Original subtitles

- Subtitles - Luís Filipe Bernardes

# Di quella pira l'orrendo foco #

# Tutte le fibre m'arse, avvampò! #

# Empi, spegnetela, o ch'io fra poco #

# Col sangue vostro la spegnerò! #

# Era già figlio prima d'amarti, #

# Non può frenarmi il tuo martir #

# Madre infelice, corro a salvarti, #

# O teco almeno corro a morir, #

# O teco almen corro a morir, # # O teco almen, o teco a morir! #

Hello!

Hello.

I didn't know you were on board.

Well, look pleased about it.

I'm delighted.

Iris Brant, this is Mr. Anderson, Mr. Anderson. Miss Brant.

- How do you do? - How do you do?

Olga has told me such a lot about you.

Don't believe a word of it.

Oh, but I must. You agree so exactly with the description.

As bad as that?

As good as that.

Don't flatter him, Iris. The man's ruined already.

Aren't you playing deck tennis this morning?

Oh, of course, I nearly forgot.

- Good-bye, Mr. Anderson. - Good Bye.

Didn't you really know I was on board?

No.

Oh, don't be so enthusiastic.

What do you expect me to do? Kiss you in front of the whole ship?

No, but you might at least look glad to see me.

Listen, Hugh, if you think I am the sort of woman...

that may be picked up and dropped, you're making a very serious mistake.

- Are you going to make a scene? - No, but I've got to talk to you today.

I'm awfully sorry, but I am on duty.

Well, tonight when you are off duty, I'll expect you in my cabin.

I can't come to your cabin.

- You know that's against the regulations. - You've done it before.

Yes, but the risk of losing my job.

You'll be running a much bigger risk if you don't come.

I'll leave my cabin door open.

I'm awfully sorry. I'm in the wrong cabin.

You see, I... I thought it belonged to a...

to a..

- Oh, here is your dress, Madam. - Thank you.

I've sewn on the button. Is there anything else?

- No, thank you. - Thank you, Madam. Good night.

Good night.

I say, that was a close shave.

And it might have been very awkward for you.

I do hope you'll forgive me.

By the way, my name's Anderson.

Well, then... Good night, Miss...

Good night.

Come in.

- Good morning, Mr. Arnold. - Good morning.

What have you got there?

The copies of the contracts.

Already? It wasn't as urgent as all that.

I didn't want you to lose your night's rest over this.

Hello.

Speaking.

Oh, just hold the line a moment, will you?

Miss Carleton, I want you to take this message,

code it and wireless the New York office at once, will you?

- Yes. - Now let me see, um...

I don't think I've got any more for you to do.

You'd better go on deck and enjoy yourself.

Thank you, I will.

Good morning.

Oh, good morning, Mr. Anderson.

- So you haven't forgotten my name? - No, I haven't.

Yours I think?

My cigarette case. I left it in your cabin.

So you see, I couldn't help remembering your name.

I wish I had something to remind me of yours.

Helen Carleton.

Oh, are those sharks?

No, porpoises on their honeymoon trip.

- Have a look through these. - Oh, they've disappeared.

Hold on a minute, we'll soon pick them up again.

- Now can you see? - Yes, but only with one eye, this one.

We'll soon fix that.

- Is that better? - Yes, they're wonderful.

It's the loveliest thing I've ever seen.

One does see lovely things on board ships sometimes.

May I borrow your glasses?

Of course.

Miss Carleton, have you met Mrs. Desmond?

- How do you do? - How do you do?

- Is this your first trip? - Yes, and I'm loving it.

I am so glad. I'm sure Mr. Anderson will do his utmost to make it an enjoyable one.

- Won't you, Hugh? - Naturally.

Well, I'm afraid I must be off.

- Good-bye. - Good-bye.

- She's charming. - Yes.

I congratulate you.

What for?

I told you last night everything that happened, we'd hardly spoken three words.

Possibly, but after all,

the most thrilling speech a man can make to any woman is exactly three words.

Don't talk nonsense.

Excuse me, please.

But... we have forget-me-nots.

It's a pleasure.

