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- I've never, ever
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felt more trapped than I do right now.
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(sirens wailing)
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- [Male] What is the balance
between liberty and security?
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- This sort of data is
absolutely vital in stopping
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some of the most serious terrorist
incidents in our country.
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- [Male] The country may
not be convinced that
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this mass infringement of
privacy is a price worth paying.
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- [Narrator] Britain 2015.
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One of the most watched nations on Earth.
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In a country where everything
we do leaves a trail,
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14 ordinary citizens
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are going on the run.
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- As of this morning, we have a number
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of British citizens who are now fugitives.
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(dramatic music)
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- I need you to get me
the fuck away from here.
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- This phone box is hot now,
they'll be coming to get me.
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- Don't feel safe at all right now.
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- [Narrator] Hunting them down's 30
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of the world's most
successful investigators.
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- We have eyes absolutely everywhere.
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- There's somebody there.
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- The psychological pressures
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will play mind tricks with you.
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- I don't really trust
anybody at the moment.
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Think that's what happens?
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- And that gives us an advantage.
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- And I really miss you guys today.
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- [Narrator] 28 days.
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- Have a password, that's all I want.
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- [Narrator] 14 fugitives.
- Come on!
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- Gotta get this guy.
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- We know where you are.
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- [Narrator] If you had to disappear,
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what would you do?
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- You need to stop right now!
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- [Male] You are surrounded!
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(dramatic music)
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- [Narrator] Across the UK, 14 fugitives
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are preparing to go on the run.
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They each have ยฃ450 in a bank account.
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They are not allowed to leave the UK
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and they must try to evade
capture for up to 28 days.
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Tracking them down from a
secret location in London
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are some of the best man
hunters on the planet.
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- Good morning team.
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- [Peter] Morning sir.
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- [Narrator] The chief is Brett Lovegrove,
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a former head of counter terrorism
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and part of the senior team
leading the City of London
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police response to the 7/7 bombings.
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- I absolutely believe that the state
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needs the powers it has in
order to keep our society safe.
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It is the thin line between us
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and those people that
wish to do society harm.
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- [Narrator] He heads up a crack team
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of cyber experts,
intelligence specialists,
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covert operatives and a C.I.A analyst.
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- [Male] Got an email address for him.
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- [Narrator] The specialists at HQ
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have a high tech facility
at their fingertips
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and are ready to wield state
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of the art powers of surveillance.
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(phone ringing)
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- Right listen up!
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Can we get the cyber team in?
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Right.
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First fugitive.
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His name is Ricky Allen.
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He lives in Kent, born 1959.
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Let's go.
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- [Narrator] The hunters
are given a photograph
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and the name, address and date
of birth of each fugitive.
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- We're good to go.
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- Go, go.
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- [Narrator] Lovegrove can
call upon four ground teams.
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He immediately dispatches a unit
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to start tracking Ricky Allen.
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- Let's move out.
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(dramatic music)
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- [Ricky] Angus?
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Quickly, get up son.
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Quick, quick, quick, quick.
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- [Narrator] At exactly the
same time, and without warning,
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Ricky has been told the hunters
are less than an hour away.
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- Let's get organized.
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Molly!
- [Molly] Yeah?
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- Tell him to get socks, underpants and
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bin bag.
- Yeah, yeah.
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Throw them inside.
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- [Molly] I've done it.
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- [Ricky] Put that down boy.
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Don't need any guns.
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- Where do you want the bag?
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- [Ricky] Would you get my mobile?
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- Yeah.
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- Take the batteries out of them now.
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Most of my good friends, the
people that know me well,
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I think would describe me as
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good fun, quite loyal to them.
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I have three kids, they're all under 14
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and my family are everything to me.
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The surveillance state
will be a threat to the way
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that they live, their quality
of life in years to come.
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So, I'm doing this because the
power of the state frightens
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me and I want to prove to
myself that I can beat them.
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- [Male] Ricky what's your plan?
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- I think I'm, up north I think.
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But first,
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we need to go somewhere,
maps, I need some maps.
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(dramatic music)
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- Right his driving license shows him
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as Doctor Ricky George Allen.
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- [Narrator] Peter Bleksley worked
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undercover in the Met Police.
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Infiltrating international drug gangs
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and investigating the IRA and the Mafia.
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- Being on the run, can be a
very unpleasant experience.
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You suspect everybody and everything.
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Who's your friend, who's your enemy?
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Who's on side, who isn't?
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Who can you trust?
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- Here's all the bike gear.
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- [Male] He is definitely a doctor.
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- - [Brett] He's a doctor?
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Which type of doctor?
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- He was a locum GP at the
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Madison Dew Road Surgery for eight years.
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He quit over something to do with funding.
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- He's quite an outspoken
individual I think
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but he's certainly not shy
about expressing his opinions
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and sometimes I think that offends people.
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- I need a pee, I've
not my morning pee yet.
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I'll go in the bushes.
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- [Molly] Thanks dad.
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- Right okay Molly are we all square now?
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- [Molly] Yeah I think so
- Everything is done?
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- [Molly] Yeah.
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- It's just a fantastic opportunity
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to make my kids think,
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yeah come on dad we're quite proud of you.
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Whatever the outcome is,
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they say ah you gave them a run
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for their money dad, that'll be good.
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- [Narrator] Ricky makes good
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his escape from the approaching hunters.
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- Are we gonna hit the road
now and go where we're going?
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- [Narrator] Every fugitive
has a camera operator with them
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filming their time on the run.
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Living under the same conditions.
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- [Male] What do you give your chances?
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- About 100%, we'll do it, don't worry.
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A little bit of help and
support and a bit of imagination
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and a bit of audacity as well.
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(dramatic music)
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How're they gonna track
us to where we're going?
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We've got no comms on us that are working.
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No one knows anything.
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These guys aren't magicians.
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(phone ringing)
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- Right ladies and gentlemen listen up.
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Let's move.
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Very important.
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Right, we now have a new fugitive team.
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This lady is called
Emily Dredge, born 1987.
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Known address, Putney.
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(dramatic music)
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- [Narrator] The hunters are on the way.
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Emily has under an hour to leave the area.
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- Need to call Lauren.
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Need to call Lauren now.
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- She's accompanied by Lauren
English, date of birth 1988.
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We've gotta move quickly.
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Let's get on the back of these people.
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- Lauren get out!
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I want you to go to the place where,
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where I had an argument with Richard.
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Go there now.
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- [Female] Have you arranged
a place to meet Lauren?
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- I just told her, secret code.
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For somewhere we've gotta go.
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I'm about to go into the biggest,
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most dramatic thing I've
ever done in my life.
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My friends say that I tend to
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start something and not finish it.
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So I think this is really important
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that I try and complete the
task of being on the run.
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(dramatic music)
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I can't really think at the moment.
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I've completely shut off.
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What I do know is I've left behind
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some very, very important things
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that I needed to bring with me.
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- [Female] What's that?
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- My magnesium tablets and my wig!
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- [Female] So--
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- But anyway, oh I found it!
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Thank god.
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Here we go.
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Meet Timothy.
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- [Female] Timothy gonna be
203
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alter ego?
- Timothy is
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my male alter ego.
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- [Narrator] The hunters
immediately begin their
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investigation into Emily
and Lauren's backgrounds.
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- Found some useful
information on these guys.
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So, we've got the parent's
address for Emily.
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We notice their ages were
the same, as good as,
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so we figured probably childhood friends,
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school friends, that kind of thing.
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- Loz!
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00:09:01,940 --> 00:09:03,409
Loz!
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00:09:03,409 --> 00:09:04,400
Lauren!
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00:09:04,400 --> 00:09:06,560
I know I'm going to have my whole
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00:09:06,560 --> 00:09:08,390
life stripped bare from me
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00:09:08,390 --> 00:09:11,345
but there's one thing I'm gonna
take with me, that's Lauren.
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We need to have a chat, get in.
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00:09:12,877 --> 00:09:13,710
Is Gareth taking us?
220
00:09:13,710 --> 00:09:14,543
- Gareth's taking us right now.
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00:09:14,543 --> 00:09:15,376
- [Emily] Okay.
222
00:09:15,376 --> 00:09:16,320
- We're going.
- Right.
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00:09:16,320 --> 00:09:18,741
She's capable of doing this.
224
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Which car are we going in?
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00:09:20,350 --> 00:09:21,630
- Which car Gareth?
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This one?
- No it's marked.
227
00:09:22,940 --> 00:09:24,617
- It's fine.
- Number plates.
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00:09:24,617 --> 00:09:27,140
- It's fine, he's working in London.
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If we're in a scenario,
Emily will get you out of it
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because
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nothing's impossible to her.
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We're both quite headstrong
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and we're a bit like the ying and yang.
234
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Never judge her 'cos
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she will always, always surprise you.
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She's brilliant.
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- Remember something, CCTVs,
238
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Gareth I'm gonna ask you
please to keep out of CCTV--
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00:09:48,213 --> 00:09:50,350
- I think we should get
our cash out here Emily,
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00:09:50,350 --> 00:09:52,060
then we don't have to touch our banks.
241
00:09:52,060 --> 00:09:53,580
- [Emily] Are you ready
for a high street run?
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00:09:53,580 --> 00:09:55,330
- Emily we don't need to run everywhere
243
00:09:55,330 --> 00:09:56,827
let's just play it cool.
244
00:09:57,717 --> 00:09:58,690
- Lauren and I, when we were kids,
245
00:09:58,690 --> 00:10:01,329
we used to fantasize about
running away all the time.
246
00:10:01,329 --> 00:10:02,162
In fact we used to.
247
00:10:02,162 --> 00:10:03,560
My mum had to come and get us in the car
248
00:10:03,560 --> 00:10:05,700
so many times from miles and miles away
249
00:10:05,700 --> 00:10:07,700
and I want us to have
that time together again.
250
00:10:07,700 --> 00:10:08,770
Just her and I.
251
00:10:08,770 --> 00:10:11,390
Where we go on adventures and do
252
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the same thing we did when we were kids.
253
00:10:14,370 --> 00:10:15,973
Like Thelma and Louise.
254
00:10:18,340 --> 00:10:20,980
Right we need to be
fucking quick after this.
255
00:10:20,980 --> 00:10:21,980
Other amount.
256
00:10:21,980 --> 00:10:23,570
See if it gives me 300.
257
00:10:23,570 --> 00:10:25,120
- [Lauren] Should give you 300.
258
00:10:26,263 --> 00:10:30,230
- Okay Cindy, Emily's
debit card used at an ATM
259
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at 29 to 31, High Street,
Cobham, Surrey at 13:01 today.
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00:10:39,210 --> 00:10:40,043
- [Narrator] Nearly all of Britain's
261
00:10:40,043 --> 00:10:43,860
69,000 cash machines can be monitored.
262
00:10:43,860 --> 00:10:45,350
Live.
263
00:10:45,350 --> 00:10:47,080
- If you're on the run, as a fugitive,
264
00:10:47,080 --> 00:10:48,840
you're gonna need some money.
265
00:10:48,840 --> 00:10:51,090
You're gonna need to get
that money from somewhere
266
00:10:51,090 --> 00:10:54,210
and, nine times out of 10, you
gotta get that out of an ATM.
267
00:10:54,210 --> 00:10:56,210
It's pretty much their Achilles' heel
268
00:10:56,210 --> 00:10:57,680
while they're on the run.
269
00:10:57,680 --> 00:10:59,820
Not only will we get their exact location,
270
00:10:59,820 --> 00:11:02,680
we'll know exactly what
transactions they've done.
