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These are the user uploaded subtitles that are being translated: 1 00:00:01,827 --> 00:00:04,241 [calm music] 2 00:00:05,620 --> 00:00:10,517 - are you gonna get on with it? - if you could stay quiet! - Ok i dont move 2a 00:00:10,517 --> 00:00:18,517 - wait wait a bit - that's it - ok shut up now - now you leave me alone - ok go ahead 3 00:00:27,172 --> 00:00:31,517 - Dear Billy, I am sending you this tape from Paris. 4 00:00:33,379 --> 00:00:34,379 How are you? 5 00:00:35,275 --> 00:00:37,034 How are things going? 6 00:00:39,241 --> 00:00:41,655 I wonder what would we change 7 00:00:43,413 --> 00:00:47,241 if we have the chance to start all over again. 8 00:00:48,896 --> 00:00:51,448 Sometimes I'm playing our tapes 9 00:00:55,103 --> 00:01:00,068 and then I feel that everything's just happening right now. 10 00:01:02,448 --> 00:01:04,896 [rock music] 11 00:01:21,586 --> 00:01:25,793 ♪ I was sayin' let me out of here before I was even born ♪ 12 00:01:25,793 --> 00:01:28,103 ♪ It's such a gamble when you get a face ♪ 13 00:01:28,103 --> 00:01:31,275 ♪ It's fascinatin' to observe what the mirror does ♪ 14 00:01:31,275 --> 00:01:35,206 ♪ But when I dine it's for the wall that I set a place ♪ 15 00:01:35,206 --> 00:01:37,931 ♪ I belong to the blank generation ♪ 16 00:01:37,931 --> 00:01:41,586 ♪ And I can take it or leave it each time ♪ 17 00:01:41,586 --> 00:01:44,931 ♪ Well, I belong to the generation ♪ 18 00:01:44,931 --> 00:01:49,758 ♪ But I can take it or leave it each time ♪ 19 00:01:55,862 --> 00:01:59,275 ♪ Triangles were fallin' at the window as the doctor cursed ♪ 20 00:01:59,275 --> 00:02:02,827 ♪ He was a cartoon long forsaken by the public eye ♪ 21 00:02:02,827 --> 00:02:06,172 ♪ The nurse adjusted her garters as I breathed my first ♪ 22 00:02:06,172 --> 00:02:07,655 ♪ The doctor grabbed my throat 23 00:02:07,655 --> 00:02:09,827 ♪ And yelled, "God's consolation prize!" ♪ 24 00:02:09,827 --> 00:02:12,310 ♪ I belong to the blank generation ♪ 25 00:02:12,310 --> 00:02:15,758 ♪ And I can take it or leave it each time ♪ 26 00:02:15,758 --> 00:02:19,206 ♪ Well, I belong to the generation ♪ 27 00:02:19,206 --> 00:02:22,655 ♪ But I can take it or leave it each time ♪ 28 00:02:22,655 --> 00:02:24,827 ♪ Take it 29 00:02:30,206 --> 00:02:32,551 - [Kellerman] What do you have for me today? 30 00:02:32,551 --> 00:02:33,689 - [Jack] What I have for you 31 00:02:33,689 --> 00:02:35,793 is a surefire investment, Kellerman. 32 00:02:35,793 --> 00:02:37,344 Got it all figured out. 33 00:02:37,344 --> 00:02:39,758 You can't lose on this one. 34 00:02:39,758 --> 00:02:41,034 - [Kellerman] What is it? 35 00:02:41,034 --> 00:02:42,896 Cars, horses, cocaine? 36 00:02:44,310 --> 00:02:47,103 - [Jack] Come on, you know what I'm talking about. 37 00:02:47,103 --> 00:02:49,862 - [Kellerman] I'm 45 years. 38 00:02:49,862 --> 00:02:51,206 I'm tired. 39 00:02:51,206 --> 00:02:53,655 Let me have a good time now. 40 00:02:53,655 --> 00:02:56,793 - [Jack] Kellerman, this guy's gonna make it. 41 00:02:56,793 --> 00:02:59,000 - [Kellerman] What do you want from me? 42 00:02:59,000 --> 00:03:01,310 - [Jack] You and I will manage this guy. 43 00:03:01,310 --> 00:03:02,241 - [Kellerman] I'm not interested 44 00:03:02,241 --> 00:03:04,275 in this kind of music anymore. 45 00:03:04,275 --> 00:03:06,482 - It's not disco crap. 46 00:03:06,482 --> 00:03:08,379 This is something else. 47 00:03:09,827 --> 00:03:14,172 Kellerman, instead of taking the overcoat to the porno, 48 00:03:14,172 --> 00:03:15,551 why don't you spare 10 minutes and come down 49 00:03:15,551 --> 00:03:17,379 and listen to this guy? 50 00:03:17,379 --> 00:03:19,793 [rock music] 51 00:03:32,379 --> 00:03:33,482 - Here comes. 52 00:03:36,724 --> 00:03:40,172 ♪ You're in too deep you can't survive ♪ 53 00:03:40,172 --> 00:03:43,724 ♪ Or can't be you past 25 54 00:03:43,724 --> 00:03:45,758 ♪ A day's a week the monster dozes ♪ 55 00:03:45,758 --> 00:03:48,620 ♪ Deep in passionate, in passionate, in passionate ♪ 56 00:03:48,620 --> 00:03:50,517 ♪ In passionate, in passionate, in ♪ 57 00:03:50,517 --> 00:03:54,034 ♪ New pleasure, baby, new pleasure ♪ 58 00:03:54,034 --> 00:03:57,172 ♪ Whisper in my ear, we go away ♪ 59 00:03:57,172 --> 00:04:00,931 ♪ New pleasure, new pleasure 60 00:04:07,620 --> 00:04:09,103 - You wanna try another take? 61 00:04:09,103 --> 00:04:10,482 - Let me have a smoke. 62 00:04:10,482 --> 00:04:11,310 - Okay. 63 00:04:25,310 --> 00:04:27,344 - May I ask you some more question? 64 00:04:27,344 --> 00:04:29,068 - Can it wait? 65 00:04:29,068 --> 00:04:33,413 - Yes, but I want to catch this atmosphere. 66 00:04:33,413 --> 00:04:34,689 - What do you think? 67 00:04:34,689 --> 00:04:35,827 - Who's the girl? 68 00:04:35,827 --> 00:04:36,965 - She? 69 00:04:36,965 --> 00:04:38,862 She's making an interview for French TV. 70 00:04:38,862 --> 00:04:41,448 But I told you, he's ready to break. 71 00:04:41,448 --> 00:04:43,000 - Can she sing? 72 00:04:43,000 --> 00:04:46,103 - I understand you were a writer before a singer. 73 00:04:46,103 --> 00:04:50,068 - I was about as much of a writer as I am a singer. 74 00:04:50,068 --> 00:04:51,586 Who's kidding who? 75 00:04:53,517 --> 00:04:55,896 We gotta go back to work. 76 00:04:55,896 --> 00:04:56,724 - Ready? 77 00:04:56,724 --> 00:04:57,551 Stand by. 78 00:05:02,275 --> 00:05:03,172 Here we go. 79 00:05:04,655 --> 00:05:07,068 [rock music] 80 00:05:11,275 --> 00:05:14,655 ♪ Your mind's a wreck but that's fine ♪ 81 00:05:14,655 --> 00:05:18,172 ♪ It corresponds to mine 82 00:05:18,172 --> 00:05:20,172 ♪ We're in a room the door closes ♪ 83 00:05:20,172 --> 00:05:24,965 ♪ Automatic automatic automatic automatic automatic auto ♪ 84 00:05:24,965 --> 00:05:28,034 ♪ New pleasure, baby, new pleasure ♪ 85 00:05:28,034 --> 00:05:31,586 ♪ Well, whisper in my ear, we go away ♪ 86 00:05:31,586 --> 00:05:36,586 ♪ New pleasure, new pleasure 87 00:05:39,620 --> 00:05:43,034 ♪ Too weak for life you have become ♪ 88 00:05:43,034 --> 00:05:46,517 ♪ You can't get dressed you're too numb ♪ 89 00:05:46,517 --> 00:05:48,689 ♪ But we assume sublime poses 90 00:05:48,689 --> 00:05:51,448 ♪ Deep in true to life, in true to life, in true to life ♪ 91 00:05:51,448 --> 00:05:53,620 ♪ In true to life, in true to life, in ♪ 92 00:05:53,620 --> 00:05:56,379 ♪ New pleasure, baby, new pleasure ♪ 93 00:05:56,379 --> 00:06:00,068 ♪ Well, whisper in my ear, we go away ♪ 94 00:06:00,068 --> 00:06:03,793 ♪ New pleasure, new pleasure 95 00:06:23,344 --> 00:06:26,793 ♪ You're in too deep you can't survive ♪ 96 00:06:26,793 --> 00:06:30,344 ♪ Or can't be you past 25 97 00:06:30,344 --> 00:06:32,413 ♪ A day's a week the monster dozes ♪ 98 00:06:32,413 --> 00:06:35,241 ♪ Deep in passionate, in passionate, in passionate ♪ 99 00:06:35,241 --> 00:06:37,137 ♪ In passionate, in passionate, in ♪ 100 00:06:37,137 --> 00:06:40,000 ♪ New pleasure, baby, new pleasure ♪ 101 00:06:40,000 --> 00:06:43,793 ♪ Well, whisper in my ear, we go away ♪ 102 00:06:43,793 --> 00:06:47,551 ♪ New pleasure, new pleasure 103 00:06:54,862 --> 00:06:57,517 - Do you want me to talk to him? 104 00:06:59,586 --> 00:07:03,379 - I don't want to get involved in this. 105 00:07:03,379 --> 00:07:06,724 - I knew you'd see it my way, Kellerman. 106 00:07:09,482 --> 00:07:11,482 - [Nada] Billy and Nada. 107 00:07:14,586 --> 00:07:18,206 - After two years of struggling, I finally got a contract. 108 00:07:18,206 --> 00:07:20,482 - [Nada] Are you happy now? 109 00:07:22,206 --> 00:07:24,034 - Gotta make a living. 110 00:07:26,000 --> 00:07:30,172 - I thought you wanted [mumbles]. 111 00:07:32,000 --> 00:07:33,241 - That's right. 112 00:07:34,620 --> 00:07:37,482 - So what happens if you become successful? 