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These are the user uploaded subtitles that are being translated: 1 00:00:03,733 --> 00:00:08,373 - * WHOA-OH-OH WHOA, OH-OH 2 00:00:08,367 --> 00:00:10,427 * CAN YOU FEEL IT? 3 00:00:10,433 --> 00:00:12,273 [audience screaming] 4 00:00:12,267 --> 00:00:15,997 * CAN YOU FEEL IT? 5 00:00:16,000 --> 00:00:19,700 * CAN YOU FEEL IT? 6 00:00:19,700 --> 00:00:22,400 * CAN YOU FEEL IT? 7 00:00:22,400 --> 00:00:23,630 - [screaming] 8 00:00:23,633 --> 00:00:25,403 - * THERE'S SOMETHING IN THE AIR * 9 00:00:25,400 --> 00:00:27,470 * YEAH 10 00:00:27,467 --> 00:00:29,527 * YEAH, WE'RE GONNA HAVE A GOOD TIME * 11 00:00:29,533 --> 00:00:31,073 - * WE'RE GONNA HAVE A GOOD TIME * 12 00:00:31,067 --> 00:00:32,927 - * THERE'S SOMETHING IN THE AIR * 13 00:00:32,933 --> 00:00:34,933 * YEAH 14 00:00:34,933 --> 00:00:37,203 * YEAH, WE'RE GONNA HAVE A GOOD TIME * 15 00:00:37,200 --> 00:00:38,430 - * GONNA HAVE A GOOD TIME 16 00:00:38,433 --> 00:00:40,503 - * THERE'S SOMETHING IN THE AIR * 17 00:00:40,500 --> 00:00:42,670 * YEAH 18 00:00:42,667 --> 00:00:45,397 * YEAH, WE'RE GONNA HAVE A GOOD TIME * 19 00:00:45,400 --> 00:00:47,200 * THERE'S SOMETHING IN THE AIR * 20 00:00:47,200 --> 00:00:49,700 - * A GOOD TIME, A GOOD TIME - * YEAH 21 00:00:49,700 --> 00:00:51,530 * YEAH, WE'RE GONNA HAVE A GOOD TIME * 22 00:00:51,533 --> 00:00:53,003 - * THERE'S SOMETHING, THERE'S SOMETHING * 23 00:00:53,000 --> 00:00:56,830 [muffled, distant music, cheering] 24 00:00:56,833 --> 00:01:03,603 * 25 00:01:03,600 --> 00:01:05,500 [door opens] 26 00:01:05,500 --> 00:01:07,330 - OH, SORRY. I DIDN'T KNOW ANYONE WAS IN HERE. 27 00:01:07,333 --> 00:01:10,103 - NO, PLEASE, PLEASE. DO YOUR THING. 28 00:01:10,100 --> 00:01:13,770 * 29 00:01:13,767 --> 00:01:16,697 - [chuckles] I WAS A HUGE FAN BACK IN THE DAY. 30 00:01:16,700 --> 00:01:18,800 - OH, WELL, THANK YOU. 31 00:01:18,800 --> 00:01:20,070 - MY FRIENDS AND ME USED TO DRESS UP 32 00:01:20,067 --> 00:01:22,167 LIKE YOU AND KATIE ALL THE TIME. - YEAH. 33 00:01:22,167 --> 00:01:24,697 - I WANTED HER HAIR-- YOU KNOW, THAT POOF. 34 00:01:24,700 --> 00:01:26,270 - YEAH, WELL, YOU KNOW, IT WAS THE '80s. 35 00:01:26,267 --> 00:01:27,697 - [laughs] 36 00:01:27,700 --> 00:01:31,670 I KNOW THIS IS REAL GEEKY, BUT COULD I GET AN AUTOGRAPH? 37 00:01:31,667 --> 00:01:35,067 - OF COURSE. ABSOLUTELY. YEAH. WHAT'S YOUR NAME? 38 00:01:35,067 --> 00:01:37,597 - CHERYL. - CHERYL. 39 00:01:41,167 --> 00:01:44,067 [chuckles] THERE WE GO. 40 00:01:44,067 --> 00:01:48,727 - THANKS SO MUCH. - YEAH. PLEASE. 41 00:01:48,733 --> 00:01:52,103 - SO, UH, WARDROBE LADY RECOGNIZED YOU 42 00:01:52,100 --> 00:01:54,170 FROM YOUR VH1 ONE-HIT WONDER SPECIAL? 43 00:01:54,167 --> 00:01:55,927 - YEAH, 44 00:01:55,933 --> 00:01:58,773 EXCEPT IT WAS THE ONE HIT AFTER ANOTHER SPECIAL. 45 00:01:58,767 --> 00:02:00,127 - AH. - MAX AND KATIE. 46 00:02:00,133 --> 00:02:02,573 - YOU KNOW, MAN, IT WAS SO MUCH EASIER BACK IN THE DAY. 47 00:02:02,567 --> 00:02:04,567 YOU KNOW, A HIT ON THE TOP 40 RADIO 48 00:02:04,567 --> 00:02:06,497 GUARANTEED YOU A SOLD-OUT TOUR AND A MILLION UNITS. 49 00:02:06,500 --> 00:02:09,070 NOW YOU GOT TO WORK THE WHOLE PUBLICITY MACHINE 24/7 50 00:02:09,067 --> 00:02:10,627 JUST TO STAY IN THE MARKETPLACE. 51 00:02:10,633 --> 00:02:13,073 - YEAH, WHICH SUITS YOU JUST FINE, 52 00:02:13,067 --> 00:02:14,727 SINCE YOU SEEM TO HAVE NO LIFE. 53 00:02:14,733 --> 00:02:17,633 - [laughs] I DO HAVE A WIFE, IN CASE YOU'VE FORGOTTEN. 54 00:02:17,633 --> 00:02:19,603 - NO, NO, I REMEMBER. SHE'S EXQUISITE. 55 00:02:19,600 --> 00:02:20,900 I DON'T THINK YOU REMEMBER. 56 00:02:20,900 --> 00:02:23,830 - OH, TRACI IS TOTALLY SUPPORTIVE OF MY WORK ETHIC, 57 00:02:23,833 --> 00:02:25,533 ALL RIGHT? SOMETIMES SHE'S IN AWE OF IT. 58 00:02:25,533 --> 00:02:27,933 - YEAH. I AM TOO, ACTUALLY. 59 00:02:27,933 --> 00:02:29,803 I DON'T KNOW WHERE YOU GET THE ENERGY, 60 00:02:29,800 --> 00:02:31,330 BUT YOU KNOW WHAT? YOU'VE DONE YOUR JOB. 61 00:02:31,333 --> 00:02:33,303 THE TOUR'S OVER, YOU NEED TO GIVE HIM A, 62 00:02:33,300 --> 00:02:35,170 YOU KNOW, A LITTLE SPACE TO BREATHE NOW. 63 00:02:35,167 --> 00:02:37,697 - WELL, WE STILL HAVE PERSONAL APPEARANCES 64 00:02:37,700 --> 00:02:40,430 AND INTERVIEWS BOOKED. - COME ON, CHIEF. 65 00:02:40,433 --> 00:02:41,703 HE NEEDS TO UNWIND. 66 00:02:41,700 --> 00:02:43,330 - EDDIE'S ALREADY ASKED ME FOR SOME TIME OFF, 67 00:02:43,333 --> 00:02:46,073 AND I'VE AGREED, AS LONG AS HE USES HIS TIME WISELY 68 00:02:46,067 --> 00:02:47,867 TO, UH, WRITE SOME NEW SONGS. 69 00:02:47,867 --> 00:02:49,897 - ALL RIGHT, FIRST OF ALL, HE DOESN'T NEED TO ASK YOU 70 00:02:49,900 --> 00:02:52,330 FOR TIME OFF, AND SECONDLY, THE CREATIVE PROCESS 71 00:02:52,333 --> 00:02:54,303 IS NOT SOMETHING YOU JUST TURN ON AND OFF 72 00:02:54,300 --> 00:02:55,900 LIKE A FAUCET, OKAY? 73 00:02:55,900 --> 00:02:57,230 - I'M ALL ABOUT THE CREATIVE PROCESS, 74 00:02:57,233 --> 00:02:59,273 AS LONG AS IT DOESN'T MESS UP THE REVENUE FLOW. 75 00:02:59,267 --> 00:03:00,627 IT IS MY JOB TO MAKE SURE 76 00:03:00,633 --> 00:03:02,573 THAT THE MONEY AND THE ART ARE IN SYNC. 77 00:03:02,567 --> 00:03:04,197 LEAVE IT TO ME, ALL RIGHT? 78 00:03:04,200 --> 00:03:05,430 I HAVE EDDIE'S BEST INTEREST AT HEART. 79 00:03:05,433 --> 00:03:08,203 - YEAH, ME TOO. ME TOO. 80 00:03:08,200 --> 00:03:11,300 BUT I'M GONNA SPEAK UP IF I SEE SOMETHING I DON'T LIKE. 81 00:03:11,300 --> 00:03:13,600 I'LL BE WATCHING YOU. - [chuckles] 82 00:03:13,600 --> 00:03:15,130 - I'LL BE WATCHING YOU. 83 00:03:15,133 --> 00:03:17,103 - I WOULDN'T HAVE IT ANY OTHER WAY, MY FRIEND. 84 00:03:17,100 --> 00:03:18,670 - ALL RIGHT. ALL RIGHT. 85 00:03:18,667 --> 00:03:20,527 NOW GO HOME TO THAT WIFE OF YOURS. 86 00:03:23,567 --> 00:03:27,467 [line trilling] 87 00:03:27,467 --> 00:03:29,767 - HI, THIS IS JAKE. LEAVE A MESSAGE. 88 00:03:29,767 --> 00:03:31,897 - HEY, BABY, IT'S ME. 89 00:03:31,900 --> 00:03:33,530 I HOPE THE CONCERT'S GOING GREAT. 90 00:03:33,533 --> 00:03:38,473 LISTEN, AS SOON AS YOU'RE DONE, GET YOUR HOT BODY BACK HOME. 91 00:03:38,467 --> 00:03:40,527 DESSERT'S HERE WAITIN' FOR YOU. 92 00:03:49,167 --> 00:03:53,067 - OH, TYLER, NO. [sighs] 93 00:03:53,067 --> 00:03:55,897 - NOW, THAT'S MORE LIKE THE WELCOME I WAS EXPECTING. 94 00:03:55,900 --> 00:03:57,800 - I-I GOT TO GET TO THE CLUB. EDDIE'S WAITING FOR ME. 95 00:03:57,800 --> 00:03:59,130 - RELAX. 96 00:03:59,133 --> 00:04:01,133 HE THINKS YOU'RE AT YOUR FITTING FOR YOUR SHOOT TOMORROW. 97 00:04:01,133 --> 00:04:03,703 - YOU TRICKED ME INTO LYING TO HIM BY SENDING THAT FAKE TEXT! 98 00:04:03,700 --> 00:04:05,730 - NO, I GAVE YOU AN OUT. 99 00:04:05,733 --> 00:04:07,933 YOU DON'T REALLY WANT TO WATCH HIM SING AND DANCE, DO YOU? 100 00:04:07,933 --> 00:04:10,673 SO NOW YOU AND I CAN CATCH UP PROPERLY 101 00:04:10,667 --> 00:04:14,497 WHILE EDDIE WORKS THE iCARLY CROWD INTO A FRENZY. 102 00:04:14,500 --> 00:04:15,900 I'VE REALLY MISSED YOU, CHLOE. 103 00:04:15,900 --> 00:04:17,830 - YOU'VE BEEN GONE FOR THREE MONTHS. 104 00:04:17,833 --> 00:04:19,203 THINGS HAVE CHANGED, FOR REAL. 105 00:04:19,200 --> 00:04:21,600 - WELL, THAT WAS A FOR-REAL KISS YOU LAID ON ME BACK THERE, 106 00:04:21,600 --> 00:04:23,230 SO THINGS HAVEN'T CHANGED THAT MUCH. 107 00:04:23,233 --> 00:04:25,703 - I'M SERIOUS, TY. I'M WITH EDDIE NOW EXCLUSIVELY, 108 00:04:25,700 --> 00:04:26,830 WHICH MEANS YOU'RE OUT OF THE PICTURE. 109 00:04:26,833 --> 00:04:28,103 - YOU'RE KICKING ME TO THE CURB? 110 00:04:28,100 --> 00:04:30,100 - I'VE MOVED ON. IT'S TIME YOU DO THE SAME. 111 00:04:30,100 --> 00:04:32,400 - I DON'T MOVE ON WITHOUT YOU. - WELL, YOU'RE GONNA HAVE TO, 112 00:04:32,400 --> 00:04:34,070 BECAUSE I'M GONNA MARRY EDDIE DURAN, 113 00:04:34,067 --> 00:04:37,067 AND HE'S GONNA GIVE ME EVERYTHING I WANT. 114 00:04:45,167 --> 00:04:48,067 - L.A.! [cheers and applause] 115 00:04:48,067 --> 00:04:51,597 [cheers and applause] 116 00:04:53,700 --> 00:04:58,500 - WHOO! WHOO! WHOO! OW! - [chuckles] 117 00:04:58,500 --> 00:05:00,930 [sighs] [crowd quieting] 118 00:05:00,933 --> 00:05:04,103 SO I SAW MY FIRST CONCERT IN THIS THEATER. 