271
00:11:02,680 --> 00:11:04,290
- We're on.
272
00:11:04,290 --> 00:11:06,570
(dramatic music)
273
00:11:06,570 --> 00:11:07,850
- [Narrator] Within four minutes,
274
00:11:07,850 --> 00:11:10,510
Emily and Lauren escape with their cash.
275
00:11:10,510 --> 00:11:13,038
Speeding away from the hunters.
276
00:11:13,038 --> 00:11:14,130
- Okay we got 350.
277
00:11:14,130 --> 00:11:17,103
We'll share food, we'll
share sleeping arrangements.
278
00:11:18,280 --> 00:11:19,503
- Emily just in case.
279
00:11:20,435 --> 00:11:23,185
(dramatic music)
280
00:11:27,902 --> 00:11:30,210
- [Narrator] At HQ, Deputy Peter Bleksley
281
00:11:30,210 --> 00:11:32,243
continues to search for Ricky.
282
00:11:33,340 --> 00:11:36,810
- So I've put in a request to
vehicles and transportation,
283
00:11:36,810 --> 00:11:39,990
which I think you saw,
and that has thrown up
284
00:11:39,990 --> 00:11:42,950
that he's the registered owner of two cars
285
00:11:42,950 --> 00:11:46,403
and no less than five motorbikes.
286
00:11:47,310 --> 00:11:48,290
- [Narrator] Bleksley lodges a
287
00:11:48,290 --> 00:11:51,083
number plate recognition
request for Ricky.
288
00:11:52,440 --> 00:11:55,740
- If I know a fugitive is
using a particular car,
289
00:11:55,740 --> 00:11:58,510
I can have that vehicle's details
290
00:11:58,510 --> 00:12:01,580
entered onto the ANPR system.
291
00:12:01,580 --> 00:12:04,020
Automatic number plate recognition
292
00:12:04,020 --> 00:12:06,510
is watching you as you make a journey
293
00:12:06,510 --> 00:12:08,570
along a motorway or an A road.
294
00:12:08,570 --> 00:12:11,200
You are only ever a few
miles away from having
295
00:12:11,200 --> 00:12:15,330
your image captured on a
network of some 8000 cameras.
296
00:12:15,330 --> 00:12:19,110
When a vehicle of interest
triggers an ANPR camera,
297
00:12:19,110 --> 00:12:21,400
the details of that movement are passed,
298
00:12:21,400 --> 00:12:24,580
instantaneously, to law enforcement.
299
00:12:24,580 --> 00:12:26,060
- Oo, oo busy.
300
00:12:26,060 --> 00:12:29,423
There's been a number plate
from Ricky Allen's active.
301
00:12:32,830 --> 00:12:33,910
- [Narrator] Ricky is on the way
302
00:12:33,910 --> 00:12:36,823
to pick up a getaway
car for his trip north.
303
00:12:38,400 --> 00:12:39,770
- [Peter] That's the Honda.
304
00:12:39,770 --> 00:12:41,460
It's active, yes!
305
00:12:41,460 --> 00:12:43,720
- So it's active at 10 o'clock, on the M2.
306
00:12:43,720 --> 00:12:47,030
- So he's heading, he's heading west.
307
00:12:47,030 --> 00:12:49,493
Gravesend, Dartford, Bexleyheath.
308
00:12:50,860 --> 00:12:53,373
We've got to talk about interception.
309
00:12:54,730 --> 00:12:56,630
The team closest to Ricky's location
310
00:12:56,630 --> 00:12:58,870
is headed up by Captain David Blakely.
311
00:12:58,870 --> 00:13:01,050
A former commander in the Pathfinders,
312
00:13:01,050 --> 00:13:02,710
who has hunted down war criminals
313
00:13:02,710 --> 00:13:05,650
and led missions behind enemy lines.
314
00:13:05,650 --> 00:13:07,520
- The Honda Forza scooter
315
00:13:08,440 --> 00:13:11,817
has been seen heading west on the M2.
316
00:13:13,390 --> 00:13:16,360
Last sighting only a few minutes ago.
317
00:13:16,360 --> 00:13:18,362
- Thanks a lot we'll get cracking.
318
00:13:18,362 --> 00:13:21,112
(dramatic music)
319
00:13:22,310 --> 00:13:25,800
- [Narrator] Blakely picks
up Ricky's ANPR trail.
320
00:13:25,800 --> 00:13:28,370
- [Peter] Standby, we've
just got a sighting.
321
00:13:28,370 --> 00:13:31,360
- So 10:27, he's on to the A2.
322
00:13:31,360 --> 00:13:35,270
10:30, exited at A220.
323
00:13:35,270 --> 00:13:38,020
(dramatic music)
324
00:13:40,420 --> 00:13:41,840
Peter, Brett.
325
00:13:41,840 --> 00:13:42,673
- [Peter] Yes bud.
326
00:13:42,673 --> 00:13:44,360
- We've got further ANPR information.
327
00:13:44,360 --> 00:13:46,170
So they're back on the A2.
328
00:13:46,170 --> 00:13:47,374
- [Peter] Yeah.
329
00:13:47,374 --> 00:13:48,370
- They've gone to Bean Interchange--
330
00:13:48,370 --> 00:13:51,750
- So that's a reciprocal
route, they've turned around.
331
00:13:51,750 --> 00:13:53,610
- [Brett] Do you know it well, the area?
332
00:13:53,610 --> 00:13:55,460
- I'm born and raised in Bexleyheath.
333
00:13:56,650 --> 00:13:58,300
- [Narrator] Ricky is driving straight
334
00:13:58,300 --> 00:14:00,670
into the path of the hunters.
335
00:14:00,670 --> 00:14:04,850
- If you can pull over and
stop at the next possible spot
336
00:14:04,850 --> 00:14:08,880
that gives you access to
both west and east on the M2,
337
00:14:08,880 --> 00:14:09,713
that'd be great.
338
00:14:11,510 --> 00:14:15,210
The last sighting is 15, 20
minutes from where David is.
339
00:14:15,210 --> 00:14:16,210
- Oh right.
340
00:14:16,210 --> 00:14:17,840
We might have a happy ending here.
341
00:14:17,840 --> 00:14:19,673
- Not far at all.
342
00:14:19,673 --> 00:14:22,423
(dramatic music)
343
00:14:24,186 --> 00:14:25,210
- [Narrator] But at the next junction,
344
00:14:25,210 --> 00:14:26,900
Ricky turns off the motorway
345
00:14:27,826 --> 00:14:29,203
and the trail goes cold.
346
00:14:30,182 --> 00:14:32,349
(ringing)
347
00:14:34,350 --> 00:14:37,682
- I've been here since,
probably quarter past 12.
348
00:14:37,682 --> 00:14:41,822
So he has categorically
not, I'm 100% sure,
349
00:14:41,822 --> 00:14:43,920
has not gone past me.
350
00:14:43,920 --> 00:14:45,420
- He's gone off the main drag.
351
00:14:48,260 --> 00:14:49,093
- We're close.
352
00:14:49,982 --> 00:14:52,732
(dramatic music)
353
00:15:00,900 --> 00:15:02,680
- [Narrator] Chief Brett
Lovegrove's is focusing
354
00:15:02,680 --> 00:15:06,963
all his firepower on Kent
GP, Doctor Ricky Allen.
355
00:15:08,170 --> 00:15:11,170
- Your task David is to
get to the home address,
356
00:15:11,170 --> 00:15:13,060
search it and find out everything
357
00:15:13,060 --> 00:15:16,720
you possibly can for us about Dr Allen.
358
00:15:16,720 --> 00:15:19,020
- [Narrator] With the
trail on Ricky gone cold,
359
00:15:19,020 --> 00:15:22,120
hunters on the ground,
David Blakely and his team,
360
00:15:22,120 --> 00:15:23,750
arrive at Ricky's house to gather
361
00:15:23,750 --> 00:15:26,763
evidence and question his wife, Emma Jane.
362
00:15:28,800 --> 00:15:31,890
- [Female] Has he got any
other electronic devices here?
363
00:15:31,890 --> 00:15:33,513
- [Emma Jane] He has an iPad.
364
00:15:33,513 --> 00:15:35,110
- [Female] And that's his iPad?
365
00:15:35,110 --> 00:15:35,943
- Yeah.
366
00:15:37,200 --> 00:15:38,770
- If you become a fugitive,
367
00:15:38,770 --> 00:15:40,670
the state has
368
00:15:40,670 --> 00:15:43,520
every right to search your property,
369
00:15:43,520 --> 00:15:45,920
to look at your bank records,
370
00:15:45,920 --> 00:15:48,000
to look at your mobile phone records,
371
00:15:48,000 --> 00:15:52,430
text messages, emails,
social media, everything.
372
00:15:52,430 --> 00:15:56,040
To make sure there's no stone unturned.
373
00:15:56,040 --> 00:15:58,144
- [Female] Does he update
his diary frequently?
374
00:15:58,144 --> 00:16:00,364
- Yeah it's about work though really.
375
00:16:00,364 --> 00:16:03,810
It's not personal, as far as I know.
376
00:16:03,810 --> 00:16:05,670
- [Narrator] Scans of Ricky's documents,
377
00:16:05,670 --> 00:16:09,943
his private diaries and laptops
are sent to HQ for analysis.
378
00:16:14,090 --> 00:16:16,590
- [Narrator] Ricky is
just seven miles away.
379
00:16:16,590 --> 00:16:18,300
He's arrived at a friend's garage
380
00:16:18,300 --> 00:16:21,320
hoping to borrow a
vehicle registered there.
381
00:16:21,320 --> 00:16:24,123
So he can drive north undetected.
382
00:16:25,300 --> 00:16:28,300
- If I need to I wanna be
able to do a burnout on it.
383
00:16:28,300 --> 00:16:29,224
All right?
384
00:16:29,224 --> 00:16:30,057
(laughing)
385
00:16:30,057 --> 00:16:31,060
So next stop scrapyard.
386
00:16:31,060 --> 00:16:33,253
- Fine I've got just
the thing for you sir.
387
00:16:33,253 --> 00:16:34,213
- [Ricky] Is this a burnoutable car?
388
00:16:34,213 --> 00:16:35,330
- Step this way.
389
00:16:35,330 --> 00:16:37,533
- When you say it doesn't lock.
390
00:16:37,533 --> 00:16:38,478
It doesn't shut.
391
00:16:38,478 --> 00:16:39,311
- No.
392
00:16:39,311 --> 00:16:41,241
(laughing)
393
00:16:41,241 --> 00:16:42,156
- Fantastic.
394
00:16:42,156 --> 00:16:43,460
- Don't be choosey Mr.
395
00:16:43,460 --> 00:16:45,460
- Let's not hide in the boot of the car.
396
00:16:48,760 --> 00:16:50,830
Good mates won't ask too many questions.
397
00:16:50,830 --> 00:16:51,930
You'll just say right,
398
00:16:52,840 --> 00:16:54,210
you say there's a need here and they'll,
399
00:16:54,210 --> 00:16:55,373
okay I'll help you out.
400
00:16:56,224 --> 00:16:58,292
They don't need no explanation.
401
00:16:58,292 --> 00:17:01,042
(dramatic music)
402
00:17:03,932 --> 00:17:05,830
I think it's safe in
terms of number plates,
403
00:17:05,830 --> 00:17:08,440
we're not going to be
spotted on the number plate
404
00:17:08,440 --> 00:17:11,524
recognition system, at
least for the next few days.
