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Being in a band, it's
kind of like a cyclone
2
00:00:07,780 --> 00:00:09,290
that picks up more and more speed
3
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the deeper you get into it.
4
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It can be the best time and
it can be the worst time.
5
00:00:13,530 --> 00:00:15,620
It can feel like you're literally
6
00:00:15,620 --> 00:00:17,700
tearing pages out of
On the Road by Kerouac,
7
00:00:17,700 --> 00:00:19,400
and other times it can feel like
8
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you are in a tiny little prison
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that's being controlled
by some faraway forces
10
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who are just stuffing more and
more inmates into the prison
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until there's none of you left.
12
00:00:33,860 --> 00:00:35,500
Thankfully, those feelings
13
00:00:35,500 --> 00:00:37,920
are kind of definitely
few and far between.
14
00:00:37,920 --> 00:00:42,550
- It's like a fucking end credits
montage-like strobe effect
15
00:00:42,550 --> 00:00:45,560
photographs of like backstage
parties, and then shows,
16
00:00:45,560 --> 00:00:49,630
and then people's faces, and
then fucking drinks, and drugs,
17
00:00:49,630 --> 00:00:53,267
and beaches, and hotels, and vomit.
18
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You know, it's like everything.
19
00:00:54,971 --> 00:00:57,980
It's like full exposure to life.
20
00:00:57,980 --> 00:01:01,090
- Being in the band's the
weirdest, best thing in the world.
21
00:01:01,090 --> 00:01:03,430
Shows can feel emotionally charged,
22
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or you can feel absolutely nothing.
23
00:01:06,050 --> 00:01:08,750
You an be tired all the time for a week,
24
00:01:08,750 --> 00:01:11,140
and then you might have an
absolute burst of energy,
25
00:01:11,140 --> 00:01:13,185
and you will go on an adventure
26
00:01:13,185 --> 00:01:15,500
somewhere that you've never been to before
27
00:01:15,500 --> 00:01:18,150
and create some stories
that you'll remember
28
00:01:18,150 --> 00:01:19,680
for the rest of your life.
29
00:01:19,680 --> 00:01:22,890
It's madness, and it's also rejoiceful.
30
00:01:22,890 --> 00:01:26,670
It definitely makes you feel
very alive and dead inside.
31
00:01:26,670 --> 00:01:28,040
- I mean, of course it's not sustainable.
32
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I don't think anyone doubts that.
33
00:01:29,630 --> 00:01:32,520
And it's quite easy to
find stories of people
34
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who toured hard and then have hit a wall.
35
00:01:35,860 --> 00:01:37,100
- It is a circus, isn't it?
36
00:01:37,100 --> 00:01:38,860
You have all these different characters,
37
00:01:38,860 --> 00:01:41,050
and like no one is normal.
38
00:01:41,050 --> 00:01:43,360
No one who's been touring for 10 years
39
00:01:43,360 --> 00:01:46,170
can describe themselves as being normal.
40
00:01:46,170 --> 00:01:48,400
- If you are in a band, like we are,
41
00:01:48,400 --> 00:01:52,210
and most of your peers have
decided to call it a day
42
00:01:52,210 --> 00:01:53,240
for one reason or another,
43
00:01:53,240 --> 00:01:54,790
why is it that you still do it?
44
00:01:55,960 --> 00:01:59,150
Like how meaningful is it
to be a musician in 2019?
45
00:01:59,150 --> 00:02:02,493
Is there like a wider purpose to it?
46
00:02:03,660 --> 00:02:06,410
And maybe there isn't, but like ...
47
00:02:06,410 --> 00:02:08,481
I'm gonna figure that out.
48
00:03:43,170 --> 00:03:46,370
- The writing was kind of
the lowest point for me
49
00:03:46,370 --> 00:03:49,770
in the band's history,
because of Wally going,
50
00:03:49,770 --> 00:03:51,610
I think was a catalyst.
51
00:03:51,610 --> 00:03:56,610
It was pretty much my worst
nightmare, and it happened.
52
00:03:57,100 --> 00:03:59,050
And, you know, it happened ages ago,
53
00:03:59,050 --> 00:04:00,630
so I was prepared for it, I think,
54
00:04:00,630 --> 00:04:03,530
until we got into the writing room,
55
00:04:03,530 --> 00:04:05,317
and I was just like, "Fuck.
