All language subtitles for Mrs.Harris.Goes.to.Paris.2022.1080p.BluRay.x265-RARBG

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(Bicycle bell dinging)

Oh! Watch it!

What's it to be, Eddie?

Good news or bad?

(Chuckles)

(Exclaims)

Morning, Chandler.
Good morning, Mrs. Harris.

How are you?
It's my lucky day today.

Same as every day. (Both laugh)

Thank you. All right.

Why has no one took that seat?

Maybe I saving it for you.

(Chuckles) Shove over, then.

(Sighs)

You won't believe this, vi.

The strangest thing's
justhappened.

I reckon it's a sign.

Ada Harris,

why that man of yours can't
use the post like everybody else?

Not much of a writer, my Eddie.

(Chuckles softly)

(Exclaims) 80 cold.

Anyone coming? No.

(Indistinct chatter)

(Laughing)
Good morning, Mr. Newcombe.

Up bright and early.

Duty calls, Mrs. Harris.

Uh, my niece, portia.

Oh. Delighted, I'm sure.

Morning. Morning.

Yoo-hoo, miss penrose.

(Exhales)

Hmm.

Bombs away.

Aren't you awfully early?

Itsgone half past 1:00, dear.

Christ! My bloody audition.

(Groans)

I haven't a thing to wear.

Oh. You look lovely
in anything, dear.

There.

What about this?

What have you done
with my... script.

Oh, hang on! Hang on. Hang on.

Oh, for god's sake.

There. Good luck, sweetheart.

Thanks, darling.
You're an angel.

Hmm. What would
I do without you?

(Chuckles softly)

Let's enjoy ourselves!

(Rock 'n roll music playing)

Well, if it isn't
the marvelous Mrs. h

and her trusty sidekick.

What can I get you, ladies?
It's been a lucky week.

Two port and lemon.

Every week is lucky
ifyou're a bookmaker.

Archie: You're not wrong there,
love. Two port and lemon, please.

Of course, now I've got your
company, I'm in clover.

You think you get our company
for one drink, Mr. Archie?

Now, these two are a
properjudge of character.

They like you, Ada Harris.

Why they stick with you
if they're so smart?

Why do you stick with her
being so crabby?

Met her me first shift
building planes.

Never had a better friend.

Trouble with this one,
she always speak the truth.

Can't help herself.

That is a terrible affliction.

All right, behave
yourself, ladies.

I'll be watching you.

(Big band music playing)

War has been over a long time.

Your Eddie is never coming back.

Go on.

Yeah.

(Reading) "Dear Mrs. Harris,

"please find enclosed the personal
effects of sergeant Edward Harris,

"recovered from a crash site
near Warsaw, Poland.

"As a result of this discovery,

"sergeant Harris
is now posted...

"Killed in action,

"2nd march, 1944.

"Please await
further communication

"from raf
central administration."

Oh, Ada.

I'm so sorry.

(Stammering)
I should've known...

He would've got back to me
if he could have,

one way or another.

Well...

That's that, then.

Footloose and fancy-free.

All right, love.

I hope it was quick.

(Kisses) Miss you.

(Sniffles)

(Sniffs)

Lady dant: No, the
evening do. Absolutely.

But not the wedding breakfast.

Uh... you know,
(Stammering) Mrs...

Mrs. Harris, excuse me.
Could you just take that...

No, that is extortion.

You must go back and explain to
them that we can't possibly afford that.

Well, of course
it must be champagne!

(Stammering) Remind them
that Charles is their mp.

That must be worth something.

Yes. (Chuckles)

Toodle-pip.

This wedding is going to be
the death of me.

Do you have
children, Mrs. Harris?

A nightmare of expense
from start to finish.

Oh, yes.

Poor old admiral dant had to
make the ultimate sacrifice.

Setting sail for christie's
and balmier shores.

Dreadful man, by all accounts.

Talking of accounts, lady dant, I
was wondering if you might be able to...

We've been tightening
our belts for so long now,

it's a miracle we can all
still breathe. (Laughs)

(Ethereal music playing)

Lady dant: Isn't it divine? Oh.

I swore I would never set
foot in the Avenue montaigne,

but what with the wedding
and "when in Paris" and...

The moment I laid eyes
on ravissant...

I was ravished.

To the tune of£500.

500 quid for a dress?

Shh, shh. Shh. Lord dant.

I don't mind admitting
things have been

a bit bloody of late, but...

When I put it on...

Nothing else matters.

Lord dant: Lotte?

Lady dant: Now,
quickly, hide it away.

His lordship must not see it
until I've had time to work on him.

(Ethereal music playing)

Ra vissant.

By Christian dior.

Night, love.

Man: South London post!

Saturday results!

All your football results.

Oh! South London post!

Sorry. Saturday results!

All your football results.
South London post!

Saturday results!

Man on radio:
Manchester united, two.

Blackpool, two.

Newcastle, five.

Liverpool, three.

Preston north end, two.

Portsmouth, two.

And now we return to the
rest of the sports report.

(Sighs)

(Sighing) Oh.

No! No!

Oh, it's my Eddie.

My angel.

You gone simple on me, woman?

I won, vi. (Laughs)

I've won!

(Bothlaugh)

(Thudding on ceiling)
(Neighbor yells)

You want to make nice to her.

She's only gone
and won the pools.

Ada,

what you going to do?

I'm going to buy a dress.

Something pretty
for the legion dance.

Yeah.

A Christian dior dress
from Paris.

500 quid.

(Bothlaugh)

How much you win?

(Coins jingling)

Conductor:
Any more tickets, please?

Where to, ma'am?

Single, miss Violet? Mmm-hmm.

No cleaning up
after no man for me.

(Chuckles)

Ah. Morning, Mr. Newcombe.

Mrs. Harris, I...

I don't believe you've met
my niece, Samantha.

Oh, no, I haven't had
the pleasure.

Um, Mr. Newcombe.

If you know of anyone
who could use me services...

Um, one of your nieces, perhaps?

Samantha, Mrs. H
is the soul of discretion.

One would never know she'd been

but for the Polish on my knobs.

Oh, giles.

(N ewcombe laughs)

(Blows)

(French song playing)

Thank you.

