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- Some 45 kilometers from Mexico
lies the birthplace of the gods, Teotihuacan.
Erected in the 1st century AD,
it was as heavily populated as Athens.
Its 65-meter Pyramid of the Sun
is the second largest in the world
after the Great Pyramid of Giza,
built using only man's muscle power.
- All of Teotihuacan was created without any metal,
which is amazing because that includes everything
from the construction equipment.
So it wasn't the technology.
It was the people that created Teotihuacan.
- Of all Mesoamerican cities,
Teotihuacan is the most mysterious.
It was the stage of thousands of human sacrifices.
Its unique construction is the work of builders
who identity remains unknown.
- They were like Martians.
I mean, they pulled in people
into this highly organized city
on a grid system.
This was like nothing before.
- An enigma, the key of which
may lie deeply buried in 102-meter long tunnel
beneath the Pyramid of the Feathered Serpent.
- My theory
is that for a period of time,
the end of the tunnel was used to store the remains
of someone specific, someone with a lot of power,
most likely a first era leader of Teotihuacan.
- Archeologists have recently made
local discoveries that reveal the secrets
behind the construction of history's
very first pre-Columbian megalopolis.
Teotihuacan,
a city born out of an incredibly crazy idea,
to build the city as a giant cosmogram,
a perfect replica of the universe,
as a way to reach the level of the gods.
Following a perfectly orthogonal layout,
the city is divided into four quadrants,
separated by two avenues,
oriented by the four cardinal points.
At their intersection, the Temple of the Feathered Serpent
dedicated to the state god, Quetzalcoatl,
symbolizes the center of the universe.
At the north end of the two-kilometer long
Avenue of the Dead is the Pyramid of the Moon,
standing 42 meters high
and perfectly aligned with Cerro Gordo peak.
Facing west, the 215-meter wide Pyramid of the Sun
is only rivaled by the Great Pyramid of Giza in Egypt.
The surrounding lands feature 2,200 dwellings
spreading over 23 square kilometers,
a gigantic city that reached 200,000 inhabitants
in its heyday, and which took five centuries to complete.
- Teotihuacan was an impressive city,
one of the five largest cities in the whole world back then.
- It's really not just a city, it's a landscape.
It's so massive that the imprint of the ancient city
still is making thousands and millions of people
from all over the world come to visit it.
That's how successful they were
as far as creating a convincing template
that attracted that number of people.
- The city became a hotspot for worshipers,
thanks to its many lavish ceremonies,
much like on this night in 350 AD.
From the Avenue of the Dead, tens of thousands of pilgrims
marched toward the Pyramid of the Moon.
At its peak, and with their hands tied,
men awaited in fear.
Coming from all four corners of Central America,
they were diplomats, warriors, or merchants,
all well-born individuals whose sacrifice
was expected to please the gods
and consecrate the imposing monument.
With a swoop of the razor-sharp obsidian axe,
the men were beheaded.
They all suffered the same fate
and their corpses were placed
in the heart of the great pyramid.
- Every culture in the world
practiced sacrifices.
Even the Romans and the Greeks,
they all practiced human sacrifice,
but it was something very special here.
It was deeply rooted in daily life,
whether as self-sacrifice, collective,
or familial sacrifice, or even entire neighborhoods.
- You don't select just anyone for sacrifice.
They have to be specific individuals
selected for becoming the ultimate sacrificial victims,
representing the state that are able to fulfill
the function of a successful ritual dedication.
- For what reason?
Well, it was a way to guarantee
the durability of their landmarks.
And when they wanted to build a new monument,
they had to carry out a new sacrifice.
The more they gave, the more they expected to receive.
- While it is the most impressive,
Teotihuacan is also the most mysterious city of Mesoamerica.
Its civilization left no trace behind,
and its true name fell into complete oblivion.
It was only centuries after its fall that the Aztecs,
standing before such perfection, gave the city
the name of Teotihuacan, meaning birthplace of the gods.
One question has continued
to plague archeologists ever since:
who built this most incredible pre-Columbian city?
In the 1st century BC,
at an altitude of 2,275 meters,
men and women from Northern Mexico
crossed the semi-arid highlands
in search of a place to settle,
a journey that would lead them
all the way to the Valley of Mexico.
