Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,250 --> 00:00:00,539
[Music]
2
00:00:00,539 --> 00:00:02,879
but every moment together it only gets
3
00:00:02,879 --> 00:00:06,240
better like good wine I think you know
4
00:00:06,240 --> 00:00:10,320
you're power over me you make me lose my
5
00:00:10,320 --> 00:00:17,650
gravity and I can't feel myself
6
00:00:17,660 --> 00:00:23,450
from falling I can't help myself
7
00:00:23,450 --> 00:00:25,160
[Music]
8
00:00:25,160 --> 00:00:27,720
hi this is Justin Coletti of Sonic scoop
9
00:00:27,720 --> 00:00:29,160
thanks for joining me for some more
10
00:00:29,160 --> 00:00:32,220
mixcon and today in this master class we
11
00:00:32,220 --> 00:00:34,739
have a excellent mixer engineer producer
12
00:00:34,739 --> 00:00:37,260
by the name of Ronald prent in case
13
00:00:37,260 --> 00:00:38,700
you're not familiar with him Ronald has
14
00:00:38,700 --> 00:00:40,680
worked across genres with some of the
15
00:00:40,680 --> 00:00:42,660
biggest rock and metal bands out there
16
00:00:42,660 --> 00:00:45,899
artists like Rammstein Manowar Iron
17
00:00:45,899 --> 00:00:48,420
Maiden Death Leopard the Scorpions with
18
00:00:48,420 --> 00:00:51,059
major pop artists like Elton John and
19
00:00:51,059 --> 00:00:53,520
Tina Turner and with classical artists
20
00:00:53,520 --> 00:00:56,219
like David Garrett not only does he work
21
00:00:56,219 --> 00:00:58,020
on Studio albums but he's made a great
22
00:00:58,020 --> 00:01:00,480
name for himself mixing live albums too
23
00:01:00,480 --> 00:01:03,539
and working not only in Stereo but also
24
00:01:03,539 --> 00:01:06,000
in surround sound formats and he'll
25
00:01:06,000 --> 00:01:07,920
touch a little bit on that near the end
26
00:01:07,920 --> 00:01:10,080
of his presentation as well so whether
27
00:01:10,080 --> 00:01:12,960
you're into rock or pop or metal or
28
00:01:12,960 --> 00:01:15,479
classical or live albums or Studio
29
00:01:15,479 --> 00:01:17,100
albums I think there's going to be some
30
00:01:17,100 --> 00:01:20,100
great insights in this one for you like
31
00:01:20,100 --> 00:01:21,960
all of the mixcon master classes this
32
00:01:21,960 --> 00:01:23,460
one is free to the public thanks to our
33
00:01:23,460 --> 00:01:25,259
sponsors and the sponsors on this one
34
00:01:25,259 --> 00:01:28,920
are a great fit it is PSP audio wear PSP
35
00:01:28,920 --> 00:01:31,080
makes some great plugins they made the
36
00:01:31,080 --> 00:01:33,720
original cool plug-in back in the day
37
00:01:33,720 --> 00:01:35,939
the Vintage warmer one of the first must
38
00:01:35,939 --> 00:01:37,920
have plugins in the world of plugins and
39
00:01:37,920 --> 00:01:39,720
they have been innovating up to the
40
00:01:39,720 --> 00:01:41,640
current day they have a tremendous
41
00:01:41,640 --> 00:01:43,740
amount of amazing plugins I in my mixing
42
00:01:43,740 --> 00:01:46,079
days especially love to use their delays
43
00:01:46,079 --> 00:01:47,280
and compressors and you'll see that
44
00:01:47,280 --> 00:01:49,380
Ronald is a big fan of their stuff too
45
00:01:49,380 --> 00:01:52,200
he has a ton of PSP plugins all over
46
00:01:52,200 --> 00:01:54,180
this mix and some of his favorites
47
00:01:54,180 --> 00:01:57,600
include their e27 EQ they're reverbs
48
00:01:57,600 --> 00:01:59,820
they're spring and plate Reaver which do
49
00:01:59,820 --> 00:02:02,100
sound phenomenal know their Old Timer
50
00:02:02,100 --> 00:02:04,680
compressor specifically the multi-band
51
00:02:04,680 --> 00:02:07,140
version of it their infinite strip which
52
00:02:07,140 --> 00:02:08,819
is super fun if you haven't checked that
53
00:02:08,819 --> 00:02:10,979
one out and of course he uses their oral
54
00:02:10,979 --> 00:02:13,739
control for his multi-channel and
55
00:02:13,739 --> 00:02:16,080
Surround work but most interestingly
56
00:02:16,080 --> 00:02:17,940
Ronald has actually been secretly
57
00:02:17,940 --> 00:02:20,940
collaborating with PSP for the past five
58
00:02:20,940 --> 00:02:23,879
years to create a new compressor made
59
00:02:23,879 --> 00:02:25,680
specifically for surround sound
60
00:02:25,680 --> 00:02:29,700
applications called avocado avocado is
61
00:02:29,700 --> 00:02:31,739
so new that Ronald couldn't even show
62
00:02:31,739 --> 00:02:34,920
you the GUI for it yet but we are going
63
00:02:34,920 --> 00:02:37,200
to get to hear this thing before and
64
00:02:37,200 --> 00:02:39,900
after in action on some real tracks so
65
00:02:39,900 --> 00:02:41,280
you can get a sneak peek for what's
66
00:02:41,280 --> 00:02:44,400
coming it is a multi-channel compressor
67
00:02:44,400 --> 00:02:47,340
plug-in specially developed for surround
68
00:02:47,340 --> 00:02:50,340
sound applications based on Ronald's
69
00:02:50,340 --> 00:02:52,260
favorite Hardware compressors that he
70
00:02:52,260 --> 00:02:55,260
has in the studio with them this is a
71
00:02:55,260 --> 00:02:58,620
super Punchy analog style compressor for
72
00:02:58,620 --> 00:03:00,900
surround sound applications with special
73
00:03:00,900 --> 00:03:02,940
features really designed to solve
74
00:03:02,940 --> 00:03:05,819
problems for surround sound mixers this
75
00:03:05,819 --> 00:03:07,800
is a special sneak peek of this plug-in
76
00:03:07,800 --> 00:03:10,260
the actual final GUI and final release
77
00:03:10,260 --> 00:03:12,659
are going to be unveiled very shortly so
78
00:03:12,659 --> 00:03:15,180
keep a lookout for notices about avocado
79
00:03:15,180 --> 00:03:17,400
as it comes out I'd encourage you to
80
00:03:17,400 --> 00:03:19,400
check out all of your tools over at
81
00:03:19,400 --> 00:03:22,260
pspaudioware.com some truly great stuff
82
00:03:22,260 --> 00:03:24,780
also if you want some totally free stuff
83
00:03:24,780 --> 00:03:26,459
you can check out our mixcon Mega
84
00:03:26,459 --> 00:03:28,319
giveaway where we are giving away more
85
00:03:28,319 --> 00:03:29,940
than ten thousand dollars worth of free
86
00:03:29,940 --> 00:03:32,220
gear from all of the mixcon sponsors
87
00:03:32,220 --> 00:03:35,280
including PSP you've got multiple
88
00:03:35,280 --> 00:03:37,800
chances to win so sign up and good luck
89
00:03:37,800 --> 00:03:40,260
to you last quick note if you're
90
00:03:40,260 --> 00:03:42,000
catching the Live premiere of this
91
00:03:42,000 --> 00:03:43,560
master class we're going to be having a
92
00:03:43,560 --> 00:03:46,019
live q a with Ronald himself right after
93
00:03:46,019 --> 00:03:48,480
this Live premiere concludes so if you
94
00:03:48,480 --> 00:03:49,860
have questions that spring into your
95
00:03:49,860 --> 00:03:51,480
mind as you're watching type them right
96
00:03:51,480 --> 00:03:53,640
into the live chat box and we'll save
97
00:03:53,640 --> 00:03:56,220
the best ones for the live q a right
98
00:03:56,220 --> 00:03:58,379
after this I hope to see you there all
99
00:03:58,379 --> 00:03:59,760
right with all that out of the way let's
100
00:03:59,760 --> 00:04:01,620
get right into it thanks again to Ronald
101
00:04:01,620 --> 00:04:03,540
prent for doing this one with us special
102
00:04:03,540 --> 00:04:05,700
thanks to the artist Jeremy Oliver for
103
00:04:05,700 --> 00:04:07,200
allowing us to dive under the hood of
104
00:04:07,200 --> 00:04:09,780