119 00:05:04,100 --> 00:05:06,100 [cheers and applause] 120 00:05:06,100 --> 00:05:09,230 I WAS TWO YEARS OLD, AND I WAS WATCHING MY PARENTS PLAY, 121 00:05:09,233 --> 00:05:11,433 AND I WAS RIGHT BACK HERE. 122 00:05:11,433 --> 00:05:15,233 MY GRANDMA WAS WATCHING ME. [crowd awws] 123 00:05:15,233 --> 00:05:16,903 THERE'S A BOOTLEG OF THAT SOMEWHERE, 124 00:05:16,900 --> 00:05:18,670 AND IF YOU LISTEN CLOSELY, 125 00:05:18,667 --> 00:05:20,367 YOU CAN HEAR ME CRYING THROUGH EVERY SONG. 126 00:05:20,367 --> 00:05:23,227 [laughter] 127 00:05:23,233 --> 00:05:24,703 - WHOO! 128 00:05:24,700 --> 00:05:27,900 - SO I HAVE SOME AMAZING MEMORIES 129 00:05:27,900 --> 00:05:30,930 OF WATCHING MY PARENTS PLAY, ALL OVER THE WORLD. 130 00:05:30,933 --> 00:05:32,203 BUT THANKS TO YOU GUYS, 131 00:05:32,200 --> 00:05:36,400 WE'VE MADE SOME INCREDIBLE MEMORIES TONIGHT. 132 00:05:36,400 --> 00:05:40,270 - WE LOVE YOU! [cheers and applause] 133 00:05:41,900 --> 00:05:45,070 - I LOVE YOU, TOO. I LOVE YOU, TOO. 134 00:05:45,067 --> 00:05:47,927 [cheers and applause] SO THANK YOU, L.A., 135 00:05:47,933 --> 00:05:51,103 FOR AN INCREDIBLE HOMECOMING. 136 00:05:51,100 --> 00:05:54,330 PEACE, L.A. BE GOOD TO EACH OTHER. 137 00:05:54,333 --> 00:05:57,073 [cheers and applause] 138 00:05:57,067 --> 00:05:59,197 all: [chanting] EDDIE! EDDIE! EDDIE! 139 00:05:59,200 --> 00:06:02,800 EDDIE! EDDIE! EDDIE! EDDIE! EDDIE! 140 00:06:02,800 --> 00:06:05,470 - WHOO! I LOVE YOU, EDDIE! 141 00:06:05,467 --> 00:06:09,197 - * WHEN YOU FEEL LIKE YOU'VE LOST * 142 00:06:09,200 --> 00:06:12,800 * SOMETHING GOOD, SOMETHING REAL * 143 00:06:12,800 --> 00:06:16,900 * KICK IT UP JUST A NOTCH 144 00:06:16,900 --> 00:06:20,200 * WATCH YOUR WORLD REAPPEAR 145 00:06:20,200 --> 00:06:24,300 * IF WE SHARE OUR HEARTS, WE CAN LOVE AS ONE * 146 00:06:24,300 --> 00:06:27,900 * MAKE THE DARKEST DAY BRIGHT 147 00:06:27,900 --> 00:06:29,870 * MAKE IT LOUD, DON'T STOP * 148 00:06:29,867 --> 00:06:32,527 * LET'S TURN THE MUSIC ON * 149 00:06:32,533 --> 00:06:34,533 * HIT LIKE A LIGHTNING BOLT 150 00:06:34,533 --> 00:06:36,633 * GO ON, KICK IT UP! 151 00:06:36,633 --> 00:06:42,073 * WHOA-OH-OH, WHOA-OH-OH, WHOA-OH-OH * 152 00:06:42,067 --> 00:06:44,197 * WHOA-OH, KICK IT UP! 153 00:06:44,200 --> 00:06:48,130 * WHOA-OH-OH, WHOA-OH-OH, WHOA-OH-OH * 154 00:06:48,133 --> 00:06:49,773 - HEY. YOU'RE OUT HERE TEXTING 155 00:06:49,767 --> 00:06:51,167 WHILE THE CONCERT'S STILL GOING ON? 156 00:06:51,167 --> 00:06:52,567 - JUST TALKING TO RAY ABOUT SOMETHING. 157 00:06:52,567 --> 00:06:54,467 - RAY? THE DEADBEAT. 158 00:06:54,467 --> 00:06:55,467 - HE'S A FRIEND. 159 00:06:55,467 --> 00:06:57,127 - PHIL, WHAT ARE YOU NOT TELLING ME? 160 00:06:57,133 --> 00:06:59,903 - KEEPING SECRETS FROM YOU, ADRIANA? 161 00:06:59,900 --> 00:07:01,570 I KNOW WHAT HAPPENED TO YOUR LAST BOYFRIEND. 162 00:07:01,567 --> 00:07:02,867 - YEAH, THAT'S RIGHT. 163 00:07:02,867 --> 00:07:04,967 YOU KNOW, I HAVE IMPOSSIBLY HIGH STANDARDS. 164 00:07:04,967 --> 00:07:06,627 NOW, LET'S GET BACK TO THE SHOW. 165 00:07:06,633 --> 00:07:10,333 THERE'S NO ONE OUT HERE TO SEE HOW GOOD WE LOOK TOGETHER. 166 00:07:10,333 --> 00:07:12,533 - I'M JUST RIGHT BEHIND YOU, BABE. 167 00:07:12,533 --> 00:07:14,133 - * AH, KICK IT UP 168 00:07:14,133 --> 00:07:19,503 * WHOA-OH-OH, WHOA-OH-OH, WHOA-OH-OH * 169 00:07:19,500 --> 00:07:21,300 * WHOA-OH, KICK IT UP 170 00:07:21,300 --> 00:07:23,130 * [echoing] KICK IT UP, KICK IT UP... * 171 00:07:23,133 --> 00:07:25,573 * WHOA-OH-OH, WHOA-OH-OH, WHOA-OH-OH * 172 00:07:25,567 --> 00:07:28,867 [cheers and applause] 173 00:07:28,867 --> 00:07:34,367 * WHOA-OH-OH, WHOA-OH-OH, WHOA-OH-OH * 174 00:07:34,367 --> 00:07:36,627 * WHOA-OH, KICK IT UP 175 00:07:36,633 --> 00:07:42,133 * WHOA-OH-OH, WHOA-OH-OH, WHOA-OH-OH * 176 00:07:45,167 --> 00:07:46,097 [doorbell rings] 177 00:07:48,567 --> 00:07:50,167 - ELLIE, HI. 178 00:07:50,167 --> 00:07:51,797 - I RUSHED RIGHT OVER WHEN I GOT YOUR MESSAGE. 179 00:07:51,800 --> 00:07:53,200 YOU SOUNDED SO DEPRESSED ON THE PHONE. 180 00:07:53,200 --> 00:07:55,430 - COME IN, COME IN. I'M FINE. I'M FINE, REALLY. 181 00:07:55,433 --> 00:07:58,133 - WHAT DID THE JERK SAY? - UGH, I DON'T KNOW. 182 00:07:58,133 --> 00:07:59,733 SOME SORT OF LAME EXCUSE ABOUT HAVING 183 00:07:59,733 --> 00:08:02,603 AN EMERGENCY WORK DEADLINE, SO HE HAD TO CANCEL THE DATE. 184 00:08:02,600 --> 00:08:04,930 - WH--HE COULD AT LEAST COME UP WITH SOMETHING ORIGINAL. 185 00:08:04,933 --> 00:08:06,173 HE OWES YOU THAT MUCH. 186 00:08:06,167 --> 00:08:07,297 - OH, I--YOU KNOW, IT DOESN'T MATTER. 187 00:08:07,300 --> 00:08:08,600 IT'S NOT LIKE I KNEW HIM THAT WELL. 188 00:08:08,600 --> 00:08:10,070 I MEAN, I MET HIM IN YOGA. 189 00:08:10,067 --> 00:08:11,527 - WELL, HE SOUNDS LIKE ANOTHER DOWNWARD-FACING DOG. 190 00:08:11,533 --> 00:08:12,833 [both laugh] 191 00:08:12,833 --> 00:08:15,573 WELL, IT IS HIS LOSS, BECAUSE YOU LOOK FANTASTIC. 192 00:08:15,567 --> 00:08:17,227 - THANK YOU. THANK YOU. 193 00:08:17,233 --> 00:08:19,273 I'M SO GLAD THAT SOMEONE GETS TO SEE ME IN THIS DRESS. 194 00:08:19,267 --> 00:08:20,467 I BOUGHT THIS THREE YEARS AGO, 195 00:08:20,467 --> 00:08:22,967 AND I DON'T THINK I'VE WORN IT IN-- 196 00:08:22,967 --> 00:08:25,667 OH, GOD, I'M MAKING MYSELF SAD. 197 00:08:25,667 --> 00:08:26,867 WHAT HAVE YOU GOT THERE? 198 00:08:26,867 --> 00:08:29,467 - JUST THE BEST PINOT NOIR THAT $10 CAN BUY. 199 00:08:29,467 --> 00:08:32,697 - OH, WE CAN SWAP DATING HORROR STORIES. 200 00:08:32,700 --> 00:08:34,830 - [laughs] WELL, I WOULD HAVE TO GO ON DATES 201 00:08:34,833 --> 00:08:36,703 TO HAVE HORROR STORIES. 202 00:08:36,700 --> 00:08:38,530 - I THOUGHT YOU WERE SEEING SOMEONE? 203 00:08:38,533 --> 00:08:39,873 - IT'S COMPLICATED. 204 00:08:39,867 --> 00:08:41,527 I DON'T REALLY WANT TO TALK ABOUT IT. 205 00:08:41,533 --> 00:08:43,403 - ELLIE, YOU CAN TELL ME, 206 00:08:43,400 --> 00:08:45,670 AND NOTHING YOU CAN SAY WILL LEAVE THESE FOUR WALLS. 207 00:08:45,667 --> 00:08:47,627 - I APPRECIATE THAT, BUT, UM... 208 00:08:47,633 --> 00:08:49,833 YOU KNOW, I JUST--I'M NOT REALLY SURE HOW I FEEL ABOUT IT. 209 00:08:49,833 --> 00:08:54,473 - HMM. SOUNDS LIKE YOU NEED THIS WINE EVEN MORE THAN I DO. 210 00:08:54,467 --> 00:08:56,497 [line trilling] - YOU'RE NOT CALLING HER AGAIN. 211 00:08:56,500 --> 00:08:59,530 - SHE'S NOT ANSWERING HER PHONE. - BECAUSE SHE HAS CALLER I.D. 212 00:08:59,533 --> 00:09:00,973 - WHAT'S THAT SUPPOSED TO MEAN? 213 00:09:00,967 --> 00:09:02,097 GUS! 214 00:09:02,100 --> 00:09:04,170 - WE KNOW WHERE MELISSA IS, OKAY? 215 00:09:04,167 --> 00:09:06,267 - [sighs] - SHE'S WITH LOREN, 216 00:09:06,267 --> 00:09:07,967 AND SHE'S WORKING ON HER ART PROJECT--SHE'S PERFECTLY SAFE. 217 00:09:07,967 --> 00:09:10,197 - SHE SAID THEY'D BE IN SKETCHY NEIGHBORHOODS. 218 00:09:10,200 --> 00:09:12,570 - LISA, THEY WILL BE OKAY. 219 00:09:12,567 --> 00:09:14,467 - [sighs] 220 00:09:14,467 --> 00:09:17,327 - MARRIAGE? ISN'T THAT A LITTLE EXTREME? 221 00:09:17,333 --> 00:09:19,073 - IT'S THE ULTIMATE PRIZE. 222 00:09:19,067 --> 00:09:20,467 - BUT YOU ALREADY HAVE YOUR TICKET TO THE "A" LIST 223 00:09:20,467 --> 00:09:21,697 JUST BEING EDDIE'S ARM CANDY. 224 00:09:21,700 --> 00:09:24,070 - [scoff] I WANT MORE THAN FREE BOTTLE SERVICE 225 00:09:24,067 --> 00:09:25,367 AND MY PHOTO ON TMZ. 226 00:09:25,367 --> 00:09:27,167 - HOW MANY TIMES WERE YOU ON TMZ? 227 00:09:27,167 --> 00:09:29,327 - WHO CARES? LOOK, YOU KNOW I'VE ALWAYS HAD BIG DREAMS, 228 00:09:29,333 --> 00:09:31,433 AND NOW THEY'RE ALL ABOUT TO COME TRUE. 229 00:09:31,433 --> 00:09:32,703 - YEAH, YOUR DREAM WAS TO HOOK UP 230 00:09:32,700 --> 00:09:35,630 WITH SOME SONG-AND-DANCE MAN HALF AS TALENTED AS ME. 231 00:09:35,633 --> 00:09:37,973 CONGRATULATIONS, CHLOE, 'CAUSE IT LOOKS LIKE YOU'VE ARRIVED. 232 00:09:37,967 --> 00:09:41,067 - IT'S NOT JUST THE MONEY, OKAY? 233 00:09:41,067 --> 00:09:42,797 BEING WITH EDDIE OPENS DOORS. 234 00:09:42,800 --> 00:09:44,070 HE'S THE TICKET TO EVERYTHING I WANT. 235 00:09:44,067 --> 00:09:47,667 - BUT STILL, I'M THE ONLY MAN YOU LOVE, RIGHT? 236 00:09:47,667 --> 00:09:51,497 I MEAN, YOU CAN'T BE IN LOVE WITH OFF-KEY EDDIE. 237 00:09:51,500 --> 00:09:54,530 - HE'S VERY SWEET. I LIKE HIM...A LOT. 238 00:09:54,533 --> 00:09:55,973 HE TREATS ME LIKE A QUEEN. 239 00:09:55,967 --> 00:09:57,497 - I'M THE ONLY ONE FOR YOU. 240 00:09:57,500 --> 00:10:01,030 - I'M GONNA MARRY EDDIE DURAN. GET USED TO THE IDEA. 241 00:10:01,033 --> 00:10:02,833 - WELL, YOU SHOULD GET USED TO THE IDEA 242 00:10:02,833 --> 00:10:05,603 THAT I'M NEVER GONNA LET THIS HAPPEN. 243 00:10:05,600 --> 00:10:07,070 - [scoffs] 244 00:10:09,467 --> 00:10:10,997 [laughter] 245 00:10:11,000 --> 00:10:13,570 - OKAY, I HAVE A GOOD ONE, BUT IT'S EMBARRASSING. 