All language subtitles for Limetown (2019) S01 E02

- Previously, on "Limetown"...

In 2003, the world's
top neuroscientists

gathered at a research facility
in Tennessee known as Limetown.

- I have
heard the future!

- We know there was a large
population there

on February 8th,
and on February 11th

it was like nobody ever was.

- A 15-year-old event
with nothing new to say.

[dark music]

- Lia, it's a survivor, and
she wants to speak with you.

- [distorted audio]
How soon can we meet?

[peppy music
playing over TV]

- You waltz around here
in your own bubble

floating above the rest of us.
- Yeah, that's me,

good-guy Jacob in a safety
school of human beings.

- I'm still here.
- Are you?

- Why are you acting like this?

- We might as well--
TV: Cool, huh?

[muffled argument
continues inaudibly]

TV: Look at that, huh?
- Oh, here we go.

- Bad things have been
happening for two years...

- Here we go.

- You're never the reason...
[voice fades]

TV: I'll make sure...

- A martyr.
- Oh, here we go.

- [whispers] Lia.

- That is
not what I said.

- Doesn't matter what you
said, that's what you meant.

- [whispers] Lia.
- That is not what I meant.

- Psst, Apple.

- Everything is the way
it is, and I have to wake up...

- Apple.

- I found you.
- Goddamn PTA meeting..

- Come here.
- All I said to Susan...

[unintelligible]
...I imagined it!

- Hi.

Oh, we'll go upstairs.

[argument
continues inaudibly]

[melancholy music]

Okay.

[sighs]

Okay, didn't we have
an interview scheduled?

- Yeah.
- Let's go.

- Wait.
- What?

- You have to wear
this for the interview.

- [laughs] Really?

I do?
Okay.

But it's a radio interview.

Nobody's gonna see it.

Doesn't matter, huh?
I have to wear it anyway?

Okay, all right, okay.

Let's go.

[tape recorder clicks]

Gina: Lia.
- This is Lia Haddock.

- Lia.
Could you act like

this is the biggest news story
in the world right now?

- House 42?
- Frank Banner.

- House 41?
- Amy Lye.

- House 40?
- Ruby Kippertich.

- House 47?
- Carrie Yipp.

- House 50?
- Harumi Sato.

- House 49?
- Cody Harper.

- House 45?
- Eloise Martin.

- House 43?
- Helen Vandenberg.

- House 44?
- Kipp Harvini?

- There's one...
- Thank you.

- And, uh, that one.
- Yeah, that's mine.

That's the tea.
Thank you.

- That's mine.
[sighs]

All right, uh,
can I help with anything?

both: Nope.

- Penelope Tarr,
neurosurgeon,

married to...

[inquisitive music]

Trick question.

No one. Single.

[sighs]

[wheels clattering]

- [sighs] This is the
first account of Limetown

from someone who
actually lived there.

It's about who she is,
what she did, where she's been.

Her story is
Limetown's story, okay?

Don't--don't be
afraid to be vulnerable.

If you get stuck, ask
for help, change your approach.

Okay?

- I know.
I know, Gina.

- I know you're
a good journalist.

It's just, this is...

[sighs]

- I know.

[birds chirping]

[tense music]

[keys tapping]

[tense music]

Hi, um, this is Lia Haddock.

I'm--I'm at the spot
that you said to meet.

[tense music]

Lia Haddock?

[tense music]

Okay, let me just--

let me just get
something to write that down.

[lights buzzing]

[tense music]

[knocks on door]

[sighs]

[tense music]

Um, hello?

Winona?

- Who are you?

- It's--it's Lia Haddock.

We were supposed to meet
at the park two hours ago.

I--we just
spoke on the phone.

- Why did you
call me "Winona"?

[tense music]

- That's the name you gave me.

- Did I?

I'm sorry,
I don't remember sometimes.

I have to write things down.

Stand in front of
the door so I can see you.

Face me, please.

Now hold up your ID.

Now, please.

[button snaps]

[locks clicking]
[door opens]

[door creaks]

[tense music]

[kettle whistling]

- Can you put the chain
on the door, please?

[whistling stops]

[metal clangs softly]

- [sighs, murmurs]

[music fades]

[sighs]

I, uh... [stammers]

I can't really tell you what
it means to be talking to you.

I--I know that you could
have spoken to anyone and...

you chose me,
and it means a lot.

That's
all--that's all I'm saying.

- I'm not sure
it means anything.

[zipper whirrs]
[objects shuffling]

Can you sit down and
stop making us both anxious?

- Sure.

- Sorry about earlier.

Sometimes it's difficult
for me to recall things.

I wrote everything
I was supposed to tell you

in my notes,

but then I lost my notes and
then I forgot I lost my notes,

and you can see
where it all falls apart.