this track and big thanks to PSP for
105
00:04:09,780 --> 00:04:11,640
helping make this one free to the public
106
00:04:11,640 --> 00:04:14,099
without any further Ado let's get right
107
00:04:14,099 --> 00:04:16,440
into it Ronald
108
00:04:16,440 --> 00:04:20,090
take it away
109
00:04:20,100 --> 00:04:23,280
hello everybody I'm Ronald print at
110
00:04:23,280 --> 00:04:26,340
Valhalla studios in Upstate New York in
111
00:04:26,340 --> 00:04:30,120
Auburn and this is my home base where I
112
00:04:30,120 --> 00:04:33,360
do all my mixing in Stereo and immersive
113
00:04:33,360 --> 00:04:36,600
and the immersive will come back later
114
00:04:36,600 --> 00:04:38,820
but we're going to start today's
115
00:04:38,820 --> 00:04:42,180
Workshop that is called Zen and the Art
116
00:04:42,180 --> 00:04:45,300
of balancing knowing what not to do
117
00:04:45,300 --> 00:04:48,180
Brit stereo because that's where it all
118
00:04:48,180 --> 00:04:50,699
starts and immersive is very interesting
119
00:04:50,699 --> 00:04:54,540
but it will come later in the progress
120
00:04:54,540 --> 00:04:58,500
today I will have a track of a South
121
00:04:58,500 --> 00:05:01,320
African artist called Jeremy Oliver the
122
00:05:01,320 --> 00:05:02,880
track that I recorded at the clubhouse
123
00:05:02,880 --> 00:05:05,419
in New York with several International
124
00:05:05,419 --> 00:05:09,840
musicians and it's very interesting of
125
00:05:09,840 --> 00:05:13,259
African music the way I approach mixes
126
00:05:13,259 --> 00:05:14,699
because that's what we're going to talk
127
00:05:14,699 --> 00:05:17,940
about today is about the balancing of
128
00:05:17,940 --> 00:05:21,240
them and balancing you can do in several
129
00:05:21,240 --> 00:05:22,380
ways
130
00:05:22,380 --> 00:05:25,740
um you know with Traders in the books
131
00:05:25,740 --> 00:05:28,560
outside the box with eqs in and outside
132
00:05:28,560 --> 00:05:30,960
the box and compressors in outside the
133
00:05:30,960 --> 00:05:34,080
box and effects I use a combination
134
00:05:34,080 --> 00:05:36,240
hybrid as you can see in the background
135
00:05:36,240 --> 00:05:40,280
I have a large format fix audio 360
136
00:05:40,280 --> 00:05:44,460
console that allows me to mix in 11.1
137
00:05:44,460 --> 00:05:47,639
discrete in analog domain where I can
138
00:05:47,639 --> 00:05:52,199
use analog inserts for gear and have eqs
139
00:05:52,199 --> 00:05:53,880
in the analog domain
140
00:05:53,880 --> 00:05:58,500
and bus compressing and then I go to my
141
00:05:58,500 --> 00:06:01,860
recording system where I record
142
00:06:01,860 --> 00:06:05,900
what I'm doing in any format and have
143
00:06:05,900 --> 00:06:08,580
ways of processing there that I will
144
00:06:08,580 --> 00:06:11,820
show later and of course in my case I
145
00:06:11,820 --> 00:06:13,280
work with Pro Tools
146
00:06:13,280 --> 00:06:17,160
and I have a large array of plugins that
147
00:06:17,160 --> 00:06:18,300
I can use
148
00:06:18,300 --> 00:06:21,180
to manipulate the audio or not and
149
00:06:21,180 --> 00:06:22,740
that's the big question
150
00:06:22,740 --> 00:06:24,560
now balancing
151
00:06:24,560 --> 00:06:28,740
a mix starts with listening to it what
152
00:06:28,740 --> 00:06:30,120
actually
153
00:06:30,120 --> 00:06:33,060
somebody or yourself record it
154
00:06:33,060 --> 00:06:35,940
and go through that process of learning
155
00:06:35,940 --> 00:06:38,400
the mix or learning the song
156
00:06:38,400 --> 00:06:39,660
because
157
00:06:39,660 --> 00:06:41,639
a lot of attention has been put into
158
00:06:41,639 --> 00:06:45,660
recording a song or if it's like in this
159
00:06:45,660 --> 00:06:48,900
case more organic music with drum space
160
00:06:48,900 --> 00:06:52,680
guitar horn section so
161
00:06:52,680 --> 00:06:54,180
it's very
162
00:06:54,180 --> 00:06:57,419
organic music but there's no difference
163
00:06:57,419 --> 00:07:00,900
if you work with just midi files or with
164
00:07:00,900 --> 00:07:04,919
samples or modern or you do EDM it all
165
00:07:04,919 --> 00:07:07,020
has a character and it all has a meaning
166
00:07:07,020 --> 00:07:10,319
and when you start listening and you
167
00:07:10,319 --> 00:07:13,139
take each instrument individually and
168
00:07:13,139 --> 00:07:16,139
start working on those it might not end
169
00:07:16,139 --> 00:07:18,180
up completely wrong it could go right
170
00:07:18,180 --> 00:07:21,360
too so before you get to all of that
171
00:07:21,360 --> 00:07:24,539
what I tend to do is I put the music on
172
00:07:24,539 --> 00:07:26,900
I put the session open it look at it
173
00:07:26,900 --> 00:07:31,139
then I take the time to listen to the
174
00:07:31,139 --> 00:07:34,139
music so what we'll do is I'll start the
175
00:07:34,139 --> 00:07:36,840
session and then we'll go through that
176
00:07:36,840 --> 00:07:38,880
little process to give you a quick idea
177
00:07:38,880 --> 00:07:41,940
of how I do that so I have the session
178
00:07:41,940 --> 00:07:44,720
here and as you can see in the screen
179
00:07:44,720 --> 00:07:48,660
it's got drums in it it's got some
180
00:07:48,660 --> 00:07:52,080
percussion some spoons a bass
181
00:07:52,080 --> 00:07:57,120
uh electric guitar with two channels uh
182
00:07:57,120 --> 00:08:00,479
some delays some steel drums vocals some
183
00:08:00,479 --> 00:08:02,039
backing Focus
184
00:08:02,039 --> 00:08:04,800
uh a helmet a piano
185
00:08:04,800 --> 00:08:08,160
and if I open it up yeah there's a large
186
00:08:08,160 --> 00:08:09,660
range of
187
00:08:09,660 --> 00:08:11,580
uh horn section
188
00:08:11,580 --> 00:08:14,940
so what I want to do now is just
189
00:08:14,940 --> 00:08:17,400
listen to the song open up the faders
190
00:08:17,400 --> 00:08:20,430
quickly and see what it's about
191
00:08:20,430 --> 00:08:34,029
[Music]
192
00:08:34,039 --> 00:08:36,000
thank you
193
00:08:36,000 --> 00:08:38,150
foreign
194
00:08:38,150 --> 00:09:04,260
[Music]
195
00:09:04,260 --> 00:09:07,310
foreign
196
00:09:07,320 --> 00:09:15,550
[Music]
197
00:09:15,560 --> 00:09:18,670
thank you
198
00:09:18,680 --> 00:10:02,170
[Music]
199
00:10:02,180 --> 00:10:04,940
I'm falling into it
200
00:10:04,940 --> 00:10:08,769
[Music]
201
00:10:08,779 --> 00:10:11,560
be my queen always
202
00:10:11,560 --> 00:10:17,660
[Music]
203
00:10:17,660 --> 00:10:21,300
take for granted that's your mind but
204
00:10:21,300 --> 00:10:23,040
every moment together it only gets
205
00:10:23,040 --> 00:10:26,339
better like good wine I think
206
00:10:26,339 --> 00:10:30,540
your power over me you make me lose my
207
00:10:30,540 --> 00:10:31,490
gravity
208
00:10:31,490 --> 00:11:01,150
[Music]
209
00:11:01,160 --> 00:11:05,630
Give It Up
210
00:11:05,640 --> 00:11:18,850
foreign
211
00:11:18,860 --> 00:11:55,870
[Music]
212
00:11:55,880 --> 00:12:00,280
I can't help myself
213
00:12:00,290 --> 00:12:19,940
[Music]
214
00:12:19,940 --> 00:12:26,520
I can't help myself from foreign
215
00:12:26,530 --> 00:12:43,389
[Music]
216
00:12:43,399 --> 00:12:49,079
rhythmical track very African uh upbeat
217
00:12:49,079 --> 00:12:49,760
um
218
00:12:49,760 --> 00:12:53,820
leans a lot on vocal and guitar that's
219
00:12:53,820 --> 00:12:56,100
that is the artist itself
220
00:12:56,100 --> 00:12:58,440