246 00:10:13,567 --> 00:10:14,997 - OKAY, WELL, IT BETTER BE, 247 00:10:15,000 --> 00:10:17,630 BECAUSE THIS IS A DATING HORROR STORY CONTEST-OFF. 248 00:10:17,633 --> 00:10:18,633 - [laughs] - OH, MY GOD, 249 00:10:18,633 --> 00:10:21,773 THIS IS SOME REALLY GOOD $10 WINE. 250 00:10:21,767 --> 00:10:23,467 - ALL RIGHT, SO THIS GUYS ASKS ME OUT 251 00:10:23,467 --> 00:10:25,397 AND TAKES ME TO THIS REALLY CHICHI RESTAURANT. 252 00:10:25,400 --> 00:10:27,330 - UH-HUH. - OH, THIS GUY WAS SO CHARMING, 253 00:10:27,333 --> 00:10:28,573 AND HE WAS SO HOT. 254 00:10:28,567 --> 00:10:29,997 I MEAN, WE'RE TALKING GEORGE CLOONEY HOT. 255 00:10:30,000 --> 00:10:31,630 - OKAY, YOU JUST LOST A LITTLE CREDIBILITY THERE. 256 00:10:31,633 --> 00:10:34,303 - OKAY, HOW ABOUT GEORGE CLOONEY'S YOUNGER, 257 00:10:34,300 --> 00:10:35,500 HEAVIER HALF-BROTHER? 258 00:10:35,500 --> 00:10:36,730 - [clicks tongue] OKAY. 259 00:10:36,733 --> 00:10:40,303 - SO THE BILL COMES, AND HE SAYS TO ME 260 00:10:40,300 --> 00:10:43,030 IN THIS LOW, INTENSE VOICE, 261 00:10:43,033 --> 00:10:44,403 "GO TO THE LADIES ROOM 262 00:10:44,400 --> 00:10:46,330 AND MEET ME OUTSIDE IN TWO MINUTES." 263 00:10:46,333 --> 00:10:47,673 - THAT'S SO WEIRD. 264 00:10:47,667 --> 00:10:50,267 - RIGHT? BUT LIKE AN IDIOT, I DO WHAT HE SAYS, 265 00:10:50,267 --> 00:10:52,627 AND I GET OUTSIDE, AND HE LOOKS AT ME, 266 00:10:52,633 --> 00:10:53,873 AND HE SHOUTS, "RUN!" 267 00:10:53,867 --> 00:10:56,097 - [laughs] DINE AND DASH? 268 00:10:56,100 --> 00:10:58,170 - RIGHT? CAN YOU BELIEVE IT? - OH, ACTUALLY-- 269 00:10:58,167 --> 00:10:59,367 [laughs] ACTUALLY, I CAN. 270 00:10:59,367 --> 00:11:01,697 BUT I JUST HAVE TO KNOW, HOW WAS THE SECOND DATE? 271 00:11:01,700 --> 00:11:05,130 [both laughing] 272 00:11:05,133 --> 00:11:06,903 BUT YOU KNOW WHAT? THAT--GUYS LIKE THAT, 273 00:11:06,900 --> 00:11:09,470 THAT'S EXACTLY WHY I DON'T LIKE DATING. 274 00:11:09,467 --> 00:11:10,527 I'D RATHER WORK. 275 00:11:10,533 --> 00:11:12,073 AT LEAST AT THE OFFICE, I FEEL LIKE 276 00:11:12,067 --> 00:11:14,067 I HAVE SOME KIND OF CONTROL OVER MY LIFE, YOU KNOW? 277 00:11:14,067 --> 00:11:15,667 - I HAVE TO TELL YOU THAT DR. DON THINKS 278 00:11:15,667 --> 00:11:18,167 YOU'RE DOING A GREAT JOB AS THE NEW OFFICE MANAGER. 279 00:11:18,167 --> 00:11:19,427 - HE TOLD YOU THAT? 280 00:11:19,433 --> 00:11:21,703 - WELL, I OVERHEARD HIM TALKING TO ONE OF THE PARTNERS-- 281 00:11:21,700 --> 00:11:23,530 ONE OF THE PERKS OF BEING THE RECEPTIONIST. 282 00:11:23,533 --> 00:11:26,503 - HMM. 283 00:11:26,500 --> 00:11:28,970 - SO, WITH ALL THOSE JERKS IN THE DATING POOL, 284 00:11:28,967 --> 00:11:30,267 WHY DO YOU WANT TO GET BACK IN? 285 00:11:30,267 --> 00:11:32,927 - [groans] LOREN'S GOING TO COLLEGE NEXT YEAR. 286 00:11:32,933 --> 00:11:34,603 THE HOUSE WILL BE EMPTY. 287 00:11:34,600 --> 00:11:36,630 I DON'T KNOW--I JUST FEEL LIKE I NEED TO GET OUT IN THE GAME. 288 00:11:36,633 --> 00:11:39,173 I JUST DON'T KNOW IF THE RULES HAVE CHANGES. 289 00:11:39,167 --> 00:11:42,497 - CAN I ASK YOU WHAT HAPPENED TO LOREN'S FATHER, 290 00:11:42,500 --> 00:11:45,070 OR IS THAT TOO PERSONAL? 291 00:11:45,067 --> 00:11:47,167 - NO, NO. NO, IT'S--IT'S FINE. 292 00:11:47,167 --> 00:11:49,797 I-IT'S FINE-- ACTUALLY, IT'S GOOD, 293 00:11:49,800 --> 00:11:53,230 'CAUSE NOTHING SOBERS ME UP LIKE TALKING ABOUT THE EX. 294 00:11:55,067 --> 00:11:57,067 [clears throat] 295 00:12:02,333 --> 00:12:04,333 [phone ringing] 296 00:12:04,333 --> 00:12:06,303 - DR. MASTERS. 297 00:12:06,300 --> 00:12:07,870 SERENA. 298 00:12:07,867 --> 00:12:10,367 HELLO. HOW ARE YOU? 299 00:12:10,367 --> 00:12:12,527 NO KIDDING. WHEN DID YOU GET IN? 300 00:12:12,533 --> 00:12:15,703 AND YOU'RE JUST CALLING ME NOW? I'M INSULTED. 301 00:12:15,700 --> 00:12:19,600 WHEN DO YOU FLY BACK TO CHICAGO? 302 00:12:19,600 --> 00:12:22,070 WELL, THEN YOU HAVE TO LET ME TAKE YOU FOR A DRINK TONIGHT. 303 00:12:22,067 --> 00:12:24,967 NO EXCUSES. 304 00:12:24,967 --> 00:12:28,627 GREAT. HOW ABOUT DAN TANA'S, JUST FOR OLD TIMES' SAKE? 305 00:12:28,633 --> 00:12:31,833 I CAN MEET YOU THERE IN, SAY, HALF AN HOUR. 306 00:12:33,500 --> 00:12:35,870 PERFECT. AND, SERENA... 307 00:12:35,867 --> 00:12:39,467 REALLY LOOKING FORWARD TO SEEING YOU. 308 00:12:46,767 --> 00:12:48,197 - I'M GOING. 309 00:12:48,200 --> 00:12:50,500 - YOU CAN'T. YOU CANNOT DO THIS, LISA. 310 00:12:50,500 --> 00:12:51,970 - I JUST WANT TO KNOW WHERE SHE IS. 311 00:12:51,967 --> 00:12:53,267 - IF YOU GO OUT THERE 312 00:12:53,267 --> 00:12:54,797 LOOKING FOR HER RIGHT NOW, YOU'RE CROSSING A LINE. 313 00:12:54,800 --> 00:12:57,100 - SHE'S OUR DAUGHTER, GUS. - IT'S A DANGEROUS PRECEDENT. 314 00:12:57,100 --> 00:12:59,430 - WE HAVE A RIGHT TO KNOW IF SHE'S TELLING US THE TRUTH. 315 00:12:59,433 --> 00:13:01,303 - DO YOU KNOW WHERE PHIL IS? - HE'S WITH ADRIANA. 316 00:13:01,300 --> 00:13:03,430 - WHERE? DOIN' WHAT? - [scoffs] 317 00:13:03,433 --> 00:13:05,903 - WITH WHO? IF YOU WANT TO GO DOWN THIS PATH WITH MEL, 318 00:13:05,900 --> 00:13:07,900 WE HAVE TO TAKE A LOOK AT WHAT PHIL IS DOING TOO. 319 00:13:07,900 --> 00:13:10,600 - IT IS NOT THE SAME. - IT IS! 320 00:13:10,600 --> 00:13:12,730 AND I CAN TELL YOU RIGHT NOW, I DON'T THINK WE WANT TO KNOW 321 00:13:12,733 --> 00:13:14,073 WHAT PHIL IS DOING ALL THE TIME. 322 00:13:14,067 --> 00:13:16,197 - I'M GOING. - I CAN'T TALK YOU OUT OF THIS? 323 00:13:16,200 --> 00:13:18,370 - NO. - THEN I'M COMING WITH YOU. 324 00:13:20,833 --> 00:13:23,473 [cheers and applause] - PEACE, L.A.! 325 00:13:23,467 --> 00:13:25,197 BE GOOD TO EACH OTHER. 326 00:13:25,200 --> 00:13:28,330 [cheers and applause] 327 00:13:28,333 --> 00:13:30,073 all: [chanting] EDDIE! EDDIE! EDDIE! 328 00:13:30,067 --> 00:13:34,327 EDDIE! EDDIE! EDDIE! EDDIE! EDDIE! EDDIE! 329 00:13:34,333 --> 00:13:35,903 [cheers and applause] 330 00:13:35,900 --> 00:13:37,470 - THAT IS HOW IT'S DONE, L.A. 331 00:13:37,467 --> 00:13:38,967 THAT'S HOW IT'S SUPPOSED TO BE DONE. 332 00:13:38,967 --> 00:13:42,127 - THAT WAS AMAZING. AMAZING. 333 00:13:42,133 --> 00:13:44,073 - WHAT A GREAT CROWD. 334 00:13:44,067 --> 00:13:46,397 DAD, NOW I KNOW WHY YOU LOVED TO PLAY THIS PLACE. 335 00:13:46,400 --> 00:13:49,100 - YEAH, MAN, YOUR MOM AND I JUST LOVE THE ACOUSTICS HERE-- 336 00:13:49,100 --> 00:13:50,500 - YO, SO, EDDIE, LISTEN, 337 00:13:50,500 --> 00:13:51,970 YOU GOT TIME FOR A QUICK INTERVIEW, MAN? 338 00:13:51,967 --> 00:13:53,267 THE GUY FROM SPIN'S SUPPOSED TO BE DROPPING BY. 339 00:13:53,267 --> 00:13:55,927 - COME ON, MAN! HE JUST GOT OFFSTAGE! 340 00:13:55,933 --> 00:13:57,273 - UH, I THINK THAT'S EDDIE'S CALL. 341 00:13:57,267 --> 00:13:59,127 - OH. - HEY. AH--HEY! 342 00:13:59,133 --> 00:14:01,233 HEY! - COME ON, CAN WE, UH... 343 00:14:01,233 --> 00:14:02,603 JUST DO THAT TOMORROW? 344 00:14:02,600 --> 00:14:04,130 - SURE. 345 00:14:04,133 --> 00:14:05,303 - AND YOU KNOW WHAT WOULD BE GREAT? 346 00:14:05,300 --> 00:14:06,570 IS IF WE DO IT OVER THE PHONE, 347 00:14:06,567 --> 00:14:08,297 BECAUSE I KIND OF WANT TO BLOW OUT OF HERE AND-- 348 00:14:08,300 --> 00:14:09,670 AND HOOK UP WITH CHLOE. 349 00:14:09,667 --> 00:14:10,797 - OKAY. - WHY DON'T WE 350 00:14:10,800 --> 00:14:12,530 GRAB A BURGER FIRST OR CANTER'S? 351 00:14:12,533 --> 00:14:13,803 AND THEN YOU CAN CALL CHLOE ON THE WAY. 352 00:14:13,800 --> 00:14:15,530 - SO WE CAN BLOW OFF THIS WHOLE INTERVIEW THING, 353 00:14:15,533 --> 00:14:17,473 AS LONG AS YOU AND I PROMISE TO DO SOME BUSINESS LATER, OKAY? 354 00:14:17,467 --> 00:14:18,767 IT WON'T TAKE TOO LONG, AND WE CAN, UH-- 355 00:14:18,767 --> 00:14:19,767 I CAN GIVE A LIFT HOME. 356 00:14:19,767 --> 00:14:21,397 - OH, BOY. - [exhales deeply] 357 00:14:21,400 --> 00:14:22,870 POPS. - YEAH, YEAH. 358 00:14:22,867 --> 00:14:24,167 I-I KNOW WHAT'S COMING. - LOOK, WE'LL DO 359 00:14:24,167 --> 00:14:26,367 A LATE AFTERNOON BREAKFAST. - YES, WE CAN. 360 00:14:26,367 --> 00:14:27,797 WE'LL DO A BRUNCH. - ALL RIGHT? 361 00:14:27,800 --> 00:14:30,570 - ALL RIGHT. HEY, LISTEN, LISTEN... 362 00:14:30,567 --> 00:14:33,527 YOU ROCKED THE HOUSE TONIGHT-- AMAZING. 363 00:14:33,533 --> 00:14:35,703 - [sighs] - I WAS SO PROUD. 364 00:14:35,700 --> 00:14:37,130 - [chuckles] - EVERYTHING WE'VE BEEN THROUGH 365 00:14:37,133 --> 00:14:39,773 THE LAST COUPLE OF YEARS JUST WASHED AWAY. 366 00:14:39,767 --> 00:14:41,567 YOUR MOM WOULD BE SO PROUD. 