICH POINT, OFFICER BRYANT GRABBED MY ARM 37 00:02:07,861 --> 00:02:09,461 "AND STARTED HITTING ME. 38 00:02:09,463 --> 00:02:12,173 "I TRIED TO DEFEND MYSELF, BUT HE PROCEEDED TO CHOKE ME, 39 00:02:12,166 --> 00:02:13,566 "NEARLY UNCONSCIOUS, 40 00:02:13,567 --> 00:02:16,097 "WHILE SLAMMING MY HEAD AGAINST A GENERATOR. 41 00:02:16,103 --> 00:02:18,913 "NOT ONLY AM I CONCERNED FOR MY SAFETY, 42 00:02:18,906 --> 00:02:23,636 BUT THE SAFETY OF OUR SON AND THE CITIZENS OF LOS ANGELES." 43 00:02:23,644 --> 00:02:25,954 [ SIGHS ] 44 00:02:25,946 --> 00:02:29,816 I GOT PHYSICAL BECAUSE I WAS ATTACKED. 45 00:02:29,817 --> 00:02:33,687 IN THE MOMENT, I RELIED ON MY TRAINING, 46 00:02:33,687 --> 00:02:36,687 FOLLOWED PROTOCOL, AND SUBDUED TAMMI 47 00:02:36,690 --> 00:02:40,860 WITH MINIMAL, YET... NECESSARY FORCE. 48 00:02:40,861 --> 00:02:43,561 DID YOU OR DID YOU NOT CHOKE MS. BRYANT 49 00:02:43,564 --> 00:02:46,774 AND THROW HER HEAD AGAINST A GENERATOR? 50 00:02:46,767 --> 00:02:49,437 I-I DID NOT. 51 00:02:49,437 --> 00:02:51,607 McCabe: HER BOYFRIEND, VICTOR SIFUENTES, 52 00:02:51,605 --> 00:02:53,305 IS CLAIMING THERE'S A VIDEO OF THE INCIDENT, 53 00:02:53,307 --> 00:02:56,837 WHICH SHOWS YOU, IN UNIFORM, LOSING CONTROL. 54 00:02:56,844 --> 00:02:58,054 [ SIGHS ] 55 00:02:58,045 --> 00:03:00,605 SAYS YOU SEIZED HIS CAMCORDER BEFORE DEPARTING. 56 00:03:00,614 --> 00:03:01,784 IS THAT TRUE? 57 00:03:01,782 --> 00:03:03,282 [ SCOFFS ] 58 00:03:03,284 --> 00:03:05,654 NO, I DID NOT LOSE CONTROL. 59 00:03:05,653 --> 00:03:08,693 MR. SIFUENTES SHOVED A CAMERA IN MY FACE, 60 00:03:08,689 --> 00:03:12,289 AND, FEELING THREATENED, I TOOK IT AWAY FROM HIM. 61 00:03:12,293 --> 00:03:15,303 Russo: SO, WHERE'S THE CAMCORDER NOW? 62 00:03:15,296 --> 00:03:17,526 WELL, I ASSUME IT'S IN THEIR POSSESSION 63 00:03:17,531 --> 00:03:20,401 BECAUSE I DROPPED IT ON THE STREET BEFORE WE LEFT. 64 00:03:20,401 --> 00:03:24,171 LISTEN, I APPRECIATE IT, BUT NO. 65 00:03:24,171 --> 00:03:26,171 LOOK, THE 405 IS A MESS, ALL RIGHT, 66 00:03:26,173 --> 00:03:28,343 ESPECIALLY AFTER THE 10. 67 00:03:28,342 --> 00:03:30,342 NO, I SPEND MY ENTIRE DAY IN THE CAR. 68 00:03:30,344 --> 00:03:34,354 THE LAST THING I WANT TO DO IS SPEND MY NIGHT, TOO. 69 00:03:34,348 --> 00:03:37,548 ALL RIGHT. 70 00:03:37,551 --> 00:03:39,351 YEAH. 71 00:03:39,353 --> 00:03:40,923 OKAY. 72 00:03:40,921 --> 00:03:45,831 SLY JOHNNY COOPER, BEATING THE WOMEN AWAY WITH A STICK. 73 00:03:45,826 --> 00:03:47,996 HUH? 74 00:03:47,995 --> 00:03:49,895 YEAH, SOMETHING LIKE THAT. 75 00:03:49,897 --> 00:03:51,467 COME ON, GIVE ME SOMETHING VICARIOUS, 76 00:03:51,465 --> 00:03:53,125 SOMETHING I CAN TAKE HOME TO THE OLD LADY. 77 00:03:53,133 --> 00:03:55,503 COME ON. TRUST ME, YOU'D BOTH BE DISAPPOINTED. 78 00:03:55,503 --> 00:03:57,673 AFTER 10 YEARS OF DOMESTICATION, 79 00:03:57,671 --> 00:04:00,141 IT DOESN'T TAKE MUCH TO EXCITE ME. 80 00:04:00,140 --> 00:04:02,310 OR HER. 81 00:04:02,310 --> 00:04:05,950 COME ON. 82 00:04:05,946 --> 00:04:08,646 OFFICER SHERMAN, IT'S GOOD TO SEE YOU UNDER A DIFFERENT CIRCUMSTANCE. 83 00:04:08,649 --> 00:04:11,019 Ben: YEAH, NO PROBLEM. HAPPY TO HELP. 84 00:04:11,018 --> 00:04:13,288 WE'LL BE BRIEF. ALL RIGHT. 85 00:04:13,287 --> 00:04:17,627 ON THE AFTERNOON OF FEBRUARY 27, 2013, 86 00:04:17,625 --> 00:04:20,985 YOU AND OFFICER BRYANT LEFT YOUR DIVISION WHILE ON PATROL? 87 00:04:20,994 --> 00:04:22,264 THAT'S RIGHT. 88 00:04:25,433 --> 00:04:26,973 Russo: CAN YOU TELL US WHAT YOU SAW? 89 00:04:26,967 --> 00:04:28,637 BE HAPPY TO. UH... 90 00:04:39,146 --> 00:04:41,916 [ BREATHING HEAVILY ] 91 00:04:58,532 --> 00:05:00,532 [ ENGINE TURNS OFF ] 92 00:05:00,534 --> 00:05:02,074 [ EXHALES DEEPLY ] 93 00:05:02,069 --> 00:05:04,069 [ DOG BARKING IN DISTANCE ] 94 00:05:06,774 --> 00:05:10,484 OFFICER DUDEK, HOW YOU FEELING? 95 00:05:10,478 --> 00:05:12,678 AH, TICKER'S BETTER THAN EVER. 96 00:05:12,680 --> 00:05:14,720 THANK YOU, DETECTIVE ADAMS. 97 00:05:14,715 --> 00:05:17,485 HOW'S, UH -- HOW'S YOUR LITTLE ONE? 98 00:05:17,485 --> 00:05:20,885 HE'S GOOD. THANKS FOR ASKING. 99 00:05:20,888 --> 00:05:22,588 GOOD. 100 00:05:24,057 --> 00:05:26,727 YES, UH, WHAT DO WE HAVE? 101 00:05:26,727 --> 00:05:29,497 UH, MOTHER AND FATHER FELL ASLEEP LAST NIGHT 102 00:05:29,497 --> 00:05:30,897 WATCHING TELEVISION. 103 00:05:30,898 --> 00:05:32,928 MOTHER WOKE UP THIS MORNING ABOUT 7:00 A.M. 104 00:05:32,933 --> 00:05:35,643 FOUND THE D.B. IN THE MASTER BEDROOM -- WASN'T BREATHING. 105 00:05:35,636 --> 00:05:38,506 FATHER CALLED 911, REPORTED A WINDOW HAD BEEN OPEN 106 00:05:38,506 --> 00:05:41,266 THAT WAS PREVIOUSLY CLOSED. 107 00:05:41,274 --> 00:05:46,014 HMM, THERE'S NO VISIBLE PUNCTURE WOUNDS OR BRUISES. 108 00:05:46,013 --> 00:05:49,023 NOTHING LOOKS BROKEN. 109 00:05:56,056 --> 00:06:01,126 UM, DID ANYBODY CHECK THE BASE OF THE WINDOW FOR FOOTPRINTS? 110 00:06:01,128 --> 00:06:03,458 YEAH. 111 00:06:03,464 --> 00:06:05,134 NOTHING. 112 00:06:05,132 --> 00:06:10,502 UM, HAVE S.I.D. DUST THE TRASH CANS FOR FINGERPRINTS. 113 00:06:10,504 --> 00:06:13,044 I'LL CROSS-CHECK EVERY SANITATION WORKER IN L.A. 114 00:06:13,040 --> 00:06:14,710 IF THAT'S WHAT IT TAKES. 115 00:06:14,708 --> 00:06:17,238 AND THE A/C UNIT, TOO. 116 00:06:17,244 --> 00:06:20,114 OKAY. 117 00:06:27,655 --> 00:06:33,355 UH, IT LOOKS LIKE A CASE OF CO-SLEEPING OR SIDS. 118 00:06:33,360 --> 00:06:35,900 WHAT DO YOU THINK? 119 00:06:35,896 --> 00:06:38,896 HMM? 120 00:06:38,899 --> 00:06:41,229 LYDIA. 121 00:06:41,234 --> 00:06:43,444 [ HELICOPTER BLADES WHIRRING ] 122 00:06:46,474 --> 00:06:48,484 WHAT HAPPENED? 123 00:06:48,476 --> 00:06:50,476 TOLD 'EM WHAT YOU SAID WENT DOWN. 124 00:06:50,478 --> 00:06:51,848 NO BIGGIE. 