(French song continues)

Oh. (Chuckles)

(Song ends)

Sorry about the audition, love.

Oh, I don't know why I bother.

"Too young." "Too old."

"Too tall." "Too fat."

You're just right, ducks.

I'm twenty... three.

Couple more years,
and it's all over for me.

Oh, you've plenty of time.

You can't imagine
what it's like, Mrs. Harris,

always having to
worry about your looks.

Vi: Hey, cinderella,
why'd you bring them rags?

I will go to the ball...

When I get me dress.

Oh. Here comes trouble
with a capital "."A

hello, Archie. Ada,
the very girl I was after.

What can I do for you, ducks?

Now, don't get me excited.
You know I've got a dodgy ticker.

(Laughs) Get away with you.

She got bigger plans than you.

I can see that.

So, would you mind
doing me a favor

and look after
spring and summer?

Because Cynthia there is not
exactly a dog's best friend.

Go on.

Thank you.

You are an absolute star.

And you're all right. (Snorts)

Archie: C?

All right, here we go.

Shake that tail, baby.

That's what we are, vi.

The invisible women.

Vi: Speak for yourself.

(Inhales)

They see me coming.

Ooh. (Laughs)

(Laughs)

Oh. Beg your pardon, milady.

Milady, um, my account...

I was wondering
if you might settle up.

Oh, I'm so sorry, Mrs. Harris.

I'm afraid I forgot to
pop to the bank.

This wedding is a nightmare.

Everybody has said yes.

Oh, um...

You wouldn't mind waiting
until next week, would you?

Well, the thing is, it's become a
bit pressing because I need to...

Oh, is that the time?

Actually, Mrs. Harris,

I'm afraid I'm going to
have to reduce your hours.

Reduce? No, please.
Milady, please...

Well, we all have to economize
these days, don't we? Sorry.

(Footsteps approaching)

(Knocking at door)

Vi: I know you're there,
woman, in the dark and cold.

(Chuckles)

I'm all right, vi.

Archie has got us free
into white city.

Oh, no, pvegot
ahthsrnendmg. Ah, ah, ah, ah_.

No. No, no, vi.

Have us a bit of fun.

(Race bell ringing)
(Crowd cheering)

(Announcer speaking
indistinctly)

Mrs. Harris: Oh.
Good lord. Look.

It's a sign.

You got a good tip?

Mrs. Harris: Yeah!

Yeah, I have! (Giggling)

Oh. (Stammering) Excuse me.

Excuse me. Archie: Hey.
Ada, you fancy a flutter?

Yeah. What'll it be?

100 quid on number six.

To win.

A ton?

For the love of Mike, Ada.
No, put it away.

No. Number six.

Haute couture, please.

The dog is a bag of bones. It
couldn't win with a rocket up its arse.

You tell her, Archie.

She's lost her marbles.

No, it's haute couture.

It's a sign. How could
it be anything else?

Ada, girl, I've been doing
this a long time, all right?

Signs don't win races.

Not till tonight, they didn't.
(Chuckles softly)

My money is good.

Count it, please.

Yeah. (Laughs)

Here.

Here we go. That's good.

We got a good spot. Right.

(Laughs) Oh!

Wish me luck.

Oh, Ada. Come on, haute couture.

(Exclaims)

Look, she's in the lead!

Come on!

Its htfront. Comeon!

(Crowd exc laims)

(Somber music playing)

Announcer: It's clever count,

blue streak, and stormy bay.

And would you look at that.

Haute couture has just woken up
and remembered what she's here for.

Well...

Hats off to you, girl.

You went for it.

I'll go find
a St. John's ambulance.

They might have a tot of Brandy.

For me.

You were right, vi,
all that money...

My Eddie would be ashamed of me.

I'll be right back, huh?

Nothing wrong
with dreaming, Ada.

Eh?

When I came to London,

the streets were paved
with my dreams.

That's what you are.

You're a dreamer.

Plain as the nose on your face.

(Knock at door)

(Knocking continues)

Give over, vi. I'm all right.

Man: Mrs. Harris?

Mrs. Edward Harris?

It's about your husband.

Mrs. Harris: Sit down, please.

Sergeant Harris wasn't declared
missing in action until April the 19th.

Yeah, that's when
I got the telegram.

It's the day after his birthday.

Ah, yes.

Well, um,

as we now know,

flight Polo Lima 326 crashed
on march the 2nd, 1944,

meaning that sergeant
Harris was paid

for almost seven weeks
after his death.

At, um, six shillings a day.

Is that what you come
to tell me?

After all this time?

That my Eddie owes you back pay?

When he never owed
a penny in his life,

when he give up his life
for king and country.

You got a nerve.

Coming into my home,
drinking my tea,

blackening his name.

How much do you want? Um...

How much? And then
you can leave.

I think you've got
the wrong end of the stick.

Oh, have I? Well, I'll tell you where
you can shove your stick in a minute,

if you don't watch out.
Golly, no. Um, I...

I'm here to
give you money, Mrs. Harris,

not to take it from you.
I've had enough of...

What'd you say?

Yes. Righto.

Uh, you should have been
receiving a war widow's pension

since 1944.

It comes to quite a tidy sum...
Uh, with that small deduction.

So long as you
haven't remarried.

Give over.

He might have come back any
minute, I'd have looked a right Charlie.

(Chuckles) Oh.

Well...

(Coins clatter)

Isuppose you'd better sit down.

Have that cup of tea after all.

Um, no milk.

Vi: She's never done a
thing wrong her whole life, sir.

She went a bit crazy
on account of some dress,

but she's fine now.

Police officer:
Nothing to worry about.

Oh, hello. Mrs. Harris?

You come to tell me
I got the crown jewels?

She's still not right
in the head.

Almost. That diamond clip
you handed in,

the owner wants to give you a
reward for being an honest citizen.

Oh, she is, sir,

honest to a fault.

Come in and have a cup of tea.

Don't mind if I do. Thank you.

Come on, vi, we can
have a knees-up.

Archie: Ada, wait. Wait for me.

And, uh, you mightwant
to break out the bubbly.

You having another
lucky day, Archie?

As a matter of fact, I am,
and so are you.