# Partirono le rondini # # Dal mio paese freddo #

Where's the music coming from?

From the loudspeaker on the tourist deck.

# Cercando primavere di viole # That's Enzo Curti.

I felt sure it was the moment it began.

# Nidi d'amore e di felicità #

What a glorious voice.

Yes, marvelous.

# La mia piccola rondine partì #

# Senza lasciarmi un bacio #

# Senza un addio fuggi #

- What a pity we can't understand a word. - I know how they go.

Can you speak Italian?

Very little, but I've heard that song so often.

It's an Italian love song.

# Non ti scordar di me # - Say that you won't forget me.

# La vita mia legata è a te # - My life is linked to yours.

# Io t'amo sempre più # - My love for you grows daily more.

- You are always in my dreams. # Nel sogno mio rimani tu #

Yes? Yes?

- Go on. # Non ti scordar di me #

I think I know now how it goes.

For three days I've thought of no one but you.

Dreamt of no one but you.

Three days...

I've known I love you.

# C'è sempre un nido #

# Nel mio cor per te #

# Non ti scordar di me #

Hello.

Yes, fine, thanks.

My hotel in New York? Well, I don't know yet.

Yes, I'll let you know before we land.

How could I forget?

Besides, I've got something here to remind me.

That's the second time I've done it.

You're quite right, I am careless.

No, don't. You keep it.

Yes. To remind you.

Good-bye, darling, until tonight.

Come in.

Oh, I hope I'm not disturbing you.

Why did you come here? You know it's against the regulations.

Why, were you expecting somebody?

No.

But we shall be in New York in an hour and I've a lot to do.

I know. But you disappeared so suddenly from the dance last night.

I just wanted a word before we landed.

Sit down.

Look here, Olga.

I'll try and make it as easy for you as I can.

Really, Hugh, you... you make me feel quite frightened.

Olga,

You know I'm awfully fond of you, but...

But the little secretary, hm? Oh, I understand.

Very touching.

Look, for heaven's sake, Hugh, don't make a fool of yourself.

You can laugh at me as much as you like.

But that won't alter anything.

Now listen, Olga.

I'll tell you the whole thing.

Oh, good morning, Miss Carleton.

- Good morning. - Good morning, Mrs. Desmond

You both had a good trip?

- Yes, marvelous, than you. - Lovely, isn't it?

You look busy. I'll see you again before we land.

Have you got that reply from the New York office there?

Oh, yes, here it is.

- Where have you been all this time? - Oh, packing.

And if you really want to know, I've been listening to a delicious little scandal.

Scandal? Oh, do tell me.

Well, it appears there's a young officer on board,

who has the habit of walking into the wrong cabin...

- ...in the first night on every trip. - That's merely stupid.

Not at all. The wrong cabin belongs to the right woman, someone he's taken a fancy to.

Yes, well?

Well, naturally the woman is surprised, the officer apologizes and leaves.

- What, immediately? - There and then.

What a horrible man.

- Oh, but he leaves his cigarette case. - Now I begin to see.

The next day the lady returns the case,

the ice is broken and the, er... friendship begins.

After that it's all plain sailing, moonlight, music, romance, oh, you know.

Finally he gives her the cigarette case.

In memory of the happiest hours he will ever know.

Until the next trip.

You must excuse me, I've got to go and finish my packing.

Yes, certainly, I'll see you on deck.

Hello.

- What's wrong? - Nothing.

But you sent back my cigarette case.

What for?

You'll need it for the next voyage, won't you?

What do you mean?

Well, to leave in someone else's cabin.

I don't understand.

I didn't think you would.

Well, you must excuse me, I must be getting ashore.

Helen!

For heaven's sake, tell me what I've done.

It's just what you always have done, I suppose.

But don't worry I wasn't bored for a second.

- Helen, please... - Oh, there you are.

I wondered where on earth you'd gone to. We must be getting along.

- Good-bye, Mr. Anderson. - Good-bye.

Good-bye, Mr. Anderson pleasant voyage back.

- Good afternoon, Miss Carleton. - Good afternoon, Mr. Arnold.

