Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:07,910 --> 00:00:09,970
you
2
00:00:21,180 --> 00:00:23,240
you
3
00:00:37,440 --> 00:00:41,620
we watch movies a lot without thinking
4
00:00:39,970 --> 00:00:44,470
about some of the most important aspects
5
00:00:41,620 --> 00:00:46,870
of the film itself one of these is color
6
00:00:44,470 --> 00:00:48,940
in my opinion color is one of the most
7
00:00:46,870 --> 00:00:51,040
crucial aspects of any film made today
8
00:00:48,940 --> 00:00:52,959
it creates its home within the film and
9
00:00:51,040 --> 00:00:54,400
makes the audience feel something this
10
00:00:52,960 --> 00:00:56,110
is so unique because there aren't many
11
00:00:54,400 --> 00:00:58,540
things that we see every day other than
12
00:00:56,110 --> 00:01:00,820
color itself making it important because
13
00:00:58,540 --> 00:01:02,650
subconsciously there are so many color
14
00:01:00,820 --> 00:01:04,150
patterns we see daily that it affects
15
00:01:02,650 --> 00:01:06,370
the way we feel about any given scenario
16
00:01:04,150 --> 00:01:07,690
there are so many theories that we can
17
00:01:06,370 --> 00:01:09,670
look out to see how these colors can
18
00:01:07,690 --> 00:01:12,070
influence our view on a scene we can
19
00:01:09,670 --> 00:01:14,410
look at it saturation contrast color
20
00:01:12,070 --> 00:01:15,729
theory or color value but I think the
21
00:01:14,410 --> 00:01:17,619
thing that we should first look at is
22
00:01:15,729 --> 00:01:19,660
the way that car is great scenes in
23
00:01:17,619 --> 00:01:21,580
today's films grading is the process of
24
00:01:19,660 --> 00:01:23,560
changing the colors saturation contrast
25
00:01:21,580 --> 00:01:25,240
and other things within the image they
26
00:01:23,560 --> 00:01:28,720
often use sharp blue tones for sci-fi
27
00:01:25,240 --> 00:01:30,759
warm red tones for romance saturated red
28
00:01:28,720 --> 00:01:32,770
and blues for comedies and for most of
29
00:01:30,759 --> 00:01:35,020
the film including dramas blue and
30
00:01:32,770 --> 00:01:36,820
orange are quite common these two colors
31
00:01:35,020 --> 00:01:38,259
are used for a lot of reasons the main
32
00:01:36,820 --> 00:01:40,059
one being is that they contrast with
33
00:01:38,259 --> 00:01:42,220
each other so when we see a person in
34
00:01:40,060 --> 00:01:44,140
the scene because of their skin tone it
35
00:01:42,220 --> 00:01:45,789
makes them pop out within an image it
36
00:01:44,140 --> 00:01:48,100
makes the expressions of the actions of
37
00:01:45,790 --> 00:01:49,000
the person more dramatic because the way
38
00:01:48,100 --> 00:01:51,369
that it contrasts with the background
39
00:01:49,000 --> 00:01:53,320
these contrasting colors are also known
40
00:01:51,370 --> 00:01:54,729
as complementary colors because of the
41
00:01:53,320 --> 00:01:57,279
way that they oppose each other within a
42
00:01:54,729 --> 00:01:59,229
couple we can look at the scene in Mad
43
00:01:57,280 --> 00:02:00,790
Max to see how contrasting colors are
44
00:01:59,229 --> 00:02:02,500
used to make a character more distinct
45
00:02:00,790 --> 00:02:04,210
within a scene the clear blue sky
46
00:02:02,500 --> 00:02:05,590
contrasts with the sandy orange
47
00:02:04,210 --> 00:02:08,320
characters making the already tense
48
00:02:05,590 --> 00:02:09,580
scene even more dramatic although orange
49
00:02:08,320 --> 00:02:11,739
and blue are two of the most used
50
00:02:09,580 --> 00:02:13,420
complementary colors in film there are a
51
00:02:11,739 --> 00:02:15,970
lot more combinations used for different
52
00:02:13,420 --> 00:02:17,290
themes the film Amelie features a red
53
00:02:15,970 --> 00:02:19,450
and blue color scheme for is quirky
54
00:02:17,290 --> 00:02:21,010
comedic romance narrative and Wes
55
00:02:19,450 --> 00:02:23,048
Anderson uses the purple and yellow
56
00:02:21,010 --> 00:02:25,450
color scheme for an unorthodox comedy in
57
00:02:23,049 --> 00:02:27,280
the grand Budapest hotel filmmakers can
58
00:02:25,450 --> 00:02:28,660
extensively look at color combinations
59
00:02:27,280 --> 00:02:30,760
to create the right look of their film
60
00:02:28,660 --> 00:02:32,109
