Original subtitles

WOMAN: You've gut ta climb Muunt Everest...

...tu reach the Valley ul the Dulls.

It's a brutal climb ta reach that peak.

You stand there, waiting Ia! the rush ul exhilaration, but it duesn 't came.

You 're alune.

And the feeling ul Iuneliness is uverpuwering.

ANNE: I never meant ta start that climb.

I tank the first step when I left New England and headed Ia! New Yurk.

It wasn't easy to feave that wonderful' house.

My grandparents lived there and theirs before them.

It was standing during the Revulutiun.

George Washington didn't sfeep there but he did dip water from our well'.

I can still see them standing there waving.

Aunt Amy, Mama and Willie.

Paar VVifl'ie. He didn't know I was {ea lung Ins Irfe forever.

I'll' never forget the night I tafd them I was going to New York.

They said it was a dreadful place Ia! a vacaliun.

I announced I was going to work there

Willie tank it well. He said he'd give me a munth...

...and I'd run Ia! hume ready ta settle dawn in Lawrenceville.

I remember the day Willie pinned me.

He said it meant we were engaged to be engaged.

I wanted a marriage like Mum and Dad's, but nut yet.

First I wanted new experiences, new laces, new surroundings.

Lawrenceville would be there Iurever.

The cab drive! kept complaining about the sleet and slush.

I tafd him he shauid see one of our New Engfand blizzards

He took me to the Martha Washington Hote! for women

Aunt Amy had stayed there.

She said it was as sale as you could be in a city like New Yurk.

The desk clerk warned me they didn't affaw men in the roams

I confessed I didn't know any

Before my feet were dry, the agency sent me an an interview

I had butterflies, but I acted like I'd done it all' my life.

At least I thought I did.

WOMAN: I knew it. She had that look. - I'm to see Miss Steinberg.

WOMAN: I knew she was pregnant.

Certainly I should have kept an eye on her. doctor. but she sneaks out.

I haven't any idea who the father is. It could have been one of several.

All right. I'll start her on vitamins tomorrow.

Queeny's pregnant again. My Siamese.

I hope it isn't that beat-up black tom with the one eye.

A black Siamese should be very pretty. I'm Anne Welles.

Oh. yes. The agency phoned about you.

B.A. at Radcliffe? Mr. Bellamy will like that. He'll think it gives the office tone.

- The agency said he's a lawyer. - A theatrical lawyer.

He handles actors. writers and directors. Important ones.

He advises them and draws up their contracts. No loopholes.

- Sounds fascinating. - It isn't.

- Will I work for Bellamy or Bellows? - There is no Mr. Bellows any more.

Only his nephew. Lyon Burke. You can tell when he's in the office...

...by the girls around that water cooler.

- How's your shorthand? - Weak. but I type 60 words a minute.

Okay. I'll take you in to see the boss.

Mr. Bellamy. this is Miss Welles. She's here about the job.

- She's too good-looking. - Mr. Bellamy. that's not fair.

I'll just get her broken in and she'll get married.

- I'm already engaged. - There. see?

Lots of secretaries are married. aren't they?

Not in this office. Some days you'll work until midnight...

...having dinner with me and a client. I'll drink too much...

...and won't remember a word. You'll have one sherry and remember it all.

- I have a good memory and love sherry. - Can you handle it?

- I'm sure I can. - Could she start right away?

- Stop running my life. I'm not convinced. - Couldn't you please give me a trial?

All right. I'll try you out for one week. starting as of now.

Here. Take these contracts to Helen Lawson at the rehearsal hall on 44th.

Take a cab. See that she signs them.

- Let's see if she can handle that. - I'll be right back.

And don't give her that "I loved you when I was a little girl� routine...

...or she'll stab you in the back.

Helen Lawson? Mr. Bellamy. that was wicked.

Twelve bucks an hour for 80 people. are you kidding? Come on.

ANNE: Excuse me. - Yeah.

- I have some contracts for Miss Lawson. - Go down the hall and turn left.

First dressing room on the right. If you're a Capricorn. watch your step.

Yeah. Harry. it's a good company. Come on.

- Why? Why? Why! - That's it.

MAN: --five. six. seven. eight.

One. two. three. four. five. six. seven. eight.

Two. two. three. four. five. six. seven. eight. One. two--

[WOMAN SINGS "GIVE A LITTLE MORE�]

Yo u. r e sorry?

No good.

Lousy. A beast.

Out. What kind of a press agent are you?

Why did they send me some green kid fresh out of NYU?

- Who in hell are you? - I'm Anne Welles. And I--

Look. I'm tired and I'm busy. What do you want?

Mr. Bellamy sent some contracts for you to sign.

You. out.

Come on.

Give me a fountain pen. And not one of those lousy ballpoints.

Come on.

Sit down. You're making me nervous.

That girl who is singing out there. she's very good. isn't she?

Yeah.

How do you think the kid's song works in the new spot? Great. huh?

The song goes.

- What? - You heard me. the song goes.

- And the kid with it. - Come on. Neely O'Hara can't hurt you.

You bet your ass she can't. Because she isn't gonna get the chance.

The only hit that comes out of my show is Helen Lawson.

And that's me. baby. remember?

- She has a run-of-the-play contract. - I know about run-of-the-play contracts.

MAN: This won't help you in the business.

Right. Nor you. either.

So get Bellamy to do it. He knows how. He's done it before.

You. go back and tell that son of a bitch to get off his butt and earn his oats.

- But you haven't signed the contracts. - And I don't intend to.

Not until Bellamy ties a can to that little bread's tail.

Mr. Bellamy.

[WATER SPRAYINGI

I've thought it over and I don't think I...

- Oh. -...want this job.

Excuse me. You must be Mr. Burke. the one with the water cooler.

- I mean... - And you must be Miss Welles.

Mr. Bellamy told me all about you.

Tell me. why are you dismissing us so soon?

- Because I think show business is cruel. - You're quite right. Have a seat.

- People do despicable things. - Yes. they certainly do.

Like firing a girl because a crude person like Miss Lawson resents her ability.

Please. have a seat.

Miss Welles. a raw recruit always dives for cover at the first burst of enemy fire.

But don't let that happen to you.

Don't you throw in the towel just yet.

This is a rather cruel business. But it's also a great and rewarding business.

For every Helen Lawson. there's always a Helen Hayes or a Mary Martin.

Now you think about that.

- Well. may I have the contracts? - Yes.

- They are signed? - Oh... Well. one is.

Yes. yes. One is.

And legibly too.

I almost forgot. She gave me a message for Mr. Bellamy.