113 00:07:37,482 --> 00:07:39,655 - I'll try something else. 114 00:07:41,448 --> 00:07:44,793 - You will get covered like anyone else. 115 00:07:54,103 --> 00:07:56,206 Okay, you're satisfied now? 116 00:07:58,517 --> 00:08:02,413 Can you explain to me what you are playing at? 117 00:08:05,241 --> 00:08:07,413 [moaning] 118 00:08:16,482 --> 00:08:18,551 [shouts] 119 00:08:30,689 --> 00:08:32,758 [shouts] 120 00:08:42,103 --> 00:08:44,172 [laughs] 121 00:08:54,448 --> 00:08:57,034 [gentle music] 122 00:09:21,275 --> 00:09:22,517 Wake up, Billy. 123 00:09:52,413 --> 00:09:54,689 Do I appear in your dreams? 124 00:09:56,965 --> 00:09:58,172 - Yeah, always. 125 00:10:02,103 --> 00:10:05,379 - Don't go back to sleep, tell me more. 126 00:10:14,551 --> 00:10:17,965 - Nada, it's five o'clock in the morning. 127 00:10:25,379 --> 00:10:28,896 I was dreaming we were getting in a fight. 128 00:10:32,655 --> 00:10:34,137 - Who was winning? 129 00:10:36,310 --> 00:10:38,758 - It was really a lot of fun. 130 00:10:44,000 --> 00:10:46,068 [kisses] 131 00:10:48,068 --> 00:10:51,344 You and me, we could conquer the world. 132 00:10:53,965 --> 00:10:54,793 - Yeah. 133 00:10:57,344 --> 00:10:59,000 Let's have some fun. 134 00:11:00,551 --> 00:11:03,172 - Yeah, let's conquer the world. 135 00:11:13,896 --> 00:11:16,413 Where do you want to go? 136 00:11:16,413 --> 00:11:18,068 - Wherever you like. 137 00:11:20,482 --> 00:11:22,655 - How about the beach? 138 00:11:22,655 --> 00:11:23,482 - Yeah! 139 00:11:26,206 --> 00:11:27,448 - East Hampton? 140 00:11:32,241 --> 00:11:33,482 - What's wrong? 141 00:11:34,689 --> 00:11:35,724 - Nothing. 142 00:11:35,724 --> 00:11:37,379 I was just thinking. 143 00:11:41,068 --> 00:11:42,689 - Why did you stop? 144 00:11:44,482 --> 00:11:47,310 - Maybe we should go back. 145 00:11:47,310 --> 00:11:48,137 - Why? 146 00:11:50,344 --> 00:11:53,000 - I gotta make some phone calls. 147 00:11:55,379 --> 00:11:58,793 - If you want to go back, we can go back. 148 00:12:00,206 --> 00:12:02,000 - Yeah, let's go back. 149 00:12:14,241 --> 00:12:17,137 New York City is a drag on Fridays. 150 00:12:18,827 --> 00:12:21,172 Maybe we should go to the beach. 151 00:12:21,172 --> 00:12:23,517 - I'll do whatever you like. 152 00:12:36,586 --> 00:12:38,965 - There won't be anybody at the beach today. 153 00:12:38,965 --> 00:12:41,000 - [Nada] That's wonderful! 154 00:12:41,000 --> 00:12:42,931 - It might be a drag though. 155 00:12:42,931 --> 00:12:44,275 - [Nada] Why? 156 00:12:44,275 --> 00:12:45,448 - It's depressing. 157 00:12:45,448 --> 00:12:46,965 It's so damn cold. 158 00:12:48,448 --> 00:12:50,172 Sure you want to go there? 159 00:12:50,172 --> 00:12:52,413 - I told you I don't care! 160 00:12:52,413 --> 00:12:54,103 - Don't get excited. 161 00:12:54,103 --> 00:12:56,655 - I'm not getting excited! 162 00:12:56,655 --> 00:12:59,034 - Just because you want to go to the beach. 163 00:12:59,034 --> 00:13:02,137 - I didn't want to go to the beach, it was your idea. 164 00:13:02,137 --> 00:13:05,517 - I wanted to go back to New York. 165 00:13:05,517 --> 00:13:07,241 - Let me out of here! 166 00:13:08,724 --> 00:13:11,068 [tires squealing] 167 00:13:11,068 --> 00:13:12,827 - Are you crazy or something? 168 00:13:12,827 --> 00:13:15,310 - Get out of of here, get out! 169 00:13:20,793 --> 00:13:22,206 Get out, get out! 170 00:13:24,379 --> 00:13:26,103 - This is my car! 171 00:13:26,103 --> 00:13:28,172 - From now on, it's mine. 172 00:13:31,103 --> 00:13:34,034 [fast-paced music] 173 00:13:39,413 --> 00:13:41,827 [calm music] 174 00:13:47,689 --> 00:13:48,793 - Talk to me. 175 00:13:54,068 --> 00:13:56,482 [slow music] 176 00:14:31,275 --> 00:14:32,931 - Okay, start there. 177 00:14:32,931 --> 00:14:35,827 [strumming guitar] 178 00:14:39,586 --> 00:14:42,482 [percussion music] 179 00:14:50,241 --> 00:14:53,137 [strumming guitar] 180 00:15:07,620 --> 00:15:10,034 [rock music] 181 00:15:18,758 --> 00:15:22,724 ♪ Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh ♪ 182 00:15:22,724 --> 00:15:24,275 ♪ Look out liars and you highlife scum ♪ 183 00:15:24,275 --> 00:15:26,137 ♪ Who gotta keep your victims poor and dumb ♪ 184 00:15:26,137 --> 00:15:28,068 ♪ And dumb 185 00:15:28,068 --> 00:15:29,965 ♪ And dumb 186 00:15:29,965 --> 00:15:31,931 ♪ Your motives and your methods are not disguised ♪ 187 00:15:31,931 --> 00:15:33,758 ♪ By your silk, soap, sex, or your smiling lies ♪ 188 00:15:33,758 --> 00:15:35,827 ♪ Your lies 189 00:15:35,827 --> 00:15:37,827 ♪ Your lies 190 00:15:37,827 --> 00:15:38,655 ♪ Look out here 191 00:15:38,655 --> 00:15:39,620 ♪ You pompous jerk 192 00:15:39,620 --> 00:15:40,517 ♪ Look out here 193 00:15:40,517 --> 00:15:45,517 ♪ I'll go berserk 194 00:15:46,931 --> 00:15:48,482 ♪ Well you got power, now there's competition ♪ 195 00:15:48,482 --> 00:15:51,689 ♪ And your blind side's turned to the boys with a mission ♪ 196 00:15:51,689 --> 00:15:53,620 - Billy needs money. 197 00:15:53,620 --> 00:15:55,379 - Well, he's become a businessman. 198 00:15:55,379 --> 00:15:56,379 Is that bad? 199 00:15:58,620 --> 00:15:59,827 - No. 200 00:15:59,827 --> 00:16:01,137 Billy's in love. 201 00:16:08,448 --> 00:16:09,275 ♪ Look out here 202 00:16:09,275 --> 00:16:10,241 ♪ You pompous jerk 203 00:16:10,241 --> 00:16:11,068 ♪ Look out here 204 00:16:11,068 --> 00:16:16,068 ♪ I'll go berserk 205 00:16:16,068 --> 00:16:17,827 ♪ Well you got power, now there's competition ♪ 206 00:16:17,827 --> 00:16:22,000 ♪ And your blind side's turned to the boys with a mission ♪ 207 00:16:22,000 --> 00:16:23,827 ♪ Oh, oh, oh, oh, oh, oh, oh 208 00:16:23,827 --> 00:16:25,689 ♪ They gave you power cause they knew your needs ♪ 209 00:16:25,689 --> 00:16:27,482 ♪ Soprano boys get talent when you shoot your seeds ♪ 210 00:16:27,482 --> 00:16:29,482 ♪ Your seeds 211 00:16:29,482 --> 00:16:31,379 ♪ Your seeds 212 00:16:31,379 --> 00:16:33,517 ♪ Well you laugh to hear what your best friends say ♪ 213 00:16:33,517 --> 00:16:35,310 ♪ Old man they laugh when you walk away ♪ 214 00:16:35,310 --> 00:16:37,103 ♪ Away 215 00:16:37,103 --> 00:16:39,206 ♪ Away 216 00:16:39,206 --> 00:16:40,172 ♪ Look out chief 217 00:16:40,172 --> 00:16:41,172 ♪ Ridiculous creep 218 00:16:41,172 --> 00:16:42,137 ♪ Look out thief 219 00:16:42,137 --> 00:16:45,413 ♪ You'll lose your teeth 220 00:16:54,310 --> 00:16:55,931 ♪ Oh, oh, oh, oh, oh, oh, oh 221 00:16:55,931 --> 00:16:57,689 ♪ You were 65 when you wiggled out ♪ 222 00:16:57,689 --> 00:16:59,758 ♪ Your mind all twisted and your mom all shout ♪ 223 00:16:59,758 --> 00:17:01,655 ♪ All shout 224 00:17:01,655 --> 00:17:03,724 ♪ All shout 225 00:17:03,724 --> 00:17:05,551 ♪ I'm a man with his share of excess nice ♪ 226 00:17:05,551 --> 00:17:07,344 ♪ But it can't be spared for drooling lice ♪ 227 00:17:07,344 --> 00:17:09,310 ♪ For lice 228 00:17:09,310 --> 00:17:11,344 ♪ For lice 229 00:17:11,344 --> 00:17:12,896 ♪ Look out here you pompous jerk ♪ 230 00:17:12,896 --> 00:17:17,896 ♪ I can't look at you ancient slut ♪ 231 00:17:19,931 --> 00:17:21,482 ♪ Well you got power, now there's competition ♪ 232 00:17:21,482 --> 00:17:25,000 ♪ And your blind side's turned to the boys with a mission ♪ 233 00:17:25,000 --> 00:17:28,103 ♪ Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh ♪ 234 00:17:28,103 --> 00:17:32,206 ♪ Oh, oh, oh, oh, oh, oh, oh, oh ♪ 235 00:17:34,689 --> 00:17:36,931 [cheering] 236 00:17:43,862 --> 00:17:45,758 - Five and four. 237 00:17:45,758 --> 00:17:48,172 One, two, three, four, five. 238 00:17:48,172 --> 00:17:49,000 Four. 239 00:17:54,344 --> 00:17:55,172 Five. 240 00:17:59,275 --> 00:18:00,551 I don't like... 241 00:18:10,689 --> 00:18:12,551 - Wanna play this? 242 00:18:12,551 --> 00:18:14,206 - Who do you think I am? 243 00:18:14,206 --> 00:18:15,034 Push B13. 244 00:18:22,793 --> 00:18:24,965 - Where have you been the last few days? 245 00:18:24,965 --> 00:18:27,379 [rock music] 246 00:18:29,241 --> 00:18:31,655 I mean you can't just disappear like that. 247 00:18:31,655 --> 00:18:33,931 ♪ Your mind's a wreck but that's fine ♪ 248 00:18:33,931 --> 00:18:36,758 - You pushed me out of my own car. 249 00:18:41,448 --> 00:18:43,724 Can we have something special? 