he plays the guitar
221
00:12:58,440 --> 00:13:02,700
so y'all but it all gets together
222
00:13:02,700 --> 00:13:06,110
it should work
223
00:13:06,120 --> 00:13:08,990
so
224
00:13:09,000 --> 00:13:10,920
what I didn't do
225
00:13:10,920 --> 00:13:13,680
is uh
226
00:13:13,680 --> 00:13:16,019
you know find what is important in the
227
00:13:16,019 --> 00:13:16,980
mix
228
00:13:16,980 --> 00:13:20,820
and get the approach for that it's often
229
00:13:20,820 --> 00:13:22,920
not the easiest way but to have the
230
00:13:22,920 --> 00:13:25,200
vocal in there all the time
231
00:13:25,200 --> 00:13:27,060
it's a nice thing it doesn't have to be
232
00:13:27,060 --> 00:13:31,079
you know already on the level but it
233
00:13:31,079 --> 00:13:33,480
just adds something and in this case it
234
00:13:33,480 --> 00:13:35,040
works with
235
00:13:35,040 --> 00:13:38,180
with the guitar and uh everything else
236
00:13:38,180 --> 00:13:41,530
with advice
237
00:13:41,530 --> 00:13:43,680
[Music]
238
00:13:43,680 --> 00:13:46,139
I'm gonna kill all the brass although
239
00:13:46,139 --> 00:13:47,280
it's nice
240
00:13:47,280 --> 00:13:49,320
[Music]
241
00:13:49,320 --> 00:13:51,300
and just bring it down back to the
242
00:13:51,300 --> 00:13:57,829
basics
243
00:13:57,839 --> 00:14:00,120
because having the vocal in there all
244
00:14:00,120 --> 00:14:04,139
the time uh reminds you what the song is
245
00:14:04,139 --> 00:14:07,019
about and if what do you do what if
246
00:14:07,019 --> 00:14:10,139
you're doing stuff then it will
247
00:14:10,139 --> 00:14:12,490
um
248
00:14:12,500 --> 00:14:17,279
so if it works against our uh in favor
249
00:14:17,279 --> 00:14:19,440
of the vocal
250
00:14:19,440 --> 00:14:22,200
okay so I gotta turn it up a little bit
251
00:14:22,200 --> 00:14:26,509
I got a kick drum
252
00:14:26,519 --> 00:14:30,829
I put a bit of Lo-Fi on the kick them
253
00:14:30,839 --> 00:14:36,250
just to give it a little punch
254
00:14:36,260 --> 00:14:39,540
insane with the snare
255
00:14:39,540 --> 00:14:45,959
[Music]
256
00:14:45,959 --> 00:14:48,480
there you go it's a distortion but it
257
00:14:48,480 --> 00:14:49,560
helps
258
00:14:49,560 --> 00:14:51,360
um
259
00:14:51,360 --> 00:14:53,639
getting it out there
260
00:14:53,639 --> 00:14:56,870
so
261
00:14:56,880 --> 00:15:10,139
[Music]
262
00:15:10,139 --> 00:15:15,300
I could run these quickly to an analog
263
00:15:15,300 --> 00:15:37,040
channel of my console
264
00:15:37,050 --> 00:15:42,660
[Music]
265
00:15:42,660 --> 00:15:48,030
I like to do the same with the snare
266
00:15:48,040 --> 00:16:13,320
[Music]
267
00:16:13,320 --> 00:16:21,160
foreign
268
00:16:21,170 --> 00:17:20,090
[Music]
269
00:17:20,100 --> 00:18:13,990
foreign
270
00:18:14,000 --> 00:18:17,280
we'll see how much we need of that in
271
00:18:17,280 --> 00:18:20,280
the later stage but it gives a a bit of
272
00:18:20,280 --> 00:18:22,679
an idea for the Rhythm
273
00:18:22,679 --> 00:18:25,559
now I saw something called a spoon here
274
00:18:25,559 --> 00:18:32,690
let's see
275
00:18:32,700 --> 00:18:44,409
and what else do we have always shaker
276
00:18:44,419 --> 00:18:48,419
low five or some distortion
277
00:18:48,419 --> 00:18:51,419
and less high frequencies
278
00:18:51,419 --> 00:18:52,750
just to get the groove going
279
00:18:52,750 --> 00:19:09,120
[Music]
280
00:19:09,120 --> 00:19:11,760
foreign
281
00:19:11,770 --> 00:20:17,220
[Music]
282
00:20:17,220 --> 00:20:21,210
foreign
283
00:20:21,220 --> 00:21:08,690
[Music]
284
00:21:08,700 --> 00:21:10,860
foreign
285
00:21:10,860 --> 00:21:34,149
[Music]
286
00:21:34,159 --> 00:21:36,960
oh yeah what's an interesting thing that
287
00:21:36,960 --> 00:21:39,179
I sometimes tend to do and of course I
288
00:21:39,179 --> 00:21:41,400
had prepared it a little bit
289
00:21:41,400 --> 00:21:44,460
the tops if you want to have them have a
290
00:21:44,460 --> 00:21:46,020
little bit more impact in the low end
291
00:21:46,020 --> 00:21:48,059
instead of eq'ing them and having to
292
00:21:48,059 --> 00:21:50,039
gate them or so
293
00:21:50,039 --> 00:21:52,919
um I tend to put an octave Below on the
294
00:21:52,919 --> 00:21:56,560
thumbs and just mix it in a little bit
295
00:21:56,560 --> 00:22:05,159
[Music]
296
00:22:05,159 --> 00:22:05,880
that's without
297
00:22:05,880 --> 00:22:07,559
[Music]
298
00:22:07,559 --> 00:22:10,810
and that's width
299
00:22:10,820 --> 00:22:13,260
[Music]
300
00:22:13,260 --> 00:22:14,940
and then
301
00:22:14,940 --> 00:22:17,220
most of the time is enough in the mix to
302
00:22:17,220 --> 00:22:18,480
give them a bit more weight
303
00:22:18,480 --> 00:22:52,280
[Music]
304
00:22:52,280 --> 00:22:54,539
actually that bench sounds really good
305
00:22:54,539 --> 00:22:58,970
with just a little bit of Anarchy Q
306
00:22:58,980 --> 00:23:01,020
um in the console
307
00:23:01,020 --> 00:23:04,380
I'll show you that later and some
308
00:23:04,380 --> 00:23:06,840
um analog compression
309
00:23:06,840 --> 00:23:09,059
it's just a little bit
310
00:23:09,059 --> 00:23:11,880
um but it's enough to settle it and make
311
00:23:11,880 --> 00:23:13,940
it work with the drums
312
00:23:13,940 --> 00:23:24,710
[Music]
313
00:23:24,720 --> 00:23:27,059
now what I tend to do is then um I'd
314
00:23:27,059 --> 00:23:28,679
like to put in the vocal
315
00:23:28,679 --> 00:23:30,960
and I will put in this guitar pretty
316
00:23:30,960 --> 00:23:34,140
fast after that but just to see how it
317
00:23:34,140 --> 00:23:35,820
sits and maybe get a little effect going
318
00:23:35,820 --> 00:23:38,159
on him or a little Reverb to see if he
319
00:23:38,159 --> 00:23:42,010
sits well in the track
320
00:23:42,020 --> 00:23:48,070
come on come on come on come on
321
00:23:48,080 --> 00:23:51,900
come on come on come on I want to see
322
00:23:51,900 --> 00:23:55,490
you shake it shake it
323
00:23:55,500 --> 00:23:57,799
[Music]
324
00:23:57,799 --> 00:24:00,539
let's get into the console see if that
325
00:24:00,539 --> 00:24:03,360
makes uh helps a little bit
326
00:24:03,360 --> 00:24:05,020
foreign
327
00:24:05,020 --> 00:24:26,630
[Music]
328
00:24:26,640 --> 00:24:40,740
volunteer
329
00:24:40,750 --> 00:24:42,799
[Music]
330
00:24:42,799 --> 00:24:47,820
I think you know your power over me you
331
00:24:47,820 --> 00:24:50,360
make me lose my gravity
332
00:24:50,360 --> 00:24:58,220
I can't help myself
333
00:24:58,230 --> 00:25:06,370
[Music]
334
00:25:06,380 --> 00:25:10,559
deeper and deeper in love with you I
335
00:25:10,559 --> 00:25:13,220
five three
336
00:25:13,220 --> 00:25:16,460
falling into you
337
00:25:16,460 --> 00:25:20,940
but what I really love is what I'll get
338
00:25:20,940 --> 00:25:24,549
through in a minute
339
00:25:24,559 --> 00:25:28,140
and that's thanks to our
340
00:25:28,140 --> 00:25:31,020
to our sponsor PSP for this session
341
00:25:31,020 --> 00:25:34,860
they have some really beautiful uh
342
00:25:34,860 --> 00:25:39,419
plugins that I use basically in every
343
00:25:39,419 --> 00:25:42,059
mix session and I'll show you that too
344
00:25:42,059 --> 00:25:46,200
why I think you know one of my favorite
345
00:25:46,200 --> 00:25:48,090
eqs
346
00:25:48,090 --> 00:25:57,620
[Music]
347
00:25:57,620 --> 00:26:00,840
if you just want to you know
348