- Yes? - She said...

- Well. she said. "Tell that son of a--� - Gun?

- Gun. "Tell him to get off his--� - Yes. I think I know that message.

I'll see to it that Mr. Bellamy gets it. Thank you very much. Miss Welles.

- Bye. - Bye.

Miss Welles. you forgot your purse.

Thank you.

- Sorry. - It's all right.

I'm afraid I haven't made a good impression.

On the contrary. you've made an indelible one.

- Goodbye. - Goodbye.

�Barely Pink.�

[WHISTLING]

MAN 1: Hey. look at Jennifer. MAN 2: Hey. Jennifer?

Six hundred bucks for a headdress and not a soul will see it.

- I feel a little top-heavy. - Honey. you are a little top-heavy.

[LAUGHING]

MAN 2: All right. that's fine. dear. Thank you.

[SINGS]

Hold it. Hold it!

Cut the song?

- The show is a little long. - Wait a minute!

That's the best piece of music in the show.

- Take out one of Miss Lawson's songs. - Miss Lawson is the star.

- The public pays to see her. - But I'll have nothing but a few lines left.

- I'm sorry. Neely. We have no alternative. MEL: Don't listen to him.

He's protecting Old ironsides.

This was her idea. She can't stand the competition.

- Let's skip the personalities. - You've got a run-of-the-play contract.

They'll pay me $200 a week to sit in my dressing room?

BELLAMY: They've got to. Miss O'Hara.

If that's the way you want it.

Personally. I'd walk away with dignity.

There'll always be another show and a better part...

...providing you have talent.

Talent? You know damn well she has talent!

Believe me. by next week every producer in town will be after you.

It gives you stature to walk out on Helen Lawson.

Don't listen. They want you to quit so they can save 200 bucks a week.

- Call your agent. BELLAMY: I know her agent.

I can tell you what he'll say. �Take whatever crumbs are offered.�

He's not about to give up his lousy 10 percent.

If she were my client. I'd advise her to leave the show with dignity.

Well. he's not gonna get his lousy 10 percent.

Because I won't settle for crumbs. I'll leave this stinking show...

...with dignity.

You can call Helen Lawson.

Tell her the SOB earned his oats.

We could all use a little fresh air. Come on.

I had such big plans. I was gonna be a big star.

I was gonna take acting lessons and dancing lessons.

Now I don't even have a job. All I have is my dignity.

[KNOCKING]

Honey. I'm sorry. That old witch ought to be boiled in oil.

Thanks. Jen.

Honey. listen. It's a rotten business.

I know. But I love it.

- That poor girl. And she was so good. - I know.

After she signs the release the song will go back in. With the understudy.

Go to the office. On my desk you'll find a musical arrangement.

Get it to Miss O'Hara and tell her to learn it fast.

- She'll be singing it tonight. - Suppose she won't do it?

- I wouldn't. - Then make her.

One of the nice things about doing this telethon...

...in addition to raising money. Is discovering new talent.

I think you'll love our next performer. Let's have a nice reception...

...for lovely Neely O'Hara. Everybody. let's hear it out there.

[CROWD CLAPPINGI

Thank you very much.

[SINGS "IT'S IMPOSSIBLE"]

You're right. It is an exciting business.

How about that? Where are you going? Neely. you'll raise a lot of money for us.

Tell Frank. Dean and Sam they're gonna have to wait.

NEELY: Thank you.

- Dom Perignon. 1959. - Fine.

The closest I ever got to champagne was seeing it broken on a ship in a newsreel.

- Welcome. folks. - Hello. Frank.

- Lyon. - Hello.

- Miss O'Hara. NEELY: Hello.

I caught the telethon. We're doing great business with Tony Polar.

So I see.

Excuse me.

Frank.

There's Jennifer with one of her rich boyfriends. Doesn't she look great?

ANNE: She's lovely. - I bet beads pop off when she moves.

- Vodka and tonic. - Same for me. Make it two.

Neely. I have some good news. You're following Tony Polar in the club here.

- Oh. Lyon! - Neely. how wonderful.

You'll have to build an act fast. because I exaggerated a bit.

- I told Frank you already had one. - I will. I will.

[CROWD CLAPPINGI

[SINGS "COME LIVE WITH ME"]

- Miriam's not gonna like that. - Who's Miriam?

- His sister. Over there. - She manages him.

She does very well. He won't make a move without her.

He's making one now.

- Friend of yours? - Never saw her before.

- But I'm gonna see her again. - How many times do I have to tell you?

- At night. all cats are gray. - You worry too much.

You ought to be ashamed of yourself.

I haven't snitched milk since I was a kid in Pittsburgh.

There were six of us and I never got enough.

I can't stop thinking about that audience tonight.

You don't know how it feels. Mel. when they all applaud and whistle.

- They did whistle. didn't they? - They sure did.

I felt like they were all taking me in their arms and holding me.

It's like when you put your hands on me...

...only it was double-triple.

This place is too small. I'm gonna get a bigger place.

Maybe two rooms and a kitchenette.

Mel. let's get married.

I thought you'd never ask.

I'm not kidding. I'll be making good money.

And with your 150 a week. we can really live. We can get a maid to clean up.

We can get a mink coat.

Well. right now you better get a good night's sleep.

So give me a double-triple.

[PHONE RINGING]

Hello? Yes. I'll accept the call.

Hello. Mother. I just got in. I thought it was too late to call you.

But I just sent you $50 last week. Mother.

Okay. I'll send you $50 as soon as I get my paycheck.

You told me Gran's been sick. and I know about the oil burner.

I'll take the mink to Uncle Ayers' again. He'll give me a couple hundred for it.

Mother. I know I don't have any talent...

...and I know all I have is a body and I am doing my bust exercises.

Goodbye. Mother. I'll wire you the money first thing in the morning.

Oh. to hell with them. Let them droop.

ANNE: Look. the models have goose bumps.

Yes. and come July they'll be sweltering in mink.

You must be frozen.

- Are you sure you wanna walk? - Positive.

Oh. how beautiful.

Oh. no. Sorry. Jewelry's not for you.

Maybe one single strand of pearls.

But not creamy. Pink. to match your skin.

And don't expect flowers either. because only white lilacs suit you.

And they're very difficult to come by in New York in February.

But make a note. remind me to send you some in May.

- Are you wooing me. Mr. Burke? - If you wish to be wooed.

What about that fraternity pin you wear? That's Sigma Chi. isn't it?

- Deke. - Oh. Deke. Yes.

It can mean everything or nothing.