125 00:06:51,845 --> 00:06:52,975 [ GRUNTS ] 126 00:06:52,980 --> 00:06:55,150 THEY ASK IF I ROUGHED HER UP? 127 00:06:55,148 --> 00:06:57,348 YOU PUSHED HER OFF WHEN SHE WENT AFTER YOU. 128 00:06:57,350 --> 00:06:58,690 NOTHING MORE. 129 00:06:58,686 --> 00:07:01,216 WHAT ABOUT THE CAMCORDER? 130 00:07:01,221 --> 00:07:02,591 [ SIGHS ] 131 00:07:02,590 --> 00:07:05,690 YOU THREW IT IN THE STREET BEFORE WE LEFT. 132 00:07:08,596 --> 00:07:12,596 [ GUN THUDS ] 133 00:07:12,600 --> 00:07:15,570 YOU WORRIED? 134 00:07:19,507 --> 00:07:20,837 LOOK. 135 00:07:20,841 --> 00:07:24,011 TAMMI'S A JUNKIE AND A PATHOLOGICAL LIAR, 136 00:07:24,011 --> 00:07:26,681 DATING AN UNEMPLOYED BURNOUT. 137 00:07:26,680 --> 00:07:28,550 SHE'S ALSO MY SON'S MOTHER. 138 00:07:28,549 --> 00:07:31,049 AND A BAD ONE AT THAT. 139 00:07:31,051 --> 00:07:34,251 YOU'RE A COP. IT'LL BE FINE, SAMMY. 140 00:07:34,254 --> 00:07:38,134 [ SIREN WAILS IN DISTANCE ] 141 00:07:38,125 --> 00:07:40,355 [ CAR DOOR OPENS ] 142 00:07:40,360 --> 00:07:43,730 WHAT, YOU THINK THIS IS FUNNY? 143 00:07:43,731 --> 00:07:45,801 RIGHT? [ POLICE RADIO CHATTER ] 144 00:07:48,101 --> 00:07:50,101 WATCH YOUR HEAD. 145 00:07:50,103 --> 00:07:51,613 STAY PUT. 146 00:07:51,605 --> 00:07:53,935 ALL GOOD? YEAH. 147 00:07:53,941 --> 00:07:56,641 ASSHOLE WAS GRAFFITIING. I ROLL UP TO CITE HIM. 148 00:07:56,644 --> 00:07:58,154 AND THEN HE RABBITS LIKE USAIN BOLT. 149 00:07:58,145 --> 00:07:59,605 AND THEN -- HE LOOKS BACK TO SHOWBOAT. 150 00:07:59,613 --> 00:08:01,353 RIGHT INTO A PALM TREE. THWACK. 151 00:08:01,348 --> 00:08:03,948 [ RINGTONE PLAYS ] YEAH, LUCKY FOR YOU. I HAD HIM, ALL RIGHT? 152 00:08:03,951 --> 00:08:05,721 RIGHT. YEAH, ASSHOLE GIVES NEW MEANING TO THE WORD "FACE PLANT." 153 00:08:05,719 --> 00:08:07,089 HELLO? [ GUNSHOT ] 154 00:08:07,087 --> 00:08:08,687 [ GASPS ] 155 00:08:08,689 --> 00:08:12,059 DON'T MOVE. 156 00:08:12,059 --> 00:08:14,059 DON'T MOVE! 157 00:08:14,061 --> 00:08:15,961 YOU IN THE CAR, STOP MOVING! 158 00:08:15,963 --> 00:08:17,003 STOP MOVING! 159 00:08:21,702 --> 00:08:23,772 I GOT HIM. 160 00:08:26,306 --> 00:08:28,806 I GOT IT. 161 00:08:28,809 --> 00:08:30,209 Vazquez: YOU'RE KIDDING ME. 162 00:08:30,210 --> 00:08:33,580 YOU'RE FUCKING KIDDING ME. YOU FUCKING IDIOT! 163 00:08:33,581 --> 00:08:35,081 DO YOU KNOW WHAT YOU JUST DID? 164 00:08:35,082 --> 00:08:37,152 YEAH, BLUE RIBBON PAT DOWN! 165 00:08:37,150 --> 00:08:39,290 FUCKING IDIOT. 166 00:08:39,286 --> 00:08:43,356 A57 -- REQUEST A SUPERVISOR AT MY LOCATION. 167 00:08:43,356 --> 00:08:45,026 HAVE F.I.D. RESPOND, AS WELL. 168 00:08:45,025 --> 00:08:47,185 THAT BULLET WAS AN INCH OR TWO LEFT OR RIGHT, 169 00:08:47,194 --> 00:08:51,904 WE COULD HAVE BEEN LISTENING TO BAGPIPES IN A FUCKING PINE BOX! 170 00:08:58,672 --> 00:08:59,972 Naveed: HEY, OFFICERS! HEY! HEY, HEY, COME ON! 171 00:09:01,174 --> 00:09:02,944 COME ON! HURRY UP, GUYS! COME ON, MAN, LOOK AT THIS! 172 00:09:02,943 --> 00:09:04,953 LOOK AT THIS MESS THE GUY MADE. HE JUST TOOK OFF, TOO. 173 00:09:04,945 --> 00:09:07,615 HE JUST TOOK OFF. PLEASE, COME, COME. HE JUST -- JUST -- 174 00:09:07,615 --> 00:09:10,345 WHAT'S GOING ON? LOOK, LOOK, LOOK AT THE MESS HE MADE. 175 00:09:10,350 --> 00:09:13,220 OH, MY GOD, THIS IS MY WHOLE LIFE, AND NOW JUST -- JUST GONE. 176 00:09:13,220 --> 00:09:15,590 OH, FUCK. Ben: ALL RIGHT, ALL RIGHT. GIVE ME THAT, GIVE ME THAT. 177 00:09:15,589 --> 00:09:17,119 FUCK. 178 00:09:20,193 --> 00:09:22,433 ALL RIGHT, OUTSIDE. GO, OUTSIDE, OUTSIDE. 179 00:09:22,429 --> 00:09:23,699 I'LL GET THIS. 180 00:09:23,697 --> 00:09:25,867 OH, YEAH, WAY TO PUT THAT FIRE OUT. 181 00:09:25,866 --> 00:09:27,736 IT WOULD BE UP OUR ASS IF WE DIDN'T. 182 00:09:27,735 --> 00:09:29,595 YEAH, GOOD WORK. SHUT UP. 183 00:09:29,603 --> 00:09:31,103 SO, HE JUMPED OVER THE COUNTER, 184 00:09:31,104 --> 00:09:32,844 HE RIPPED MY CASH DRAWER OUT OF THE REGISTER, 185 00:09:32,840 --> 00:09:34,140 THROWS IT ACROSS THE STORE. 186 00:09:34,141 --> 00:09:35,211 I TRIED TO STOP HIM. 187 00:09:35,208 --> 00:09:36,908 HE STARTED THROWING ALCOHOL BOTTLES INTO IT, 188 00:09:36,910 --> 00:09:38,410 THEN LIT MY MONEY ON FIRE. 189 00:09:38,411 --> 00:09:41,751 AND THE FUCKER JUST RUNS OFF SCREAMING, "ATTICA, ATTICA!" 190 00:09:41,749 --> 00:09:44,119 SO, WHAT DID HE LOOK LIKE? CRAZY -- HE HAD, LIKE, WILD EYES, 191 00:09:44,117 --> 00:09:46,247 SOME KIND OF STUPID-ASS MOHAWK HAIRDO. 192 00:09:46,253 --> 00:09:48,793 SO WE'RE LOOKING FOR AN ANGRY, DRUGGED-OUT ASSHOLE 193 00:09:48,789 --> 00:09:50,659 WITH AN AFFINITY FOR PACINO MOVIES? 194 00:09:50,658 --> 00:09:52,158 PLEASE. MAYBE TAMMI KNOWS HIM. 195 00:09:52,159 --> 00:09:54,029 PLEASE, YOU GUYS GOT TO HELP ME. 196 00:09:54,027 --> 00:09:55,697 I-I-I-I HAVE NO INSURANCE. THIS IS ALL I HAVE. 197 00:09:55,696 --> 00:09:57,866 THE DETECTIVES WILL BE HERE. THEY'LL TAKE YOUR STATEMENT, SIR. 198 00:09:57,865 --> 00:09:59,525 OKAY, SIR, WE'LL -- WE'LL DO EVERYTHING THAT WE CAN, ALL RIGHT? 199 00:09:59,532 --> 00:10:02,102 A36 -- WE HAVE A SUSPECT DESCRIPTION. 200 00:10:02,102 --> 00:10:05,112 [ SNIFFLES ] HOW DOES A BABY JUST DIE? 201 00:10:05,105 --> 00:10:07,975 MA'AM, WE'RE -- WE'RE TRYING TO FIGURE THAT OUT RIGHT NOW. 202 00:10:07,975 --> 00:10:10,505 Miguel: I CHECKED ON JAVI AT 11:00. 203 00:10:10,510 --> 00:10:13,380 HE LOOKED HAPPY. 204 00:10:13,380 --> 00:10:15,550 HE EVEN SMILED AT ME. 205 00:10:15,548 --> 00:10:17,548 [ SOBS ] 206 00:10:17,550 --> 00:10:20,050 Lydia: I KNOW THIS IS DIFFICULT, 207 00:10:20,053 --> 00:10:23,823 BUT WAS THERE ANYTHING OUT OF THE ORDINARY? 208 00:10:23,824 --> 00:10:27,664 NO. THERE WASN'T. 209 00:10:27,661 --> 00:10:29,661 BUT YOU DID LOCK THE WINDOW? 