250 00:18:43,724 --> 00:18:45,310 - Cognac? 251 00:18:45,310 --> 00:18:47,000 - Sure, put it on my tab. 252 00:18:47,000 --> 00:18:48,068 - It's on me. 253 00:18:51,931 --> 00:18:56,931 ♪ New pleasure, new pleasure 254 00:18:59,931 --> 00:19:03,379 ♪ Too weak for life you have become ♪ 255 00:19:03,379 --> 00:19:07,620 ♪ You can't get dressed you're too numb ♪ 256 00:19:07,620 --> 00:19:10,793 - Don't you want to celebrate with us? 257 00:19:11,965 --> 00:19:14,586 - Or did you want to put it on your tab again? 258 00:19:14,586 --> 00:19:16,551 Didn't the company pay you? 259 00:19:16,551 --> 00:19:18,034 - No, I don't care about money. 260 00:19:18,034 --> 00:19:20,000 I'm just glad we could make the record. 261 00:19:20,000 --> 00:19:23,551 Other groups have to struggle for years. 262 00:19:23,551 --> 00:19:24,931 - Maybe you should do it yourself. 263 00:19:24,931 --> 00:19:27,758 At least you know what's going on. 264 00:19:28,965 --> 00:19:31,551 You don't even read your contracts now. 265 00:19:31,551 --> 00:19:35,620 - We're together for five minutes and you start fighting. 266 00:19:35,620 --> 00:19:38,448 - Why don't you find yourself a girl who always say yes 267 00:19:38,448 --> 00:19:42,344 and how wonderful, how great you are. 268 00:19:42,344 --> 00:19:44,862 Somebody who just doesn't care. 269 00:19:44,862 --> 00:19:45,931 Gives a shit. 270 00:19:47,310 --> 00:19:49,137 Sure that's what you need. 271 00:19:49,137 --> 00:19:50,758 A little nice girl. 272 00:19:52,655 --> 00:19:57,482 I have to go to the cutting room to work on the interview. 273 00:19:59,241 --> 00:20:00,758 - Don't get angry. 274 00:20:03,068 --> 00:20:07,827 - What are you going to do when you lose your good looks? 275 00:20:16,965 --> 00:20:18,000 - Oh, good. 276 00:20:18,000 --> 00:20:19,413 How about Friday? 277 00:20:20,413 --> 00:20:21,586 - No, Friday he can't do it. 278 00:20:21,586 --> 00:20:23,068 He's not available Friday. 279 00:20:23,068 --> 00:20:25,310 Can't, no, no, no Friday. 280 00:20:25,310 --> 00:20:26,655 Here, let me speak to him. 281 00:20:26,655 --> 00:20:29,655 - Let me [mumbles]. 282 00:20:33,379 --> 00:20:35,517 - Yeah, no, he can't do it Friday. 283 00:20:35,517 --> 00:20:37,862 Can't do it Friday at all. 284 00:20:37,862 --> 00:20:39,758 Weekends, yeah. 285 00:20:39,758 --> 00:20:41,206 Can we do the weekend? 286 00:20:41,206 --> 00:20:42,448 - We can't do it on the weekends 287 00:20:42,448 --> 00:20:44,448 because we're taking Billy to Osmond. 288 00:20:44,448 --> 00:20:45,275 - Okay. 289 00:20:46,827 --> 00:20:49,206 [rock music] 290 00:21:32,172 --> 00:21:36,551 ♪ I was sayin' let me out of here before I was even born ♪ 291 00:21:36,551 --> 00:21:39,103 ♪ It's such a gamble when you get a face ♪ 292 00:21:39,103 --> 00:21:42,068 ♪ It's fascinatin' to observe what the mirror does ♪ 293 00:21:42,068 --> 00:21:46,172 ♪ But when I dine it's for the wall that I set a place ♪ 294 00:21:46,172 --> 00:21:49,551 ♪ I belong to the blank generation ♪ 295 00:21:49,551 --> 00:21:52,655 ♪ And I can take it or leave it each time ♪ 296 00:21:52,655 --> 00:21:55,758 ♪ Well, I belong to the generation ♪ 297 00:21:55,758 --> 00:22:00,620 ♪ But I can take it or leave it each time ♪ 298 00:22:06,448 --> 00:22:09,827 ♪ Triangles were fallin' at the window as the doctor cursed ♪ 299 00:22:09,827 --> 00:22:13,172 ♪ He was a cartoon long forsaken by the public eye ♪ 300 00:22:13,172 --> 00:22:16,689 ♪ The nurse adjusted her garters as I breathed my first ♪ 301 00:22:16,689 --> 00:22:17,965 ♪ The doctor grabbed my throat 302 00:22:17,965 --> 00:22:20,172 ♪ And yelled, "God's consolation prize!" ♪ 303 00:22:20,172 --> 00:22:22,758 ♪ I belong to the blank generation ♪ 304 00:22:22,758 --> 00:22:26,379 ♪ And I can take it or leave it each time ♪ 305 00:22:26,379 --> 00:22:29,620 ♪ Well, I belong to the generation ♪ 306 00:22:29,620 --> 00:22:34,448 ♪ But I can take it or leave it each time ♪ 307 00:22:54,103 --> 00:22:57,482 ♪ To hold the T.V. to my lips, the air so packed with cash ♪ 308 00:22:57,482 --> 00:22:58,793 ♪ Then carry it up flights of stairs ♪ 309 00:22:58,793 --> 00:23:00,862 ♪ And drop it in the vacant lot ♪ 310 00:23:00,862 --> 00:23:02,310 ♪ To lose my train of thought 311 00:23:02,310 --> 00:23:04,344 ♪ And fall into your arms' tracks ♪ 312 00:23:04,344 --> 00:23:07,827 ♪ And watch beneath the eyelids every passing dot ♪ 313 00:23:07,827 --> 00:23:11,931 ♪ I belong to the blank genera-- ♪ 314 00:23:15,000 --> 00:23:17,206 [shouting] 315 00:23:30,517 --> 00:23:34,000 - What, are you crazy or something? 316 00:23:34,000 --> 00:23:37,482 You just can't walk out in the middle of a performance. 317 00:23:37,482 --> 00:23:40,379 Gonna sue the asses off us. 318 00:23:40,379 --> 00:23:41,655 - I don't care. 319 00:23:42,517 --> 00:23:44,586 - Look, we'll work this one out. 320 00:23:44,586 --> 00:23:46,379 Let me tell Kellerman that you've been working too hard 321 00:23:46,379 --> 00:23:47,827 and under too much pressure. 322 00:23:47,827 --> 00:23:50,241 But you gotta come back here tomorrow night 323 00:23:50,241 --> 00:23:52,310 and play for this audience again. 324 00:23:52,310 --> 00:23:54,517 This time for free. 325 00:23:54,517 --> 00:23:57,724 - I'm not playing tomorrow night or any other night. 326 00:23:57,724 --> 00:24:00,448 - Oh, come on, Billy, let's be serious. 327 00:24:00,448 --> 00:24:01,965 - Okay, I'll be serious. 328 00:24:01,965 --> 00:24:03,551 You're fired. 329 00:24:03,551 --> 00:24:07,000 - Oh, shit, stop playing around, will ya? 330 00:24:07,000 --> 00:24:10,586 - Listen, Jack, you know I'm no primadonna. 331 00:24:11,793 --> 00:24:13,758 [coughs] 332 00:24:13,758 --> 00:24:15,827 I just can't continue doing this. 333 00:24:15,827 --> 00:24:16,724 I'm fed up. 334 00:24:20,620 --> 00:24:22,241 - Billy. 335 00:24:22,241 --> 00:24:24,344 Everybody likes a winner. 336 00:24:37,344 --> 00:24:39,793 [slow music] 337 00:26:00,448 --> 00:26:01,448 - [Billy] What are you doing? 338 00:26:01,448 --> 00:26:03,206 - I want you out of here. 339 00:26:03,206 --> 00:26:04,482 - Are you crazy? 340 00:26:04,482 --> 00:26:07,034 - Yes, wasting all my time with you. 341 00:26:07,034 --> 00:26:09,103 - How times do we-- 342 00:26:09,103 --> 00:26:10,965 - Just leave me alone. 343 00:26:12,310 --> 00:26:16,206 - How many times do we have to go through this? 344 00:26:17,689 --> 00:26:20,620 [doorbell buzzing] 345 00:26:27,413 --> 00:26:29,344 - Why didn't you open the door? 346 00:26:29,344 --> 00:26:31,344 - The bell doesn't work. 347 00:26:45,931 --> 00:26:48,137 - [Man] Ready to roll. 348 00:26:48,137 --> 00:26:49,827 - Okay, let's do it. 349 00:26:51,241 --> 00:26:53,310 - [Man] Today, Nada Lumiere is on the lower east side 350 00:26:53,310 --> 00:26:58,068 with former star football player Bobby "the Bear" Butler. 351 00:27:03,103 --> 00:27:04,758 What's the matter? 352 00:27:04,758 --> 00:27:06,344 - I want to make a phone call. 353 00:27:06,344 --> 00:27:08,068 - [Man] You have to make another phone call? 354 00:27:08,068 --> 00:27:10,413 We can't keep all these people waiting here. 355 00:27:10,413 --> 00:27:12,034 Now please hurry up. 356 00:27:12,034 --> 00:27:14,310 - Okay, I'll be right back. 357 00:27:27,724 --> 00:27:30,137 I've been thinking about you. 358 00:27:31,310 --> 00:27:33,000 Will you forgive me? 359 00:27:35,103 --> 00:27:36,793 Maybe I was unhappy. 360 00:27:40,000 --> 00:27:42,000 Why don't you come here? 361 00:27:43,241 --> 00:27:44,137 I love you. 362 00:27:58,379 --> 00:28:01,103 - You've got the choice. 363 00:28:01,103 --> 00:28:05,000 A life with your French girl, platinum records. 364 00:28:06,310 --> 00:28:08,482 I've also gotta remind you, 365 00:28:08,482 --> 00:28:11,206 you signed a number of contracts. 