All language subtitles for The.Voice.S22E12.WEBRip.x264-ION10

**

Daly: Tonight,
the final night of battles...

Gwen: Wow.
Yay!

So far,
battles are riveting.
I love you.

I have a lot of young artists
on my team this season.
Sing, girl!

And you can see
how much they want it.
Yes!

It's always super inspiring.
Daly: Congratulations.

Gwen:
This is everything to them.

Oh, my God.
I love you, I love you,
I love you.

They're so cute!

[ Whoosh ]
Yay!

Daly: That's the sound
of a steal times two!
Two times.

So much fun!
Camila: I'm so proud
of Team Camila so far.

Great job, bro.
I feel like I have
so much talent on my team.

Camila, wow.

I know!

And I still feel like
they haven't even scratched...

Bye.
...their potential.

Still in the game, baby!
Whoo!

Blake: I haven't used
my save yet.

I definitely want to have
the artists that I feel like

are ready for this competition.
Come on, Bodie!

This year, we're doing
three-way knockouts.

Thank you very much.

Every time I think
we've thought of every way

to throw something crazy
at these contestants,

I'm proven wrong.

Hey!
How we doing, guys?
Ah!

Oh, my gosh.
Blake: It'd be one thing if
you got to select two winners,

but we only get one person
out of three.
Hey.
Hey.

That's going to be nuts.

Whoa!

John: This has been a really fun
season so far.

Team Legend is looking so good.
Whoo!

I'll put my best artists
against anybody else.

We're ready to go.

Team Legend's ready to win.

**

So, Jazmine,
I need you to tell me

what you think
about Team Legend.

Team Legend is amazing.

It's a different
array of singers.
Yeah.

That's what makes it legendary.
[ Laughs ]

Yeah, it's legendary.
And they're all really good.

Yeah.
And they are all

very excited to see you.

Thanks. [ Laughs ]

Well, we've got
Omar and Lana.

John: I love Lana's voice --
it's powerful, piercing.

I think it's really great.

Omar, like, his voice
is otherworldly.
Daly: Four chairs!

Crazy that we
didn't know each other...
This is crazy.

...literally
a couple of days ago.

I know.
And now we're doing this.

Best friends?
Be-- [ Laughs ]

Team Legend.
Bring it on.

Let's go!

Hello!
Yes. Yes!
Yay!

The great
Jazmine Sullivan is here.
Oh, my gosh!

Aahhhh!

Hit that note! [ Laughs ]
Oh, my God!

Omar: So I walk in,
I saw Jazmine Sullivan.

Literally, all I could do was...
"Aahhhh!"

It's so surreal
to see someone

you've respected
for so many years.

Wow, your --
Nice to meet you.

This is gonna be fun.
Queen energy.

Lana:
She's won two Grammys,

has multiple hit singles,

and I'm kind of fangirling
over here.

They're gonna sing
some "Frozen" -- "Frozen II."

[ Exhales deeply ]
Incredible.

As a father
of a 6-year-old girl,

I'm very familiar.

This one's a classic...
Yeah.

..."Into the Unknown."

So there's the original version,
which is Idina Menzel.
Okay.

But then Panic! At The Disco

did, like, a modern
rock version of it.
Okay.

John: I thought with
a kind of '80s rock singer

and a pop singer,
both with a little experience,

thought it'd be cool
to have them

singing this rock-pop
classic.

John: Have you sung this song
before, either of you?

Oh, you work in Orlando --
do you --
I do.

You work at some of the --
the theme parks, too, right?

Yeah, yeah, yeah,
my band does a lot of events.

I work for
an entertainment company.

I've sung in a lot
of theme parks around the world.

I sing with
my own personal band.

Been doing it
for 15 years now.

* If we can't go on *

* To survive the tide *

* Love divides *
Sing!

The first time
I learned a song in harmony

was with my family.

You know,
as the younger brother,

I grew up playing baseball.

My brother and my sister
were in music.

And then, once I found singing,

I felt like that was such
a big part of who I am.

Graduating high school and going
right into the music industry,

I live for a dream
of doing more.

Now, being on "The Voice,"

I think John's gonna help me
step into a new realm.
Welcome. Welcome, brother.

And we're going
for that trophy, baby.

We're going for it.

* Oo-oo *
* Into the unknown *

* Into the unknown *

Jazmine: Team Legend is amazing,
especially on this song...
* Into the unknown *

because it's definitely
a battle of the performers.
* Ah, ah, ah, ah *

* Ah-ah, ah-ah *
Omar, when he was rehearsing,

he, like, did the same run
exactly the same each time.

* Into the unknown *

And I was like,
"Is he gonna mess up at all?"
Whoo!