- I believe that there were people
back then who were geomancers.
Geomancy is a little-known gift.
Those who have it are able to determine
where a city should be founded.
- And they moved into the Valley of Mexico,
which is a rich, rich valley.
And because of the richness of the soils and so on,
they were able to pull people together physically
and still support them.
- An abundance that would draw
an ever-increasing number of migrants
to Teotihuacan in just a few decades.
- There were between 15 and 20,000 inhabitants,
which was already a large colony for that time.
And those men and women needed to be fed.
So they obviously had to figure out a way
to increase the yield of their crops.
- A soaring population that pushed city leaders
to rethink traditional agricultural practices.
A food shortage would have clearly been fatal
to the young city.
To increase food production,
they came up with an ingenious system of irrigation.
Fed by rainwater, two reservoirs,
each 500 meters long, 5.5 meters wide,
and 1.4 meters deep,
irrigated large expanses of agricultural land.
The water was pulled by gravity
into grooves carved into the bedrock,
which maintained constant humidity
in the thin layer of arable soil,
a complex system that allowed for multiple harvest annually,
much to the prestige of the city's elite.
- It's highly likely that the group
that oversaw the planning and construction of the system
started to gain more and more power.
- The political authority of Teotihuacan
is very well contested, right?
Some people say that it was a type
of collaborative rulership, and some say, no,
it was a very traditional autocratic rulership,
which one ruler that ruled resided over the city itself.
The reason we're contesting it so much is because
one, we don't have a writing system,
so we don't have a history of, you know, the Maya area.
They have lavishly engraved epigraphic records
of every ruler, every affair he had.
We don't have that at Teotihuacan.
The second thing is that
we don't actually have a burial of a king.
So, a centralized authority.
It doesn't have to be one person,
but it's much easier if it is.
So until I see evidence for the contrary,
I think it's really important to keep that in mind.
- Whether or not they shared their power,
the city's elites definitely had
some serious competition in the region.
The south was home to the Zapotec Empire
and the impressive city of Monte Alban.
To the east was the powerful Maya civilization
and its monumental cities of Nakbe and Calakmul.
And just a day away on foot to the southwest
was Cuicuilco, the largest urban center
in the Valley of Mexico at the time.
And all of these cities were home to monumental pyramids.
- Religion played a fundamental role
in the creation of the world
for the ancient people of Mesoamerica.
There's not a single city that wasn't built around a temple.
It was a central cohesive element.
- Pyramids are really artificial mountains.
They are able to bring to life, you know,
it's not just a mountain, but it's the mountain
where the ancestors' spirits are living.
That's how you communicate with your ancestors.
It's about being able to connect with the community
and the gods, and the whole ecological order
by building these mountains.
- Teotihuacan didn't simply want
to rival its powerful neighbors.
It wanted to dominate them.
To that end, builders needed to devise
a city unlike any other,
and make Teotihuacan the beacon of a new era.
The year was 50 AD.
The future city began to take shape around an immense road
that was two kilometers long and 70 meters wide,
the Avenue of the Dead.
This central access then branched into a network
of perfectly perpendicular streets and alleyways,
a city grid that foreshadowed large modern metropolises
like New York City or Beijing.
- It was urban planning
on an unprecedented level,
anywhere in the world.
That's why we consider Teotihuacan
to be the most perfect example of urban planning.
- They were like Martians.
I mean, they pulled in people
into this highly organized city on a grid system.
This was like nothing before
that would have required something like that
to be impressive, to make a statement,
a statement of power.
- A statement of power
illustrated by three sanctuaries.
The first, at a colossal 65 meters high
and 215 meters wide, was the Pyramid of the Sun.
With a volume of over one million cubic meters,
it's the biggest pyramid ever built in Mesoamerica.
- This pyramid was the megaphone of Teotihuacan.
This is what everybody looked towards.
No matter if you're a farmer
in the hinterlands of Teotihuacan,
you saw the pyramid, you saw what was going on.
You saw the smoke signal.
It doesn't matter where you live.
You will identify with the Sun Pyramid.
You will be proud to be part of this city,
so magnificent that it radiates its presence
throughout the whole valley.