366 00:28:26,724 --> 00:28:28,137 - Because of your injury, Bobby, 367 00:28:28,137 --> 00:28:30,931 you had three serious knee operations. 368 00:28:30,931 --> 00:28:33,689 And it's been more than a year since your last game. 369 00:28:33,689 --> 00:28:35,586 - [Bobby] That's right. 370 00:28:41,034 --> 00:28:44,931 - And where were you living when you were playing pro ball? 371 00:28:44,931 --> 00:28:48,965 - Well, I'm still a professional, you know. 372 00:28:48,965 --> 00:28:51,827 But when I was in the money, 373 00:28:51,827 --> 00:28:54,862 my wife and me had a nice apartment uptown. 374 00:28:54,862 --> 00:28:57,931 - Has Coach Cassin been here to see you? 375 00:28:57,931 --> 00:29:01,413 - Like I told you before, Mr. Cassin is a very busy man. 376 00:29:01,413 --> 00:29:02,241 - [Nada] Okay. 377 00:29:02,241 --> 00:29:04,000 What about your wife? 378 00:29:04,000 --> 00:29:05,586 - Well, Roberta, she moved to LA. 379 00:29:05,586 --> 00:29:07,758 I don't see her very much anymore. 380 00:29:07,758 --> 00:29:09,827 But let's get back to football. 381 00:29:09,827 --> 00:29:11,344 - Yes, Bobby. 382 00:29:11,344 --> 00:29:14,517 But what have these people, I mean your friends, your wife, 383 00:29:14,517 --> 00:29:18,586 Coach Cassin, what have they really done for you? 384 00:29:20,000 --> 00:29:22,068 - [Bobby] They gave me a lot of hope and encouragement. 385 00:29:22,068 --> 00:29:23,758 - You're lying. 386 00:29:23,758 --> 00:29:25,137 - Come on, Pop. 387 00:29:25,137 --> 00:29:27,034 - Who's paying? 388 00:29:27,034 --> 00:29:29,172 This cost me a lot of money. 389 00:29:29,172 --> 00:29:31,689 Now, what you gonna do? 390 00:29:31,689 --> 00:29:36,172 Quit football or are you gonna keep on running around? 391 00:29:36,172 --> 00:29:37,448 I don't like it. 392 00:29:37,448 --> 00:29:40,172 I can't afford to feed you and work. 393 00:29:40,172 --> 00:29:42,206 I ain't got no money. 394 00:29:42,206 --> 00:29:45,517 Cost me a [mumbles] dollar to raise you. 395 00:29:45,517 --> 00:29:46,620 What the man. 396 00:29:47,724 --> 00:29:49,379 You know what you get? 397 00:29:49,379 --> 00:29:52,517 You're tall enough like [mumbles]. 398 00:29:52,517 --> 00:29:53,827 Hello, Johnny Dean. 399 00:29:53,827 --> 00:29:55,413 Well, you get too tall for me. 400 00:29:55,413 --> 00:29:57,655 Go to heaven, follow the Son of God. 401 00:29:57,655 --> 00:29:59,000 - Come on, don't listen to this guy. 402 00:29:59,000 --> 00:30:00,344 Don't listen to him, he's crazy. 403 00:30:00,344 --> 00:30:01,172 - [Bobby] What are you doing? 404 00:30:01,172 --> 00:30:02,448 Go. 405 00:30:02,448 --> 00:30:03,793 - [Bobby's Father] But this is good. 406 00:30:03,793 --> 00:30:05,310 - [Bobby] Come on, Pop, now you been drinking. 407 00:30:05,310 --> 00:30:06,689 - What are you doing here? 408 00:30:06,689 --> 00:30:09,068 I can't work with you around. 409 00:30:10,896 --> 00:30:11,896 - What do you mean? 410 00:30:11,896 --> 00:30:13,034 You called me. 411 00:30:14,000 --> 00:30:15,862 - Oh, who's sorry now? 412 00:30:17,655 --> 00:30:19,000 Who's sorry now? 413 00:30:24,965 --> 00:30:26,689 Let it be, let it be. 414 00:30:29,241 --> 00:30:31,758 I'm going home to see my lady. 415 00:30:44,655 --> 00:30:47,586 [fast-paced music] 416 00:30:55,103 --> 00:30:57,517 [calm music] 417 00:31:28,413 --> 00:31:32,344 - What are you going to do with all your stuff? 418 00:31:38,689 --> 00:31:41,517 Why don't you put it back? 419 00:31:41,517 --> 00:31:43,517 - I'll leave them there. 420 00:31:49,689 --> 00:31:52,241 - Put your things away, please. 421 00:31:56,310 --> 00:31:57,137 - Okay. 422 00:31:58,551 --> 00:32:00,103 Each in its place. 423 00:32:23,137 --> 00:32:25,241 [laughs] 424 00:32:31,655 --> 00:32:33,724 [kisses] 425 00:32:38,448 --> 00:32:40,896 - What did you do last night? 426 00:32:48,551 --> 00:32:50,965 [slow music] 427 00:33:14,827 --> 00:33:16,034 Billy and Nada. 428 00:33:24,827 --> 00:33:28,137 - I was on stage in the middle of a song 429 00:33:29,620 --> 00:33:33,965 and I realized that I'd never be able to create an audience 430 00:33:36,586 --> 00:33:39,517 of feelings that inspire the songs. 431 00:33:45,551 --> 00:33:49,758 They were drawn there like the crowd around a car wreck 432 00:33:49,758 --> 00:33:52,206 and I'd never be able to make it in a different time. 433 00:33:52,206 --> 00:33:57,206 I always felt that way but it just suddenly got intolerable. 434 00:33:58,689 --> 00:34:02,448 I mean, the thing is, who'd even want to feel like me? 435 00:34:02,448 --> 00:34:03,275 I don't. 436 00:34:04,724 --> 00:34:06,517 - Did you get any money? 437 00:34:06,517 --> 00:34:09,034 [laughs] 438 00:34:09,034 --> 00:34:13,137 - That was all my rights and royalties, everything. 439 00:34:13,137 --> 00:34:15,068 Are you happy now? 440 00:34:15,068 --> 00:34:16,827 - Who do you love? 441 00:34:16,827 --> 00:34:17,655 - You. 442 00:34:20,827 --> 00:34:22,310 - Who do you hate? 443 00:34:23,241 --> 00:34:24,068 - You. 444 00:34:35,448 --> 00:34:39,000 - At least we got some publicity out of it. 445 00:34:44,103 --> 00:34:47,241 - I don't think he will abandon his future. 446 00:34:47,241 --> 00:34:49,068 The money is too good. 447 00:34:50,000 --> 00:34:51,241 - Kellerman, that's the problem. 448 00:34:51,241 --> 00:34:54,413 He hasn't seen any of the money so far. 449 00:34:57,034 --> 00:34:59,310 [shouting] 450 00:35:17,241 --> 00:35:19,482 [knocking] 451 00:35:23,000 --> 00:35:24,000 What are you doing here? 452 00:35:24,000 --> 00:35:25,482 - I've gotta talk to you. 453 00:35:25,482 --> 00:35:28,068 - Okay, I'll be there in a minute. 454 00:35:28,068 --> 00:35:29,068 So listen... 455 00:35:42,137 --> 00:35:44,551 [slow music] 456 00:36:20,586 --> 00:36:23,137 - I couldn't reach you but I knew you'd be on your way home. 457 00:36:23,137 --> 00:36:25,137 - Yeah, big business. 458 00:36:25,137 --> 00:36:26,655 Got plans. 459 00:36:26,655 --> 00:36:28,689 Hurry up, the ferry arrives in 10 minutes. 460 00:36:28,689 --> 00:36:30,586 - I only need a second. 461 00:36:30,586 --> 00:36:33,000 - Listen, these guys, they're gonna sell you 462 00:36:33,000 --> 00:36:36,517 from coast to coast, and man, I got you the inside track. 463 00:36:36,517 --> 00:36:38,551 - They've been selling me for a year. 464 00:36:38,551 --> 00:36:39,965 Now I want to sell. 465 00:36:39,965 --> 00:36:44,379 My rights, royalties, everything, you can have them. 466 00:36:44,379 --> 00:36:47,482 I'm trying to sell for 5,000. 467 00:36:47,482 --> 00:36:49,724 - How are you going to do that? 468 00:36:49,724 --> 00:36:51,862 - What do you mean? 469 00:36:51,862 --> 00:36:56,862 - I mean you must be joking, selling everything for 5,000! 470 00:36:57,448 --> 00:36:59,206 - Listen, Nada. 471 00:36:59,206 --> 00:37:03,689 You told me I should find a stupid, uncomplicated girl. 472 00:37:03,689 --> 00:37:05,413 Well, maybe you were talking to yourself. 473 00:37:05,413 --> 00:37:07,517 Maybe you should find another man. 474 00:37:07,517 --> 00:37:09,413 - An uncomplicated man. 475 00:37:10,275 --> 00:37:12,275 You're absolutely right. 476 00:37:30,413 --> 00:37:32,862 [calm music] 477 00:38:13,206 --> 00:38:14,137 - Operator? 478 00:38:15,000 --> 00:38:17,206 Could you give me 431-6053? 479 00:38:19,724 --> 00:38:20,551 Thanks. 480 00:38:25,137 --> 00:38:26,517 Hello? 481 00:38:26,517 --> 00:38:29,172 Could I talk to Mr. Andy Warhol? 482 00:38:30,482 --> 00:38:32,034 [knocking] 483 00:38:32,034 --> 00:38:34,206 Come in, the door is open! 484 00:38:38,724 --> 00:38:43,310 Tell him to call me back in the Westbury in room 705. 485 00:38:43,310 --> 00:38:44,137 Thanks. 486 00:38:45,586 --> 00:38:47,000 Nice to meet you. 487 00:38:47,965 --> 00:38:49,827 - You don't remember? 