Original subtitles

CAPTIONING MADE POSSIBLE BY WARNER BROS.

[FUNK MUSIC BEGINS PLAYING]

♪♪ BABY, YOU WALK RIGHT ♪♪

♪♪ YOUR LOVE TURN DARKNESS TO LIGHT ♪♪

♪♪ WOMAN, YOUR LOVE IS WARM AND STRONG ♪♪

♪♪ I'M GONNA LOVE YOU ♪♪

♪♪ FROM NOW ON ♪♪

♪♪ YOU MOVE LIKE THE DESERT WIND ♪♪

♪♪ MAKE ME WANNA LOVE YOU ♪♪

♪♪ AGAIN AND AGAIN ♪♪

♪♪ EVERYWHERE I GO ♪♪

♪♪ I SEE YOUR FACE ♪♪

♪ ♪♪ A REFLECTION IN MY MIND ♪

♪♪ I CAN'T ERASE ♪♪

COMMENT ￧A VA, MARCEL?

Marcel:TRèèS BIEN.

♪♪ GOT ME DOIN' THINGS I DON'T WANNA DO ♪♪

♪♪ I DON'T MIND ♪♪

♪ ♪♪ I'M SO IN LOVE WITH YOU ♪

♪♪ OHHH! ♪♪

♪♪ CLEO! ♪♪

♪♪ CLEO! ♪♪

WELL, IT'S ALL HAPPENING, ISN'T IT?

I FOUND A MARVELOUS POINT OF OBSERVATION FOR YOU.

I HOPE IT MEETS WITH YOUR APPROVAL,

MISS JONES.

[CONVERSATIONS IN MULTIPLE LANGUAGES]

[MAN ON RADIO SPEAKING IN FRENCH]

[CONVERSATIONS STOP]

[SPEAKING FRENCH]

MUST BE THE LARGEST POPPY FIELD

I'VE EVER SEEN.

WHAT DO YOU THINK ITS VALUE IS?

$30 MILLION ON THE STREET.

$30 MILLION.

INCREDIBLE.

THAT'S RIGHT, BABY.

$30 MILLION WORTH OFSHIT...

THAT AIN'T GOING IN SOME KID'S VEINS.

BURN IT.

AHSHAM?

Radio: YES, GENERAL?

ARE YOU READY?

EVERYTHING IS READINESS.

GET ON WITH IT.

[SPEAKING FRENCH]

WHAT?! THAT BITCH!

THAT GODDAMN BLACK BITCH!

AARRGH!

HOW DARE SHE MESS AROUND WITH MY POPPIES!

MY GOD, EVERYBODY IN TURKEY MUST BE FLYIN'!

I'LL KILL HER! I WILLKILLHER!

$30 MILLION UP IN SMOKE!

GOD DAMN HER, THAT TROUBLE-MAKING COON!

HAVE SOME BRANDY. IT'LL CALM YOUR NERVES.

THANK YOU, EVE, DARLIN'.

MMM.

AHH!

YOU'RE THE ONLY ONE AROUND HERE

WHO GIVES A SHIT ABOUT MOMMY.

AH.

WELL,NOW...

AS LONG AS SHE'S OVER THERE,

NOTHING'S GONNA GET THROUGH.

I WANT HER BLACK ASS BACK HERE!

MOTHER, DARLING,

NOBODY CAN MAKE HER DO ANYTHING.

YEAH, MY LITTLE SWEET SON BRUCEY?

YOU EVER HEARD OF THE B&S HOUSE,

HER OWN LITTLE PRIVATE SYNANON?

YES, MOTHER.

WELL, IF SOMETHING WERE TO HAPPEN

TO HER OWN LITTLE PET CHARITY,

SHE'D BE ON THE NEXT PLANE BACK HERE.

HEY, THAT'S IT.

THATIS IT!

[DIALING TELEPHONE]

[MOMMY CHUCKLING]

Mommy: HELLO?

HELLO, THIS IS YOUR MOMMY SPEAKING.

LAST YEAR, MAN,

2 10-YEAR-OLD KIDS O.D.'d ON WESTERN,

AND THAT'S REALLY A HEAVY THING.

WE GOT THESE KITS TOGETHER,

MAYBE 30 OR 40 OF THEM,

AND WE'RE GONNA GIVE THEM TO YOU CATS,

AND YOU HAVE TO GO OUT AND RAP TO THESE PEOPLE.

HEY, FRANK, I DON'T LIKE THIS.

WHY DON'T WE WAIT FOR CRAWFORD?

YOU TRIED TO FIND HIM. HE'S NOT AROUND.

YEAH, BUT LOOK--

JUST LET ME RUN MY DEPARTMENT, OK?

OK.

ALL RIGHT, PURDY, LET'S DO IT.

[SCREAMING]

OH, HERE YOU GO.

HERE YOU GO. MOVE IT!

TAKE THEM IN AND TRY TO BUST THEIR HEADS!

ALL RIGHT, EVERYBODY FREEZE!

COME ON, LADY! MOVE!

Officer: WATCH THAT OTHER SIDE.

YOU WATCH YOUR MOUTH, SON.

Officer: HERE WE GO. GET UP AGAINST THE WALL.

Man: HEY, I'M CLEAN, SUCKER.

YOU REUBEN MASTERS?

WHO WANTS TO KNOW?

I'M LIEUTENANT RANDALL,

AND I HAVE A SIGNED WARRANT TO SEARCH THIS PLACE.

WHAT ABOUT THOSE DOORS, MAN?

YOU GOT A SIGNED WARRANT TO KICK THOSE IN?

SURE, YOU'D LIKE US TO STAND OUTSIDE

LIKE A BUNCHA BOY SCOUTS

SO YOU COULD BLOW OUR HEADS OFF, HUH?

YOU GOT SOMETHING TO SAY TO ME?

DON'T CROWD ME, BOY.

YOU BETTER PUT THAT DOWN BEFORE I MAKE YOU EAT IT.

Kert: COME ON, PURDY.

PUT IT DOWN.

WE DON'T HAVE TO EXPLAIN NOTHIN' TO THIS GROUP.

WE CAME HERE TO SEARCH. LET'S SEARCH.

CARE TO SEARCH ME PERSONALLY, MAN?

HMM? YOU WANT SOME OF THIS?

COME ON, LET'S DO IT!

COME ON! MOVE!

LINE UP OVER THERE! LINE UP FACE FIRST!

HEY, MAN, WHAT'S WRONG WITH YOU?

HEY, MAN!

WILL YOU TAKE IT EASY, MAN?

YOU'RE HURTING ME, MAN!

HEY, HEY!

TAKE IT EASY!

WHAT'S WRONG WITH YOU?

HEY, REUBEN, WHAT'S GOING ON HERE?

WHAT IS THIS SHIT?

Kert: HEY, TAKE IT EASY ON HIM!

CERTAINLY.

Man: JIVE, MAN.

CANDY, MAN?

HONEST TO GOD, REUBEN,

IT AIN'T MINE.

I'VE NEVER SEEN IT BEFORE.

IT AIN'T MINE.

YOU'VE GOTTA BELIEVE ME! I'M CLEAN!

LOOK!

I'M CLEAN!

SOMEBODY PUT THAT ON ME!

REUBEN...

HONEST TO GOD,

IT AIN'T MINE, MAN.

YEAH, SURE.

TAKE HIM IN.

JIMMY!

[SHOTGUN BLAST]

HEY, WHAT ARE YOU DOING?!

YOU IDIOT.

REUBEN!

ALL RIGHT, BOY...

I'M GONNA GIVE YOU YOUR RIGHTS.

"YOU HAVE THE RIGHT TO REMAIN SILENT.

"IF YOU GIVE UP THE RIGHT TO REMAIN SILENT,

"ANYTHING YOU SAY CAN AND WILL BE USED AGAINST YOU

"IN A COURT OF LAW.

"YOU HAVE THE RIGHT TO SPEAK TO AN ATTORNEY.

"YOU HAVE THE RIGHT

"TO HAVE THE ATTORNEY PRESENT DURING QUESTIONING.

"IF YOU SO DESIRE AND CANNOT AFFORD ONE,

"AN ATTORNEY WILL BE APPOINTED TO YOU WITHOUT CHARGE

"BEFORE QUESTIONING.