00:26:00,840 --> 00:26:04,080
not change what is being recorded but
349
00:26:04,080 --> 00:26:06,120
emphasize on a little detail of the
350
00:26:06,120 --> 00:26:07,380
recording
351
00:26:07,380 --> 00:26:09,840
this is a beautiful plug-in it gives you
352
00:26:09,840 --> 00:26:10,630
a bigger Drive
353
00:26:10,630 --> 00:26:22,570
[Music]
354
00:26:22,580 --> 00:26:26,400
open up the vocal in a really nice way
355
00:26:26,400 --> 00:26:30,529
or give it a really nice bit of body
356
00:26:30,539 --> 00:26:35,990
come on
357
00:26:36,000 --> 00:26:39,840
you always win that guarantee I gotta
358
00:26:39,840 --> 00:26:42,539
admit it I am outwitted by your love you
359
00:26:42,539 --> 00:26:44,700
think that after all this time I take
360
00:26:44,700 --> 00:26:47,460
for granted that's your mind but every
361
00:26:47,460 --> 00:26:49,620
moment together it only gets better like
362
00:26:49,620 --> 00:26:53,220
good wine I think you know your power
363
00:26:53,220 --> 00:26:55,679
and because of that it makes the vocal
364
00:26:55,679 --> 00:26:57,580
sit really nice
365
00:26:57,580 --> 00:27:12,909
[Music]
366
00:27:12,919 --> 00:27:16,740
I said deeper and deeper in love with
367
00:27:16,740 --> 00:27:20,279
you now after this on the analog side of
368
00:27:20,279 --> 00:27:22,020
it through the console just goes to the
369
00:27:22,020 --> 00:27:23,159
channel
370
00:27:23,159 --> 00:27:27,299
and then it goes to a Ela distressor I
371
00:27:27,299 --> 00:27:29,220
have the plugin for that but I prefer to
372
00:27:29,220 --> 00:27:31,200
use the hardware version because it
373
00:27:31,200 --> 00:27:33,539
gives a nice color I'm just using a
374
00:27:33,539 --> 00:27:36,600
compressor and an equalizer to balance
375
00:27:36,600 --> 00:27:39,900
the vocal within the Rhythm to see if
376
00:27:39,900 --> 00:27:42,539
that is enough and again it's being
377
00:27:42,539 --> 00:27:46,080
aware of what you change will make
378
00:27:46,080 --> 00:27:49,559
uh your decisions are easier because it
379
00:27:49,559 --> 00:27:51,960
is again knowing what not to do
380
00:27:51,960 --> 00:27:54,120
because you don't really need to do
381
00:27:54,120 --> 00:27:56,700
something you just need to do sometimes
382
00:27:56,700 --> 00:27:59,220
a little bit to make it all gel together
383
00:27:59,220 --> 00:28:01,860
and that's why I don't you know do it
384
00:28:01,860 --> 00:28:03,960
individually I always run the mix the
385
00:28:03,960 --> 00:28:06,179
whole time
386
00:28:06,179 --> 00:28:08,700
and listen to what happens if I add
387
00:28:08,700 --> 00:28:14,210
something to that
388
00:28:14,220 --> 00:28:15,360
please
389
00:28:15,360 --> 00:28:46,549
[Music]
390
00:28:46,559 --> 00:28:49,500
how do you do this to me babe you got me
391
00:28:49,500 --> 00:28:52,559
tripping going crazy I feel like an
392
00:28:52,559 --> 00:28:55,380
attic call me fanatic over you if all
393
00:28:55,380 --> 00:28:57,539
your magic show my dear I'll be your
394
00:28:57,539 --> 00:29:00,530
willing volunteer
395
00:29:00,530 --> 00:29:04,820
[Music]
396
00:29:04,820 --> 00:29:07,410
falling into you
397
00:29:07,410 --> 00:29:20,810
[Music]
398
00:29:20,820 --> 00:29:34,060
foreign
399
00:29:34,070 --> 00:29:54,830
[Music]
400
00:29:54,840 --> 00:29:58,070
foreign
401
00:29:58,080 --> 00:30:24,370
[Music]
402
00:30:24,380 --> 00:30:29,580
use this one yeah that's nice very
403
00:30:29,580 --> 00:30:32,050
old-fashioned waves but very nice
404
00:30:32,050 --> 00:30:38,299
[Music]
405
00:30:38,299 --> 00:30:43,750
falling into you
406
00:30:43,760 --> 00:30:48,320
I please
407
00:30:48,330 --> 00:31:07,070
[Music]
408
00:31:07,080 --> 00:31:10,570
yeah
409
00:31:10,580 --> 00:31:12,680
I think we have a guitar
410
00:31:12,680 --> 00:31:39,960
[Music]
411
00:31:39,960 --> 00:31:41,550
let's get some sounds
412
00:31:41,550 --> 00:32:12,649
[Music]
413
00:32:12,659 --> 00:32:16,860
a little spring reverb that's the EMT
414
00:32:16,860 --> 00:32:21,960
from BSB red vibes my favorite uh Reverb
415
00:32:21,960 --> 00:32:24,960
for drums it really sounds amazing
416
00:32:24,960 --> 00:32:27,480
plugin I'm a big fan of spring reverbs
417
00:32:27,480 --> 00:32:31,679
and PSP made a beautiful uh plugin that
418
00:32:31,679 --> 00:32:34,679
really comes so close to the original
419
00:32:34,679 --> 00:32:36,840
and it's easier to use than the big
420
00:32:36,840 --> 00:32:39,840
boxes to try that let's make a scent for
421
00:32:39,840 --> 00:32:41,390
that
422
00:32:41,390 --> 00:33:26,000
[Music]
423
00:33:26,000 --> 00:33:27,960
really nice
424
00:33:27,960 --> 00:33:30,000
so it's just to give it a little bit of
425
00:33:30,000 --> 00:33:31,919
contour and place because I have the dry
426
00:33:31,919 --> 00:33:35,509
signal too
427
00:33:35,519 --> 00:33:37,740
and I put a little bit of chorus on the
428
00:33:37,740 --> 00:33:51,370
second microphone
429
00:33:51,380 --> 00:33:58,450
[Music]
430
00:33:58,460 --> 00:34:01,440
it thinks that after all this time I
431
00:34:01,440 --> 00:34:03,240
take for granted that you're on my mind
432
00:34:03,240 --> 00:34:06,000
but every moment together it only gets
433
00:34:06,000 --> 00:34:09,419
better like good wine I think you know
434
00:34:09,419 --> 00:34:13,500
your power over me you make me lose my
435
00:34:13,500 --> 00:34:14,440
gravity
436
00:34:14,440 --> 00:34:18,740
[Music]
437
00:34:18,740 --> 00:34:24,550
I can't help myself
438
00:34:24,560 --> 00:34:41,409
[Music]
439
00:34:41,419 --> 00:34:44,700
do do
440
00:34:44,700 --> 00:34:46,489
Give It Up
441
00:34:46,489 --> 00:35:02,770
[Music]
442
00:35:02,780 --> 00:35:04,940
all these times
443
00:35:04,940 --> 00:35:08,329
[Music]
444
00:35:08,339 --> 00:35:10,260
come on
445
00:35:10,260 --> 00:35:17,750
come on time
446
00:35:17,760 --> 00:35:22,450
oh nice delay
447
00:35:22,460 --> 00:35:28,390
come on come on come on come on
448
00:35:28,400 --> 00:35:32,740
come on come on
449
00:35:32,750 --> 00:36:01,160
[Music]
450
00:36:01,160 --> 00:36:07,250
I'm falling into you
451
00:36:07,260 --> 00:36:10,200
I'm gonna try a little experiment and
452
00:36:10,200 --> 00:36:12,960
use this on the vocal
453
00:36:12,960 --> 00:36:18,650
okay it just needs a little bit
454
00:36:18,660 --> 00:36:23,150
falling into you oh
455
00:36:23,150 --> 00:36:39,950
[Music]
456
00:36:39,960 --> 00:36:42,900
how do you do this to me baby got me
457
00:36:42,900 --> 00:36:46,020
tripping going crazy I feel like an
458
00:36:46,020 --> 00:36:48,839
attic call me fanatic over you if all
459
00:36:48,839 --> 00:36:51,420
your magic show my dear I feel willing
460
00:36:51,420 --> 00:36:54,720
volunteer your love is magnetic this is
461
00:36:54,720 --> 00:36:58,440
electric and it's clear I think you know
462
00:36:58,440 --> 00:37:02,520
your power over me you make me lose my
463
00:37:02,520 --> 00:37:03,740
gravity
464
00:37:03,740 --> 00:37:07,590
I can't help myself
465
00:37:07,590 --> 00:37:12,060
[Music]
466
00:37:12,060 --> 00:37:13,510
[Applause]
467
00:37:13,510 --> 00:37:24,230
[Music]
468
00:37:24,240 --> 00:37:26,660
happy
469
00:37:26,660 --> 00:37:30,480
falling into you
470
00:37:30,480 --> 00:37:40,339
[Music]
471
00:37:40,339 --> 00:37:43,800
see that all these little things that
472
00:37:43,800 --> 00:37:45,599