367 00:14:41,567 --> 00:14:44,297 I KNOW SHE IS. - OH. THANKS, POPS. 368 00:14:44,300 --> 00:14:45,500 I APPRECIATE THAT. 369 00:14:45,500 --> 00:14:47,300 - GET OVER HERE. - OKAY. 370 00:14:47,300 --> 00:14:49,230 - OH, BOY. 371 00:14:50,800 --> 00:14:52,830 [sighs] ALL RIGHT. 372 00:14:52,833 --> 00:14:56,403 LISTEN, DON'T LET THIS GUY WEAR YOU OUT, OKAY? 373 00:14:56,400 --> 00:14:59,200 - [laughs] I'M DITCHING HIM THE FIRST OPPORTUNITY I GET. 374 00:14:59,200 --> 00:15:01,770 TRUST ME. - SOUNDS LIKE A PLAN. 375 00:15:01,767 --> 00:15:05,367 - THAT'S WEIRD-- NO MESSAGES. 376 00:15:05,367 --> 00:15:08,127 [coughs] - YOU, UH--YOU READY, MAN? 377 00:15:08,133 --> 00:15:10,773 - WHAT? UM, YEAH, JUST GIVE ME A SECOND. 378 00:15:10,767 --> 00:15:14,897 I'M GONNA TRY CHLOE, SEE IF SHE'S DONE WITH HER FITTING. 379 00:15:14,900 --> 00:15:18,370 [sighs] WHERE IS SHE? 380 00:15:18,367 --> 00:15:21,667 [line trilling] [sighs] 381 00:15:21,667 --> 00:15:23,967 - YOU THINK EDDIE CARES WHAT YOU HAVE TO SAY? 382 00:15:23,967 --> 00:15:26,267 - YEAH, I THINK HE'D FIND IT ENLIGHTENING, 383 00:15:26,267 --> 00:15:27,967 AND I COULD BE SPECIFIC TOO. 384 00:15:27,967 --> 00:15:30,497 - [chuckles] [phone ringing] 385 00:15:30,500 --> 00:15:32,370 - [scoffs] TELL HIM YOU'RE WITH ME-- 386 00:15:32,367 --> 00:15:33,527 THE GUY YOU REALLY LOVE. 387 00:15:33,533 --> 00:15:34,773 - THANKS, TYLER. 388 00:15:34,767 --> 00:15:37,227 NOW I HAVE TO MAKE UP SOME STORY ABOUT WHERE I WAS. 389 00:15:37,233 --> 00:15:38,903 - TELL HIM THE TRUTH, THE TRUTH ABOUT US. 390 00:15:38,900 --> 00:15:42,330 - OH, THERE IS NO "US." THERE WILL NEVER BE "US" AGAIN. 391 00:15:42,333 --> 00:15:44,073 - I THINK WE SHOULD COME CLEAN. 392 00:15:44,067 --> 00:15:47,367 - GO AHEAD. YOU HAVE JUST AS MUCH TO LOSE AS I DO. 393 00:15:47,367 --> 00:15:50,067 - I'VE GOT NOTHING TO LOSE, THANKS TO JAKE AND EDDIE. 394 00:15:50,067 --> 00:15:52,097 - [laughs] YOU CAN'T BLAME EDDIE 395 00:15:52,100 --> 00:15:54,500 FOR THE FACT THAT YOU CAN'T BOOK A DECENT ACTING JOB. 396 00:15:54,500 --> 00:15:56,300 - IF JAKE DIDN'T DROP ME AS A CLIENT, 397 00:15:56,300 --> 00:15:57,500 I'D BE RIGHT WHERE EDDIE IS. 398 00:15:57,500 --> 00:15:59,070 - NO, YOU WOULDN'T, 399 00:15:59,067 --> 00:16:02,067 BECAUSE EDDIE'S NOT SELF-DESTRUCTIVE. 400 00:16:02,067 --> 00:16:04,967 YOU RUINED EVERY SINGLE JOB THAT JAKE GOT YOU 401 00:16:04,967 --> 00:16:06,297 WITH YOUR SELF-CENTERED ATTITUDE. 402 00:16:06,300 --> 00:16:07,970 - EVERY JOB? - YEAH. 403 00:16:07,967 --> 00:16:09,467 - HE GOT ME, LIKE, ONE COMMERCIAL, 404 00:16:09,467 --> 00:16:11,467 AND IT WASN'T EVEN A NATIONAL. IT WAS FOR SOME MATTRESS PLACE. 405 00:16:11,467 --> 00:16:13,127 - YOU HAVE THIS SENSE OF ENTITLEMENT 406 00:16:13,133 --> 00:16:15,273 THAT IS COMPLETELY UNDESERVED. 407 00:16:15,267 --> 00:16:17,697 - AND EDDIE'S ENTITLED TO IT? - HE WORKS HIS BUTT OFF. 408 00:16:17,700 --> 00:16:19,670 - HE GREW UP IN THE BUSINESS. - OH, GOD. 409 00:16:19,667 --> 00:16:20,867 - HIS PARENTS WERE ROCK STARS. 410 00:16:20,867 --> 00:16:22,267 ALL OF HIS SUCCESS 411 00:16:22,267 --> 00:16:24,497 COMES FROM FAMILY FRIENDS AND CONNECTIONS. 412 00:16:24,500 --> 00:16:26,070 WHAT DID HE DO TO EARN ANY OF IT? 413 00:16:26,067 --> 00:16:27,897 - UM, HE WRITES ALL HIS OWN SONGS, 414 00:16:27,900 --> 00:16:30,530 PLAYS A DOZEN INSTRUMENTS, HE TAUGHT HIMSELF HOW TO DANCE. 415 00:16:30,533 --> 00:16:32,973 HE CULTIVATED HIS FAN BASE FROM NOTHING. 416 00:16:32,967 --> 00:16:34,697 WHAT HE'S DONE IN SUCH A SHORT AMOUNT OF TIME 417 00:16:34,700 --> 00:16:35,970 IS PRETTY AMAZING. 418 00:16:35,967 --> 00:16:37,597 - YOU SOUND LIKE YOU'RE IN A CULT. 419 00:16:37,600 --> 00:16:39,330 "LOVE EDDIE DURAN. LOVE EDDIE DURAN." 420 00:16:39,333 --> 00:16:41,773 - [scoffs] YOU KNOW, IF YOU HADN'T BEEN SUCH A D-BAG, 421 00:16:41,767 --> 00:16:43,567 YOU'D BE GETTING A TASTE OF THAT SUCCESS. 422 00:16:43,567 --> 00:16:44,927 - LOOK, I'M NOT ABOUT TO SUCK UP 423 00:16:44,933 --> 00:16:48,573 TO THAT TEENYBOPPER OF THE MONTH. 424 00:16:48,567 --> 00:16:52,927 - YOU KNOW, UH, EDDIE--HE CAN REALLY OPEN SOME DOORS FOR YOU. 425 00:16:52,933 --> 00:16:54,773 - REALLY? - YEAH. 426 00:16:54,767 --> 00:16:57,067 - COULD HE GET ME AN AUDITION ON VAMPIRE DIARIES? 427 00:16:57,067 --> 00:17:01,767 - HE CAN GET YOU IN ANY ROOM, ANY MEETING IN TOWN. 428 00:17:01,767 --> 00:17:03,427 AND, YOU KNOW, HE HASN'T FORGOTTEN 429 00:17:03,433 --> 00:17:06,633 THAT BECAUSE OF YOU, WE'RE TOGETHER. 430 00:17:06,633 --> 00:17:08,673 I MEAN, HE KIND OF OWES YOU FOR INTRODUCING US. 431 00:17:08,667 --> 00:17:09,727 - SO... 432 00:17:09,733 --> 00:17:11,403 YOU WANT ME TO KEEP MY MOUTH SHUT 433 00:17:11,400 --> 00:17:15,100 AND BE A GOOD LITTLE BOY, AND THEN MAYBE-- 434 00:17:15,100 --> 00:17:17,130 JUST MAYBE-- EDDIE WILL HELP ME? 435 00:17:17,133 --> 00:17:19,503 - YOU CAN'T LET YOUR HURT FEELINGS 436 00:17:19,500 --> 00:17:22,730 GET IN THE WAY OF BUSINESS. 437 00:17:22,733 --> 00:17:24,903 - WELL, THAT'S EASY FOR YOU TO SAY, 438 00:17:24,900 --> 00:17:26,170 BECAUSE YOU HAVE NO FEELINGS. 439 00:17:26,167 --> 00:17:28,897 - [laughs] I JUST KNOW HOW TO SEPARATE THE TWO. 440 00:17:28,900 --> 00:17:30,930 IT'S A LITTLE TRICK YOU SHOULD LEARN, 441 00:17:30,933 --> 00:17:32,503 OR ELSE YOU'LL BE BACK IN FRESNO 442 00:17:32,500 --> 00:17:34,830 WORKING AT YOUR GRANDPA'S BIODIESEL FARM. 443 00:17:34,833 --> 00:17:35,873 UGH. 444 00:17:35,867 --> 00:17:37,697 YOUR CHOICE, TYLER. 445 00:17:40,667 --> 00:17:43,067 [laughter] 446 00:17:43,067 --> 00:17:45,327 - OH, MY GOD, MIND-BLOWING. MY MIND IS BLOWN. 447 00:17:45,333 --> 00:17:48,233 - NO, SEEING HIM LIVE WAS EVEN BETTER THAN I IMAGINED. 448 00:17:48,233 --> 00:17:49,673 - OH, YOU'RE NOT TOO MUCH IN LOVE? 449 00:17:49,667 --> 00:17:51,827 - WITH THE MUSIC. - AND THE GUY. 450 00:17:51,833 --> 00:17:53,233 OKAY, I KNOW YOU'RE A MUSIC GEEK-- 451 00:17:53,233 --> 00:17:55,203 LIKE, QUARTER NOTES AND TREBLE CLEFS AND ALL THAT, 452 00:17:55,200 --> 00:17:56,870 BUT IT'S OKAY TO ADMIT THAT YOU THINK 453 00:17:56,867 --> 00:17:58,097 HE HAS MOLTEN-FIRE EYES. 454 00:17:58,100 --> 00:17:59,500 - I DIDN'T EVEN NOTICE. 455 00:17:59,500 --> 00:18:01,470 - NOT EVEN WHEN HE WAS CHECKING YOU OUT? 456 00:18:01,467 --> 00:18:03,797 - YEAH, ME AND, LIKE, 300 MILLION OTHER GIRLS. 457 00:18:03,800 --> 00:18:06,170 - NO, HE SEEMED TO LOCK EYES WITH YOU. 458 00:18:06,167 --> 00:18:08,097 IT WAS PRETTY MAGICAL. 459 00:18:08,100 --> 00:18:10,070 - WHAT WAS MAGICAL IS THAT WE WERE ABLE 460 00:18:10,067 --> 00:18:11,227 TO GET THESE WRISTBANDS FROM HIS MANAGER. 461 00:18:11,233 --> 00:18:12,803 - [laughs] I KNOW. - I MEAN, CAN YOU BELIEVE 462 00:18:12,800 --> 00:18:13,870 HOW NICE HE WAS? 463 00:18:13,867 --> 00:18:15,667 - WELL, YOUR SOB STORY GOT TO HIM. 464 00:18:15,667 --> 00:18:17,527 - EXCUSE ME. I WAS TRYING TO GET US TO NOT GO TO JAIL, OKAY? 465 00:18:17,533 --> 00:18:18,903 - [laughs] - AND THEN WE ENDED UP 466 00:18:18,900 --> 00:18:20,400 HITTING THE JACKPOT. 467 00:18:20,400 --> 00:18:21,970 WE WERE SO CLOSE TO EDDIE. 468 00:18:21,967 --> 00:18:23,367 I THINK HE SWEAT ON ME, FOR REAL. 469 00:18:23,367 --> 00:18:25,267 - I HATE TO SAY THIS, BUT MY BROTHER KIND OF 470 00:18:25,267 --> 00:18:27,197 DID US A HUGE FAVOR SELLING US THOSE FAKE TICKETS. 471 00:18:27,200 --> 00:18:28,470 - OH, YEAH. PHIL'S MY HERO. - I KNOW. 472 00:18:28,467 --> 00:18:29,927 [both laugh] 473 00:18:29,933 --> 00:18:31,473 - NO, BUT IT'S DEFINITELY A NIGHT I'LL NEVER FORGET. 474 00:18:31,467 --> 00:18:32,567 - OH, GOOD. 475 00:18:32,567 --> 00:18:35,497 [girls screaming] 476 00:18:38,767 --> 00:18:40,897 - GOOD SHOW, EDDIE. - THANKS, MAN. 477 00:18:40,900 --> 00:18:45,270 [screaming continues] 478 00:18:46,967 --> 00:18:51,067 [siren wailing] 479 00:18:51,067 --> 00:18:52,867 [car horn honking] 480 00:18:57,467 --> 00:18:59,597 - CHECK IT OUT-- YOU GOT MORE TWITTER FOLLOWERS 481 00:18:59,600 --> 00:19:00,670 THAN ASHTON KUTCHER. 482 00:19:00,667 --> 00:19:03,527 [line trilling] - THAT'S GOOD. 483 00:19:03,533 --> 00:19:05,233 HAVE YOU FIGURED OUT A WAY TO GET PAID FOR THAT YET? 484 00:19:05,233 --> 00:19:09,333 - STILL WORKING ON THAT. NO WORD FROM CHLOE? 485 00:19:09,333 --> 00:19:10,933 - SHE'S NOT ANSWERING. 486 00:19:10,933 --> 00:19:12,503 - OH, MAN, THEY'RE PROBABLY JUST RUNNING LATE. 487 00:19:12,500 --> 00:19:14,430 SO I'M GONNA HAVE A CAR PICK YOU UP 488 00:19:14,433 --> 00:19:15,773 AT YOUR PLACE AT 3:30 TOMORROW 489 00:19:15,767 --> 00:19:18,097 FOR THE K-VOICE SIGNING-- EXPECT AN OVERFLOW CROWD. 