All language subtitles for 8. Moving Portrait

So, as I said,

hot lights are also brilliant for when you're filming.

And in this instance,

we're filming at the same time as we're taking pictures.

So we go to this high frame rate,

so that you can get this beautiful slow-mo moving picture.

And the point here is that it's exactly the same light,

we haven't had to change anything over.

We're just rolling in a movie camera and pushing record.

And so, we got this beautiful dress that allows us,

wearing this cape made of feathers

that will move really well with the wind.

She also happened to marry me in it.

So I'm particularly fond

of this particular item of clothing.

Right Mark, let's fire some smoke.

Let's see some smoke coming through.

More power on the wind please, okay?

Go, go.

Fantastic, keep going.

(smoke machine whirring)

Okay, great and cut.

Oh, just do me one for stills.

Go again,

wind, wind, wind.

(smoke machine whirring)

Thank you very much, great.

Yeah, so we did that last

'cause you got to clear all this smoke and haze.

If you look up at the lights now,

it's obviously completely back lit.

So we do that sort of thing at the end of the day.

So I hope this has given you a good view,

behind the curtain of how I set my shoots up

and giving you some good tips for your own photography.

I think the most important thing

I'd like you to take from it.

And I know we've said it before,

but please don't leave thinking.

You've got to have the six big lights set up, right?

This light is exactly the same as sunlight.

In most jobs, I work with one light

and occasionally I work with two.

It's about understanding where to place those lights

in relation to your subject.

And then the flip side of that

is when you're in ambient light

and you can't move the sun 'cause it's there,

and you can obviously wait for it to move.

But if you want to take a picture now,

the sun is where it is.

So now what I'm doing,

I'm not moving the light in relation to my subject.

I'm moving the subject in relation to the light.