210 00:10:29,663 --> 00:10:32,173 I DON'T REMEMBER. 211 00:10:32,165 --> 00:10:34,795 DO YOU REMEMBER IT BEING CLOSED? 212 00:10:34,802 --> 00:10:37,142 I THINK SO. 213 00:10:37,137 --> 00:10:40,007 UM, IF THERE'S ANYTHING THAT YOU CAN REMEMBER, 214 00:10:40,007 --> 00:10:42,707 IT REALLY WOULD BE HELPFUL. 215 00:10:42,710 --> 00:10:45,250 I -- ARE YOU SURE? 216 00:10:45,245 --> 00:10:46,975 I DON'T KNOW. 217 00:10:52,786 --> 00:10:55,316 [ SOBBING ] 218 00:11:01,795 --> 00:11:04,525 Howard: GET THE FUCK OUT OF HERE! WHAT ARE YOU GUYS LOOKING AT?! 219 00:11:04,531 --> 00:11:07,031 OFFICER, UP HERE! HEY. 220 00:11:07,034 --> 00:11:08,704 YOU GOT TO HELP ME! THIS BITCH IS CRAZY! 221 00:11:08,702 --> 00:11:11,242 SHE BURNED MY CLOTHES, AND NOW SHE'S HOLDING ME HOSTAGE! 222 00:11:11,238 --> 00:11:13,768 SIR, I NEED YOU TO CALM DOWN AND STEP INSIDE. 223 00:11:13,774 --> 00:11:15,044 CALM DOWN?! FUCK CALM! 224 00:11:15,042 --> 00:11:17,312 SHE'S ALREADY WHIPPED ME -- TWICE! 225 00:11:17,310 --> 00:11:19,280 PLEASE! 226 00:11:19,279 --> 00:11:21,979 WHAT THE FUCK ARE YOU WAITING FOR?! 227 00:11:21,982 --> 00:11:25,022 NOW! JUST HANG ON A SECOND. 228 00:11:26,086 --> 00:11:29,286 [ KNOCK ON DOOR ] POLICE! OPEN UP! 229 00:11:37,697 --> 00:11:39,697 HI. 230 00:11:39,699 --> 00:11:41,369 MA'AM, PLEASE COVER YOURSELF. 231 00:11:41,368 --> 00:11:44,368 MAYBE YOU SHOULD COVER ME, GENERAL COOPER. 232 00:11:44,371 --> 00:11:47,441 I'M GONNA ASK YOU ONE MORE TIME. 233 00:11:47,440 --> 00:11:49,310 OKAY. 234 00:11:51,344 --> 00:11:52,854 [ POUNDING ON GLASS ] 235 00:11:52,846 --> 00:11:55,216 Howard: HEY! COME ON! 236 00:11:55,215 --> 00:11:57,885 OPEN IT! 237 00:11:57,885 --> 00:11:59,885 GOD, IT'S ABOUT FREAKING TIME! 238 00:11:59,887 --> 00:12:01,287 SIR, ARE YOU INJURED? 239 00:12:01,288 --> 00:12:04,988 YOU BET YOUR ASS, I AM! LOOK! LOOK AT THIS SHIT! 240 00:12:04,992 --> 00:12:08,162 DID YOU ASSAULT THIS MAN? NO. 241 00:12:08,161 --> 00:12:11,331 OKAY, YES, A-A LITTLE, BUT HE LIKED IT. 242 00:12:11,331 --> 00:12:14,031 THAT'S A LIE! SHE TOLD ME SHE WAS A LIBRARIAN. 243 00:12:14,034 --> 00:12:16,044 WE MET AT THE BOOK FAIR LAST NIGHT. 244 00:12:16,036 --> 00:12:19,036 AND, YEAH, WE SCREWED, BUT THEN SHE WOULDN'T LET ME LEAVE 245 00:12:19,039 --> 00:12:21,209 UNTIL WE DID IT AGAIN AND AGAIN AND AGAIN! 246 00:12:21,208 --> 00:12:23,908 YOU SAID YOU THE READ THE MARQUIS DE SADE! 247 00:12:23,911 --> 00:12:26,581 HOWARD SAID HE READ IT AND HE LIKED IT! 248 00:12:26,579 --> 00:12:28,019 I DID! AS FICTION! 249 00:12:28,015 --> 00:12:29,375 ALL RIGHT, SHUT UP. SHUT UP. YOU TELL HER TO -- 250 00:12:29,382 --> 00:12:30,552 SHUT UP! 251 00:12:30,550 --> 00:12:32,550 SHE'S -- BE QUIET. 252 00:12:32,552 --> 00:12:33,992 COVER YOURSELF. 253 00:12:33,987 --> 00:12:37,157 MA'AM, TURN AROUND. HANDS BEHIND YOUR BACK. 254 00:12:37,157 --> 00:12:40,227 MY CUFFS OR -- YOURS. 255 00:12:42,329 --> 00:12:44,499 [ SIGHS ] OOH! 256 00:12:44,497 --> 00:12:47,297 [ GIGGLES ] 257 00:12:47,300 --> 00:12:50,300 WELL, AT LEAST SOMEONE'S IN CHARGE IN THIS ROOM. 258 00:12:50,303 --> 00:12:52,643 Howard: YOU'RE GOING TO JAIL. 259 00:12:52,639 --> 00:12:56,209 AT LEAST YOU'VE GOT SOMETHING TO TAKE HOME TO YOUR WIFE NOW. 260 00:12:56,209 --> 00:12:58,549 [ CHUCKLES ] 261 00:12:58,545 --> 00:13:00,745 EVIL. 262 00:13:00,747 --> 00:13:02,147 YOU ALL RIGHT? 263 00:13:02,149 --> 00:13:04,149 WHAT IF I.A. BELIEVES TAMMI, AND THE WHOLE SITUATION 264 00:13:04,151 --> 00:13:05,951 JUST STARTS SPINNING OUT OF CONTROL? 265 00:13:05,953 --> 00:13:07,353 QUIT TORTURING YOURSELF, MAN. 266 00:13:07,354 --> 00:13:09,164 LIEUTENANT RUSSO IS GUNNING FOR ME. 267 00:13:09,156 --> 00:13:11,356 NATE COULD END UP WITH D.C.F.S. WHO KNOWS? 268 00:13:11,358 --> 00:13:12,158 DUDE, IT'LL WORK OUT. 269 00:13:12,159 --> 00:13:13,429 WHAT IF YOU'RE WRONG? 270 00:13:13,426 --> 00:13:15,456 THEN NATE COMES TO LIVE WITH UNCLE BEN. 271 00:13:15,462 --> 00:13:18,002 OH, YEAH? YOU AND YOUR HAREM? [ LAUGHS ] 272 00:13:17,998 --> 00:13:20,528 SURE, WE'LL GET THE LITTLE GUY STARTED YOUNG. 273 00:13:20,533 --> 00:13:22,403 YEAH. SO, WHAT'S THE DEAL? 274 00:13:22,402 --> 00:13:24,942 YOU'RE NOT READY TO GIVE UP YOUR HUGH HEFNER LIFESTYLE? [ CHUCKLES ] 275 00:13:24,938 --> 00:13:26,638 HOW MANY GIRLS ARE YOU SEEING? 276 00:13:26,639 --> 00:13:28,139 EH, YOU KNOW. 277 00:13:28,141 --> 00:13:30,841 I TELL YOU WHAT. FOR YOU, I'LL CUT IT OFF. 278 00:13:30,844 --> 00:13:32,554 I'LL SEND 'EM YOUR WAY. 279 00:13:32,545 --> 00:13:33,875 OH, YEAH. YEAH. 280 00:13:33,881 --> 00:13:35,881 HAVE 'EM BANG ME OUT OF MY MISERY? 281 00:13:35,883 --> 00:13:38,553 IT'D TAKE THE WHOLE HAREM. 282 00:13:38,551 --> 00:13:41,351 RIGHT. 283 00:13:44,324 --> 00:13:46,334 OFFICERS. 284 00:13:46,326 --> 00:13:48,296 YES? 285 00:13:48,295 --> 00:13:51,155 WE HAD A YOUNG NANNY FROM EL SALVADOR. 286 00:13:51,164 --> 00:13:53,074 WE FIRED HER ABOUT THREE WEEKS AGO. 287 00:13:53,066 --> 00:13:55,396 I FOUND HER TRYING TO BREAST-FEED OUR BABY. 288 00:13:55,402 --> 00:13:57,272 WHEN I CONFRONTED HER, SHE MADE A PASS AT ME. 289 00:13:57,270 --> 00:14:00,370 SAID SHE LOVED ME, SHE WANTS TO MARRY ME AND HAVE A FAMILY. 290 00:14:00,373 --> 00:14:02,183 SHE'S NOT STABLE. 291 00:14:02,175 --> 00:14:04,205 AND HOW COME YOU DIDN'T TELL US THIS INSIDE? 292 00:14:04,211 --> 00:14:08,621 I HAD AN AFFAIR TWO YEARS AGO. 293 00:14:08,615 --> 00:14:12,285 REYA NEVER FORGAVE ME. 294 00:14:12,285 --> 00:14:15,285 I WAS AFRAID SHE WOULD MISUNDERSTAND. 295 00:14:15,288 --> 00:14:17,318 DO YOU HAVE AN ADDRESS? 