56
00:04:05,317 --> 00:04:07,700
"I really, really miss Wally's presence."
57
00:04:07,700 --> 00:04:10,208
I was like, "Oh God, I'm
alone with these guys."
58
00:04:10,208 --> 00:04:11,041
(chuckles) You know?
59
00:04:11,041 --> 00:04:13,727
It was like, "Where's the other guy?
60
00:04:13,727 --> 00:04:14,917
"Where's the nice one?"
61
00:04:15,830 --> 00:04:17,400
- [Edwin Congreave] We all
moved to be in the same area,
62
00:04:17,400 --> 00:04:20,270
to be sort of centered
around the studio place,
63
00:04:20,270 --> 00:04:21,560
partly so we didn't
have to travel that far,
64
00:04:21,560 --> 00:04:23,470
but also kind of to hang out,
65
00:04:23,470 --> 00:04:26,230
to be be sort of glued together socially.
66
00:04:26,230 --> 00:04:29,730
- We took a bit of a risk
with producing it ourselves,
67
00:04:29,730 --> 00:04:31,530
with Yannis taking the helm,
68
00:04:31,530 --> 00:04:33,550
but it's really felt like we've breathed
69
00:04:33,550 --> 00:04:36,320
some extra, fresh energy.
70
00:04:36,320 --> 00:04:38,940
- It was a period where
the idea of making music
71
00:04:38,940 --> 00:04:40,940
was the furthest thing from my mind.
72
00:04:40,940 --> 00:04:42,660
I had never really felt like that before.
73
00:04:42,660 --> 00:04:43,910
That period was the longest period
74
00:04:43,910 --> 00:04:45,320
where I haven't made any music.
75
00:04:45,320 --> 00:04:48,670
I just felt like I'd become
a bit predictable to myself
76
00:04:48,670 --> 00:04:49,830
in terms of what I was writing,
77
00:04:49,830 --> 00:04:52,580
and I found the band in
general, like the dynamic,
78
00:04:52,580 --> 00:04:54,860
was very well-worn in the grooves
79
00:04:54,860 --> 00:04:59,430
and the ways in which
we work were predictable
80
00:04:59,430 --> 00:05:02,330
and that we needed to undergo
some sort of violent change.
81
00:05:06,277 --> 00:05:09,709
♪ Don't look at me like that ♪
82
00:05:09,709 --> 00:05:12,843
♪ Don't look at me like that ♪
83
00:05:12,843 --> 00:05:15,070
A day's just one big long frustration.
84
00:05:15,070 --> 00:05:16,710
The amount of caffeine I've had
85
00:05:16,710 --> 00:05:21,030
means I'm always getting tripped up by it.
86
00:05:21,030 --> 00:05:21,863
- Yeah.
87
00:05:22,898 --> 00:05:24,880
I think it's time you had a chamomile tea.
88
00:05:24,880 --> 00:05:27,870
- I wrote every lyric on
these records in a pub,
89
00:05:27,870 --> 00:05:29,640
in a pub garden usually.
90
00:05:29,640 --> 00:05:30,780
I wasn't aware of it at the time,
91
00:05:30,780 --> 00:05:32,570
but looking back on it now,
92
00:05:32,570 --> 00:05:34,210
I'm sure the record would
have been very different
93
00:05:34,210 --> 00:05:36,440
had I locked myself in a room upstairs
94
00:05:36,440 --> 00:05:39,150
and written in isolation.
95
00:05:39,150 --> 00:05:42,500
I think by writing
surrounded by your peers
96
00:05:42,500 --> 00:05:45,820
in a communal space, it only ...
97
00:05:45,820 --> 00:05:47,420
It propelled me into wanting to write
98
00:05:47,420 --> 00:05:50,770
about themes that would connect us.
99
00:05:50,770 --> 00:05:55,260
We're in this kind of
perilous or precarious state,
100
00:05:55,260 --> 00:05:57,740
facing these huge monolithic challenges,
101
00:05:57,740 --> 00:06:01,690
and that society's going
through this huge transformation
102
00:06:01,690 --> 00:06:04,160
that we're not even aware of fully
103
00:06:04,160 --> 00:06:06,240
the ramifications of it.