Good news.

The contract's signed, so that's that.

Splendid.

You've been working very hard, I think we ought to celebrate this occasion.

I'm going to take you out.

Oh, no, thank you, I've got too much work to do.

Oh, nonsense, no more work for today, you're coming with me.

I'd rather not if you don't mind.

I don't want to be personal, Miss Carleton, but you've been rather depressed lately.

- Feeling homesick? - No.

- Bad news? - No.

Something else? A little salt-water romance?

Whatever it is, forget it for tonight.

I've got tickets for the concert at the Olympic Theater...

...and who do you think is singing there? The great Enzo Curti.

Please, Enzo, please.

You'll be late.

Lo finirai dopo.

You can finish your game afterwards

La donna.

Il fante.

10, 9, 8... 7, finished.

Finito! Ecco fatto, presto, presto!

- Oh, Maestro! - Jackson, no mi fa diventare nervoso!

My dear Enzo, I make you nervous?

I am nervous!

Maestro, maestro, please, we are waiting for you.

And the audience are getting nervous.

Senti, il pubblico is already...

nervo...

# Che bella cosa na jurnata 'e sole #

# N'aria serena doppo na tempesta #

# Pe' ll'aria fresca pare gia' na festa #

# Che bella cosa na jurnata 'e sole #

# Ma n'atu sole #

# Cchiu' bello, oi ne' #

# 'O sole mio sta 'nfronte a te #

# ‘O sole, ‘o sole mio #

# Sta 'nfronte a te #

# Sta 'nfronte a te #

Vedi quela signorina in prima fila?

- Quale? Quale? - Quella bella signorina.

- Which one? - Maestrino!

- Cerca di avvicinarla, eh? - The audience is waiting

You must go out again! You must go in...

- Go, go... - Bene, bene, va bene.

# Partirono le rondini # # Dal mio paese freddo e senza sole #

# Cercando primavere di viole #

# Nidi d'amore e di felicità #

# La mia piccola rondine partì #

# Senza lasciarmi un bacio #

# Senza un addio fuggi #

# Non ti scordar di me #

# La vita mia legata è a te #

# Io t'amo sempre più #

# Nel sogno mio rimani tu #

# Non ti scordar di me #

# La vita mia legata è a te #

# C'è sempre un nido nel mio cor per te #

# Non ti scordar di me #

Bravo, bravo, wonderful, wonderful!

- Chi è quella signorina? - Dove, dove?

Quella in prima fila, eh?

Oh, you mean the one next to the elderly gentleman.

All right, I'll go and fetch them.

Puoi andare, Vicenzo. Buona notte.

She's here, she's here! Trovata, trovata.

- E dove stà? - Qui, qui!

Maestro, I can't believe it, my dream has come true.

Prego, Signorina

To think that out of all these thousands people...

...you've chosen me to come and see you.

- Oh, my, it's too divine... - Prego, Signorina! Qui c'è un equivoco.

Equivoco? What a beautiful word!

Equivoco, come se dice in inglese, equivoco?

Equivoco? Mistake.

- Mistake, Signorina. - Mistake?

Mistake... mistake.

Cretino.

Idiota.

What are you doing?

I'm driving my car, can't you see?

Yes, but why out here?

My room is too small.

It's a lovely car, isn't it?

Do you like my car?

Would you like a ride? Get in.

Not now, it's getting too late.

It's time little boys like you were in bed, you know.

I've been in bed, but I can't sleep.

I wanted to play in my car that Papa gave me yesterday.

Where's your Mama?

I haven't got a mama, my papa is my mama.

Haven't you got a governess?

My governess has gone on a big ship to England.

- Where do you live? - I live right over there.

Well, mind then, I'm going to give you a ride home.

- Will you give me a push? - All right, I'll give you a push.

Come on.

Oh, this is too high for you.

Now, here, here...

- Papa, Papa! - Hello!

I hope you don't mind me playing with your little boy.

But I found him outside in the corridor.

Scuzi, no ho capito.

I don't know speak English.

- Scuzi... - Hm-hmm.