"DO YOU UNDERSTAND EACH OF THESE RIGHTS

I'VE EXPLAINED TO YOU?"

[BREATHING HEAVILY]

"DO YOU WISH TO GIVE UP THE RIGHT TO REMAIN SILENT?"

HEY, LIKE, UM...

HEY, LOOK. DIG IT. UH...

Purdy: WHAT'S THE MATTER, CAT GOT YOUR TONGUE?

HERE, FRANK.

RUN YOUR OWN DEPARTMENT.

YOUSHUT UP.

IF THIS TOWN BLOWS UP,

I'M GONNA MAKE CAB DRIVERS OUT OF ALL OF YOU!

I DON'T REMEMBER ANY OF YOU BEING PROMOTED TO A CAPTAIN!

THIS ISMYDEPARTMENT!

NOW, WHO THE HELL AUTHORIZED THIS BUST?

I TOLD YOU, LOU,

IT CAME FROM DOWNTOWN.

THEY GOT A NEW THING NOW.

IT'S CALLED THE TELEPHONE.

"HEY, CAPTAIN, WE SCREWED UP."

WHY WASN'T I NOTIFIED?

I TRIED. YOU WERE ON A CODE 5.

I DID THE NEXT BEST THING.

I WENT ALONG TO KEEP THINGS COOL.

WELL, YOU SURE KEPT THINGS COOL.

FURNITURE WRECKED, DOORS SMASHED.

15 FRIGGIN' WINDOWS BROKEN!

JESUS H. CHRIST!

IT WAS ONLY A LITTLE WOODEN HOUSE,

NOT THE BISMARCK!

LISTEN, CAPTAIN,

WE DID FIND A BAG OF HORSE ON THE BEEKERS KID.

HMMPH.

SO WE DISTURBED A FEW NIGGERS.

HA HA. BIG DEAL.

ONE MORE WORD, PURDY...

AND I'LL PUT YOUR STUPID FACE OUT.

TAKE IT EASY, LOU.

GET THE HELL OUT OF HERE,

ALL OF YOU.

P.A: TWA FLIGHT 405 FROM ISTANBUL

HAS ARRIVED AT GATE 12.

ATTENTION.

TWA FLIGHT 405 FROM ISTANBUL

HAS ARRIVED AT GATE 12.

ATENCI￳N.

EL AVI￳N TWA NMERO CUATRO CERO CINCO

DE ISTANBUL

ATERRIZ￳ EN LA PUERTA NMERO DOCE.

ATENCI￳N.

EL AVI￳N TWA NMERO CUATRO CERO CINCO

DE ISTANBUL

ATTERIZ￳ EN LA PUERTA NMERO DOCE.

HAS SHE COME THROUGH THE GATE YET, MATE?

I LOST HER IN THE CROWD. SOMEHOW SHE DISAPPEARED.

SHE'S WHAT?

WATCH YOUR BLEEDIN' FEET.

SORRY.

HYAH!

[CROWD SCREAMING]

HEY, THIS WAY!

OK, LADY, HOLD IT RIGHT THERE.

HERE'S THE FILE ON THOSE 2 GUYS.

WHAT 2 GUYS?

OH, THE 2 GOONS AT THE AIRPORT

THAT TRIED TO HIT CLEO.

HMM.

"ASSAULT AND BATTERY. DISMISSED.

"EXTORTION, 2 COUNTS. DISMISSED.

"ASSAULT WITH A DEADLY WEAPON,

ARMED ROBBERY, ATTEMPTED RAPE."

AH, WHAT THE HELL, NOBODY'S PERFECT.

LOU SAID, "GIVE THIS TO THE GENIUS IN HERE."

HERE YOU ARE, FRANK.

YEAH. THANKS.

HE STILL BUGGED?

YOU SHOULD'VE LISTENED TO ME THAT NIGHT.

UH HA HA.

[TELEPHONE RINGS]

UH, I'LL GET THAT.

[RING]

HELLO.

THIS IS CLEOPATRA JONES.

LET ME SPEAK TO CRAWFORD.

OH, HI, CLEOPATRA. WE HEARD YOU WERE BACK.

HEY, LISTEN, ABOUT THE B&S HOUSE...

LATER, KERT.

UH, YEAH.

OK.

WHOO.

THAT'S CLEOPATRA JONES.

TERRIFIC.

UH, LOU...

UH, LINE 4.

IT'S CLEO.

SHE'S HOT.

SHE KNOW I'M HERE?

MM-HMM.

HELLO, CLEO. WELCOME BACK.

DON'T GIVE ME THAT WELCOME JIVE.

WHAT'S GOING ON, LOU?

I THOUGHT I HAD A FRIEND DOWN THERE.

I DON'T KNOW WHAT THE HELL HAPPENED.

WHOEVER PLANNED IT

KNEW EXACTLY WHEN I COULDN'T BE REACHED.

WHO ORDERED THE BUST?

I DON'T HAVE ANY ANSWERS.

ALL I KNOW FOR SURE

IS IT CAME FROM PRETTY HIGH UP.

Cleopatra: THAT FIGURES.

I HEARD ABOUT THE RUMBLE AT THE AIRPORT.

WE GOT A POSITIVE I.D. ON THE CORPSE

AND A COUPLE OF MAYBES ON THE OTHER 2.

ARE YOU OK?

MY BODY'S OK.

IT'S MAGNIFICENT.

ABOUT THE AIRPORT...

FORGET ABOUT THE AIRPORT, LOU.

WE'VE GOT THINGS TO TALK ABOUT.

SHOOT.

NOT ON THE PHONE, BABY.

ART'S PLACE IN AN HOUR.

OK.

OH, AND, CLEO...

IF I'D HAVE BEEN HERE,

THEY WOULDN'T HAVE GONE NEAR THAT HOUSE.

OK.

ALL RIGHT. WE'RE AT ART'S PLACE IN AN HOUR,

AND DON'T SAY A WORD.

LET ME HANDLE IT.

YEAH, BUT I WAS AT THE B&S HOUSE. I--

NOT A WORD.

I TOLD YOU WHERE!

AND I TOLD YOU WHEN!

AND I TOLD YOU HOW TO GET THAT BITCH!

YOU STILL BLOW IT!

CHRIST, HOW DID I KNOW

SHE WAS GONNA COME THROUGH THE BLEEDIN' BAGGAGE CHUTE?

MOTHER! MOTHER, PLEASE!

FOR GOD'S SAKE!

I'M TIRED OF BEING A PUSSYCAT!

[TONY WHIMPERS]

PICK IT UP, YOU DAMN IDIOT.

THE REVENUES IN THE NINTH DISTRICT

ARE EMBARRASSING.

AND YOU KNOW WHY?

BECAUSE THERE'S NO RESPECT.

THERE IS NO FEAR!

THANK YOU, GERTA, DARLING.

OH, GERTA...

YOU'RE THE ONLY ONE AROUND HERE

WHO UNDERSTANDS MOMMY.

YES, MOMMY.

WELL...

DOODLEBUG HASN'T PAID US A NICKEL IN A WEEK.

AND YOU KNOW WHY?

BECAUSE HE DOES NOT FEAR US.

DO-GOODERS ARE RUNNING ALL OVER THE DISTRICT!

AND YOU KNOW WHY?

BECAUSE THEY DO NOT FEAR US!

CLEOPATRA JONES.

SHE IS STICKING HER NOSE IN MY BUSINESS, ZAP!

IN MY BUSINESS!

WELL...

THE HONEYMOON IS OVER!

RAAH!

MOTHER, PLEASE!

YOU'LL BREAK HIM.

WHY, I'D LIKE TO...

MORNING, MISS JONES. LONG TIME NO SEE.

HIYA, HENRY. WHAT'S HAPPENING?

EVERYTHING'S FINE, MISS JONES. JUST FINE.

NICE PLACE TO BE, HENRY.

HOLD ON TO IT.

BOY, I SURE WOULD LIKE TO GET ME SOME OFTHAT.

LAST CAT WHO TRIED GOT 5 KNOTS IN HIS NOSE.

MMM MMM MMM.

LOOKY HERE,

THAT'S SOME HEAVY STUFF SHE LAID ON YOU, MAN.