are not really big changes to the
473
00:37:45,599 --> 00:37:48,060
original recording just
474
00:37:48,060 --> 00:37:51,180
a bit of sound shaping escaping wherever
475
00:37:51,180 --> 00:37:52,619
you want to call it
476
00:37:52,619 --> 00:37:56,040
a bit of room I might even bring that
477
00:37:56,040 --> 00:37:57,859
down more
478
00:37:57,859 --> 00:38:01,440
and the basic drums and bass and his
479
00:38:01,440 --> 00:38:04,140
vocal in his guitar should make the song
480
00:38:04,140 --> 00:38:05,339
Work
481
00:38:05,339 --> 00:38:07,500
and that's
482
00:38:07,500 --> 00:38:11,040
what's important in doing the balancing
483
00:38:11,040 --> 00:38:12,200
[Music]
484
00:38:12,200 --> 00:38:15,480
when you get in the way of the vocal
485
00:38:15,480 --> 00:38:18,130
if you're at the wrong place
486
00:38:18,130 --> 00:38:29,569
[Music]
487
00:38:29,579 --> 00:38:35,530
foreign
488
00:38:35,540 --> 00:38:59,270
[Music]
489
00:38:59,280 --> 00:39:01,550
foreign
490
00:39:01,550 --> 00:39:37,310
[Music]
491
00:39:37,320 --> 00:39:40,260
how do you do this to me baby got me
492
00:39:40,260 --> 00:39:43,440
tripping going crazy I feel like an
493
00:39:43,440 --> 00:39:46,200
attic call me fanatic over you if all
494
00:39:46,200 --> 00:39:48,680
your magic show my dear I feel winning
495
00:39:48,680 --> 00:39:52,079
volunteer your love is magnetic this is
496
00:39:52,079 --> 00:39:55,740
electric and it's clear I think you know
497
00:39:55,740 --> 00:39:59,880
your power over me you make me lose my
498
00:39:59,880 --> 00:40:01,380
gravity
499
00:40:01,380 --> 00:40:04,440
I'm gonna put a little bit of
500
00:40:04,440 --> 00:40:07,190
um
501
00:40:07,200 --> 00:40:10,680
API compression on the vocal
502
00:40:10,680 --> 00:40:14,220
for now I'm only going to use
503
00:40:14,220 --> 00:40:16,260
a compressor to do a little bit of
504
00:40:16,260 --> 00:40:19,230
leveling
505
00:40:19,240 --> 00:40:21,359
[Music]
506
00:40:21,359 --> 00:40:24,240
how do you do this to me babe you got me
507
00:40:24,240 --> 00:40:27,300
tripping going crazy I feel like an
508
00:40:27,300 --> 00:40:30,180
attic call me fanatic over you if all
509
00:40:30,180 --> 00:40:32,280
your magic show my dear I'll be your
510
00:40:32,280 --> 00:40:34,380
willing volunteer
511
00:40:34,380 --> 00:40:36,240
your love is magnetic and kisses
512
00:40:36,240 --> 00:40:39,720
electric and it's clear I think you know
513
00:40:39,720 --> 00:40:43,920
your power over me you make me lose my
514
00:40:43,920 --> 00:40:45,140
gravity
515
00:40:45,140 --> 00:40:49,210
I can't help myself
516
00:40:49,220 --> 00:40:50,380
I
517
00:40:50,380 --> 00:41:00,370
[Music]
518
00:41:00,380 --> 00:41:05,650
said deeper and deeper in love with you
519
00:41:05,650 --> 00:41:13,930
[Music]
520
00:41:13,940 --> 00:41:16,380
just change thank you on the stair a
521
00:41:16,380 --> 00:41:18,420
little bit because it's stick out to get
522
00:41:18,420 --> 00:41:20,940
a little darker I'm using all this stuff
523
00:41:20,940 --> 00:41:23,579
to change balance and then I sometimes
524
00:41:23,579 --> 00:41:24,540
have to
525
00:41:24,540 --> 00:41:28,020
um get the volume change but in a lot of
526
00:41:28,020 --> 00:41:30,180
cases like I wanted to do with the
527
00:41:30,180 --> 00:41:33,119
guitar as well is just to give it the
528
00:41:33,119 --> 00:41:35,099
proper place instead of giving it to the
529
00:41:35,099 --> 00:41:37,140
absolute perfect sound
530
00:41:37,140 --> 00:41:40,440
I'm assuming that this is the sounds
531
00:41:40,440 --> 00:41:42,420
that they wanted for the for the
532
00:41:42,420 --> 00:41:44,220
recording and I'm just shaping them a
533
00:41:44,220 --> 00:41:50,590
little bit so I can get it to groove
534
00:41:50,600 --> 00:41:56,829
[Music]
535
00:41:56,839 --> 00:42:00,460
falling into you
536
00:42:00,460 --> 00:42:05,690
[Music]
537
00:42:05,700 --> 00:42:10,630
foreign
538
00:42:10,640 --> 00:42:14,650
use my favorite EQ
539
00:42:14,660 --> 00:42:29,660
[Music]
540
00:42:29,660 --> 00:42:32,099
not do it for the one that I use the
541
00:42:32,099 --> 00:42:33,300
effects on
542
00:42:33,300 --> 00:42:36,960
which has the little course
543
00:42:36,960 --> 00:42:39,680
and then the spring reverb or PSP
544
00:42:39,680 --> 00:42:50,089
[Music]
545
00:42:50,099 --> 00:42:51,850
myself
546
00:42:51,850 --> 00:43:18,240
[Music]
547
00:43:18,240 --> 00:43:21,210
guarantee
548
00:43:21,210 --> 00:44:24,589
[Music]
549
00:44:24,599 --> 00:44:32,290
foreign
550
00:44:32,300 --> 00:44:35,450
[Music]
551
00:44:35,460 --> 00:44:40,069
instrument
552
00:44:40,079 --> 00:44:42,420
um just by chasing slightly the
553
00:44:42,420 --> 00:44:44,460
character of a frequency
554
00:44:44,460 --> 00:44:47,940
and that's as much balancing as doing uh
555
00:44:47,940 --> 00:44:51,000
volume controls with fares and it's
556
00:44:51,000 --> 00:44:54,180
still very Dynamic uh because of the way
557
00:44:54,180 --> 00:44:56,600
it's been played
558
00:44:56,600 --> 00:44:59,540
[Music]
559
00:44:59,540 --> 00:45:02,750
falling into you
560
00:45:02,750 --> 00:45:22,990
[Music]
561
00:45:23,000 --> 00:45:28,970
I'm falling into you
562
00:45:28,980 --> 00:45:31,980
how do you do this to me baby got me
563
00:45:31,980 --> 00:45:35,040
tripping going crazy I feel like an
564
00:45:35,040 --> 00:45:37,859
attic call me fanatic over you if all
565
00:45:37,859 --> 00:45:41,150
your magic
566
00:45:41,160 --> 00:45:44,580
TV at the little bottom to the snare
567
00:45:44,580 --> 00:46:02,210
[Music]
568
00:46:02,220 --> 00:46:10,800
foreign
569
00:46:10,810 --> 00:46:35,510
[Music]
570
00:46:35,520 --> 00:46:38,420
falling into you
571
00:46:38,420 --> 00:46:44,540
[Music]
572
00:46:44,540 --> 00:46:46,800
unless you can hear when you do the
573
00:46:46,800 --> 00:46:47,760
difference
574
00:46:47,760 --> 00:46:52,380
and the stairs lie
575
00:46:52,390 --> 00:46:56,280
[Music]
576
00:46:56,280 --> 00:46:58,859
by adding a little bit
577
00:46:58,859 --> 00:47:02,040
at 120 and a bit of drive with just a
578
00:47:02,040 --> 00:47:04,440
nice thing about the plugin and the and
579
00:47:04,440 --> 00:47:08,040
the Really musical way of adding
580
00:47:08,040 --> 00:47:11,339
frequencies you balance the snare a bit
581
00:47:11,339 --> 00:47:15,550
better in the whole party
582
00:47:15,560 --> 00:47:18,420
if you're worried about little clipping
583
00:47:18,420 --> 00:47:20,819
inside the plugin
584
00:47:20,819 --> 00:47:23,040
you can just drop the level
585
00:47:23,040 --> 00:47:26,540
a little bit on the output here
586
00:47:26,540 --> 00:47:37,040
been going crazy
587
00:47:37,050 --> 00:47:42,470
[Music]
588
00:47:42,480 --> 00:47:45,540
your power over me
589
00:47:45,540 --> 00:47:48,000
getting the groove of the song going
590
00:47:48,000 --> 00:47:51,420
with the vocal and the main instruments
591
00:47:51,420 --> 00:47:53,040
that he uses
592
00:47:53,040 --> 00:47:57,420
we're gonna start adding the rest
593
00:47:57,420 --> 00:47:59,640
try and do it it's easy as
594
00:47:59,640 --> 00:48:01,500
understandable I said I just gonna
595
00:48:01,500 --> 00:48:03,900
listen to it I haven't treated any of it
596
00:48:03,900 --> 00:48:06,480
there's a Hammond Organ a piano and the
597
00:48:06,480 --> 00:48:09,540
brass to see how they fit with what
598