News travels fast.

So, that bet you put
on that two-legged dog...

Oh, yeah,
don't worry about that.

I've come to me senses.

No, the boss was there,
so I had to take the money,

but I managed
to hold back a tenner.

You shouldn't have
done that, Archie.

You could have got into trouble.

All tickety-boo, Mrs. Harris?

Oh, sorry, I didn't realize
you had company.

Hello. What's going on here?

For the love of Mike.

I'll see you later. Mrs.
Harris: No. Archie. Archie.

Can you just give me
a moment? It's personal.

(Whistles) That the
kettle calling? Righto.

What's going on? Something up?

It's a long story.
What were you saying?

So, I took your money and I put
it on a sure thing in the last race.

And, um...

Your stake back
and a wee bit more.

(Stammering) Oh, no,
Archie, I couldn't.

It's your money. Take it.

I can't keep it, woman.

PC plod in there would
have my license. Come on.

(Laughs)

Just promise me a dance
at the legion.

Thanks, Archie.

Much obliged.

Blimey.

Are we flying?

(Bell dings)

Flight attendant: We 're
terribly sorry, ladies and gentlemen,

there seems to be a fault
with one engine.

There will be a slight delay
while we try and fix the problem.

Delay?

How long?

I've got to be there
and back in a day.

(Snoring)

(Gasps)

Oh, god.

(Gasps)

Paris.

(Horn honks)

Hello, Paris, here I come.

It's a fair old walk.

(Man coughs)
(Indistinct announcements)

Oh. (Sniffs)

Bonjour.

(Speaking French)

Beg your pardon?

(Laughs)

(All laughing)

(Exclaims)

Thank you. Yeah.

I'm here to buy a dress.

From dior. Dior?

(Both speak French)

(In English) Me also.

(All laughing)

Is it far? Dior?

(In English) Oh...
(Exhales) Twenty minutes.

But after you take wine,
two hours.

I walk you there.

(Burps) Tomorrow morning, eh?

(Speaking French)

Oh, no. No, thanks.
I couldn't, no.

All right, go on, then.

(All laughing)

Oh, blimey.

(All laughing)

Mrs. Harris: Why is all
this rubbish on the streets?

The big boss cheats...
(Speaking French)

(In English) The worker, yes?
Yeah, yeah.

(Speaking French)

(In English)
The worker say, "no more."

(Speaking French)

The binmen are on strike?

(In English) Oh, yes.

Now all Paris smells. (Sniffs)

Like me. (Both laugh)

(Speaking French)

Oh, god.

(In English) You are
a noble woman.

And remember, in France,
the worker is king.

(Speaking French)

(Speaking French)

(All exclaiming)

You all right, love?
(Speaking French)

Did you hurt yourself?
No. Sorry.

Thank you. Yes. Are you sure?

Miss?

Miss!

(Both speaking French)

Mrs. Harris: No, miss?

Yoo-hoo! Miss!

Miss?

Here you go.

Once again, you save me, madame.

I'm sorry. I'm very late.

Thank you. Oh, it's all right.

As long as you're in one piece.

(Speaking French)

(Exclaims)

Excuse me, dear.

Where would I find the frocks?

I fear you have the wrong
address, madame.

I will call someone
to show you the way.

No. No, no. Sorry. I'm after
a frock. (Bell ringing)

One of them £500 ones.

Please, if you could
wait over here,

somebody will
attend you directly.

(Speaking French)

Now, hang on. Excuse me.

Madame, I was here first,
before any of this lot.

Ain't you heard of queuing?

Excuse me. Look, I'm sorry.

(In English) Please.
I'm not one to make a fuss,

but where I come from, shopgirls
are pleased to be of service.

Shopgirls?

(Speaking French)

(In English) This lady
wishes to buy a dress.

Direct her to a suitable shop.

(Speaking French)

(In English) Go.

Please, let me escort you out.

No, no, no, no, no,
hang on a minute.

I've come miles.

Saved every penny scrubbing
floors and I don't know what

so I can buy this frock.

A Christian dior gown
is not for pennies.

(Speaking French)

Right.

If you think
I ain't got the money...

There.

(Woman exclaims)
(Speaking French)

Are you Mr. Dior?

(In English) Oh, no.
I'm Mr. Fauvel, accounts.

Let me help you with the...

(Speaking French)

Excuse me, che're madame,
but it would be my honor

to have you view
the collection as my guest.

There you are.

Merci.

Shall we?

Oh. (Chuckles softly)

(Chuckles)

(Speaking French)

(Speaking French)

(In English) It's here.

Thank you.

(Speaking French)

When you see the dress you want,
you can write the number down here.

(Sniffs)

Oh, I was just admiring
your buttonhole.

It's Louise odier.

Yes, it's lovely.
Proper scent. Ah.

Are you a connoisseur of roses?

My husband Eddie worked at
covent garden, the flower market.

He was always bringing home
odds and ends, you know.

Roses are me favorite.

(Clears throat)

You after a dress for your wife?

Lucky woman.

My wife is dead.

Oh, I do beg your pardon, sir.

My clumsy clogs.

My Eddie and all.

But, yes, my wife and I
would come here together.

I like to see beautiful clothes.

And beautiful women, of course.

(Speaking French)

Oh, here we go.

(Both chuckle)

(Speaking French)

(All applauding)

Oh, that's lovely.

(Gasps) Oh!

Oh. Will you look.

Oh, that's lovely.

(Gasps)

What number is that?
Seventy-three.

Vénus. Yes.
Seventy-three. Vénus.

What number is that?
Man: Eighty-nine.

Temptation.

Oh, yeah.

(Indistinct chatter)

Bravo!

Who is that bloke?

Well, that's the master
himself, monsieur dior.

Go on.

He looks like my milkman.
(Laughs)

Well, good luck, madame.

I hope you find
what you're looking for.

Oh, well.

Here.

You do not wish to keep it?

Yeah. It's...

It's lovely. Thank you.

Enchanté.

Don't mind me.

Yes, madame? Oh.

Have you made your selection?

Yes. Um... (Laughs)

Number 89, please. Temptation.

Of course.

Your name, please.
Harris. Mrs. Ada Harris.