104
00:06:06,240 --> 00:06:09,030
So I wanted to write about
that sense of confusion
105
00:06:09,030 --> 00:06:12,520
in the sense of being inside some sort of
106
00:06:12,520 --> 00:06:17,520
M.C. Escher-like labyrinth of
change and turmoil and threat
107
00:06:18,230 --> 00:06:21,330
and for it to be set in the here and now,
108
00:06:21,330 --> 00:06:24,500
and I wanted the songs to be understood.
109
00:06:24,500 --> 00:06:27,210
I wanted them to be directly communicative
110
00:06:27,210 --> 00:06:28,333
to the outside world.
111
00:06:37,060 --> 00:06:41,450
- Blen fire, blen fire, blen
fire, blen fire, blen fire.
112
00:06:46,601 --> 00:06:49,688
Blen fire, blen fire, blen fire
113
00:06:59,502 --> 00:07:01,327
- Holy shit!
114
00:07:13,627 --> 00:07:14,486
- Let's fucking bang it.
115
00:07:14,486 --> 00:07:15,653
Let's bang it.
116
00:08:08,850 --> 00:08:11,987
♪ I got to rip up the road ♪
117
00:08:11,987 --> 00:08:15,377
♪ I got two nights in a row ♪
118
00:08:15,377 --> 00:08:18,626
♪ Oh we gon' put on a show ♪
119
00:08:18,626 --> 00:08:21,896
♪ With the black bull in tow ♪
120
00:08:21,896 --> 00:08:25,138
♪ I'm in a Holy Ghost zone ♪
121
00:08:25,138 --> 00:08:28,431
♪ I got a trunk full of gold ♪
122
00:08:28,431 --> 00:08:31,720
♪ Don't look at me like that ♪
123
00:08:31,720 --> 00:08:36,720
♪ Don't look at me like this ♪
124
00:08:41,675 --> 00:08:44,873
♪ Can you remember my name ♪
125
00:08:44,873 --> 00:08:48,207
♪ I swear you're all just the same ♪
126
00:08:48,207 --> 00:08:51,502
♪ Oh tu parlais Anglais ♪
127
00:08:51,502 --> 00:08:54,776
♪ Can of Stella fish filet ♪
128
00:08:54,776 --> 00:08:58,038
♪ In a foreshortened future ♪
129
00:08:58,038 --> 00:09:01,421
♪ I saw you drink your kombucha ♪
130
00:09:01,421 --> 00:09:04,802
♪ And it really don't suit ya ♪
131
00:09:04,802 --> 00:09:09,453
♪ And I'm not the waiter ♪
132
00:09:09,453 --> 00:09:14,453
♪ Ooh ♪
133
00:09:14,945 --> 00:09:17,752
♪ Black bull's in town ♪
134
00:09:17,752 --> 00:09:21,085
♪ We not playing around ♪
135
00:09:40,924 --> 00:09:44,095
♪ I call a wolf a wolf ♪
136
00:09:44,095 --> 00:09:47,340
♪ This is for real ain't no spoof ♪
137
00:09:47,340 --> 00:09:50,560
♪ I'm breaking bones on the roof ♪
138
00:09:50,560 --> 00:09:54,144
♪ Who me I'm not aloof ♪
139
00:09:54,144 --> 00:09:57,208
♪ Forsooth for shame ♪
140
00:09:57,208 --> 00:10:00,694
♪ I done conquered where I came ♪
141
00:10:00,694 --> 00:10:03,909
♪ And I'm a world away ♪
142
00:10:03,909 --> 00:10:08,909
♪ 'Cause I'm a man of today ♪
143
00:10:10,607 --> 00:10:13,627
♪ We not playing around ♪
144
00:10:13,627 --> 00:10:17,460
♪ I got a black bull in town ♪
145
00:10:36,150 --> 00:10:38,260
- [Jack] We've spent a long time prepping
146
00:10:38,260 --> 00:10:40,570
for getting back into it.
147
00:10:40,570 --> 00:10:43,780
We've put so much time into
rehearsing it properly.