00:48:09,540 --> 00:48:12,800
we've got now
599
00:48:12,810 --> 00:48:18,950
[Music]
600
00:48:18,960 --> 00:48:25,870
foreign
601
00:48:25,880 --> 00:48:28,970
let's get that through the console
602
00:48:28,970 --> 00:48:35,829
[Music]
603
00:48:35,839 --> 00:48:37,819
actually
604
00:48:37,819 --> 00:48:43,809
I like it better
605
00:48:43,819 --> 00:48:45,740
yeah
606
00:48:45,740 --> 00:48:51,950
not going to the console
607
00:48:51,960 --> 00:48:54,920
put a little
608
00:48:54,920 --> 00:48:57,540
and pressure on it
609
00:48:57,540 --> 00:49:01,110
give it some character
610
00:49:01,110 --> 00:49:23,809
[Music]
611
00:49:23,819 --> 00:49:31,970
foreign
612
00:49:31,980 --> 00:49:35,170
give it his own Dynamic space
613
00:49:35,170 --> 00:50:05,210
[Music]
614
00:50:05,220 --> 00:50:19,710
foreign
615
00:50:19,720 --> 00:50:46,750
[Music]
616
00:50:46,760 --> 00:50:52,200
deeper and deeper in love with you I
617
00:50:52,200 --> 00:50:55,380
mean
618
00:50:55,390 --> 00:51:07,339
[Music]
619
00:51:07,339 --> 00:51:10,380
you be my queen you always win that
620
00:51:10,380 --> 00:51:13,559
guarantee I gotta admit it I am
621
00:51:13,559 --> 00:51:15,780
outwitted by your love you think that
622
00:51:15,780 --> 00:51:18,059
after all this time I take for granted
623
00:51:18,059 --> 00:51:20,520
that you're mine but every moment
624
00:51:20,520 --> 00:51:22,740
together it only gets better like good
625
00:51:22,740 --> 00:51:25,140
wine I think you
626
00:51:25,140 --> 00:51:29,460
your power over me you make me lose my
627
00:51:29,460 --> 00:51:31,860
gravity yeah
628
00:51:31,860 --> 00:51:34,640
[Music]
629
00:51:34,640 --> 00:51:39,720
I can't help myself from falling I can't
630
00:51:39,720 --> 00:51:41,599
help myself
631
00:51:41,599 --> 00:51:45,240
unfolding and deeper and deeper in love
632
00:51:45,240 --> 00:51:53,500
with you I see burn ER
633
00:51:53,510 --> 00:52:10,210
[Music]
634
00:52:10,220 --> 00:52:13,020
come on
635
00:52:13,020 --> 00:52:18,970
[Applause]
636
00:52:18,980 --> 00:52:20,930
Good Times
637
00:52:20,930 --> 00:52:30,370
[Music]
638
00:52:30,380 --> 00:52:32,339
thank you
639
00:52:32,339 --> 00:52:39,910
foreign
640
00:52:39,920 --> 00:52:42,540
was recorded and arranged
641
00:52:42,540 --> 00:52:45,660
and balanced it by itself
642
00:52:45,660 --> 00:52:47,780
just to see
643
00:52:47,780 --> 00:52:51,090
but the color does when I bring it in
644
00:52:51,090 --> 00:52:56,579
[Music]
645
00:52:56,579 --> 00:52:59,760
and to me when I listen to it in the
646
00:52:59,760 --> 00:53:02,880
rest of uh everything else it doesn't
647
00:53:02,880 --> 00:53:06,839
need any other coloring and
648
00:53:06,839 --> 00:53:09,680
um fills in a really nice warm space
649
00:53:09,680 --> 00:53:12,300
uh I like the piano needed a little bit
650
00:53:12,300 --> 00:53:15,420
of uh the impresser
651
00:53:15,420 --> 00:53:18,240
which helps it you know come forward a
652
00:53:18,240 --> 00:53:20,809
little bit
653
00:53:20,819 --> 00:53:23,280
and this you know the helmet doesn't get
654
00:53:23,280 --> 00:53:26,450
in the way of the of the
655
00:53:26,450 --> 00:53:27,920
[Music]
656
00:53:27,920 --> 00:53:31,380
of the vocal
657
00:53:31,380 --> 00:53:32,570
actually very nice
658
00:53:32,570 --> 00:53:57,119
[Music]
659
00:53:57,119 --> 00:54:02,640
with you I said deeper deeper
660
00:54:02,640 --> 00:54:03,660
down
661
00:54:03,660 --> 00:54:07,609
[Music]
662
00:54:07,619 --> 00:54:11,880
sketching vocals nice so
663
00:54:11,880 --> 00:54:15,720
using a little bit of shaping and uh you
664
00:54:15,720 --> 00:54:18,420
know small eqs
665
00:54:18,420 --> 00:54:22,079
but the targeted at the right areas a
666
00:54:22,079 --> 00:54:26,540
bit of compression some not uh changing
667
00:54:26,540 --> 00:54:30,119
the Reverb work better on the vocal but
668
00:54:30,119 --> 00:54:31,680
it gave me
669
00:54:31,680 --> 00:54:35,520
my favorite one to go to
670
00:54:35,520 --> 00:54:36,240
um
671
00:54:36,240 --> 00:54:38,640
this one for the drums and that put the
672
00:54:38,640 --> 00:54:41,819
drums in the right place and just the
673
00:54:41,819 --> 00:54:44,160
tiniest bit of loving on the snare and
674
00:54:44,160 --> 00:54:47,220
everything else is in a happy place but
675
00:54:47,220 --> 00:54:49,500
again these are all little things like
676
00:54:49,500 --> 00:54:52,079
uh putting an octave under the thumbs
677
00:54:52,079 --> 00:54:55,079
instead of eq'ing them uh giving them a
678
00:54:55,079 --> 00:54:56,339
bit more weight
679
00:54:56,339 --> 00:54:58,680
then they don't need compression they
680
00:54:58,680 --> 00:55:01,200
are just sitting really nice and the
681
00:55:01,200 --> 00:55:01,980
bass
682
00:55:01,980 --> 00:55:05,520
I've done analog to the console with
683
00:55:05,520 --> 00:55:08,579
analog compression but then give a
684
00:55:08,579 --> 00:55:10,859
little bit of Contour uh so we could
685
00:55:10,859 --> 00:55:12,240
hear a bit more of the notes because
686
00:55:12,240 --> 00:55:14,880
it's important in the music and that's
687
00:55:14,880 --> 00:55:15,839
again
688
00:55:15,839 --> 00:55:18,000
with the vocal on all the time and
689
00:55:18,000 --> 00:55:21,180
sometimes the vocal disappears and you
690
00:55:21,180 --> 00:55:23,460
pick it up again or you change a little
691
00:55:23,460 --> 00:55:26,460
bit of the EQ or you add a little bit of
692
00:55:26,460 --> 00:55:29,599
uh leveling with the API
693
00:55:29,599 --> 00:55:32,160
a compressor that's in the channel
694
00:55:32,160 --> 00:55:34,380
because that's all that's the only thing
695
00:55:34,380 --> 00:55:38,400
that's on I don't need the rest because
696
00:55:38,400 --> 00:55:41,640
it sounds okay it sounds good and a
697
00:55:41,640 --> 00:55:44,940
little bit of presence I do with my
698
00:55:44,940 --> 00:55:47,160
favorite EQ
699
00:55:47,160 --> 00:55:48,859
and
700
00:55:48,859 --> 00:55:51,720
make these things all work they all
701
00:55:51,720 --> 00:55:54,059
balance also so you help putting it in
702
00:55:54,059 --> 00:55:55,740
the right place so I can balance it in
703
00:55:55,740 --> 00:55:58,140
the right place and again it comes down
704
00:55:58,140 --> 00:55:58,920
to
705
00:55:58,920 --> 00:56:01,440
you can try stuff out but
706
00:56:01,440 --> 00:56:03,839
it's knowing what not to do it's every
707
00:56:03,839 --> 00:56:06,180
time although it individually might
708
00:56:06,180 --> 00:56:08,700
sound nice to do it it might doesn't
709
00:56:08,700 --> 00:56:11,640
sound nice in the whole context so
710
00:56:11,640 --> 00:56:13,400
therefore
711
00:56:13,400 --> 00:56:16,740
I saved one of the nicest things in this
712
00:56:16,740 --> 00:56:19,920
makes to last which is the horn section
713
00:56:19,920 --> 00:56:22,079
now these are the original blue spotters
714
00:56:22,079 --> 00:56:24,559
on Section with Tom Malone
715
00:56:24,559 --> 00:56:29,099
and uh they're excellent uh recorded I
716
00:56:29,099 --> 00:56:30,780
didn't do that but it was done at the
717
00:56:30,780 --> 00:56:34,079
clubhouse in Rhinebeck
718
00:56:34,079 --> 00:56:37,260
here in New York state and we'll see
719
00:56:37,260 --> 00:56:40,500
what that does I I have them pants
720
00:56:40,500 --> 00:56:43,680
because it's a it's a big group they
721
00:56:43,680 --> 00:56:47,220