490 00:19:18,100 --> 00:19:22,230 - UGH. THAT IS ONE THING I MISS ABOUT MY OLD LIFE. 491 00:19:22,233 --> 00:19:25,573 I LOVE BEING ABLE TO WALK AROUND WITHOUT AN OVERFLOW CROWD, 492 00:19:25,567 --> 00:19:28,797 BEING ABLE TO WANDER THE MALL WITHOUT BEING FOLLOWED. 493 00:19:28,800 --> 00:19:30,070 - YO, I'M SURE I CAN GET THEM 494 00:19:30,067 --> 00:19:31,397 TO KEEP IT OPEN FOR YOU AFTER HOURS. 495 00:19:31,400 --> 00:19:32,800 THAT'S WHAT ELVIS DID, MAN. 496 00:19:32,800 --> 00:19:34,270 HE WOULD GO TO A THEATER 497 00:19:34,267 --> 00:19:36,227 AND BUY OUT ALL THE TICKETS JUST SO HE WOULDN'T BE BOTHERED. 498 00:19:36,233 --> 00:19:38,173 - YES, THAT SOUNDS PERFECT. 499 00:19:38,167 --> 00:19:40,827 I WANT TO GO SEE A MOVIE IN A BIG EMPTY THEATER. 500 00:19:40,833 --> 00:19:42,873 - OH, NO. WHO'S GOT THE BEST LIFE? 501 00:19:42,867 --> 00:19:44,827 WHO'S GOT THE BEST JOB EVER? 502 00:19:44,833 --> 00:19:47,133 HMM? WHO'S NOT GONNA COMPLAIN? 503 00:19:47,133 --> 00:19:48,773 - ALL RIGHT. - RAISE YOUR HAND. RAISE IT. 504 00:19:48,767 --> 00:19:50,197 - ALL RIGHT. WHOO! DOO DOO DOO. 505 00:19:50,200 --> 00:19:51,470 - ALL RIGHT, SO WHEN DO YOU WANT TO DO 506 00:19:51,467 --> 00:19:53,097 THE SPIN MAGAZINE INTERVIEW? 507 00:19:53,100 --> 00:19:55,770 - UH, I DON'T KNOW-- EARLY AFTERNOON. 508 00:19:55,767 --> 00:19:58,167 - OF COURSE. YO, CHECK OUT THESE NEW T-SHIRT DESIGNS. 509 00:19:58,167 --> 00:20:01,167 THEY FINALLY GOT IT RIGHT. - STOP IT. 510 00:20:01,167 --> 00:20:03,867 I KNOW WHAT YOU'RE DOING. - WHAT DO YOU MEAN? 511 00:20:03,867 --> 00:20:06,197 - YOU'RE GIVING ME A RIDE WHEN YOU DON'T NEED TO, ALL RIGHT? 512 00:20:06,200 --> 00:20:08,430 THROWING ALL THIS LITTLE BUSINESS STUFF AT ME, 513 00:20:08,433 --> 00:20:09,733 WHEN IT CAN WAIT. 514 00:20:09,733 --> 00:20:12,303 - [chuckles] - I GET IT, ALL RIGHT? 515 00:20:12,300 --> 00:20:14,070 YOU'RE TRYING TO KEEP ME FOCUSED AND BUSY 516 00:20:14,067 --> 00:20:15,867 SO I DON'T OBSESS OVER CHLOE NOT BEING HERE. 517 00:20:15,867 --> 00:20:17,427 - DUDE, NOT AT ALL, MAN. 518 00:20:17,433 --> 00:20:19,373 I LOVE SPENDING EVERY MINUTE OF MY DAY WITH YOU. 519 00:20:19,367 --> 00:20:21,167 - OKAY, AND I APPRECIATE THAT, ALL RIGHT? 520 00:20:21,167 --> 00:20:22,297 BUT YOU DON'T NEED TO. 521 00:20:22,300 --> 00:20:23,670 THIS ISN'T LIKE IT WAS THREE MONTHS AGO 522 00:20:23,667 --> 00:20:25,027 WHEN SHE WENT AWOL. 523 00:20:25,033 --> 00:20:26,933 THINGS ARE DIFFERENT. 524 00:20:26,933 --> 00:20:29,933 I'M SURE SHE HAS A GOOD REASON FOR NOT BEING AT THE SHOW. 525 00:20:29,933 --> 00:20:31,233 I TRUST HER. 526 00:20:31,233 --> 00:20:34,003 - GOOD. ME TOO. 527 00:20:34,000 --> 00:20:36,470 - SO DON'T WORRY ABOUT ME. GO HOME. 528 00:20:36,467 --> 00:20:39,527 SEE YOUR WIFE BEFORE SHE WISES UP AND DIVORCES YOU. 529 00:20:44,667 --> 00:20:47,127 - [sighs] 530 00:21:15,567 --> 00:21:17,367 GOOD NIGHT, JAKE. 531 00:21:19,333 --> 00:21:20,773 - HOW OLD WERE YOU WHEN YOU GOT MARRIED? 532 00:21:20,767 --> 00:21:22,567 - 19. - [laughing] OH. 533 00:21:22,567 --> 00:21:24,067 - POSSIBLY A LITTLE YOUNG. 534 00:21:24,067 --> 00:21:26,527 - YEAH, IF YOU ONLY KNEW THEN WHAT YOU KNOW NOW. 535 00:21:26,533 --> 00:21:29,203 - OH, I WAS SO IN LOVE. I WAS SO IN LOVE-- 536 00:21:29,200 --> 00:21:32,130 THAT DEEP, LUSTY, FOREVER KIND OF LOVE, 537 00:21:32,133 --> 00:21:33,233 AND... - MMM. 538 00:21:33,233 --> 00:21:35,733 - OH, THE EX WAS SO CHARMING AND SEXY, 539 00:21:35,733 --> 00:21:39,333 AND I THOUGHT I WAS GONNA BE WITH HIM FOREVER. 540 00:21:39,333 --> 00:21:40,533 - AND THEN? 541 00:21:40,533 --> 00:21:42,203 - [sighs] 542 00:21:42,200 --> 00:21:44,230 YOU KNOW, THE FIRST COUPLE YEARS WERE--WERE AMAZING. 543 00:21:44,233 --> 00:21:45,473 OF COURSE, THAT WAS BEFORE LOREN, 544 00:21:45,467 --> 00:21:48,527 AND THEN AFTER SHE ARRIVED, IT-- 545 00:21:48,533 --> 00:21:52,573 HE JUST--HE COULDN'T DEAL WITH THE RESPONSIBILITY OF A BABY, 546 00:21:52,567 --> 00:21:56,297 AND HE BEGAN TO RESENT HOW DEVOTED I WAS TO HER. 547 00:21:56,300 --> 00:22:00,500 IT JUST WASN'T HOW HE'D ENVISIONED HIS LIFE. 548 00:22:00,500 --> 00:22:01,730 AND SO... 549 00:22:01,733 --> 00:22:06,173 ONE DAY HE WENT OUT FOR A PACK OF CIGARETTES, 550 00:22:06,167 --> 00:22:09,097 NEVER CAME BACK. [chuckles] 551 00:22:09,100 --> 00:22:13,870 FUNNY THING IS, HE DIDN'T EVEN SMOKE. 552 00:22:13,867 --> 00:22:16,067 - WOW, THAT JUST MUST HAVE BEEN DEVASTATING. 553 00:22:16,067 --> 00:22:18,927 - YEAH, FOR LOREN, YOU KNOW. 554 00:22:18,933 --> 00:22:22,173 SHE'D JUST TURNED FOUR WHEN HE LEFT. 555 00:22:22,167 --> 00:22:24,167 AND HE'S NEVER MADE ANY EFFORT 556 00:22:24,167 --> 00:22:25,867 TO HAVE A RELATIONSHIP WITH HER SINCE. 557 00:22:25,867 --> 00:22:27,167 - POOR GIRL. 558 00:22:27,167 --> 00:22:30,367 - POOR HIM, YOU KNOW? 559 00:22:30,367 --> 00:22:33,227 YOU KNOW, SHE'S AMAZING, AND EVERY DAY I'VE KNOWN HER, 560 00:22:33,233 --> 00:22:36,273 SHE'S GOTTEN MORE INTERESTING. 561 00:22:36,267 --> 00:22:37,597 IT DIDN'T WORK OUT BETWEEN HIM AND ME, 562 00:22:37,600 --> 00:22:39,070 BUT I WOULDN'T CHANGE ANYTHING, 563 00:22:39,067 --> 00:22:42,627 BECAUSE SHE IS THE BEST THING IN MY LIFE. 564 00:22:42,633 --> 00:22:44,073 - OOH, LOOK AT THAT ONE. 565 00:22:44,067 --> 00:22:45,267 - OH, MY GOD, I HAVE IT, LIKE, EVERY DAY. 566 00:22:45,267 --> 00:22:48,297 - DO YOU? - MM-HMM. 567 00:22:51,233 --> 00:22:53,973 DON'T LOOK NOW-- FRANKIE FRAT BOY AT 2:00. 568 00:22:53,967 --> 00:22:55,427 - WAIT. MY 2:00 OR YOUR 2:00? 569 00:22:55,433 --> 00:22:57,503 - IT'S MY-- IT'S MY 2--3-- 570 00:22:57,500 --> 00:22:58,830 FORGET IT. HE'S RIGHT OVER THERE. 571 00:22:58,833 --> 00:23:00,273 - OH. 572 00:23:00,267 --> 00:23:04,067 [gasps] PHI SIGMA HOTTIE IS TOTALLY CHECKING YOU OUT. 573 00:23:04,067 --> 00:23:07,297 - WELL, DON'T BE OBVIOUS. - OH. 574 00:23:07,300 --> 00:23:09,070 - [whispering] OKAY, NOW. LOOK, LOOK, LOOK. 575 00:23:10,867 --> 00:23:12,067 I'M GONNA GO TALK TO HIM. - WAIT, WHAT? 576 00:23:12,067 --> 00:23:13,667 ARE YOU SERIOUS? - YEAH, WE'RE GONNA BE 577 00:23:13,667 --> 00:23:14,827 FRESHMEN IN THE FALL. MIGHT AS WELL SEE 578 00:23:14,833 --> 00:23:16,173 WHAT THESE COLLEGE BOYS ARE ALL ABOUT. 579 00:23:16,167 --> 00:23:17,467 - YEAH, BUT, MEL, WHAT IF THEY'RE JUST, LIKE-- 580 00:23:17,467 --> 00:23:18,727 - SAVE ALL YOUR EXCUSES, 581 00:23:18,733 --> 00:23:20,333 AND WE'LL TALK ABOUT THEM WHEN I GET BACK. 582 00:23:20,333 --> 00:23:22,133 - OKAY. 583 00:23:22,133 --> 00:23:24,603 - SO DO YOU, UH--DO YOU JUST STARE AT HIGH-SCHOOL GIRLS, 584 00:23:24,600 --> 00:23:26,670 OR DO YOU ACTUALLY DATE THEM? - NEITHER. 585 00:23:26,667 --> 00:23:28,327 - COME ON, WE'RE ALL FRIENDS HERE. 586 00:23:28,333 --> 00:23:31,573 YOU WERE TOTALLY CHECKING ME OUT. 587 00:23:31,567 --> 00:23:33,197 - I WAS JUST WONDERING... 588 00:23:33,200 --> 00:23:35,770 IF THE CLOWN WHO SOLD YOU HIS OUTFIT GAVE YOU A DISCOUNT. 589 00:23:35,767 --> 00:23:37,167 [laughs] - HEY! 590 00:23:37,167 --> 00:23:38,467 WHY DON'T YOU GO OVER TO THE FRAT HOUSE... 591 00:23:38,467 --> 00:23:40,327 - DUDE. - AND PADDLE EACH OTHER? 592 00:23:40,333 --> 00:23:42,203 HUH? GET OUT! 593 00:23:42,200 --> 00:23:45,070 - HOLY CRAP, REAL STEEL. WHERE DID YOU COME FROM? 594 00:23:45,067 --> 00:23:46,827 - WHY ARE YOU TALKING TO THAT MORON? 595 00:23:46,833 --> 00:23:49,403 - I THOUGHT HE WAS-- NEVER MIND. THANK YOU. 596 00:23:49,400 --> 00:23:51,070 THAT WAS UNUSUALLY CONSIDERATE. 597 00:23:51,067 --> 00:23:52,627 - DON'T FLATTER YOURSELF, MEL. 598 00:23:52,633 --> 00:23:55,433 I KNOW THE GUY, OWES ME A HUNSKI. 599 00:23:55,433 --> 00:23:56,873 - [scoffs] I SHOULD HAVE KNOWN 600 00:23:56,867 --> 00:23:59,467 IT HAD NOTHING TO DO WITH STICKING UP FOR YOUR SISTER. 601 00:23:59,467 --> 00:24:00,967 - YEAH, HIS SISTER WHO CAN'T TELL 602 00:24:00,967 --> 00:24:02,727 WHEN A GUY IS TOTES NOT INTERESTED. 603 00:24:02,733 --> 00:24:04,373 WAKE UP, MEGATRON. 604 00:24:04,367 --> 00:24:06,667 YOU'RE EMBARRASSING YOURSELF... 605 00:24:06,667 --> 00:24:08,567 AND WORSE, YOUR BROTHER. 606 00:24:08,567 --> 00:24:10,067 - YOU-- [grunts] 607 00:24:10,067 --> 00:24:13,097 SHE CAN'T TALK TO YOU LIKE THAT. - LET IT GO, CHAMP. 608 00:24:13,100 --> 00:24:15,400 HOO! WE GOTTA BOUNCE, OR ELSE LISA'S GONNA GO MEDIEVAL ON MY-- 609 00:24:15,400 --> 00:24:17,300 - OH, LET'S GO. 610 00:24:19,100 --> 00:24:20,930 - I BOUGHT YOU THIS JACKET. 