405
00:17:11,524 --> 00:17:14,274
(dramatic music)
406
00:17:15,570 --> 00:17:18,410
- [Narrator] Fugitives Emily
and Lauren are heading north.
407
00:17:18,410 --> 00:17:20,520
Out of the London area.
408
00:17:20,520 --> 00:17:23,776
- I just suggest that we go
to a completely random area.
409
00:17:23,776 --> 00:17:24,609
- [Gareth] Well then let's do it then.
410
00:17:24,609 --> 00:17:25,630
- Yeah let's do it.
411
00:17:25,630 --> 00:17:26,620
- [Narrator] But Emily is worried
412
00:17:26,620 --> 00:17:29,360
about Gareth's car being tracked.
413
00:17:29,360 --> 00:17:31,550
So she wants to change vehicles.
414
00:17:31,550 --> 00:17:35,022
- Tomorrow, we get a main bus
from Milton Keynes up north.
415
00:17:35,022 --> 00:17:35,930
- No main buses.
416
00:17:35,930 --> 00:17:37,110
- Why?
- We hitchhike up there.
417
00:17:37,110 --> 00:17:38,300
- Emily, we're not hitchhiking north.
418
00:17:38,300 --> 00:17:40,380
- Yeah I'll hitchhike
from here, I'll do it.
419
00:17:40,380 --> 00:17:42,240
We'd better be safe than sorry.
420
00:17:42,240 --> 00:17:43,073
- Love you.
421
00:17:43,073 --> 00:17:44,780
- Love you too.
422
00:17:44,780 --> 00:17:46,330
- Hi guys, where are you going?
423
00:17:47,540 --> 00:17:49,290
- [Narrator] They keep on the move.
424
00:17:50,324 --> 00:17:51,960
And over the first two days...
425
00:17:51,960 --> 00:17:53,620
- Are you heading north?
426
00:17:53,620 --> 00:17:56,000
- [Narrator] Pick up ride after ride.
427
00:17:56,000 --> 00:17:59,730
- Excuse me, sorry to bother
you, which way are you headed?
428
00:17:59,730 --> 00:18:03,010
- [Narrator] Changing their
plans from day to day.
429
00:18:03,010 --> 00:18:04,710
- I think we need to go to the middle
430
00:18:04,710 --> 00:18:06,320
of fucking nowhere and that's our mission.
431
00:18:06,320 --> 00:18:07,730
- [Emily] The Highlands of Scotland.
432
00:18:07,730 --> 00:18:08,563
- Fuck sake Emily.
433
00:18:08,563 --> 00:18:09,396
Yeah but in the Highlands?
434
00:18:09,396 --> 00:18:11,310
Have you seen those two you
know, those two Londoners?
435
00:18:11,310 --> 00:18:12,939
Oh yeah I've seen them.
436
00:18:12,939 --> 00:18:15,260
- Or we can do Scottish accents,
we could speak like that,
437
00:18:15,260 --> 00:18:19,509
excuse me do you have any
bread and milk for us to eat?
438
00:18:19,509 --> 00:18:20,342
- Can do a Welsh accent.
439
00:18:20,342 --> 00:18:23,060
Road rage that's what you
give me Emily, road rage.
440
00:18:23,060 --> 00:18:23,893
- [Emily] We either go to
441
00:18:23,893 --> 00:18:25,900
the Lake District or the Highlands.
442
00:18:25,900 --> 00:18:28,210
- Anywhere, Lake District's on the way.
443
00:18:28,210 --> 00:18:31,270
Are you completely adverse
to us getting on a bus?
444
00:18:31,270 --> 00:18:34,020
- You know how intense and
stressed and panicked I get?
445
00:18:34,020 --> 00:18:35,000
- [Lauren] Yeah.
446
00:18:35,000 --> 00:18:35,833
Tell me about it.
447
00:18:35,833 --> 00:18:38,720
- To avoid that, me getting
paranoid and stressed,
448
00:18:38,720 --> 00:18:40,320
we need to stick to hitchhiking.
449
00:18:41,400 --> 00:18:43,410
- [Narrator] Inadvertently, the pair have
450
00:18:43,410 --> 00:18:46,623
stumbled across a clever
way to evade the hunters.
451
00:18:46,623 --> 00:18:48,210
(dramatic music)
452
00:18:48,210 --> 00:18:52,640
- Human beings make patterns, every day.
453
00:18:52,640 --> 00:18:54,420
A skillful fugitive
454
00:18:54,420 --> 00:18:56,900
will try not to make a pattern.
455
00:18:56,900 --> 00:18:59,840
If they do that long enough,
then we won't catch them.
456
00:18:59,840 --> 00:19:01,370
But no individual
457
00:19:01,370 --> 00:19:03,640
is truly random.
458
00:19:03,640 --> 00:19:07,040
All the decisions someone
makes, a fugitive makes,
459
00:19:07,040 --> 00:19:09,473
is based on that person and who they are.
460
00:19:10,350 --> 00:19:12,220
Once we work that out,
461
00:19:12,220 --> 00:19:13,720
we're gonna be one step ahead.
462
00:19:15,380 --> 00:19:16,580
- Emily, only you could get Ishin
463
00:19:16,580 --> 00:19:18,130
to make a fucking cup of coffee
464
00:19:19,031 --> 00:19:21,180
at 60 miles an hour.
465
00:19:22,500 --> 00:19:23,333
- [Emily] Excuse me.
466
00:19:23,333 --> 00:19:26,270
- [Narrator] But their
strategy comes at a cost.
467
00:19:26,270 --> 00:19:28,453
- It's now officially
the life of a beggar.
468
00:19:29,930 --> 00:19:31,260
We have to go from place to place
469
00:19:31,260 --> 00:19:32,930
and beg for somewhere to stay.
470
00:19:32,930 --> 00:19:35,100
Please, please can we stay here, please.
471
00:19:35,100 --> 00:19:38,577
Beg for food, beg for
this, beg for everything.
472
00:19:38,577 --> 00:19:39,723
Excuse me!
473
00:19:39,723 --> 00:19:42,231
- [Lauren] Can we get a lift?
474
00:19:42,231 --> 00:19:43,231
- Excuse me.
475
00:19:44,930 --> 00:19:46,170
This is the ultimate
476
00:19:47,380 --> 00:19:48,530
running away from home.
477
00:19:50,010 --> 00:19:51,960
I don't think anyone wants to do this.
478
00:19:53,499 --> 00:19:55,230
I don't think anyone should do this.
479
00:19:55,230 --> 00:19:56,830
It's mental.
480
00:19:56,830 --> 00:19:59,157
Thank you so much for stopping.
481
00:20:00,483 --> 00:20:01,730
- [Narrator] Over three days,
482
00:20:01,730 --> 00:20:05,820
Emily and Lauren have
hitchhiked 250 miles.
483
00:20:05,820 --> 00:20:07,540
They have now found accommodation
484
00:20:07,540 --> 00:20:10,223
at a caravan park in Penrith.
485
00:20:15,030 --> 00:20:16,330
At HQ,
486
00:20:16,330 --> 00:20:19,110
the hunters have been busy profiling Emily
487
00:20:19,110 --> 00:20:22,119
and have made a startling discovery.
488
00:20:22,119 --> 00:20:24,740
(dramatic music)
489
00:20:24,740 --> 00:20:27,990
Emily is mother to an
18 month old baby boy
490
00:20:27,990 --> 00:20:29,133
called Ernest.
491
00:20:30,970 --> 00:20:32,410
- There's images on her Facebook--
492
00:20:32,410 --> 00:20:33,477
- Yeah.
493
00:20:33,477 --> 00:20:35,760
- [Steve] Of the child,
which lives with her,
494
00:20:35,760 --> 00:20:39,270
she's obviously got a very
close connection to that child.
495
00:20:39,270 --> 00:20:41,790
This is with the father, he's
traveling with the father.
496
00:20:41,790 --> 00:20:43,550
- Okay just interrupting you there Steve,
497
00:20:43,550 --> 00:20:47,040
I really want us to focus on this child.
498
00:20:47,040 --> 00:20:48,300
Who's got the child?
499
00:20:48,300 --> 00:20:49,920
Who's looking after the child?
500
00:20:49,920 --> 00:20:52,580
Because I feel it'll be impossible for her
501
00:20:52,580 --> 00:20:55,760
to have no contact with
that child for a month.
502
00:20:55,760 --> 00:21:00,020
That's her major weak point,
her major vulnerability.
503
00:21:03,554 --> 00:21:06,554
(children laughing)
504
00:21:07,500 --> 00:21:09,675
- There's all these children around
505
00:21:09,675 --> 00:21:10,814
and then I look over there and there's
506
00:21:10,814 --> 00:21:12,614
some little high chairs and I think,
507
00:21:13,509 --> 00:21:15,400
I wish I had Ernest here in a high chair
508
00:21:15,400 --> 00:21:16,700
and I could just pull him,
509
00:21:18,030 --> 00:21:20,330
pull him up close and just sit with him.
510
00:21:20,330 --> 00:21:22,990
- [Female] What do you
think Ernest is doing?
511
00:21:25,488 --> 00:21:27,874
He's probably just had his bath
512
00:21:27,874 --> 00:21:29,773
and he's probably being read his book.
513
00:21:31,223 --> 00:21:33,570
(dramatic music)
514
00:21:33,570 --> 00:21:36,540
- [Narrator] While Lauren's out shopping,
515
00:21:36,540 --> 00:21:38,613
Emily makes a risky decision.
516
00:21:39,510 --> 00:21:42,044
- [Emily] Can I please
borrow your mobile phone?
517
00:21:42,044 --> 00:21:44,880
I want to call my mum
and see how my baby is.
518
00:21:44,880 --> 00:21:48,694
I don't want them knowing
that I've done it.
519
00:21:48,694 --> 00:21:50,111
Is Ernest alight?
520
00:21:51,046 --> 00:21:53,461
I miss Ernest so much.
521
00:21:53,461 --> 00:21:56,847
This is the hardest thing I've ever done.
522
00:21:56,847 --> 00:21:59,658
(dramatic music)
523
00:21:59,658 --> 00:22:00,575
I miss you.
524
00:22:01,757 --> 00:22:02,590
Okay, bye.
525
00:22:06,988 --> 00:22:08,602
I'm sorry.
526
00:22:08,602 --> 00:22:10,270
- [Lauren] Why are you sorry?
527
00:22:10,270 --> 00:22:12,477
- [Emily] I phoned my mum.
528
00:22:12,477 --> 00:22:14,677
I needed to speak to
her, see how Ernest is.
529
00:22:17,163 --> 00:22:19,095
- [Female] Do you feel
better having spoken to her?
530
00:22:19,095 --> 00:22:20,595
- No I feel worse.
531
00:22:29,500 --> 00:22:30,900
- You didn't tell her where we are?
532
00:22:30,900 --> 00:22:33,527
- [Emily] No all I said
is we'd hitchhiked.
533
00:22:33,527 --> 00:22:34,360
- What?
534
00:22:34,360 --> 00:22:35,479
- [Emily] All I said is we'd hitchhiked.
535
00:22:35,479 --> 00:22:36,840
- No, no, no, no.
536
00:22:36,840 --> 00:22:38,057
You don't tell anybody anything.
537
00:22:38,057 --> 00:22:39,890
- But she wants to know I'm safe.
538
00:22:39,890 --> 00:22:42,180
- Yeah you're safe, you
just say yes, I'm safe.
539
00:22:42,180 --> 00:22:46,381
You don't tell anybody
anything about anything.
