All language subtitles for The.Blacklist.S01E10.720p.BluRay.x265.[@SeriesLand4U]

You open the box or Dembe dies.

[♪♪♪]

[BEEPING]

[DEVICE BLEEPING]

Come on.

Yes.

[KEYPAD BEEPING]

[LINE RINGING]

WOMAN [ON PHONE]: North Arlington
Furniture Warehouse. Can I help you?

Uh, Hatchling, 5591.

[DEMBE SPEAKING
FOREIGN LANGUAGE]

Stay on your knees.

[DEMBE & RAYMOND
SPEAKING FOREIGN LANGUAGE]

I got the signal out but
I need a dispatch code.

Dispatch code.

Cavalry's on their way. You're about
to get your ass kicked off the planet, pal.

Wanna bet I can drop you before
you can get one shot off that pistol?

Well, I'm gonna kill him now,
aren't I, Red? Open the box!

[SPEAKING IN FOREIGN LANGUAGE]

[GUNSHOT]

Go!

Whoa. I killed him.

LIZ: We need to move. Now.

Aram, listen to me.
We need to move, now!

MAN: Hold it.

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GARRICK: Well, who might this
be? Someone you know, Red?

Please.

Ressler.

Ah!

Son of a b... Look at me.

I need you to focus,
Donald. I need the code.

RESSLER: What
code? To open the box.

RESSLER: Oh, God, my leg.
Donald, tell me the code now.

Do not give him the code,
Agent Ressler. That's an order.

[PHONE RINGING]

Oh, come on.

Telecom has been restored.
They have an open signal out.

In about five minutes, an FBI
assault will retake the building.

Get out now and
you might survive.

Lizzy, what's going on?
Lizzy isn't available now.

May I ask who's calling?

This is her husband.
Who the hell is this?

I'm the guy that's gonna put
a bullet in your wife's head. Hi.

Who is this? Put my
wife on the phone.

It's for you. Tom!

Are you okay? What's going
on? Listen to me. Call the FBI.

No! No, no.

[PHONE BEEPS]

[RESSLER GRUNTS]

What are you gonna
do? You're gonna kill me?

You just saved my life.
Circumstances have changed, Donald.

If you can't save her, you're of no use
whatsoever. Look at me. Look at me.

Agent Keen will
die. Now is the time.

Romeo. The access code is Romeo.

R-O-M-E-O. Romeo.

[♪♪♪]

[KEYPAD BEEPING]

Anslo, what are you doing here?

[♪♪♪]

RAYMOND: Let them go, Anslo.

Are you pleading for
the lives of the feds?

There's enough blood on
the floor. It's time to get out.

Oh, I know what time it is.
You watch out for old Red here.

He may not look like much, but I once
saw him kill a Somali with a wire hanger.

Simpler days, Anslo.

Simpler days. Right.

Bring her. RAYMOND:
She doesn't do anything.

She's deadweight. Do I look
like I care what you say, Red?

[♪♪♪]

[GRENADE CLANKING]

Everyone get down. Now.

Coward.

Knees.

[♪♪♪]

[GUNSHOTS]

COOPER: Secure the area
and contact headquarters.

Don't move, we're getting help. I'm
gonna get you out of here. I need a phone.

I have to admit, Red, I was starting to
think you'd never come out of the box.

Then her. She was unexpected.

Old boy's still got
the touch, does he?

Well, whatever
blows up your skirt.

Hold on tight.

Red.

AGENT: Breach Team
4, identify yourselves.

I'm Assistant Director Harold
Cooper. Help these people

get to the Washington
Hospital Center's trauma unit.

[SIREN WAILING]

Ninety seconds to the
drop. I need that chip.

[BEEP]

[SCANNER CHIRPING]

The Emissary Hotel
in Chicago. Mr. Kaplan.

[DEVICE POWERING UP]

[DEVICE BEEPING]

Ah!

[TIRES SCREECHING]

Hurry the hell up!