Sei io qui...

Io ho...

I found your little boy... little boy...

...with his motor.

- Motor... - Motor, hm...

In the corridor.

Oh, yes, in corridor, eh?

Invece di andare in giro per il corridoio,

il cattivo bambino imbecille andrà al letto, eh?

Che birichino!

Now I'm afraid I must be off.

Good night, Mr. Racing Driver, pleasant dreams.

Don't go.

- You really want me to stay? - Yes.

All right. I'll help him get into bed.

- Thank you. - Come on.

I'll take off your dressing gown and you can take off your shoes yourself.

Come on.

Now take off your shoes.

- There... - All right, now get into bed.

- Why don't you put it on the floor? - Never mind.

Now you must go to sleep.

I don't want to go to sleep, I want to play in my car.

Not now, tomorrow.

- Can you say your prayers? - Yes.

Please God, Mummy and Daddy, make me a good boy.

Everything come all right for us all, amen.

That's right. Now go to sleep.

- Good Night. - Good night.

Sleep well.

- Papa, dove vai? - No, vengo subito.

Please, a moment.

I very happy to see you.

I'd never thought I should actually meet the great Curti in person tonight.

You were at concert tonight.

Yes.

- You sang wonderfully. - And you cry.

You noticed me crying?

I see.

Non deve vergognarsi.

You have good cuore.

Heart.

And that beautiful.

Very beautiful.

Papa, Papa!

Vengo! Vengo, vengo.

I sing, he sleeps. I am Papa and Mama.

Mamma morta.

Dead.

Papa!

Lo senti?

Please, stay.

Sing Dormi.

Si, ora ti canterò Dormi, Dormi, and you sleep, eh?

# Mille cherubini in coro #

# Che sorridono dal cielo #

# Una dolce canzone #

# T'accarezza il crin #

# Una man ti guida lieve #

# Fra le nuvole d'or #

# Sognando i vegliando #

# Su te, mio tesor #

# Proteggendo il tuo cammin #

# Dormi, dormi #

# Sogna, piccolo amor mio #

# Dormi, sogna #

# Posa il capo sul mio cor #

# Chiudi gli occhi #

# Ascolta gli angioletti #

# Dormi, dormi #

# Sogna, piccolo amor #

Sleep.

You're much more than just a wonderful singer.

Cosa dice, scuzi?

You are more than a great singer. Singer!

You are a good man.

A good man?

Non capisco, scuzi.

Heart, cuore. Good.

Ah, heart good, thank you. Thank you, very kind.

Now I'm afraid I must be going, it's getting so terribly late.

- Ma come, va via? - Sì, voi vìa.

Quando potrò riverderla?

Again I see you tomorrow.

I'm going back to England tomorrow.

England? Tomorrow?

- Oh, no, no. - Oh, yes, yes.

Tomorrow I speak English perfect.

- Perfetto, hm? - All right, perfetto.

- Good-bye. - Good-bye.

Well, that's everything.

Will you tell the porter to get them down to the boat?

Yes.

- Now, have you finished that letter? - Yes, here it is.

Fine, I'll sign it now.

Yes.

Now see that it gets off at once, will you?

Our boat sails at noon, I'll see you on board.

- Now don't miss it. - Of course not.

Hello?

Oh, good morning.

How are you?

Thanks. I am very well.

What has happened to you? You can speak perfect English this morning.

"I hope to be able to see you very soon."

"I must speak to you alone"

All right, I'll be here.

Come in.

- Good morning. - Good morning.

What on earth have you got there?

My best friend.

Diccionario.

- A dictionary? - Dictionary, good?

Splendid.

I am the heart, he is...

We are, you are, they are.

- Sit down, will you? - Thank you.

- Please. - Thank you.

- You first. - Thank you.

I must speak you...

but please not laugh.

Laugh at you? Why should I?

Thank you. You are very, very kind.

Dear Miss,

I know you only a short, er...

A short time, I know I am not young, not good look...

Look...

- Loo... - Good-looking.

Looking Thank you.

But just the same, I must...

May I?