- Winona, you don't
have to apologize for anything.

Just know that I am here

to help you tell the world
your story.

[paper rustling]

- I can only speak within

a very specific set of
parameters.

You cannot ask me
what they are.

I am to give you the
information I can give

and no more.

I will not give you
my real name.

I will not be photographed.
I will not reenter society.

I will speak to no one
else on this matter.

Ever.

[suspenseful music]

If you follow
these instructions,

I will direct you
to the next survivor.

[suspenseful music]

- There are
more survivors?

- Of course.

[suspenseful music]

- Did you write
these conditions?

[suspenseful music]

- There's something else
I want to ask you about.

S-L-V-A.

Does that mean
anything to you?

- "S-L-V-A"?

No.
- [sighs]

- What is S-L-V-A?

- S-L-V-A.

I don't know what it is,
but I need to.

Sometimes
I don't remember here...

But I remember here.

I moved to House 27
in Limetown in 2003

with a man.

The man worked in
research and development,

I had just finished school.

- [laughs]

- Eight years of grad school
for me,

a year of Limetown for him.

It seemed fair
and balanced, right?

[upbeat music]

Hi.

[indistinct chatter]

- Just up here.

[upbeat music]

[children laughing,
chattering]

- We got you!
- Look out!

- Did you notice
these doors don't have locks?

- Well, uh, I guess
you can leave this town

whenever you want to.

- I'm a big kid, Karl.

I know what
I'm getting into.

- Knock, knock.
- Hi.

- Hi.
Sorry, we just wanted to

stop by and see how
you're settling in.

I'm Emile Haddock.
- Hi.

- I'm Oskar Totem's executive
assistant,

and this is Lenore Dougal.

She's the city manager.
both: Hi.

- Yes, yes, um,
Max mentioned you.

- Yeah.
- You're our first

Limetownians...
[voice fades]

- So you
knew Emile Haddock?

- Is that
important to you?

That cannot be
what's important to you.

15 years, and you're still
asking the wrong questions.

- Anyway, I hope that
you'll find this a safe haven.

You--you know
there's no money,

and as you can see, none of the
doors have any locks on them.

And I know that might
seem a little bit Waco,

but this is a
scientific community

of rational individuals
based on trust.

- [chuckles] I think
it sounds wonderful.

- Well, time will tell.
- What can I ask?

- You can ask anything.

And I may not answer it,

but don't waste my time
with bad questions.

- Okay, what happened
to everyone in Limetown?

- That's
totally beyond the point.

Money moves the world, Lia.

That's not why you're here.

- Ladies and gentlemen,
help me give a warm welcome

to Dr. Oskar Totem!

[triumphant music]

- Dreams.

Dreams speak to us.

- Good morning.
- Good morning.

- Sometimes a dream
speaks to a common people,

unifying them
in a common cause.

- Good morning.
- We can't explain it...

- Oh, no.
- To those who don't hear it...

- Thank you.
- We just feel it!

- Okay, have a good day.
- This...

- Good morning.
- Hi.

- This is a dream!

[children laughing,
chattering]

[cheers and applause]

- I'm gonna dance.

I got it!

[phone buzzing]

- Sorry.

So sorry.

- Sister?

- No.

- Your mother.

- Yes.

- I understand if you
need to answer the call.

- I don't.

We don't speak.
- [gasps]

[tense music]

[whispers] I--I'm sorry.

I don't know where
that came from.

- It's okay.

It's okay, take your time.

[paper shuffling]

Why don't you just tell me
about what you did there?

Your job.

I'm assuming
that you had one.

- I didn't have one at first.

- But then you did?

- Yes.
- Sorry.

This was supposed to be
one of my easier questions.

[tense music]

- After a little while I, um...

I started to feel alone.

My skin was crawling.

I needed to feel like
I was part of the community.

- Of course you did.

- There was a opening
at the research facility.

- What kind of opening?
- [sighs]

[indistinct chatter]

[tense music]

- They made you a janitor?

- You never saw anyone
with a degree do menial labor?

It's better than
doing nothing.

And it led to the story
I'm supposed to tell you.

[sighs]

It's night.

The lights are out.

The only lights are in two
different rooms

with two different men.

Can you see it?

- Um, yes, I--I think so.

Sure.

- They don't notice me--
or they don't care.

[tense music]

The first man draws.

[charcoal scraping]

I can't see
what he is drawing.

[charcoal scraping]

I'm close enough to know...

the second man is him.

The One
They Were All There For.

His eyes are closed,
but he is not asleep.

I stand here in
the dark and watch.

The man on one end draws.

The Man They Were All
There For doesn't move.

[wheels rumbling]

Every night,
different person drawing...

same Man sitting.