- A pyramid, dedicated
to the most sacred star of Mesoamerica, the sun.
The structure was precisely oriented
15.5 degrees east of astronomical north.
The western wall is perfectly aligned
with the setting sun on August 12th,
which marks the beginning of the dry season,
and on April 29th, which marks the beginning
of the rainy season.
- They were sky watchers.
They were scientists and astrologers
that interpreted the sun,
predicted eclipses, understood the Venus cycle.
And so it's really incredible to understand
how meaningful this place was.
- The exact, you know, movement of the stars
and making their time system and so on, was astrology.
And you know, and some of these people say,
"Well, they could predict the seasons,
and when to plant."
That's quite ridiculous.
I mean, the farmers knew about this
a lot better than the kings.
And so these things had a religious meaning.
- A pyramid connected to the stars,
but also used to keep time.
That's because the Teotihuacanos designed the building
according to ancient Mesoamerican calendars,
the haab, comprised of 365 days,
symbolizing the solar cycle,
and the tzolkin, a ritual calendar of 260 days
divided into 13 months of 20 days each.
A complex calendar system,
which, thanks to a recent discovery,
has also been tied to the unit of measurement
used by Teotihuacano architects, the TMU,
a standard length of 83 centimeters,
corresponding roughly to the distance
between a human's fingertips and their heart.
- What's fascinating about this measurement unit
is that they actually tell us a little bit
about how they were able to materialize
what they saw into the sky,
and how they interpret that
physically into the walls, the rooms.
- Therefore, the 215-meter width
of the Pyramid of the Sun
corresponds to 260 TMUs,
the exact number of days on the ritual calendar.
The pyramid was surrounded by a 34-meter wide platform,
bringing its depth to 431 meters,
or 520 Teotihuacan measurement units,
twice the symbolic number of 260.
- When I say the Teotihuacanos were ingenious engineers,
I'm not kidding, you know.
They really were able to not only kind of make it look nice,
it actually really made you embody the cosmos
by just walking through the city itself.
That's what a better way to experience Teotihuacan
than embodying their understanding
of the whole world works through experience.
- But beyond symbolism,
the architects needed to figure out
how to erect such a massive monument.
To do so, they relied on an unexpected ally,
Popocatepetl, a volcano
located 100 kilometers to the south of Teotihuacan,
which had been forming the foundation
of the Valley of Mexico for thousands of years.
An almost inexhaustible supply of volcanic rock
was extracted by workers from dozens
of underground quarries all around the city.
- They quarry specifically this type of basalt,
which is locally called Tezontle,
and this Tezontle has a lot of pores,
so it's really lightweight and you can shape it very easily.
So it's easier to carry to you wanna build buildings.
That's why they preferred this type of rocks,
but they were not available on the surface.
They had to dig below the tepetate layer.
This is volcanic tough, and this is very soft,
as you see here, you can destroy it very easily.
And they crushed tepetate to make a base of the floor.
- In total,
some 715,000 cubic meters of this rock
was extracted from the earth
to build the entire city of Teotihuacan.
The material was then carried by men
on their backs for hundreds of meters.
That's because pre-Columbian civilizations
never domesticated animals to help them carry heavy loads.
- They compensated for the lack of pack animals
with an efficient use of manpower.
The people were the labor force,
and they were very effectively put to work
in a well organized way in order to be productive.
That's one of the characteristics
of Mesoamerican societies.
- The rulers of the city knew
they had an abundant supply of workers.
The population of Teotihuacan and its surroundings
was already at 80,000 inhabitants.
Men from each family were selected
to be part of the workforce.
- Religion played
a very important role in controlling
the people and the workforce.
That's something that had never been seen before.
It's very different from slavery, capitalism, or feudalism.
Here, you could own tools and land,
but they controlled the power of your labor.
- During the dry season,
tens of thousands of builders worked tirelessly
on the enormous construction of the pyramid.
Such a massive structure
could have very well crumbled
beneath its own weight.
To prevent that from happening,
a mound-shaped wall was built around the pyramid.
The interior of the structure was supported
with a grid of cells made of adobe bricks,
a mix of straw and clay.
The holes were then filled with dirt and rocks,
a process that was repeated layer after layer
all the way to the top.