[TIRES SCREECHING]

FBI. Follow that
ambulance. Drive. Now!

Give me your
phone. Give it to me.

[PHONE RINGING]

Hello? Aram.

Agent Keen. Are you okay?
Sir. Are you with Mr. Reddington?

I'm in pursuit, but I've lost visual.
I'm headed west on Constitution.

Do you have a location?
They're trying to pull his chip.

GARRICK: Hurry the hell up. We're
close to the drop point. Thirty seconds.

WOMAN: I'm trying.

GARRICK: Just get me
the bloody chip. Come on.

Aram, where are they?

Okay. Six blocks west.
Right at the intersection.

Turn right. Right
here. Right here.

Fifteen seconds. Two blocks.

Give me that damn chip!

You're close. He just
turned south on 7th.

Okay, the signal has stopped moving.
He's right there. He's in the street.

[POLICE SIREN WAILING]

[TIRES SCREECHING]

COP 1: Yeah, this
is the right location.

COP 2: Dispatch,
we've got nothing.

COOPER: Agent
Keen, did you find him?

No, he's gone.

We lost Reddington.

[♪♪♪]

Oh, this shall be fun.

How did this happen?

Anslo Garrick was a known
associate of Reddington's.

He came with an assault
team. He knew the floor plan.

Then I have no choice. This
task force is decommissioned.

Diane... You understand

what has happened, Harold?
You obviously have a mole.

We have to find Reddington.

The thing that matters right now
is how quickly we contain this.

This did not happen.

Reddington is, and always
has been, a fugitive at large.

Aram, wait, you can't...
We're done. I'm done.

Listen to me. Red's alive.
Liz, this is out of my hands.

Okay, assuming I could
help, what would you need?

Closed-circuit feeds
around the building

from when Reddington
came in, going back an hour.

I'm supposed to hand off the security
feeds to the new team of investigators.

I suppose I could make
us a copy. Thank you.

How do you think
Ressler's doing?

He's in surgery. They're
hoping they can save his leg.

Aram, we gotta
keep this between us.

We don't know who we can trust.

Yeah.

[KEYPAD BEEPING]

WOMAN: Emissary Hotel.
How may I direct your call?

Yes, hi. Mr. Kaplan, please.

He's not available. Can you
be reached at this number?

This?

Yes, I suppose.

Goodbye.

The girl, the agent.

I want to know who she is.

You came out of the box for her.

Traded your life for hers.

Red Reddington placing somebody
else's life ahead of his own?

What makes her so special?

I learned so much
watching you, Red.

You taught me, gave
me a taste of the good life.

But that's all I was
allowed, a taste.

You're greedy, Anslo.

You went behind my
back and made deals

you knew I wouldn't approve.

What did you expect?

[♪♪♪]

I suppose I expected something
better than a bullet in the face, Red.

Unh!

Are you okay? Yeah.

TOM: I didn't know
what was happening.

Who was that man on
the phone? It's nothing.

What happened to
your face? I'm okay.

You need to stop.
You need to stop.

You need to walk away from
this job before it destroys you.

[CELL PHONE VIBRATING]

Don't. Listen to me.

Don't answer it, all right?
Look at me. We can go.

Go? Anywhere.

Nebraska. We talked about moving
there someday at your dad's funeral?

Someday.

[♪♪♪]

I got caught up in the
middle of something.

[CELL PHONE CONTINUES VIBRATING]

I have to take this.

Aram, what do you have for
me? ARAM: I sent you the files.

Our cameras cover five blocks
around the office in every direction.

Okay. I'll look
through them now.

Don't bother. Red wasn't
followed. He came in at 5:15.

No tail cars, no
eyes on the street.

Damn it. How did Garrick
know he was in the Post Office?

My question exactly.

So I started thinking,

what if somebody inside
already tipped him off?

You found the mole? No.
But I think I have a lead.

We routinely collect
cellular transmission

from inside and
around this facility.

So much data, I had to play around
with various mathematical structures,

knots, multivariate
polynomials... Aram, the lead.