Then I'll settle for nothing.

Did you know you are the most beautiful girl that ever left lipstick in my office?

- You like women. don't you? - I like career girls. We're compatible.

- It's said they don't make good wives. - I'm not looking for a wife.

Some men just don't pull well in double harness.

You're fortunate. You know yourself. I don't know who I am or what I want.

I only know I have to find out.

[SINGS "I PLANT MY OWN TREE�]

Off-stage I hate her. but on-stage I'm madly in love with her.

[CROWD CHEERINGI

- Do you think it's a hit? - It is with me.

But we'll have to wait until 4 a.m. for the reviews.

4 a.m.? Good heavens. what do we do until then?

We could go to Helen's hotel suite. listen to four-letter words and wait.

I have a better idea.

My father used to come here when he was at Yale.

LYON: Well. I'm an Oxford man myself.

ANNE: I know all about you.

LYON: You do? - I know your mother was English...

...she was an ingenue at the Drury Lane Theatre and you look exactly like her.

Well. not exactly. I hope.

[CLOCK CHIMESI

And when your uncle died. you took over his business.

Oh. good old Steinberg. Well. what would you like to have?

- Sherry. please. - Good. Two sherries.

Did she also tell you that I once thought that I could write?

Oh. I'm sure you could. You turn a very neat phrase when you dictate.

Oh?

You know. I'm beginning to like the agency business.

Every man a potential Henry Higgins waiting to discover his Eliza Doolittle.

Thank you.

Thank you.

It's funny.

I used to come here weekends. but tonight it's not the same.

No noisy students. no drinking songs.

It seems the two of us are alone in the world.

We are. You know that.

ANNE: I've known it for along time.

[ALARM RINGS]

Beautiful.

Now. you call this acting?

[SINGS]

[CROWD CLAPPINGI

Actually. this is a celebration.

I've been talking with the Coast.

They wanna test you and Tony out there next week.

Oh.

I have the scenes right here. And a song. a really good one.

[KNOCKING]

- Yes? - Excuse me.

- Telephone for you. It's your Aunt Amy. - I'll call back.

She says it's very important she speak to you.

Something must be wrong. Excuse me.

Mother's not been well.

Miriam. here's a copy for Tony.

Incidentally. where is Tony?

Well. I know who he's with. but I don't know where. I can't reach him.

Well. find him.

JENNIFER: I know you owe Miriam a lot. Tony...

...but I wish we didn't have to meet in such out-of-the-way places.

I'll bet I'm the only showgirl who's ever been inside the Statue of Liberty.

Honey. it's just that Miriam doesn't want me to get serious.

Are you serious. Tony?

You know I am. baby.

But Miriam's got this thing about marriage.

She thinks it'll destroy what she calls my image.

And there's something else.

I've never quite been able to put my finger on it.

Maybe she's jealous.

No. not Miriam. She raised me.

Did without.

Worked like a dog to get me my singing lessons.

Maybe that's why she's so careful with money.

We always had so little.

Yeah. It's the same with us.

When my father died. my mother and grandmother thought I was such a drain.

All I ever heard was how much I ate and how much it cost to buy me shoes.

It got so I panicked when I thought my shoes were getting too small.

- It's freezing here. - It certainly is.

Let's go to your place. We'll unhook the phone so Miriam can't bother us.

How's that? Come on.

Oh...

My mother said I should've held out...

...and made you marry me. - Oh. baby.

But when did I ever do anything my mother told me to?

["COME LIVE WITH ME" PLAYS]

[MUSIC STOPS]

[DOOR BELL BUZZES]

A telegram for a Miss Polar.

One second. You have to sign this.

Thank you.

Dr. Eberhart. this is Miriam Polar.

Yes. I called you because I'm worried.

Tony just got married.

No. I never told him.

I know I should have. but I couldn't. I couldn't do that to him.

After all. it might not ever happen.

Well. the point is that...

...we'll be leaving for California next week and...

...you'd better give me the name of a doctor there.

LYON: I wanted to come for your mother's funeral. Why didn't you let me?

ANNE: It's my own grief. I didn't wanna put you through it.

LYON: From what you said. she's a wonderful woman.

ANNE: Yes. she was.

LYON: Anne. it's a dream town.

I can almost hear Paul Revere's hoof beats.

ANNE: He passed us by.

There was a scandalous rumor going around we were pro-British.

I'm sorry you missed Aunt Amy. She's gone to the cousins' in New Hampshire.

LYON: Everything is better here. It really is. I don't know how you ever left.

- Be careful. - Hot!

I have an idea. Why don't we leave the rat race and move up here?

I could write my book. Or at least try.

- You really think you'd be happy? - Of course I would.

Woods to tramp. river to fish. This wonderful old house.

And you beside me on that marvelous old four-poster upstairs.

Well. it's a marriage bed. Lyon.

- You were thinking of marriage? - Well. you know how I feel about that.

When you fall in love. you belong to someone else.

We've gone through this before.

How do you think I feel sneaking out of your apartment at 4:00 in the morning?

But you don't have to sneak.

And don't tell me I knew what I was doing.

But you did. You knew.

But I loved you.

Does it make any difference how or why it happened? It happened.

And for that I'm grateful.

Come on.

Come on.

You think I could sleep with you. here in this house?

No. I guess you couldn't.

I guess I should've known. You're afraid of ghosts.

I'm not. And none of them ever loved each other more than I love you.

- But not enough to marry me. - But that's beside the point.

I'll get you a cab. You can stay at the hotel.

All right.

You do that.

- Lyon Burke. please. - I'm sorry. Miss Welles. He checked out.

He left this for you. Johnny was just going to bring it over.

LYON: Dear Anne, thank you for the moment of reckoning.

You once said I knew who I was and what I wanted.

I've afways wanted to write. So I'm going back to Engiand...

...Iind the counterpart at Lawrenceville and see if I can.

Somewhere in your wonderful' New York there is the right man...

�just waiting for you to find him

Thank you for the Ia veliest winter of m y life.

Lynn.

- How was lunch? - I wasn't very hungry.

- Mr. Bellamy wanted cigarettes. - Oh. not now.

He's got a big new account in there.

Say. I still have one of Queeny's kittens left. Would you like to have it?

It's a male. honey. It won't give you any trouble.

A male in the Martha Washington Hotel for women?

You could always move.

[INTERCOM BUZZES]

- Yes. Mr. Bellamy? BELLAMY: Send in Miss Welles.

- Who's he with? - Kevin Gillmore.

He made a mint with that new hairspray.