there's a lot of non color combinations
61
00:02:30,760 --> 00:02:34,149
when use about thinking about color
62
00:02:32,110 --> 00:02:35,830
theory the analogous color scheme
63
00:02:34,150 --> 00:02:36,850
features colors that sit next to each
64
00:02:35,830 --> 00:02:39,130
other on the color wheel
65
00:02:36,850 --> 00:02:40,900
these colors are generally used for more
66
00:02:39,130 --> 00:02:42,790
relaxed and harmonious scenarios as
67
00:02:40,900 --> 00:02:45,190
these colors can normally be found in
68
00:02:42,790 --> 00:02:46,750
nature Inception can be an example where
69
00:02:45,190 --> 00:02:47,290
a lot of the colors it uses blend in
70
00:02:46,750 --> 00:02:49,689
with each
71
00:02:47,290 --> 00:02:51,280
the triadic color scheme uses three
72
00:02:49,689 --> 00:02:53,349
colors evenly spaced out within the
73
00:02:51,280 --> 00:02:55,390
color wheel to make a hectic and
74
00:02:53,349 --> 00:02:57,819
slightly off looking scene this is often
75
00:02:55,390 --> 00:03:00,548
using cartoons and animations because
76
00:02:57,819 --> 00:03:02,170
it's quite exciting and striking colors
77
00:03:00,549 --> 00:03:04,090
are often saturated to contrast with
78
00:03:02,170 --> 00:03:07,149
each other well I have found that this
79
00:03:04,090 --> 00:03:08,620
is seen in a lot of 70s films because of
80
00:03:07,150 --> 00:03:12,730
the colourful nature of the time period
81
00:03:08,620 --> 00:03:14,349
rush is a good example of this the split
82
00:03:12,730 --> 00:03:16,510
complementary color scheme is a lot like
83
00:03:14,349 --> 00:03:17,858
their complementary color scheme except
84
00:03:16,510 --> 00:03:19,179
that it uses two colors that are nearly
85
00:03:17,859 --> 00:03:21,190
opposite each other on the color wheel
86
00:03:19,180 --> 00:03:23,260
this makes the two opposing colors
87
00:03:21,190 --> 00:03:24,909
contrast but creates less tension an
88
00:03:23,260 --> 00:03:27,010
example of this could be found in
89
00:03:24,909 --> 00:03:28,840
transformers and finally we can look at
90
00:03:27,010 --> 00:03:30,909
a trade it color scheme that uses four
91
00:03:28,840 --> 00:03:32,440
opposing colors on the color wheel this
92
00:03:30,909 --> 00:03:33,760
is a technique not often used in film
93
00:03:32,440 --> 00:03:36,040
because of how difficult it can be to
94
00:03:33,760 --> 00:03:37,899
use it's mainly used in colorful scenes
95
00:03:36,040 --> 00:03:39,760
that are very light-hearted and don't
96
00:03:37,900 --> 00:03:41,349
create much tension within the shot an
97
00:03:39,760 --> 00:03:45,819
example of this can be found in the film
98
00:03:41,349 --> 00:03:47,589
The Wolf of Wall Street color is like a
99
00:03:45,819 --> 00:03:48,879
code that filmmakers used to express to
100
00:03:47,590 --> 00:03:51,340
the audience how a scene shall be
101
00:03:48,879 --> 00:03:52,780
perceived but what makes color so great
102
00:03:51,340 --> 00:03:54,879
is how we can perceive it in any way
103
00:03:52,780 --> 00:03:56,590
when we watch movies we're going to take
104
00:03:54,879 --> 00:03:58,448
away what we want from the film or
105
00:03:56,590 --> 00:04:00,370
depending on how we feel about color is
106
00:03:58,449 --> 00:04:02,079
one way to influence the feeling there
107
00:04:00,370 --> 00:04:04,629
is so much more about how color is used
108
00:04:02,079 --> 00:04:05,919
now effective it is in cinema I think
109
00:04:04,629 --> 00:04:07,840
I'm going to have to save it for another
110
00:04:05,919 --> 00:04:09,129
video I really hope that you've all
111
00:04:07,840 --> 00:04:11,319
learned a thing or two about color in
112
00:04:09,129 --> 00:04:12,638
film so that you can really think about
113
00:04:11,319 --> 00:04:14,649
some of the choices that filmmakers
114
00:04:12,639 --> 00:04:15,879
might have used when creating I hope you
115
00:04:14,650 --> 00:04:18,070
leave a rating to show me what you
116
00:04:15,879 --> 00:04:21,449
thought of this video my name is James
117
00:04:18,070 --> 00:04:21,449
Hayes and thank you for watching
118
00:04:28,180 --> 00:04:30,240
you
119
00:04:31,550 --> 00:04:33,610
you
13656
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.