148
00:10:43,780 --> 00:10:46,140
It felt pretty much like we were starting
149
00:10:46,140 --> 00:10:49,483
as we left off in 2017.
150
00:10:50,980 --> 00:10:53,020
- I made sure that
we had like two weeks
151
00:10:53,020 --> 00:10:54,410
of keyboard rehearsals.
152
00:10:54,410 --> 00:10:55,650
Keyboard club I called it,
153
00:10:55,650 --> 00:10:57,870
which is something we've
been responsible enough
154
00:10:57,870 --> 00:10:59,890
to do before, and I'm so glad we did.
155
00:10:59,890 --> 00:11:02,980
Jez had done all his
homework, and instantly,
156
00:11:02,980 --> 00:11:05,007
within a second, we're
like, "Oh, he's really good.
157
00:11:05,007 --> 00:11:06,447
"He fits in perfectly."
158
00:11:07,440 --> 00:11:08,273
It was just there.
159
00:11:08,273 --> 00:11:09,700
The energy was really, really good,
160
00:11:09,700 --> 00:11:12,080
and it was like super fucking exciting
161
00:11:12,080 --> 00:11:13,493
to star touring again.
162
00:11:14,400 --> 00:11:16,250
- [Jack] Kit and Jeremy and Carly
163
00:11:16,250 --> 00:11:20,460
all add such a high level
of positivity to the group.
164
00:11:20,460 --> 00:11:23,230
- [Jimmy] It was nice to
take Kit and Jez to places
165
00:11:23,230 --> 00:11:26,190
that they had never been
before, especially Kit.
166
00:11:26,190 --> 00:11:27,990
It was his first world tour.
167
00:11:27,990 --> 00:11:31,900
The excitement that he brings
about actual, like, you know,
168
00:11:31,900 --> 00:11:35,630
differences in bread (chuckles)
between different countries.
169
00:11:35,630 --> 00:11:38,320
It's like, we were so used to
it that we don't care anymore,
170
00:11:38,320 --> 00:11:41,370
but seeing it through his
eyes has been really nice.
171
00:11:41,370 --> 00:11:43,210
- The U.S. tour was pretty
daunting at the beginning,
172
00:11:43,210 --> 00:11:44,597
because we hadn't been
on tour for a long time,
173
00:11:44,597 --> 00:11:46,110
and just because it was so long.
174
00:11:46,110 --> 00:11:49,660
And the U.S., obviously
it's its own place.
175
00:11:49,660 --> 00:11:50,493
It's very American.
176
00:11:50,493 --> 00:11:52,060
America is really American.
177
00:11:52,060 --> 00:11:54,180
So you know when you're going into it
178
00:11:54,180 --> 00:11:56,030
that everything's gonna be different.
179
00:11:57,150 --> 00:11:58,920
I decided to stop drinking,
180
00:11:58,920 --> 00:12:03,030
because pretty much every
reason to stop drinking
181
00:12:03,030 --> 00:12:06,300
came up all at the same time. (chuckling)
182
00:12:06,300 --> 00:12:08,070
In terms of touring, everyone else
183
00:12:08,070 --> 00:12:09,884
is living a very different life.
184
00:12:16,507 --> 00:12:18,250
- [Yannis] Towards the end
of touring in the states,
185
00:12:18,250 --> 00:12:20,750
I wasn't feeling fatigued in any way.
186
00:12:20,750 --> 00:12:23,410
I started to feel like a kind
of witch doctor on stage.
187
00:12:23,410 --> 00:12:27,283
I just felt powerful in a way
that was almost dangerous.
188
00:12:36,646 --> 00:12:37,540
- [Jack] Yeah, the balcony thing,
189
00:12:37,540 --> 00:12:38,900
it can be a total highlight,
190
00:12:38,900 --> 00:12:40,810
but there were so many times where
191
00:12:40,810 --> 00:12:43,340
I'd genuinely be worried
that someone's gonna die.
192
00:12:43,340 --> 00:12:46,200
You know, Yannis is this big hairy
193
00:12:46,200 --> 00:12:48,750
Greek bowling bowl coming off the top.
194
00:12:48,750 --> 00:12:50,030
You've got to make sure the ground's
195
00:12:50,030 --> 00:12:52,500
gonna not collapse when it lands.