* Ah-ah, ah-ah *
* Ah-ah, ah-ah *

He didn't mess up.
[ Laughs ]
* Ah-ah, ah-ah *

And he sings it
technically well.
* Ah-ah, ah-ah *

To me, he's one
of the biggest threats.
* Ah-ah, ah-ah *

* Oh-oh, oh-oh *
* Ah-ah, ah-ah *

John: Lana has this...
* Where are you going? *

...musical theater energy.
* Don't leave me alone *

* How do I follow you... *

She loves the theatrics,
the drama of it.

You know,
she just has that passion.

Whoo!
Beautiful!

Whoo!
Cool.

My Lord,
y'all sound great.
Mm!

But, y'all,
there's a couple of times

when I don't think
you should harmonize.

Okay.
Sometimes less is more.

Yeah.
Less is more.

One is I don't think

you should sing the "oh-oh"
together on the intro.

I think Lana should do it,
so...
Okay.

* Into the unknown,
into the unknown *

* Into the unkno-o-own *
* Oh-oh *

Cool.

Everyone feeling good?
I'm here for emotional support.

[ Laughter ]
Sorry.

I started going into
choir director mode.

You guys got this.

Khhht! Khhht!
Waah! Ha ha!
Yeah!

Show -- Show out.
Alright, we're ready.

Show out.

* Oo-oo, oo-oo *

Lana: Omar is amazing.

But I've been doing theater
since I was yea big.

When I step out onstage,

I feel like
I'm 10 times the size that I am.

* I'm missing you like candy *

I definitely think I'm paired
with the right coach

for this moment.
* Ahhh *

John, I mean, he has an EGOT,

so [Laughs]
I'm just hoping that

he can share
some of his wisdom...
Thank you, John.

...and I'll be able
to channel it.

* Into the unknown *

[ Laughs ] Just make sure
y'all are looking at each other

at the same time.

Sorry, I didn't look at you
at all during that last one.

Yes, just feed off
each other's energy.

I go based off
of feeling and gut,

and Omar
is just, like, technique.

So we have totally different
ways of approaching music.

So may the best man win --
or woman.

Thank you guys so much.
John: Great to see you guys.

You sound incredible.
Appreciate it.

You're --
You're just ridiculous.

Omar's a four-chair turn.

These shoes are crazy.
They hurt, girl.

But Lana is no slouch.

She is coming with...
So great.

...full passion.
I just love your energy.

Lana's up to the challenge.
She's ready.

So this is gonna be tough.

[ Cheers and applause ]

Man:
Okay, here we go.

[ Cheers and applause ]

Wait till y'all watch this.

This is gonna be fun.

[ Cheers and applause continue ]

Whoo!

Daly: Still to come...

* Into the unknoooown *
Yeah!

Daly: ...Our coaches
and their advisers

help craft
epic battle performances.

Alright, alright, alright.
I just want to feel
a little bit more of what --

Like, more of the energy
of the song.

When you do the super high thing
on the last chorus,

full voice
is more powerful.

* It's where I found Jesus *

* Where I wrecked
my first car *

* I tore it all to pieces *
Wow.

Daly: And then...

Oh!

Well,
there you have it --

one and only save!

[ Cheers and applause ]

I like that.
So awesome!

My boy!

* This is "The Voice" *

Daly: Welcome back
to the battles

at Universal Studios Hollywood.

Whoo!

This battle begins right now.

**

* Oo-oo, oo-oo *

* Oo-oo, oo-oo *

* Into the unknown *

* Into the unknown *

* Into the unknown *

* Oo-oo, oo-oo *

* I can hear you,
but I won't *

* Some look for trouble *

* While others don't *

* There's a thousand reasons *

* I should go about my day *

* And ignore your whispers *

* Which I wish would
go away, oh *

[ Chuckles ] Whoo!

* Oh-oh *

* You're not a voice *

* You're just a ringing
in my ear *

* And if I heard you,
which I don't *

* I'm spoken for, I fear *

* Everyone I've ever loved
is here within these walls *

* I'm sorry, secret siren, but
I'm blocking out your calls *

* I've had my adventure *

* I don't need something new *

* I'm afraid of
what I'm risking if I *

* Follow you *

* Into the unknown *

* Into the unknown *

* Into the unknown *

Yes!

**

* Oh-oh-oh *

* Are you out there? *
* Do you know me? *

* Can you feel me? *
* Can you show me? *

* Ah-ah, ah-ah *

* Ah-ah, ah-ah *

* Ah-ah, ah-ah *

* Ah-ah, ah-ah *

* Ah-ah, ah-ah *

* Ah-ah, ah-ah *

* Ah-ah, ah-ah *

[ Vocalizes ]

* Where are you going? *

* Don't leave me alone *

* How do I follow you *

* Into the unknooown? *

Hey!

**

[ Cheers and applause ]

Hey! They got Blake
out of his seat!

Gwen: Oh, yeah!
Whoo!

Yeah!

John: [ Chuckles ]

Let's go!

I think I speak for
everybody here when I say,

"What the hell?"
[ Laughter ]

How is there enough time
on this show to even rehearse?

That would be like after,

like, an eight-month run
on Broadway.