488 00:38:49,827 --> 00:38:50,758 [kisses] 489 00:38:50,758 --> 00:38:53,068 - Five months is a long time. 490 00:38:54,172 --> 00:38:56,206 You can't just disappear on me. 491 00:38:56,206 --> 00:38:59,275 - French TV gave me a very good job in New York. 492 00:38:59,275 --> 00:39:01,206 - Oh, more interesting? 493 00:39:02,310 --> 00:39:04,793 - Why are you so mean to me? 494 00:39:04,793 --> 00:39:07,206 Are you in love with somebody else? 495 00:39:07,206 --> 00:39:08,206 - Of course. 496 00:39:09,448 --> 00:39:10,793 - I missed you. 497 00:39:10,793 --> 00:39:11,620 - Really? 498 00:39:29,379 --> 00:39:30,586 - Come on out of there, Nada, 499 00:39:30,586 --> 00:39:31,758 I want you to look at the mirror. 500 00:39:31,758 --> 00:39:34,000 You'll really be surprised. 501 00:41:00,827 --> 00:41:02,793 [slow music] 502 00:41:02,793 --> 00:41:04,310 - Billy? 503 00:41:04,310 --> 00:41:06,000 I'm leaving you now. 504 00:41:06,862 --> 00:41:09,413 It's better for you and for me. 505 00:41:11,379 --> 00:41:13,275 You're driving me crazy 506 00:41:14,655 --> 00:41:17,655 and I'm not the right woman for you. 507 00:41:18,827 --> 00:41:20,379 Don't forget this tape. 508 00:41:20,379 --> 00:41:25,206 It shows the beginning and the end of an impossible dream. 509 00:42:08,620 --> 00:42:10,551 - Jack Bleaker, please. 510 00:42:12,827 --> 00:42:14,655 - You're a couple of nice friends. 511 00:42:14,655 --> 00:42:17,068 This is your kind of atmosphere. 512 00:42:17,068 --> 00:42:20,931 After a couple days, I'm sure you'll enjoy it. 513 00:42:23,068 --> 00:42:25,689 Like I said, don't worry about it. 514 00:42:25,689 --> 00:42:27,068 All free. 515 00:42:27,068 --> 00:42:29,413 Company pays for everything. 516 00:42:32,310 --> 00:42:33,724 What do you think? 517 00:42:33,724 --> 00:42:34,551 Like it? 518 00:42:40,517 --> 00:42:42,103 Hello, Eric. 519 00:42:42,103 --> 00:42:42,965 - Hi. 520 00:42:44,655 --> 00:42:46,310 - Here are the keys. 521 00:42:49,862 --> 00:42:51,000 Call me later. 522 00:42:52,206 --> 00:42:56,000 And don't forget, she's already forgotten you. 523 00:42:56,000 --> 00:42:56,827 - Al! 524 00:43:00,724 --> 00:43:03,137 - I got a call from Frankfurt. 525 00:43:03,137 --> 00:43:05,034 - Please, not now. 526 00:43:05,034 --> 00:43:07,931 - Mm-hm, they want me to come back. 527 00:43:07,931 --> 00:43:09,862 - Don't be such a drag. 528 00:43:11,689 --> 00:43:13,241 - If I don't make the Warhol interview, 529 00:43:13,241 --> 00:43:16,793 they won't pay any longer the hotel. 530 00:43:16,793 --> 00:43:20,448 - [laughs] Well, perhaps I can help you. 531 00:43:20,448 --> 00:43:24,275 If you give me the number, can call it. 532 00:43:24,275 --> 00:43:25,551 - Right now? 533 00:43:25,551 --> 00:43:26,379 - Yes. 534 00:43:30,482 --> 00:43:32,379 - Don't be such a drag. 535 00:44:00,965 --> 00:44:02,862 - I got a secret recipe. 536 00:44:02,862 --> 00:44:04,344 Like the recipe... 537 00:44:05,862 --> 00:44:09,000 - And what works to make political statements 538 00:44:09,000 --> 00:44:10,482 with their music? 539 00:44:10,482 --> 00:44:12,344 - That's bullshit, that's dumb. 540 00:44:12,344 --> 00:44:15,068 - What do you think other people should do? 541 00:44:15,068 --> 00:44:17,275 - They can do whatever they want. 542 00:44:17,275 --> 00:44:18,103 - Hello? 543 00:44:19,896 --> 00:44:20,827 Mr. Warhol? 544 00:44:24,379 --> 00:44:25,896 Oh, I can't wait any longer. 545 00:44:25,896 --> 00:44:30,000 Can you tell him tomorrow to call me back in the Westbury? 546 00:44:30,000 --> 00:44:31,413 He got my number. 547 00:44:32,827 --> 00:44:34,482 And offer is from German television. 548 00:44:34,482 --> 00:44:37,103 I wanted to make this interview with Mr. Warhol. 549 00:44:37,103 --> 00:44:39,862 Well, you just called me! 550 00:44:39,862 --> 00:44:42,241 Call me back in the Westbury. 551 00:44:43,068 --> 00:44:43,931 Room 705. 552 00:44:45,448 --> 00:44:46,275 Thanks. 553 00:44:49,344 --> 00:44:51,655 - What is your occupation? 554 00:44:51,655 --> 00:44:52,482 - Lying. 555 00:44:53,448 --> 00:44:55,413 - Are you afraid of anything? 556 00:44:55,413 --> 00:44:56,931 - No. 557 00:44:56,931 --> 00:44:58,586 I know I'm gonna die one day, so who gives a shit? 558 00:44:58,586 --> 00:45:01,000 [calm music] 559 00:45:13,000 --> 00:45:13,931 - Operator? 560 00:45:15,103 --> 00:45:18,310 I was looking for this nightclub. 561 00:45:18,310 --> 00:45:20,896 Did you get the address for me? 562 00:45:47,724 --> 00:45:50,241 ♪ I was a child who wanted a love so wild ♪ 563 00:45:50,241 --> 00:45:51,689 ♪ Though tight as slow motion 564 00:45:51,689 --> 00:45:53,206 ♪ But crazed with devotion 565 00:45:53,206 --> 00:45:54,689 ♪ Babe, insane with devotion, 566 00:45:54,689 --> 00:45:56,344 ♪ Just a whole other notion 567 00:45:56,344 --> 00:46:00,379 ♪ I was 14 1/2 and it wasn't no laugh ♪ 568 00:46:00,379 --> 00:46:02,620 ♪ Love comes in spurts 569 00:46:02,620 --> 00:46:05,758 ♪ Love comes in spurts 570 00:46:05,758 --> 00:46:08,827 ♪ Love comes in spurts 571 00:46:08,827 --> 00:46:12,068 ♪ Love comes in spurts 572 00:46:12,068 --> 00:46:14,689 ♪ I just can't get wise to those tragical lies ♪ 573 00:46:14,689 --> 00:46:17,793 ♪ Though I now know the facts they still cut like an ax ♪ 574 00:46:17,793 --> 00:46:20,689 ♪ Baby, love comes in spurts, in dangerous flirts ♪ 575 00:46:20,689 --> 00:46:22,448 ♪ And it murders your heart 576 00:46:22,448 --> 00:46:24,758 ♪ They didn't tell you that part, baby ♪ 577 00:46:24,758 --> 00:46:27,517 ♪ Love comes in spurts 578 00:46:27,517 --> 00:46:30,172 ♪ Love comes in spurts 579 00:46:30,172 --> 00:46:33,137 ♪ Love comes in spurts 580 00:46:33,137 --> 00:46:36,379 ♪ Love comes in spurts 581 00:46:41,137 --> 00:46:43,206 [laughs] 582 00:46:45,689 --> 00:46:47,931 [mumbling] 583 00:46:56,586 --> 00:47:00,379 ♪ I can't get you 584 00:47:00,379 --> 00:47:03,241 ♪ Ain't nothing... 585 00:47:04,448 --> 00:47:06,862 [slow music] 586 00:47:24,206 --> 00:47:26,620 - Last drink, we are closing. 587 00:47:27,827 --> 00:47:29,206 - A whiskey straight. 588 00:47:29,206 --> 00:47:30,034 - Okay. 589 00:47:39,068 --> 00:47:42,517 - Do you know a girl named Nada? 590 00:47:42,517 --> 00:47:43,344 - Nada? 591 00:47:45,724 --> 00:47:48,379 - First I come to New York and you ask me why I'm so cold 592 00:47:48,379 --> 00:47:49,827 and then you don't show up for a week 593 00:47:49,827 --> 00:47:52,517 and now I have to play the nursemaid again. 594 00:47:52,517 --> 00:47:55,241 - Don't be so bourgeois, Alfred. 595 00:47:55,241 --> 00:47:56,551 - What's wrong with your friend? 596 00:47:56,551 --> 00:47:57,379 - Nothing. 597 00:47:57,379 --> 00:47:58,758 - Nothing, nothing. 598 00:47:58,758 --> 00:48:00,862 But weren't you complaining all the time? 599 00:48:00,862 --> 00:48:05,862 - Please, all I want you to do is help me with my interview. 600 00:48:07,586 --> 00:48:10,103 - You have a date with Marlowe and [mumbles] in the studio 601 00:48:10,103 --> 00:48:12,896 and I know nothing about it. 602 00:48:12,896 --> 00:48:15,482 - Well, he was a fame critic. 603 00:48:15,482 --> 00:48:17,655 Did a movie himself. 604 00:48:17,655 --> 00:48:21,896 And then disappeared to India for two years. 605 00:48:21,896 --> 00:48:25,034 And now he's back in New York. 606 00:48:25,034 --> 00:48:26,965 - Ready to roll. 607 00:48:26,965 --> 00:48:30,517 Today, Nada Lumiere is with Jonathan B. Marlowe, 608 00:48:30,517 --> 00:48:33,724 author of the book Escape To India. 609 00:48:33,724 --> 00:48:34,620 10 seconds. 610 00:48:39,655 --> 00:48:40,482 Five. 611 00:48:47,448 --> 00:48:48,896 Okay. 612 00:48:48,896 --> 00:48:51,827 - Mr. Marlowe, you went from cinema to India 613 00:48:51,827 --> 00:48:54,379 and from India to school. 614 00:48:54,379 --> 00:48:57,379 - To learn, you must go to school. 615 00:48:57,379 --> 00:49:02,275 Less to the school of life than to the cinema as school. 616 00:49:02,275 --> 00:49:06,379 - [Nada] What is the difference between cinema and school? 