196
00:12:52,500 --> 00:12:54,860
- It's just a way of
breaking out of oneself,
197
00:12:54,860 --> 00:12:57,862
taking the show right to the edge.
198
00:13:12,044 --> 00:13:14,081
It's Saturday night, let's do it!
199
00:13:14,914 --> 00:13:17,597
Saturday night in London,
best city in the world!
200
00:13:17,597 --> 00:13:18,567
Put your dancing shoes on.
201
00:13:18,567 --> 00:13:21,400
We're gonna go out after this one.
202
00:13:25,265 --> 00:13:28,912
♪ We're caught up in silence ♪
203
00:13:28,912 --> 00:13:32,811
♪ I lose you in degrees ♪
204
00:13:32,811 --> 00:13:36,978
♪ See you through the glass doors ♪
205
00:13:54,677 --> 00:13:58,128
♪ I've looked all up and down now ♪
206
00:13:58,128 --> 00:14:02,297
♪ I lose you in degrees ♪
207
00:14:02,297 --> 00:14:06,188
♪ Come back around my way again ♪
208
00:14:06,188 --> 00:14:10,115
♪ Leave me if you please ♪
209
00:14:10,115 --> 00:14:13,748
♪ I'm tongue tied in silence ♪
210
00:14:13,748 --> 00:14:17,921
♪ My words lost on the breeze ♪
211
00:14:17,921 --> 00:14:21,566
♪ Caught up in your orbit still ♪
212
00:14:21,566 --> 00:14:25,149
♪ Release me if you please ♪
213
00:14:43,894 --> 00:14:45,460
♪ I lose you in degrees ♪
214
00:14:45,460 --> 00:14:47,372
♪ Don't leave me on my knees ♪
215
00:14:47,372 --> 00:14:49,124
♪ I lose you in degrees ♪
216
00:14:49,124 --> 00:14:51,279
♪ Don't leave me on my knees ♪
217
00:14:51,279 --> 00:14:53,252
♪ I lose you in degrees ♪
218
00:14:53,252 --> 00:14:55,173
♪ Don't leave me on my knees ♪
219
00:14:55,173 --> 00:15:00,173
♪ I lose you in degrees ♪
220
00:15:02,001 --> 00:15:05,785
♪ Around again ♪
221
00:15:05,785 --> 00:15:09,518
♪ I waste my days ♪
222
00:15:09,518 --> 00:15:14,518
♪ Around again ♪
223
00:15:14,627 --> 00:15:18,213
♪ Oh I know I've wasted time ♪
224
00:15:18,213 --> 00:15:22,242
♪ When I've tried to please yeah ♪
225
00:15:22,242 --> 00:15:26,141
♪ How did I end up here ♪
226
00:15:26,141 --> 00:15:30,099
♪ Where I've come to be yeah ♪
227
00:15:30,099 --> 00:15:34,054
♪ Oh I know I've wasted time ♪
228
00:15:34,054 --> 00:15:37,741
♪ When I've tried to please yeah ♪
229
00:15:37,741 --> 00:15:41,991
♪ Release me when I waste my time ♪
230
00:16:21,215 --> 00:16:22,943
♪ Am I wasting my time ♪
231
00:16:22,943 --> 00:16:24,980
♪ I could not persevere ♪
232
00:16:24,980 --> 00:16:26,750
♪ Am I wasting my time ♪
233
00:16:26,750 --> 00:16:28,734
♪ I could not persevere ♪
234
00:16:28,734 --> 00:16:30,747
♪ Am I wasting my time ♪
235
00:16:30,747 --> 00:16:32,742
♪ I could not persevere ♪
236
00:16:32,742 --> 00:16:34,739
♪ Am I wasting my time ♪
237
00:16:34,739 --> 00:16:36,688
♪ I could not persevere ♪
238
00:16:36,688 --> 00:16:38,612
♪ Am I wasting my time ♪
239
00:16:38,612 --> 00:16:40,680
♪ I could not persevere ♪
240
00:16:40,680 --> 00:16:42,557
♪ Am I wasting my time ♪
241
00:16:42,557 --> 00:16:44,410
♪ I could not persevere ♪
242
00:16:44,410 --> 00:16:46,441
♪ Am I wasting my time ♪
243
00:16:46,441 --> 00:16:48,374
♪ I could not persevere ♪
244
00:16:48,374 --> 00:16:50,305
♪ Am I wasting my time ♪
245
00:16:50,305 --> 00:16:52,281
♪ I could not persevere ♪
246
00:16:52,281 --> 00:16:54,177
