All language subtitles for Colour Theory How Does Colour Affect The Way We Watch Movies.en.transcribed

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These are the user uploaded subtitles that are being translated: 1 00:00:07,910 --> 00:00:09,970 you 2 00:00:21,180 --> 00:00:23,240 you 3 00:00:37,440 --> 00:00:41,620 we watch movies a lot without thinking 4 00:00:39,970 --> 00:00:44,470 about some of the most important aspects 5 00:00:41,620 --> 00:00:46,870 of the film itself one of these is color 6 00:00:44,470 --> 00:00:48,940 in my opinion color is one of the most 7 00:00:46,870 --> 00:00:51,040 crucial aspects of any film made today 8 00:00:48,940 --> 00:00:52,959 it creates its home within the film and 9 00:00:51,040 --> 00:00:54,400 makes the audience feel something this 10 00:00:52,960 --> 00:00:56,110 is so unique because there aren't many 11 00:00:54,400 --> 00:00:58,540 things that we see every day other than 12 00:00:56,110 --> 00:01:00,820 color itself making it important because 13 00:00:58,540 --> 00:01:02,650 subconsciously there are so many color 14 00:01:00,820 --> 00:01:04,150 patterns we see daily that it affects 15 00:01:02,650 --> 00:01:06,370 the way we feel about any given scenario 16 00:01:04,150 --> 00:01:07,690 there are so many theories that we can 17 00:01:06,370 --> 00:01:09,670 look out to see how these colors can 18 00:01:07,690 --> 00:01:12,070 influence our view on a scene we can 19 00:01:09,670 --> 00:01:14,410 look at it saturation contrast color 20 00:01:12,070 --> 00:01:15,729 theory or color value but I think the 21 00:01:14,410 --> 00:01:17,619 thing that we should first look at is 22 00:01:15,729 --> 00:01:19,660 the way that car is great scenes in 23 00:01:17,619 --> 00:01:21,580 today's films grading is the process of 24 00:01:19,660 --> 00:01:23,560 changing the colors saturation contrast 25 00:01:21,580 --> 00:01:25,240 and other things within the image they 26 00:01:23,560 --> 00:01:28,720 often use sharp blue tones for sci-fi 27 00:01:25,240 --> 00:01:30,759 warm red tones for romance saturated red 28 00:01:28,720 --> 00:01:32,770 and blues for comedies and for most of 29 00:01:30,759 --> 00:01:35,020 the film including dramas blue and 30 00:01:32,770 --> 00:01:36,820 orange are quite common these two colors 31 00:01:35,020 --> 00:01:38,259 are used for a lot of reasons the main 32 00:01:36,820 --> 00:01:40,059 one being is that they contrast with 33 00:01:38,259 --> 00:01:42,220 each other so when we see a person in 34 00:01:40,060 --> 00:01:44,140 the scene because of their skin tone it 35 00:01:42,220 --> 00:01:45,789 makes them pop out within an image it 36 00:01:44,140 --> 00:01:48,100 makes the expressions of the actions of 37 00:01:45,790 --> 00:01:49,000 the person more dramatic because the way 38 00:01:48,100 --> 00:01:51,369 that it contrasts with the background 39 00:01:49,000 --> 00:01:53,320 these contrasting colors are also known 40 00:01:51,370 --> 00:01:54,729 as complementary colors because of the 41 00:01:53,320 --> 00:01:57,279 way that they oppose each other within a 42 00:01:54,729 --> 00:01:59,229 couple we can look at the scene in Mad 43 00:01:57,280 --> 00:02:00,790 Max to see how contrasting colors are 44 00:01:59,229 --> 00:02:02,500 used to make a character more distinct 45 00:02:00,790 --> 00:02:04,210 within a scene the clear blue sky 46 00:02:02,500 --> 00:02:05,590 contrasts with the sandy orange 47 00:02:04,210 --> 00:02:08,320 characters making the already tense 48 00:02:05,590 --> 00:02:09,580 scene even more dramatic although orange 49 00:02:08,320 --> 00:02:11,739 and blue are two of the most used 50 00:02:09,580 --> 00:02:13,420 complementary colors in film there are a 51 00:02:11,739 --> 00:02:15,970 lot more combinations used for different 52 00:02:13,420 --> 00:02:17,290 themes the film Amelie features a red 53 00:02:15,970 --> 00:02:19,450 and blue color scheme for is quirky 54 00:02:17,290 --> 00:02:21,010 comedic romance narrative and Wes 55 00:02:19,450 --> 00:02:23,048 Anderson uses the purple and yellow 56 00:02:21,010 --> 00:02:25,450 color scheme for an unorthodox comedy in 57 00:02:23,049 --> 00:02:27,280 the grand Budapest hotel filmmakers can 58 00:02:25,450 --> 00:02:28,660 extensively look at color combinations 59 00:02:27,280 --> 00:02:30,760 to create the right look of their film 60 00:02:28,660 --> 00:02:32,109 there's a lot of non color combinations 61 00:02:30,760 --> 00:02:34,149 when use about thinking about color 62 00:02:32,110 --> 00:02:35,830 theory the analogous color scheme 63 00:02:34,150 --> 00:02:36,850 features colors that sit next to each 64 00:02:35,830 --> 00:02:39,130 other on the color wheel 65 00:02:36,850 --> 00:02:40,900 these colors are generally used for more 66 00:02:39,130 --> 00:02:42,790 relaxed and harmonious scenarios as 67 00:02:40,900 --> 00:02:45,190 these colors can normally be found in 68 00:02:42,790 --> 00:02:46,750 nature Inception can be an example where 69 00:02:45,190 --> 00:02:47,290 a lot of the colors it uses blend in 70 00:02:46,750 --> 00:02:49,689 with each 71 00:02:47,290 --> 00:02:51,280 the triadic color scheme uses three 72 00:02:49,689 --> 00:02:53,349 colors evenly spaced out within the 73 00:02:51,280 --> 00:02:55,390 color wheel to make a hectic and 74 00:02:53,349 --> 00:02:57,819 slightly off looking scene this is often 75 00:02:55,390 --> 00:03:00,548 using cartoons and animations because 76 00:02:57,819 --> 00:03:02,170 it's quite exciting and striking colors 77 00:03:00,549 --> 00:03:04,090 are often saturated to contrast with 78 00:03:02,170 --> 00:03:07,149 each other well I have found that this 79 00:03:04,090 --> 00:03:08,620 is seen in a lot of 70s films because of 80 00:03:07,150 --> 00:03:12,730 the colourful nature of the time period 81 00:03:08,620 --> 00:03:14,349 rush is a good example of this the split 82 00:03:12,730 --> 00:03:16,510 complementary color scheme is a lot like 83 00:03:14,349 --> 00:03:17,858 their complementary color scheme except 84 00:03:16,510 --> 00:03:19,179 that it uses two colors that are nearly 85 00:03:17,859 --> 00:03:21,190 opposite each other on the color wheel 86 00:03:19,180 --> 00:03:23,260 this makes the two opposing colors 87 00:03:21,190 --> 00:03:24,909 contrast but creates less tension an 88 00:03:23,260 --> 00:03:27,010 example of this could be found in 89 00:03:24,909 --> 00:03:28,840 transformers and finally we can look at 90 00:03:27,010 --> 00:03:30,909 a trade it color scheme that uses four 91 00:03:28,840 --> 00:03:32,440 opposing colors on the color wheel this 92 00:03:30,909 --> 00:03:33,760 is a technique not often used in film 93 00:03:32,440 --> 00:03:36,040 because of how difficult it can be to 94 00:03:33,760 --> 00:03:37,899 use it's mainly used in colorful scenes 95 00:03:36,040 --> 00:03:39,760 that are very light-hearted and don't 96 00:03:37,900 --> 00:03:41,349 create much tension within the shot an 97 00:03:39,760 --> 00:03:45,819 example of this can be found in the film 98 00:03:41,349 --> 00:03:47,589 The Wolf of Wall Street color is like a 99 00:03:45,819 --> 00:03:48,879 code that filmmakers used to express to 100 00:03:47,590 --> 00:03:51,340 the audience how a scene shall be 101 00:03:48,879 --> 00:03:52,780 perceived but what makes color so great 102 00:03:51,340 --> 00:03:54,879 is how we can perceive it in any way 103 00:03:52,780 --> 00:03:56,590 when we watch movies we're going to take 104 00:03:54,879 --> 00:03:58,448 away what we want from the film or 105 00:03:56,590 --> 00:04:00,370 depending on how we feel about color is 106 00:03:58,449 --> 00:04:02,079 one way to influence the feeling there 107 00:04:00,370 --> 00:04:04,629 is so much more about how color is used 108 00:04:02,079 --> 00:04:05,919 now effective it is in cinema I think 109 00:04:04,629 --> 00:04:07,840 I'm going to have to save it for another 110 00:04:05,919 --> 00:04:09,129 video I really hope that you've all 111 00:04:07,840 --> 00:04:11,319 learned a thing or two about color in 112 00:04:09,129 --> 00:04:12,638 film so that you can really think about 113 00:04:11,319 --> 00:04:14,649 some of the choices that filmmakers 114 00:04:12,639 --> 00:04:15,879 might have used when creating I hope you 115 00:04:14,650 --> 00:04:18,070 leave a rating to show me what you 116 00:04:15,879 --> 00:04:21,449 thought of this video my name is James 117 00:04:18,070 --> 00:04:21,449 Hayes and thank you for watching 118 00:04:28,180 --> 00:04:30,240 you 119 00:04:31,550 --> 00:04:33,610 you 13656

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