BELLAMY: Miss Welles.

Take this down. please:

Point number one.

The girl who introduces our products on our show will be called the Gillian Girl.

Two.

She must be beautiful. but more important. she must be refined.

Cultured.

A girl like Miss Welles here.

- That's not a girl. That's my secretary. - We don't want artificial beauty.

We want the kind that our audience can identify with.

College girl.

Young matron will think she'll look like you if she uses our product.

- I'm flattered. Mr...? - Gillmore.

- But I'm not an actress. - I don't want an actress.

I want an unknown. A girl to be identified with Gillian products exclusively.

- I will start her off at $300 a week. - Gillmore. that's sabotage.

It's also very tempting.

Why don't we have dinner and talk it over?

Okay. but bring the contract to me before you sign it.

ANNOUNCER OVER RADIO: KNBC, Lus Angeles.

MAN: Cefebrating the second anniversary of the Gillian Girl'. . .

Gillian products ullers a Gillian Girl's birthday special.

Gillian high-Iashiun makeup. Gillian high-Iashiun lipstick.

Helps suuthe natural curls as it sets you! hair.

After your shampoo just comb roll' up, then brush out.

Gillian makeup gives grace and efegance to that high-fashioned foak.

Gillian makeup gives you just enough accent to that ffa wfess complexion.

[PHONE RINGING]

Hello?

Yes. I'll accept the charges.

Hello. Mother? How are you?

Yes. I'm watching too.

MAN: Remember, the beautiful peuple use Gillian 's.

She looks lovely.

She's coming to California next week. I'll be seeing her.

I know she's making big money.

Mother. I can't send you any more money this month.

Miriam has me on a strict budget.

Of course she's still living with us. You know that.

If that's long distance. don't hang on the phone. You know how much it costs.

Mom. I've gotta go now. I'll write you tomorrow.

Okay. Bye.

ANNOUNCER: Can tinuing our presentation. .

...Af the Grammy Awards coming to you. . .

...Fram the Grand Baffraom of the I-fiftan Hate! in the heart of New York City.

Presentfy an the stage, about to present a major award...

. . .is the taas tmas ter genera! of the United States, Mr. George Jesse}.

And nuw-- Nuw a special award Ia! Miss Neely 0 'Ham.

Hey. Miriam. Come and look. It's old home week.

Just a few shurt years agu yuu're an unknuwn little girl singing fur her supper.

And now, because of the warm, pfush, {ash notes that emerged from...

your fair throat, you've become the Idol' of rnovre fans and record buyers...

...a!f over the United States of America

[CROWD CLAPPINGI

With the same elatiun that I Ielt when I shank the hands at the great Carusu...

[CROWD LAUGHING]

...i nappiiy present to you this Grammy Award for your warm contribution...

...to the recording industry

Thank you, Mr. Jesse}. I'd like to thank all' of you here�

...and all ul you nut there who made this possible.

Dun'! large! ta see my new film Love and Let Love at the Music Hall this week.

- I sing some great new songs in it - Oh, good.

- Guudb ye. - Bye.

[CAR HONKING]

ANNE: Neely. - Annie!

ANNE: Congratulations. - Thank you. How long has it been?

It's been too long. I'd like you to meet Kevin Gillmore. This is Neely O'Hara.

- How do you do? - And her husband.

- How do you do? - We're going to the Coast.

- Maybe we can get together. - Give me a call.

I'd like to see how Gillian's hairspray reacts to smog.

- Good to see you. Anne. Mr. Gillmore. - It's nice to have met you.

Hey. you know something?

I've never carried you across the threshold.

Oh.

Thanks. I need it. Hold that. honey.

- You have a hard day? - A brute.

Sit down. will you?

I might as well give it to you all at once.

The studio dropped my option.

JENNIFER: So what? There are other studios.

You should've never done Westerns. You're a romantic lead.

Sure. sure.

Look! You're a singer. You can always go back to nightclubs.

- I don't wanna go back to nightclubs. - Will you do me a favor?

- Will you not worry about it? - He doesn't wanna go back.

- He wants to make pictures. - I'm gonna heat up the lasagna.

TONY: Boy. can I go for a drink. JENNIFER: Me too. It's charming.

WAITER: Would you care for cocktails? - Two martinis.

WAITER: Ma'am? - Glass of red wine.

GILLMORE: I'll have a scotch and soda. WAITER: Thank you.

Pardon me. Beth.

Hello. Anne. Welcome to California.

- Jennifer. - Lyon.

- Tony. good to see you. - Nice to see you again. Lyon.

- Lyon Burke. Kevin Gillmore. - Hello.

How do you do?

- Well. how long will you be in town? JENNIFER: Not half long enough.

GILLMORE: Just two days. then I'm taking Anne to Hawaii.

Wonderful. You'll love it.

- Incidentally. how did you like my book? - I haven't read it.

Oh. you should. It's dedicated to you.

I'll send you a copy.

Well. I hope you enjoy your stay.

If there's anything I can do while you're here. please let me know.

You're too late. Lyon. We saw them first.

GILLMORE: Thanks just the same. - Not at all.

Goodbye.

Goodbye.

JENNIFER: Well. I think I'll have the butterfly steak.

JENNIFER: Hi. Mel!

- The door was open. MEL: Jenny. how are you?

- It's good to see you. - Oh. lovely to see you.

MEL: Sit down.

Neely's at the studio.

- Oh. I thought she had a few weeks off. - Two weeks until she starts shooting.

And wardrobe fittings. makeup tests. publicity stills. you know.

You don't suppose there's a part for Tony in the picture. do you?

You can ask her. Jen. but I wouldn't count on it.

She'll be home any minute. She's with Ted Casablanca trying on new clothes.

Only in Hollywood do women faint...

...because some queer deigns to design their clothes.

Maybe you could put in a good word for Tony.

Me? She doesn't listen to me.

I'm the last person to ask her.

She's changed. Jen.

She starts at 5:30 in the morning still punchy from last night's sleeping pills.

So she takes a red pill to pep herself up and at midnight she's still flying.

- I try to talk to her. it's like a brick wall. - Well...

...I guess that's one of the drawbacks of being a big star.

Hey. you know what these are?

One month's check she has to sign.

All the dough she makes. we still had to borrow to pay the income tax.

Attorney. agent. manager. secretary. doctor. maid. masseuse...

...voice coach. She sings like a bird.

- Psychiatrist. - Psychiatrist?

Oh. yeah. the studio wants her to find out why she's so exhausted.

They say they think it must be emotional conflicts.