540
00:22:46,381 --> 00:22:47,214
- Loz!
541
00:22:49,330 --> 00:22:51,070
- [Narrator] Calling home was a gamble.
542
00:22:51,070 --> 00:22:52,710
But Emily's hoping the hunters
543
00:22:52,710 --> 00:22:54,733
aren't monitoring her mother's phone.
544
00:22:55,607 --> 00:22:56,440
- Loz!
545
00:22:57,710 --> 00:22:58,543
What's wrong?
546
00:22:58,543 --> 00:23:01,069
- You phoned your fucking mother's phone.
547
00:23:01,069 --> 00:23:05,260
You just did that completely
off your own back, completely.
548
00:23:05,260 --> 00:23:07,510
I understand you've gotta phone Ernest but
549
00:23:07,510 --> 00:23:09,713
at least, at least play
by the rules 'cos it's,
550
00:23:09,713 --> 00:23:13,003
you know,, Emily does what
Emily wants to do is not on.
551
00:23:14,657 --> 00:23:17,407
(dramatic music)
552
00:23:24,470 --> 00:23:26,000
- [Narrator] In HQ, the hunters turn
553
00:23:26,000 --> 00:23:28,333
their attention to two other fugitives.
554
00:23:29,460 --> 00:23:32,430
- Sandra Cooley and Elizabeth D'Arcy.
555
00:23:32,430 --> 00:23:34,560
Life partners, business partners.
556
00:23:34,560 --> 00:23:36,670
- These people have got some affluence
557
00:23:36,670 --> 00:23:39,610
and I think that's an
important part of this
558
00:23:39,610 --> 00:23:42,050
because, if that's their lifestyle,
559
00:23:42,050 --> 00:23:44,673
that could be something
that they revert to.
560
00:23:45,720 --> 00:23:47,600
- [Narrator] Sandra and Elizabeth
561
00:23:47,600 --> 00:23:50,305
have been on the run for two days.
562
00:23:50,305 --> 00:23:51,138
(horn honking)
563
00:23:51,138 --> 00:23:52,350
- Oh Jesus, Mary, Saint Joseph.
564
00:23:53,270 --> 00:23:55,380
- No more flat whites I'm telling you.
565
00:23:55,380 --> 00:23:57,373
- I'm like a lunatic when
I've had coffee, it's great.
566
00:23:58,238 --> 00:24:01,330
(dramatic music)
567
00:24:01,330 --> 00:24:02,510
- [Narrator] The pair have consistently
568
00:24:02,510 --> 00:24:05,083
used local buses to evade capture.
569
00:24:08,070 --> 00:24:09,707
- Being on the move all the
time, we run the gauntlet
570
00:24:09,707 --> 00:24:11,970
and I know that every second ticking
571
00:24:11,970 --> 00:24:13,740
is a second that they could
be standing behind me.
572
00:24:13,740 --> 00:24:15,840
I was paranoid yesterday looking
at various people thinking
573
00:24:15,840 --> 00:24:17,510
is that them, is that them, is that them?
574
00:24:17,510 --> 00:24:21,110
Guys with sunglasses and people
just thinking is that them?
575
00:24:21,110 --> 00:24:24,950
Your heart goes so it's
tough to keep running.
576
00:24:24,950 --> 00:24:27,290
- [Narrator] They've
crisscrossed the south east.
577
00:24:27,290 --> 00:24:30,070
Taking 13 buses and have so far
578
00:24:30,070 --> 00:24:31,863
stayed off the hunter's radar.
579
00:24:34,030 --> 00:24:36,100
But after four days, Sandra
580
00:24:36,100 --> 00:24:39,230
and Elizabeth come to
the hunters' attention.
581
00:24:39,230 --> 00:24:41,046
(dramatic music)
582
00:24:41,046 --> 00:24:42,157
- We've got them in and ATM.
583
00:24:42,157 --> 00:24:43,910
Are you looking at the location?
584
00:24:43,910 --> 00:24:45,750
- [Stacey] That was in Brighton.
585
00:24:45,750 --> 00:24:47,650
- How much have they taken
out this time Stacey?
586
00:24:47,650 --> 00:24:50,220
- The amounts were ยฃ200 on Sandra's card
587
00:24:50,220 --> 00:24:52,100
and ยฃ200 on Elizabeth's card.
588
00:24:52,100 --> 00:24:55,630
- Right I need everything
we have on these fugitives.
589
00:24:55,630 --> 00:24:58,533
We've go to get closer,
we've gotta get hands on.
590
00:24:59,910 --> 00:25:01,750
- [Narrator] CCTV captures the two
591
00:25:01,750 --> 00:25:04,540
fugitives boarding a bus back west.
592
00:25:04,540 --> 00:25:07,270
- [Female] CCTV's showed
them getting on another bus.
593
00:25:07,270 --> 00:25:08,510
There's actually quite a pattern
594
00:25:08,510 --> 00:25:10,860
in the way that they've done it.
595
00:25:10,860 --> 00:25:14,320
- [Narrator] Cindy Storer
is a former C.I.A. analyst.
596
00:25:14,320 --> 00:25:18,310
She specializes in spotting
patterns of behavior.
597
00:25:18,310 --> 00:25:20,660
- We all establish patterns
just to get through the day.
598
00:25:20,660 --> 00:25:21,570
That's how we work.
599
00:25:21,570 --> 00:25:24,673
And so it's really hard
for people to be random.
600
00:25:25,690 --> 00:25:27,190
- [Narrator] She was
one of the first people
601
00:25:27,190 --> 00:25:30,773
to identify Al Qaeda as
a terrorist organization.
602
00:25:32,280 --> 00:25:34,930
- As human beings, we
tend to repeat ourselves.
603
00:25:34,930 --> 00:25:37,740
It's a survival tactic, it's in our D.N.A.
604
00:25:37,740 --> 00:25:39,980
So, if you can figure out someone
605
00:25:39,980 --> 00:25:42,410
and how they tend to think, how they
606
00:25:42,410 --> 00:25:45,423
tend to do things, then
you're a step ahead.
607
00:25:46,580 --> 00:25:48,340
- [Narrator] Cindy predicts the potential
608
00:25:48,340 --> 00:25:49,800
routes they might take.
609
00:25:49,800 --> 00:25:53,850
And the hunters pick them
up on CCTV within hours.
610
00:25:53,850 --> 00:25:55,813
- Bus number 522.
611
00:25:58,360 --> 00:26:00,370
- [Ben] Guys I've got some
really good intel for you.
612
00:26:00,370 --> 00:26:01,203
- Yep.
- Yep.
613
00:26:01,203 --> 00:26:03,214
- [Ben] We know they got on a bus
614
00:26:03,214 --> 00:26:04,730
but the good thing is they're in a bus
615
00:26:04,730 --> 00:26:06,840
and you're in a car so we
can make some good ground.
616
00:26:06,840 --> 00:26:08,198
- [Nicola] Right we'll go right now.
617
00:26:08,198 --> 00:26:09,031
- All right good luck guys.
618
00:26:09,031 --> 00:26:10,878
- All right bye.
- let's go, let's go.
619
00:26:10,878 --> 00:26:11,730
(dramatic music)
620
00:26:11,730 --> 00:26:12,940
- [Narrator] Former police officers
621
00:26:12,940 --> 00:26:16,770
Nicola Thorn and Danni
Brooke are chasing the trail.
622
00:26:16,770 --> 00:26:18,430
- We are literally like coming in on them,
623
00:26:18,430 --> 00:26:20,599
like their walls are closing in.
624
00:26:20,599 --> 00:26:22,658
They are ours, they are going down.
625
00:26:22,658 --> 00:26:25,408
(dramatic music)
626
00:26:26,690 --> 00:26:29,263
- [Narrator] But the
fugitives have a head start.
627
00:26:31,100 --> 00:26:33,590
Monitoring their route to the Midlands,
628
00:26:33,590 --> 00:26:37,190
the hunters catch up with
them on their 21st bus.
629
00:26:37,190 --> 00:26:39,080
- [Nicola] Right so that
is definitely it in front.
630
00:26:39,080 --> 00:26:40,603
- [Danni] Yeah.
- [Nicola] No doubt.
631
00:26:44,080 --> 00:26:45,810
- Oh look no entry except buses.
632
00:26:45,810 --> 00:26:47,393
Dan you're gonna have to get out here.
633
00:26:50,200 --> 00:26:51,310
- [Danni] We can see it.
634
00:26:51,310 --> 00:26:52,190
- [Nicola] Yeah it don't
matter, you can't see
635
00:26:52,190 --> 00:26:53,840
who's getting off though can you?
636
00:26:55,112 --> 00:26:57,862
(dramatic music)
637
00:26:57,862 --> 00:26:58,695
- Hello.
638
00:26:59,770 --> 00:27:01,690
Thank you very much.
639
00:27:01,690 --> 00:27:03,017
Good man, thank you.
640
00:27:03,017 --> 00:27:05,720
- How're you getting on
guys, you still got eyes on?
641
00:27:05,720 --> 00:27:08,540
- Confirmed sighting of both,
we're at the coach station.
642
00:27:08,540 --> 00:27:11,350
The coach has just pulled in,
they are in the coach station
643
00:27:11,350 --> 00:27:13,783
at the moment and Danni
has walked off to it.
644
00:27:14,710 --> 00:27:15,600
- [Danni] One's got a hat on
645
00:27:15,600 --> 00:27:17,760
and one's got glasses and a hood up.
646
00:27:17,760 --> 00:27:18,823
- Out this way then.
647
00:27:22,843 --> 00:27:24,843
- Right we need to fucking get in there.
648
00:27:26,390 --> 00:27:29,250
- We need to think about
getting something to eat.
649
00:27:29,250 --> 00:27:30,800
- [Nicola] Dan talk to me, where are ya?
650
00:27:30,800 --> 00:27:31,790
- [Danni] There's a Crown and Anchor pub,
651
00:27:31,790 --> 00:27:32,670
I've got eye ball on them.
652
00:27:32,670 --> 00:27:34,092
- Across the road, across the road?
653
00:27:34,092 --> 00:27:35,660
- [Danni] Yeah across the
road, straight across.
654
00:27:35,660 --> 00:27:37,030
And I'll be able to see you.
655
00:27:37,030 --> 00:27:39,510
(dramatic music)
656
00:27:39,510 --> 00:27:40,600
- [Nicola] Right there they are.
657
00:27:40,600 --> 00:27:41,950
I'll go left, you go right.
658
00:27:44,651 --> 00:27:46,660
- [Elizabeth] We need to go
down this, Lemming Street
659
00:27:46,660 --> 00:27:48,883
and then Woodhouse Road.
660
00:27:53,601 --> 00:27:54,434
- Ah is that the backpack, there?
661
00:27:54,434 --> 00:27:55,870
There we go.
- [Female] That's it.
662
00:27:59,315 --> 00:28:01,087
- [Female] Guys run,
run, run, run, run, run.
663
00:28:01,087 --> 00:28:01,920
- [Danni] Stop, stop your things--
664
00:28:01,920 --> 00:28:02,830
- [Nicola] Sandra Cooley--
665
00:28:02,830 --> 00:28:03,944
- [Danni] Stop where you are.
666
00:28:03,944 --> 00:28:05,194
- Wait, you need to stop.
667
00:28:06,260 --> 00:28:07,987
You need to stop.
668
00:28:07,987 --> 00:28:10,023
You need to stop right now!
669
00:28:11,123 --> 00:28:12,067
You need to stop.