SHE DRIFTED HERE WITH A BODY

THAT LOOKS LIKE NOTHING BUT BAD, RIGHT?

I MEAN, ACTUALLY CAUSES INTERNAL PAIN.

AND THE MINUTE SHE SEES YOUR TONGUE SHAKING,

SHE PULLS HER PACKAGES TOGETHER, WALKS ON AWAY,

AND SAYS, "HOLD ON TO IT."

BOYYYY...

THAT'S WHAT I CALL

SOME EXTRA-HEAVY, DOUBLE-DUTY STUFF.

MMM MMM MMM!

LOOK HERE, JOE.

I'M GONNA FIND ME A HAM THIS MORNING.

WHAT'S THAT?

A JOB.

WATCH OUT, MAN! WE'RE COMING THROUGH!

HA HA! THAT CAT ALMOST FELL!

HEY, MAN! Y'ALL GET OUT OF THE WAY!

WHAT'S WRONG WITH Y'ALL?!

OOH-WHEE!

MAN, THAT'S WHAT I CALLBAD.

THE WORD "BAD" AIN'T GOT NOTHING TO DO WITH THAT.

RIGHT ON, SWEET SISTER!

HELLO, BEAUTIFUL.

HELLO, LOU, KERT.

RECOGNIZE HIM?

THAT'S THE CAT AT THE AIRPORT.

THAT ONE, TOO.

BABY TONY AND A CREEP NAMED ZAP.

WE'LL TAKE CARE OF THEM.

LIKE YOU TOOK CARE OF THE HOUSE?

CLEO, EVEN EICHMANN GOT A TRIAL.

I TOLD YOU HOW IT WAS.

I HEARD YOU WERE IN ON THE FUN AND GAMES.

AND A DAMN GOOD THING, TOO.

HE SAVED JIMMY BEEKERS' LIFE.

WHO'S PURDY?

HE'S NEW IN THE DIVISION. YOU HAVEN'T MET HIM.

NO, BUT I HAVE A FEELING I'M GOING TO.

SOON.

NOW, CLEO, DON'T MAKE ANYTHING WORSE.

THIS ISN'T EXACTLY YOUR JURISDICTION.

MY JURISDICTION EXTENDS FROM ANKARA, TURKEY,

TO WATTS TOWER, BABY.

WHAT'S GOING TO HAPPEN WITH THE B&S HOUSE?

THE D.A.'s PUTTING PADLOCKS ON THE WORKS.

ON THE HOUSE, THE STORE, AND OTHER SMALL BUSINESSES.

HE'S GIVING THEM 72 HOURS TO CLOSE UP.

TELL THE D.A. TO BACK OFF.

HEDIDFIND THAT STUFF ON JIMMY BEEKERS.

I SAY THEY PLANTED IT.

LOU, IF THEY CLOSE UP THE B&S HOUSE,

THAT WILL HURT A LOT OF YOUNG PEOPLE

WHO HAVE NO OTHER PLACE TO GO.

ALL RIGHT.

I'LL TAKE CARE OF THE HOUSE,

AND PLEASE,

YOU TALK TO REUBEN.

I DON'T WANT THIS TOWN TO BLOW UP.

WHAT'S REUBEN SAYING?

HE SAYS WE'RE GONNA NEED TANKS AND INFANTRY

TO CLOSE UP THAT HOUSE.

I'LL KEEP IN TOUCH.

OH, MAN,

THEM PIGS BUSTED IN HERE AND TORE THE PLACE UP.

NAW, NAW. THEY PLANTED THAT DOPE ON JIMMY,

AND THEY TOOK HIM TO JAIL. YEAH--

HEY, LET ME CALL YOU BACK, OK?

YEAH, YEAH. LATER.

CLEOPATRA JONES.

THAT'S RIGHT.

HMM. SOMEBODY SAID YOU USED TO LIVE AROUND THE CORNER.

I DID.

YOU A LITTLE LATE FOR THE PARTY, AIN'T YOU?

HOW COME YOU AIN'T OUT HERE WITH THE REST OF US--

OR DON'T YOU KNOW

WHAT'S GOING ON OUT THERE IN THE STREETS?

ANNIE, YOU BETTER DIG ON WHO YOUR FRIENDS ARE

BEFORE YOU START RUNNING YOUR MOUTH.

SHIT.

HELLO, BABY.

HI, CLEO.

I'M ALWAYS SO GLAD WHEN YOU'RE BACK.

NOT THE SAME WHEN YOU'RE AWAY.

IT'S BEEN REAL HEAVY AROUND HERE.

Woman: REUBEN?

YEAH?

Woman: HE NEEDS YOU.

[BREATHING ERRATICALLY]

REUBEN...

I--I CAN'T TAKE IT, REUBEN!

CAN'T...

I CAN'T TAKE IT, REUBEN.

I'M HERE.

I'M HERE.

I CAN'T MAKE IT.

[BOY JABBERING]

REUBEN!

KILL ME OR SOMETHING.

PLEASE, REUBEN! IT HURTS!

YOU'RE GONNA MAKE IT, YOU HEAR ME?

YOU'RE GONNA MAKE IT.

OK.

OK. OK.

TERI, YOU STAY WITH HIM.

[WHIMPERING]

DAMN.

NO MATTER HOW MANY TIMES

I SEE A CAT GO THROUGH WITHDRAWALS,

IT'S ALWAYS A HEAVY TRIP.

THAT CAT'S 15 YEARS OLD, CLEO.

WE PUT THIS HOUSE TOGETHER, AND IT'S GOT TO SURVIVE.

THEY KNOW WE'RE CLEAN,

AND THEY STILL TRYING TO RUN A BULLSHIT GAME ON US.

WE DON'T DO NO DOPE IN THIS HOUSE!

WELL, IF THEY CLOSE US DOWN,

WHO'S GONNA BE HERE

WHEN SOME CAT'S TRYING TO DEAL WITH HIS JONES?

THOSE GUNS AREN'T GONNA BE MUCH HELP TO HIM.

WELL, I TELL YOU ONE THING, MAMA.

IF THEY WANT THIS HOUSE,

THEY GOTTA BRING SOMETHING TO GET SOMETHING.

COME ON.

REUBEN, GIVE ME 72 HOURS.

YEAH, WHAT'S THAT GONNA DO, CLEO?

NO FIREWORKS FOR 72 HOURS.

BUT WHAT ABOUT THEM?

I'LL SEE THEY DON'T COME NEAR HERE.

YEAH, I HEAR YOU.

HEY, CLEO.

IT'S GOOD TO HAVE YOU BACK.

YOU TAKE CARE OF YOURSELF, YOU HEAR?

RIGHT ON, BABY.

OK.

YEAH, CLEO,

HOW YOU GONNA BUY 3 DAYS?

I'VE ALREADY TALKED TO CRAWFORD.

HE OWES ME.

YEAH, SURE.

HEY...

LOOK, BABY...

IT'S OK. IT'S COOL.

I'LL SEE YOU SOON, HUH?

SOON.

[GUNSHOTS]

GET DOWN!

[BULLETS RICOCHETING]

[GUNSHOTS]

[GUNSHOTS]

[ELEVATOR WHIRRS]

NOW.

DAMN.

HEY, DOODLEBUG.

YOUR HAIR LOOKS GOOD, MAN.

MY HAIR DON'T LOOK GOOD.

IT LOOKS BEAUTIFUL.

THAT'S RIGHT.

IT AIN'T MY HAIR THAT'S BOTHERING ME.

IT'S MOMMY.

WHY SHE GOTTA GO BRING CLEOPATRA BACK TO TOWN?

MAN, THAT BROAD IS 10 MILES OF BAD ROAD.

THAT'S RIGHT.

THEN MOMMY GO AND BUST THE B&S HOUSE,

CAUSE ALL THAT MESS AT THE AIRPORT--

MAKE ME NERVOUS,

MAKE THE MAN NERVOUS.

MAKE THIS TOWN HOTTER THAN A FIRECRACKER.

SHOOT.

WELL, IF SHE CAN'T RUN HER BUSINESS BETTER,

I'M GONNA RUN MYOWNBUSINESS.

[LAUGHING]

HEY, DOODLES,

UH, YOU DON'T PLAN TO QUIT MOMMY, DO YOU?