296 00:14:17,324 --> 00:14:20,194 HEY, DON'T KNOCK IT TILL YOU TRIED IT. 297 00:14:20,193 --> 00:14:22,703 MY WHIPS AND CHAINS? [ LAUGHS ] 298 00:14:22,695 --> 00:14:25,065 MY OLD LADY'S GOT SOME FRIENDS, ALL RIGHT? 299 00:14:25,065 --> 00:14:27,395 FAT ONES, SKINNY ONES, BROWN ONES, WHITE ONES, 300 00:14:27,400 --> 00:14:29,970 FREAKY ONES -- FREAKY ONES. 301 00:14:29,970 --> 00:14:31,840 ALL 31 FLAVORS. WE COULD FIX YOU UP. 302 00:14:31,838 --> 00:14:33,508 NO, YOU KNOW ME. 303 00:14:33,506 --> 00:14:36,576 THE STREETS -- THEY'VE ALWAYS BEEN MY SIGNIFICANT OTHER. 304 00:14:36,576 --> 00:14:37,576 [ LAUGHS ] 305 00:14:37,577 --> 00:14:39,507 YOU CAN'T MAKE LOVE TO THE JOB. 306 00:14:39,512 --> 00:14:41,052 MY WIFE'S CHICKEN MOLE, ON THE OTHER HAND... 307 00:14:41,048 --> 00:14:42,548 YOU'LL WISH IT HAD LEGS. 308 00:14:42,549 --> 00:14:44,749 YOU COULD WALK IT DOWN THE AISLE, AND, YOU KNOW... 309 00:14:44,751 --> 00:14:48,091 YEAH, ALL RIGHT. 310 00:14:48,088 --> 00:14:50,188 YOU SAID "ALL RIGHT"? NO, I DIDN'T MEAN ALL RIGHT. 311 00:14:50,190 --> 00:14:52,260 YOU SAID "ALL RIGHT." NO, I KNOW I SAID, "ALL RIGHT," BUT I DIDN'T MEAN ALL RIGHT. 312 00:14:52,259 --> 00:14:54,459 OKAY, I'M GONNA CALL MY WIFE RIGHT NOW. I'M GONNA CALL HER RI-- 313 00:14:54,461 --> 00:14:56,431 IT'S NOT -- Harry: HELP ME! PLEASE HELP ME! PLEASE, PLEASE! 314 00:14:56,429 --> 00:14:57,969 I DIDN'T EVEN -- PLEASE! I DIDN'T SEE HER. 315 00:14:57,965 --> 00:14:59,125 WHAT'S GOING ON? HELP ME! 316 00:14:59,132 --> 00:15:03,572 PLEASE, HURRY! PLEASE! PLEASE! 317 00:15:03,570 --> 00:15:05,840 [ HORNS HONKING ] 318 00:15:05,838 --> 00:15:08,278 I DIDN'T SEE HER. 319 00:15:08,275 --> 00:15:10,975 OKAY, BACK UP, BACK UP. SHE CAME OUT OF NOWHERE. 320 00:15:15,548 --> 00:15:16,948 A57 -- I'VE GOT A WOMAN PINNED UNDER A BUS. 321 00:15:18,751 --> 00:15:20,251 SHE CAME OUT OF NOWHERE. I SWEAR TO GOD. REQUEST AN R.A. UNIT AT MY LOCATION. 322 00:15:20,253 --> 00:15:22,623 SEND ADDITIONAL BLACK-AND-WHITES, AS WELL. 323 00:15:22,622 --> 00:15:24,992 I'M SO SORRY. [ INDISTINCT CONVERSATIONS ] 324 00:15:24,992 --> 00:15:28,332 Lucero: YO, TEXAS, GET THE HELL OFF THE BUS. 325 00:15:28,328 --> 00:15:30,198 [ GRUNTING ] 326 00:15:32,432 --> 00:15:34,932 HEY. 327 00:15:34,934 --> 00:15:36,944 HOW ARE YOU DOING? WHAT'S YOUR NAME? 328 00:15:36,936 --> 00:15:37,966 REBECCA. 329 00:15:37,971 --> 00:15:39,541 HEY, REBECCA. 330 00:15:39,539 --> 00:15:41,039 I'M JOHN. 331 00:15:41,041 --> 00:15:44,181 WE GOT AN AMBULANCE COMING. YOU'RE GONNA BE OKAY. 332 00:15:44,177 --> 00:15:47,177 MY DAD'S NAME IS JOHN. 333 00:15:47,180 --> 00:15:50,180 HE TOLD ME NEVER TO RIDE THE BUS IN L.A. 334 00:15:50,183 --> 00:15:52,553 I BET HE NEVER THOUGHT THE BUS WOULD BE RIDING YOU, HUH? 335 00:15:52,552 --> 00:15:54,222 [ CHUCKLES ] 336 00:15:54,221 --> 00:15:56,921 IS THERE SOMEBODY WE CAN CALL? 337 00:15:56,923 --> 00:15:58,433 YOUR DAD MAYBE? 338 00:15:58,425 --> 00:16:01,625 NO. HE LIVES IN MASSACHUSETTS. 339 00:16:01,628 --> 00:16:03,298 ANYBODY ELSE? 340 00:16:03,296 --> 00:16:06,166 I-I JUST MOVED OUT HERE. 341 00:16:06,166 --> 00:16:09,966 I FOLLOWED MY BOYFRIEND, BUT IT DIDN'T WORK OUT. 342 00:16:09,969 --> 00:16:14,709 HE SAID HE COULDN'T BE TIED DOWN, THAT L.A.'s TOO BIG. 343 00:16:14,707 --> 00:16:16,707 OH. HIS LOSS, I BET. 344 00:16:16,709 --> 00:16:17,909 HE'S AN ASSHOLE. 345 00:16:17,910 --> 00:16:21,080 [ CHUCKLES ] MOST GUYS ARE. 346 00:16:21,081 --> 00:16:23,781 PLEASE DON'T LEAVE ME. 347 00:16:23,783 --> 00:16:25,793 I'M NOT GOING ANYWHERE. 348 00:16:25,785 --> 00:16:27,545 [ CRIES ] 349 00:16:27,554 --> 00:16:29,564 POLICE! POLICE! WHAT HAPPENED? 350 00:16:29,556 --> 00:16:32,886 SON OF A BITCH DESTROYED MY BAR, STOLE MY TASER. 351 00:16:32,892 --> 00:16:35,602 I TRIED TO FIGHT BACK, BUT DUDE'S LIKE INCREDIBLE HULK. 352 00:16:35,595 --> 00:16:37,295 Ben: WHAT HAPPENED? CAN YOU DESCRIBE HIM? 353 00:16:37,297 --> 00:16:40,167 DESCRIBE HIM? ASSHOLE SHOT ME, POINT-BLANK! 354 00:16:40,167 --> 00:16:43,167 HE LOOKED LIKE BRUCE WILLIS ON CRACK. 355 00:16:43,170 --> 00:16:45,610 HE TRIED TO TAKE MY CASH, START A FIRE. 356 00:16:45,605 --> 00:16:47,905 LET ME GUESS -- HE'S SCREAMING, "ATTICA, ATTICA"? Joe: YEAH! 357 00:16:47,907 --> 00:16:49,237 SOMEBODY HELP ME! 358 00:16:49,242 --> 00:16:51,342 A CRAZY GUY -- HE ATTACKED MY CAB DRIVER. 359 00:16:51,344 --> 00:16:53,354 HE'S ACROSS THE STREET! RIGHT OVER THERE! 360 00:16:53,346 --> 00:16:54,876 [ HORN HONKS ] HE'S THERE! 361 00:16:54,881 --> 00:16:57,351 Man: ATTICA! ATTICA! HEY! 362 00:16:57,350 --> 00:16:58,820 HE'S GOING. HE'S GOING. 363 00:16:58,818 --> 00:17:00,688 A36 -- SHOW US IN PURSUIT OF A CODE 37 VEHICLE. 364 00:17:00,687 --> 00:17:04,017 ATTICA! ATTICA! REQUEST BACKUP AND AN AIRSHIP. 365 00:17:04,023 --> 00:17:06,393 [ SIREN WAILING ] CLEAR. YOU'RE CLEAR. 366 00:17:09,762 --> 00:17:12,772 SO, WE'RE THINKING THIS 22-YEAR-OLD SALVADORAN NANNY 367 00:17:12,765 --> 00:17:14,465 SNEAKS IN THE WINDOW, SUFFOCATES THE BABY, 368 00:17:14,467 --> 00:17:15,997 THEN HOPS OUT UNDETECTED? 369 00:17:16,002 --> 00:17:17,402 YOU HEARD WHAT MIGUEL SAID. 370 00:17:17,404 --> 00:17:19,574 YEAH, BUT HE SOUNDS LIKE A MAN GRASPING FOR STRAWS. 371 00:17:19,572 --> 00:17:21,872 EITHER THAT OR -- NO. THERE'S MORE TO IT. 372 00:17:21,874 --> 00:17:23,344 LYDIA, IT'S NOT HARD. 373 00:17:23,343 --> 00:17:26,153 THERE'S NO BLOOD, NO VISIBLE TRAUMA, NO FORCED ENTRY. 374 00:17:26,146 --> 00:17:28,476 IT'S -- IT'S A CO-SLEEPING CASE OR SIDS. 375 00:17:28,481 --> 00:17:30,181 WE'RE CHECKING EVERY LEAD. 376 00:17:30,183 --> 00:17:33,193 AT THE EXPENSE OF EVERYTHING THAT'S OBVIOUS. 377 00:17:33,186 --> 00:17:35,356 CARMEN MARTINEZ? 