♪ Am I wasting my time ♪
247
00:16:54,177 --> 00:16:56,163
♪ I could not persevere ♪
248
00:16:56,163 --> 00:16:58,100
♪ Am I wasting my time ♪
249
00:16:58,100 --> 00:16:59,978
♪ I could not persevere ♪
250
00:16:59,978 --> 00:17:02,050
♪ Am I wasting my time ♪
251
00:17:02,050 --> 00:17:04,014
♪ I could not persevere ♪
252
00:17:04,014 --> 00:17:05,975
♪ Am I wasting my time ♪
253
00:17:05,975 --> 00:17:07,938
♪ I could not persevere ♪
254
00:17:07,938 --> 00:17:09,881
♪ Am I wasting my time ♪
255
00:17:09,881 --> 00:17:11,796
♪ I could not persevere ♪
256
00:17:11,796 --> 00:17:13,746
♪ Am I wasting my time ♪
257
00:17:13,746 --> 00:17:15,711
♪ I could not persevere ♪
258
00:17:15,711 --> 00:17:17,690
♪ Am I wasting my time ♪
259
00:17:17,690 --> 00:17:19,627
♪ I could not persevere ♪
260
00:17:19,627 --> 00:17:21,873
♪ No point wasting my time ♪
261
00:17:21,873 --> 00:17:24,267
♪ I could not persevere ♪
262
00:17:26,950 --> 00:17:29,160
Latin America is one of my favorite places
263
00:17:29,160 --> 00:17:31,000
to tour in the world.
264
00:17:31,000 --> 00:17:34,830
I like the expressiveness
of the culture in general.
265
00:17:34,830 --> 00:17:37,270
I like how colorful it
is, I like the cuisine.
266
00:17:37,270 --> 00:17:39,000
I like the chaos.
267
00:17:39,000 --> 00:17:43,154
You feel the music has
a proper power there,
268
00:17:43,154 --> 00:17:46,510
and it has the power to
change lives, almost,
269
00:17:46,510 --> 00:17:48,690
and it really means something.
270
00:17:48,690 --> 00:17:51,240
And you get that from the fans.
271
00:17:51,240 --> 00:17:53,320
If your context has hardship in it,
272
00:17:53,320 --> 00:17:55,883
then music can become a kind of beacon.
273
00:17:57,010 --> 00:17:59,920
Even in a small way, like it
can just improve your day,
274
00:17:59,920 --> 00:18:02,110
and it can be somewhere
where you can take refuge in,
275
00:18:02,110 --> 00:18:04,170
and I think that that's felt more keenly
276
00:18:04,170 --> 00:18:08,560
in places that perhaps have
a more troubled context
277
00:18:08,560 --> 00:18:10,223
or where life's not as easy.
278
00:18:11,520 --> 00:18:12,990
I remember I used to write in my journal
279
00:18:12,990 --> 00:18:15,270
stuff about wanting to try
and make the band like a body
280
00:18:15,270 --> 00:18:17,420
where the drums are the skeleton,
281
00:18:17,420 --> 00:18:19,460
the bass is like the muscle,
282
00:18:19,460 --> 00:18:21,100
and the guitars are the flesh,
283
00:18:21,100 --> 00:18:23,500
and then the voice is
the could and the spirit,
284
00:18:23,500 --> 00:18:25,930
and trying to view it in a kind of ...
285
00:18:25,930 --> 00:18:26,950
as a body.
286
00:18:26,950 --> 00:18:29,910
And the best show is when
the five of us come together
287
00:18:29,910 --> 00:18:32,290
and we form this larger creature,
288
00:18:32,290 --> 00:18:35,170
and it's effortless and it's telepathic,
289
00:18:35,170 --> 00:18:38,000
and we just become this
kind of ruthless, efficient
290
00:18:38,000 --> 00:18:42,300
musical machine that's
totally potent and can just
291
00:18:42,300 --> 00:18:45,940
ignite venues, and we just
do that night after night.