(Speaking French)

My apologies, madame.

Excusez-moi. Oh, yeah.

(Speaking French)

(Madame avallon speaking)

Oh. Ta-ta.

(In English)
Madame Harris, I regret...

Well, there is a
difficulty with temptation.

It seems madame avallon
demands it.

How's that work, then?
You only got the one dress?

I'm sorry. Madame
insists on exclusivity.

Madame avallon is one
of our most devoted clients.

And her husband is known
as "the king of rubbish."

But, we would be so sorry if
you were to leave Maison dior

without a purchase.

And you also wrote number
73 on your card. Vénus.

Yeah, I never thought nothing
could be more beautiful.

Not till I saw temptation.

An excellent choice, madame.

Yeah. How much is it?

Vénus is 600,000 francs.

Fauvel: £430.

Wrap it up. I got a plane to
catch. I'm a day late as it is.

You cannot have this gown.

Don't tell me someone
wants that exclusive and all.

Mais, madame Harris, every dress is made
and fitted individually for the client.

Yes, this is haute couture.

We will, of course, reproduce
vénus exactly as you saw it,

but the thing is... make me one?

How long's that gonna take?

Well, at least two weeks.

Hmph.

At least. Several
fittings are necessary.

What, leave my people
for a fortnight?

They'd find someone else,
and then I'd be out on the streets.

Vite, vite, to the
airport, then.

I would not forgive myself
if you missed your flight.

What, without my dress?
Excusez-moi.

(In English) Perhaps
there is a friend you can call?

Someone who can assist you
with your cleaning.

Well, there's vi, but I've tried
her Patience enough as it is.

Anyway, she's not on the phone.

We might send her a telegram.

(Speaking French)

Mrs. Harris...

It might be possible
to encourage

the cutter and seamstress
to work a little faster.

And madame vi could fill
you in for one week, perhaps?

Well...

You're kind, but I can't.

Anyway, I got nowhere to stay.

I'll have to give it a miss.

My sister is away.

If you, uh_.

Would accept, uh...

You could stay at my place,
in my sister's room.

You're a proper angel,
aren't you?

It'll be my pleasure. Um...

We can have your
measurements taken at once.

(Both speaking French)

(In English) Come,
madame Harris. Come.

We must be quick.

(Speaking French)

(Exclaiming) Oh.

Bravo, madame. Bravo.

(All cheering)

Please, madame.

You don't get all this hoo-ha when
you buy a frock down woolworths.

Well, I can tell you such things do
not happen every day here, either.

Oh, the lady who must
have her dress...

(Continues in French)

(In English) Your coat, please.

Oh, here.

(Speaking French)
Yeah, me cardy.

Thank you very much.

(Carre speaking French)

(In English) Madame has
the proportions of a model.

Model railway, more like.

(All laughing)

One of the curvy bits.

Oh. Thank you.
Thank you very much.

(Sighs)

Madame?

May I give you a lift?

Oh. Well, if it's no bother.

I'm going to Mr. Fauvel's.

The 18th, yes. That's easy.

Oh, forgive the mess. Oh.

Is he a friend
of yours, Mr. Fauvel?

No. No, I know Mr. Fauvel only
as the hand that signs my check.

Oh. (Laughs)

(Reading in French)

It's, "being and not being."

(In English) I like to curl up
with a juicy mystery myself.

(Bothlaugh)

Look, it's the Eiffel Tower.

That's lovely.

(Indistinct conversation)

That's the opera.

May I help you
with your luggage?

Nothing in it yet.

That's something, innit?

I don't think his sister
knows where the mop is.

There must be a dustpan
and brush somewhere.

Oh, you don't have
to do that, love.

You must have
better things to do.

No, not really.

After the défilé, there's
always a certain feeling of...

Emptiness.

All right, ducks.

Oh. A-ha!

Now we're in business.
(Both laugh)

(Fauvel speaking French)

Mrs. Harris?
Mrs. Harris: Hello, love.

Fauvel: Mademoiselle.

Mrs. Harris:
She's a good worker.

I can always find you a job, my
girl, if the modeling don't work out.

(Chuckles)

(Speaking French)

No, no.

(Natasha speaking French)

(Groans)

(In English) Mrs. Harris
has cooked the dinner.

You look like you could do
with a good square meal,

the pair of you.

Well, mademoiselle Natasha
has other engagements.

I'm sure the face of dior is
always at a party or premiere.

There's a soirée later.

Come on. Grub's up.

Here we are.

Don't let it get cold.

Bon appétit. Bon appétit.

My Eddie's favorite.

Be even better
if we had a bit of gravy.

And... and what's
the dish named?

Toad-in-the-hole.

(Both speaking French)

(Chuckles)

What a lot of books, Mr. Fauvel?

Natasha has got a corker, a
murder-mystery. Don't you, ducks?

(In English)
We should speak English.

Oh, yeah. Of course.

I'm interested to learn that
mademoiselle Natasha is reading a book

by the French philosopher
Jean-Paul sartre. Oh.

The author asks us to
consider the case of the waiter.

Is the waiter the waiter,

or is it just an expression
of what the waiter is?

Similarly, am I the accountant,

or is that
an outward impression?

Um, is mademoiselle Natasha
only the most beautiful,

the most exquisitely divine
parisian model, or...

Or is there another person
behind the facade?

Yes.

Is Mrs. Harris the cleaner, or is
there more to define her existence?

Exactement.

I'm a cleaner from battersea.
No mystery there.

No, you're a cleaner who dreams of
the most beautiful gown in the world.

Oh. Dreams? I...

God knows what vi is gonna say
when she gets that blooming telegram.

(All laughing)

(Knock on door)

Fauvel: Mrs. Harris?

Please help yourself
to my sister's clothes.

Oh, thanks, love. I'm all right.

She would insist.

Good night.

Night, love.

Sweet dreams.

(Inhales sharply)

Stand straight, madame.

(Exclaims) Non, mais...

Keep still. Why do you move?

Sorry. Sorry.

(Speaking French)

(Gasps) Princess Margaret?
I like her.

You can see a little bit
of mischief in her eye.

(In English) Our distinguished
clients demand our utmost discretion.