This honeycomb structure allowed the building
to withstand the heavy weight
of the filling within the pyramid.
- Construction cells, they are not invented
at to Teotihuacan, but in Puebla.
And the reason why that technique
was developed or invented is unknown.
But I suspect that around 50 to 70,
there was a huge organic eruption of Popocatepetl.
And I assumed there was huge earthquake
and it is possible that many structures were destroyed.
Then those people possibly experimented
using different techniques.
And then finally invented
the technique of construction cells.
So, to keep those pyramids stable,
Teotihuacan people emulated or imitated those techniques.
- The Pyramid of the Sun
is the muddiest structure ever built by manpower alone.
How long did it take the Teotihuacano people to build it?
No one really knows.
Although many archeologists share similar beliefs
about the answer, a recent experiment
has shed new light on the conversation,
the construction of a miniature temple
using the same tools and materials from back then.
- We completed the whole process
in two weeks with four workers.
And the most intriguing thing
I learned through this process
is that we try to keep the walls flat,
but actually, we failed.
It was not possible for us.
I still do not understand how Teotihuacan people did it,
especially for large buildings.
So, based on our experiments, I calculated
the time necessary to complete the Sun Pyramid.
And I think it took less than 10 years,
and possibly around six years,
which is much less time than previously thought.
- An achievement that continues to impress
and puzzle archeologists some 2,000 years later.
How could the same people who built such structures
disappear without leaving behind any clues
about their identity?
South of the Avenue of the Dead,
beneath the Pyramid of the Feathered Serpent,
is the second main sanctuary in Teotihuacan.
15 meters below the surface,
a mysterious tunnel that was discovered in 2003
could unravel the mystery.
Entirely carved out with rudimentary tools,
this manmade cavity is covered in a thin layer of mud,
and follows an east to west orientation.
The tunnel stretches over 102 meters.
15 meters from the entrance,
a series of 23 walls, each one meter thick,
were built to block access into the tunnel.
- The tunnel was sealed three separate times
with walls that go from the floor to the ceiling.
Then they would destroy the walls to get inside again.
But we don't know for what purpose.
And then they'd rebuild new walls
on top of the remains of the old walls.
Later, they came back, but for some reason,
they left without rebuilding the walls.
Instead, they filled the tunnel with lots of dirt and rocks.
My theory is that for a period of time,
the end of the tunnel was used to store the remains
of someone specific, someone with a lot of power,
most likely a first era leader of Teotihuacan.
- Could this tunnel
have been the tomb of the Teotihuacan kings?
For the first time, archeologists seem
to be close to solving the puzzle.
At the end of the first section,
which is 65 meters long,
the narrow tunnel suddenly drops.
- The majority of the tunnel's first section
was dug about 15 meters below the surface.
And this here is deeper.
It goes down to 17 meters.
I think this whole section
must have been how they accessed
what we believe to be the most sacred
and important spot of the entire tunnel.
I believe it's the gateway to the real world,
the truth, and the real underworld.
- An intriguing sparkle in the rock
attracts the eye,
a phenomenon that's far from natural.
- The entire tunnel must have been covered
with this sparkling mineral powder.
It's made of three minerals:
pyrite, hematite and magnetite,
which were brought here from far away
and painted on these walls, the ceiling,
and even the floor of the tunnel.
It must have been an extremely important
religious experience to enter here in total darkness,
with only the light from your torch.
As the flame flickered, it must have looked like
the sky and the stars of the underworld.
- At the end of the tunnel,
three chambers facing east, south, and north form a cross,
the center of which is perfectly aligned
with the peak of the pyramid.
This imaginary vertical access
is called the axis mundi.
- There's a symbolic conduit here
that connects all three levels of the cosmos.
The entire world rotates around this vertical axis.
What continues to amaze us is how the Teotihuacanos,
this deep, were able to precisely calculate
how to perfectly align this point
with the summit of the Pyramid of the Feathered Serpent.
- Although no tomb was discovered here,
archeologists did make another incredible discovery:
four stone statues representing three women and a man,
all facing the axis mundi.
- We discovered the remains
of another sculpture, much larger than the four others.
It appears to have been a male figure.