Just to say that I must tell you that from last night I think always of you.

And I will be very sad if I lose you.

Why?

From last night...

I...

I...

Senta, Signorina,

Mi lasci parlare in italiano?

Io sono solo.

I am alone.

Solo con mio figlio.

Egli non a madre.

Io penso che lei potreve essere per lui e per me...

I'm sorry I don't quite follow.

Is this a declaration of love?

No.

No... I ask...

I ask just...

I ask...

- A marriage proposal? - Yes.

Do you mean you want to marry me?

Yes.

You love another man?

No, no, not really but...

I've had a great disappointment.

Great disappointment?

Great disappointment

Dissiluzione.

Great pain.

But...

I will try do the pain... away.

Dear Mummy and Daddy,

- on your weddy anniversary... - Wedding anniversary.

I wish you happiness!

Now, you've said it a hundred times. Just once more.

Dear Mummy and Daddy,

on your wedding anniversary I wish you happiness!

Splendid. Right you are. Come along and we'll go in.

- Aren't I heavy? - Yes, you are.

Now wait a minute

- You can't carry me - Yes, I can

Put that in your right hand. Now, are you ready?

Come on.

Dear Mummy and Daddy.

Dear Daddy and Mummy,

On... on your wedding... I wish you happiness.

Come, darling, come on, there you are...

My happy couple,

on this your first anniversary,

on this great day...

He doesn't know it!

Dear, dear, what a pity. I thought it was going to be rather good.

Anyhow, here is my present.

Oh, how wonderful, a contract for the world tour.

# La donna è mobile # # Qual piuma al vento #

# Muta d'accento e di pensiero #

# Sempre un amabile # # Leggiadro viso #

# In pianto o in riso, è menzognero #

# La donna è mobile # # Qual piuma al vento #

# Muta d'accento e di pensiero #

# E di pensiero #

# Spirto gentil, ne' sogni miei #

# Brillasti un dì # # Ma ti perdei #

# fuggi dal cor # # Mentita speme #

# larve d'amor, larve d'amor #

# Fuggite insieme #

# Larve d'amor #

# Una furtiva lagrima #

# Negli occhi suoi spuntò #

# Quelle festose giovani #

# Invidiar sembrò #

# Che più cercando io vo? #

# Che più cercando io vo? #

Helen!

Good Evening, Helen.

I've waited a long time for this moment.

I've got to talk to you.

I'm afraid you and I have nothing to say to one and another.

I've great deal to say to you.

I'm sorry, but... I've got somebody waiting for me.

Yes I know, your husband.

And all the same I've got to talk to you.

If not here, then you must tell me where.

Nowhere.

Then I'll tell you where.

You'll be in the lounge of the Atlantic at four o'clock tomorrow.

If you are not there, I shall come to you.

I'm sorry I'm so late, I had an awful lot to do.

- You understand don't you? - Yes, I do.

Got your contract?

Not yet.

Why isn't the contract ready?

- It will be ready in a couple of minutes. - Let me see.

# E, non posso arivare a capire # # Che carattere tieni tu #

# Molto troppo chichirichi # # Molto troppo cucurucu #

- How are the bookings for tonight? - Sold out.

- And the other one? - The same of course, what do you expect?

It's a Curti concert, isn't it?

I want you to understand that this is the first and the last time I shall see you.

I'm not going to let you spoil my life or his life.

I only came because last night you tried to threaten me.

- What do you want me to see you for? - Are you happy?

Yes, very happy.

What made you run away that day? Why didn't you explain?

Why did you do that to me, to yourself, to both our lives?

Because I know that you're not happy.

I remember you looked different when you were happy.

If you go on like this, I shall get up and go.

You can do what you like.

But before you go, you must listen to me.

Helen.

Tell me, Maestro, how did you manage to learn such good English?

Simple.

- I am in love with my teacher. - Is she pretty?

- Pretty? She is wonderful. - Is your wife jealous?

No, not of this woman. She even lets me sing to her.

Don't you see now that it was a trick of hers?

And is she still with you?

I see.

What else could I do?