Conflicts. my foot. There aren't enough hours in the day.

The headshrinker says she's insecure. That she needs mass love.

Maybe I'm lucky I don't have any talent.

Hi. Jen.

- Mel. get me some skim milk. will you? - Want something?

I'll have a Coke.

Jen. I don't know what I'm gonna do about Mel. He's changed so.

He just can't seem to get with it.

What do you mean. Neely? He's gotten you lots of good publicity.

That was the studio. They told him to butt out.

They don't even want him on the set. They say he makes me self-conscious.

Ted Casablanca says he's the joke of the town.

I wouldn't pay any attention to that. You know how bitchy fags can be.

He's not even 30 and he's made over a million bucks.

- Here we go. - Mel. hand me my bag. will you?

Thank you.

Well. I've lost 5 pounds already. These pills are really great. Jen.

They kill your appetite.

Only trouble is. they pep me up so much I can't sleep.

Well. what nice. fattening thing did you tell Arlene to make tonight?

Arlene quit this morning.

She said you yelled at her. That's three cooks in three months. Neely.

She was a louse anyway.

You said yourself she was taking home all the booze.

Other people have loyal help. why can't we?

You don't know how to talk to them.

That's your job. You better start running this house properly.

I'm not the butler. Neely.

You're not the breadwinner either.

I'm afraid I better be running along.

- See you soon. - Bye. Jen.

That was a rotten thing to say in front of Jenny.

Why?

She knows the facts of life.

You two sit around on your rumps all day while Tony and I slave.

I can get off my rump and go back to New York.

- I can always get my old job back. - Suit yourself.

I'm too tired to argue.

I've got to take a shower and get back to Ted's.

You know you're spending a lot more time than necessary with that fag.

Ted Casablanca is not a fag.

And I'm the dame who can prove it.

Thanks for making up my mind. I should've left long ago...

...but I kept remembering the old Neely. She was quite a girl.

Now you're just like all the rest of them. Success is too big for you.

If you ask me. my success is too big for you.

Yeah. sure.

Sure it is.

I'll just take this. It's the only thing around here that belongs to me.

I wrote about the things I knew. My own experiences.

But I guess I only had one book in me.

- Was I really that naive? - Naive and wonderful.

I missed you. Anne.

Oh. I went back to the agency business. And I like it.

- Incidentally. Neely's one of my clients. - Really?

I don't know. England's changed.

Or I've changed.

The nightingale somehow just sounded off-key.

I used to pretend you'd gone bald and fat.

LYON: I pictured you at a sink full of dishes. And a baby tugging at your skirt.

Are you really going to marry Kevin?

I was. but now I realize it's impossible.

I'm glad.

You know. every girl I met always washed out.

Just couldn't stand up to your image.

I am not taking you to a bistro. I'm taking you home to bed.

- As in sleep. which you need. - Miss O'Hara?

NEELY: Yes? - Would you autograph my program?

NEELY: Of course.

There's Neely with Casablanca.

- Where? - Over there.

Let's try and catch up to them.

- Thank you. - Darling. let's leave.

Here comes Tony Polar. He's gonna put the bite on me for a job.

I could've sworn Neely saw us.

Well. she's near-sighted. darling. She can't see 10 feet in front of her.

Yeah.

Tony! Are you okay?

I don't know.

My legs just seemed to give way.

- Happened the other day on the set. - I think you ought to see a doctor.

No. I'm all right. Come on.

Tony!

- Jen. - Tony! Tony.

Ton?

DOCTOR: There.

- He'll sleep for a while. JENNIFER: He didn't know me.

- He didn't know where he was. - Go out. The doctor will explain it to you.

It's called Huntington's chorea. It's relatively rare.

Unfortunately. there is no cure.

The symptoms of physical and mental degeneration first appear about age 30.

There's a loss of muscular control. Chances for inheritance are very high.

Tony's father had it. I kept hoping it wouldn't hit Tony.

Now you can see why I was against his marrying.

- Will he be able to walk again? - As soon as the sedation wears off.

But the motor disturbances will occur again.

And there will be periods of blankness and hallucination.

It may take a year before he reaches the point of complete incapacity.

- Are there any further questions? - No.

Good night. Mrs. Polar.

If he becomes unmanageable. we'll keep him sedated.

He probably won't remember any of this tomorrow. Good night.

MIRIAM: Good night.

Jen?

Maybe you'll understand now why I've been the way I've been.

Money. for instance. I've put away every cent I could get my hands on.

We'll keep him at home as long as we can.

- What about you? - Tony and I had different fathers.

I know how you love him. I'm not blind. I thank you.

Miriam. I'm pregnant.

REPORTER 1: This way. Miss O'Hara. REPORTER 2: This way.

REPORTER 1: Another. REPORTER 2: This way.

REPORTER 1: What about Casablanca? - Miss O'Hara has nothing to say.

REPORTER 1: Are you gonna marry? REPORTER 2: Any comment?

- What about Ted Casablanca? - You heard me. No comment.

REPORTER 3: Have any marriage plans? REPORTER 4: What's your next film?

JENNIFER: Tony didn't realize where he was

The next day Miriam arranged a meeting with a quirky European movie producer.

[SPEAKS IN FRENCH]

Mr. Chardot. this is my sister-in-law.

Mr. Chardot is from Paris. He's out here looking for talent.

[SPEAKS IN FRENCH]

Mademoiselle Polar has shown me your phutugraphie.

I am interested in a young lady with your...

- How you say? - Measurements.

In general. the French girl is inclined to be flat in the bosom.

JENNIFER: I see. Just what kind of pictures do you make?

CHARDOT: I make art films. - I've seen a few. They're pretty raw.

French subtitles over a bare bottom doesn't make it art.

Evil is only in the eye of the beholder.

- My films are shown in your country. - Jennifer...

...you've posed undraped on the stage. - That was before I married Tony.

It's up to you. Tony wouldn't know the difference.

Well. I would.

JENNIFER: I realized I had to give in and take the jab.

The sanitarium was very expensive.

NEELY: All right. sheriff. you win. You ran my father out of town...

...now you're trying to run me out. The Durneys don't give up that easy.

- It's too hot! - Cut.

MAN: Stand by. - Well. it's too damn hot.

- The cameraman's frying me. DIRECTOR: Neely?

- Shut up! - She's full of sauce.

It's not booze. it's pills. Send for her husband. Look. Neely...

...we've got to finish this take. - Get lost. I'm through for the day.

Get off the floor. You're making a spectacle of yourself.

- Zip up your dress. NEELY: I can't.