670
00:28:12,067 --> 00:28:13,330
- You need to take your hand off me now.
671
00:28:13,330 --> 00:28:14,300
- Get against that wall--
672
00:28:14,300 --> 00:28:15,607
- Sandra calm down, it's okay,
673
00:28:15,607 --> 00:28:18,274
it's okay, it's okay, it's okay.
674
00:28:19,130 --> 00:28:20,410
- Don't touch me.
- Sandra stop.
675
00:28:20,410 --> 00:28:22,870
We're in real shock here guys.
676
00:28:22,870 --> 00:28:24,020
- Boss.
677
00:28:24,020 --> 00:28:26,380
- [Ben] Well done guys, excellent job.
678
00:28:26,380 --> 00:28:27,213
- [Nicola] Cheers boss.
679
00:28:27,213 --> 00:28:28,580
- Thanks everyone, good work.
680
00:28:31,054 --> 00:28:32,804
- I'm fucking gutted.
681
00:28:33,934 --> 00:28:36,851
I really thought we were safe here.
682
00:28:38,420 --> 00:28:41,179
- Okay everybody, let's get the next ones.
683
00:28:41,179 --> 00:28:43,929
(dramatic music)
684
00:28:49,600 --> 00:28:51,670
- [Narrator] Fugitive Doctor Ricky Allen
685
00:28:51,670 --> 00:28:53,980
spent his first night in his new car
686
00:28:53,980 --> 00:28:56,090
in a lay by in Northampton.
687
00:28:56,090 --> 00:28:57,470
- I think today we should just,
688
00:28:57,470 --> 00:28:58,740
we've had a good night's sleep,
689
00:28:58,740 --> 00:28:59,910
today we should aim to get some
690
00:28:59,910 --> 00:29:02,210
serious mileage under our belt.
691
00:29:02,210 --> 00:29:04,160
- [Narrator] His plan is to head north.
692
00:29:06,170 --> 00:29:08,427
- Pick up any sign for the M1.
693
00:29:08,427 --> 00:29:11,177
(dramatic music)
694
00:29:12,490 --> 00:29:14,730
- [Narrator] HQ have lost track of Ricky.
695
00:29:14,730 --> 00:29:17,720
But, in an effort to work
out where he may have gone,
696
00:29:17,720 --> 00:29:20,450
they are analyzing the laptop, iPad
697
00:29:20,450 --> 00:29:23,210
and diary taken from his home.
698
00:29:23,210 --> 00:29:26,270
- What I've been doing is I've
been going through a notebook
699
00:29:26,270 --> 00:29:28,900
that was recovered at the Allen residence.
700
00:29:28,900 --> 00:29:31,190
Now, one thing that's interesting about
701
00:29:32,040 --> 00:29:33,810
about Doctor Allen, he's very good
702
00:29:33,810 --> 00:29:35,380
at using password generators.
703
00:29:35,380 --> 00:29:38,260
So he's using complex passwords
that are well put together
704
00:29:38,260 --> 00:29:40,680
however, when you have
a different password
705
00:29:40,680 --> 00:29:43,890
for absolutely everything,
it's now a memory problem.
706
00:29:43,890 --> 00:29:46,120
And what's he's done, is he's written down
707
00:29:46,120 --> 00:29:48,473
many passwords in the cover of the book.
708
00:29:49,800 --> 00:29:51,880
- [Narrator] With one of his passwords,
709
00:29:51,880 --> 00:29:55,253
HQ quickly infiltrate
Ricky's online accounts.
710
00:29:56,810 --> 00:29:58,800
- [David] Well what
he's been clicking on is
711
00:29:58,800 --> 00:30:00,820
penis size study, what's normal anyway?
712
00:30:00,820 --> 00:30:02,840
What's the average penis length?
713
00:30:02,840 --> 00:30:03,990
- [Male] They say that
you're more truthful
714
00:30:03,990 --> 00:30:06,153
to your search engine
than you are to your wife.
715
00:30:07,200 --> 00:30:09,060
- So we found something, I think
716
00:30:09,060 --> 00:30:12,363
you'll agree, really
interesting on Ricky's email.
717
00:30:13,380 --> 00:30:15,243
- [Peter] Okay so we've got
into his email account have we?
718
00:30:15,243 --> 00:30:17,180
- Yeah got into his Hotmail account.
719
00:30:17,180 --> 00:30:19,660
It then, ironically,
says, delete this properly
720
00:30:19,660 --> 00:30:22,780
after you copy the email
address, or the address details.
721
00:30:22,780 --> 00:30:25,570
I think people don't
generally appreciate that,
722
00:30:25,570 --> 00:30:29,190
when they click delete on
an email or a photograph,
723
00:30:29,190 --> 00:30:31,630
it doesn't actually get deleted at all.
724
00:30:31,630 --> 00:30:34,550
It's still there, you
just don't see it anymore.
725
00:30:34,550 --> 00:30:35,500
But someone who knows what they're
726
00:30:35,500 --> 00:30:37,333
doing can usually access that.
727
00:30:38,350 --> 00:30:39,183
This,
728
00:30:39,183 --> 00:30:41,320
there's a guy that's a lot of
729
00:30:41,320 --> 00:30:42,820
email correspondence between them.
730
00:30:42,820 --> 00:30:45,220
He is a guy that he goes
training with, he's a guy
731
00:30:45,220 --> 00:30:47,370
he goes cycling with, he's
a guy he goes camping with.
732
00:30:47,370 --> 00:30:49,950
As discussed, I think
the rural isolation angle
733
00:30:49,950 --> 00:30:52,683
is really good, real off the grid stuff.
734
00:30:53,770 --> 00:30:55,140
But they will identify your links
735
00:30:55,140 --> 00:30:57,240
to Scotland through work history possibly.
736
00:30:58,530 --> 00:31:01,050
- [Narrator] Ex Detective,
Julie Clegg is an
737
00:31:01,050 --> 00:31:04,710
international specialist in
online profiling of fugitives.
738
00:31:04,710 --> 00:31:07,230
- From what I find online, I can build
739
00:31:07,230 --> 00:31:10,510
a fairly comprehensive picture
as to who that person is,
740
00:31:10,510 --> 00:31:13,000
what they're likely to do next
741
00:31:13,000 --> 00:31:15,840
and how we can hunt them
down more effectively
742
00:31:15,840 --> 00:31:17,660
based on exactly who they are.
743
00:31:17,660 --> 00:31:19,150
- [Narrator] Julie has found a curious
744
00:31:19,150 --> 00:31:21,690
search in Ricky's web history.
745
00:31:21,690 --> 00:31:24,960
- The 39 Steps, an all action hero
746
00:31:24,960 --> 00:31:27,490
with a stiff upper lip
and a miraculous knack
747
00:31:27,490 --> 00:31:30,398
for getting himself out
of sticky situations.
748
00:31:30,398 --> 00:31:33,040
The 39 Steps is about
somebody being hunted.
749
00:31:33,040 --> 00:31:36,160
It's about somebody going
to Scotland and hiding away.
750
00:31:36,160 --> 00:31:37,863
- You know, he's styling himself on that.
751
00:31:40,640 --> 00:31:43,250
- Going rural as a fugitive,
752
00:31:43,250 --> 00:31:46,280
gives them vast space to hide in.
753
00:31:46,280 --> 00:31:49,090
They're away from technology,
there's no cameras.
754
00:31:49,090 --> 00:31:52,380
The downsides are, in rural locations,
755
00:31:52,380 --> 00:31:55,360
you have small villages,
everyone knows everyone.
756
00:31:55,360 --> 00:31:57,260
As soon as a new face comes in,
757
00:31:57,260 --> 00:32:00,650
they're instantly interested
to see who that is.
758
00:32:00,650 --> 00:32:01,800
They'll still be found.
759
00:32:02,739 --> 00:32:05,489
(dramatic music)
760
00:32:07,440 --> 00:32:11,060
- I was working up here as a
surgical doctor in a hospital
761
00:32:11,060 --> 00:32:14,230
and then I fell ill, have
to have some surgery,
762
00:32:14,230 --> 00:32:17,620
of the Lance Armstrong type, and then--
763
00:32:17,620 --> 00:32:20,012
- [Male] For the record was that?
764
00:32:20,012 --> 00:32:21,580
- A bollockectomy.
765
00:32:21,580 --> 00:32:24,700
They had to take one off
just to tame me slightly.
766
00:32:24,700 --> 00:32:27,660
(laughing)
767
00:32:27,660 --> 00:32:32,130
- Doctor Allen is an inventor,
he's outspoken in the media.
768
00:32:32,130 --> 00:32:34,860
So we're not talking about
a shrinking violet here.
769
00:32:34,860 --> 00:32:38,680
So it gives us some
indication as just to how
770
00:32:38,680 --> 00:32:40,340
bright and clever and resourceful
771
00:32:40,340 --> 00:32:44,636
and what an adversary
he's gonna prove to be.
772
00:32:44,636 --> 00:32:47,386
(dramatic music)
773
00:32:57,420 --> 00:33:00,580
- [Narrator] Best friends
Emily Dredge and Lauren English
774
00:33:00,580 --> 00:33:02,870
have been on the run for three days.
775
00:33:02,870 --> 00:33:05,380
- 'Cos it's the weekend
in the Lake District,
776
00:33:05,380 --> 00:33:08,220
all the bed and breakfasts are booked up.
777
00:33:08,220 --> 00:33:09,700
So the likelihood of us finding
778
00:33:09,700 --> 00:33:12,683
somewhere to stay is gonna be really hard.
779
00:33:14,480 --> 00:33:15,820
- [Narrator] Hitchhiking and camping
780
00:33:15,820 --> 00:33:18,660
has kept the pair off the hunters' radar.
781
00:33:18,660 --> 00:33:22,720
But this haphazard lifestyle
is taking its toll.
782
00:33:22,720 --> 00:33:24,160
- I was freezing last night
783
00:33:24,160 --> 00:33:26,080
and we're now in a colder area.
784
00:33:26,080 --> 00:33:27,428
Please.
785
00:33:27,428 --> 00:33:29,844
- Honestly I want to rip the tent off you
786
00:33:29,844 --> 00:33:32,440
and fuck off down the lake and
have a good time on my own.
787
00:33:32,440 --> 00:33:34,200
That's how I feel right now.
788
00:33:34,200 --> 00:33:35,589
- I'm really stressed out Lauren.
789
00:33:35,589 --> 00:33:36,422
- I know you're stressed out.
790
00:33:36,422 --> 00:33:37,730
When you're feeling like that Ems,
791
00:33:37,730 --> 00:33:39,340
go and sit on a bench for a minute.
792
00:33:39,340 --> 00:33:41,668
Go and get yourself a
fucking cup of coffee.
793
00:33:41,668 --> 00:33:45,100
(dramatic music)
794
00:33:45,100 --> 00:33:46,520
- [Narrator] Back at HQ,
795
00:33:46,520 --> 00:33:48,070
they haven't had a solid lead on
796
00:33:48,070 --> 00:33:51,950
Emily and Lauren since
the ATM alert on day one.
797
00:33:51,950 --> 00:33:55,070
- The trail is going sadly cold.
798
00:33:55,070 --> 00:33:57,720
Rich from cyber are
desperate for some hardware.
799
00:33:57,720 --> 00:33:59,190
They want a phone or a laptop
800
00:33:59,190 --> 00:34:02,550
or a tablet or some kind of hardware.