Right. I found a pattern
in the transmissions,

a series of calls made
from a burner cell.

Each call was placed just seconds after
Reddington arrived at the Post Office.

All from the same burner? No.

All from different burners, but
the calls were to the same number.

I vectored the address to a private
residence a few miles from here.

The address is 8123 12th Street.

What?

I'll call you right back.

[♪♪♪]

As with everything
involving you,

things are more complicated
than they may appear.

If I could, I'd end
this right now.

Give you the horrifying
death that you so deserve.

Then do it.

GARRICK: Mm. When it's time.

You see, sadly, this
isn't my surprise party.

I am merely the hired help. My
job was to get you to the venue.

And while I would pay a high
price to silence you forever,

others have paid much more for the
chance to hear what you have to say.

Please.

Anesthesia blocks the
impulses to the brain

so one doesn't feel
the sensation of pain.

The drug that the kind doctor
is giving you does the opposite.

It enhances the impulses
received by the brain.

When he's finished,

the feeling of a breeze
wafting against your skin

will be enough to make
you beg me to kill you.

[♪♪♪]

[BOTH GRUNTING]

[♪♪♪]

[PHONE RINGING]

COOPER: Cooper. Agent Keen?

Agent Keen, are you there?

[BEEP]

Mr. Kaplan.

[♪♪♪]

[KNOCKING]

KAPLAN: What
color is the sky? Red.

You?

You're Mr. Kaplan?

Who else knows
you're here? Nobody.

Have you phoned anyone? No.

Who is he? I don't know.

Every time Reddington came to
the Post Office a call was made here.

I assume to him.
He's been watching.

When Red was at the Post
Office he called to trigger the hit.

I'll handle the body. Handle?

We need the bullets. We
can't have ballistics traced.

Okay, wait. I can't do
this. I'm a federal agent.

I have two directives: To
protect you and find my employer.

I intend to do both.

My team will be here
soon. Find his car.

[AIR HISSING]

Two-ten over one-forty-five.

[THERMOMETER BEEPING]

One-oh-three point
seven. Increase the dosage.

We're already 12
cc's over the max.

Then why isn't it working?

He's resisting somehow.

I could stick him again, but if his
heart goes into V-fib we could lose him.

[MAKES KISSING NOISE]

[LAUGHING]

Stick him again.

[HORN HONKS]

[HORN HONKS]

[♪♪♪]

[CAMERA CLICKS]

[DOOR LOCK BEEPING]

[BEEPING]

I ran his face against the
database. What database?

No matches.

Car is registered to Borderland
Cargo. Shell corp with a dummy address.

What about the GPS data?

If he works for the man holding Red,
then maybe he's been there before.

[BEEP]

[BEEP]

You have six addresses.

Five are centrally
located, a motel, a church,

two gas stations and a
restaurant in Alexandria. But this,

this is something. Why?

It's an industrial
neighborhood. Remote.

Kind of place I'd find for Mr. Reddington
if I didn't want him to be found.

Time for a road trip.

[♪♪♪]

Armed lookouts.

What are you doing?

Calling it in. We need backup.

Stay in the car. My orders
are to keep you safe.

[GUNFIRE]

[♪♪♪]

[MAN SCREAMS]

I'd say we're ready
here. About bloody time.

[GUNFIRE]

Unh!

We've got company.

[MAN SCREAMS]

What the hell is this place?

MAN: He's not here.

[♪♪♪]

How are we?

He's ready for you, sir.

Hello, Ray.

It's been, what, 20 years? Hm?

[♪♪♪]

Tell me, Agent Keen, which part
of "stand down" was unclear to you?

This wasn't my operation. Fowler
may have shut us down, but did you think

Red's people won't try to find him?
They did this without your involvement?

The only reason you're standing here
is they trust me enough to involve me.

Enlighten me. What is all this?

Some kind of operations outpost,
three miles from the Post Office.

Seems to be manned by the
people who infiltrated our facility

and kidnapped Reddington.