- It's bloat from those pills and booze. NEELY: I haven't had a drink all day.

TED: You're going out there and doing the scene.

How long do you think you can get away with these antics?

Come on.

Give this to the hairdresser. Miss O'Hara will be ready in a moment.

[DOORBELL BUZZES]

NEELY: I wanna see Mr. Burke. - He's not in. Miss O'Hara.

�He's not in.� That's all I've heard at his office for three days.

He's ducking me. He's giving me the treatment. just like all the others.

- Where's Miss Welles? ANNE: He is in San Francisco. Neely.

Tell me something. How come the boss of a big agency...

...spends three days in San Francisco with a lousy nightclub singer?

He's working overtime. Why doesn't he look after my interests?

- I'm the one who pays his rent. - You're being obnoxious.

Oh. I'm sorry.

I want Lyon to talk to that director. He's crucifying me.

- When's he due back? - I'm not sure.

When a man says he won't do a scene. that's called integrity.

When a woman says it. she's temperamental.

They say I'm difficult. They say I'm drunk even when I'm not.

Sure. I take dolls. I gotta sleep.

I gotta get up at 5 in the morning and sparkle.

- It's bad to take liquor with those pills. - They work faster.

Here. With that guy of yours in San Francisco you could use a few dolls.

No. thanks.

Suit yourself.

You should make him marry you.

- Have you heard from Jennifer? - Yeah.

She called me about six months ago.

You know what she asked me?

She wanted to know where she could get an abortion.

An abortion. How do you like that?

She was the one who wanted kiddies and the vine-covered cottage.

Then I heard she went to Paris to make art films.

Art films. Nudies. that's all they are. Nudies.

That's her problem. She doesn't care about me. so why care about her?

- Nobody cares about me. - That's not so!

Nobody cares if I live or die. just so long as I write the checks.

Stop feeling sorry for yourself. You're a big star. You have everything.

Oh. yeah.

Yeah. yeah. I'm a big star.

I'm a big star.

I tell myself that. Annie. but I don't feel it.

I don't feel anything any more.

I haven't slept with Ted in weeks.

And that psychiatrist? Dr. Mitchell?

Dr. Mitchell says that I am self-destructive.

So what?

What do I do about it?

The hell with them. The hell with all of them. Who needs them?

Let them talk. Even the bad publicity helps when you're as big as I am.

- And. boy. am I getting the bad publicity. - You've had enough of those.

- Now. try to calm down. - Leave me alone!

I can't even remember when somebody wasn't nagging or pressuring me.

You're upset. Why don't you lie down for a while?

No...

...not alone...

...not any more.

I need a man to hold me.

I need Mel.

I mean Ted.

I'm going home. Annie. I'm going home to Ted right now.

Thanks for listening. I really got a lot off my chest.

Ted? Honey. it's me.

[GIGGLING]

TED: It's not cold. huh?

WOMAN: Do you think she can hear us? - Relax. She's so full of pills and booze...

...the San Francisco Earthquake couldn't rouse her.

[WOMAN LAUGHING]

Having fun. kiddies?

Don't mind me. go right ahead. I'll watch.

You'd better run. you little tramp. How dare you contaminate my pool?!

Here. maybe this will disinfect it.

All right. faggot. start explaining.

You need glasses. Neely. She's hardly built like a boy.

- I could take that better. - I'm sure you could.

- You almost made me feel I was queer. - You're crazy.

- Am I? - Yes. you are.

You want me to fight your studio battles. take you to openings...

As a man. you're always too tired and too full of those damn dolls.

You've got guts. I catch you red-handed with a naked broad...

...and you sermonize me! - Not a sermon. just a few cold facts.

When I come home. I'm exhausted. How can I think of sex?

Then why'd you sign the new contract? You don't have to work. I make enough.

You've got your new deal and I have my sanity back.

With that little whore?

That little whore makes me feel 9 feet tall.

- Please don't. I need you. - You're damn right you do...

...but not as a man.

You can go to hell.

Go to hell. you bastard!

WOMAN: I tried to wake her. Mr. Burke. but she wouldn't budge.

All right. thank you.

Neely. Neely.

Neely. wake up. Come on. wake up.

You were due on the set three hours ago.

- What set? - Why didn't you show up?

I couldn't. Lyon. I had a rotten night.

- I want to tell you something. - Stop yelling.

- They're replacing you. - They can't do that.

- It so happens they can. - My last picture grossed a fortune.

It cost more than it grossed. because of you.

And now you've been out six days because of pills and you walked out.

And you've been boozing and eating all through the picture.

- I'm the biggest box-office draw there is. - Come on. get some sense in your head.

Stockholders are only interested in one thing: profits.

They're gonna replace you with a younger girl.

- Younger? Lyon. I'm 26. - And you look 36.

Look at that face. It's all puffy. Your eyes are bloodshot.

NEELY: Thank you very much.

I'm sorry. but I can't stand by and watch a talent like yours go down the drain.

You're my agent. You're supposed to take care of me.

I'm trying to. but you've gotta cooperate with me.

What do you want me to do?

I want you to go to a sanitarium and dry out.

- A sanitarium? - I'm sorry. It's the only solution.

Look. you just have to beat this thing. You just have to beat it.

All right.

- All right. If you want me to go. I'll go. - Good.

Anne and I will come by and pick you up at about 3:00.

United Airlines?

What time is your next flight to San Francisco?

Yes. one. O'Hara.

[MEN CHATTINGI

[�GIVE A LITTLE MORE� PLAYS]

[SINGS]

- What do you say. baby? - What do you mean. "baby"?

I'm Neely O'Hara. pal. That's me singing on that jukebox.

[CHUCKLES]

What are you. kidding? That dame's great. You sound like a frog.

Like a frog--

- Take it easy. She's stoned! - Get out of here!

Who's stoned? I'm merely traveling incognito.

Well. get out of here. will you? Go on. get out of here.

[HONKING]

Jennifer. shame on you.

Still got that mole on your keister?

Nope. They covered it up with makeup.

[JAZZ MUSIC PLAYS]

Boobies. boobies. boobies. Nothing but boobies.

Who needs them? I did great without them.

NEELY: Who the hell are you?

Who are you?!

[SCREAMS]

LYON: Neely?

Neely.

- How do you feel. honey? - Fine.

It's a hospital.

- What am I doing in the hospital? - You took an overdose of pills.

Oh. God...

- Did it get in the papers? - Lyon told them it was accidental.

- Well. it was. It was. Honest. - I know.

But the next time you might not be so lucky.

What am I gonna do?