292
00:18:45,940 --> 00:18:48,980
I just felt like, as a group,
we were just untouchable
293
00:18:48,980 --> 00:18:52,940
and obliterating places
with this positive energy.
294
00:19:27,366 --> 00:19:30,692
♪ You don't have my number ♪
295
00:19:30,692 --> 00:19:34,110
♪ We don't need each other now ♪
296
00:19:34,110 --> 00:19:37,658
♪ We don't need the city ♪
297
00:19:37,658 --> 00:19:41,245
♪ The creed or the culture now ♪
298
00:19:41,245 --> 00:19:44,653
♪ 'Cause I feel well I feel alive ♪
299
00:19:44,653 --> 00:19:48,279
♪ I feel well I feel alive ♪
300
00:19:48,279 --> 00:19:53,279
♪ I feel the streets are
not pulling me down ♪
301
00:19:55,307 --> 00:19:58,699
♪ So people of the city ♪
302
00:19:58,699 --> 00:20:02,240
♪ I don't need your counsel now ♪
303
00:20:02,240 --> 00:20:05,630
♪ And I don't need your good advice ♪
304
00:20:05,630 --> 00:20:09,336
♪ 'Cause you don't have my lover's touch ♪
305
00:20:09,336 --> 00:20:12,883
♪ You don't have my number ♪
306
00:20:12,883 --> 00:20:16,372
♪ We don't need each other now ♪
307
00:20:16,372 --> 00:20:19,800
♪ The creed or the culture ♪
308
00:20:19,800 --> 00:20:23,467
♪ We can move beyond it now ♪
309
00:20:30,428 --> 00:20:33,781
♪ The wolf is knocking at my door ♪
310
00:20:33,781 --> 00:20:37,253
♪ Bang bang it asks for more ♪
311
00:20:37,253 --> 00:20:40,755
♪ Stand here we stand tall ♪
312
00:20:40,755 --> 00:20:44,391
♪ We can move beyond these walls ♪
313
00:20:44,391 --> 00:20:47,894
♪ And I don't need your counsel ♪
314
00:20:47,894 --> 00:20:51,327
♪ And I don't need that good advice ♪
315
00:20:51,327 --> 00:20:54,574
♪ And I don't need to know what now ♪
316
00:20:54,574 --> 00:20:58,460
♪ 'Cause you don't have my lover's touch ♪
317
00:20:58,460 --> 00:21:01,813
♪ You don't have my number ♪
318
00:21:01,813 --> 00:21:05,370
♪ We don't need each other now ♪
319
00:21:05,370 --> 00:21:08,793
♪ The creed or the culture ♪
320
00:21:08,793 --> 00:21:12,460
♪ We can move beyond it now ♪
321
00:21:26,533 --> 00:21:29,646
♪ Can you even hear me ♪
322
00:21:29,646 --> 00:21:33,362
♪ Do you even know my name ♪
323
00:21:33,362 --> 00:21:36,981
♪ Can you see the ocean there ♪
324
00:21:36,981 --> 00:21:41,148
♪ You don't have my lover's touch ♪
325
00:21:47,999 --> 00:21:51,417
♪ I wonder can you hear me ♪
326
00:21:51,417 --> 00:21:54,973
♪ And are you even listening now ♪
327
00:21:54,973 --> 00:21:58,429
♪ 'Cause you don't have my number ♪
328
00:21:58,429 --> 00:22:01,947
♪ And we don't need each other now ♪
329
00:22:01,947 --> 00:22:05,447
♪ The creed or the culture ♪
330
00:22:05,447 --> 00:22:09,114
♪ We can move beyond it now ♪
331
00:22:27,305 --> 00:22:31,150
- I think we are, as a
band, at our most exciting
332
00:22:31,150 --> 00:22:34,030
when it's more intimate
and when you're like
333
00:22:34,030 --> 00:22:37,540
the secret band and when
you're playing a secret set.
334
00:22:37,540 --> 00:22:39,140
Even though it's still important,
335
00:22:39,140 --> 00:22:40,710
and you've still gotta play really well,
336
00:22:40,710 --> 00:22:43,005
at the back of your
head you're kinda like,
337
00:22:43,005 --> 00:22:45,147
"Well, you know, we're
like the bonus features.