801
00:34:02,550 --> 00:34:04,470
- [Narrator] Chief Lovegrove calls in
802
00:34:04,470 --> 00:34:07,883
his covert unit to boost HQ's position.
803
00:34:12,268 --> 00:34:15,410
(phone ringing)
804
00:34:15,410 --> 00:34:18,030
- Emily Dredge has got a
little boy called Ernest
805
00:34:18,870 --> 00:34:22,932
and we need evidence
of where that baby is.
806
00:34:22,932 --> 00:34:25,676
So, if we're able to
locate where the baby is,
807
00:34:25,676 --> 00:34:27,360
we'll be able to locate her.
808
00:34:27,360 --> 00:34:28,750
- [Male] Once we make entry,
809
00:34:28,750 --> 00:34:30,880
depending on the time constraints,
810
00:34:30,880 --> 00:34:33,173
we will see what we can retrieve.
811
00:34:33,173 --> 00:34:35,923
(dramatic music)
812
00:34:37,350 --> 00:34:40,403
- [Narrator] The unit is
sent to raid Emily's house.
813
00:34:42,230 --> 00:34:43,970
These covert agents are trained
814
00:34:43,970 --> 00:34:46,720
British undercover
intelligence specialists.
815
00:34:46,720 --> 00:34:49,070
With frontline experience
throughout the world.
816
00:34:50,610 --> 00:34:52,450
Whilst three agents move in to gain
817
00:34:52,450 --> 00:34:56,563
access to the house, a
fourth keeps watch outside.
818
00:34:58,740 --> 00:35:01,870
- The use of covert agents,
going into private space
819
00:35:01,870 --> 00:35:05,170
to gather information, is critical.
820
00:35:05,170 --> 00:35:07,360
If an ordinary member of the public
821
00:35:07,360 --> 00:35:10,340
tried to do that, they
would end up in prison.
822
00:35:10,340 --> 00:35:13,600
So that ability to deploy those assets
823
00:35:13,600 --> 00:35:15,423
are taken very seriously.
824
00:35:17,430 --> 00:35:21,404
They are deployed only as
a result of intelligence.
825
00:35:21,404 --> 00:35:24,154
(dramatic music)
826
00:35:25,870 --> 00:35:28,423
- [Narrator] Once inside,
the agents set to work.
827
00:35:31,960 --> 00:35:33,420
Searching for anything that will
828
00:35:33,420 --> 00:35:36,333
reveal Emily or her son's location.
829
00:35:41,892 --> 00:35:43,120
- [Male] Just to give you an update,
830
00:35:43,120 --> 00:35:45,650
we're going through a lot
of receipts at the minute.
831
00:35:45,650 --> 00:35:48,236
Found a driver's license and a passport,
832
00:35:48,236 --> 00:35:50,413
also a recent purchase of a phone.
833
00:35:50,413 --> 00:35:53,423
There's quite a lot of
computers and laptops as well.
834
00:35:54,600 --> 00:35:56,920
- [Narrator] They even take dirty clothes.
835
00:35:56,920 --> 00:35:59,393
Which will give sniffer
dogs Emily's scent.
836
00:36:01,380 --> 00:36:03,130
Making sure they leave everything
837
00:36:04,030 --> 00:36:06,163
precisely as they found it.
838
00:36:09,830 --> 00:36:11,540
- I don't know where
they are, these people.
839
00:36:11,540 --> 00:36:13,090
I don't know if they're
two miles down the road,
840
00:36:13,090 --> 00:36:14,160
don't know if they're still in London,
841
00:36:14,160 --> 00:36:15,902
I don't know if they're,
whatever they've done.
842
00:36:15,902 --> 00:36:17,148
They've probably gone through my house,
843
00:36:17,148 --> 00:36:18,510
they've gone through my knicker drawer,
844
00:36:18,510 --> 00:36:20,550
they've gone through my bins,
845
00:36:20,550 --> 00:36:22,770
they've gone through my fridge.
846
00:36:22,770 --> 00:36:24,990
My friends and family's
phones have been tapped,
847
00:36:24,990 --> 00:36:26,660
my bank accounts have been looked at,
848
00:36:26,660 --> 00:36:28,330
my internet is being looked at,
849
00:36:28,330 --> 00:36:31,130
every message I ever sent
on my phone is being read,
850
00:36:31,130 --> 00:36:32,990
every email that's ever been sent
851
00:36:32,990 --> 00:36:35,160
or received is being watched.
852
00:36:35,160 --> 00:36:38,225
My whole life is completely
under surveillance.
853
00:36:38,225 --> 00:36:40,000
(dramatic music)
854
00:36:40,000 --> 00:36:41,320
- [Male] Gold dust.
855
00:36:41,320 --> 00:36:43,320
It's her whole fucking history.
856
00:36:43,320 --> 00:36:44,153
Everything.
857
00:36:44,153 --> 00:36:45,073
Facebook, Twitter.
858
00:36:46,060 --> 00:36:47,844
Username, password.
859
00:36:47,844 --> 00:36:48,677
Sweet.
860
00:36:51,352 --> 00:36:54,935
5451, we've found one
desktop, two laptops.
861
00:36:56,646 --> 00:36:59,233
Also found details of the
nursery for the child.
862
00:37:00,780 --> 00:37:02,270
- [Male] 54 check.
863
00:37:02,270 --> 00:37:07,270
- I've never, ever felt more
trapped than I do right now.
864
00:37:10,310 --> 00:37:12,620
- [Narrator] The covert
agents leave with laptops
865
00:37:12,620 --> 00:37:16,313
and hard drives to send
back to HQ for analysis.
866
00:37:18,258 --> 00:37:20,023
- Don't feel safe.
867
00:37:20,023 --> 00:37:21,523
I don't ever feel safe.
868
00:37:22,460 --> 00:37:24,172
Not anymore.
869
00:37:24,172 --> 00:37:25,273
Look at the state of me.
870
00:37:26,980 --> 00:37:28,330
I look like a crack addict.
871
00:37:30,180 --> 00:37:31,280
I'm completely fucked.
872
00:37:32,330 --> 00:37:33,163
Mentally,
873
00:37:33,163 --> 00:37:34,900
physically and it's only day three.
874
00:37:36,276 --> 00:37:39,026
(dramatic music)
875
00:37:41,570 --> 00:37:43,890
- [Narrator] Back at HQ,
the hunters are looking
876
00:37:43,890 --> 00:37:47,380
to turn the screw on their
other elusive fugitive.
877
00:37:47,380 --> 00:37:49,300
- Doctor Ricky George Allen.
878
00:37:49,300 --> 00:37:52,660
He's become somewhat of
a superstar in the HQ,
879
00:37:52,660 --> 00:37:55,330
we're all very keen to
find out where he is.
880
00:37:55,330 --> 00:37:59,660
We know he's a keen cyclist,
we know he's a keen motorbiker.
881
00:37:59,660 --> 00:38:02,963
Last location was in
Kent on the alpha two.
882
00:38:03,880 --> 00:38:04,970
- [Narrator] Since he slipped the net
883
00:38:04,970 --> 00:38:08,300
three days ago, leads
on Ricky have dried up.
884
00:38:08,300 --> 00:38:10,430
- [Narrator] But after
scrutinizing his online life
885
00:38:10,430 --> 00:38:12,000
and building a profile,
886
00:38:12,000 --> 00:38:15,250
HQ believe Ricky may have headed north.
887
00:38:15,250 --> 00:38:16,350
- What's the best guess?
888
00:38:16,350 --> 00:38:18,030
I keep hearing Scotland.
889
00:38:18,030 --> 00:38:20,520
Is there any substance to that at all?
890
00:38:20,520 --> 00:38:22,460
- Certainly family connections up there.
891
00:38:22,460 --> 00:38:24,200
There's definitely some friends
892
00:38:24,200 --> 00:38:26,470
that he's been in communication with.
893
00:38:26,470 --> 00:38:28,870
- Okay this guy, he's been out too long.
894
00:38:28,870 --> 00:38:31,803
We need him in, let's get
as much as we possibly can.
895
00:38:35,940 --> 00:38:38,300
- Probably missed their
window of opportunity,
896
00:38:38,300 --> 00:38:41,130
which was the first two
or three days, to nab us
897
00:38:41,130 --> 00:38:45,233
and now, I think it's
slipped away from them.
898
00:38:47,200 --> 00:38:49,720
- I'm not a psychological profiler
899
00:38:49,720 --> 00:38:53,710
but I've got into the heads
of villains over the years
900
00:38:53,710 --> 00:38:57,860
and I'm treating Ricky George Allen as
901
00:38:58,730 --> 00:39:02,073
the opposition, he's the bad guy here.
902
00:39:04,650 --> 00:39:07,260
- I think it's gonna be just
a battle of wills really
903
00:39:07,260 --> 00:39:09,670
rather than a battle of intellects.
904
00:39:09,670 --> 00:39:12,760
It's just who's the grittiest.
905
00:39:12,760 --> 00:39:14,373
And I think that will be us.
906
00:39:16,990 --> 00:39:17,823
Fuck.
907
00:39:19,360 --> 00:39:20,193
It's okay.
908
00:39:21,190 --> 00:39:22,830
I planned for this.
909
00:39:22,830 --> 00:39:25,840
(laughing)
910
00:39:25,840 --> 00:39:28,022
We're gonna have cold without a window.
911
00:39:28,022 --> 00:39:30,272
(laughing)
912
00:39:35,560 --> 00:39:38,220
- [Narrator] Ricky knows
this part of Scotland well.
913
00:39:38,220 --> 00:39:41,453
After working at a local
hospital in the 90s.
914
00:39:42,333 --> 00:39:43,200
- We're actually coming down into
915
00:39:43,200 --> 00:39:47,420
Glencoe village now,
the village of Glencoe.
916
00:39:47,420 --> 00:39:48,580
- [Narrator] His plan is to use
917
00:39:48,580 --> 00:39:51,410
his old contacts as a support network
918
00:39:51,410 --> 00:39:53,323
while he hides out in the area.
919
00:39:55,494 --> 00:39:57,750
- After a couple of days
of going on the run,
920
00:39:57,750 --> 00:39:59,990
they may start to gain a bit of confidence
921
00:39:59,990 --> 00:40:01,540
and believe that we're not behind them.
922
00:40:01,540 --> 00:40:03,210
That we've lost the scent.
923
00:40:03,210 --> 00:40:04,900
Particularly if they're rural.
924
00:40:04,900 --> 00:40:07,050
But no one can live in a vacuum.
925
00:40:07,050 --> 00:40:08,450
As soon as we start reaching out
926
00:40:08,450 --> 00:40:10,000
to their network of friends and family,
927
00:40:10,000 --> 00:40:11,300
we'll find them and, at some point,
928
00:40:11,300 --> 00:40:13,740
they're gonna have to
come up for a breath.
929
00:40:13,740 --> 00:40:15,743
It's psychological warfare.
930
00:40:18,960 --> 00:40:22,570
- I can't recall having ever been defeated
931
00:40:22,570 --> 00:40:24,770
and I think that's,
partly at least, because
932
00:40:25,640 --> 00:40:29,610
I select my battlegrounds
and I select my fights.
933
00:40:29,610 --> 00:40:33,200
If it's a hopeless thing,
if there's no mileage in it,
934
00:40:33,200 --> 00:40:36,083
if it's not worth the
effort, I wouldn't do it.
935
00:40:37,710 --> 00:40:39,660
When I do do something,
936
00:40:39,660 --> 00:40:41,793
when I select a fight,
937
00:40:42,950 --> 00:40:46,390
I throw myself into it wholeheartedly.