378 00:17:35,355 --> 00:17:36,715 [ DOORKNOB RATTLES ] 379 00:17:36,723 --> 00:17:37,963 OH, DAMN! 380 00:17:37,957 --> 00:17:40,157 OKAY. HERE WE GO. 381 00:17:43,563 --> 00:17:45,063 HEY! STOP! 382 00:17:45,064 --> 00:17:47,904 [ PANTING ] 383 00:17:47,900 --> 00:17:49,400 [ SPEAKING SPANISH ] 384 00:17:49,402 --> 00:17:51,972 [ SPEAKING SPANISH ] HEY. HEY, HEY, HEY. 385 00:17:51,971 --> 00:17:53,741 WHAT ARE YOU RUNNING FOR? 386 00:17:53,740 --> 00:17:55,740 COME ON, NOW. LET'S TAKE IT EASY. TAKE IT EASY. TAKE IT EASY. 387 00:17:55,742 --> 00:17:57,742 DON'T MAKE IT HARDER THAN IT HAS TO BE. 388 00:17:57,744 --> 00:18:01,114 [ SIREN WAILING ] 389 00:18:01,114 --> 00:18:02,654 CLEAR. 390 00:18:02,649 --> 00:18:05,319 SHIT. LET HIM GO. LET HIM GO. 391 00:18:05,318 --> 00:18:08,718 [ HORN BLARES ] 392 00:18:12,725 --> 00:18:14,055 [ HORN HONKS ] 393 00:18:14,060 --> 00:18:16,800 HE'S ON THE LEFT. NOW HE'S BACK. 394 00:18:16,796 --> 00:18:17,956 [ TIRES SCREECH ] 395 00:18:17,964 --> 00:18:19,174 SHIT. 396 00:18:23,303 --> 00:18:27,673 HE'S TAKING THE LEFT. HE'S GOT THE LEFT. 397 00:18:35,815 --> 00:18:37,845 SHEESH. 398 00:18:37,850 --> 00:18:40,520 SHIT! FUCK. 399 00:18:45,091 --> 00:18:47,091 [ TIRES SCREECHING ] 400 00:18:47,093 --> 00:18:49,263 CLEAR. 401 00:18:54,967 --> 00:18:57,667 [ HORN BLARES ] 402 00:19:02,809 --> 00:19:04,879 WHAT THE FUCK? 403 00:19:04,877 --> 00:19:06,407 SHIT. 404 00:19:06,413 --> 00:19:08,653 [ TIRES SCREECH ] 405 00:19:08,648 --> 00:19:10,178 FLIP AROUND. 406 00:19:15,021 --> 00:19:17,521 GOT HIM. CLEAR. CLEAR. 407 00:19:17,524 --> 00:19:19,734 I GOT IT. I'M GONNA BAIL. IT'S DANGEROUS. 408 00:19:19,726 --> 00:19:22,326 YOU GOT HIM. GOT HIM! YOU GOT HIM. 409 00:19:23,296 --> 00:19:25,466 CLEAR! 410 00:19:25,465 --> 00:19:27,625 SHIT. 411 00:19:28,501 --> 00:19:31,871 SHIT. FUCK. I GOT TO GO. 412 00:19:33,506 --> 00:19:37,936 THE HELL ARE YOU DOING? SHIT. 413 00:19:42,181 --> 00:19:44,351 FUCK! 414 00:19:44,351 --> 00:19:47,051 WHAT THE FUCK ARE YOU DOING?! 415 00:19:47,053 --> 00:19:49,223 [ STATIC ] 416 00:19:49,222 --> 00:19:52,262 A36 -- WE FELL OUT OF PURSUIT. 417 00:19:52,259 --> 00:19:55,029 [ SIRENS WAILING IN DISTANCE ] 418 00:19:55,027 --> 00:19:56,827 [ POLICE RADIO CHATTER ] 419 00:19:56,829 --> 00:19:59,369 NICK, LET'S GET THIS COP OUT OF HERE. 420 00:19:59,366 --> 00:20:01,696 COOP! COOP, THEY NEED TO GET IN THERE, MAN. 421 00:20:01,701 --> 00:20:03,401 I'M NOT GOING ANYWHERE, ALL RIGHT? 422 00:20:03,403 --> 00:20:05,413 I'M RIGHT HERE. 423 00:20:05,405 --> 00:20:07,565 YOU DON'T WORRY ABOUT THEM. YOU JUST LOOK AT ME. 424 00:20:07,574 --> 00:20:09,144 THEY WANT YOU OUT OF THERE, MAN. 425 00:20:09,141 --> 00:20:11,311 [ AIR HISSING ] 426 00:20:11,311 --> 00:20:12,611 COOP, GET OUT OF THERE, MAN. 427 00:20:12,612 --> 00:20:15,322 I'M GOOD. I'M GOOD. THEY NEED TO WORK. 428 00:20:15,315 --> 00:20:17,175 Man: HOLDING. 429 00:20:17,183 --> 00:20:19,423 GO AHEAD AND SHUT OFF THE RED. GOT IT? 430 00:20:19,419 --> 00:20:21,089 John: I'M RIGHT HERE, REBECCA. 431 00:20:21,087 --> 00:20:23,287 RIGHT HERE. NICK, YOU NEED ANY HELP DOWN THERE? 432 00:20:23,290 --> 00:20:24,620 [ GRUNTS ] 433 00:20:28,428 --> 00:20:31,228 Man: WE'RE GONNA LOG ROLL HER TO HER LEFT. 434 00:20:31,230 --> 00:20:33,930 MEDICS, DO YOU HAVE YOUR GURNEY? 435 00:20:33,933 --> 00:20:36,643 [ CLEARS THROAT ] 436 00:20:37,837 --> 00:20:40,567 I'M RIGHT HERE, SWEETHEART. 437 00:20:42,842 --> 00:20:44,542 GET THE HEAD BLOCKS. 438 00:20:47,814 --> 00:20:49,684 [ SIGHS ] 439 00:20:51,484 --> 00:20:54,794 ALL RIGHT. REBECCA, CAN YOU WIGGLE YOUR TOES? 440 00:20:54,787 --> 00:20:57,687 [ CONVERSING IN SPANISH ] 441 00:21:01,794 --> 00:21:03,664 SHE SAID SHE THOUGHT WE WERE FROM I.N.S. 442 00:21:03,663 --> 00:21:06,203 ASK HER ABOUT REYA AND MIGUEL. 443 00:21:06,198 --> 00:21:08,398 [ CONVERSING IN SPANISH ] 444 00:21:19,979 --> 00:21:22,519 UH, SHE SAID SHE WORKED FOR THEM AS A NANNY 445 00:21:22,515 --> 00:21:25,715 FOR A COUPLE OF MONTHS, AND THEN REYA GOT JEALOUS. 446 00:21:25,718 --> 00:21:27,388 HOW COME? 447 00:21:27,387 --> 00:21:29,387 [ SPEAKING SPANISH ] 448 00:21:32,959 --> 00:21:35,829 MIGUEL WAS IN LOVE WITH HER, BUT -- 449 00:21:35,828 --> 00:21:37,658 DID HE SAY THAT HE LOVED YOU? 450 00:21:37,664 --> 00:21:40,034 [ CONVERSING IN SPANISH ] 451 00:21:46,673 --> 00:21:50,043 NOT EXACTLY. NOT EXACTLY? 452 00:21:50,042 --> 00:21:51,382 [ CELLPHONE VIBRATES ] 453 00:21:51,378 --> 00:21:53,508 OH. DETECTIVE ROBINSON. 454 00:21:53,513 --> 00:21:54,913 SO, WHAT, YOU DECIDED TO JUST REMOVE THE OBSTACLES? 455 00:21:54,914 --> 00:21:57,484 MIGUEL. SLOW DOWN. SLOW DOWN. WHERE ARE YOU? 456 00:21:57,484 --> 00:21:58,654 WREAK HAVOC, AND THEN BE WAITING WITH OPEN ARMS? 457 00:21:58,651 --> 00:22:00,521 SHE DID WHAT? [ SPEAKING SPANISH ] 458 00:22:00,520 --> 00:22:03,160 YOU WAITED UNTIL REYA AND MIGUEL WERE SLEEPING. SO, WHERE IS SHE NOW? 459 00:22:03,155 --> 00:22:05,685 AND THEN YOU SNUCK IN AND YOU KILLED JAVIER, DIDN'T YOU? HOLD TIGHT. WE'LL BE THERE. 460 00:22:05,692 --> 00:22:06,962 ะ’ั—QUะ“ยฉ? HOW'D YOU DO IT, HUH? 461 00:22:06,959 --> 00:22:08,659 DID YOU USE A PILLOW? POR FAVOR. 462 00:22:08,661 --> 00:22:10,261 LYDIA. LYDIA. WHAT? NO. 463 00:22:10,262 --> 00:22:12,332 SHE'S DELUSIONAL, AND SHE THINKS THAT MIGUEL IS IN LOVE WITH HER. 464 00:22:12,331 --> 00:22:14,171 LYDIA, LET'S -- WHAT? 465 00:22:14,166 --> 00:22:15,326 JUST -- JUST FOR A SECOND. 466 00:22:15,334 --> 00:22:16,674 WE HAVE A MOTIVE. 467 00:22:18,170 --> 00:22:22,910 LISTEN. SHE DIDN'T DO IT, OKAY? SHE DIDN'T DO IT. 468 00:22:22,909 --> 00:22:24,639 I JUST GOT OFF THE PHONE WITH MIKE, 469 00:22:24,644 --> 00:22:26,384 AND HE SAID THAT REYA ADMITTED IT. 470 00:22:26,379 --> 00:22:29,449 YEAH, AND SHE'S IN THE WIND. 471 00:22:30,817 --> 00:22:33,317 THANKS. 