(Speaking French)

(In English)
That's all for today.

Little bit of that one
goes a long way, don't it?

What's eating her?

Well, the more grand the
client, the more difficult.

Their wishes must be
accommodated always,

even if it means
starting afresh.

And they do not pay
until delivery.

If then.

There are so many
salaries to find.

The fabric, braid,
embroidery, buttons

all must be the very best.

The pressure is on everyone.

On Mr. Fauvel and the accounts,

on madame colbert
and the seamstresses,

even on monsieur dior himself,
always such pressure.

Well, no wonder Mr. Fauvel was
so pleased to see my little handbag.

Well, in truth, madame Harris,

all of us fear the house of
dior cannot keep going this way.

(Colbert speaking French)

You all right, love?

Wakey, wakey.

They're calling for you.

I'm sorry.

I'm just tired.

You could do
with a little holiday.

It's doing me
the power of good already.

Yes, that would be nice.

By myself at the seaside,
where nobody...

(Colbert speaking French)

I'm sorry. I must go. Thank you.

(Natasha speaking French)

(Speaking French)

Thank you.

How was your fitting, madame?

Oh. Well, if it isn't
my old pal, Mr. Rosebud.

I regret we were not
properly introduced.

Marquis hypolite de chassagne.

Ooh. Ada Harris,
widow of battersea.

Who's this fine fella?

This is nesquik. Oh.

So, I trust monsieur dior
fulfills your heart's desire?

Oh, they're being ever so kind.

Louise odier.
I'd forgotten the name.

Oh, I must show you something.

Please, I won't detain you long.

So, tell me, how are you
enjoying your time in Paris?

My wife adored
the marché aux fleurs.

We came here
almost until the end.

It's been seven years now.

We mend, but we don't forget.

When you display
your dior dress to the world,

it will be perfection.

Oh. (Chuckles)

My pal vi thinks I'm barmy.

"What do you want that dress
for? When are you gonna wear it?"

I do not question your desire
for a gown of such quality,

even if it is
for your eyes alone.

No, no, on the contrary,
I understand.

You see, a Rose like this one

or a beautiful gown
such as yours,

they recall the days
when we were

in the full flower of our youth.

Oi! Don't write me offjust yet.

(Bothlaugh)

Oh, a thousand apologies.
(Laughing) Oh, no.

Please, allow me to make amends.

Have you any arrangements
for tonight?

(Folk music playing)

Oh, thank you.

Some champagne?

Oh, yes, please. Just a drop.

Thank you.

Now, you must try the caviar.

Oh, right. Cheers.

Cheers.

Nice, huh? Mmm.

Oh, hello! (Both laugh)

I don't think that getup's
gonna fool anyone. Do you?

Lovely girls.

Soon, you'll see how lovely.

(Burlesque music playing)

Ooh! Steady on.

Blimey, they earn
their keep, them girls.

At least when I'm cleaning,

I don't have to smile
and strip as well.

Bonsoir, Mrs. Harris.

Natasha. Hello, love.

Hello.

Bonsoir, mademoiselle.

Would you like to join us?
Yes, please.

Who are you here with, then?
Investors.

I escaped, but only
for a moment.

They don't half keep you at
it, all day and all night as well?

For Maison dior,
this is my obligation.

Marquis: Well, dior is not
just about gowns.

It's also about
elegance and decadence

and the savoir-vivre
of Paris, and...

And you, mademoiselle Natasha,

you are the Jewel
of this dior crown.

(Chuckles)

Well, I would prefer to be
at home with a book.

Mrs. Harris: It's funny
you should say that.

I've left Mr. Fauvel at home
reading a book.

It was called...

"Nosy"? Something like that.

La nausée? Don't know.

Why does he tolerate
the fashion house

compared to his world
of sartre and the intellect?

I think he has his reasons.

Do you enjoy the show?

Yeah, the one...
The one at the end, she...

She's a dead ringer
for my aunt tilda.

From behind.

(Bothlaugh)

Well, this was lovely,
but I should go.

Thank you.

Oh, just a minute, love.

Your fringe.

There's a little gap.

That's it.

You have made a conquest.

Oh, get away with you.

You dare to follow
your dreams, Mrs. Harris.

Bravo.

Bye, love.

Bonsoir, bonsoir, Natasha.

Some more champagne?
Oh, justa drop.

I've got me fitting at 9:30.

(Bothlaugh)

(Crowd applauding and cheering)

(Latin music playing)

(|naudible)

(Siren blaring) (Clock ticking)

(Grunts)

Oh, god!

(Horn honking)

Oh, Gordon Bennett!

Oh, oh!

(Yells)

Careful!

(Mrs. Harris exclaims)

Oh!

(Both speaking French)

(Workers protesting in French)
Oh.

I can't believe this.

(Panting)

Sorry!

Sorry. Sorry.

I'm so sorry.

This is not possible,
not at all.

No, please, I'm...
I'm never late. I...

Really, I'm not.
I'm never late. Sorry.

You demand of us,
"vite, vite, vite,"

but you have no respect.

No, this cannot be done.

Not at all.

Now I depart.

This is finished.

No. Please, Mr. Carré.

Madame colbert, please.

Monsieur carré
refuses to proceed.

What can I do?

Mrs. Harris: No, of course, I...

No, I understand.

Yeah, of course I do. I do...

Dior, it's not just
a gown. It's...

It's all the elegance
and the savvy and all that.

I know that.

I will see what can be done
to return your deposit.

No, I don't... (Panting)

(Speaking French)

I don't want...
I don't want me deposit.

Right champagne Charlie,
aren't I?

Serves me right,
living the high life.

I do respect you, all of you.

Never mind, eh.

Thanks, love.

You've been ever so kind.

Madame Harris, would you care
to see the atelier before you leave?

Ooh. (Chuckles softly)

Bonjour, mesdames.
Woman: Bonjour.

So, this room is for cutting.

Woman: Bonjour. Morning.

Structured couture.

Unstructured couture.

Passementerie.

Plumassier.

Broderie.

(Marguerite continues
indistinctly)

(Uplifting music playing)

(Marguerite speaking French)

It's not sewing.

It's making moonlight.