played three parts if I quickly see that
722
00:56:47,220 --> 00:56:49,500
but haven't uh done anything to them
723
00:56:49,500 --> 00:56:51,780
because I wanted to see if at all they
724
00:56:51,780 --> 00:56:52,410
need something
725
00:56:52,410 --> 00:56:56,870
[Music]
726
00:56:56,880 --> 00:57:03,840
foreign
727
00:57:03,850 --> 00:57:33,549
[Music]
728
00:57:33,559 --> 00:57:38,680
thank you
729
00:57:38,690 --> 00:58:07,339
[Music]
730
00:58:07,339 --> 00:58:10,440
what you see me do here is I
731
00:58:10,440 --> 00:58:12,920
Pan the rooms and prepared them already
732
00:58:12,920 --> 00:58:16,920
to uh work in
733
00:58:16,920 --> 00:58:17,990
in surround
734
00:58:17,990 --> 00:58:30,430
[Music]
735
00:58:30,440 --> 00:58:33,059
we will get to that later
736
00:58:33,059 --> 00:58:37,920
foreign
737
00:58:37,930 --> 00:59:17,480
[Music]
738
00:59:17,480 --> 00:59:22,660
thank you
739
00:59:22,670 --> 00:59:42,000
[Music]
740
00:59:42,000 --> 00:59:44,160
I do that because the way I work with
741
00:59:44,160 --> 00:59:47,160
the console I can mix in immersive and
742
00:59:47,160 --> 00:59:48,839
stereo at the same time and I both do
743
00:59:48,839 --> 00:59:51,059
discrete mixes through the console so
744
00:59:51,059 --> 00:59:53,099
I'm pre-painting them here although I'll
745
00:59:53,099 --> 00:59:55,200
only listen to them in Stereo they will
746
00:59:55,200 --> 00:59:56,370
come out in the right balance
747
00:59:56,370 --> 01:00:19,190
[Music]
748
01:00:19,200 --> 01:00:23,030
foreign
749
01:00:23,040 --> 01:00:40,980
[Music]
750
01:00:40,980 --> 01:00:45,119
I made it into a folder in photos
751
01:00:45,119 --> 01:00:47,760
so if I wanted to
752
01:00:47,760 --> 01:00:48,720
um
753
01:00:48,720 --> 01:00:50,579
do something to the whole group I could
754
01:00:50,579 --> 01:00:53,880
do it there which usually sounds more
755
01:00:53,880 --> 01:00:58,079
natural and better than trying to do it
756
01:00:58,079 --> 01:01:00,000
on all the individuals and it saves
757
01:01:00,000 --> 01:01:09,580
plugins but here we go
758
01:01:09,590 --> 01:01:23,230
[Music]
759
01:01:23,240 --> 01:01:27,890
falling into you
760
01:01:27,900 --> 01:01:52,730
[Music]
761
01:01:52,740 --> 01:01:55,680
how do you do this to me baby got me
762
01:01:55,680 --> 01:01:58,859
tripping going crazy I feel like an
763
01:01:58,859 --> 01:02:03,000
attic come on
764
01:02:03,010 --> 01:02:20,930
[Music]
765
01:02:20,940 --> 01:02:23,120
I'm free
766
01:02:23,120 --> 01:02:37,190
[Music]
767
01:02:37,200 --> 01:02:40,200
how do you do this to me baby got me
768
01:02:40,200 --> 01:02:43,260
tripping going crazy I feel like an
769
01:02:43,260 --> 01:02:46,079
attic call me fanatic over you if all
770
01:02:46,079 --> 01:02:49,940
your magic show my dear I feel really
771
01:02:49,940 --> 01:02:54,770
you make me lose
772
01:02:54,780 --> 01:03:11,599
[Music]
773
01:03:11,599 --> 01:03:16,329
with you
774
01:03:16,339 --> 01:03:20,230
falling into you
775
01:03:20,230 --> 01:03:24,470
[Music]
776
01:03:24,480 --> 01:03:29,690
I'm Free Falling Into You
777
01:03:29,700 --> 01:03:32,760
and you can hear just by investigations
778
01:03:32,760 --> 01:03:35,819
in the impressor on the group although
779
01:03:35,819 --> 01:03:40,920
it's multimodal it still works and um it
780
01:03:40,920 --> 01:03:42,720
gives a little bit of presence to the
781
01:03:42,720 --> 01:03:45,059
brass and I can put them nice in a
782
01:03:45,059 --> 01:03:47,099
little corner I'm just gonna
783
01:03:47,099 --> 01:03:51,570
put a little bit of room on it
784
01:03:51,570 --> 01:04:04,440
[Music]
785
01:04:04,440 --> 01:04:11,000
I can't help myself
786
01:04:11,010 --> 01:04:19,130
[Music]
787
01:04:19,140 --> 01:04:23,000
falling into you
788
01:04:23,000 --> 01:04:33,190
[Music]
789
01:04:33,200 --> 01:04:38,040
be my queen you always win I guarantee I
790
01:04:38,040 --> 01:04:40,380
gotta admit it I am outwitted by your
791
01:04:40,380 --> 01:04:42,599
love he thinks that after all this time
792
01:04:42,599 --> 01:04:45,839
I take for granted that's on mine but
793
01:04:45,839 --> 01:04:47,520
every moment together it only gets
794
01:04:47,520 --> 01:04:51,059
better like good wine I think you know
795
01:04:51,059 --> 01:04:55,079
your power over me you make me lose my
796
01:04:55,079 --> 01:05:01,570
gravity and I can't help myself
797
01:05:01,580 --> 01:05:08,180
[Music]
798
01:05:08,180 --> 01:05:10,619
I actually just noticed when you were
799
01:05:10,619 --> 01:05:13,200
listening instead of making the vocal
800
01:05:13,200 --> 01:05:16,260
louder I gave it a little bit more at
801
01:05:16,260 --> 01:05:19,260
the 17K with the with the EQ just to
802
01:05:19,260 --> 01:05:22,440
open it up a little bit more and then it
803
01:05:22,440 --> 01:05:25,310
immediately will it sits right
804
01:05:25,310 --> 01:05:26,660
[Music]
805
01:05:26,660 --> 01:05:30,140
you make me lose my gravity
806
01:05:30,140 --> 01:05:33,020
I can't help myself
807
01:05:33,020 --> 01:05:37,200
unfolding I can't help myself from
808
01:05:37,200 --> 01:05:40,940
falling I can't help myself
809
01:05:40,940 --> 01:05:59,160
[Music]
810
01:05:59,160 --> 01:06:00,090
foreign
811
01:06:00,090 --> 01:07:07,130
[Music]
812
01:07:07,140 --> 01:07:08,400
but
813
01:07:08,400 --> 01:07:11,400
this is the result of you know doing a
814
01:07:11,400 --> 01:07:15,780
quick uh mix in an hour and listening to
815
01:07:15,780 --> 01:07:18,000
your instruments deciding if you want
816
01:07:18,000 --> 01:07:21,359
compression or if you want the queue or
817
01:07:21,359 --> 01:07:23,880
if you don't want anything because the
818
01:07:23,880 --> 01:07:26,339
character you you hear so nice that you
819
01:07:26,339 --> 01:07:29,039
have to make it fit into the mix and
820
01:07:29,039 --> 01:07:32,520
when you use eqs or compressors or
821
01:07:32,520 --> 01:07:36,180
effects they are there to change the
822
01:07:36,180 --> 01:07:38,700
balance of of the instrument so it will
823
01:07:38,700 --> 01:07:42,059
fit around the vocal and the Rhythm as
824
01:07:42,059 --> 01:07:45,599
you've seen most of the time I have the
825
01:07:45,599 --> 01:07:48,180
focal on and very early already
826
01:07:48,180 --> 01:07:52,859
but that was done now in stereo and
827
01:07:52,859 --> 01:07:54,539
because the way I work here at Valhalla
828
01:07:54,539 --> 01:07:57,359
Studios I have this large console behind
829
01:07:57,359 --> 01:08:00,480
me and it's 64 channels but it can be
830
01:08:00,480 --> 01:08:01,319
less
831
01:08:01,319 --> 01:08:03,599
the important thing is it allows you to
832
01:08:03,599 --> 01:08:05,640
do stereo and immersive mixing at the
833
01:08:05,640 --> 01:08:07,740
same time immersive mixing is one of my
834
01:08:07,740 --> 01:08:09,720
bigger things
835
01:08:09,720 --> 01:08:10,980
and
836
01:08:10,980 --> 01:08:11,579
um
837
01:08:11,579 --> 01:08:13,980
it helped me to do that more efficiently
838
01:08:13,980 --> 01:08:17,460
I work with multiple systems I have Pro
839
01:08:17,460 --> 01:08:19,679
Tools as a mix system which you've been
840
01:08:19,679 --> 01:08:21,179
looking at all the time
841
01:08:21,179 --> 01:08:24,540
and that goes either directly or via the
842
01:08:24,540 --> 01:08:27,420
console into my recording system where I