617 00:49:06,379 --> 00:49:09,517 - You don't have to please the students in school 618 00:49:09,517 --> 00:49:12,241 because attendance is obligatory. 619 00:49:13,413 --> 00:49:16,758 - Do you still have the desire to escape? 620 00:49:19,000 --> 00:49:21,275 - If you choose to escape, 621 00:49:21,275 --> 00:49:23,689 it can become a full time profession, 622 00:49:23,689 --> 00:49:28,172 leaving no room for growth, spiritual or intellectual. 623 00:49:29,551 --> 00:49:32,689 I think escape is like a racetrack. 624 00:49:32,689 --> 00:49:37,586 Once you have begun, no matter how fast or how long you go, 625 00:49:39,793 --> 00:49:43,103 you always come back to the place where you begun. 626 00:49:43,103 --> 00:49:46,172 - Mr. Marlowe, it is said that the cinema is a place 627 00:49:46,172 --> 00:49:47,862 for crime and magic. 628 00:49:51,586 --> 00:49:53,862 What do you think about it? 629 00:50:02,137 --> 00:50:03,137 - The crime? 630 00:50:05,103 --> 00:50:08,275 Film steals images from living beings. 631 00:50:10,931 --> 00:50:12,000 The pleasure? 632 00:50:12,896 --> 00:50:14,793 To show them to others. 633 00:50:15,965 --> 00:50:18,551 - Why do people go to the cinema? 634 00:50:20,172 --> 00:50:24,620 - The movie theater has its moment of glory. 635 00:50:24,620 --> 00:50:28,482 One comes to sleep in a bed of images, 636 00:50:28,482 --> 00:50:32,655 to get an eyeful, to blind oneself in the process. 637 00:50:34,965 --> 00:50:38,034 To see too much and to see too badly. 638 00:51:07,000 --> 00:51:09,068 - What are you doing? 639 00:51:09,068 --> 00:51:12,000 - Sorry, I forgot to introduce myself. 640 00:51:12,000 --> 00:51:13,896 I'm Lizzy Liebenfeld. 641 00:51:13,896 --> 00:51:15,689 - Hi, Lizzy. 642 00:51:15,689 --> 00:51:17,448 - I'm a filmmaker. 643 00:51:17,448 --> 00:51:20,103 This is my first long film. 644 00:51:20,103 --> 00:51:24,517 It's kind of an episodic film based on chance. 645 00:51:24,517 --> 00:51:29,034 I start with a person and then I follow that person 646 00:51:29,034 --> 00:51:32,655 until that person runs into the next person 647 00:51:32,655 --> 00:51:37,551 and then when that person goes, I stay with the new person. 648 00:51:43,413 --> 00:51:45,655 But that person is you now! 649 00:51:47,758 --> 00:51:48,931 Wait a second. 650 00:51:51,931 --> 00:51:53,827 I want to focus on you. 651 00:51:55,517 --> 00:51:56,862 Shit. 652 00:51:56,862 --> 00:51:58,275 - What's the matter? 653 00:51:58,275 --> 00:52:00,551 - Gonna have to make that last shot again. 654 00:52:00,551 --> 00:52:04,344 - Well, your lead needs a pass through makeup. 655 00:52:08,413 --> 00:52:09,758 - Hi, I'm Lizzy. 656 00:52:11,000 --> 00:52:12,103 Wanna be in my film? 657 00:52:12,103 --> 00:52:13,517 - [All] Yeah. 658 00:52:13,517 --> 00:52:14,827 - Can you be wild? 659 00:52:14,827 --> 00:52:15,931 - [All] Sure. 660 00:52:20,275 --> 00:52:21,793 - Okay, let's try. 661 00:52:32,103 --> 00:52:33,793 - Want a ginger ale? 662 00:52:41,517 --> 00:52:43,000 Take off your wig. 663 00:52:44,241 --> 00:52:45,068 - No! 664 00:53:03,103 --> 00:53:05,620 - [Billy] Take off your makeup. 665 00:53:05,620 --> 00:53:06,448 - No. 666 00:53:29,620 --> 00:53:32,448 - [Billy] Now take your hair down. 667 00:53:46,758 --> 00:53:47,586 - Why? 668 00:53:49,034 --> 00:53:53,344 - I'm writing a song called Young Girls In Funny Makeup. 669 00:53:55,586 --> 00:53:58,655 - Could I talk to Mr. Warhol, please? 670 00:54:00,655 --> 00:54:02,689 No, this Hoffritz from German television. 671 00:54:02,689 --> 00:54:03,517 I was... 672 00:54:04,931 --> 00:54:06,931 I'm trying to get ahold of Mr. Warhol since about a week. 673 00:54:06,931 --> 00:54:09,655 I'm here in New York now. 674 00:54:09,655 --> 00:54:10,482 Hello? 675 00:54:11,724 --> 00:54:15,724 Yeah, I want to talk to Mr. Warhol, Andy Warhol? 676 00:54:15,724 --> 00:54:18,448 Hoffritz, from German television. 677 00:54:20,379 --> 00:54:23,275 - Everything you tell me about her sounds so strange. 678 00:54:23,275 --> 00:54:26,413 - She wasn't that crazy, I guess. 679 00:54:26,413 --> 00:54:29,068 - When she was really interested, she'd never say so. 680 00:54:29,068 --> 00:54:30,551 - What would she do? 681 00:54:30,551 --> 00:54:32,068 - An interview. 682 00:54:32,068 --> 00:54:35,103 It was like it had nothing to do with us personally. 683 00:54:35,103 --> 00:54:39,793 She'd make the most intimate moments look like business. 684 00:54:41,586 --> 00:54:43,931 - Maybe she was just scared. 685 00:54:43,931 --> 00:54:47,827 - When she finally left, she didn't talk to me. 686 00:54:49,172 --> 00:54:53,068 She said goodbye on a tape, in closeup on herself, 687 00:54:54,896 --> 00:54:56,517 and then just vanished. 688 00:54:56,517 --> 00:54:58,793 - Imagine every family would have a video. 689 00:54:58,793 --> 00:55:00,724 - Giving each family a video, 690 00:55:00,724 --> 00:55:03,034 it's like giving each family a gun. 691 00:55:03,034 --> 00:55:06,344 - How do you know she went back to Paris? 692 00:55:06,344 --> 00:55:08,862 Maybe she's still in New York. 693 00:55:09,965 --> 00:55:11,689 - If Warhol doesn't call tonight, 694 00:55:11,689 --> 00:55:16,275 I'm gonna cancel the whole interview and go back to Germany. 695 00:55:18,241 --> 00:55:21,206 - Mr. Kellerman, we're expecting a really important call, 696 00:55:21,206 --> 00:55:24,724 so could you keep your conversation short? 697 00:55:30,620 --> 00:55:33,344 [doorbell rings] 698 00:55:48,758 --> 00:55:50,206 - You didn't expect me. 699 00:55:50,206 --> 00:55:55,172 I called Harry at the TV studio to find out where you were. 700 00:55:55,793 --> 00:55:57,206 This is Lizzy. 701 00:55:57,206 --> 00:55:58,034 - Hi. - Hi. 702 00:55:59,448 --> 00:56:00,758 - I brought you something. 703 00:56:00,758 --> 00:56:02,862 - Oh, wonderful. 704 00:56:02,862 --> 00:56:03,965 What's on it? 705 00:56:05,034 --> 00:56:05,896 - Nada. 706 00:56:09,758 --> 00:56:13,000 ♪ Happy birthday to you 707 00:56:13,000 --> 00:56:17,793 ♪ Happy birthday to you 708 00:56:17,793 --> 00:56:22,793 ♪ Happy birthday dear Nada 709 00:56:23,689 --> 00:56:26,931 ♪ Happy birthday to you 710 00:56:29,448 --> 00:56:32,379 - [Billy] Now blow out the candles. 711 00:56:34,724 --> 00:56:37,137 - Look, Kellerman, I invited you to the party 712 00:56:37,137 --> 00:56:39,137 and you spend all your time on the phone. 713 00:56:39,137 --> 00:56:43,689 I told you we're expecting a real important call. 714 00:56:43,689 --> 00:56:44,827 Where's your friend? 715 00:56:44,827 --> 00:56:46,068 - I don't know. 716 00:57:00,793 --> 00:57:03,965 - What do you think you're doing here? 717 00:57:05,068 --> 00:57:07,896 - We do not think but thought. 718 00:57:07,896 --> 00:57:10,724 We are fascinating possessed. 719 00:57:10,724 --> 00:57:14,206 - That's fine, but you're supposed to be having fun here. 720 00:57:14,206 --> 00:57:16,724 So get yourself under control. 721 00:57:20,000 --> 00:57:22,137 - I never had any control. 722 00:57:23,241 --> 00:57:27,000 People come and go whenever they feel like. 723 00:57:27,000 --> 00:57:28,758 I'm only the manager. 724 00:57:34,103 --> 00:57:35,344 - When I finish shooting it, 725 00:57:35,344 --> 00:57:38,034 I'm gonna blow it up from eight to 35. 726 00:57:38,034 --> 00:57:40,034 - I would never do that. 727 00:57:41,241 --> 00:57:44,000 Once you're on 35, you're a stocking. 728 00:57:45,586 --> 00:57:47,724 You've gotta engage more and more people, 729 00:57:47,724 --> 00:57:50,137 you've gotta raise more and more money, 730 00:57:50,137 --> 00:57:54,310 and in the end you have to do everything yourself. 731 00:57:55,379 --> 00:57:57,482 - Did you get my message? 732 00:57:58,931 --> 00:58:02,034 - You know, there's still some things of yours at the loft. 733 00:58:02,034 --> 00:58:05,172 - I would have known you were moving out, 734 00:58:05,172 --> 00:58:08,000 would have stayed at the loft. 735 00:58:08,000 --> 00:58:10,758 - I could never stand that place. 