(Chuckles)

Have I gone to heaven?

(Laughs)

(All laughing)

(Speaking French)

(Both speaking French)

(Workers protest at a distance)

(In English) I have stood at
monsieur dior's shoulder

day and night for ten years,

since le maftre,
his first collection.

The most fashionable
women in the world

come to the Avenue montaigne.

Royalty and courtesans,

thin, fat, young, old, ugly,

or with a certain
je ne sais quoi.

(Both chuckle)

But then there is you,
Mrs. Harris.

All my time as directress,

I have never encountered
anyone like you.

(Chuckles)

In my walk of life,
you meet all sorts.

As a good boss, I must
keep my workers happy,

and their wish is
to complete your dress.

Much obliged.

So you will do me the courtesy
of answering my questions, no?

Yeah.

(Speaking French)

Bottoms up.

(In English) Why do you
come here, Mrs. Harris?

Evidemment, the rich and titled
must be seen, admired, copied.

But this dior dress
that you desire so much,

where will you wear it?

At the Vienna opera ball
or queen Charlotte's?

Will you wear it
to Polish floors,

or will you keep it shut
in your little wardrobe?

A dior dress is designed
to astonish and delight.

How will you
do that, Mrs. Harris?

You... (Laughs)

Forgive me for saying this,
but you are nobody, invisible.

How will you give this dress
the life it deserves?

It's my dream.

And my money's as good
as anybody else's.

Bien stir. Hmm.

You may buy your dream,
but what will you do with it?

(Knock at door)

Oui, entrez. (Door opens)

(In English) Mrs. Harris,
these are for you.

Ooh.

From monsieur le Marquis.

Oh!

He wishes that you visit
for tea tomorrow.

Le Marquis de chassagne?

But he receives nobody.

But I am nobody, aren't I?

(Chuckles)

I never thought a place like
dior would have problems.

I saw that dress,

and I thought of dreams
and fairy tales.

Yes, we are like a fairy tale.

Lovely but not real.

Is there a place for that today?

Oh, we need our dreams.

Now more than ever.

If you can have this,
why do you need dior?

Haute couture is a vanity
for us and our clients.

In truth, I don't think
the house of dior can survive.

No, love,
that would be a tragedy.

You can't allow that to happen.

I... I have an idea,

but it requires
a new way of thinking.

What? Bossy boots in the way?

Madame colbert,
she guards the temple.

She let a cleaning lady
buy a dior gown.

Money talks.

Yes, and you know what it says,

so you have to do
something about it.

I know you can.
You're ever so clever.

You're the only one
who believes.

Tsk. (Chuckles)

(People cheering)
What's going on here?

It looks like a premiere.

Really? Oh!

Exciting. (Chuckles)

Oh, that's Jean fabre,
the movie star.

(All cheering)

And don't he know it?

(Cheering continues)

Oh, it's Natasha! Oh.

Natasha! What are you doing? No.

Mrs. Harris: Natasha!
Fauvel: No.

Hello.

Good evening, Mrs. Harris.

You look lovely. Thank you.

Bonsoir, monsieur fauvel.

Bonsoir, we didn't
know you were...

We were just passing.

So, what are you two
doing this evening?

Mrs. Harris: Oh, well...
Natasha.

I'm sorry. I must go.
It was great to see you.

Yeah. Ta-ta, love.

(Camera shutter clicks)

I think it's just for show.

I'm not sure that
he's the marrying kind.

Mrs. Harris...
(Stammering) I beg of you,

you need to stop this coupling
thing before I die of humiliation.

Oh! Please. Enough!

All right. I'm not deaf.

Of course I'm in love with
Natasha. I mean, who isn't?

I'm sorry, but life is not
all moonlight and movies.

Why can't it be?

I've spent too long on my
own, wishing my life away.

You don't want to do
the same thing.

Mrs. Harris, I think
your dreams of romance

fit Paris very well.

Forgive me, but perhaps it is
you who wishes to be in love.

You who must attend
to your own heart.

Come on, Eddie,
say something, love.

Try and make some
sense of this, 'cause I can't.

This is all your doing.

Coming up with the readies
to get your girl to Paris.

Paris.

To meet someone?

Shall we?

The girls at dior say
my dress is almost finished.

Yeah. Maybe tomorrow.

And then I'll be...
I'll be back off home.

Yeah, it's lovely.
Really, really lovely.

That rubbish lady's
welcome to hers.

(Laughs) And here's the irony.

Monsieur dior makes exquisite
poems for beautiful women

in celebration of their
freshness and perfection

only to see them carried
away by old frumps.

Like that dreadful
madame avallon.

Oh, yeah.

Whereas, of course,
there are those who retain

a certain je ne sais quoi,

an indefinable allure.

(Door opens) Ah.

Allow me to present to you
a pot of English tea.

Oh, just the job.

Mmm. Merci, Maria.

And now we let the pot brew.

Is that the correct form,
yes? That's the ticket.

I'll have to knit you
a tea cozy.

(Bothlaugh)

Yes, for reasons that
were never clear to me,

I was sent as a boy of six to
a boarding school in windsor,

and that's where I acquired a
taste for tea and of all things English.

While we wait,

there's something
I would like you to see.

Come with me.

There.

Mrs. Harris: (Exclaiming) Oh.

Six years old, you poor mite.

Well, home was not much better.

But yes, I suffered.

I was a weak little boy,
perpetually bullied.

You know, as soon as I saw you,

I felt this connection
in my heart.

I don't know, perhaps your
smile, your kindness, your...

Your English humor.

I knew you reminded me
of someone,

someone very dear to me. Butwho?

And only yesterday,
as I searched my memories,

did I realize there was
a person who took care of me.

Her life was one
of tireless drudgery,

and yet she found the time to
comfort me and dry my tears.

Her name was Mrs. Maddox,

but we used to
call her Mrs. Mops.

There. (Chuckles)

I... I remind you of Mrs. Mops?

Yes. The cleaner?

Mrs. Mops dried my tears
and made me smile again,

as you have, Mrs. Harris,
these past few days.

I do wish my delphine
could have known you.

You see, you give comfort
to those in need

without asking
anything in return.

Is that right?

Is that how you see me?