It was naked like the others,
but all we found at this spot was a foot,
and 100 meters farther, a leg.
We believe that means that when the Teotihuacanos
came into this place, likely to desacralize
the tomb of the man who was buried here,
they also destroyed the sculpture,
which likely represented him.
From what we know, the Teotihuacanos were iconoclastic.
They destroyed the symbols of power
associated with a person at the time of their death.
- Sacred rituals must have been carried out here,
rituals like this king's ceremonial burial,
a man whose influence spanned far beyond the city's borders.
- When the funeral ceremony took place,
the entire Mesoamerican world sent gifts,
presents to accompany the dead king that was buried here.
It must have been a very important event
that affected the entire Mesoamerican world.
- Although the name of this king
has forever been forgotten,
the tens of thousands of offerings left in the tunnel
could provide important insights
into the Teotihuacan civilization.
They include objects made of jade or amber,
as well as finely carved shells,
many of which share something in common.
They're all from Maya civilization.
- There is nothing specific
to Teotihuacan here.
Everything is 100% Maya.
We've been able to decode them,
thanks to similar artifacts found on Maya sites
that are much older than Teotihuacan.
This glyph is very important.
It means ahau, and ahau means king.
It's most likely connected
to the structure of power in Teotihuacan.
That's why I think that the Mayas greatly contributed
to the creation of the ideology, the magical thinking,
and the religious identity of Teotihuacan.
The Teotihuacanos didn't create any myths.
They just borrowed the myths of the ancient Mayas,
and then they presented themselves
as the creators and the masters of the world.
But in reality, all the origins of this is Maya.
- The Mayas,
a people long considered to be pacifistic,
but who also practiced human sacrifice.
Was the Teotihuacanos' insatiable thirst for blood
inspired by the Mayas?
One thing is certain.
This pyramid, the last structure that completed
the historical heart of the city,
saw more bloody ceremonies than any other edifice.
- Located at the far north
of the Avenue of the Dead,
surrounded by 14 other pyramid structures,
lies the city's third key religious sanctuary,
the Pyramid of the Moon.
46 meters high, 149 meters wide,
and 168 meters deep, it is built on multiple levels
connected by monumental staircases.
It has been heavily explored
since the first Central American expeditions,
and 345 meters of tunnels have been dug here
in hopes of unraveling its secrets.
The excavations revealed incredible discoveries.
- The Moon Pyramid was constructed over a sequence of time.
So imagine an onion, it started off as a small dirt mound,
and then they built over and over
until it become larger and larger.
And so we know from doing tunnel excavations
at the core of the pyramid,
that there were seven building phases.
- The first pyramid,
which is only 23 meters wide,
was designed to support the second,
and the second supported the third.
This system allowed to limit the amount
of backfill needed for each step.
In total, seven pyramids were built
over three centuries at the northern limit
of the Avenue of the Dead.
- One of the most important kind of dimensions of the city
was the front of the Moon Pyramid itself.
It always had to start from that point
because this point to, for example,
the end of the Avenue of the dead
was a certain number of measurement units.
And so that's why they decided
that they always have to have the pyramid
start from this section.
- The Avenue of the Dead
is 2,156 meters in length, which corresponds
to 2,600 Teotihuacan measurement units,
meaning 10 times the number of days on the ritual calendar.
Striving to preserve the exact length
of the Avenue of the Dead,
the Teotihuacanos gave the Pyramid of the Moon
a very particular shape.
- Originally, it was kind of bound that grew three times.
When they build the fourth construction pyramid,
it becomes much larger.
It becomes what we know as a monumental scale, right?
So when they decided to add an adosada structure,
that's an annexed platform on top
of the main body of the pyramid,
they decide to cut the edges of the smaller mound
and then build another main pyramid behind it,
because that front had to be maintained.
So they're building over from the front, into the back.
- An important religious symbol,
the Pyramid of the Moon was key to the strategy
adopted by the leaders of Teotihuacan to make this city
the most popular site of pilgrimage in Mesoamerica.
- You could consider Teotihuacan
the great Mecca of Mesoamerica.
That's why we think this large street,
the Avenue of the Dead, which is over 70 meters wide,
was designed to receive thousands of people
from all over Central America.