Lana, you're incredible.
Thank you.

You stepped into character

when you got onstage
and you became...
Elsa.

...that moment, you know.

You became Elsa.
Yeah.
It was really incredible.

You did.
Thank you so much.
Thank you.

Omar,
that was unbelievable.

You're -- You're one
of the best singers

I've ever heard.
Wow.

[ Cheers and applause ]

Thank you, thank you.

You can't go wrong here.

I-I would probably
choose Omar.

Thank you.
That was probably my top two
favorite moments

of this season.
That's awesome.

I just feel so inspired
after that.
That's awesome.

It just felt so pro.

When you locked into
the verse in character,

I was just like, "Whoa,
like, star power."

Omar, I mean, bro,
you're an entertainer.

Like, you just remind me
of Freddie Mercury

and the ease with which,

like Bruno
and Anderson perform --

like, you were born
to do this.

Thank you.
[ Cheers and applause ]

I feel like I was, like,
shot up in a rocket

and then went around the moon,
and then I'm like,

"Wait, can we just,
like, rewind?"

Why aren't you just,
like, on Broadway

singing every single night?

And it was such
a great pairing.

You know, it's sad,
because it's, like,

somebody has to go home,
and you guys should just keep

doing what you do,
which is sing songs

and use the gift
that God gave you.

Thank you so much, Gwen.
Thank you, Gwen.

Daly: Thank you, coaches.

John, you've got
the final decision.

Give us some thoughts
first on the battle.

John: Wow. I mean, Lana,
I just love your passion,

your -- the way you -- you move
your body when you sing.

And everyone's right,

like, you should be
on Broadway right now,

like, you have
the voice for it.

Thank you.

Omar, I mean, I've never heard
anyone sing like you, dude.

You're not just singing --
you're, like, giving

the physical performance.

You're, like,
getting into it.

I like the way you just even
toss the mic to yourself.

You just felt
confident, in control.

Just know that, both of you,

it was phenomenal to watch and
just inspiring for us, honestly.

Bro.

All right, John,
the time has come.

Who is the winner
of this battle?

[ Dramatic music plays ]

The winner of this battle...

**

...is Omar.

Omar, Congratulations!

You're doing
on to the knockouts.
[ Speaking indistinctly ]

Oh, my God, Lana and Omar
just rocked this audience.

[ Cheers and applause ]

Lana -- this was
the best vocal performance

that she's delivered.

Incredible. Incredible.
But there's very few voices

in the world with the range,
the quality, the soul,

the control that Omar has.

I think Omar could
definitely win "The Voice."

Congratulations.
Ah!

I can't even.
I'm, like, shaking.

It's so cool.
It's so cool.

Thank you.
Thank you, "The Voice,"

for letting me be on here.

Lana, anything you want
to say to John?

John, I just love you.
I have been a fan since day one.

And thank you
for this opportunity.

Thank you.
You have such a gift.

You're such
a great performer.
Thank you.

Give it up for Lana Love
one more time!

[ Cheers and applause ]

You guys were...up there.
Thank you.

You killed it.
Thank you.

Yes.

Thank you, Gwen.

[ Cheers and applause continue ]

Oh, my God, that guy.

That guy's unreal.

He's unbelievable.

Unreal.

* This is "The Voice" *
Daly: Welcome back.

**

Oh, it's Camila's camera.

I bet she'd love it
if we take some pictures.

Oh, my God,
yes, let's do it.
Let's take --

I'll take a --
take a selfie first.

Here -- Here we go.
[ Camera shutter clicks,
camera whirring ]

Let's do a silly one.

Okay.
I'll put some bunny ears

behind you.
* I'm famous *

Oh, my God.

**

* Bright lights
and pretty things *

Little gift for you there,
Camila.

**

Dorks.

**

Oh, my God, everybody on my team
is really special.

I think you're a bit biased.

Because they are on your team.
I think that this

is the objective truth.

I mean, I guess I chose them
for a reason...
They are all good.

...so of course
I would think they're special,

because
that's why I picked them.

Like, they've all
really been incredible.

Well, wait till you hear
these next two.
Yeah.

Andrew and Zach are their names.
They're singing

"I Wanna Dance with Somebody"
by Whitney Houston.

One of them was
a four-chair turn.

Oh, wow.

* Don't you know
I'm no good for you? *

* I've learned to lose... *

That's, like, one
of my favorite songs.

It's a pop song, but you added
these crazy runs to it,

and I love your tone.

Camila.
Yeah!

Oh, my God!
What?!

Both, you could definitely
hear, like, on a pop record.
Okay.

* You know that
I could use somebody *

[ Cheers and applause ]

Gwen: You're only 19.

And I promise you,
if you went with me,

it would be so much fun.

I was like, wow,

he has an amazing voice,
amazing tone.

Zach: I'm still pretty new
to performing.

I'm gonna have to
go with Camila.

Yeah!

I'm about to work with Camila
for the first time...