843
01:08:27,420 --> 01:08:28,380
record
844
01:08:28,380 --> 01:08:32,339
stereo mix but I also record
845
01:08:32,339 --> 01:08:34,799
the channels that go through the atmos
846
01:08:34,799 --> 01:08:37,560
renderer and the channels that go to the
847
01:08:37,560 --> 01:08:40,739
Sony render where I can make an utmost
848
01:08:40,739 --> 01:08:44,160
mix with objects and bits and the same
849
01:08:44,160 --> 01:08:48,420
goes for Sony I can make a mix in 360
850
01:08:48,420 --> 01:08:50,160
for headphones
851
01:08:50,160 --> 01:08:52,859
and listen to that on headphones while I
852
01:08:52,859 --> 01:08:55,580
mix in Stereo and while I mix in
853
01:08:55,580 --> 01:08:58,199
immersive and I can also do that for
854
01:08:58,199 --> 01:09:00,000
Adobe Atmos
855
01:09:00,000 --> 01:09:03,719
because I have to be able to deliver all
856
01:09:03,719 --> 01:09:05,339
these formats to my clients that
857
01:09:05,339 --> 01:09:09,239
nowadays require uh Atmos and Sony 360
858
01:09:09,239 --> 01:09:12,179
mixes with their original stereo mix
859
01:09:12,179 --> 01:09:14,699
let me switch to my other system so you
860
01:09:14,699 --> 01:09:15,839
can see it
861
01:09:15,839 --> 01:09:18,900
this is my recording system you see I
862
01:09:18,900 --> 01:09:20,339
have portals here
863
01:09:20,339 --> 01:09:23,100
I have Dolby Atmos here in an i16
864
01:09:23,100 --> 01:09:26,400
configuration at the moment and I have
865
01:09:26,400 --> 01:09:30,080
Sony 360 here also in an iPhone 6
866
01:09:30,080 --> 01:09:33,179
configuration that's where I start when
867
01:09:33,179 --> 01:09:35,400
I do immersive
868
01:09:35,400 --> 01:09:37,500
um and then
869
01:09:37,500 --> 01:09:40,319
because uh
870
01:09:40,319 --> 01:09:41,819
you need
871
01:09:41,819 --> 01:09:43,980
as this thing says
872
01:09:43,980 --> 01:09:46,500
multi-channel bus processing until
873
01:09:46,500 --> 01:09:49,199
recently it hasn't been available
874
01:09:49,199 --> 01:09:52,859
um and I have been working with PSP for
875
01:09:52,859 --> 01:09:55,080
the last three to four years
876
01:09:55,080 --> 01:09:58,560
on a multi-channel bus processor that
877
01:09:58,560 --> 01:10:00,179
will help you
878
01:10:00,179 --> 01:10:02,940
do your mixes in a similar way that
879
01:10:02,940 --> 01:10:04,679
you're used to In Stereo
880
01:10:04,679 --> 01:10:08,940
uh so here I have my stereo inputs and
881
01:10:08,940 --> 01:10:13,800
my Adobe inputs and they all go through
882
01:10:13,800 --> 01:10:17,130
PSP avocado multi-channel bus processor
883
01:10:17,130 --> 01:10:31,620
[Music]
884
01:10:31,620 --> 01:10:32,600
good
885
01:10:32,600 --> 01:10:33,179
[Music]
886
01:10:33,179 --> 01:10:55,870
night
887
01:10:55,880 --> 01:10:58,679
that is what you've been hearing and
888
01:10:58,679 --> 01:11:03,229
that was also what I do in immersion
889
01:11:03,239 --> 01:11:05,880
because I can do this all
890
01:11:05,880 --> 01:11:08,520
in a setup that allows me to do all
891
01:11:08,520 --> 01:11:11,520
these three multiple formats I can
892
01:11:11,520 --> 01:11:13,739
go and use a headphone and listen to
893
01:11:13,739 --> 01:11:17,760
that uh Adobe utmost and in Saudi 360.
894
01:11:17,760 --> 01:11:19,340
it makes
895
01:11:19,340 --> 01:11:22,500
the complicated mixing in different
896
01:11:22,500 --> 01:11:24,900
formats a lot easier
897
01:11:24,900 --> 01:11:28,980
uh it's still complicated to set up but
898
01:11:28,980 --> 01:11:31,920
in the end it's a lot of fun
899
01:11:31,920 --> 01:11:33,900
um I will
900
01:11:33,900 --> 01:11:38,040
make you uh as a treat also a binaural
901
01:11:38,040 --> 01:11:39,600
version of the mix that you've just
902
01:11:39,600 --> 01:11:42,120
heard in stereo
903
01:11:42,120 --> 01:11:45,960
and uh then uh we can listen back to
904
01:11:45,960 --> 01:11:48,300
back to the stereo version and the
905
01:11:48,300 --> 01:11:49,800
binaural version
906
01:11:49,800 --> 01:11:53,280
and uh the with that I hope you guys
907
01:11:53,280 --> 01:11:56,699
enjoyed it and I'll see you at the Q a
908
01:11:56,699 --> 01:11:59,640
session thank you again to uh PHP and
909
01:11:59,640 --> 01:12:03,659
Sonic scoop and mixcon for having me and
910
01:12:03,659 --> 01:12:06,900
allowing me to show you guys the way I
911
01:12:06,900 --> 01:12:10,020
approach a mix in multiple formats
912
01:12:10,020 --> 01:12:12,900
starting from stereo
913
01:12:12,900 --> 01:12:14,820
all right I hope you enjoyed that mixcon
914
01:12:14,820 --> 01:12:16,800
masterclass as much as I did thanks
915
01:12:16,800 --> 01:12:18,540
again to Ronald prent for doing this one
916
01:12:18,540 --> 01:12:19,920
with us thanks again to the artist
917
01:12:19,920 --> 01:12:21,840
Jeremy Oliver for allowing us to dive
918
01:12:21,840 --> 01:12:23,460
under the hood of this track and special
919
01:12:23,460 --> 01:12:26,100
thanks to PSP for helping make this one
920
01:12:26,100 --> 01:12:28,739
free to the public we didn't get to see
921
01:12:28,739 --> 01:12:31,860
the full GUI for the new avocado plug-in
922
01:12:31,860 --> 01:12:34,500
that Ronald has been developing with PS
923
01:12:34,500 --> 01:12:35,880
people we got to hear the sound of it
924
01:12:35,880 --> 01:12:37,980
and it sounds pretty cool this is super
925
01:12:37,980 --> 01:12:40,080
Punchy analog style compression
926
01:12:40,080 --> 01:12:42,900
developed specifically for multi-channel
927
01:12:42,900 --> 01:12:46,080
surround sound applications when you see
928
01:12:46,080 --> 01:12:48,120
the final features and layout of this
929
01:12:48,120 --> 01:12:49,140
thing I think you're going to understand
930
01:12:49,140 --> 01:12:51,780
immediately why it was developed and why
931
01:12:51,780 --> 01:12:53,699
this is probably going to be a must-have
932
01:12:53,699 --> 01:12:56,040
for a lot of surround sound mixers
933
01:12:56,040 --> 01:12:57,960
so much great wisdom and so many great
934
01:12:57,960 --> 01:12:59,940
insights from Ronald today let us know
935
01:12:59,940 --> 01:13:01,920
in the comments down below what were
936
01:13:01,920 --> 01:13:04,620
your favorites or better yet join us for
937
01:13:04,620 --> 01:13:06,659
the live q a that's coming up right
938
01:13:06,659 --> 01:13:09,120
after this quick note we are having a
939
01:13:09,120 --> 01:13:11,100
mixcon mega giveaway going right now
940
01:13:11,100 --> 01:13:12,840
where we are giving away more than ten
941
01:13:12,840 --> 01:13:15,000
thousand dollars worth of free Gear with
942
01:13:15,000 --> 01:13:17,100
multiple chances to win so look for the
943
01:13:17,100 --> 01:13:19,020
link to that in the description and in
944
01:13:19,020 --> 01:13:21,179
the comments down below and good luck to
945
01:13:21,179 --> 01:13:24,360
you or better yet join us now for the
946
01:13:24,360 --> 01:13:26,640
live q a check out the link for that
947
01:13:26,640 --> 01:13:28,679
also in the description and comments I
948
01:13:28,679 --> 01:13:30,659
hope to see you there thanks again for
949
01:13:30,659 --> 01:13:32,280
joining us this has been Justin Coletti
950
01:13:32,280 --> 01:13:34,140
of Sonic scoop I hope to see you in the
951
01:13:34,140 --> 01:13:36,239
live q a coming up
952
01:13:36,239 --> 01:13:39,260
right now59842
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