AIN'T NOTHIN' WRONG WITH YOUR EARS.

BUT MOMMY AIN'T GONNA LIKE THAT ONE BIT.

THAT'S RIGHT.

AND WHEN MOMMY DOESN'T LIKE SOMETHING,

MOMMY CAN BE--WHEW-- VERYBAD.

THAT'S RIGHT.

PLUG, HOW'S IT GONNA LOOK ON MY DEATH CERTIFICATE, HMM?

HUH?

"DIED OF THAT'S-RIGHT-ICIDE."

ONE MORE "THAT'S RIGHT,"

ABOUT A HALF A SECOND OFF YOUR ASS.

MOMMY WANTS TROUBLE...

I'M NOT EXACTLY KNOWN

AS REBECCA OF SUNNYBROOK FARMS.

HEY, MATTINGLY.

YOU RANG, SQUIRE?

[LAUGHING]

AIN'T HE BAD?

THANK YOU, SIR.

I NEED A DRINK, MATTINGLY.

THE USUAL.

CERTAINLY, SIR, AND I SHAN'T BE A JIFFY.

I'M JUST GOING TO FETCH SOME ICE CUBES.

[DOORBELL CHIMES]

SOME ICE CUBES.

Fireplug: I'LL GET IT, BOSS.

WELL...

IF IT AIN'T THE LADY HERSELF.

YOU BETTER CHECK HER OUT, PLUG.

OK, BABY.

I'M GONNA CUT YOU!

EASY, PLUG.

LOOK, PICKLE, THERE AIN'T NO NEED

FOR EVERYBODY TO GET RILED UP.

LET'S ALL COOL DOWN. BE COOL.

NEXT TIME YOU PULL A RAZOR ON ME,

YOU'D BETTER SHAVE.

SHAVE?

THAT'S RIGHT.

Doodlebug: LOOK...

WHAT'S ON YOUR MIND, GIRL?

GOT A MESSAGE FOR MOMMY.

YOU TELL HER THAT HER 2 SENIOR CITIZENS

WENT TO THAT BIG REST HOME IN THE SKY.

WHAT AM I SUPPOSED TO KNOW ABOUT THESE?

AS MUCH AS YOU KNOW

ABOUT THE BUSTING OF THE B&S HOUSE.

OH, LOOK, YOU GOT ME ALL WRONG, GIRL.

I THINK WHAT YOU'RE DOING AT THE HOUSE

IS IN THE FINEST OF AMERICAN TRADITIONS.

IT'S JUST A SHAME THAT ONE OF THEM STILL HAPPENS

TO BE A DOPE FIEND.

ARE YOU TALKING ABOUT JIMMY BEEKERS?

IF THAT'S THE NAME OF THE BOY THEY CAUGHT WITH ALL THAT--

WHAT DO YOU CALL IT?

UM...

HEROIN.

BUT NOT THAT I HAVE ANYTHING TO DO WITH PEOPLE OF THAT ILK,

BUT I HEARD THAT HE WAS SEEN MAKING A PURCHASE FROM A PUSHER

RENOWNED FOR HIS SNAKESKIN CLOTHING.

YOU'RE LYING.

DOODLEBUG, HONEY.

OH.

AM I INTERRUPTING SOMETHING?

OH, NO, BABY. WE WERE JUST FINISHING.

OH.

WELL, I'M READY TO GO SHOPPING.

OH. HEY, MATTINGLY.

Mattingly: SIR!

Doodlebug: TAKE MISS TIFFANY IN THE CAR.

AND KEEP A CLOSE EYE ON HER.

I WOULDN'T WANT ANYTHING TO HAPPEN TO YOU, BABY.

HERE, AND HAVE YOURSELF A GOOD TIME.

THANK YOU.

IT'S A NICE TOUCH.

A WHITE CHAUFFEUR.

ALL THIS.

WHAT'S NEXT, DOODLEBUG?

2 WHITE IRON JOCKEYS ON THE LAWN?

LOOK, YOU'RE STARTING TO BUG ME.

NOT HALF AS MUCH AS I'M GOING TO, MISTER,

BECAUSE THE MINUTE I PROVE IT WAS YOU AND MOMMY

THAT BUSTED THE B&S HOUSE,

I'M COMING BACK,

AND YOUR HEAD AND YOUR BODY

IS GONNA NEED SEPARATE MAINTENANCE.

Pickle: THAT AIN'T BAD.

OH, WHAT AIN'T BAD?

THEM 2 WHITE IRON JOCKEYS ON THE LAWN.

THAT'S RIGHT.

SHIT!

I'M COMING, I'M COMING.

I ONLY GOT 2 HANDS, FOR GOD'S SAKES.

Crap player: $5 BET. ROLL THE DICE, MAN.

CLEOPATRA.

OH, MY GOD. I DON'T BELIEVE IT.

COME HERE.

OHH.

DAMN.

YOU SURE IS A SIGHT FOR SORE EYES.

HOW'S THE GAME GOING?

GAME?

CHILD, YOU KNOW THIS IS A RESPECTABLE RESTAURANT.

AIN'T NO GAME GOING ON BACK HERE.

Crap player: COME ON NOW.

THAT'S THE CHEF. HE'S ON A LITTLE COFFEE BREAK.

IT'S COOL, MRS. JOHNSON.

WELL, NOW, WHERE DID YOU GET THOSE BAD BOOTS?

PLAY YOUR CARDS RIGHT, AND I'LL GET YOU A PAIR.

FOR SOME YOUNG STUD TO START WANTING SOMETHING?

THEY AIN'T ALL BAD, YOU KNOW.

AT MY AGE, I FORGOT WHAT THEY WANT.

CAN I DO ANYTHING FOR YOU, CLEO?

WHAT HAVE YOU HEARD

ABOUT THE RAID ON THE B&S?

WELL, AS FAR AS I KNOW,

THERE'S BEEN SOME BAD GOING-ONS HERE,

AND JIMMY BEEKERS GOT HIMSELF ARRESTED.

YOU THINK DOODLEBUG'S TIED INTO THIS?

I DON'T KNOW,

BUT IT IS HIS TERRITORY.

HE'S GOT HIS OWN TERRITORY NOW, HUH?

YEAH. HE'S REALLY GETTING HIMSELF UP IN THIS WORLD.

AND IF YOU'RE PLANNING ON TANGLING WITH HIM,

YOU BE CAREFUL, YOU HEAR?

DOODLEBUG'S BEEN DOING SOME MIGHTY BAD THINGS

SINCE HE STARTED WEARING THEM SILK NECKTIES.

Crap player: OH, LOOKY HERE!

YOU HUSH UP BACK THERE!

YOU WANT ME TO GET ARRESTED?

Crap player: THESE FUNNY DICE

Y'ALL GOT ME SHOOTIN' WITH HERE.

MRS. JOHNSON, I'M GOING TO NEED YOUR BOYS.

MY BABIES?

YAAAAAAAAH!

DAMN!

MELVIN.

YOU WATUSI PUNK. YOU KNOW THAT KICK--

LONG TIME, CLEO.

WE HEARD YOU WAS BACK IN TOWN.

WHERE YOU BEEN?

BEEN MOVIN'.

SO WE HEAR.

I NEED YOUR HELP AGAIN.

WHERE AND WHEN?

NOT TO MENTION WHO.

EVER HEARD OF A COP NAMED PURDY?

NOT THAT I KNOW OF. WHAT ABOUT YOU?

MM-MMM. CAN'T SAY I HAVE.

HE'S BEEN WORKING OUT OF CRAWFORD'S DIVISION.

FIND OUT ALL YOU CAN ABOUT HIM.

STAY IN TOUCH WITH YOUR MAMA.

I'LL GET BACK TO YOU IN A COUPLE OF HOURS.

IT'S DONE.

OK, BABY.

RIGHT ON, MAMA.

GOD BLESS YOU, CHILD,

FOR THE BEAUTIFUL WORK YOU BE DOING FOR OUR PEOPLE.

HAI!

NOW, COME ON. I TOLD YOU THAT INSTRUCTOR'S MEDAL

AND BADGE DIDN'T MEAN NOTHING TO ME.

COME ON, NOW.

NO, NO, NO, NO, NO.

GO!