I'm so excited.
...and I am so happy
about that,

because I've never had
an experience

with somebody
who's been in the industry.

Should we meet them?

Yeah, I'd love to.
Okay.

Oh, this is cool.

Hey, guys.
Charlie: Hey, guys.

Charlie.
What's happening?

I'm super excited to be working
with Charlie.

How are you?
How you doing?

As an artist, you sort of hope
for moments like these...
Hi!

...to be able to work
with people

as well-versed
and knowledgeable.

This is just insane.
You're a little intimidating.

I walked in here and I was like,
"I want to run out!"

Really?
No, I'm kidding.
I'm kidding.

I try -- I try not to be.
Look at this face.

It's the scariest face
I've ever seen.

Everyone always talks
about his perfect pitch,

but the way he's able to apply
that to music theory is awesome.

I'm very inspired
by the both of them.

He's like
a golden retriever.

He's a golden retriever
for sure.

Andrew and Zach are singing

"I Wanna Dance with Somebody
(Who Loves Me)"

by Whitney Houston.

They are emotive singers,

and I wanted them to do
a sad, emotional piano version

of the song.

How are we feeling?
Put it all out on the table.

Andrew: When we first found out,
we were, like, very confused,

but then we heard the version,
and it made more sense.
Yeah.

Yeah. Yeah, that's fair.
And we're both, like,
emotive singers, you know, so...

100%.

...I think it was
a super smart choice.

And how are you guys feeling
about how you sound?

I'm a little tight today,
but I'm, like, okay.

I think it's nerves,
but I'm just gonna push it out.

* And when the night falls *

* My lonely heart calls *

Andrew is one of the best
singers on the show.
* Oh, I wanna dance
with somebody *

Honestly, he could do
anything he wants.
* I wanna feel the heat... *

* Hey, I wanna dance
with somebody *

* With somebody who loves me *
Charlie:
For a young kid like Zach,

it's just the beginning
for him.

He has a very mature voice
and a very deep voice.

Yeah.
Alright, alright, alright.

Yeah.
Alright, alright, alright.

First of all,
you both should feel great.

You both really shine
in this song.

When I was watching you
both perform it,

you seemed to care more about,
like, hitting every note

when it's really about
the emotional sentiment

that's attached
to all this melodic stuff.

I just want to feel
a little bit more of what --

Like, more of the energy
of the song.

You just kind of have
to showcase

what you're internally feeling
without telling us.

You tell us with the --
the music

and the band
that's behind you.

Let's try and find an intention
for the song.

Does this song feel more happy
to you or more sad to you?

It feels more sad to me.

I think sad, as well.

You should run with that.

Zach: This song does take me
back to my childhood.

It wasn't the best situation.

When I was in seventh grade,
my parents got divorced.

I'd always go to my room,
and I'd sit down at the piano,

rather than, like,

sitting there crying about it or
trying to release it that way.

The best way for me was to just
write about what's on my mind.

For me to win
this battle round,

I think I need to make sure that
I stay connected to the song.

Think about who do you love
the most in the world?

Andrew: The song makes me think
about my entire family, really,

because we always used to listen
to Whitney's greatest hits

during, like, holidays and
just us cooking and having fun.

My parents had to fight
tooth and nail as immigrants.

They provided me with this life
and this possibility to pursue

whatever I want to pursue,
so I-I don't want to waste it.

Andrew, what's helped me

with my performance anxiety
or -- or nerves --

I remember when I sang this song
at the Grammys for my dad,

and it was just the most
intimidating crowd ever.

It's scary,
but I remember being like,

"You know what?
More important than anybody here

that I'm trying to impress

is what an amazing dad
my dad has been to me,

so I'm just gonna focus
on him."

And anytime I get
a little thought like,

"Oh my God,
what if I forget the words?"

I want to be like,
"Camila, who cares?"

Andrew: I'm self-taught
for the most part.

I haven't really taken
that many vocal lessons.

So I was feeling nerves,
and that was making me tense.

But talking to Camila --

she's really
helping me understand

how to be in the moment

instead of being
too over-critical of my voice,

and it's really helpful.

You just got to own it.
Yeah.

Even if you go off-pitch
a little.

It doesn't matter.
Who cares? Just own it.

Stevie Nicks, Bonnie Raitt --
all the greats --

never were unbelievably
pitch-perfect.

You're not a robot.
You're not a robot.

It's not gonna be human
if it's perceived as perfect.

* Oh, I wanna dance
with somebody *

* I wanna feel the heat
with somebody *

Camila: In this battle,
I'm looking for growth.
Whoo!

It doesn't have to be perfect,
doesn't have to be flawless,

doesn't have to be
the most technically perfect

vocal performance ever,

but I want to see, like,
star power.

* With somebody who loves me *

That ending.
That was way better.

That is lit.
I'm gonna toss this
right here.

How do you feel?
I feel okay.

Why just okay?
'Cause I feel like
I could've done better.