938
00:40:46,390 --> 00:40:49,140
(dramatic music)
939
00:40:51,190 --> 00:40:53,380
- If some dodgy looking
characters with sunglasses
940
00:40:53,380 --> 00:40:55,223
and poorly cut black suits
come up asking my name,
941
00:40:55,223 --> 00:40:58,200
talk to them a bit and
say yeah he went that way.
942
00:40:58,200 --> 00:41:00,046
Say I had this number--
943
00:41:00,046 --> 00:41:01,214
- 40 mile that way.
944
00:41:01,214 --> 00:41:02,534
- Yeah I had his number
but, do you know what?
945
00:41:02,534 --> 00:41:03,450
I got it on the back of a napkin
946
00:41:03,450 --> 00:41:05,278
and I gave it to a customer.
947
00:41:05,278 --> 00:41:07,665
(laughing)
948
00:41:07,665 --> 00:41:10,415
(dramatic music)
949
00:41:16,846 --> 00:41:19,066
- Are you headed north?
950
00:41:19,066 --> 00:41:21,780
Hello, excuse me, excuse me.
951
00:41:21,780 --> 00:41:23,860
- [Narrator] Fugitives Emily and Lauren
952
00:41:23,860 --> 00:41:27,063
are continuing to stay on the
move to evade the hunters.
953
00:41:32,060 --> 00:41:34,750
While evidence gathered in Emily's flat
954
00:41:34,750 --> 00:41:38,163
by covert operations is arriving at HQ.
955
00:41:39,160 --> 00:41:40,580
- [Male] Another desktop.
956
00:41:40,580 --> 00:41:43,230
- [Narrator] They not only
retrieved Emily's laptop
957
00:41:43,230 --> 00:41:46,053
but also passwords for
her online accounts.
958
00:41:47,160 --> 00:41:49,960
Steve Hersee, who worked
on the intelligence team
959
00:41:49,960 --> 00:41:53,020
for the London Olympics, is
looking at Emily's laptop.
960
00:41:53,020 --> 00:41:55,290
Which the cyber team have hacked.
961
00:41:55,290 --> 00:41:57,460
- So this is Emily Dredger's CV.
962
00:41:57,460 --> 00:41:58,950
Think it's quite up to date.
963
00:41:58,950 --> 00:42:01,710
A lot of the CVs I've seen are
very factual, to the point,
964
00:42:01,710 --> 00:42:03,970
worked here, achieved this, did this.
965
00:42:03,970 --> 00:42:05,730
This is almost a story of her life,
966
00:42:05,730 --> 00:42:07,180
she's almost telling a story.
967
00:42:08,840 --> 00:42:09,743
- Excuse me, okay.
968
00:42:11,250 --> 00:42:12,660
- She talks about her education.
969
00:42:12,660 --> 00:42:14,520
Very open here, left school at 14
970
00:42:14,520 --> 00:42:15,980
because I didn't want to go anymore.
971
00:42:15,980 --> 00:42:19,250
Straight away, she's a bit
different, bit of a rebel.
972
00:42:19,250 --> 00:42:22,040
Not afraid to challenge authority,
973
00:42:22,040 --> 00:42:23,900
not afraid to do her own thing.
974
00:42:23,900 --> 00:42:25,490
- What might work Em.
975
00:42:25,490 --> 00:42:27,580
Across the roundabout,
down the other side.
976
00:42:27,580 --> 00:42:29,390
- [Emily] No we don't try
things for long enough.
977
00:42:29,390 --> 00:42:30,223
- [Lauren] That's what I'm saying--
978
00:42:30,223 --> 00:42:33,330
- And that's a Siemens
facial recognition camera.
979
00:42:33,330 --> 00:42:34,743
That camera is evil.
980
00:42:35,880 --> 00:42:38,080
- She comes out with what she
did, she's not hiding anything
981
00:42:38,080 --> 00:42:40,360
so I ended up dancing in clubs.
982
00:42:40,360 --> 00:42:42,850
On the positive side, I was earning
983
00:42:42,850 --> 00:42:44,940
thousands of pounds a night
and I bought two horses
984
00:42:44,940 --> 00:42:47,890
and a sports car, some nice
clothes, a new pair of breasts.
985
00:42:49,040 --> 00:42:50,420
- [Narrator] The information gives Steve
986
00:42:50,420 --> 00:42:52,517
a sense of the person Emily is
987
00:42:52,517 --> 00:42:55,663
and the kind of impulsive
decisions she might make.
988
00:42:56,960 --> 00:42:58,690
- She's definitely complex.
989
00:42:58,690 --> 00:43:00,270
Definitely complex and
990
00:43:00,270 --> 00:43:02,634
will be quite unpredictable I think.
991
00:43:02,634 --> 00:43:05,050
She's just a free spirit
and she does what she likes.
992
00:43:05,050 --> 00:43:07,090
- It's just like there's no reasoning.
993
00:43:07,090 --> 00:43:10,090
Any suggestion just gets dismissed.
994
00:43:10,090 --> 00:43:11,750
And if I hear one more thing about
995
00:43:11,750 --> 00:43:14,527
facial recognition I'm
gonna fucking scream.
996
00:43:14,527 --> 00:43:15,770
- Lauren!
997
00:43:15,770 --> 00:43:16,603
Come on.
998
00:43:19,870 --> 00:43:21,000
Thank you so much.
999
00:43:21,000 --> 00:43:23,790
Any way away from here 'cos
this is pretty dangerous.
1000
00:43:23,790 --> 00:43:26,360
Loz, don't look at that
camera, look at me.
1001
00:43:26,360 --> 00:43:28,270
- [Narrator] Using Emily's passwords,
1002
00:43:28,270 --> 00:43:30,310
Steve is able to read Emily's private
1003
00:43:30,310 --> 00:43:33,343
Facebook messages about her son, Ernest.
1004
00:43:35,650 --> 00:43:37,520
- When everyone asks about him,
1005
00:43:37,520 --> 00:43:39,890
I know any parent does
but she absolutely gushes
1006
00:43:39,890 --> 00:43:42,190
and talks about how he looks at her
1007
00:43:42,190 --> 00:43:44,210
and she craves that emotional,
1008
00:43:44,210 --> 00:43:45,630
she craves to be loved I think
1009
00:43:45,630 --> 00:43:48,694
and the son gives that total love to her.
1010
00:43:48,694 --> 00:43:51,500
So she's really emotionally needy.
1011
00:43:51,500 --> 00:43:53,298
- You sound like you know her well.
1012
00:43:53,298 --> 00:43:54,131
- Yeah it's interesting.
1013
00:43:54,131 --> 00:43:56,940
I mean it's quite sad sometimes reading.
1014
00:43:56,940 --> 00:43:59,530
She seems like she's just
looking for something.
1015
00:43:59,530 --> 00:44:00,820
I feel I know her quite well.
1016
00:44:00,820 --> 00:44:03,680
- Right get to know her better
and tell me where she is.
1017
00:44:03,680 --> 00:44:04,513
- Yeah.
1018
00:44:04,513 --> 00:44:05,707
- All right mate thanks very much.
1019
00:44:06,645 --> 00:44:08,310
(dramatic music)
1020
00:44:08,310 --> 00:44:09,940
- [Narrator] The covert team also took
1021
00:44:09,940 --> 00:44:12,543
photographs of Emily's private documents.
1022
00:44:13,530 --> 00:44:16,230
- We've got her passport, in
the back of that passport,
1023
00:44:16,230 --> 00:44:19,800
we've gleaned two emergency
contact addresses and names
1024
00:44:19,800 --> 00:44:21,980
which we can look into further.
1025
00:44:21,980 --> 00:44:24,360
- [Narrator] Listed in
the back of the passport
1026
00:44:24,360 --> 00:44:27,000
are the telephone
numbers of Emily's mother
1027
00:44:27,000 --> 00:44:30,340
and crucially, the father of Emily's son.
1028
00:44:30,340 --> 00:44:33,030
- What the girls have
compiled, by going through
1029
00:44:33,030 --> 00:44:35,850
all the intelligence today,
these are the potentials
1030
00:44:35,850 --> 00:44:38,400
that they feel may have been in contact.
1031
00:44:38,400 --> 00:44:41,023
I'll get that in ASAP thank you very much.
1032
00:44:42,480 --> 00:44:43,610
- [Narrator] Suspecting either could be
1033
00:44:43,610 --> 00:44:47,450
looking after Emily's son,
HQ request both phones
1034
00:44:47,450 --> 00:44:51,630
to be monitored for
incoming and outgoing calls.
1035
00:44:51,630 --> 00:44:54,070
- She's got very good reason to keep
1036
00:44:54,070 --> 00:44:56,370
in contact with some of
her life in some way.
1037
00:44:56,370 --> 00:44:58,250
Which is this, the child.
1038
00:44:58,250 --> 00:45:00,810
So that helps us, so we
have more, we don't just
1039
00:45:00,810 --> 00:45:03,710
have to follow her, we can
start looking at her family
1040
00:45:03,710 --> 00:45:05,580
and where the two will intersect.
1041
00:45:05,580 --> 00:45:07,280
We could be led right to her
1042
00:45:08,610 --> 00:45:10,168
by following her family like this.
1043
00:45:10,168 --> 00:45:12,918
(dramatic music)
1044
00:45:18,324 --> 00:45:19,279
- [Female] Are you happy Loz?
1045
00:45:19,279 --> 00:45:21,680
- Yeah I'm happy now I've got sand paper.
1046
00:45:21,680 --> 00:45:23,793
Sand paper makes me happy.
1047
00:45:25,660 --> 00:45:28,070
- [Narrator] Emily and Lauren
have blagged themselves
1048
00:45:28,070 --> 00:45:31,783
free accommodation in
exchange for doing odd jobs.
1049
00:45:33,640 --> 00:45:36,110
Emily has been asked to answer the phones
1050
00:45:36,110 --> 00:45:37,890
but instead she takes the opportunity
1051
00:45:37,890 --> 00:45:41,983
to call Christopher, the
father of her son Ernest.
1052
00:45:48,203 --> 00:45:50,896
(phone ringing)
1053
00:45:50,896 --> 00:45:51,729
- [Christopher] Hello?
1054
00:45:51,729 --> 00:45:53,107
- Hi.
1055
00:45:53,107 --> 00:45:53,940
- [Christopher] Hello?
1056
00:45:53,940 --> 00:45:54,830
- Hi can you hear me?
1057
00:45:54,830 --> 00:45:56,240
- [Christopher] Yes I can.
1058
00:45:56,240 --> 00:45:58,220
- So you're picking him up today?
1059
00:45:58,220 --> 00:46:00,150
I'm gonna plan to come down and see him.
1060
00:46:00,150 --> 00:46:01,600
- [Christopher] No you're not Emily.
1061
00:46:01,600 --> 00:46:02,493
Don't do it.
1062
00:46:03,730 --> 00:46:05,134
You're going to ruin it.
1063
00:46:05,134 --> 00:46:06,490
- But I don't think I would ruin it.
1064
00:46:06,490 --> 00:46:08,345
I reckon I could see
Ernest and not get caught.
1065
00:46:08,345 --> 00:46:10,859
- [Christopher] You've
done so bloody well.
1066
00:46:10,859 --> 00:46:14,656
It's not fair to everyone to
say, oh I've had enough now.
1067
00:46:14,656 --> 00:46:16,695
I know you desperately miss Ernest.
1068
00:46:16,695 --> 00:46:19,440
They want you to do
exactly what you're doing.