472 00:22:33,319 --> 00:22:35,819 BEST FOOD TRUCK IN L.A.? 473 00:22:35,822 --> 00:22:41,192 IT'S NO CHICKEN MOLE, BUT IT'S ALL RIGHT. 474 00:22:41,193 --> 00:22:42,903 NEXT TIME, WE FLIP A COIN. 475 00:22:42,895 --> 00:22:44,895 LOSER'S BENEATH THE BUS, OKAY? 476 00:22:44,897 --> 00:22:46,597 SOUNDS GOOD. [ RINGTONE PLAYS ] 477 00:22:46,599 --> 00:22:49,599 OH, JESUS CHRIST. 478 00:22:49,602 --> 00:22:51,602 LADY'S PRETTY HORNY, HUH? 479 00:22:51,604 --> 00:22:55,144 [ SIGHS ] NO. NO. 480 00:22:55,141 --> 00:22:56,741 IT'S MY OLD F.T.O. 481 00:22:56,743 --> 00:22:58,083 HE'S BEEN CALLING ME ALL DAY, 482 00:22:58,077 --> 00:23:00,247 DESPERATE FOR ME TO COME VISIT HIS HOUSEBOAT. 483 00:23:00,246 --> 00:23:02,946 [ CELLPHONE CHIMES ] MY OLD BUDDY HAD A CATAMARAN. 484 00:23:02,949 --> 00:23:05,179 A GOOD PLACE TO RELIVE THE GLORY DAYS, 485 00:23:05,184 --> 00:23:09,564 GET OUT OF THE GRIT, TALK, LAUGH, SHOOT THE SHIT. 486 00:23:09,556 --> 00:23:11,256 COULD BE WORTH THE DRIVE. 487 00:23:11,257 --> 00:23:13,757 [ CHUCKLES ] I DOUBT IT. 488 00:23:13,760 --> 00:23:15,760 ALL EX-COPS GO A LITTLE STIR-CRAZY. 489 00:23:15,762 --> 00:23:18,232 DUDE COULD PROBABLY JUST USE A LITTLE COMPANY. 490 00:23:18,230 --> 00:23:19,770 WHAT, LIKE A PINOCHLE PARTNER? 491 00:23:19,766 --> 00:23:21,226 DISPATCHER: Any unit can handle -- 492 00:23:21,233 --> 00:23:24,443 reports of unknown trouble, 1317 Seward Street. 493 00:23:24,437 --> 00:23:25,707 COME ON. 494 00:23:25,705 --> 00:23:27,235 A57 -- SHOW US RESPONDING. 495 00:23:27,239 --> 00:23:29,939 [ SIGHS ] [ CHUCKLES ] 496 00:23:31,478 --> 00:23:33,648 THANKS, SARGE. 497 00:23:33,646 --> 00:23:35,646 AIRSHIP LOST HIM IN A PARKING GARAGE. 498 00:23:35,648 --> 00:23:38,278 THEY BOXED OFF A PERIMETER, BUT STILL NO SIGN. 499 00:23:38,284 --> 00:23:40,254 [ SIGHS ] 500 00:23:40,252 --> 00:23:42,152 THIS WHOLE DAY'S TURNED INTO A ONE-MAN ASSHOLE -- 501 00:23:42,154 --> 00:23:44,764 UNBELIEVABLE. 502 00:23:44,757 --> 00:23:46,087 WHAT? WE WERE LEAD CAR. 503 00:23:46,092 --> 00:23:48,162 COULD HAVE HAD HIM. YOU FUCKING QUIT. 504 00:23:48,160 --> 00:23:49,660 NO. YEAH. 505 00:23:49,662 --> 00:23:51,162 THE SITUATION WITH TAMMI -- IT'S SCREWING WITH YOUR HEAD. 506 00:23:51,163 --> 00:23:53,033 IT'S AFFECTING YOUR ABILITY TO DO THE JOB. 507 00:23:53,032 --> 00:23:56,602 SHIT GOT CRAZY OUT THERE. LIVES WERE IN DANGER. 508 00:23:56,603 --> 00:23:58,713 I-I HANDLED IT. I GOT A KID AT HOME. 509 00:23:58,705 --> 00:24:00,305 BULLSHIT. BULLSHIT. DON'T YOU FORGET THAT. 510 00:24:00,306 --> 00:24:01,836 WHEN YOU WERE FUCKING CHEERLEADERS 511 00:24:01,841 --> 00:24:04,541 BEHIND THE BLEACHERS, I WAS OUT HERE ON THE STREETS. 512 00:24:04,544 --> 00:24:05,884 DON'T YOU FORGET THAT, EITHER. 513 00:24:05,878 --> 00:24:08,478 I'M DRIVING. LET'S GO! 514 00:24:08,481 --> 00:24:12,551 P-2. GET IN THE CAR! 515 00:24:14,420 --> 00:24:18,120 [ ENGINE TURNS OVER ] 516 00:24:18,124 --> 00:24:21,664 [ DOG BARKING ] 517 00:24:27,433 --> 00:24:31,143 [ PAWS SCRATCHING ] 518 00:24:31,137 --> 00:24:35,237 [ BARKING CONTINUES ] 519 00:24:41,313 --> 00:24:43,583 L.A.P.D.! 520 00:24:43,583 --> 00:24:47,253 [ BARKING CONTINUES ] 521 00:24:49,321 --> 00:24:51,191 [ DOOR CREAKS ] 522 00:24:51,190 --> 00:24:52,530 [ BARKING STOPS ] 523 00:24:52,525 --> 00:24:55,695 HEY, BUDDY. 524 00:24:55,695 --> 00:24:58,765 WE'RE COMING IN! 525 00:25:18,484 --> 00:25:19,854 L.A.P.D.! 526 00:25:22,622 --> 00:25:27,162 POLICE OFFICERS! 527 00:25:30,129 --> 00:25:31,829 COOP. 528 00:25:48,047 --> 00:25:51,617 [ DANIELS GROANING, WHIMPERING ] 529 00:25:55,655 --> 00:25:59,025 YOU IN THERE! 530 00:25:59,025 --> 00:26:01,225 COME ON OUT. 531 00:26:01,227 --> 00:26:02,727 HEY! NO! 532 00:26:02,729 --> 00:26:05,699 DROP THE KNIFE! 533 00:26:05,698 --> 00:26:10,698 SIR, DROP THE KNIFE! 534 00:26:10,703 --> 00:26:12,103 [ DOG BARKING ] 535 00:26:13,205 --> 00:26:15,605 STOP! 536 00:26:15,608 --> 00:26:17,878 HEY! 537 00:26:19,511 --> 00:26:21,381 DO NOT TAKE ANOTHER STEP FORWARD! 538 00:26:21,380 --> 00:26:24,050 SIR! 539 00:26:24,050 --> 00:26:26,050 DROP IT! 540 00:26:26,052 --> 00:26:28,092 [ SCREAMING ] 541 00:26:28,087 --> 00:26:31,617 MR. DANIELS! PLEASE, DON'T HURT HIM! 542 00:26:31,624 --> 00:26:33,364 Lucero: STOP! DON'T HURT HIM! 543 00:26:33,359 --> 00:26:34,759 FREEZE! GET DOWN ON THE GROUND! PLEASE, DON'T HURT HIM! 544 00:26:34,761 --> 00:26:36,201 GET ON YOUR KNEES! MR. DANIELS! 545 00:26:36,195 --> 00:26:38,455 GET ON YOUR KNEES NOW! DON'T SHOOT HIM! 546 00:26:38,464 --> 00:26:41,134 ON YOUR KNEES! HEY! 547 00:26:41,133 --> 00:26:42,643 GET YOUR HANDS BEHIND YOUR HEAD! 548 00:26:42,635 --> 00:26:43,935 DON'T KILL HIM! 549 00:26:43,936 --> 00:26:46,936 HANDS ON YOUR HEAD. NO! CALL AN AMBULANCE! 550 00:26:46,939 --> 00:26:48,239 MR. DANIELS! OKAY, COME ON. IT'S OKAY. 551 00:26:48,240 --> 00:26:49,510 NO! IT'S OKAY. 552 00:26:49,508 --> 00:26:51,238 PLEASE. COME ON. COME ON. IT'S OKAY. 553 00:26:51,243 --> 00:26:52,413 AAH! COME ON. 554 00:26:52,411 --> 00:26:53,751 MR. DANIELS! 555 00:26:53,746 --> 00:26:55,106 IT'S GONNA BE ALL RIGHT. 556 00:26:59,551 --> 00:27:02,091 [ ENGINE SHUTS OFF ] 557 00:27:06,292 --> 00:27:09,162 [ SIGHS ] 558 00:27:15,634 --> 00:27:18,004 WAIT HERE. 559 00:27:35,822 --> 00:27:37,822 [ SIGHS ] 560 00:27:37,824 --> 00:27:40,564 MIKE SAID WE'D FIND YOU HERE. 561 00:27:40,559 --> 00:27:45,659 SAID YOU LIKED TO BRING JAVI TO WATCH THE CAROUSEL. 