P.A. announcer: OFF THE LINE NOW

IS A.J. "BUD" McAVEENY JR.

P.A. announcer: OK, LET'S GET A TIME NOW FOR BUD McAVEENY.

IT'S 22.5.

EXCUSE ME.

I'M LOOKING FOR MILLER ANDERSON.

YOU'RE LOOKING AT HIM, BABY,

BUT MY FRIENDS CALL ME ANDY.

DON'T KNOW WHY MY MAMA CALLED ME MILLER.

THERE ARE SOME THINGS I NEED TO KNOW ABOUT YOUR SISTER.

P.A. announcer: MILLER ANDERSON, REPORT TO THE STARTING LINE.

I AIN'T SEEN TIFFANY IN A LONG TIME.

BESIDES, THERE AIN'T NOTHING I CAN TELL YOU

THAT YOU NEED TO KNOW.

[STARTS ENGINE]

P.A. announcer: WILL BILLY JOE FERGUSON

STAND BY FOR THE STARTING LINE, PLEASE?

Man: ARE YOU READY?

GO!

P.A. announcer: LOOKING GOOD. HE LOOKS TERRIFIC.

P.A. announcer: THERE HE IS, FOLKS.

19 FLAT.

CAN I BORROW YOUR BIKE FOR A MINUTE?

UH-UH, BABY. NO WAY. ARE YOU KIDDING?

THIS MACHINE'S WORTH A LOT OF BREAD.

BESIDES, YOU'D PROBABLY BREAK YOUR NECK.

THESE ARE THE KEYS TO MY CORVETTE.

IF I HURT YOUR BIKE,

YOU CAN HAVE THE CAR.

THE NECK'S MY WORRY.

LADY, YOU GOT YOURSELF A DEAL.

WANT ME TO HOLD YOUR COAT?

THANK YOU.

MY PLEASURE.

HOW'S THAT?

1 DOWN AND 4 UP?

RIGHT ON, BABY.

[STARTS ENGINE]

Man: ALL RIGHT, MAMA. ALL RIGHT.

YOU'RE SOMETHING ELSE.

GET IT ON, BABY.

I'LL SEE YOU LATER.

I SURELY HOPE SO.

WHAT MAMA-JAMA WAS THAT?

P.A. announcer: 16 FLAT.

READY FOR THAT?

OUT OF SIGHT, SISTER.

IF I HADN'T DUG IT, I WOULDN'T BELIEVE IT.

NOW, LIKE I WAS SAYING, I HAVE SOME QUESTIONS.

[SLOW FUNK MUSIC PLAYING]

♪♪ FIRST YOU TAKE MY HEART ♪♪

♪♪ IN THE PALM OF YOUR HAND ♪♪

♪♪ THEN YOU SQUEEZE IT ♪♪

♪♪ THEN YOU TAKE MY MIND ♪♪

♪♪ AND PLAY WITH IT ALL NIGHT ♪♪

[KNOCK ON DOOR]

♪♪ YOU TAKE MY PRIDE ♪♪

YEAH.

♪♪ AND YOU THROW IT UP AGAINST THE WALL ♪♪

♪♪ YOU TAKE ME IN YOUR ARMS, BABY ♪♪

IT'S MY FAIRY GODMOTHER.

HOW YOU DOING, BABY?

YOU COME TO CAST YOUR SPELL?

I BROUGHT YOU A COOKIE.

BRING IT OVER HERE.

♪♪ WHAT YOU'RE DOING, YOU SEE ♪♪

♪ ♪♪ 'CAUSE THIS HURTIN' FEELING ♪

♪♪ IS, OOH, SO GOOD TO ME ♪♪

♪♪ DON'T YOU KNOW THAT IT ♪♪

♪♪ HURTS SO GOOD? ♪♪

♪♪ DON'T YOU KNOW THAT IT ♪♪

♪♪ HURTS SO GOOD? ♪♪

♪♪ OOH HOO ♪♪

♪♪ TAKE MY NAME ♪♪

♪♪ ♪♪ SCANDALIZE IT IN THE STREETS

♪♪ ANYTHING YOU WANT TO DO OR SAY ♪♪

♪♪ IS ALL RIGHT WITH ME ♪♪

♪♪ TURN RIGHT AROUND ♪♪

♪♪ AND MAKE SWEET LOVE TO ME ♪♪

♪♪ OOH EEE, BABY ♪♪

♪♪ SHO 'NUFF GOOD TO ME ♪♪

♪♪ 'CAUSE, BABY ♪♪

♪♪ THESE THINGS YOU'RE DOING TO ME ♪♪

♪♪ IT HURTS SO BAD ♪♪

♪♪ BUT IT'S WORTH ALL THE MISERY ♪♪

♪♪ I SAID ♪♪

♪♪ HURTS SO GOOD ♪♪

♪♪ DON'T YOU KNOW THAT IT ♪♪

♪♪ HURTS SO GOOD? ♪♪

♪♪ OOH HOO, BABY ♪♪

WHY, DOODLEBUG,

YOU KNOW I'VE ALWAYS CONSIDERED YOU

ONE OF MY BEST SOLDIERS.

WELL, THIS SOLDIER

IS TAKING AN HONORABLE DISCHARGE.

I'M OPENING UP MY OWN ARMY.

Mommy: OH, BABY, YOU KNOW I CAN'T LET YOU DO THAT.

URSULA, YOU'RE THE ONLY ONE AROUND HERE

WHO KNOWS WHAT MOMMY WANTS.

THANK YOU, MOMMY.

GIVE OUR GUESTS SOME WINE.

NO, THANK YOU.

[SNAPS FINGERS]

WHAT GOOD WOULD I BE TO MY TROOPS

IF I DIDN'T PROVIDE THEM WITH LEADERSHIP, BROTHER?

LEADERSHIP, SISTER?

HERE'S SOME OF YOUR LEADERSHIP.

PICKLE.

YOU GONNA LEAD US RIGHT INTO THE TOILET.

[LAUGHS]

NOW, DOODLEBUG,

YOU AND I ARE REASONABLE PEOPLE.

CAN'T WE SETTLE THIS BETWEEN US?

BRUCEY, HOW HAVE WE BEEN SPLITTING WITH DOODLEBUG?

85/15, EXPENSES OUT OF 15.

Mommy: WELL, THEN, NOW,

WOULDN'T IT BE BETTER TO BE A GENERAL IN MY ARMY

AND SETTLE FOR, LET'S SAY, 25%?

25% OF WHAT?

WHEN CLEOPATRA GETS THROUGH WITH YOU,

YOU GONNA WIND UP WITH NOTHING.

I'LL TAKE CARE OF CLEOPATRA JONES.

WELL, LET ME TELL YOU SOMETHING.

YOU ARE NO MATCH FOR THAT BLACK LADY.

YEAH?

YEAH.

I QUIT.

THAT'S RIGHT. FINISHED.

THROUGH.

FINIS.

ARRIVEDERCI,MAMA.

PICKLE, PLUG,

LET'S SPLIT.

OH, BY THE WAY,

IF ANY OF YOUR ARMY

TRIES TO MESS WITH ANY OF MY ARMY,

YOU GONNA WIND UP

WITH A WHOLE LOT OF ARMY SURPLUS ON YOUR HANDS.

SEE YOU AROUND, SUPER HONKY.

[FUNK MUSIC PLAYING]

[HONK]

[HONK]

WATCH OUT!

HEY, GET OUT OF THE WAY, YOU IDIOT!

OH, SHIT!

THAT CRAZY BROAD!

SON OF A BITCH!

HOLD ON!

TERRIFIC.