What?
You're lit, bro.
Thank you so much.

I appreciate that.
I think that you're being
too hard on yourself.

I'm very hypercritical.
I'm very hypercritical, too.

Just look at the audience.
I'm very hypercritical.

It's gonna make a -- a lot
of -- of big, big difference.

What should I do?
Here's the thing --
you have to remind yourself,

"I don't have to be perfect.
I will probably mess up.

Why? Because I'm human,
and that's normal."

Andrew was being so hard
on himself,

but once he realizes...
'Cause you're
already 200%...

...how special
and how gifted he is...
...everybody else.

...he is going to,
like, really fly.

Don't worry about the nerves,
bro, you're good.

I'm trying.
I shook him.

I tried to get
the nerves out of him.

They're coming out.
He got like half of them.

Shake me, like,
I need it more than he does.

We're doing the same thing.
I'll shake you, too, bro.

I think the person that connects
with the message

is going to ultimately connect
the most with Camila.

All right, y'all.
Thank you.

This is gonna be
a really hard decision.

* This is "The Voice" *

Daly: Welcome back
to the battle rounds.

[ Cheers and applause ]

Hey, look at that jacket.

Cutie, cutie, cutie boys.

[ Laughs ]

Let the battle begin.

**

* Clock strikes
upon the hour *

* And the sun begins
to fade *

* Still enough time
to figure out *

* How to chase
my blues away *

* I've done alright
up 'til now *

* It's the light of day
that shows me how *

* And when the night falls *

Hey!
* My lonely heart calls *

* Oh, I wanna dance
with somebody *

* I wanna feel the heat
with somebody *

* Hey, I wanna dance
with somebody *

* With somebody
who loves me *

* Oh, I wanna dance
with somebody *

* I wanna feel the heat
with somebody *
Yeah!

* Hey, I wanna dance
with somebody *

* With somebody
who loves me *

* Somebody who *

* Somebody who *

* Somebody who loves me *

Whoo!
Zach: * Somebody who *

* Somebody who *

* Somebody who loooves me *

* I've been all right
up to now *

* It's the light of day
that shows me how *

* And when the night falls *
Wow.

* My lonely heart *
* Calls *

* Oh, I wanna dance
with somebody *

Whoo!
* I wanna feel the heat
with somebody *

* Hey, I wanna dance
with somebody *

* With somebody who loves me *

* Oh, I wanna dance
with somebody *

* I wanna feel the heat
with somebody *

* Hey, I wanna dance
with somebody *

* With somebody
who loves me *

* With somebody
who loves me *

Yeah!
* With somebody who loves *

* Me *

[ Cheers and applause ]

Yeah!

All right!

[ Cheers and applause ]
[ Speaking indistinctly ]

Yeah, my boys!
Hello.

[ Speaking indistinctly ]
Wow, that's
a hard song to do.

I know.
Oh, my gosh.

Zach, your voice
really shined.

It was like
an alternative-sounding voice

in a pop song.
Yeah.

I like the contrast
of that.

Andrew, what I love
about your voice

is some of the unexpected
runs that you do.

They're just not normal.

I love the range in your voice
that you can go so low,

and you are very beautiful.

You -- It was stunning
when you came out.

[ Cheers and applause ]

Thank you, thank you.

John: Something
about Andrew --

you do a lot of unexpected
things as a vocalist,

and I think that's
very cool.

You have an interesting
approach to music,

but Zach was just
more consistently on point.

Your tone is really lovely.
Thank you.

It was just well-executed.

Thank you.
Thanks so much.

[ Cheers and applause ]

Andrew, almost felt like
something was holding you back.

Every time there was
an opportunity

to get up to a note,
they just didn't quite land.

I just think
you're better than --

than what happened here
today.

Zach, you were both kind of
handed a -- a tall task here,

but that's what I love
about the battle rounds

is when you are handed something
that's almost impossible to do

and you figure out
how to make it work.

And I figure that Zach --
he came through the best

in this performance for me,
so I'd go with Zach.

Thank you. Appreciate that.
Daly: Thank you, coaches.

Camila, you have
the final decision.

I'm really, really proud
of you guys.

Andrew, I was so happy when I
saw you dancing and having fun.

You have this incredible
talent,

but I think that
your hypercriticism of yourself

is keeping you
from accessing the freedom

and the fun
to go to that next level.
Mm-hmm.

But the talent is there.
Thank you.

And Zach singing
a Whitney song --

I was like,
"This is gonna be interesting.

I want to see
if he steps up to the plate,"

and you really did.
You were consistent.

And I saw a lot of growth
from rehearsal.

And I'm really, really,
really proud of you.
Thanks.

I think you guys are both
really talented,

and I know
that you guys are growing.

Camila, tough decision,
but the time has come.

Who is the winner
of this battle?

Ugh!

[ Dramatic music plays ]

[ Screams ]

[ Laughter ]

Pbht.

**

The winner
of this battle is...