562 00:27:47,934 --> 00:27:51,104 I'M A NEW MOM, TOO. 563 00:27:51,103 --> 00:27:52,813 AND I KNOW HOW HARD IT CAN BE. 564 00:27:52,805 --> 00:27:54,965 BELIEVE ME, I KNOW. 565 00:27:54,974 --> 00:27:59,854 SLEEPLESS NIGHTS, STRESSED OUT ABOUT THE BABY, 566 00:27:59,846 --> 00:28:03,176 WORRIED IF YOU'RE DOING THE RIGHT THING, 567 00:28:03,182 --> 00:28:06,752 OR, EVEN WORSE, IF SOMETHING'S WRONG WITH YOU. 568 00:28:09,521 --> 00:28:14,061 MY GUT TELLS ME YOU DIDN'T INTENTIONALLY HURT YOUR BABY. 569 00:28:14,060 --> 00:28:17,930 IT'S EVERY PARENT'S WORST NIGHTMARE. 570 00:28:17,930 --> 00:28:20,270 I WANT TO HELP YOU. 571 00:28:20,266 --> 00:28:23,036 BUT I CAN'T UNLESS YOU TELL ME WHAT HAPPENED. 572 00:28:25,304 --> 00:28:28,374 [ Crying ] I HAVEN'T SLEPT 573 00:28:28,374 --> 00:28:30,184 IN TWO OR THREE WEEKS. 574 00:28:30,176 --> 00:28:35,506 I'M ALWAYS ARGUING WITH MIKE. 575 00:28:35,514 --> 00:28:40,224 AND JAVI -- IT FELT LIKE I WAS CONSTANTLY FEEDING HIM. 576 00:28:40,219 --> 00:28:41,919 AND WHEN I WASN'T, I WAS CHECKING ON HIM, 577 00:28:41,921 --> 00:28:45,791 TERRIFIED SOMETHING WAS WRONG. 578 00:28:45,792 --> 00:28:50,662 HE SCREAMED ALL HOURS OF THE NIGHT. 579 00:28:50,662 --> 00:28:53,532 HE NEVER STOPPED. 580 00:28:53,532 --> 00:28:55,332 [ SNIFFLES ] 581 00:28:55,334 --> 00:28:59,714 SO I STARTED BRINGING HIM TO BED WITH ME. 582 00:28:59,705 --> 00:29:03,405 [ CRIES ] 583 00:29:03,409 --> 00:29:07,249 I TOOK AN AMBIEN. 584 00:29:07,246 --> 00:29:11,616 I-I JUST WANTED A FEW HOURS. 585 00:29:11,617 --> 00:29:14,417 AND WHEN I WOKE UP, 586 00:29:14,420 --> 00:29:17,960 JAVI WAS LAYING BENEATH ME, NOT BREATHING. 587 00:29:17,957 --> 00:29:21,827 [ CRIES ] 588 00:29:21,828 --> 00:29:28,298 I TRIED TO REVIVE HIM, BUT IT WAS TOO LATE. 589 00:29:30,803 --> 00:29:32,873 [ SOBBING ] 590 00:29:42,849 --> 00:29:45,179 [ YELLING IN SPANISH ] 591 00:29:45,184 --> 00:29:46,694 PLEASE, FOURTH FLOOR. GO. 592 00:29:46,685 --> 00:29:48,685 FOURTH FLOOR -- HE'S UP THERE. ALL RIGHT, SHUT UP. 593 00:29:48,687 --> 00:29:52,117 HE'S RUINING EVERYTHING! 594 00:29:54,961 --> 00:29:57,831 [ INDISTINCT SHOUTING ] 595 00:29:57,830 --> 00:30:01,700 PUT HER DOWN! PUT HER DOWN! 596 00:30:01,700 --> 00:30:03,570 PUT HER DOWN! PUT HER DOWN! 597 00:30:03,569 --> 00:30:05,909 SHIT! 598 00:30:05,905 --> 00:30:07,265 SHIT. 599 00:30:07,273 --> 00:30:08,913 [ GRUNTS ] 600 00:30:13,045 --> 00:30:14,405 [ SCREAMS ] 601 00:30:14,413 --> 00:30:17,553 [ BOTH GRUNTING ] 602 00:30:36,135 --> 00:30:37,665 HEY, YOU ALL RIGHT? 603 00:30:37,669 --> 00:30:38,839 [ Strained ] YEAH. YEAH. 604 00:30:38,837 --> 00:30:40,367 GO, GO, GO! 605 00:30:40,372 --> 00:30:43,012 FUCK! GO! 606 00:30:48,447 --> 00:30:49,947 FREEZE! 607 00:30:49,949 --> 00:30:51,819 DAMN IT. 608 00:30:51,817 --> 00:30:53,817 FUCK! 609 00:30:53,819 --> 00:30:57,889 SUSPECT HEADING NORTH IN THE ALLEY! 610 00:30:57,890 --> 00:31:02,430 Man: ATTICA! ATTICA! ATTICA! 611 00:31:02,428 --> 00:31:05,558 ATTICA! ATTICA! 612 00:31:17,843 --> 00:31:21,113 ATTICA! ATTICA! ATTICA! 613 00:31:21,113 --> 00:31:23,083 [ SCREAMING ] [ DOG SNARLING ] 614 00:31:32,691 --> 00:31:38,261 A36 -- I NEED AN R.A. UNIT AT CROWN HILL AVENUE AND UNION -- 615 00:31:38,264 --> 00:31:39,834 NOW! 616 00:31:39,831 --> 00:31:42,601 [ SCREAMING CONTINUES ] 617 00:31:45,337 --> 00:31:46,107 ALL RIGHT, TAKE CARE. 618 00:31:46,838 --> 00:31:50,338 [ SIGHS ] ASSHOLE DIED. 619 00:31:50,342 --> 00:31:52,682 INCISOR TO THE CAROTID ARTERY. 620 00:31:52,678 --> 00:31:54,408 CRRK! THAT'S NOT SOMETHING YOU SEE EVERY DAY. 621 00:31:54,413 --> 00:31:55,913 UNH-UNH. 622 00:31:55,914 --> 00:31:57,924 YOU JUST HAD TO PROVE ME WRONG, HUH? 623 00:31:57,916 --> 00:31:59,146 [ LAUGHS ] 624 00:31:59,151 --> 00:32:02,321 250 POUNDS OF PISSED-OFF K-9 AS BACKUP 625 00:32:02,321 --> 00:32:04,391 SURE BEATS YOUR SCRAWNY ASS, SHERMAN. 626 00:32:04,390 --> 00:32:05,520 YEAH, THANKS. 627 00:32:05,524 --> 00:32:08,634 MAYBE WE SHOULD GIVE SPOT A GUN AND A BADGE. 628 00:32:08,627 --> 00:32:13,027 HEY, UH, I WAS THINKING. MAYBE YOU WERE RIGHT. 629 00:32:13,032 --> 00:32:15,532 ALL THIS CRAP WITH TAMMI, I.A. COMING AFTER ME, 630 00:32:15,534 --> 00:32:18,704 MAKING ME FEEL LIKE I DID SOMETHING WRONG. 631 00:32:18,704 --> 00:32:22,714 MAYBE I WAS OFF MY GAME, A LITTLE DISTRACTED. 632 00:32:22,708 --> 00:32:24,608 IT WON'T HAPPEN AGAIN. 633 00:32:24,610 --> 00:32:27,480 FORGET IT. 634 00:32:27,479 --> 00:32:29,119 DRIVE. 635 00:32:29,115 --> 00:32:30,115 [ CHUCKLES ] 636 00:32:30,116 --> 00:32:32,016 [ GRUNTING ] 637 00:32:35,387 --> 00:32:38,087 YEAH, I UNDERSTAND. [ SIGHS ] 638 00:32:38,090 --> 00:32:42,430 THANKS FOR CALLING ME BACK. [ SNIFFS ] 639 00:32:42,428 --> 00:32:45,628 HOW'S IT GOING, BROTHER? 640 00:32:45,631 --> 00:32:47,631 IT'S ALL RIGHT. 641 00:32:47,633 --> 00:32:50,003 UH, MY BUS VICTIM JUST GOT OUT OF SURGERY, 642 00:32:50,002 --> 00:32:52,372 AND IT LOOKS LIKE SHE'S GONNA MAKE IT. 643 00:32:52,371 --> 00:32:53,511 [ CHUCKLES ] 644 00:32:53,505 --> 00:32:57,205 I THINK YOU'RE DOING BETTER THAN ME, MAN. 645 00:32:57,209 --> 00:32:59,549 DEALT WITH A DEAD BABY TODAY. 646 00:32:59,545 --> 00:33:03,345 TWO WEEKS AGO, I HAD A HEART ATTACK. 647 00:33:03,349 --> 00:33:05,849 WHAT ARE YOU GONNA DO, MAN? 648 00:33:05,851 --> 00:33:09,061 TWO TEARS IN A BUCKET AND MOTHERFUCK IT, RIGHT? 649 00:33:09,055 --> 00:33:11,455 [ LAUGHS ] 650 00:33:11,457 --> 00:33:14,827 GONNA GO HOME AND GIVE THE WIFE THE DIRTY BUSINESS. 651 00:33:14,826 --> 00:33:20,266 HEY. JOHN. 652 00:33:23,369 --> 00:33:26,069 GO HOME, TEND YOUR CACTUS, MAN. 653 00:33:26,072 --> 00:33:28,272 RENT A MUSICAL, DO WHAT YOU DO. 654 00:33:28,274 --> 00:33:31,544 JUST HAVE A GOOD TIME, ALL RIGHT? 655 00:33:31,543 --> 00:33:35,283 HAVE A GOOD TIME, COOPER! 656 00:33:46,058 --> 00:33:48,588 [ SIGHING ] 657 00:33:52,764 --> 00:33:54,104 [ CHUCKLES ] 658 00:33:54,100 --> 00:33:56,300 WORK UP AN APPETITE YET? 659 00:33:56,302 --> 00:33:59,172 [ LAUGHS, MOANS ] 660 00:33:59,171 --> 00:34:02,541 I'M GONNA COOK YOU UP SOMETHING REAL NICE. 661 00:34:12,251 --> 00:34:14,251 ะ’ั—QUะ“ยฉ PASA? 662 00:34:14,253 --> 00:34:16,593 I SEE YOU MET MY COUSIN. 