736 00:58:11,896 --> 00:58:14,482 When are you going back to Paris? 737 00:58:14,482 --> 00:58:17,310 - I have to do one more interview. 738 00:58:19,689 --> 00:58:24,275 - You know, I started playing again because I miss you. 739 00:58:34,206 --> 00:58:37,862 - Did you really make five films in 35? 740 00:58:37,862 --> 00:58:39,517 - Alright, that's it. 741 00:58:39,517 --> 00:58:40,793 I want you out. 742 00:58:43,689 --> 00:58:45,448 - But it was for you. 743 00:58:45,448 --> 00:58:46,275 - For me? 744 00:58:46,275 --> 00:58:47,172 Who was it? 745 00:58:47,172 --> 00:58:48,448 - I don't remember. 746 00:58:48,448 --> 00:58:50,724 - Well, can't you remember the name? 747 00:58:50,724 --> 00:58:52,758 - It sounded like Factory. 748 00:58:52,758 --> 00:58:53,586 - Factory? 749 00:58:57,137 --> 00:58:58,000 - Alfred! 750 00:59:02,034 --> 00:59:03,034 It's Warhol. 751 00:59:05,827 --> 00:59:06,655 - Hello? 752 00:59:08,068 --> 00:59:09,931 Yeah, that's Alfred's. 753 00:59:10,965 --> 00:59:12,206 Yes, of course. 754 00:59:13,758 --> 00:59:15,586 Yes, sure, Mr. Warhol. 755 00:59:17,413 --> 00:59:18,241 Yeah. 756 00:59:20,103 --> 00:59:20,965 Bye. 757 00:59:22,931 --> 00:59:23,758 Harry. 758 00:59:26,068 --> 00:59:29,068 We have to get the studio for tomorrow morning at seven. 759 00:59:29,068 --> 00:59:31,068 - I've been married for 38 years. 760 00:59:31,068 --> 00:59:33,034 I've never regretted it one moment. 761 00:59:33,034 --> 00:59:33,896 - Yeah. 762 00:59:35,655 --> 00:59:39,206 - Have I ever shown you some pictures of Alice? 763 00:59:39,206 --> 00:59:40,793 - Sure, yeah, yeah. 764 00:59:40,793 --> 00:59:42,413 - No, I have some brand new ones. 765 00:59:42,413 --> 00:59:43,344 Here, look. 766 00:59:46,827 --> 00:59:47,655 - Lovely. 767 00:59:47,655 --> 00:59:49,206 She looks so happy. 768 00:59:50,379 --> 00:59:53,206 - After 38 years and six children, 769 00:59:54,655 --> 00:59:58,206 Alice said to me "Love is what you've been through 770 00:59:58,206 --> 00:59:59,931 "with someone." 771 00:59:59,931 --> 01:00:02,448 - Photograph retains all. 772 01:00:02,448 --> 01:00:04,517 It's a cadaver to be worked on. 773 01:00:04,517 --> 01:00:09,517 Cinema retains for a mere moment and is death at work. 774 01:00:10,655 --> 01:00:12,413 Television retains nothing at all 775 01:00:12,413 --> 01:00:15,103 and is the deadly procession that hemorrhages 776 01:00:15,103 --> 01:00:16,379 all its majors. 777 01:00:18,517 --> 01:00:20,448 - Where's Warhol? 778 01:00:20,448 --> 01:00:22,275 - No answer. 779 01:00:22,275 --> 01:00:25,206 - He was supposed to be here an hour ago. 780 01:00:25,206 --> 01:00:27,379 - Maybe he's just leaving. 781 01:00:48,137 --> 01:00:51,448 - Can you turn down those floods? 782 01:00:51,448 --> 01:00:52,275 - What? 783 01:00:53,448 --> 01:00:55,931 - Can you turn down those floods? 784 01:00:57,482 --> 01:01:00,241 - John, could you turn off the scoots, please? 785 01:01:00,241 --> 01:01:01,275 - Who's that? 786 01:01:36,000 --> 01:01:38,275 [whirring] 787 01:01:45,000 --> 01:01:47,586 [violin music] 788 01:02:00,413 --> 01:02:01,551 - Who is this? 789 01:02:02,448 --> 01:02:03,379 - I don't know. 790 01:02:03,379 --> 01:02:05,724 I thought you sent them down. 791 01:02:15,275 --> 01:02:17,241 - Ready for take one! 792 01:02:17,241 --> 01:02:18,655 - Who are you? 793 01:02:18,655 --> 01:02:19,931 - I'm Andy's assistant. 794 01:02:19,931 --> 01:02:22,241 - That's fine, but where's Andy? 795 01:02:22,241 --> 01:02:24,172 - Well, Andy was really busy 796 01:02:24,172 --> 01:02:26,137 so he thought it would be a good idea 797 01:02:26,137 --> 01:02:29,482 for me to come down and play in my goggles. 798 01:02:29,482 --> 01:02:30,965 - They're very nice. 799 01:02:30,965 --> 01:02:31,793 - Do like my goggles? 800 01:02:31,793 --> 01:02:33,517 - It's a very good idea. 801 01:02:33,517 --> 01:02:35,724 I like the goggles, I like the belts. 802 01:02:35,724 --> 01:02:37,448 Maybe we can feature you on one of our next shows. 803 01:02:37,448 --> 01:02:38,655 - Oh, oh, good. 804 01:02:38,655 --> 01:02:40,068 Well, maybe I should come back. 805 01:02:40,068 --> 01:02:41,655 - Come back, I really like the goggles. 806 01:02:41,655 --> 01:02:43,620 - Come back probably tomorrow. 807 01:02:43,620 --> 01:02:45,379 - That's fine, that's great. 808 01:02:45,379 --> 01:02:46,862 - [Assistant] Do you think you could get some music 809 01:02:46,862 --> 01:02:48,034 somehow I can play? 810 01:02:48,034 --> 01:02:49,103 - [Man] Yeah. 811 01:02:54,103 --> 01:02:55,862 - Who was he? 812 01:02:55,862 --> 01:02:57,931 - Andy Warhol's assistant. 813 01:02:57,931 --> 01:03:00,172 - Warhol's assistant? 814 01:03:00,172 --> 01:03:02,206 And why was he playing violin? 815 01:03:02,206 --> 01:03:03,448 - I don't know. 816 01:03:08,689 --> 01:03:12,068 - Lizzy, do you have the keys to the car? 817 01:03:13,862 --> 01:03:17,620 - They're in the pocket of my leather jacket. 818 01:03:22,758 --> 01:03:23,827 - Bye, Lizzy. 819 01:03:26,862 --> 01:03:28,862 - [Lizzy] See you later. 820 01:03:32,241 --> 01:03:33,137 - Honestly? 821 01:03:35,206 --> 01:03:37,896 But you're sure he's on his way? 822 01:03:39,551 --> 01:03:40,379 Okay. 823 01:03:42,482 --> 01:03:44,172 They just told me he's coming. 824 01:03:44,172 --> 01:03:47,206 - I told you he was a serious person. 825 01:03:47,206 --> 01:03:48,965 He wouldn't screw us. 826 01:03:54,103 --> 01:03:56,724 - You know, this guy wasn't his assistant. 827 01:03:56,724 --> 01:03:57,862 - Who was he? 828 01:03:57,862 --> 01:03:59,068 - I don't know. 829 01:04:02,275 --> 01:04:03,103 - Alfred. 830 01:04:14,862 --> 01:04:15,689 - Harry. 831 01:04:20,793 --> 01:04:21,965 - It's Warhol. 832 01:04:23,655 --> 01:04:27,206 Someone has to go down there and talk to him. 833 01:04:27,206 --> 01:04:30,241 - [Alfred] You speak much better English than I do. 834 01:04:30,241 --> 01:04:31,758 - [Harry] It's your interview. 835 01:04:31,758 --> 01:04:34,793 - [Alfred] Yes, but you are the American co-producer. 836 01:04:34,793 --> 01:04:37,068 - [Harry] Hoffritz, go down there or else he'll leave. 837 01:04:37,068 --> 01:04:39,896 - [Alfred] Alright, alright. 838 01:04:39,896 --> 01:04:42,310 Where's my script, have you seen my script? 839 01:04:42,310 --> 01:04:45,862 - [Harry] There was no script for this. 840 01:04:45,862 --> 01:04:47,896 Stand by, camera one. 841 01:04:47,896 --> 01:04:49,620 Stand by, camera two. 842 01:04:50,758 --> 01:04:54,034 - Mr. Warhol, thank you for being our guest. 843 01:04:54,034 --> 01:04:55,724 This is your show. 844 01:04:55,724 --> 01:04:58,448 You can say and do whatever you like. 845 01:04:58,448 --> 01:05:00,793 Our cameras will follow you. 846 01:05:48,517 --> 01:05:50,862 - What the fuck is he doing? 847 01:05:52,275 --> 01:05:56,344 Mr. Hoffritz, could you come to the control room? 848 01:06:12,482 --> 01:06:14,551 What's he doing? 849 01:06:14,551 --> 01:06:15,379 - Nothing. 850 01:06:17,689 --> 01:06:19,172 - I'd like to know what you think 851 01:06:19,172 --> 01:06:21,448 about sentence of [mumbles] 852 01:06:21,448 --> 01:06:25,793 who says that cinema is a place for crime and magic. 853 01:06:29,000 --> 01:06:33,172 - Well, I still don't understand what the crime part, 854 01:06:33,172 --> 01:06:37,310 the question, but I always think about the magic part 855 01:06:37,310 --> 01:06:42,000 of the question is when it really shows magic, you know. 856 01:06:45,000 --> 01:06:47,551 And especially with people, 857 01:06:47,551 --> 01:06:51,000 some people have that magic that when a camera goes on you 858 01:06:51,000 --> 01:06:55,310 that there's an extra energy or something, you know, 859 01:06:56,724 --> 01:06:59,206 for some people, it's, you know, beautiful people 860 01:06:59,206 --> 01:07:01,551 and it makes such a difference 861 01:07:01,551 --> 01:07:05,068 when they can get that extra magic on the screen. 862 01:07:05,068 --> 01:07:07,655 I don't understand it but it happens. 