When I heard you were married I didn't care anymore.

And you given up the sea?

Yes.

But a friend of mine who has a farm in Australia has asked me to join him.

I'm leaving tonight.

Helen. You still love me.

Come with me.

I knew that some day fate would bring us together again

That some day I should find you

- You must come. - I can't. I can't!

It's no use fighting, darling. I've found you and this time I shall keep you.

There's no other way for us.

The 11:10 from Euston.

I'll be waiting for you.

# Sweet dream of love # # That has gone past recalling #

# How far it seemed # # Till it vanished with the day #

# My heart is sad # # And the shadows are falling #

# Tears are awaiting # # Through our forsaking #

# My heart is breaking #

# Oh, beloved, come back #

# Come back to me #

You have been away a long time, darling.

Yes, I went shopping and then I went for a walk.

Helen.

Do you know what happened today?

I was complimented for my English.

I said I spoke so well because I was in love with my teacher.

And he believed me.

What is it, darling?

- Is anything wrong? - No, nothing. Where's Benvenuto?

In Manhattan theater.

Are you sure there is nothing wrong?

No, no, nothing.

Hadn't you better go and get ready for the concert, dear?

Yes, all right.

All right.

Do you know what the time is?

I've no idea. I think I must have been asleep.

Are you ill, darling?

No, I'm just tired, it's all the traveling we've been doing recently.

Helen.

You're hiding something from me

No, I'm not. I promise you I'm not.

You know how much you mean to me.

Don't you?

Yes... I do

Don't bother to wait for me, dear.

I'll get changed and come along as soon as I'm ready.

Hello?

Packed? No.

Listen, Hugh, I can't come with you.

I can't.

Hello, hello? Helen you must come with me.

I won't go without you.

I'll be waiting at the train for you.

Don't fail me.

I can't understand why you're so upset.

I'm sure she's still at home.

All right, I'll call her.

Give me Mrs. Curti's flat, please.

Can I speak to Madame Curti?

Thank you very much.

What is it?

They say she left home half an hour ago.

Jackson, I am so worried about her.

But why?

- I don't know. - All right.

All right. I'll have another look.

Come in.

Excuse me, sir, a letter for you.

For me?

Your wife intends to leave tonight on the 11:10 Euston train with another man.

Maestro, aren't you coming?

They're all waiting for you.

- I can't - What on earth is the matter?

- I can't go on... - But you must.

- I can't. - But you must!

It's impossible.

In queste condizione non posso cantare.

I've never seen you like this before.

Helen is here.

- She's here? - Yes

- Helen? - Yes, I've seen her, she's in her box.

Well, ora, canto!

Now I sing.

Let's go

# Partirono le rondini # # Dal mio paese freddo e senza sole #

# Cercando primavere di viole #

# Nidi d'amore e di felicità #

# La mia piccola rondine partì #

# Senza lasciarmi un bacio # # Senza un addio fuggi #

# Non ti scordar di me #

# La vita mia legata... #

# Io t'amo sempre più # # Nel sogno mio rimani tu #

# Non ti scordar di me #

# La vita mia legata a te #

# C'è sempre un nido nel mio cor per te #

# Non ti scordar di me #

Basta! Lasciatemi andare!

- Daddy! - Hello.

- Why are you so sad? - Nothing, dear.

We went to the woods.

We had a little public road to go over for cars in the woods.

There were some houses, we got out in the woods.

It was very easy to get out of the woods where we went.

Oh, very easy to get out.

If you went to the woods today, well if...

if you go so near it, if you go into... oh, you get so many wolves to eat you.

It's all right. Now go to sleep

Sing Dormi.

Not tonight, tomorrow, eh?

I won't go to sleep if you don't.

- Not tonight, tomorrow. - Sing Dormi.

All right, all right.

Now go to sleep.

That's right.

# So sleep gently #

# Sleep, my darling, gently #

# To my lullaby #

# Sleep, my darling, sleep #

# Good God and angels #

# Guard and bless you #

# To my lullaby #

# Sleep, my baby, sleep #

- Subtitles - Luís Filipe Bernardes