611 00:24:20,933 --> 00:24:23,473 - YOU DID. YOU WANT IT BACK? 612 00:24:23,467 --> 00:24:25,327 THAT'S THE FIRST TIME YOU'VE SMILED TONIGHT, 613 00:24:25,333 --> 00:24:26,903 AND HERE I AM WALKING OUT THE DOOR. 614 00:24:26,900 --> 00:24:27,900 - OH, I'M SURE YOU'RE USED TO 615 00:24:27,900 --> 00:24:29,230 PEOPLE BEING HAPPY WHEN YOU LEAVE. 616 00:24:29,233 --> 00:24:31,333 - I'M GONNA HOLD YOU TO THIS DEAL, CHLOE. 617 00:24:31,333 --> 00:24:33,633 YOU'RE GONNA GET ME BACK IN EDDIE'S GOOD GRACES, 618 00:24:33,633 --> 00:24:36,233 AND I WANT JAKE TO BE MY MANAGER. 619 00:24:36,233 --> 00:24:38,273 - ALL IN GOOD TIME. 620 00:24:38,267 --> 00:24:40,067 - WELL, DON'T FORGET-- 621 00:24:40,067 --> 00:24:41,467 UNEMPLOYED ACTORS GOT NOTHING BUT TIME, 622 00:24:41,467 --> 00:24:44,127 SO I COULD WAIT. 623 00:24:44,133 --> 00:24:46,073 IT'S YOU THAT I'M WORRIED ABOUT. 624 00:24:46,067 --> 00:24:47,627 THIS IS A HIGH DEGREE OF DIFFICULTY. 625 00:24:47,633 --> 00:24:51,603 - MM. I APPRECIATE THE CONCERN, BUT I KNOW WHAT I'M DOING. 626 00:24:51,600 --> 00:24:53,400 - SO DO I. 627 00:24:53,400 --> 00:24:55,070 - MM-- 628 00:24:57,867 --> 00:24:59,197 - YOU KNOW WHERE TO FIND ME. 629 00:24:59,200 --> 00:25:01,800 - [sighs] 630 00:25:05,533 --> 00:25:09,233 - SERIOUSLY, TELL ME YOU DID NOT PRACTICALLY PEE YOUR PANTS 631 00:25:09,233 --> 00:25:11,233 WHEN EDDIE GOT YOU IN THAT EYE LOCK. 632 00:25:11,233 --> 00:25:12,633 - IT'S LIKE FOR THAT ONE MOMENT, 633 00:25:12,633 --> 00:25:14,403 IT WAS JUST ME AND HIM... - UH-HUH. 634 00:25:14,400 --> 00:25:15,470 - LIKE HE WROTE THAT SONG JUST FOR ME. 635 00:25:15,467 --> 00:25:17,267 - OH, MY GOD. - I CAN'T BELIEVE 636 00:25:17,267 --> 00:25:18,627 WE'RE STILL GEEKING OUT ABOUT THIS CONCERT. 637 00:25:18,633 --> 00:25:19,833 - I KNOW! [both laugh] 638 00:25:19,833 --> 00:25:21,303 WE'RE LIKE TWO DWEEBIE COMIC BOOK GEEKS 639 00:25:21,300 --> 00:25:23,430 GOING TO COMIC-CON FOR THE FIRST TIME. 640 00:25:23,433 --> 00:25:24,603 OKAY, NO, WE'RE WAY COOLER THAN THAT. 641 00:25:24,600 --> 00:25:26,530 - WE ARE. 642 00:25:26,533 --> 00:25:28,573 - HOW AWESOME WAS IT WHEN HE JUST SAT AT THE PIANO 643 00:25:28,567 --> 00:25:30,097 WITH A SINGLE SPOTLIGHT AND NOTHING ELSE? 644 00:25:30,100 --> 00:25:33,070 - OH, MY GOD. I LOVED HOW QUIET IT GOT IN THERE. 645 00:25:33,067 --> 00:25:35,167 A COUPLE THOUSAND PEOPLE, AND IT WAS TOTALLY SILENT? 646 00:25:35,167 --> 00:25:36,767 THAT'S STAR POWER. 647 00:25:36,767 --> 00:25:39,097 - OH, MAN. WE NEED TO GET OUT MORE. 648 00:25:39,100 --> 00:25:40,230 - A LITTLE BIT... both: YEAH. 649 00:25:40,233 --> 00:25:41,233 [both laughing] 650 00:25:41,233 --> 00:25:42,703 - MOM, WE-- 651 00:25:44,633 --> 00:25:46,073 - UH-OH. 652 00:26:02,633 --> 00:26:05,303 - THANKS FOR A TRULY EPIC EVENING. 653 00:26:05,300 --> 00:26:07,170 YOU'RE THE BEST BOYFRIEND EVER. 654 00:26:07,167 --> 00:26:09,067 - [sighs] THAT'S HOW I DO. 655 00:26:09,067 --> 00:26:11,067 - [chuckles] I'M SORRY THAT YOU HAD TO PUT UP 656 00:26:11,067 --> 00:26:13,397 WITH ALL THOSE SCREAMING GIRLS TONIGHT. 657 00:26:13,400 --> 00:26:18,070 - YEAH, BEING SURROUNDED BY GIRLS SCREAMING IN ECSTASY 658 00:26:18,067 --> 00:26:20,467 IS A TERRIBLE THING. - [laughs] 659 00:26:20,467 --> 00:26:22,597 NEXT DATE, WE'LL GO TO A DODGERS GAME 660 00:26:22,600 --> 00:26:25,170 OR SOMETHING THAT MANLY MEN DO. 661 00:26:25,167 --> 00:26:28,697 - NO NEED TO APOLOGIZE. I HAD A GOOD TIME TONIGHT. 662 00:26:28,700 --> 00:26:31,300 - YEAH, IT WAS AN ALMOST-PERFECT NIGHT. 663 00:26:31,300 --> 00:26:33,870 THE ONLY BLEMISH WAS RUNNING INTO SISTER SPANX 664 00:26:33,867 --> 00:26:35,867 AND HER TRAGIC BFF. 665 00:26:35,867 --> 00:26:40,067 [laughs] ARE YOU SURE THAT YOU TWO ARE RELATED? 666 00:26:40,067 --> 00:26:42,527 - I USED TO TELL HER THAT SHE WAS ADOPTED, 667 00:26:42,533 --> 00:26:44,403 BUT MY DAD MADE ME STOP. 668 00:26:44,400 --> 00:26:47,330 - YOU KNOW, SHE'S JUST SO HAPPY ALL THE TIME, IT BUGS ME. 669 00:26:47,333 --> 00:26:51,103 AND LOREN? IT'S LIKE, "WE KNOW, YOU'RE SMART. 670 00:26:51,100 --> 00:26:53,930 G.O.Y.-- GET OVER YOURSELF." 671 00:26:53,933 --> 00:26:55,303 - THEY'RE JUST KIDS. 672 00:26:55,300 --> 00:26:56,970 THEY DON'T REALLY HAVE AN UNDERSTANDING 673 00:26:56,967 --> 00:26:58,467 OF HOW THE WORLD WORKS. 674 00:26:58,467 --> 00:27:02,767 - I KNOW, RIGHT? CHILDREN. 675 00:27:02,767 --> 00:27:06,567 I'D INVITE YOU TO COME IN, BUT DR. DOOM IS IN THERE. 676 00:27:07,800 --> 00:27:10,870 - IT'S OKAY. TEXT ME TOMORROW. 677 00:27:10,867 --> 00:27:13,127 - IT'LL BE THE FIRST THING THAT I DO 678 00:27:13,133 --> 00:27:15,873 WHEN I'M JUST LAYING IN BED WEARING NOTHING 679 00:27:15,867 --> 00:27:19,767 BUT MY NEW EDDIE DURAN CONCERT T-SHIRT. 680 00:27:27,667 --> 00:27:30,827 - LATER, BEAUTIFUL. 681 00:27:45,867 --> 00:27:48,067 - DAD, I'M HOME. 682 00:27:53,533 --> 00:27:55,273 DADDY? 683 00:28:52,233 --> 00:28:55,073 [slow rock music plays] 684 00:28:55,067 --> 00:29:00,867 * 685 00:29:00,867 --> 00:29:02,667 - OUR BOY WAS REALLY SOMETHING TONIGHT. 686 00:29:02,667 --> 00:29:04,697 HE SLAYED 'EM. 687 00:29:04,700 --> 00:29:07,530 I THINK HE'S BETTER THAN WE EVER WERE, 688 00:29:07,533 --> 00:29:09,873 AND HE'S STILL JUST A KID. 689 00:29:09,867 --> 00:29:11,067 [chuckles] 690 00:29:11,067 --> 00:29:15,067 I WAS SO PROUD OF HIM. YOU WOULD HAVE BEEN TOO. 691 00:29:15,067 --> 00:29:17,367 * 692 00:29:17,367 --> 00:29:24,367 - * AND EVERYONE'S COUNTING TO BE SAVED * 693 00:29:24,367 --> 00:29:29,067 * 694 00:29:29,067 --> 00:29:33,727 - THERE HE IS! AH! - [laughs] 695 00:29:33,733 --> 00:29:35,803 - YOU NERVOUS? - A LITTLE. 696 00:29:35,800 --> 00:29:37,130 - YOU SHOULD BE, A LOT. - [laughs] 697 00:29:37,133 --> 00:29:38,733 - IT'S YOUR FIRST SHOW, FIRST TOUR. 698 00:29:38,733 --> 00:29:40,703 YOU GOTTA USE THAT NERVOUS ENERGY. 699 00:29:40,700 --> 00:29:42,330 - RIGHT, YEAH. 700 00:29:42,333 --> 00:29:45,603 - OH. - MM. 701 00:29:45,600 --> 00:29:47,600 - JUST REMEMBER, IF YOU GET A LITTLE TIGHT UP THERE, 702 00:29:47,600 --> 00:29:48,900 JUST LOOK FOR US. 703 00:29:48,900 --> 00:29:51,300 - OKAY. - THINK OF IT LIKE... 704 00:29:51,300 --> 00:29:53,500 WE'RE ALL SINGING AROUND THE PIANO AT HOME. 705 00:29:53,500 --> 00:29:54,930 - [laughs] - [chuckles] 706 00:29:54,933 --> 00:29:57,603 - YOU HEAR THAT? YEAH, JUST ONLY WITH 5,000 SCREAMING FANS 707 00:29:57,600 --> 00:29:59,630 IN THE LIVING ROOM. - [laughs] 708 00:29:59,633 --> 00:30:00,833 - BUT THEY LOVE YOU, 709 00:30:00,833 --> 00:30:02,803 AND THEY WANT YOU TO DO GREAT, JUST LIKE US. 710 00:30:02,800 --> 00:30:05,430 WE ARE SO PROUD OF YOU. 711 00:30:05,433 --> 00:30:08,533 - LADIES AND GENTLEMEN, EDDIE DURAN! 712 00:30:08,533 --> 00:30:10,703 - [sighs, chuckles] - THAT'S MY CUE. 713 00:30:10,700 --> 00:30:11,700 - THAT'S YOUR CUE. 714 00:30:11,700 --> 00:30:14,630 - ALL RIGHT. OKAY. - I LOVE YOU. 715 00:30:18,633 --> 00:30:21,573 [audience cheering] 716 00:30:24,567 --> 00:30:26,327 ** 717 00:30:26,333 --> 00:30:30,273 - * EVERYTHING FADES 718 00:30:30,267 --> 00:30:31,927 * 719 00:30:31,933 --> 00:30:36,573 * EVERYTHING FADES 720 00:30:38,067 --> 00:30:40,427 - GOOD NIGHT. THANK YOU. 721 00:30:40,433 --> 00:30:44,073 - ALL RIGHT, YOU GUYS GET HOME SAFELY. 722 00:30:46,700 --> 00:30:49,370 WHY DO I FEEL LIKE I JUST LEFT THE PRINCIPAL'S OFFICE? 723 00:30:49,367 --> 00:30:51,227 - MELISSA'S MOM TENDS TO MAKE EVERYONE FEEL THAT WAY. 724 00:30:51,233 --> 00:30:53,073 - OKAY, YOU KNOW WHAT? I'M NOT HAPPY ABOUT THIS, LOREN, 725 00:30:53,067 --> 00:30:54,627 AND I DON'T LIKE BEING LIED TO EITHER. 726 00:30:54,633 --> 00:30:57,073 - I THOUGHT SHE TOLD HER PARENTS ABOUT THE CONCERT. 727 00:30:57,067 --> 00:31:00,097 OKAY, I KNOW SHE LIED. I'M SORRY. 728 00:31:00,100 --> 00:31:02,070 - OKAY, DON'T EVER PUT ME IN THIS POSITION AGAIN. 729 00:31:02,067 --> 00:31:04,197 - I WON'T. 730 00:31:04,200 --> 00:31:06,930 - OKAY. I AM GLAD YOU'RE SUCH A GOOD FRIEND TO MELISSA. 731 00:31:06,933 --> 00:31:09,373 - OH, I FEEL LIKE LISA'S GONNA IMPLANT A TRACKING DEVICE 732 00:31:09,367 --> 00:31:10,697 UNDER MELISSA'S SKIN. 733 00:31:10,700 --> 00:31:11,770 THAT'S NOT LEGAL, IS IT? 734 00:31:11,767 --> 00:31:14,327 - [laughs] I AM JUST SO RELIEVED 735 00:31:14,333 --> 00:31:15,903 THAT YOU AND I DON'T HAVE THAT KIND OF RELATIONSHIP. 736 00:31:15,900 --> 00:31:17,630 I DON'T THINK I COULD DEAL WITH THAT KIND OF STRESS. 737 00:31:17,633 --> 00:31:18,703 - BUT IT'S NOT LIKE MELISSA'S 738 00:31:18,700 --> 00:31:20,230 SOME KIND OF JUVENILE DELINQUENT. 739 00:31:20,233 --> 00:31:22,333 SHE JUST WANTS SOME ROOM TO BREATHE. 