863 01:07:07,655 --> 01:07:10,241 Can I take a photograph of you? 864 01:07:10,241 --> 01:07:11,586 - You can do it. 865 01:07:17,000 --> 01:07:19,103 - Can I take another one? 866 01:07:36,206 --> 01:07:38,620 [slow music] 867 01:07:40,275 --> 01:07:41,793 [kisses] 868 01:07:41,793 --> 01:07:44,000 - What's the matter? 869 01:07:44,000 --> 01:07:47,000 - I've been thinking about us. 870 01:07:47,000 --> 01:07:51,551 You and Lizzy, me I've got a friend I can work with. 871 01:07:51,551 --> 01:07:53,586 There's no problem. 872 01:07:53,586 --> 01:07:56,034 But is it happiness? 873 01:07:56,034 --> 01:07:58,482 - [Billy] You wanna be happy? 874 01:08:00,551 --> 01:08:05,000 - The only excitement I have is in my damn interviews. 875 01:08:07,620 --> 01:08:11,448 What about your manager and the company? 876 01:08:11,448 --> 01:08:13,689 - I try not to be a sucker. 877 01:08:15,241 --> 01:08:19,275 You know, I sometimes still walk off stage. 878 01:08:19,275 --> 01:08:23,517 But I've gotta cut that out, they like it too much. 879 01:08:27,482 --> 01:08:29,827 Sometimes I really miss you. 880 01:08:32,758 --> 01:08:37,275 - We can try to find a flat that we both like. 881 01:08:37,275 --> 01:08:38,793 - Yeah. 882 01:08:38,793 --> 01:08:42,379 - And I can find another job in New York and stay forever. 883 01:08:42,379 --> 01:08:43,206 - Sure. 884 01:08:44,827 --> 01:08:47,206 [rock music] 885 01:08:51,758 --> 01:08:56,034 ♪ I was sayin' let me out of here before I was even born ♪ 886 01:08:56,034 --> 01:08:58,379 ♪ It's such a gamble when you get a face ♪ 887 01:08:58,379 --> 01:09:01,275 ♪ It's fascinatin' to observe what the mirror does ♪ 888 01:09:01,275 --> 01:09:05,413 ♪ But when I dine it's for the wall that I set a place ♪ 889 01:09:05,413 --> 01:09:07,896 ♪ I belong to the blank generation ♪ 890 01:09:07,896 --> 01:09:11,241 ♪ And I can take it or leave it each time ♪ 891 01:09:11,241 --> 01:09:14,655 ♪ Well, I belong to the generation ♪ 892 01:09:14,655 --> 01:09:19,482 ♪ But I can take it or leave it each time ♪ 893 01:09:25,448 --> 01:09:28,758 ♪ Triangles were fallin' at the window as the doctor cursed ♪ 894 01:09:28,758 --> 01:09:32,000 ♪ He was a cartoon long forsaken by the public eye ♪ 895 01:09:32,000 --> 01:09:35,448 ♪ The nurse adjusted her garters as I breathed my first ♪ 896 01:09:35,448 --> 01:09:36,758 ♪ The doctor grabbed my throat 897 01:09:36,758 --> 01:09:39,000 ♪ And yelled, "God's consolation prize!" ♪ 898 01:09:39,000 --> 01:09:41,413 ♪ I belong to the blank generation ♪ 899 01:09:41,413 --> 01:09:44,931 ♪ And I can take it or leave it each time ♪ 900 01:09:44,931 --> 01:09:48,344 ♪ Well, I belong to the generation ♪ 901 01:09:48,344 --> 01:09:51,655 ♪ But I can take it or leave it each time ♪ 902 01:09:51,655 --> 01:09:53,827 ♪ Take it 903 01:10:12,482 --> 01:10:16,034 ♪ To hold the T.V. to my lips, the air so packed with cash ♪ 904 01:10:16,034 --> 01:10:17,172 ♪ Then carry it up flights of stairs ♪ 905 01:10:17,172 --> 01:10:19,206 ♪ And drop it in the vacant lot ♪ 906 01:10:19,206 --> 01:10:20,586 ♪ To lose my train of thought 907 01:10:20,586 --> 01:10:22,655 ♪ And fall into your arms' tracks ♪ 908 01:10:22,655 --> 01:10:26,000 ♪ And watch beneath the eyelids every passing dot ♪ 909 01:10:26,000 --> 01:10:28,620 ♪ I belong to the blank generation ♪ 910 01:10:28,620 --> 01:10:31,793 ♪ And I can take it-- 911 01:10:33,448 --> 01:10:36,448 [audience applauds] 912 01:10:56,620 --> 01:10:58,482 - [Nada] Where's Billy? 913 01:10:58,482 --> 01:11:01,310 - I think he went to the bathroom. 914 01:11:10,034 --> 01:11:12,448 [slow music] 915 01:11:16,068 --> 01:11:20,931 - I just came to say goodbye because I'm leaving to Paris. 916 01:11:22,758 --> 01:11:23,586 Tomorrow. 917 01:11:25,310 --> 01:11:26,137 And... 918 01:11:28,620 --> 01:11:30,344 I'd like to tell you, 919 01:11:32,724 --> 01:11:34,172 I just want-- 920 01:11:34,172 --> 01:11:35,517 - Don't tell me. 921 01:11:37,344 --> 01:11:40,689 You want me to drive you to the airport? 922 01:11:44,620 --> 01:11:46,793 - What do you mean you want to go alone? 923 01:11:46,793 --> 01:11:49,103 - Don't get excited. 924 01:11:49,103 --> 01:11:51,724 Of course I'm coming with you to Paris. 925 01:11:51,724 --> 01:11:54,068 - You're coming with me to Paris? 926 01:11:54,068 --> 01:11:56,206 I'm coming with you to Paris. 927 01:11:56,206 --> 01:11:59,137 Because, because normally, normally I would have gone back 928 01:11:59,137 --> 01:12:00,689 to Frankfurt. 929 01:12:00,689 --> 01:12:03,931 - All I want to do is go alone with Billy to the airport. 930 01:12:03,931 --> 01:12:06,724 - So I can carry everything myself, huh? 931 01:12:06,724 --> 01:12:08,000 That's typical. 932 01:12:12,655 --> 01:12:15,241 [gentle music] 933 01:13:13,206 --> 01:13:15,275 [kisses] 934 01:13:28,103 --> 01:13:31,103 - Nada forgot to give you this tape. 935 01:13:32,965 --> 01:13:37,965 - We would have separated long ago except for the children. 936 01:13:38,689 --> 01:13:40,241 - Who are the children? 937 01:13:40,241 --> 01:13:41,413 - Me and Nada. 938 01:13:48,551 --> 01:13:51,379 - I'm not going with you to Paris. 939 01:13:53,034 --> 01:13:54,620 I want to stay here. 940 01:13:54,620 --> 01:13:55,448 - What? 941 01:13:57,793 --> 01:13:59,724 - I wish you good luck. 942 01:14:14,034 --> 01:14:16,482 [slow music] 943 01:15:53,344 --> 01:15:55,793 [rock music] 944 01:16:12,689 --> 01:16:16,862 ♪ I was sayin' let me out of here before I was even born ♪ 945 01:16:16,862 --> 01:16:19,172 ♪ It's such a gamble when you get a face ♪ 946 01:16:19,172 --> 01:16:22,448 ♪ It's fascinatin' to observe what the mirror does ♪ 947 01:16:22,448 --> 01:16:26,310 ♪ But when I dine it's for the wall that I set a place ♪ 948 01:16:26,310 --> 01:16:28,931 ♪ I belong to the blank generation ♪ 949 01:16:28,931 --> 01:16:32,448 ♪ And I can take it or leave it each time ♪ 950 01:16:32,448 --> 01:16:35,827 ♪ Well, I belong to the generation ♪ 951 01:16:35,827 --> 01:16:40,655 ♪ But I can take it or leave it each time ♪ 952 01:16:46,931 --> 01:16:50,310 ♪ Triangles were fallin' at the window as the doctor cursed ♪ 953 01:16:50,310 --> 01:16:53,758 ♪ He was a cartoon long forsaken by the public eye ♪ 954 01:16:53,758 --> 01:16:57,137 ♪ The nurse adjusted her garters as I breathed my first ♪ 955 01:16:57,137 --> 01:16:58,586 ♪ The doctor grabbed my throat 956 01:16:58,586 --> 01:17:00,827 ♪ And yelled, "God's consolation prize!" ♪ 957 01:17:00,827 --> 01:17:03,344 ♪ I belong to the blank generation ♪ 958 01:17:03,344 --> 01:17:06,793 ♪ And I can take it or leave it each time ♪ 959 01:17:06,793 --> 01:17:10,172 ♪ Well, I belong to the generation ♪ 960 01:17:10,172 --> 01:17:13,689 ♪ But I can take it or leave it each time ♪ 961 01:17:13,689 --> 01:17:15,862 ♪ Take it 962 01:17:35,448 --> 01:17:38,931 ♪ To hold the T.V. to my lips, the air so packed with cash ♪ 963 01:17:38,931 --> 01:17:40,482 ♪ Then carry it up flights of stairs ♪ 964 01:17:40,482 --> 01:17:42,413 ♪ And drop it in the vacant lot ♪ 965 01:17:42,413 --> 01:17:43,758 ♪ To lose my train of thought 966 01:17:43,758 --> 01:17:45,793 ♪ And fall into your arms' tracks ♪ 967 01:17:45,793 --> 01:17:49,275 ♪ And watch beneath the eyelids every passing dot ♪ 968 01:17:49,275 --> 01:17:51,931 ♪ I belong to the blank generation ♪ 969 01:17:51,931 --> 01:17:55,517 ♪ And I can take it or leave it each time ♪ 970 01:17:55,517 --> 01:17:58,896 ♪ Well, I belong to the generation ♪ 971 01:17:58,896 --> 01:18:03,413 ♪ But I can take it or leave it each time ♪ 972 01:18:03,413 --> 01:18:06,000 ♪ I belong to the blank generation ♪ 973 01:18:06,000 --> 01:18:09,689 ♪ And I can take it or leave it each time ♪ 974 01:18:09,689 --> 01:18:12,965 ♪ Well, I belong to the generation ♪ 975 01:18:12,965 --> 01:18:17,793 ♪ But I can take it or leave it each time ♪ 69356

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