We want you to go to a sanitarium in Los Angeles.

- A outhouse? ANNE: No.

- It's the same place Tony is in. - I'm not nutty. I'm just hooked on dolls.

- It's not a outhouse. - Getting off them is worse than dope.

I'm scared. I've forgotten how to sleep without dolls.

I can't get through a day without a doll.

Please. Lyon. don't send me there.

I need a doll.

Lyon. don't leave me here! Get me a doll. Just one.

[MAN SPEAKS IN FRENCH]

[SPEAKING IN FRENCH]

[MAN SPEAKS IN FRENCH]

[SPEAKING IN FRENCH]

Well. this is by far the best we've made.

Fox would like to release the film in the United States.

They have also offered to buy your contract.

- Does that mean I can go home? - I'm not sure I wish to sell.

- Look. Claude. you'll make lots of money. - True. but you will get half.

- I just want to go back and see Tony. - What use is a man...

...who is no longer a man? A vegetable. - Claude. please. stop it.

I've hated this. Go find yourself another girl.

Yes. I can. Younger. A real actress.

- For what will you settle? - Settle? I want my half.

Then I will not sell.

All right. I'll settle for a third. Anything. Just let me go home.

Anything? Well. perhaps we can make some arrangement.

We'll talk about it later...

...at the apartment.

I cursed you out at first. but then I realized you did the right thing.

LYON: It was the only thing. - I couldn't sleep that night.

You should have taken a doll.

No. I'm really very grateful. Nobody else gave a damn.

That's not true. There was a flood of letters and telegrams from all over.

We saved them for you.

Thanks.

At first it was awful. like living in a zoo.

The stuck me in this iittie room with a big nurse with orthopedic shoes...

who never left my side. I asked Ia! a cigarette.

- Give me a cigarette. - Two a day during social hour.

I told her I had no intention of socializing with kooks.

I couldn't sleep. I needed a pill.

I started screaming. I figured they'd give me something to calm me.

They sure did.

Get off me. you-- Let go of me!

Let go!

They ordered me to take off my gown I tafd them to drop dead.

They tank it all Ia! me.

No!

Then they stuck me in this big tub and hooked a canvas around me.

This young nurse sat there and wrote down everything I said.

I used wards that sure aren't in medical bunks.

You stupid-ass nurse! What are you looking at?

Actually, the water felt great. It kept coming in and guing nut.

I wanted ta lie back and relax. But that was what they wanted.

I spotted this small hale in the canvas. I started walking at it with my tue.

I gut hall my Ina! through it, then I yanked my knee up ta my chest.

Ow! Ow! Oh. God. it hurts.

[ALARM RINGS]

The nurse sounded the alarm.

In the afternoon we had recreation hour.

You never saw such a bunch of well-bred kooks.

They all acted as nurmal as apple pie.

I started playing checkers wilh this cute little girl.

AH of a sudden she gets me in a naff nelson...

...and accuses me of telling the rest of the inmates she's a latent homosexuaf.

You wan 't believe what happened next.

Once a week. we have a dance. It's really camp.

I knew Tony was here under an assumed name..

...but I'd never seen him, until une night...

- Do you know �Come Live With Me�? - Yes. I do.

- Would you play it. please? - Surely.

[SINGS "COME LIVE WITH ME"]

[TONY SINGS]

NEELY: Tony. Tony?

[CLAPPING]

When I saw that poor guy being led back to his cell. I knew I was gonna make it.

You have made it. Neely. And we're proud of you.

Now business. How would you like to do a Broadway musical for David Merrick?

- You think I could? - You know you could.

Merrick believes in you. And so do I.

Lyon's checked with the doctors here and they say you can do it.

What about the bad publicity?

It'll create sympathy. People love to forgive.

Lyon. I'm really in great shape. I've changed. I've learned a lot of things.

I used to work my heart out. kill myself.

Not any more. There are things I want. Lyon.

And I'm gonna get them.

Know something. Annie? One of the first things I'd like to have is your fella.

You better watch out.

- How soon can I see him? - You should remember him as he was.

I want to see him. Miriam.

All right.

I've booked you into a hotel near the studio.

Why did you write me for a doctor's appointment?

He's already told you everything he knows.

It's not about Tony. it's for me.

It must have been a shock to discover it.

Lots of lumps mean nothing. Some are only cysts. aren't they?

Yes. but this one wasn't.

The doctor took a biopsy and it's malignant.

- Jen. I'm sorry. - It's pretty hard to take.

Tomorrow they have to perform a mastectomy.

Doctor says it's not the end of the world.

He says lots of women live long and happy lives after breast surgery.

- The point is to catch it in time. - I'm sure they will.

Afterwards you can come to the beach with us and recuperate.

I'd love to.

You know. it's funny...

...all I've ever had was a body and now I won't even have that.

Jen. stop talking like that.

How am I gonna keep Tony in the sanitarium?

When I saw him. he didn't even know me.

Lyon will find you a job. I know he will.

Anne. let's face it. all I know how to do is take off my clothes.

[PHONE RINGS]

Jen.

Hello? Yes. I placed a call to Milwaukee.

Anne. I'm all right. really I am. Run along.

I'll stay with you tomorrow. And don't you worry.

- Bye. - Bye.

Hello. Mother. I had to talk to you. There's something I have to tell you.

I'm sorry Mrs. Gottlieb was shocked at my pictures.

No. I won't be undressing in public any more.

What did I have to tell you?

Nothing.

Nothing.

I-leffo, Mother. {just got in. I thought it was too fate to cal! you

But I just sent you $50 last week, Mather.

Okay, I'll' send you $50 as soon as I get my paycheck.

Tuny!

- Jen. - Tun y!

Tun y! Tun y!

[SINGS "COME LIVE WITH ME"]

Let's go.

[TONY SINGS]

- You were the last one to see her alive? REPORTER: Why would she take her life?

- Was she depressed? - She was in good spirits.

REPORTER: Any reason why she'd take her own life?

None. She was excited about a new contract.

- So it was accidental? - Yes. I'm sure.

REPORTER: Her measurements? - That's enough. That's enough.

COP: Break it up. Come on. break it up. Break it up

- A drink. a drink. a drink. - I made one for you. Here.

Thank you.

- What's that? - Neely's.

Neely's? Well. get rid of them.

Do you have to go to New York with Neely?

Of course. You know I do. I have to do my best for her.

- Couldn't someone else go? - No. she wants me.

- She's scared. She needs someone. - I know.

- Darling. I'm worried. - Why?