740 00:31:22,333 --> 00:31:23,503 - I KNOW. 741 00:31:23,500 --> 00:31:26,200 - OH, MY GOD! HOW WAS YOUR DATE? I ALMOST FORGOT! 742 00:31:26,200 --> 00:31:28,830 - OH. [scoffs] I-I CANCELED. 743 00:31:28,833 --> 00:31:31,573 YEAH, I FOUND OUT THE GUY WAS WANTED IN FOUR STATES. 744 00:31:31,567 --> 00:31:34,427 - REALLY? ONLY FOUR? WELL, THAT'S NOT BAD. 745 00:31:34,433 --> 00:31:36,433 WHICH FOUR? THAT MAKES A DIFFERENCE. 746 00:31:36,433 --> 00:31:39,073 [silverware clanging] 747 00:31:42,767 --> 00:31:44,297 OH, MOM. 748 00:31:44,300 --> 00:31:46,500 I'M SORRY. HE FLAKED? 749 00:31:46,500 --> 00:31:48,170 - NO, NO, IT'S OKAY. - MOMMY. 750 00:31:48,167 --> 00:31:50,697 - IT'S OKAY. ELLIE RESCUED ME WITH A BOTTLE OF WINE. 751 00:31:50,700 --> 00:31:52,730 - OH, ELLIE. - [laughs] I KNOW. 752 00:31:52,733 --> 00:31:54,073 [gasps] WELL, HOW ABOUT YOU? 753 00:31:54,067 --> 00:31:56,067 HOW WAS THE HOTLY ANTICIPATED CONCERT? 754 00:31:56,067 --> 00:31:58,427 - OH, IT WAS A BIG LETDOWN. 755 00:31:58,433 --> 00:32:00,073 I DON'T EVEN KNOW WHAT I WAS THINKING. 756 00:32:00,067 --> 00:32:01,567 - SO IT WAS AMAZING? 757 00:32:01,567 --> 00:32:03,497 - IT WAS SO AMAZING! - [laughs] 758 00:32:03,500 --> 00:32:06,070 - WORDS CAN'T EVEN DESCRIBE IT, MOM, 759 00:32:06,067 --> 00:32:07,697 BUT I WILL TRY. - MM-HMM. 760 00:32:14,067 --> 00:32:15,727 - [sighs] - HEY, THERE, SUPERSTAR. 761 00:32:15,733 --> 00:32:17,133 - CHLOE. - [laughs] 762 00:32:17,133 --> 00:32:19,073 OH, HOW WAS THE SHOW? 763 00:32:19,067 --> 00:32:20,597 - OH, IT WAS PHENOMENAL. WHERE WERE YOU? 764 00:32:20,600 --> 00:32:22,630 - OH, YOU WOULDN'T BELIEVE IT. 765 00:32:22,633 --> 00:32:24,473 - I WAS REALLY WORRIED. YOU DIDN'T ANSWER MY CALLS. 766 00:32:24,467 --> 00:32:26,127 - I-I WAS COVERED IN FABRIC ALL NIGHT. 767 00:32:26,133 --> 00:32:27,973 - [groans] - IT WAS A COMPLETE NIGHTMARE. 768 00:32:27,967 --> 00:32:30,197 I MEAN, FIRST, THE SEAMSTRESS WAS AN HOUR LATE, 769 00:32:30,200 --> 00:32:32,130 AND THEN--AND THEN SHE SPOKE, LIKE, TWO WORDS OF ENGLISH-- 770 00:32:32,133 --> 00:32:33,573 "STAND STRAIGHT"-- AND THEN THE STYLIST 771 00:32:33,567 --> 00:32:36,167 SENT OVER HER DOPEY ASSISTANT, WHO MUST HAVE BEEN ON DRUGS, 772 00:32:36,167 --> 00:32:38,067 'CAUSE HE BROUGHT THE COMPLETE WRONG CLOTHES, 773 00:32:38,067 --> 00:32:39,797 AND THEN SHE HAD TO GO GET THE RIGHT SIZES, 774 00:32:39,800 --> 00:32:41,200 AND SO THEN I WAS-- I WAS STANDING THERE. 775 00:32:41,200 --> 00:32:43,470 SHE GOT IN AN ACCIDENT ON LA CIENEGA. 776 00:32:43,467 --> 00:32:45,067 - W-WHAT? - [sighs] OH, NO. 777 00:32:45,067 --> 00:32:47,727 SHE'S FINE, BUT IT JUST HELD UP EVERYTHING FOR HOURS, 778 00:32:47,733 --> 00:32:50,773 AND ALL I COULD THINK ABOUT WAS HOW I WAS MISSING YOUR SHOW. 779 00:32:50,767 --> 00:32:51,927 - WELL, WHY DIDN'T YOU LEAVE A MESSAGE? 780 00:32:51,933 --> 00:32:53,833 - I TRIED, BUT I COULDN'T GET THROUGH. 781 00:32:53,833 --> 00:32:56,173 IT MUST HAVE BEEN IN A DEAD ZONE. 782 00:32:56,167 --> 00:32:59,067 - YEAH, SERVICE IS REAL SPOTTY UP THERE. 783 00:32:59,067 --> 00:33:00,827 - I JUST FEEL SO BAD. 784 00:33:00,833 --> 00:33:02,403 I MEAN, IT WAS YOUR LAST SHOW, 785 00:33:02,400 --> 00:33:04,230 AND I KNOW THAT YOU WERE AMAZING. 786 00:33:04,233 --> 00:33:05,733 - AH, IT'S FINE, SWEETIE. - I-I FEEL LIKE 787 00:33:05,733 --> 00:33:07,733 SUCH A FAILURE AS A GIRLFRIEND. 788 00:33:07,733 --> 00:33:09,173 - IT'S FINE, ALL RIGHT? 789 00:33:09,167 --> 00:33:10,667 IT'S NOT LIKE YOU'VE NEVER SEEN THE SHOW BEFORE. 790 00:33:10,667 --> 00:33:12,267 - I KNOW, BUT IT WAS IMPORTANT TO YOU. 791 00:33:12,267 --> 00:33:14,097 - SHH. - [sighs] 792 00:33:14,100 --> 00:33:16,230 IT'S L.A. 793 00:33:16,233 --> 00:33:20,073 - [sighs] DON'T WORRY ABOUT IT, OKAY? 794 00:33:20,067 --> 00:33:22,227 I'M JUST GLAD YOU'RE OKAY. I WAS WORRIED. 795 00:33:22,233 --> 00:33:24,403 - WELL, CAN I MAKE IT UP TO YOU? 796 00:33:24,400 --> 00:33:25,430 - OH... 797 00:33:25,433 --> 00:33:27,633 YOU OWE ME FOR THIS ONE. - MM. 798 00:33:27,633 --> 00:33:28,933 [both chuckle] 799 00:33:28,933 --> 00:33:32,473 - I HAD TO SPEND TWO EXTRA HOURS WITH JAKE... 800 00:33:32,467 --> 00:33:33,497 - MM. 801 00:33:33,500 --> 00:33:35,070 - AND YOU ARE GONNA PAY FOR THAT. 802 00:33:35,067 --> 00:33:37,227 - WELL, I AM ALL YOURS. 803 00:33:37,233 --> 00:33:41,973 - * I SEE YOU WATCH ME AS I'M LEAVING * 804 00:33:41,967 --> 00:33:46,697 * BABY, I COULD TAKE THE TIME * 805 00:33:46,700 --> 00:33:52,230 * TO PLAY THOSE GAMES THAT WE'VE BEEN WANTING * 806 00:33:52,233 --> 00:33:57,333 * BABY, YOU'RE ON MY MIND * 807 00:33:57,333 --> 00:34:02,073 * OH 808 00:34:02,067 --> 00:34:07,527 * WITH EVERY STEP I'M HIGHER * 809 00:34:07,533 --> 00:34:12,233 * AND I-I-I 810 00:34:12,233 --> 00:34:16,073 * GET CLOSER TO DESIRE 811 00:34:53,700 --> 00:34:55,630 - DID YOU REALLY THINK YOU WERE GONNA GET AWAY WITH IT? 812 00:34:55,633 --> 00:34:57,573 - NO, MOM. I WANTED TO GET CAUGHT. 813 00:34:57,567 --> 00:34:59,067 I SO LOVE GETTING IN TROUBLE. 814 00:34:59,067 --> 00:35:00,867 - CUT THE ATTITUDE, MEL. IT'S NOT HELPING. 815 00:35:00,867 --> 00:35:03,597 - WOULD ANYTHING? - NO. 816 00:35:03,600 --> 00:35:06,930 - LOOK, I'M SORRY I LIED, BUT IF I TOLD YOU GUYS I WANTED 817 00:35:06,933 --> 00:35:08,703 TO GO SEE THE EDDIE DURAN CONCERT IN HOLLYWOOD, 818 00:35:08,700 --> 00:35:09,900 YOU WOULD'VE SAID NO. 819 00:35:09,900 --> 00:35:11,370 - THAT'S YOUR JUSTIFICATION? 820 00:35:11,367 --> 00:35:12,567 - WELL, I DIDN'T THINK I'D NEED ONE, 821 00:35:12,567 --> 00:35:13,797 SO I'M KIND OF SCRAMBLING RIGHT NOW. 822 00:35:13,800 --> 00:35:15,170 - WELL, DID YOU EVER THINK THAT YOUR FATHER AND I, 823 00:35:15,167 --> 00:35:16,667 FOR A SECOND, MIGHT BE WORRIED? 824 00:35:16,667 --> 00:35:18,967 - NO. I FIGURED YOU BELIEVED I WAS WITH LOREN, 825 00:35:18,967 --> 00:35:20,567 WHICH, TECHNICALLY, I WAS. 826 00:35:20,567 --> 00:35:22,067 - YES, BUT YOU SAID THAT YOU GUYS 827 00:35:22,067 --> 00:35:23,927 WERE DOING A PROJECT TOGETHER, NOT TRAIPSING OFF 828 00:35:23,933 --> 00:35:25,533 TO SOME HOLLYWOOD NIGHTCLUB. 829 00:35:25,533 --> 00:35:27,073 - OKAY, SO I LIED ABOUT THE DETAILS. 830 00:35:27,067 --> 00:35:28,527 YOU KNOW WHAT? IT WAS WORTH IT. 831 00:35:28,533 --> 00:35:31,403 IT WAS THE BEST CONCERT EVER. IT WAS AMAZING--BEYOND AMAZING. 832 00:35:31,400 --> 00:35:33,670 IT WAS THE BEST NIGHT I'VE EVER HAD. 833 00:35:33,667 --> 00:35:34,697 YOU KNOW, I CAN FACE ANY PUNISHMENT NOW, 834 00:35:34,700 --> 00:35:36,300 EVEN DEATH. - STOP IT. 835 00:35:36,300 --> 00:35:38,970 - I WILL DIE SINGING KICK IT UP, A BEFITTING END. 836 00:35:38,967 --> 00:35:41,067 DO WITH ME WHAT YOU WILL. - OKAY, WE'RE NOT AMUSED. 837 00:35:41,067 --> 00:35:42,227 - I'M KIND OF AMUSED. 838 00:35:42,233 --> 00:35:44,073 - GUS. - [laughs] LOOK... 839 00:35:44,067 --> 00:35:45,927 I--UGH. DO NOT LIE ANYMORE. 840 00:35:45,933 --> 00:35:48,433 I'M SERIOUS. AND WHAT MATTERS, HONEY, 841 00:35:48,433 --> 00:35:50,203 IS THAT SHE IS HOME, SAFE AND SOUND. 842 00:35:50,200 --> 00:35:52,670 THAT IS WHAT MATTERS. 843 00:35:52,667 --> 00:35:54,397 - COME ON, MOM, LIGHTEN UP. 844 00:35:54,400 --> 00:35:56,730 DIDN'T YOU EVER SNEAK OUT TO A CONCERT WHEN YOU WERE YOUNG? 845 00:35:56,733 --> 00:35:58,933 - MY PAST IS NOT THE ISSUE HERE, OKAY? 846 00:35:58,933 --> 00:36:00,403 IT'S A MUCH DIFFERENT WORLD OUT THERE NOW... 847 00:36:00,400 --> 00:36:02,370 - [sighs] OH, Y-- - AND A MUCH MORE DANGEROUS ONE. 848 00:36:02,367 --> 00:36:05,067 - YET HERE I AM, STILL ALIVE. 849 00:36:05,067 --> 00:36:06,627 CAN YOU GIVE ME SOME CREDIT, PLEASE? 850 00:36:06,633 --> 00:36:09,373 - NOT UNTIL YOU PROVE TO ME THAT YOU'VE EARNED IT. 851 00:36:09,367 --> 00:36:10,697 - TYPICAL. 852 00:36:10,700 --> 00:36:13,070 WHERE'S PHIL? IS HE GONNA GET THE SAME THRASHING 853 00:36:13,067 --> 00:36:15,067 WHEN HE COMES IN AT 3:00 A.M. FROM GOD-KNOWS-WHERE? 854 00:36:15,067 --> 00:36:16,667 - DON'T DEFLECT THIS TO PHIL. 855 00:36:16,667 --> 00:36:18,597 - FINE. LET'S JUST GET THIS OVER-WITH. 856 00:36:18,600 --> 00:36:20,430 WHAT ARE YOU GONNA DO TO ME? - [sighs] 857 00:36:20,433 --> 00:36:22,773 GO ON TO BED. 858 00:36:22,767 --> 00:36:24,327 - THAT'S MY PUNISHMENT? - NO, YOUR MOTHER AND I 859 00:36:24,333 --> 00:36:26,173 ARE GOING TO DISCUSS WHAT YOUR PUNISHMENT'S GOING TO BE. 860 00:36:26,167 --> 00:36:28,067 GO TO BED. - A REPRIEVE. 