- You could imagine that on certain locations,
you would have parades where people
will be looking onto the avenue,
all of the people walking into the dedicatory space,
the conch shells, you could hear them in the background,
but also the screeches and the roars
of the pumas and the eagles.
- And this would blow them away.
I mean, all those things painted now,
and they would go back and be impressed
and take some, you know, Teotihuacan influences with them.
- These pilgrims spread the word
of Teotihuacan's grandeur across all of Mesoamerica.
Thousands of them journeyed here
to partake in lavish ceremonies
that marked the start and end of each phase
in the construction of the Pyramid of the Moon,
rituals during which jaguars, pumas, eagles,
or even humans were sacrificed.
The great priest would finish off his victims
by ripping out their hearts.
The corpses were then buried in one of six burial chambers
within the pyramid's filling, all precisely aligned
along a north-south axis.
- The way that they are arranged
within the dedicatory space
is very important, both its orientation,
but also the quantity.
Certain numbers keep reappearing,
for example, certain calendric numbers,
like the number of days, months of years,
the number 18 comes up significantly.
It's the number of golden eagles
that were sacrificed in burial six.
Half of this number, nine were sacrificed in burial two.
I think so far, everything about Teotihuacan is intentional.
It's just incredible to think about
how they were able to conceive of such a master plan,
and not only think about it, but execute it.
- It was these three sanctuaries
that made Teotihuacan the most important religious center
in all of Mesoamerica,
and yet barely two centuries after its rise,
this city underwent a new revolution.
In 200 AD, Teotihuacan counted over 150,000 inhabitants,
making it the most populated city in Mesoamerica.
On either side of the Avenue of the Dead
and its lavish temples, entire neighborhoods
sprang from the earth.
These residential complexes, much like the great pyramids,
were subject to very strict rules of construction.
- The entire city was built around
the cosmo vision of Teotihuacan,
the four cardinal points, north, east, west, south,
and also in relation to the sun's position on certain dates.
The first city was oriented 11 degrees east
of the magnetic north.
And when I say city, I don't mean only the main road,
the Avenue of the Dead and its temples.
I also mean all of the structures,
all of the walls, the entire city.
- Tens of thousands of dwellings
that the new king wanted to tear down,
as the ruler wanted to impose a radical change
to the city's interpretation of cosmogony.
Reorient the city 15.5 degrees east of magnetic north,
a change that would lead to a large part of the city
being destroyed and rebuilt to fit the new layout.
- It was insane, as insane as destroying Paris,
Rome, or New York City, simply to reposition everything
by three degrees, which isn't even noticeable.
- This is a tremendous amount of planning, engineering,
and infrastructure to get it right.
Remember, they didn't have the total stations we have today
to make sure that alignment is completely accurate.
And the people residing in these locations
didn't just squat down.
And so it's amazing to think about
as far as what it took to convince
the already settled people to reorient,
because it's not just reorienting a building,
it's reorienting the way that you walk,
the way that you have access in and out
to the city center and in, right,
getting your way to the marketplace.
It orients your daily life in a very fundamental way.
- How could one king,
as powerful as he may have been,
impose such a radical change upon his people?
The answer lies perhaps within the structure
of the living quarters itself, an iconic part of the city.
Surrounded by a perimeter wall that limited access,
each complex included living spaces, storehouses, workshops,
and most importantly, a courtyard with an altar,
a central element controlled by the priest
where domestic religion was practiced.
- The priest controlled the production
of all objects made in this space.
They distributed the raw materials,
and collected many of the finished products,
which then they offered to the city's elite.
The weight of the local religion was felt on every level.
It was everywhere,
whether you were at home or in the biggest temples.
It was one of the ways that the elite
controlled the broader population.
- Like the great pyramids,
the entire city was painted in red pigment
extracted from a stone, hematite.
In the luxury dwellings reserved for the elite,
walls were decorated with ornate frescoes of scenes
strictly controlled by the state.
- The principal theme was this mountain.
It's an illusion to the Tlaloc, the god of the rain,
the most important god in Teotihuacan.
For example, in this part,
we see what appears to be a depiction of a sacrifice.
There are also decapitated heads.
It's obvious that this is more than
a simple decorative painting.