**

* This is "The Voice" *

Daly: Welcome back
to the battles.

Camila, tough decision,
but the time has come.

Who is the winner
of this battle?

Ugh!

The winner
of this battle is...

[ Dramatic music plays ]

...Andrew.

[ Cheers and applause ]

Zach did a great job,
but I had to go with Andrew

because Andrew's voice and tone
is so special.

I don't think that there's
any voice like his on the show.
Thank you.

I don't think he knows
how good he is,

and I just want to pull
that confidence out of him.

Zach, anything you want to say
to your coach?

This was a great experience.

I feel like I grew
so much from it.

Thank you guys so much.
This is awesome.
You did so good.

You did so good.
Give it up for Zach Newbould,
ladies and gentlemen!

Andrew and Zach
were both really good.

I can see why Camila
ended up going with Andrew.

But if I had a steal, I would
have probably stolen Zach.

I wish I had another save.
Thank you.

It's just hard
to see people go home.

Great job, Zach.

But it's so cool
to see these performances,

to see all this talent,

and to be surprised.

**

* I ain't playin' no games *

* Every word that I say is
coming straight from the heart *

* So if you tryna lay
in these arms *

* I'ma leave the door open *

Camila: Chello, you have
this magical star quality.

I think I'm gonna go
with Chello.

[ Cheers and applause ]
Chello!

John: There are underdogs
and favorites,

but sometimes, the performances
say something else,

and you've got to go
with your heart.

* Then you couldn't make
things new *

* Just by saying I love you *

* La da da *
Peyton, your voice

has an edge
and a power to it.

I appreciate that.
Thank you.

The winner of
this battle is Peyton.

Daly:
Peyton, congratulations!

Gwen: I think Peyton has a lot
of potential.

He has a really big voice
and a big range.

Great job.

The performances so far

have been
kind of mind-blowing.

I haven't been here for a while,

so I feel like they're
even better than I remember.
Whoo!

* I would give
everything I own *

* Just to have you *

* Back again *

Your voice is such
a storytelling voice.

It's so personal to you.

I'm gonna say that Kayla
won this -- this battle.
Thank you so much.

Daly:
Kayla, congratulations.

You're moving on
to the knockouts,

representing Team Gwen.

[ Cheers and applause ]

Man: Here we go, folks.
Stand by.

The pressure's on,
Blake Shelton.

Yep.

So how about the trio, guys?

Yeah.
I know. How do -- How do you
feel singing with a duo?

Is it weird?
Are you cool with it?

It's -- It's so incredible.

It's just that
our sound is so unique.

All right, these are
always tough to me

because you have a solo artist
to go against a duo.
Mm-hmm.

Yeah.
Both of these artists
are country.

I mean, The Dryes
probably go

a couple
of different directions.
Yeah, I know.

It's not --
It's not The Wets...

It's The Dryes.
It's The Dryes.

That'd be embarrassing
if you said it the wrong way.
Not The Wets.

Yeah, The Wet--
[ Chuckles ]

Here they come.
Coming in hot.
Ah. Yeah!

Y'all come meet my buddy,
Jimmie Allen.
So, how y'all doing, man?

What's up, man?
How you doing, bro?
What's up?

So, Jimmie --
Jimmie Allen's here today,

and it's just such an honor
to be in the presence of him.

How are you? I'm Jimmie,
good to meet you...
Hi, nice to meet you.

I'm gonna give you a hug.
...as well, come on in.

Nice to meet you.
Shaking Jimmie Allen's hand
reminded me of, like,

what it takes to be
an independent artist.

With us living in Nashville,
it's been a long road,

but someone like Jimmie
and many others before us

have really
paved the way.

You all live
in Nashville, right?
We do, mm-hmm.

Y'all been gigging
any or what?

Yeah. Yeah.
Yeah, we did a few shows
while we were home.

Jimmie: Nice.
We did one
at 3rd & Lindsley.

Derek: Some writers rounds.
So...
Love that.

We'll hang out at Robert's
or something.
Nice.

Yeah.
I love Robert's.

What about Ole Red,
for God's sakes?

We do! We do!
I was milking it.

Ain't nobody missing Ole Red.
I was waiting on it.

I was milking it.
Oh, my God.

* Islands in the stream *

* That is what we are *

* No on in between *

How long have you guys
been married?

10 years in November.

There's no better way
to duet

than if you're
doing et.

"Doing et."
Oh, my God.
And so -- And so...

We're going
to go with Blake.

Alright!

Where do you live now?

I live
in Statesboro, Georgia.

College town.
Yeah.

Bryce: Going to college,
I went for a degree in business

and fell
in love with music there.

I went from showing up to open
mic nights to booking shows,

playing in front of 100 people
to 1,500 people

to selling out my first concert.

I'm small-town famous, maybe.

Maybe on a good day.
[ Chuckles ]

* How can you walk away? *

* Don't I matter anymore? *

Man, I was blown away.