[tense music]

Until...

[tense music]

There's something else here.

Their movements are the same.

I shouldn't be here.

[lights click]

[dark music]

They're identical...

in every way,
including the mistakes.

I do not believe this.

I don't believe this.

- How would
that be possible?

- The Man is special.

- What makes
The Man so special?

- He speaks to me...

but he does
not open his mouth.

[foreboding music]

I hear his voice like he is
standing next to me,

but he is not.

The only sound...

is in my head.

And then he says, "Go home.

"You know what you saw here

and you've seen what
you needed to see."

[gasps]

[breathing shakily]

This is the end of the story
I was supposed to tell you.

You have what you need
to understand.

S-L...

V-A.

- This cannot be
the whole story.

- You're right...

but this is all I can say.

- Where is everyone?

Who is The Man That
They're All There For?

Was it Oskar Totem?

- V-A.

- What is S-L-V-A?

- They did something to me.

[kettle whistling]

[whistling continues]

[slurps]

I left Limetown
in the middle of the night.

The next day
was when it all fell apart.

The Panic.

- "The Panic"?

What is that?

- The insanity
that ended Limetown.

You must keep
telling this story.

You'll find the next
citizen in Rake, Wyoming.

They died because of him.

- Who died?

Who is he?

- They died because of him.

[pen scratching]

- [mumbling inaudibly]

[sighs]

What did you see

with The Man who was drawing
in synch with the others?

What was that?

- The Man was trying
to prove he was special.

[pen scratching]

S-L-V-A.

[pen scratching]

You said you lived
in House 27, right?

[paper rustling]

But the Attermans
lived in House 27.

The Walters were supposed
to live in House 27...

but they requested a change

because they
needed a second bedroom.

Cyndi and Karl Walter...

And their daughter...

Sylvia.

S-L-V-A.

Can you recall
any of that, Cyndi?

- Sylvia.

[heartbroken music]

She was seven.

[weepy laughter]

[heartbroken music]

[no audible dialogue]

[heartbroken music]

- I left her.

But why?

- What happened
to Sylvia, Cyndi?

Did she die in The Panic?

- I don't know.

- What would possess you to
leave your daughter like that?

What kind of
mother does that?

- I was
supposed to keep her safe.

He wanted me
to keep her safe.

- No one should have to
tell you to keep her safe.

It's your job.

She's your daughter.

- Get...

out!

Get out!

Get out!
- Okay.

- [sobs]

[sobbing]

[dark music]

[knocks on door]
[locks clicking]

[dark music]

Winona, I'm so sorry, I...

It was--it was
really unprofessional of me.

My mom left me and
my dad when I was 17--

and it's not
the same, I know.

But thank you
for your help...

and I hope you
find your daughter.

I know you love her.

[lock clicks]

[dark music]

- Do we know each other?

I don't have a daughter.

- Sorry...
[stammers]

Wrong room.

[phone line ringing]

- Hi, you've
reached Jacob Haddock.

Please leave a brief
message unless it's Lia,

in which case
I know that's impossible.

[phone line beeps]

- Hey, Dad.

Uh, I was just thinking about
Mom and I just,

uh--I don't know,

it made me want to
talk to you, I guess.

[sighs]

Uh, I think maybe...

and this is
off the record...

[sighs]
I think this is big.

You know,
it just made me wish--

I don't know--
you were, you know...

Here.

Okay.

Talk to you later.

[sighs]

[sighs]

[lights buzzing]

[loud bang]

[man moans]

[sinister music]

[loud bang]

[sinister music]

[loud bang]

[loud bang]

Lia!

[rhythmic banging]

[sinister music]

[banging continues]

[shrieks]

[banging continues]

- It's 2:37 a.m.

I'm in my hotel room
and I'm recording this

in case something happens.

[banging continues]

There is a male--
Caucasian, 40s--

banging his head on my door.

[banging continues]

[locks clicking]

- Lia!

[banging continues]

Lia Haddock!

[banging continues]

- What do you want from me?

[bang]
- This is your warning!

- [whispers] "My warning"?
[breathing heavily]

[softly]
You can't scare me.

[sinister music]

You can't scare me!
[pounding]

[massive bang]

[banging]

[rapid banging]

[banging speeding up]

[inhuman, rapid banging]

[banging stops]

[breathing heavily]

[sinister music]

[insects chirping]

[leaves rustling]

- [singing]
Ever since we met

The world's
been upside down

And if you
don't stop troubling me

You'll drive
me out of town

- Next, on "Limetown."

They all died because
of him in Rake, Wyoming.

[suspenseful music]

There was a
fire there in 2006.

It's the only instance of
multiple deaths on town record.

This is our guy.

- Who?

- The next survivor.