861 00:36:28,067 --> 00:36:32,127 THE SUN WILL RISE ANOTHER DAY. 862 00:36:32,133 --> 00:36:33,503 - WOULD IT HAVE KILLED YOU TO AT LEAST PRETEND 863 00:36:33,500 --> 00:36:34,730 TO BE ON MY SIDE? 864 00:36:34,733 --> 00:36:37,873 - HONEY, THIS IS NOT ABOUT HAVING SIDES, OKAY? 865 00:36:37,867 --> 00:36:38,927 THE HARDER WE PUSH HER, 866 00:36:38,933 --> 00:36:40,603 THE HARDER SHE'S GONNA PUSH BACK. 867 00:36:40,600 --> 00:36:43,270 - OKAY. SO WE'LL JUST LET HER DO WHATEVER SHE WANTS. 868 00:36:43,267 --> 00:36:45,667 THAT MAKES MUCH MORE SENSE. 869 00:36:45,667 --> 00:36:46,967 - [sighs] 870 00:36:49,567 --> 00:36:53,267 [car radio plays hard rock music] 871 00:36:53,267 --> 00:36:54,267 - DUDE, YOU SHOULD'VE LET ME GRAB 872 00:36:54,267 --> 00:36:55,897 A COUPLE OF THOSE PLAYSTATIONS, MAN. 873 00:36:55,900 --> 00:36:58,430 - NO, RAY, I TOLD YOU. EIGHT MINUTES IN AND OUT, MAX. 874 00:36:58,433 --> 00:36:59,633 HOW MANY TIMES HAVE I TOLD YOU THAT? 875 00:36:59,633 --> 00:37:01,203 - YOU'VE NEVER TOLD ME THAT, MAN. 876 00:37:01,200 --> 00:37:03,200 - IF I CALL YOU AN IDIOT RIGHT NOW, 877 00:37:03,200 --> 00:37:04,330 WILL YOU HOLD IT AGAINST ME? 878 00:37:04,333 --> 00:37:06,173 - ALL RIGHT, MAYBE I FORGOT OR SOMETHING. 879 00:37:06,167 --> 00:37:07,527 - WELL, NEXT TIME REMEMBER, PLEASE, 880 00:37:07,533 --> 00:37:09,073 'CAUSE I DON'T WANT TO WALK OUT SOMETIME 881 00:37:09,067 --> 00:37:10,197 TO THREE COP CARS 882 00:37:10,200 --> 00:37:12,400 AND "JOE JUSTIFIED" WITH A BULLHORN 883 00:37:12,400 --> 00:37:14,830 TELLING ME TO PUT MY HANDS ON MY HEAD BECAUSE YOU'RE A DOPE. 884 00:37:14,833 --> 00:37:17,433 - YOU'RE BREAKIN' MY HEART OVER HERE, MAN. 885 00:37:17,433 --> 00:37:19,473 HOW MUCH YOU THINK WE'RE GONNA MAKE FOR ALL THIS STUFF? 886 00:37:19,467 --> 00:37:21,397 - NOT ENOUGH, MAN. NEVER NEARLY ENOUGH. 887 00:37:21,400 --> 00:37:23,070 WE GOT TO FIND A NEW BUYER. 888 00:37:23,067 --> 00:37:24,097 - STILL PRETTY GOOD, THOUGH, RIGHT-- 889 00:37:24,100 --> 00:37:27,170 I MEAN, FOR EIGHT MINUTES, IN AND OUT, MAX? 890 00:37:27,167 --> 00:37:28,797 - YOU'RE THINKIN' SMALL TIME, RAY. 891 00:37:28,800 --> 00:37:30,700 I GOT BIGGER PLANS. 892 00:37:30,700 --> 00:37:33,070 - AM I TALKIN' TO JOHN GOTTI, ALL OF A SUDDEN? 893 00:37:33,067 --> 00:37:36,527 - NO, HE GOT CAUGHT. [phone ringing] 894 00:37:36,533 --> 00:37:39,503 HEY, BABY. - WHERE ARE YOU? 895 00:37:39,500 --> 00:37:41,130 - UM, JUST DRIVING AROUND. WHAT'S UP? 896 00:37:41,133 --> 00:37:43,473 - [sighs] MY DAD'S NOT HERE, SO WHY DON'T YOU COME 897 00:37:43,467 --> 00:37:46,067 AND SAY GOOD NIGHT TO ME AGAIN? 898 00:37:46,067 --> 00:37:47,527 - 'CAUSE HE'LL WALK IN THE MINUTE 899 00:37:47,533 --> 00:37:48,933 WE DECIDE TO GET COMFORTABLE. 900 00:37:48,933 --> 00:37:51,133 - [laughs] I'M LONELY. 901 00:37:51,133 --> 00:37:52,873 - GO TO BED. DREAM ABOUT ME. 902 00:37:52,867 --> 00:37:54,597 DID YOU HAVE FUN AT THE CONCERT TONIGHT? 903 00:37:54,600 --> 00:37:56,570 - THE BEST. THANKS. 904 00:37:56,567 --> 00:37:58,527 [door lock opening] OH, YOU'RE RIGHT. 905 00:37:58,533 --> 00:38:00,273 I THINK HE'S HOME. I GOTTA GO. 906 00:38:00,267 --> 00:38:01,797 - GOOD NIGHT. I'LL SEE YOU TOMORROW. 907 00:38:01,800 --> 00:38:05,270 - STAY OUT OF TROUBLE. 908 00:38:05,267 --> 00:38:07,497 - "DREAM ABOUT ME, BABY." 909 00:38:07,500 --> 00:38:10,830 - DON'T GET JEALOUS, RAY-RAY. - I'M NOT JEALOUS. 910 00:38:10,833 --> 00:38:11,873 - WHO WAS THAT? 911 00:38:11,867 --> 00:38:13,127 - NICOLE. 912 00:38:13,133 --> 00:38:15,903 - WHY WOULD YOU TELL NICOLE TO STAY OUT OF TROUBLE? 913 00:38:15,900 --> 00:38:17,900 - IT WAS A JOKE, DAD. LIGHTEN UP. 914 00:38:17,900 --> 00:38:19,200 HOW WAS YOUR DATE? 915 00:38:19,200 --> 00:38:20,630 - WHO SAID I WAS ON A DATE? 916 00:38:20,633 --> 00:38:22,473 - WHEN ARE YOU NOT? 917 00:38:22,467 --> 00:38:23,797 COME ON, WHAT'S HER NAME? 918 00:38:23,800 --> 00:38:26,700 DO I KNOW HER? DID YOU BEFORE TONIGHT? 919 00:38:26,700 --> 00:38:28,070 - I'M TIRED, ADRIANA. 920 00:38:28,067 --> 00:38:29,697 I DON'T BELIEVE YOU WERE ON THE PHONE WITH NICOLE. 921 00:38:29,700 --> 00:38:31,700 I THINK YOU WERE TALKING TO PHIL. 922 00:38:31,700 --> 00:38:33,100 - MAYBE I WAS. SO WHAT? 923 00:38:33,100 --> 00:38:35,400 - YOU SHOULDN'T SPEND SO MUCH TIME WITH THAT GUY. 924 00:38:35,400 --> 00:38:39,070 - WHY NOT? PHIL MAKES ME HAPPY. HE'S A KEEPER. 925 00:38:39,067 --> 00:38:40,597 - HE'S A LOSER. 926 00:38:40,600 --> 00:38:44,130 - I'M SORRY WE CAN'T ALL BE AS PERFECT AS YOU ARE, DAD. 927 00:38:44,133 --> 00:38:45,973 - ADRIANA-- - YEAH, I'M GOING TO BED. 928 00:38:45,967 --> 00:38:48,897 GOOD NIGHT, DAD. LOVE YOU LOTS. 929 00:38:59,633 --> 00:39:05,233 - [muttering] 930 00:39:07,067 --> 00:39:13,067 * I COULD BE THERE, BUT YOU WOULDN'T SEE ME * 931 00:39:13,067 --> 00:39:16,067 * HOVER IN THE AIR 932 00:39:16,067 --> 00:39:20,367 * YOU'LL NEVER NOTICE ME * 933 00:39:20,367 --> 00:39:22,267 [hums] 934 00:39:22,267 --> 00:39:26,327 I JUST RHYMED "ME" WITH "ME." THAT'S-- 935 00:39:26,333 --> 00:39:29,873 [sighs] 936 00:39:33,400 --> 00:39:38,830 * MILES FROM WHERE YOU ARE 937 00:39:38,833 --> 00:39:43,403 * MIGHT AS WELL BE MARS 938 00:39:43,400 --> 00:39:46,770 HMM. 939 00:39:46,767 --> 00:39:50,267 * MILES FROM WHERE YOU ARE 940 00:39:50,267 --> 00:39:52,727 [computer chiming] 941 00:39:52,733 --> 00:39:58,503 * MIGHT AS WELL BE MARS 942 00:39:58,500 --> 00:40:00,600 HEY. - WHAT ARE YOU DOING? 943 00:40:00,600 --> 00:40:01,600 - WORKING ON A SONG. 944 00:40:01,600 --> 00:40:03,500 - HE INSPIRED YOU THAT MUCH, HUH? 945 00:40:03,500 --> 00:40:05,230 - [laughs] YOU HAVE NO IDEA. 946 00:40:05,233 --> 00:40:06,973 WAIT, WHAT HAPPENED WITH YOUR MOM? 947 00:40:06,967 --> 00:40:09,167 DID SHE LOCK YOU IN A CAGE IN THE BASEMENT? 948 00:40:09,167 --> 00:40:11,927 - SHE WANTED TO, BUT MY DAD HAS PREVAILED SO FAR. 949 00:40:11,933 --> 00:40:13,603 - [sighs] - BUT TRUST ME, 950 00:40:13,600 --> 00:40:15,730 [imitates sobbing] THERE WILL BE BLOOD, LOREN. 951 00:40:15,733 --> 00:40:19,703 THERE WILL BE BLOOD. - SHE SCARES ME SOMETIMES. 952 00:40:19,700 --> 00:40:21,070 - YOU ONLY HAVE TO SEE HER FOR, LIKE, FIVE MINUTES 953 00:40:21,067 --> 00:40:22,467 A COUPLE TIMES A WEEK. 954 00:40:22,467 --> 00:40:25,097 I SLEEP 20 FEET AWAY FROM HER. SHE COULD ATTACK ANY TIME. 955 00:40:25,100 --> 00:40:26,500 YOU KNOW WHAT? 956 00:40:26,500 --> 00:40:27,900 WHATEVER PUNISHMENT SHE INFLICTS, 957 00:40:27,900 --> 00:40:30,230 IT WILL TOTALLY HAVE BEEN WORTH IT TO SEE THAT CONCERT. 958 00:40:30,233 --> 00:40:32,833 - IT WAS A MONUMENTAL EVENING. 959 00:40:32,833 --> 00:40:34,603 [both laugh] 960 00:40:34,600 --> 00:40:35,800 OKAY, BUT WE SHOULD GO. 961 00:40:35,800 --> 00:40:37,330 I DON'T WANT YOU TO GET IN ANY MORE TROUBLE. 962 00:40:37,333 --> 00:40:39,873 - I KNOW WHAT YOU'LL BE DREAMING ABOUT TONIGHT. 963 00:40:39,867 --> 00:40:42,397 - I AM WAY TOO WIRED TO SLEEP. [both laugh] 964 00:40:42,400 --> 00:40:44,400 both: NIGHT. 965 00:40:44,400 --> 00:40:47,330 [soft music] 966 00:40:47,333 --> 00:40:49,173 * 967 00:40:49,167 --> 00:40:54,627 - * WILL YOU FINALLY FOLLOW ME * 968 00:40:54,633 --> 00:40:57,503 * WHEN I'M GOING NOWHERE? * 969 00:40:57,500 --> 00:41:02,200 * WILL YOU KEEP YOUR FAITH IN ME * 970 00:41:02,200 --> 00:41:06,470 * WHEN I DON'T HAVE A PRAYER? * 971 00:41:06,467 --> 00:41:10,427 * YOU HAVE GOT THIS HOLD ON ME * 972 00:41:10,433 --> 00:41:13,633 * DON'T WANT TO BE SET FREE * 973 00:41:13,633 --> 00:41:18,773 * SO KEEP ME SAFE AND SOUND RIGHT HERE WITH * 974 00:41:18,767 --> 00:41:23,867 * YOU HAVE GOT THIS HOLD ON ME * 975 00:41:23,867 --> 00:41:26,627 * AND I AM YOURS TO KEEP 976 00:41:26,633 --> 00:41:33,073 * LOCK OURSELVES AWAY FROM EVERYTHING * 977 00:41:33,067 --> 00:41:35,927 * 978 00:41:35,933 --> 00:41:38,603 * 'CAUSE YOU GOT THIS HOLD ON ME * 979 00:41:38,600 --> 00:41:45,300 * 980 00:41:45,300 --> 00:41:50,270 * WHEN THERE'S NOTHING LEFT TO SAY * 981 00:41:50,267 --> 00:41:53,527 * WILL YOU STILL BE LISTENING? * 982 00:41:53,533 --> 00:41:58,303 * WILL YOU HELP ME STAND UP STRAIGHT * 983 00:41:58,300 --> 00:42:02,200 * WHEN I'M BENT AND BREAKING? * 984 00:42:02,200 --> 00:42:04,230 * YOU HAVE GOT THIS HOLD ON ME - HMM. 985 00:42:04,233 --> 00:42:05,333 - WHAT'S UP? 986 00:42:05,333 --> 00:42:07,433 - AH, JUST ANOTHER MESSAGE FROM A FAN. 987 00:42:07,433 --> 00:42:09,873 - OH. 988 00:42:09,867 --> 00:42:14,767 - * SO KEEP ME SAFE AND SOUND RIGHT HERE WITH * 989 00:42:14,767 --> 00:42:18,167 * YOU HAVE GOT THIS HOLD ON ME * 990 00:42:18,217 --> 00:42:22,767 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 73679

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