And what a great country name.
Leather...wood.

My man!
Shake your hand.

I'm trying to take my talents
from Statesboro, Georgia,

all the way here to L.A. and
show "The Voice" what I can do.

* I was raised off
of Rural Route 3 *

* Out past where
the blacktop ends *
Blake: I gave these guys
"Red Dirt Road"

because it's a great song
for a duo, obviously,

but the message of it
is just so, so country.

Bryce has got that cowboy
George Strait thing about him

that I knew they would all have
a great time singing this thing.

* I learned
the path to heaven *

* Is full of sinners
and believers *

I love just that raw Georgia
country in Bryce's voice.

* Down that red dirt road *

* It's where I drank
my first beer *

* It's where I found Jesus *

Katelyn's killing it.

And Derek,
he's got a really good tone

that actually fits really well
with his wife.

* Of that red dirt road *

Bryce: Well, after hearing
The Dryes singing,

you know,
I am intimidated by them.

by the soulful harmonies
that they have --

something I'd never done.

It's gonna be
a hard struggle,

but I couldn't be
more blessed to be here.

That's a cool arrangement.

Oh, yeah.
Thank y'all.

This sounds real good, man.

The main thing to work on
is just the three-part harmony.

Mm-hmm. Yeah.
Just tightening that up,
you know.

Everybody's kind of trickling
off at different places.

You guys probably aren't
because it's automatic to you,

but Bryce is trying to figure
out how to be in a trio now.
Katelyn: Totally.

[ Laughs ] Right, yeah.
Solo artist, you know.

Bryce definitely
has a plateful.

He's trying to quickly learn

how to blend
with these other two singers.

And -- And he definitely has
the biggest challenge.

You're the only
female voice in it,

so you really kind of
got to drive this thing.

Totally.
'Cause when you came in
the beginning, you're strong.

Yeah.
When you came in
kind of after

the guys started singing,
it wasn't as...

Yeah.
...powerful.

Like, still bring it.

This song is
so special to us.

You know, the song talks about
where I first saw Mary,

where I drank my first beer,

where I found Jesus and --
A lot of firsts.

I mean, it kind of reminded me
of us 'cause, like,

we moved to Nashville,
and we have a house now,

and we're planting
our own roots

and our own firsts
in -- in Nashville.
Mm-hmm.

* It's where I found Jesus *

Just to think about
our growth as a couple

and, also, like,
our music career.

We're gonna be doing music
in some facet

for the rest
of our lives...
Yeah.

...whether we have kids
next year

or five years from now
or whatever,

and wherever that --
those two roads lead,

I just know that we're gonna
get through it together.

When you do the super high thing
on the last chorus,

full voice
is more powerful.
Yeah.

Like, the song
has built to that.

Yeah.
Yeah.

* It's where I found Jesus *

Stay up there.
Okay, cool.

I-I think it'll be --
All right.

Sounds really good.
[ Singing indistinctly ]

The thing I feel
about country music, man,

what gives us an advantage is,
a lot of times, you know,

we have songs that connect with
our listeners on a deeper level.

I think that was a great
song choice for them.

Just gotta wait
for lights, camera, action,

and...see who shows up.
Jimmie, thank you so much.

* This is "The Voice" *

Daly: Welcome back
to the battles.

[ Cheers and applause ]

Ha ha! It's country.
That's country right there.

Leatherwood.

[ Cheers and applause continue ]

This battle starts right now.

**

* I was raised off
of Rural Route 3 *

* Out past where
the blacktop ends *

* We'd walked to church
on Sunday morning *

* Race barefoot back
to the Johnson's fence *

* That's where
I first saw Mary *

* On that roadside
pickin' blackberries *

* That summer I turned
a corner in my soul *

* Down that red dirt road *

* It's where
I drank my first beer *

* It's where I found Jesus *

* Where I wrecked
my first car *

* I tore it all to pieces *

* I learned the path
to heaven *

* Is full of sinners
and believers *

* Learned that happiness
on Earth *

* Ain't just
for high achievers *

* I've learned *

* I've come to know *

* There's life
at both ends *

* Of that red dirt road *

[ Audience cheers ]

* I went out
into the world *

* And I came back in *

* I lost Mary *

* Oh, I got her back again *

**

* And driving home tonight *

* Feels like I've found
a long lost friend *

Wow.

Yeah.
That was pretty.

* It's where I drank
my first beer *
Wow.

* It's where I found Jesus *

* Where I wrecked
my first car *

* I tore it all to pieces *

* I've learned *

* I've come to know *

* There's life
at both ends *

* Yes, I've learned *

* I've come to know *

* There's life
at both ends *

* Of that red dirt road *

* Ooohhh *

[ Cheers and applause ]

Yeah!

Thank you, buddy.
Good job, guys.

Great job.

[ Cheers and applause continue ]

That was good!
Camila: All righty.

All righty, righty, righty.

That was so cool.

[ Laughter ]
All righty, righty, righty.