You see why there is
a connection between us?

Now, let's have a nice cup
of English tea, shall we?

No, thank you.

I'd best be getting along.

They're expecting me
at the salon.

(Stammers)

(Workers protesting in French)

Marguerite?

What's the matter?

In you go.

What's this about you
letting all these girls go?

You all right, love?

It would not be necessary if
they worked for free, as you do.

They need their jobs.
They've got families to feed.

Excusez-moi.

Yes, it is very sad, but
this is not of your concern.

Well, we'll see about that.

Please, madame, you have reached

into every corner
of this establishment.

Now, I insist that
you respect our privacy.

Hmm.

Where are you going,
Mrs. Harris?

To see the boss.

You cannot. No. Come on, girls.

Please. No.
Follow me. Vite, vite.

Here we go, girls. Come on.

Down tools.

Come on, get behind me. Join us.

Yeah, got a really
important job today.

You look lovely, but
come on. Mrs. Harris!

Come and do this for me.
Mrs. Harris!

You must stop this at once.

You have no idea
what you are doing.

Oh, yes, I do.
It's called a strike.

(Colbert speaking French)

Right, ladies, come on.

Follow me.
No time for that, dear.

No need to push
and shove. Come on.

On your feet, Andre.
There's work to be done.

(Speaking French)

(Speaking French)

(In English) Mrs. Harris,
I beg of you, do not do this.

This is your chance, Andre,
and how many chances

do you get in your lifetime?
No, look...

Mrs. Harris: Monsieur dior,
ten minutes of your time, please.

That's all Mr. Fauvel needs
to save the company.

Me? What do I...

(Colbert speaking French)

Go on, pet. You can
do it. Tell him your plan.

Go on.

(Speaking French)

(In English) Rather than the
world coming to Avenue montaigne,

dior must go out to the world

with a range of goods
available to all.

Perfume, stockings, luxury

that the ordinary woman
can afford.

(Speaking French)

Oui.

What?

Oh, right.

Good luck, love.

Merci.

(Workers protesting in French)

(Speaking French)

(In English) But today,
there's a new woman,

a modern woman
who knows what she wants

and needs to be able to buy it.

Today, there's Mrs. Harris.

(Chuckung)oh

the maftre's agreement
to our plan means that,

far from losing jobs,
we will need more.

Many, many more.

(All cheering)

Woman: Bravo!

Are you sure this
is the right street?

Must be. This is where I send
her check every month.

There won't be
a speck of dust inside.

You can bet your life.

This is it.

Leave me in peace.

Just a word.

Why? I concede.

The victory is yours,
Mrs. Harris.

(Speaking French)

(Husband speaking French)

(Colbert speaking French)

(Husband speaking)

(Colbert speaking)

(In English) My husband.
He was damaged in the war.

He requires constant care.

Which you either do or pay for.

No wonder you got
all that front on you.

Say what you want, please.

Madame, I'm so sorry
to have offended you.

I hold you
in the highest regard,

and it was never my intention
to force a change on...

The future you describe
makes perfect sense,

but I want no part of it.

Uh, no, please. You
must not think of leaving.

Perhaps I have been
too long in my post,

too long the invisible woman
behind the great man.

Fighting talk. You go, girl.

I'm not a revolutionary
like you, Mrs. Harris.

I simply wish to be left alone.

Well, that's all fine and dandy,

and lord knows you deserve it,

but you know it'll fall apart
without you, don't you?

Trust me,
I've seen it over and over.

When the lady ups and leaves,
the gent don't last ten minutes.

You're needed.

Now more than ever.

Who else is gonna
keep things up to scratch?

Not andré or monsieur dior.

What would two men
know about that?

You and me, you know,
we're two peas in a pod.

We clean up everybody's mess

and make everything
in the garden lovely.

We're the ones they rely on.

They don't even know what we do,

but as sure as eggs is eggs,
without us,

it all goes tits up.

(Chuckles softly)

Perhaps a conversation
with le maftre is required.

Perhaps.

And tomorrow, you tell
Natasha how you feel.

Oh, but mademoiselle
Natasha has left dior.

She's leaving Paris.

Like you, Mrs. Harris, she
wishes to follow her dream.

Keep looking, love. She's
got to be here somewhere.

She's gone. It's for the best.

You're gonna get yourself

a good clip round the ear
in a minute if you don't...

Hang on.

Hang on a minute. I know.

(Whistle blows)

Here.

Oh. Madame dior.
(Speaking French)

Not so bad yourself.

(All laughing)

Uh, we're looking for a girl.

Um, she's... she's a bit upset.

(Speaking French)

She's a dior model.

(Speaking French)

Oh, Natasha. Natasha.

(Speaking French)

This life, it's not for me.

No, of course it isn't.

Stuck on a pedestal, paraded
around like a beautiful doll.

Anyone can see
the girl doesn't want it.

Mrs. Harris is right.

It's not who I am.

(In English) As sartre would
say, you find yourself conflicted

between étre-en-soi et
étre-pour-soi.

Between "for itself"
and "in itself."

Etre-en-soi being
those aspects of human life

that involves consciousness,

whereas physical facts
are étre-pour-soi.

(Speaking French)

Natasha: In which case,
things would be what they are not.

Exactement.

Things are what they are not,
and they're not what they're not.

Andre, for god's sake,
just kiss her.

Yes. For god's sake,
just kiss me.

Hmm. (Laughing)

(Speaking French)

(Speaking French)

(In English) You did not find
love in Paris, madame dior?

Oh, no. No.

I thought it was
too late, but...

Now, I'm not so sure.

(Both laughing)

(Enthralling music playing)

Hello, love. Woman: Hello, Ada.

(Sighs)

(Water running) (Knock at door)

Oh. (Knocking intensifies)

All right. All right.

Gordon Bennett.

All right. All right.

Oh, hello, love. Come in.

Oh, thank god you're back.
Oh, well, not long.

Do you want a cuppa? No time.

This is an emergency. Oh, right.

Okay, well, deep breath
and tell me what's up.

I can't go, but if I don't...

It's so important to make
a good impression, you know?

I do. Who you trying to impress?

Mr. Korngold, the producer.