[GOSPEL MUSIC PLAYING]

♪♪ SWING DOWN, CHARIOT, STOP AND-- ♪♪

♪♪ SWING DOWN, CHARIOT ♪♪

♪♪ STOP AND LET ME RIDE ♪♪

♪♪ SWING DOWN, CHARIOT ♪♪

♪♪ STOP AND LET ME RIDE ♪♪

♪♪ OH, ROCK ME, LORD ♪♪

♪♪ ROCK ME, LORD ♪♪

♪♪ COMIN' EASY ♪♪

♪♪ I GOT A HOME ON THE OTHER SIDE ♪♪

♪♪ SWING DOWN, CHARIOT ♪♪

♪♪ STOP AND LET ME RIDE ♪♪

♪♪ SWING DOWN, CHARIOT ♪♪

♪♪ STOP AND LET ME RIDE ♪♪

♪♪ OH, ROCK ME, LORD ♪♪

♪♪ ROCK ME, LORD ♪♪

♪♪ COMIN' EASY ♪♪

♪♪ I GOT A HOME ON THE OTHER SIDE ♪♪

♪♪ LOOKED OVER JORDAN ♪♪

♪♪ AND WHAT DID I SEE? ♪♪

♪♪ I GOT A HOME ON THE OTHER SIDE ♪♪

♪♪ A BAND OF ANGELS COMING AFTER ME ♪♪

♪♪ I GOT A HOME ON THE OTHER SIDE ♪♪

♪♪ OH, OH, 6 WHITE HORSES ♪♪

♪♪ RIDIN' SIDE BY SIDE ♪♪

♪♪ I GOT A HOME ON THE OTHER SIDE ♪♪

♪♪ OH, WALK A HEAVENLY TRAIL ♪♪

♪♪ WALK A HEAVENLY TRAIL ♪♪

♪ ♪♪ GOTTA HAVE A HEAVENLY TRAIL ♪

♪♪ OH, MAN, YEAH ♪♪

♪♪ I GOT A HOME ON THE OTHER SIDE ♪♪

♪ ♪♪ PLEASE COME AND LET ME RIDE ♪

♪♪ ROCK ME ♪♪

YOU GOT A MINUTE?

YEAH, YEAH.

DIG, DID YOU SEE THE NAME ON THE SIGN OUTSIDE THE DOOR?

YEAH, YEAH.

YEAH, YOU DIG. NOW LET ME ASK YOU A QUESTION.

DID YOU SEE THE NAME ON THAT SIGN?

YEAH, YEAH, IT SAYS, UH...

IT SAYS, "NOW APPEARING, MISS TIFFANY PAYNE."

THAT'S RIGHT!

DID YOU SEE ANY OTHER NAME ON THAT SIGN?

NO, MAN. SHE'S APPEARING ALONE.

THEN HOW COME SHE WORKING WITH YOU?

♪♪ I GOT A HOME ♪♪

♪♪ I GOT A HOME ♪♪

♪♪ I GOT A HOME ♪♪

♪♪ I GOT A HOME ♪♪

♪♪ HOME ♪♪

♪♪ ON THE OTHER ♪♪

♪♪ OTHER ♪♪

♪♪ SIDE ♪♪

ALL RIGHT.

BABY, THAT WAS SO BEAUTIFUL.

IS TIFFANY BEAUTIFUL?

IS SHE BEAUTIFUL?

THIS IS JUST A TOKEN OF OUR APPRECIATION,

COMPLIMENTS OF THE BOSS,

THE MAN WHO PAYS ALL THE BILLS,

YOUR MAN, MY MAN, EVERYBODY'S MAN,

MR. DOODLEBUG SIMPKINS.

THAT'S RIGHT.

ONE MORE TIME.

ONE MORE TIME, LADIES AND GENTLEMEN,

FOR MISS TIFFANY.

[CROWD CHEERING]

HERE NEXT WEEK,

THE FRANKIE CROCKER ALL-GIRL REVUE.

ONCE AGAIN, FOR YOUR DANCING PLEASURE, WE PRESENT

KENDRICKS AND COMPANY.

GIVE IT UP FOR THEM.

HEY, HOLD IT, HOLD IT, HOLD IT.

LOOK HERE, I WANT YOU TO BE HERE NEXT WEEK

'CAUSE I'VE GOT A SHOW

THAT'S BOUND TO PUT MORE DIPS IN YOUR HIPS,

MORE CUT IN YOUR STRUT, AND MORE GLIDE IN YOUR STRIDE.

IF YOU DON'T DIG IT,

YOU KNOW YOU GOT A HOLE IN YOUR SOUL.

RIGHT ON!

[HONK HONK]

HMM. LOOKS LIKE BROTHER PURDY'S

GONNA MISS HIS REVIVAL MEETING TONIGHT.

YEAH.

DEEP THROATPLUS DOCTOR AND HIS WOMEN.

JUST WHAT I WANTED TO SEE.

SOMETHING I COULD TAKE THE FAMILY TO LOOK AT.

UH...

GIVE ME 2 BABE RUTHS AND A BOX OF GOOBERS.

SHUCKS, IF WE'RE GONNA BE HERE ALL NIGHT,

WE MIGHT AS WELL GET SOMETHING TO EAT,

'CAUSE I'M HUNGRY.

THERE'S A RESTAURANT RIGHT OVER THERE.

UM, BIG BROTHER...

I'M FINANCIALLY EMBARRASSED,

AND I GOT A LITTLE CASE OF THE SHORTS, MAN.

YOU ALSO HAVE MY DEEPEST SYMPATHIES, TOO.

COME ON, MAN. YOU CAN LOAN ME $5, MAN.

I'LL GIVE IT BACK TO YOU.

5 BUCKS?

MAN, IF I HAD 5 BUCKS,

I'D BE SITTING OVER THERE

IN THAT DIRTY OLD MOVIE

WATCHING THEM DIRTY OLD NAKED WOMEN

RUNNING ACROSS THAT DIRTY OLD SCREEN.

MM-HMM. SEE? THAT'S WHY MAMA DON'T LIKE YOU,

BECAUSE ANY TIME IT COMES TIME

FOR YOU TO GIVE UP YOUR MONEY,

YOU GET MIGHTY CHEAP AND STINGY.

YOU ALWAYS GOT A WAY WITH WORDS

WHEN IT COMES TIME FOR YOUR MONEY, MATTHEW.

YEAH, WELL, THAT COMES FROM YEARS OF PRACTICE--

AND SELF-DENIAL. WE'VE HEARD IT BEFORE.

HERE'S A COUPLE OF QUARTERS.

GO IN AND GET US SOME COFFEE.

COME ON, MAN. GIVE ME 15 CENTS FOR A DOUGHNUT.

ANYTHING TO STOP YOUR NAGGING.

YOU JIVE CHEAP NIGGER.

[LAUGHS]

MATTINGLY.

HEY, MATTINGLY, YOU WANT TO HOLD THIS?

OH, YOU'RE OUT OF SIGHT, MR. PICKLES.

MR. PICKLES, YOU ARE OUT OF SIGHT.

I THINK YOU TWO GENTLEMEN ARE HAVING ME ON.

CALM YOURSELF, MATTINGLY.

LIKE THE MAN ON THE TV SAY,

YOU IN GOOD HANDS WITH THE BUG.

MR. SIMPKINS,

THE AGENCY DIDN'T TELL ME

THIS SORT OF THING WOULD BE HAPPENING.

IT'S GETTING THE BEST OF MY NERVES.

I MEAN, GUNS AND THINGS.

IT REALLY IS A BIT MUCH.

IT'S WORSE THAN THE R.A.F.

RIGHT ON.

THAT'S RIGHT.

Doodlebug: MATTINGLY.

LET'S GO TO THE VIRGINIA BARBECUE.

I FEEL LIKE SOME RIBS AND SOME FRIES.

YEAH, BOSS.

HEY, PLUG.

YOU BETTER REMIND ME TO GIVE NATHAN A 50.

A LITTLE GREASE WILL KEEP HIS BALLS IN MY POCKET.

OK, BOSS.

HEY, HOW DO I LOOK?

Pickle: YOU LOOK GOOD, DOODLEBUG.

SHOOT. I DON'T LOOK GOOD. I LOOK MARVELOUS.

IT'S 'CAUSE I TAKE CARE OF MY HAIR,

AND HAIR IS LIKE A WOMAN.

YOU TREAT IT GOOD, AND IT TREATS YOU GOOD.

AIN'T THAT RIGHT, HONEY?

YOU HEAR WHAT I'M SAYING?

YEAH, YOU GOT TO HOLD IT, CARESS IT, AND LOVE IT,

AND IT'LL LOVE YOU RIGHT BACK.

AND IF YOUR HAIR GETS OUT OF LINE,

YOU TAKE A SCISSOR AND SAY,

"HAIR, I'M GONNA CUT YOU."

THAT'S RIGHT!