That doesn't concern you? I
lost a dozen people today, Keen.

That isn't on you, it's on me.

No one wants the men
who did this more than I,

but riding shotgun on an unsanctioned
massacre isn't the way to get it done.

ARAM: Excuse me,
Director Cooper? What is it?

There's something
you need to see.

[♪♪♪]

I thought I was clear.
This task force is done.

I think you'll reconsider. Why
in God's name would I do that?

Because this isn't
just about Reddington.

Agent Keen located a surveillance
outpost a few miles from here.

Next-gen tech, better
than anything we have.

Surveillance on what? Us.

They've been watching
this task force for months.

Phone taps, communications logs.

We're not sure to what extent,
we were able to recover very little.

Equipment and data
rigged to self-destruct.

I don't understand. How
is this even possible?

Something else you should know.

They've been watching you too.

All right, that's enough. Let him
down. Come on, get him a chair.

[GRUNTS]

I don't understand, Ray.
None of this had to happen.

I thought we had an arrangement.

We do. I don't know.

The people I
represent, they're...

They're nervous. We
don't know what to think.

We could've killed you. I don't
mean today. I mean any day.

I mean, every day for
the past two decades.

But we don't. We know
what you have, Ray.

And we know what'll happen
to it if you turn up dead.

So we do nothing.
We let you live.

And in exchange, we trust
that our secret remains secret.

Nothing's changed. Oh, no,
I'd say everything's changed.

Everything changed the minute
you surrendered to the FBI.

Did you think we wouldn't know?

Maybe you wanted to
change our arrangement.

Maybe you thought
you could turn yourself in

and find some new
friends who'd protect you.

Maybe you plan to expose us. No.

What have you told, Ray?

Nothing. Then what the
hell are you doing here?

My reasons have
nothing to do with you.

Well, I hope so.

I really do. Because I've
always liked you, Ray.

You're a pain in my neck...

but I like you.

[SIGHS]

Just know this: You were
walking in the park this morning.

We could've taken you then.

Instead, we dragged you from
the safety and security of the bed

you're now sharing
with new friends.

Why would we do
a thing like that?

To make it abundantly clear...

there's nowhere you can go.

There's no one you can
trust to keep you from us.

Hm?

You were there when Reddington's
people took the building?

How many people
were killed? At least six.

It was an outpost.
Professionals.

These people were
highly trained. Like Garrick.

What's all this?
A waste of time.

By Cooper's directive, I reached out to
a few of our colleagues at the agency.

Informed them of our situation

and offered to contact my counterparts
at the other black sites to share intel.

All these names are redacted. So
much for inter-agency cooperation.

Do you really think that Garrick
has someone on the inside?

It's possible.

The only one beyond
suspicion is Ressler,

unless he used Garrick to shoot
him in the leg to cover his tracks.

Is he still in surgery?
Four hours and counting.

[SIGHS]

LIZ: "Hollins Ferry
Road." I know that address.

It says "DCM." What does
that mean? Decommissioned.

Here I am trying to help and the
only names that aren't blacked out

are sites that are
no longer in use.

Is that a church?
That's the cover story.

I'll need satellite access
to this address. Why?

Because I think this might be
where they're holding Reddington.

Is this in Franklin
Square? Yeah. Why?

The ambulance that was
used to abduct Reddington,

they found burning in a
garage a quarter mile from there.

I think we've found
Reddington. Where?

A church in Baltimore. A
decommissioned black site.

Black site? Where they're
holding Reddington?

It makes sense. The
last place we'd think of.

If he knew this site,
he'd know others.

What about it, Diane? I need an
answer. Are we shut down or not?

[♪♪♪]

You should go, sir.

I'll take care of
Reddington. No.

We had a deal.

I delivered him for interrogation, I
took that risk because you promised...

I know what we promised.

What I don't know is
whether he's telling the truth.

If you kill him, it could
trigger what he has in place.

With all due respect,
sir, that's not my problem.