Is it just me
or was the tempo kind of --

Completely out of the pocket
in the...

In the beginning, right?
The beginning
of the song, yeah.

But they
finally caught up.

Was that just nerves,
excitement, or...?

Hearing.
I think it was lack --

Yeah, we just couldn't hear
the drums.
Yeah, hearing.

Couldn't hear.
Camila: Yeah, fair enough.

You guys all had
different strengths.

Like your harmonies
were really, really tight.

You guys hit every note.

But Mr. Leatherwood
really shined for me.

I felt more at ease hearing
and watching him, like

there was a calm confidence.
Mm-hmm.

For whatever reason,
I resonated with Bryce

more on this performance.

But I think that you guys
are also really talented.

Well, thank you.

These guys are incredible.
It has been nothing

but a pleasure to work with
these guys.
Thank you, buddy.

Oh, my God,
that's so sweet.

Thank you, Bryce.
Thanks, man.
I can't state that enough.

I didn't know what was going on
in the beginning either,

but I did notice that
as the performance was going on,

it just kept getting
better and better.

And by the end, you guys were
all glued together.
Yeah.

The Dryes --
it's fun to watch you.

You can see the chemistry.

Your voices blend
very well together.

And when Mr. Leatherwood
came in...

[ Laughter ]

It's just good --
Mr. Leatherwood.

Your voice is so warm.

The three of your voices
together...

Woman: Whoo!
...was so beautiful.

The Dryewoods.
[ John laughs ]

Yes, I like that.
[ Laughs ]

[ Laughs ]

If I had to choose someone,
Blake,

I would probably go
with Bryce.

Thank you.

Bryce, your voice
is so pure and warm.

You just execute everything

with precision and, like,
confidence and ease.

The only issue I had with it
was that it felt just so easy

that it didn't have any punch
or oomph or fire to it.

Yes, sir.
But I did feel that
from The Dryes.

I felt like the dynamic
was just more electric.

Bryce may be the most purely
on-point vocalist,

but I find myself
more drawn to The Dryes.

Daly: Thank you, coaches.

All right, buddy,
final decision is yours.

Give us some thoughts first
on the battle.

You know,
this pocket thing --

I wish we could have
a do-over, which --

I've been texting
with the legal department.

Apparently,
that's a no-go, so...
[ Laughter ]

But it happened,
and you were able to recover.

Kudos to you guys
for just being veterans

and powering on through it,
you know.

Bryce,
I'm still learning about you.

You're 22 years old,

and -- and I don't know how much
experience you have onstage,

but it seems like you've got
about 40 years of experience.

Played a few bars.
Just your presence

standing there, I mean...
Thank you.

Does he not seem like
an old man up there?

Like...
John: Yeah.

I feel like one, man.
You'd be surprised.

He's got a half-smile.
He does the...

And that's -- that's all
it takes, you know?

And it doesn't hurt the fact
that, you know,

you're a great singer.

You're one of those guys
that's like a George Strait.

And you deliver,
and you're solid,

and people react to that.

And The Dryes --
the same thing, you know?

So, I'm sitting here
talking through all this,

because I --
this is how I make decisions.

I'm actually talking this out
for myself right now.

Blake, who's the winner
of this battle?

[ Audience shouting ]

I try to, if I can,
always base it on

what happened
in this moment.

[ Dramatic music plays ]

And today...

**

...Bryce is the winner
of this battle.

Congratulations.
Thank you.

Bryce moving on
to the knockouts.
Thank y'all.

This was truly
a tough choice for me,

but I feel like Bryce
is one of these guys --

he's almost unshakable.

I mean, he's only 22 years old.

He's focused.
He knows what he wants to say.

Great job, man.
Thank you so much.

Great job.
And Bryce has
the countriest name

that maybe I have ever heard
in my life --

Bryce Leatherwood --
Leather...wood.

I mean, is there anything
countrier than that?

That's almost like a cologne.

[ Crying ]
I'm just happy that

Blake saw the light in me,
and --

Oh, I'm ready to go!
Let's go do this thing.

I'm -- I'm sorry.
I'm crying, man.

I'll cry at a wedding,
I swear.

Coaches, let me remind you

that The Dryes
are available to save.

Anything you guys want to say
to your coach?

We've loved you and your music
for many years.

Well, that's enough.
Ohh!

Well, there you have it!

Blake uses
his one and only save...
Yes!

Yes!
...on his own artists.

Yes!
Love you, babe.

The married duo, The Dryes,
aren't going anywhere.
Oh, yay!

I like that.

Flattery will
get you everywhere, right?
I know, right?

The Dryes are super talented.
They just got behind the beat.

And I know that they're better
musicians than that.

Let's have a do-over.
That's so awesome!

If there's anything I can do
to give someone a second chance,

then I'm gonna do that,
and that's why I used my save.

John: We did it, guys.

Good job, everybody.

Hell yeah.

**

**

**

**