It is also a clear representation
of the Teotihuacano cosmo vision.
One of the ways they controlled the people
was by conveying the state's messages in stone.
- 2,200 living quarters
spread across 23 square kilometers
and overtook land that had once been used for farming.
To continue to grow their city,
the leaders of Teotihuacan made
what could be considered a surprising decision.
- Around 150 AD,
they closed all of the hydraulics,
which required great effort,
and they stopped cultivating their own food.
Why would Teotihuacan stop its own food production?
The Teotihuacan valley is actually very small.
So even if they had dedicated all the available land
to agriculture, that still wouldn't have been enough
to feed a population greater than 30,000 people,
but there were 200,000 men and women
living in Teotihuacan, which means
that most of the food consumed in the city was imported.
- A dependence that could become
the city's Achilles's heel.
The Teotihuacanos made a very risky bet
and decided to make the city the largest
artisanal production center in Mesoamerica.
To that end, they shifted their focus
to a strategic resource
that was widely available in the valley: obsidian,
the volcanic rock with exceptional physical properties.
- Obsidian obsidian is a volcanic rock
with very sharp edges.
It was the only material they could use
to make blades for sacrifices or weapons.
We believe there were numerous workshops in the city
that were dedicated to making objects out of obsidian.
We know that obsidian played an extremely important role
in the city's economy, and we found obsidian artifacts
in other places far away from Teotihuacan.
- Now the greatest economic power in Mesoamerica,
Teotihuacan attracted traders from all over Central America.
Entire neighborhoods of foreigners began to spring up.
The Zapotec neighborhood, located three kilometers
west of the Avenue of the Dead
was specialized in the production of stucco.
In the northwest, there was a neighborhood
that regrouped people from the Veracruz region
and the Maya lowlands.
- Today, Teotihuacan would've been
a multi-ethnic city, like New York City or Paris,
where people from all over the world dress
and speak in a variety of ways.
- It seemed like nothing could stop
the incredible growth of the city.
A regional power up until then,
Teotihuacan was about to take a new step
in its quest for domination.
The year was 200 AD.
In the Valley of Mexico,
Tlalancaleca and Cuicuilco,
Teotihuacan's biggest competitors
started to crumble.
No one really knows why.
And yet at the same time,
construction on a new pyramid in Teotihuacan
seemed to mark the end of a battle
of which the city emerged victorious.
- When the construction of the Pyramid
of the Feathered Serpent was set to begin,
a massive sacrifice of 260 people took place.
It's possible that they were prisoners of war
or rival leaders who were brought here and sacrificed.
There were placed at the base of the structure,
hands tied behind their backs.
They were all taller than average.
They all had weapons and were adorned with warrior symbols.
- Did this mass sacrifice signify
a change in the Teotihuacan power structure?
Built directly above the old tunnel,
this new pyramid was dedicated to Quetzalcoatl,
the powerful feathered serpent.
- Feathered serpent brings this emblem of time
and the creation of new time on its back.
And the way that this was materialized
is by embedding a whole military army
within the nucleus of the structure
where this feathered serpent is meandering
on its frontal facade, right?
So it's a very powerful message
that reflects the arrival of new rulership.
- A new sovereign had thus
taken control of the city,
an authoritarian leader,
whose goal was to make Teotihuacan
the first empire of Mesoamerica.
The new pyramid was meant to surpass everything
that had been previously built.
To do so, architects had to adopt a new style,
Talud-tablero.
This style uses an inward-sloping wall, the talud,
to support a vertical slab that's perpendicular
to the ground called the tablero.
This technique created significant areas of ornate facades
that further serve the state's propaganda.
- The Feathered Serpent Pyramid was very innovative
at that time period because of the integration
of three-dimensional sculptures with the building.
Originally, those sculptures were painted
with a lot of different colors,
including green, white, black, and also yellow.
Usually, Mesoamerican pyramids
were painted in just one color.
So I can imagine that those viewers were impressed,
highly impressed because they had not seen
the same thing before.
We think that those Teotihuacan elite
wanted two impress people by inventing something new,
which is associated with the new order
established with the building of this pyramid.
- Carved out of heavy blocks of andesite,
the sculpture seem to float on the sides of the building,
an illusory effect created by an ingenious system.