I'm to partner him to the
big dinner at the cafe royal.

Ooh. Everybody will be there.
It's a priceless opportunity.

But look.

Oh. Yeah, it's a bit...
It's a bit crumpled,

but we can steam that out
in ajiffy, love.

Don't you worry. No, look.

Oh, dear. Yeah,
that's not gonna come out

without a good, long soak.

I'm not sure the satin's
gonna like that.

Ain't you got another one?
What about that lovely blue dress?

It's at the cleaner's. Oh.

Oh, my god.

I'm going to die. (Cries)

All right. Come on, now.
That's enough.

Nobody wants to hear that.

But you don't understand.

Nearly all Mr. Korngold's
girls become stars.

It's my chance to lift myself
out of the rut and be seen at last.

(Continues crying)

Being seen
isn't everything, love.

It is for me.

(Sniffles)

Come on. Stand up.

It's your lucky day. What?

'Cause I think I can help you.

You just said you couldn't.

I can't do anything
if you don't get up.

Right.

Take off your clothes.
You can borrow my dress.

(Laughs)

Don't be ridiculous.

Just do as I say, and a bit
less of your nonsense.

Go on, behind the screen.

Penrose: Mrs. Harris?

You look lovely, ducks.

Just the ticket.

How was your trip?
I should've asked.

Where did you go? Oh.

Paris. Yeah, it was...

You said you'd only
be gone a day.

Everything went
to pieces without you.

It was magical.

I mean, you know
how tidy I am, normally.

So romantic.

Mrs. H.

You dark horse.

(Laughs)

(Horn honking)

Oh, god. That's him.
He knew where to come, then?

I knew you'd rescue me, darling.

You're my fairy godmother.

Hello.

Miss penrose?

(Sniffs) Ugh.

Penrose: Dear Mrs. H.

Sorry about the dress, but
please don't worry. I'm okay.

I was checking my
lipstick in the mirror

when suddenly
I went up in flames.

(Screams)

I might have burnt to a crisp

if a helpful friend
hadn't come to my rescue.

Mr. Korngold says I should sue.

Gone to my mum's to recover.

(Clatters)

(Knock at door)

(Knocking continues)

(Glass breaking)

(Doorknob rattling)
(Door squeaks)

Vi: Ada?

You there?

Yeah.

Sorry, vi.

(Groans softly)

(Switch clicks)

Vi: You give up
the ghost, woman?

You want to scare us to death?

All right, Archie?

Uh_.sonyabout yourdoor

she was, um...

Best intentions and all.

I'll get some glass, yeah?

Fix it up good as new.
Thank you.

There's no need to say a word.

You're famous.

At least the dress you gave up
everything to go and get is.

Why you give it
to that no-good girl, eh?

You're too soft,
and that's the truth.

It had to be seen.

It's only right.

Oh, vi.

I never got to wear it.

Not even once.

Oh, Ada, my darling.

I'm so sorry.

We don't need no fancy dresses.

We'll go shake our tail feather
down at the legion dance,

and they'll all be
looking at us.

Morning, Mr. Newcombe.

Enjoy your holiday, Mrs.
Harris? Very much, thank you.

Missed your touch
about the place.

Oh. (Chuckles softly)

Are you quite all right?

Not quite meself today.

Not sure who that is, even.

Bit of an existential crisis.

Paris will do that to you.

Chin up, Mrs. H.

The revolution is coming.

(Whistling France's
national anthem)

(Groans softly)

Did you read about the girl

who set fire to herself
in a dior gown?

Ghastly publicity stunt,
isuppose.

What a waste.

Will you please accept
my notice, lady dant?

I will require full and final
settlement of your account

by the end of the week.

You can't leave me.

Them days are over when
you can treat people like scum

and expect loyalty in return.

Yeah. Good day, milady.

There you go.

Be right as rain in no time.

(Knock at door)

Who's that, then?

Mrs. Ada Harris?
Sign here, please.

Thank you. Just a
mo'. There's more.

More?

(Laughs)

Are you sure?
It's not me birthday.

You are Ada Harris?

Well, not sure
about that, either.

(Bothlaugh)

(Gasps)

Colbert: Che're, madame Harris.

We hope your return journey
to London was pleasant,

but we were troubled by a
photo we saw in the social pages.

We knew immediately that
once again you had been too kind.

(Madame avallon speaking French)

Fauvel: (In English) It seems the
rubbish king was stealing from his workers.

Georges! Georges!

Fauvel: Since his assets
were seized,

madame ava/ion failed
to attend her final fitting

or settle the bill
for her dress.

(Carre speaking French) Fauvel:
(In English) We kept all your measurements,

of course, and were quickly
able to alter it for you.

Margu erite: If it needs
any final adjustments,

we know you have the skill
to do these yourself.

(Speaking French)

Fauvel: (In English) We all
agreed it was the least we could do.

The publicity has resulted
in a great increase in orders.

(Speaking French)

Marquis: (In English) You
will no doubt recognize these blooms

as Princess Margaret's delight.

We hope you enjoy the flowers

and that you will keep your new
dress well away from naked flames.

(|naudible)

(Speaking indistinctly)

Natasha: We send it to you
with all our love

and our very warmest thanks.

Christian: From Christian and
all your friends at the house of dior.

(Indistinct chatter)
(Jazz music playing)

Lovely. Thank you.

Good to see you.

See you later. All right.

There you go, love.

Get that down you.

Cheers. Cheers.

(Enthralling music playing)

Thank you, vi.

Oh, Ada.

(Gasps)

You all right, Archie?
Neverbefier

sorry. I just...

What?

You seem different.

It's haute couture,
you know? Is it, now?

Know what? It's not the frock. I
mean, it's lovely and all, but, uh...

No, it's you.

You...

You're just beautiful.

Thank you, Archie.

That's very nice of you.

I mean, you've
always been beautiful.

Inside and out.

Just... there's something...

I don't know, like,
a new spark or something.

Aje ne sais quoi?

That'll be the fella. (Chuckles)

I owe you a dance, don't I?

I think you do.

I'd like to claim that dance
with the loveliest girl in the room.

It's your lucky day.

All right.

There is hope for us all.

(Laughs)