PLUG--

Fireplug: HEY, WATCH OUT, MATTINGLY!

AAH! AAH!

COME ON!

AAH!

WHERE ARE YOU?

YOU DIRTY--

I'LL GET YOU NOW!

CHECK IT.

WHERE'S THE BIRD?

WHAT BIRD?

THE CHICK! THE BLOODY CHICK!

[SIRENS APPROACHING]

LET'S GET OUT OF HERE.

SHIT.

COME ON, YOU IDIOT. MOVE IT.

LET'S GO. MOVE IT OUT.

[TIRES SCREECH]

Drunk: LET'S PLAY BASKETBALL. COME ON.

GIVE ME THE BALL. GIVE ME THE BALL.

GIVE ME THAT BALL!

HEY, MAN!

HEY, MAN, YOU BETTER QUIT BUGGIN' ON PEOPLE'S BALLS.

YEAH! YEAH!

GET OUT OF HERE!

HEY, MEN, HEY, MEN. COME ON OVER HERE, MEN.

MAN, THEM SURE IS SOME BEAUTIFUL MAGNESIUM WHEELS.

AIN'T THEY, WILLIE?

YEAH. YEAH.

I BET YOU THOSE WHEELS SURE WOULD BUY A LOT OF WINE...

FOR SOME OF THE GOOD CITIZENS

IN THIS NEIGHBORHOOD.

LITTLE BROTHER,

I SURE AM FOND OF THOSE MAG WHEELS,

AND IT WOULD JUST ABOUT BREAK MY HEART

IF ANYTHING WERE TO HAPPEN TO THEM.

NOW, WHAT DO YOU SUGGEST I DO ABOUT THAT?

WELL, IN MY CONSIDERED OPINION,

IT MIGHT BE WISE TO FIND SOMEBODY

TO GUARD THEM FOR YOU.

AND WHERE COULD I FIND SOMEONE FOR SUCH A DANGEROUS JOB?

STRANGE WE SHOULD HAPPEN ALONG.

MAXWELL WOODMAN IS MY NAME.

AND WHAT DO YOU THINK SUCH A JOB IS WORTH, MR. WOODMAN?

HEY, HOW MUCH YOU THINK IT'S WORTH? DOLLAR?

DOLLAR. DOLLAR.

FOR A DOLLAR, YOU'LL GET ABSOLUTE PROTECTION,

AND WE'LL WIPE THE WINDSHIELD, TOO.

WELL, THAT SOUNDS LIKE THE BEST DEAL IN TOWN.

COME ON, MEN, GET OVER THERE.

OVER THERE BEHIND THE FENDER.

AND YOU...MICHAEL, GET ON BACK.

Woman: Y'ALL BEEN OUT THERE LAYIN' UP WITH THAT BITCH.

I KNOW ALL ABOUT IT!

Man: IF YOU DON'T GET OUT OF MY FACE, I'M GONNA SLAP YOU!

MAN, YOU BETTER NOT HIT ME!

YOU HIT ME ONE MORE TIME,

YOU'VE HIT ME FOR THE LAST TIME.

I'M TIRED OF THAT SHIT! I'M LEAVIN',

AND I DON'T WANT TO HEAR NO MORE!

WELL, GET YOUR ASS ON OUTTA HERE THEN.

GET YOUR ASS ON OUTTA HERE, AND DON'T COME BACK.

[DOOR SLAMS]

[BABY CRYING]

WAIT! WAI-WAI-WAIT A MINUTE!

SHIT!

WHAT'S WRONG WITH YOU, WOMAN?

WHY CAN'T YOU JUST OPEN A DOOR

LIKE A NORMAL PERSON?

SHIT!

WHA--LISTEN, WHAT YOU COMIN' DOWN ON ME FOR?

LOOK, I'M JUST TRYING TO PROTECT MY OWN.

WHAT YOU DOIN' SNEAKIN' AROUND MY DOOR?

I WANT TO ASK YOU ABOUT YOUR BUSINESS, PUSHER MAN.

BUSINESS? SHIT, I AIN'T IN NO BUSINESS.

WELL, LOOK, WOULD I BE LIVIN' IN THIS SHITHOLE

IF I WAS IN BUSINESS?

OK, OK, LOOK, I USED TO BE IN BUSINESS,

BUT I AIN'T NO MORE.

YOU CAN ASK ANYBODY. I SWEAR.

YOU CAN ASK ANYBODY. THEY TELL YOU,

"SNAKE AIN'T IN NO BUSINESS.

SNAKE AIN'T IN NO BUSINESS."

OK, OK.

OK. ALL RIGHT.

I'M IN BUSINESS, BUT, YOU KNOW,

IT'S NOTHING HEAVY.

IT'S JUST SOME LIGHT SHIT.

OH. THERE IS NO LIGHT SHIT, BROTHER SNAKE.

OH, OH, SURE THERE IS.

THERE'S, UH, GRASS AND, UH, PILLS

AND, UH, POPPERS. Y-YOU KNOW?

ALL RIGHT, WHERE'S YOUR STASH?

I'M DRY, BABY. I AIN'T GOT NOTHIN'.

OK, IF THAT'S THE WAY YOU WANT TO PLAY IT.

I-I'M DRY.

[GLASS SHATTERS]

WHAT'S WRONG WITH YOU, WOMAN?!

DAMN!

DAMN IT!

NOW, LOOK, YOU GONNA PISS ME OFF!

YOU JIVE JUNGLE FREAK!

THERE AIN'T NOTHIN'--

I AIN'T GOT NOTHIN'. I'M DRY.

LOOK, YOU PEOPLE DOING A GREAT JOB.

AIN'T NOTHIN' ON THE STREETS.

HEY, WAIT A MINUTE NOW. DON'T RIP UP MY DOUBLE--

DON'T RIP UP MY DOUBLE KNITS.

HEY, NO!

DON'T CUT 'EM UP. JUST LOOK AT 'EM. STUPID!

DON'T RIP UP MY BAG!

OH, SHIT. HEY, LOOK, YOU GONNA PISS ME OFF NOW!

HEY, NO. NOT MY HIGH HEELS.

NOT MY HIGH HEELS! SHEESH!

HEY, LOOK, AIN'T NOTHIN' IN THEM.

WHY DON'T YOU JUST LOOK AT 'EM

INSTEAD OF RIPPING EVERYTHING UP? COME ON.

OH, SHIT!

HOW WOULD YOU LIKE IT IF I KICKED YOUR ASS?

AHH.

OH. WAIT A MINUTE.

HEY, WHERE'D THAT COME FROM?

NOW, YOU PLANTED THAT!

YOU PLANTED THAT

'CAUSE THE LAST TIME I LOOKED IN THAT BOX

THERE WAS SHINOLA IN IT.

THAT'S THE TROUBLE WITH YOU, SNAKE.

YOU DON'T KNOW SHIT...

FROM SHINOLA.

LOOK, YOU AIN'T GONNA PIN THIS ON ME.

YOU AIN'T GONNA PIN THIS ON ME.

YOU COME IN HERE, PUSHING PEOPLE AROUND.

THIS IS AN ILLEGAL SEARCH AND SEIZURE.

THIS IS A VIOLATION OF THE FIRST AMENDMENT,

HABEAS CORPUS, AND A NOLO CONTENDERE.

I'M GONNA TAKE YOUR BUTT TO COURT.

I'M GONNA PLEAD, I'M GONNA PLEAD.

YOU'RE IN TERRIBLE TROUBLE, SNAKE.

HEY, WAIT A MINUTE. NAW.

HEY, WAIT A MINUTE, WAIT A MINUTE.

GIVE ME A BREAK.

COME ON, CLEO, GIVE ME A BREAK NOW.

DON'T BUST ME.

I CAN'T GO BACK UP THERE, CLEO, I CAN'T.

2 QUESTIONS.

ANYTHING. ANYTHING, YOU TELL ME. WHAT?

WHAT YOU WANT?

DID YOU MAKE A SALE TO JIMMY BEEKERS?

JIMMY BEE--HELL, NO,

I DIDN'T MAKE NO SALE TO JIMMY BEEKERS.

THAT DUDE'S DONE GONE STRAIGHT

SINCE HE BEEN HANGIN' OUT WITH REUBEN AND THAT BUNCH.