- In order to integrate three-dimensional sculpture
into the building,
they invented a new technology called tenon sculpture.
So here we see the serpent head,
and this part is called a tenon.
- In order to suspend the heavy rock,
a cantilever on one end of the stone
is slid into a hole in the side of the facade.
Within the pyramid, a chamber made of heavy stone
holds up the sculpture by counterbalancing its weight.
- So that sculpture does not fall.
This was unique in Mesoamerica,
and we don't see the same technology
before and after Teotihuacan.
- Previously conducted
in a highly intimate setting within the tunnel,
the rituals for the transmission of power
now took place in public.
To that end, the Pyramid of the Feathered Serpent
was incorporated into an architectural complex
of over 160,000 square meters
designed as an enormous stage, La Ciudadela.
Surrounded by a nine-meter high platform,
this closed watertight space was made to carry out
an incredible spectacle at the arrival of the rainy season.
- The myth were told about ancient times,
which no one can remember,
was that there was only water,
only the sea at first.
Thanks to divine intervention,
a sacred mountain rose up from the sea.
That moment marked the start of the calendar
and the passing of time.
We have proof that the Teotihuacanos flooded the square.
It was their way of representing the primitive sea
from which the sacred mountain had arisen.
- More than just a city,
Teotihuacan now embodied a myth,
the original place where the universe was created.
Its influence stretched far and wide,
from the Maya lands in the south
to the northernmost limits of the Mexican territory.
An empire, the size of which
would forever remain unmatched in Mesoamerica,
everyone thought Teotihuacan had become the supreme city.
- The square was huge.
According to our calculations, around 100,000 people
must have participated in the rituals.
We think it wasn't simply a ritual to mark
the passing of power among leaders in Teotihuacan.
It might have also been used by other governments,
and perhaps even Maya kings who came here
when it was their turn to be anointed.
- Ruler of Copan pilgrimed to Teotihuacan
to become enthroned as King of Copan.
K'inich Yax K'uk Mo' was at Teotihuacan
and went back and became the ruler of Copan.
So, it was an important voyage,
a religious voyage to create
your identity as the ruler himself.
- In five centuries, Teotihuacan had in turns
become a popular pilgrimage site,
then the biggest city in Mesoamerica,
and finally an empire.
A city built by hundreds of thousands of men
from all over Central America,
all convinced they were carrying out
the work of the gods.
And yet in 650 AD,
although no major construction
had been undertaken in over two centuries,
dissident voices seemed to rise over the city.
- Here we're standing
at the intersection of multiple streets.
You can see the sides of various residential complexes.
Suddenly, the roads were made narrower
and surveillance buildings were put into place,
to control who could access the various complexes.
It seems like the elite were trying so hard
to control the lower class people
that the latter probably began to rebel.
We think that conflict began to grow
between the two social classes.
- The repressive measures provoked
the anger of the Teotihuacanos.
A wave of violence started to spread in the city streets.
- It was violent.
There's a lot of burning.
And particularly, I'm talking about
the ceremonial center, right?
We have a lot of evidence of burning in various areas.
So, I do think it had to do
with a collapse with the central authority itself.
That is probably quite spectacular
because think about the scale,
and these are not wooden structures, right?
So they would' have required a lot of planning
and a lot of resources to complete the level of burning
that we see in the city itself.
- The elite overthrown,
Teotihuacan became no more than an empty shell
and its religious center collapsed into a pile of ashes.
The city's residents fled.
- We have proof that certain places
were abandoned very suddenly.
We found grindstones that they used to grind grain.
And when we removed them,
there was still corn meal residue on them.
The people must have fled quickly,
leaving behind anything heavy,
taking with them only what they could carry.
The migrants who had been living in Teotihuacan
returned to their native homelands,
taking with them the sole prestige that came
with having lived in the greatest and most powerful city
that had ever existed in Mesoamerica.
- Deserted, Teotihuacan
fell into oblivion for centuries.
But this incredible city
has not finished telling its story.
Rediscovered by the Aztecs in the 13th century,
it's become a place that touches anyone
lucky enough to visit its great pyramids.
After all, Teotihuacan is the birthplace of the gods.
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