Excuse me? I lost
a lot of men today.

A couple of good ones.

You had your talk.

Now it's my turn.

GARRICK: Just you
and me again, Red.

Just like the old
days. Give it a rest.

We both know Fitch
won't let you finish it.

That's as may be.

Do you know what I
can do though, Red?

I can find Lizzy.

I can hurt her. I
can make her suffer.

And when I'm
finished, I can kill her.

Sometimes you just have to take
what you can in this crazy world.

Guess who taught
me that, Red. You did.

What? No smart quips?

No?

[COUGHING]

You're not actually feeling
something, are you, Red?

[GARRICK GRUNTING]

Regret.

Unh!

[♪♪♪]

[MEN SPEAKING INDISTINCTLY]

AGENT 1: Clear.

AGENT 2: Man down.

He was here.

[CAMERA CLICKS]

[♪♪♪]

TOM: In what world
is any of this okay?

The fact you don't see
that, this is normal to you.

I'm sorry.

A man told me that
he was gonna kill you.

I've been attacked, I've been accused of
murder and now people are watching us.

Apparently there are
cameras in our bedroom.

They're gone. Heh.
Do you believe that?

I need us, together.

And safe.

I meant what I said earlier.

We need to leave this place.

Audrey? Hey. What
are you doing here?

I got a call. You okay?

Yeah. Yeah, long story.

I'm fine, but they called you?

Well, Bureau did.

I guess I'm still on as
your next of kin. Heh.

Right. Your name's still on that list. I
meant to take it off, I've been so busy...

No, no, no. It's okay, I
get it. So you're okay?

You're engaged?

It's crazy, right?

Tell me he's fat and unemployed.

He's fat. And unemployed.

You mind staying
for a few minutes?

He was there. Lab tests confirm

the blood was
Reddington's. Which means?

Far as we can tell,
killed his captor, escaped.

Then why aren't you
hunting him down? I'm sorry?

We're in the "Cover
our asses" business.

In containment mode.
That ship has sailed, Harold.

Someone is surveilling
us and we don't know who.

Reddington does.
Don't know that.

We have a mole.

That mole leaked intel leading to the
abduction and torture of Reddington.

It's a simple math problem, Harold.
Whoever is after Reddington is after us.

And that means, as far as I'm concerned,
that Reddington still has real value.

The unit has new
focus: Finding him.

As of this moment, the only target on
the Blacklist is Raymond Reddington.

[PEARL JAM'S "PENDULUM" PLAYING]

♪ Can the word sound ♪

It's done.

♪ Till you've been down so low ♪

♪ The future is bright ♪

[INAUDIBLE DIALOGUE]

♪ Lit up with nowhere to go ♪

♪ To and fro the
pendulum throws ♪

[INAUDIBLE DIALOGUE]

♪ We are here and then we go ♪

♪ My shadow left me long ago ♪

[PHONE RINGING]

Hello?

RAYMOND: Lizzy.

Red.

Where are you?
Gone for a short while.

Dembe's looking for
you. He says it's urgent.

Dembe will have to wait.

Lizzy, I want you to know,
wherever I am, whatever I'm doing,

if you are in need,
I will be there.

The task force, Cooper,
they're searching for you.

What should I tell
them? I have to go.

Wait. One question,
please. It's about my father.

Growing up, Sam, he
raised me like his own.

He was...

my whole world.

But he wasn't my father.

What is the question, Lizzy?

♪ I'm in the fire
but I'm still cold ♪

Are you my father?

♪ Nothing works
Works for me anymore ♪

No.

♪ Ah, ah, ah, ah, ah ♪

Lizzy...

be careful of your husband.

♪ To and fro the
pendulum throws ♪

♪ Ah, ah, ah, ah, ah ♪

♪ To and fro the
pendulum throws ♪

♪ Ah, ah, ah, ah, ah ♪

♪ Ah, ah ♪

♪ Ah, ah, ah, ah, ah ♪

♪ Ah, ah ♪♪

[♪♪♪]

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