WHO TOLD YOU TO STICK ME?

OH, NOBODY.

AIN'T NOBODY TOLD ME ABOUT STICKIN' YOU.

I'M GONNA ASK YOU ONE MORE TIME.

HEY, LOOK, IT WAS PICKLE.

WAIT A MINUTE. IT WAS PICKLE.

SEE, THE WORD CAME DOWN FROM DOODLEBUG,

AND DOODLEBUG SAID THAT YOU WAS OUT TO GET MY ASS

AND I BETTER GET YOU FIRST.

SHIT, I SHOULD'VE KNOWN BETTER.

I AIN'T NO KILLER.

I AIN'T GOT NOTHING BUT THAT DAMN THING.

I TOLD YOU.

WHAT YOU DOING?

WHAT YOU DOIN'?!

HEY, THAT'S PURE SHIT!

FLUSH IT.

ALL RIGHT, ALL RIGHT, ALL RIGHT.

[FLUSHES TOILET]

OH, SHIT.

NOW YOU LISTEN TO ME

AND YOU LISTEN TO ME GOOD, SNAKE,

GET YOURSELF TOGETHER,

'CAUSE IF I EVER HEAR

YOU SELLING SO MUCH AS A COUGH DROP,

I'M COMING DOWN ON YOU SO HARD

YOU'LL NEVER GET OUT OF JAIL.

[SHRIEKS]

YOU DIG IT?

HURRY UP, YOU GUYS. HERE SHE COMES.

WELL, I SEE YOU'RE A MAN OF YOUR WORD.

CAN'T MAKE IT IN THE WORLD IF YOU'RE NOT.

SAY, LADY, WHAT YOU GOT INSIDE THAT CAR?

YOU MEAN UNDER THE HOOD?

NO. I MEAN WHILE YOU WAS GONE,

THERE WAS A FUNNY BUZZIN' INSIDE OF IT.

THAT'S THE PHONE.

A PHONE IN YOUR CAR?

THAT'S RIGHT.

RIGHT ON. FIRST PHONE BOOTH

I EVER SEEN WITH MAG WHEELS.

GOOD-BYE, MAXWELL WOODMAN.

SO LONG.

MAN, THAT IS SOME KIND OF WOMAN.

MAN, GIVE ME THE BALL.

THIS IS CLEOPATRA JONES. WERE YOU RINGING ME?

GOT IT. WILL YOU CALL CAPTAIN CRAWFORD

AND GIVE HIM THE SAME MESSAGE?

THANKS.

♪♪ BABY, LET ME SAY RIGHT ON ♪♪

♪♪ RIGHT ON ♪♪

HOW'S IT GOIN'?

WHAT'S HAPPENING?

I THINK WE GOT HIM NAILED.

PURDY WENT INTO THAT HILTON SHAMBLES

CARRYING A BLACK SATCHEL.

2 DUDES WENT IN RIGHT BEHIND HIM.

COULD BE DOPE.

UNLESS THEY PLAN TO SET UP LIGHTWEIGHT HOUSEKEEPING,

THAT'S OUR MAN.

THEY'RE UP ON THE THIRD FLOOR.

ALL RIGHT. MATTHEW, YOU COVER THE REAR.

GOTCHA.

MELVIN, I'M GOING IN FRONT. YOU COVER.

RIGHT ON, BABY.

ALL RIGHT.

ALL RIGHT.

I'LL GET THE REST OF THE STUFF FOR YOU GUYS TOMORROW.

SEE IF YOU CAN GET US SOME .38s.

Purdy: .38s? OH YEAH.

HELLO, SPORT.

SORRY. I HAVE TO BREAK UP YOUR LITTLE GATHERING.

I'D LIKE TO INTRODUCE MYSELF.

CLEOPATRA JONES.

WELL, WONDER WOMAN. HA HA! YOU SILLY BITCH.

MIND IF I TAKE A PEEK?

NO. HERE.

UNH! GET HER!

HAI!

YAAH--UNH!

HAI!

[YELLS]

UNH!

YAAH!

HI. I'M THE MAN FROM GLAD.

AND I'M THE AVON LADY.

I'M COMING THROUGH THERE, BOY.

Matthew: DID I HEAR THE MAN CORRECTLY?

DID HE CALL YOU ROY?

TSK, TSK, TSK.

YOU BETTER GET OUT OF MY WAY.

YOU HEARD WHAT THE MAN SAID. LET HIM BY.

YES, SIR. FEEL FREE.

[LAUGHTER]

I'LL BLOW YOUR DAMN BRAINS OUT.

[LAUGHTER]

SHIT!

YOU BETTER HOLD IT. JUST FREEZE.

THAT'S IT.

THAT'S IT.

THAT'S SMART, GIRL. JUST HANG IT RIGHT THERE.

UNH!

YAAH!

UNH!

[SIRENS]

CLEO!

CALM DOWN, LOU. EVERYTHING'S UNDER CONTROL.

WHAT THE HELL GOES ON AROUND HERE?

WHAT'S WITH PURDY?

ONE OF YOUR FINEST.

STEALING AND SELLING CONFISCATED WEAPONS.

WHAT?

THESE 2 DUDES OVER HERE

WERE BUYING THE SATURDAY NIGHT SPECIAL.

NOTHING SMELLS WORSE THAN A ROTTEN COP,

AND YOU STINK.

GOT ANYTHING TO SAY, PURDY?

I AIN'T SAYING NOTHING TILL I SEE A LAWYER.

WE'RE GONNA FIND OUT ANYWAY,

SO WHY DON'T YOU TELL US WHO PAID YOU

TO PLANT THAT DOPE ON JIMMY BEEKERS?

I NEVER PLANTED NO DOPE ON NOBODY!

AND IF I DID, I WOULDN'T LIFT A FINGER

TO HELP YOU OR ANY OF YOUR KIND.

Crawford: YOU'RE TEMPTING ME.

TAKE IT EASY, LOU.

GET HIM OUTTA HERE.

HEY, TOMMY, COME ON. GET HIM OUTTA HERE.

AAH! TAKE IT EASY!

THESE DAMN HANDCUFFS AIN'T JELL-O!

WANT US TO DO ANYTHING ELSE FOR YOU?

NO, BABY, IT'S COOL.

Melvin: RIGHT ON, MAMA. LOOKIN' GOOD YOURSELF.

HEY, WAIT A MINUTE. WHO IS "US"?

SORRY. LOU, THE JOHNSON BROTHERS.

I'M MATTHEW.

AND I'M MELVIN. WHAT'S HAPPENIN', MY MAN?

THE JOHNSON BROTHERS.

MATT AND MEL.

THAT'S RIGHT.

WHAT YOU MEAN BY THAT?

PEACE, BABY.

I'LL EXPLAIN LATER.

NOW I'D LIKE TO GO HAVE A TALK WITH DOODLEBUG.

CLEO, DOODLEBUG WAS KILLED LAST NIGHT.

FIREPLUG, PICKLE, AND THE CHAUFFEUR.

A REAL MESS.

WHAT ABOUT TIFFANY?

WE'RE LOOKING FOR HER.

I THINK I KNOW WHERE I CAN FIND HER.

WELL, LET'S GO.

I'LL HANDLE IT, LOU.

CLEO--

LOU.

ALL RIGHT, BUT BE CAREFUL.

ALL RIGHT.

KERT, YOU EVER HAVE FEELINGS OF INADEQUACY?

"IF YOU SO DESIRE AND CANNOT AFFORD ONE,

AN ATTORNEY WILL BE APPOINTED FOR YOU."

LISTEN, LET ME ASK YOU,

YOU SURE YOU DON'T WANT US TO GO WITH YOU?

IT'S COOL. I'LL TALK TO YOU LATER.

THANKS.

RIGHT ON.

YOU KNOW WHAT?

I GOT A FUNNY FEELING, MAN.

YEAH. THERE'S SOMETHING

THAT DON'T SIT RIGHT WITH ME, NEITHER, MAN.

COME ON. LET'S GO.

HI, ANDY.

THERE SOMETHING I CAN GET FOR YOU?

YOUR SISTER.

LOOK, WHY DON'T YOU AND CRAWFORD

AND EVERYBODY ELSE JUST GET OFF OUR BACKS?!