663 00:34:16,588 --> 00:34:19,088 I DIDN'T KNOW WE WERE HAVING PEOPLE OVER. 664 00:34:19,091 --> 00:34:23,031 RELAX, WEY. WE LET OURSELVES IN. 665 00:34:23,028 --> 00:34:25,228 [ CHUCKLES ] 666 00:34:25,231 --> 00:34:27,701 YOU PLAY? 667 00:34:27,699 --> 00:34:29,499 YEAH, I PLAY. 668 00:34:29,501 --> 00:34:33,471 ALL RIGHT, THEN. GO PUT ON SOME CHONIES, HOLMES. 669 00:34:45,984 --> 00:34:48,194 HICKS! 670 00:34:51,123 --> 00:34:54,333 [ KNOCK ON WINDOW ] 671 00:34:57,996 --> 00:35:01,696 HICKS! 672 00:35:01,700 --> 00:35:04,040 HEY, IT'S COOP. 673 00:35:04,035 --> 00:35:07,405 I BRAVED THE 405. 674 00:35:09,308 --> 00:35:14,678 ACTUALLY, IT WASN'T THAT BAD. 675 00:35:18,684 --> 00:35:21,854 HEY, OLD MAN? 676 00:35:38,604 --> 00:35:43,184 HICKS? I'M COMING DOWN. 677 00:35:46,545 --> 00:35:47,875 HICKS? 678 00:35:47,879 --> 00:35:48,879 WHAT? 679 00:35:56,121 --> 00:35:58,791 YOU'RE ON THE DAMN TOILET. 680 00:35:58,790 --> 00:36:00,990 Hicks: WHAT ARE YOU DOING IN MY HOUSE, ASSHOLE? 681 00:36:00,992 --> 00:36:02,632 YOU INVITED ME. [ GRUNTING ] 682 00:36:07,499 --> 00:36:09,839 YOU COULDN'T WAIT TILL I GOT HERE? 683 00:36:09,835 --> 00:36:13,365 JOHNNY, GIVE AN OLD SON OF A BITCH A HAND 684 00:36:13,372 --> 00:36:15,372 GETTING ON HIS FEET, WILL YOU? 685 00:36:15,374 --> 00:36:18,084 WHOA. YOU DON'T LOOK SO GOOD. 686 00:36:18,076 --> 00:36:19,406 SPEAK FOR YOURSELF. 687 00:36:19,411 --> 00:36:23,421 OOH. ANSWER YOUR DAMN PHONE SOMETIME. 688 00:36:23,415 --> 00:36:26,585 CHRIST. YOU WANT A DRINK? 689 00:36:26,585 --> 00:36:30,555 NO. I GOT WHISKEY AND VODKA. 690 00:36:30,556 --> 00:36:33,226 AND, UH, OH, I GOT WEED, TOO. OKAY. 691 00:36:33,225 --> 00:36:35,585 YOU KNOW, THEY'RE PRACTICALLY GIVING THAT SHIT AWAY NOWADAYS. 692 00:36:35,594 --> 00:36:37,134 YOU'RE DONE FOR THE NIGHT. 693 00:36:37,128 --> 00:36:38,798 AH, FUCK OFF. 694 00:36:38,797 --> 00:36:42,797 STEP ON YOUR MEAT, KID -- DON'T STEP ON YOUR MEAT. 695 00:36:42,801 --> 00:36:45,141 YOU KNOW, THIS WOULD BE A LOT EASIER 696 00:36:45,136 --> 00:36:47,666 IF YOU JUST PUT ONE FOOT IN FRONT OF THE OTHER, OLD MAN. 697 00:36:47,673 --> 00:36:49,383 YOU THINK YOU'RE IMPORTANT, DON'T YOU? 698 00:36:49,375 --> 00:36:50,675 ALWAYS STANDING ME UP? 699 00:36:50,676 --> 00:36:53,206 WELL, YOU'RE NOT. YOU'RE NOT. 700 00:36:53,211 --> 00:36:55,381 [ SCOFFS ] 701 00:36:55,381 --> 00:36:58,881 YOU'RE JUST A GODDAMN TOOL FOR THEIR DISPOSAL. 702 00:36:58,884 --> 00:37:00,594 AND THAT'S ALL. NOTHING MORE. NOTHING MORE. 703 00:37:00,586 --> 00:37:02,116 COME ON. SHUT UP! JUST -- 704 00:37:02,120 --> 00:37:05,820 [ SIGHS ] GET IN BED. 705 00:37:05,824 --> 00:37:07,494 I'M SERIOUS. 706 00:37:07,493 --> 00:37:12,033 DEPARTMENT CHEWS YOU UP, SPITS YOU OUT. 707 00:37:12,030 --> 00:37:13,370 AND LOOK AT ME. 708 00:37:13,365 --> 00:37:15,365 I'M JUST A HORSE OUT TO PASTURE. 709 00:37:15,367 --> 00:37:18,737 AND -- AND YOU WILL BE, TOO, YOU DUMB FUCK. 710 00:37:18,737 --> 00:37:19,907 YEAH. OKAY. 711 00:37:19,905 --> 00:37:22,905 COME ON. HEY, HEY. 712 00:37:22,908 --> 00:37:26,238 HEY, HEY, HEY. 713 00:37:26,244 --> 00:37:27,914 WHAT? 714 00:37:27,913 --> 00:37:29,923 [ PANTING ] 715 00:37:35,587 --> 00:37:39,287 I ALMOST ATE MY GUN FOR DINNER. 716 00:37:39,291 --> 00:37:41,961 [ LAUGHING ] 717 00:37:45,531 --> 00:37:48,731 TASTED LIKE SHIT. 718 00:37:51,002 --> 00:37:54,372 I-I-I'LL TRY AGAIN TOMORROW, MAYBE. 719 00:37:54,373 --> 00:37:56,913 [ GROANING ] 720 00:37:56,908 --> 00:37:58,908 [ GRUNTING ] 721 00:38:06,552 --> 00:38:08,252 YOU GET SOME SLEEP. 722 00:38:08,253 --> 00:38:10,423 AYE, AYE, BOOT. [ CLICKS TONGUE ] 723 00:38:10,422 --> 00:38:12,622 [ SIGHING ] 724 00:38:45,256 --> 00:38:48,326 [ BOTTLES CLINK ] 725 00:38:53,298 --> 00:38:55,998 [ BOTTLE CAP RATTLES ] 726 00:39:17,255 --> 00:39:20,955 [ INDISTINCT SHOUTING ] 727 00:39:23,795 --> 00:39:25,655 Victor: HEY, HEY, HEY, HEY! 728 00:39:25,664 --> 00:39:27,034 FUCKING STOP. DON'T TOUCH ME! 729 00:39:27,032 --> 00:39:28,202 HEY! 730 00:39:28,199 --> 00:39:30,499 YOU MOTHERFUCKER. WHAT THE FUCK? 731 00:39:30,502 --> 00:39:32,202 LET GO OF ME! 732 00:39:32,203 --> 00:39:33,373 STOP IT! 733 00:39:33,371 --> 00:39:36,311 STOP! STOP! 734 00:39:36,307 --> 00:39:39,647 [ INDISTINCT SHOUTING ] 735 00:39:39,645 --> 00:39:41,645 I'M NOT TOUCHING HER. 736 00:39:41,647 --> 00:39:44,147 [ COUGHING ] 737 00:39:44,149 --> 00:39:46,649 BUDDY. 738 00:39:46,652 --> 00:39:49,522 WHAT THE FUCK WAS THAT? WHAT THE FUCK WAS THAT? 739 00:39:49,521 --> 00:39:51,861 I DIDN'T TOUCH HER. YOU DIDN'T TOUCH ME? 740 00:39:51,857 --> 00:39:53,427 YOU DIDN'T TOUCH ME, YOU FUCKING -- 741 00:39:53,425 --> 00:39:55,825 JUST TRYING TO KICK YOU OFF WITH ALL THE CRAZY -- 742 00:39:55,827 --> 00:39:57,997 [ CLICK ] 743 00:40:08,440 --> 00:40:11,140 [ CHRISTOPHER CRYING ] 744 00:40:15,046 --> 00:40:17,916 [ SIGHS ] 745 00:40:22,220 --> 00:40:24,890 [ SIGHS ] 746 00:40:24,890 --> 00:40:27,090 [ CRYING CONTINUES ] 747 00:40:36,134 --> 00:40:38,304 OH, OH, OH, OH, OH. 748 00:40:38,303 --> 00:40:40,643 OH, OH, OH. OH, OH. 749 00:40:40,639 --> 00:40:43,639 Shh, shh, shh. Shh, shh, shh. Shh, shh, shh. 750 00:40:43,642 --> 00:40:46,182 Shh, shh, shh, shh, shh. 751 00:40:46,177 --> 00:40:49,047 Shh. Shh. 752 00:40:49,047 --> 00:40:52,377 [ CRYING ] 753 00:40:52,383 --> 00:40:54,253 OKAY, OKAY, OKAY. 754 00:40:54,252 --> 00:40:57,222 Shh. 755 00:40:57,222 --> 00:41:01,692 ALL RIGHT, CHRISTOPHER. COME ON, BABY, PLEASE. 48925

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