- Neely spells trouble. She thrives on it. - Yes. but she deserves a comeback.

- I hate to think of you getting involved. - Don't worry about that.

I can handle her.

I'm not so sure.

[PHONE RINGING]

Hello?

Annie. Hi. how are you?

LYon?

I'm sorry. he's in the shower. I'll have him call you back.

[MUSIC PLAYS]

- Where are you going? - A press party for Helen Lawson.

- Her show's opening on Thursday. - A party? Without me?

Definitely without you. I'm keeping you under wraps until your opening.

- How's my tie? - Bend down.

I hear the Lawson show laid a big egg in Philadelphia.

- I wanna go to the party too. - You're the cutest and the cruelest.

Does anybody else have a better right to gloat?

Baby. you may have a great talent. but not for ties.

Okay.

Curl up with your favorite news analyst. I'll be back early.

MAN 1: A little closer together. please. - Have you made many changes?

Oh. yes. quite a few.

[CROWD CLAPPINGI

MAN 2: Miss O'Hara. You look lovely. - Thank you.

- Who invited her? - Nobody.

MAN 3: It's great to have you back in New York. You look marvelous.

I thought you were keeping her out of sight.

Should have kept her in a straitjacket.

- I'm very sorry. Helen. - I think I'll sit this one out.

REPORTER: What are your plans? NEELY: That depends on Lyon Burke--

I said. that depends on Lyon Burke. He takes care of my affairs.

- And the rumors about you two? - Marriage plans?

Well. we're both available.

Good evening. Miss Lawson. Can I help you?

No. thank you.

NEELY: Who are you hiding from? The notices couldn't have been that bad.

- The show just needs a little doctoring. - Don't worry. If it flops...

...you can always understudy for my grandmother.

Thanks. I've already turned down the part you're playing.

Bull. Merrick's not that crazy.

You should know. You just came out of the outhouse.

- It was not a outhouse! - They drummed you out of Hollywood...

...so you come crawling back to Broadway.

Well. Broadway doesn't go for booze and dope.

Now. get out of my way. I've got a man waiting.

- That's a switch from the usual fags. - At least I never married one.

- You take that back. you old fag hag. - Get your hands off of me.

[NEELY GASPS]

- Oh. my God! It's a wig. - Give me back my hair.

- Her hair's as phony as she is. - Give me that.

Give me that. damn you! What the hell are you doing in there?

Giving it a shampoo. Goodbye. pussycat.

[MEOWS]

She threw it in the can. I'll kill her!

- It won't even go down the john. - Give me that wig!

Okay. you want it back?

Here it comes. Special delivery.

So long. granny. I'll tell your boyfriend not to wait.

How do I get out of here?

You can go through the kitchen. It's right next door.

Sorry. Miss Lawson. What an awful thing to do to a great star like you.

I'll go out the way I came in.

Not a word about quitting.

The going gets rough. they all talk about retirement.

Not me. I've had it rough before. I'm a barracuda.

I don't need pills like Neely.

Sure. I know you dried her out. but it won't last.

Neely hasn't got that hard core like me.

She never learned to roll with the punches.

And in this business they come left. right and below the belt.

BELLAMY: Neely has no class. No real down-to-the-gut class.

But she's talented. Henry. She's really got it.

I knew that when I kicked her out of my show.

She'd never believe it. but I'm sorry for her.

Nothing can destroy her talent...

...but she'll destroy herself.

And you. Lyon. you'd better watch it.

Sure. everything's rosy now.

You skip from one dame to another.

But watch it. my friend. Find yourself a good girl.

Have kids.

Or one day you'll wind up alone like me...

...and wonder what the hell happened.

Allison's gotta go. I will not let her steal the show. She almost did at rehearsal.

- It's too late. It can't be done. - She hasn't got a contract.

She can be fired right now. I want her out.

The old star sickness begins to appear. No more gratitude. just power.

I'm not gonna do it. Neely.

You don't fool me. you're scared. You wanna stay in good with Merrick.

I should've known this was gonna happen. Anne warned me.

What the hell does Anne know?

I didn't get dough handed to me because of my good cheekbones. I worked for it.

She's gone through life on a pass because of her damn looks.

I wanna tell you something. Everyone gets payback. Everyone!

I'm not everyone. I don't have to live by stinking rules for ordinary people.

I licked pills. booze and the funny farm. I don't need anybody or anything.

That's good. because I'm leaving.

Who needs you? I'm sick of you. You're just an agent.

And you're just a Helen Lawson.

And not even that. because she's a professional.

They love Helen Lawson. then they love Neely O'Hara.

[MUSIC PLAYS]

Come on. you guys. Move it. Come on. Let's go. girls.

- Where's Miss O'Hara? - She's in her dressing room.

STAGE MANAGER: Come on. move it down.

Curtain time. Miss O'Hara.

- Miss O'Hara? - Where is she?

- She won't open up the door. - Neely?

Open the door. you're on. Neely?

- Hi. - That's your costume for the second act.

- I'll do the second act first. - Quick. get the understudy.

WOMAN: I'm ready. Mr. Hamilton.

You get lost. sister. I'm fine. I'm just dandy.

Let go of me. you big jerk!

MAN 1: It's getting late. I think we ought to go.

MAN 2: The understudy was great. MAN 1: Thank you.

WOMAN 1: What happened to Neely? MAN 2: Are you kidding?

WOMAN 2: They said she had laryngitis. - Who had laryngitis?

MAN 1: That new girl was terrific. MAN 2: She sure was.

WOMAN 1: It was a lovely evening. nevertheless.

My beautiful little dolls.

Just one. and one more.

We're closing now. Miss O'Hara.

All right. Edward. All right.

Here. Keep the change.

Shall I call you a cab?

I don't need it.

I don't need anybody.

Because I got talent. Edward.

Big talent.

They love me.

Hey! Where is everybody?

Hey. everybody. where are you?

Where are you?

Gone.

Gone.

Everybody's gone.

The hell with them.

Who needs them?

The whole world loves me!

Where are you?

LYon?

Anne?

Jennifer?

Ted!

Mel.

Oh. God...

God...

Gad?

I'm Neely.

Neely O'Hara!

Oh. Neely.

Neely! Neely!

For so many years I prayed for this moment.

Now that it's come. I don't feel a thing.

Does that mean you won't marry me?

It wouldn't work. Lyon.

Isn't there anything I can do to change your mind?

No. Lyon. not now.

Anne.

ANNE: Perhaps someday. Lyon. I don't know.

Goodbye.

Subtitles by SDI Media Group

[ENGLISH SDH]