1069
00:46:19,440 --> 00:46:20,848
And if you want to get caught
1070
00:46:20,848 --> 00:46:23,765
then that's the way to go about it.
1071
00:46:24,961 --> 00:46:27,157
- [Emily] Yeah I know.
1072
00:46:27,157 --> 00:46:30,083
(dramatic music)
1073
00:46:30,083 --> 00:46:32,860
- So okay, so I think we've got
a lead for Emily and Lauren.
1074
00:46:32,860 --> 00:46:34,690
So it's North Yorkshire.
1075
00:46:34,690 --> 00:46:36,110
So we've been monitoring both Paula Wood
1076
00:46:36,110 --> 00:46:41,020
and Christopher Lees and there's
been incoming calls from a
1077
00:46:41,020 --> 00:46:42,930
phone number which leads back
1078
00:46:42,930 --> 00:46:45,800
to a caravan park in North Yorkshire.
1079
00:46:45,800 --> 00:46:47,510
We've still got them here so,
1080
00:46:47,510 --> 00:46:49,300
on the assumption this
is Emily and Lauren,
1081
00:46:49,300 --> 00:46:51,320
they were here at 9:05 this morning.
1082
00:46:51,320 --> 00:46:52,682
- Excellent, okay.
1083
00:46:52,682 --> 00:46:54,940
I'm gonna get David's team there now.
1084
00:46:54,940 --> 00:46:58,110
Guys I've got some pressing
intelligence through.
1085
00:46:58,110 --> 00:47:01,120
At 09:05 there was a phone call
1086
00:47:01,120 --> 00:47:05,440
to Christopher Lees from
Lindale Holiday Park.
1087
00:47:05,440 --> 00:47:08,510
So this is Emily or Lauren touching base
1088
00:47:08,510 --> 00:47:10,307
with loved ones in the south.
1089
00:47:10,307 --> 00:47:12,562
So unless it's sheer coincidence you know,
1090
00:47:12,562 --> 00:47:13,866
I can't see any other reason
1091
00:47:13,866 --> 00:47:16,713
why Lindale Holiday Park
would be calling Chris Lees
1092
00:47:16,713 --> 00:47:18,930
unless Emily was at the end of it.
1093
00:47:18,930 --> 00:47:20,390
So head up the A1 and go straight
1094
00:47:20,390 --> 00:47:22,680
to that park 'cos they may still be there.
1095
00:47:22,680 --> 00:47:24,020
- [David] Okay, all right, got it.
1096
00:47:24,020 --> 00:47:26,020
- All right cheers bye.
1097
00:47:26,020 --> 00:47:28,380
Right David's team dispatched to that now.
1098
00:47:28,380 --> 00:47:29,630
Optimistic about this.
1099
00:47:29,630 --> 00:47:30,463
- Really?
1100
00:47:30,463 --> 00:47:33,470
- Yeah, we aren't far behind.
- [Brett] Excellent.
1101
00:47:33,470 --> 00:47:36,220
(dramatic music)
1102
00:47:37,680 --> 00:47:39,710
- There's you ducking down
for every fucking camera
1103
00:47:39,710 --> 00:47:41,100
like they've got facial recognition
1104
00:47:41,100 --> 00:47:42,726
but they can't trace your call?
1105
00:47:42,726 --> 00:47:43,559
We've got to go.
1106
00:47:43,559 --> 00:47:46,040
- I just feel a bit bad because
we've just rocked up here--
1107
00:47:46,040 --> 00:47:47,538
- Well Emily...
1108
00:47:47,538 --> 00:47:49,350
(laughing)
1109
00:47:49,350 --> 00:47:50,810
- Yeah well I have to phone my son.
1110
00:47:50,810 --> 00:47:52,262
- [Lauren] Well you have
to phone your son but you
1111
00:47:52,262 --> 00:47:54,798
could've done it tomorrow
when we're about to leave.
1112
00:47:54,798 --> 00:47:56,570
But now we've got to go now.
1113
00:47:56,570 --> 00:47:58,270
- They've got hundreds
and hundreds and hundreds
1114
00:47:58,270 --> 00:48:00,763
of flying monkeys
dispatched ready to bite.
1115
00:48:02,040 --> 00:48:03,080
Thousands of flying monkeys.
1116
00:48:03,080 --> 00:48:05,913
- I wanna bury you up to your neck.
1117
00:48:05,913 --> 00:48:07,807
- I can hear them.
1118
00:48:07,807 --> 00:48:09,545
(cawing)
1119
00:48:09,545 --> 00:48:12,295
(dramatic music)
1120
00:48:13,890 --> 00:48:16,730
- [Narrator] With David
Blakely just five miles away,
1121
00:48:16,730 --> 00:48:20,333
HQ plan the best approach to
intercept Emily and Lauren.
1122
00:48:21,580 --> 00:48:23,580
- Boss the team will be
coming from the northeast
1123
00:48:23,580 --> 00:48:25,710
using No Man's Moor Lane and traveling
1124
00:48:25,710 --> 00:48:28,000
southwest to the entrance exit here.
1125
00:48:28,000 --> 00:48:31,490
It may well be that we
see them on the back roads
1126
00:48:31,490 --> 00:48:33,200
heading east towards the alpha one.
1127
00:48:33,200 --> 00:48:35,640
The alpha one is due east.
1128
00:48:35,640 --> 00:48:37,690
If they're to go anywhere
and get away quickly,
1129
00:48:37,690 --> 00:48:39,249
that's the way they'll be walking.
1130
00:48:39,249 --> 00:48:42,320
(dramatic music)
1131
00:48:42,320 --> 00:48:44,150
- If I come across them,
1132
00:48:44,150 --> 00:48:45,530
en route to
1133
00:48:45,530 --> 00:48:47,949
the campsite, have I got permission
1134
00:48:47,949 --> 00:48:49,989
to go straight in for a snatch?
1135
00:48:49,989 --> 00:48:53,485
- Yes, yes if we can get
away with just an eyes on
1136
00:48:53,485 --> 00:48:54,790
and observing them, seeing what
1137
00:48:54,790 --> 00:48:56,676
they're doing, making
sure they're not spooked,
1138
00:48:56,676 --> 00:48:58,117
if it looks like they're planning
1139
00:48:58,117 --> 00:48:59,601
to start on the ground, as it happens--
1140
00:48:59,601 --> 00:49:01,723
- [David] Wait wait.
- Waiting.
1141
00:49:01,723 --> 00:49:03,513
- [David] Wait.
- Waiting.
1142
00:49:03,513 --> 00:49:05,849
- [David] That's not her,
is that that other one?
1143
00:49:05,849 --> 00:49:06,682
Hang on.
1144
00:49:07,906 --> 00:49:10,489
Two girls walking, okay wait.
1145
00:49:10,489 --> 00:49:13,186
(dramatic music)
1146
00:49:13,186 --> 00:49:14,019
- Lauren!
1147
00:49:14,943 --> 00:49:16,863
I've got a headache, please.
1148
00:49:16,863 --> 00:49:18,613
- [Lauren] Oh please.
1149
00:49:21,068 --> 00:49:23,917
- [Emily] How did she get that far?
1150
00:49:23,917 --> 00:49:24,750
Lauren!
1151
00:49:25,597 --> 00:49:26,430
Lauren!
1152
00:49:27,918 --> 00:49:28,751
Wait!
1153
00:49:30,621 --> 00:49:34,745
- [David] Okay, okay,
hang on, hang on, hang on.
1154
00:49:34,745 --> 00:49:36,621
Okay no not them.
1155
00:49:36,621 --> 00:49:39,600
- Okay.
1156
00:49:39,600 --> 00:49:40,965
- [Emily] Lauren!
1157
00:49:40,965 --> 00:49:41,798
Lauren!
1158
00:49:44,161 --> 00:49:45,913
(engine revving)
1159
00:49:45,913 --> 00:49:50,650
- Excuse me, excuse me.
1160
00:49:50,650 --> 00:49:52,017
Hi.
1161
00:49:52,017 --> 00:49:53,580
Sorry to pounce on you like this,
1162
00:49:53,580 --> 00:49:55,777
can we please get a lift with you?
1163
00:49:57,449 --> 00:49:59,277
Thank you so much for giving us a lift.
1164
00:49:59,277 --> 00:50:00,193
- [Female] Thank you very much.
1165
00:50:00,193 --> 00:50:03,110
- [Lauren] Hello.
- [Male] Hi there.
1166
00:50:06,089 --> 00:50:08,756
(phone ringing)
1167
00:50:10,647 --> 00:50:12,133
- Hi it's Ben.
1168
00:50:12,133 --> 00:50:13,000
- [David] Ben it's David.
1169
00:50:13,000 --> 00:50:14,593
- Hello David.
1170
00:50:14,593 --> 00:50:15,426
- [David] Hiya.
1171
00:50:15,426 --> 00:50:16,723
Right, they've gone.
1172
00:50:18,740 --> 00:50:19,733
- Yes understood.
1173
00:50:21,900 --> 00:50:23,100
- So you're on the run are you?
1174
00:50:23,100 --> 00:50:24,243
- [Emily] Yeah we're on the run
1175
00:50:24,243 --> 00:50:26,549
from the best detectives in the world.
1176
00:50:26,549 --> 00:50:27,483
- [Male] What's the end result?
1177
00:50:27,483 --> 00:50:29,772
- Just a huge sense of achievement.
1178
00:50:29,772 --> 00:50:30,745
- [Male] Right.
1179
00:50:30,745 --> 00:50:32,950
- [Emily] But we keep having to run away.
1180
00:50:32,950 --> 00:50:34,850
'Cos we're scared.
1181
00:50:34,850 --> 00:50:37,100
Well actually 'cos I
keep making phone calls.
1182
00:50:38,090 --> 00:50:39,280
- Life gets a bit boring when you
1183
00:50:39,280 --> 00:50:41,953
get a bit older so enjoy it while you can.
1184
00:50:41,953 --> 00:50:43,645
- Sorry where are we going?
1185
00:50:43,645 --> 00:50:46,395
(dramatic music)
1186
00:50:52,404 --> 00:50:53,887
- [Male] Davinder, you're on the run.
1187
00:50:53,887 --> 00:50:54,720
- Oh shit.
1188
00:50:56,500 --> 00:50:58,680
- We're Asian, we've got beards,
we're probably gonna have
1189
00:50:58,680 --> 00:51:01,140
some rucksacks on our backs
which is not gonna help.
1190
00:51:01,140 --> 00:51:03,050
People are gonna think
bloody hell terrorists.
1191
00:51:03,050 --> 00:51:04,570
- This is a spook free zone.
1192
00:51:04,570 --> 00:51:06,090
- I want this guy apprehended.
1193
00:51:06,090 --> 00:51:07,460
- Ricky Allen clearly thinks we're
1194
00:51:07,460 --> 00:51:09,400
a bunch of slack brained fuck wits.
1195
00:51:09,400 --> 00:51:10,973
- [Male] Possible standby.
1196
00:51:10,973 --> 00:51:11,981
- [Male] Hold on, hold on.
1197
00:51:11,981 --> 00:51:12,814
- [Male] Can I come in please?
1198
00:51:12,814 --> 00:51:13,647
- [Male] No you cannae come in.
1199
00:51:14,566 --> 00:51:15,457
- [Male] Whoa, whoa, whoa hold on.
1200
00:51:15,457 --> 00:51:16,597
- We're surrounded.
1201
00:51:16,597 --> 00:51:19,347
(dramatic music)
89694
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