338
00:22:45,147 --> 00:22:47,040
"We're like DVD bonus features."
339
00:22:47,040 --> 00:22:49,960
And if they're great, that's amazing.
340
00:22:49,960 --> 00:22:52,070
Also, if they're not, who gives a shit?
341
00:22:52,070 --> 00:22:53,300
- It's probably the only
time where we'll get
342
00:22:53,300 --> 00:22:56,410
to play Glastonbury
without pressure of a sort.
343
00:22:56,410 --> 00:22:58,540
Like we can just come in, play a show,
344
00:22:58,540 --> 00:23:00,870
there's no expectation, none
of the nerves that you get
345
00:23:00,870 --> 00:23:02,858
when you play after a
bit slot at Glastoso.
346
00:23:02,858 --> 00:23:04,200
Like last time we played
when we did The Pyramid,
347
00:23:04,200 --> 00:23:07,090
it was like, "Oh, this is a big deal."
348
00:23:07,090 --> 00:23:10,840
And it is a big deal, but
this time it's not a big deal.
349
00:23:10,840 --> 00:23:13,100
It's just a joke. (chuckles)
350
00:23:13,100 --> 00:23:15,820
- Introduced my mom to Lars
Ulrich and Bradley Cooper,
351
00:23:15,820 --> 00:23:17,310
and she had no idea who
either of them were,
352
00:23:17,310 --> 00:23:18,350
which was great.
353
00:23:18,350 --> 00:23:20,690
I was like, "Mom, Lars
Ulrich from Metallica."
354
00:23:20,690 --> 00:23:23,900
And she's like, (laughing) "Cool."
355
00:23:23,900 --> 00:23:25,200
- [Yannis] What's gone wrong now?
356
00:23:25,200 --> 00:23:27,340
- Oh, just like the one
fucking, the one thing
357
00:23:27,340 --> 00:23:29,740
that I asked for is to have
pastas in coats of cheese
358
00:23:29,740 --> 00:23:32,480
and mayonnaise, and it's every fucking ...
359
00:23:32,480 --> 00:23:33,960
Basically white foods.
360
00:23:33,960 --> 00:23:36,380
Like, if it's got a sauce element to it,
361
00:23:36,380 --> 00:23:38,108
like I would genuinely
would rather drink--
362
00:23:38,108 --> 00:23:40,083
- If I had a spider in one
hand and a bowl of cream
363
00:23:40,083 --> 00:23:42,412
in another, you had to
deal with one of them,
364
00:23:42,412 --> 00:23:43,245
what would you deal with?
365
00:23:43,245 --> 00:23:44,946
- Well, I mean, I'm not
scared to touch the cream.
366
00:23:44,946 --> 00:23:45,928
I just don't want to eat it.
367
00:23:45,928 --> 00:23:48,012
Honestly, if you pissed
into that glass there,
368
00:23:48,012 --> 00:23:51,130
well that cup, to the top,
I would rather drink that
369
00:23:51,130 --> 00:23:53,420
than a pint of milk, 100%, genuinely.
370
00:23:53,420 --> 00:23:55,520
- All right, we'll sort that
out for later, shall we?
371
00:23:55,520 --> 00:23:58,030
I'm really glad I went
to the pub last night.
372
00:23:58,030 --> 00:23:59,880
- At the point where he
really should have gone home,
373
00:23:59,880 --> 00:24:01,316
I said, "Oh, one more mate!"
374
00:24:01,316 --> 00:24:02,149
And then he's like, "All right,
375
00:24:02,149 --> 00:24:03,570
"I'll have a half and a whiskey."
376
00:24:03,570 --> 00:24:05,177
And I came back, I was
like, "Oh, they've run out
377
00:24:05,177 --> 00:24:07,020
"of half glasses, so
you've had to have a pint."
378
00:24:07,020 --> 00:24:09,330
- I walked home shit-faced.
379
00:24:09,330 --> 00:24:11,530
And I ordered Lebanese at midnight,
380
00:24:11,530 --> 00:24:15,930
and then I had to change the
bedsheets and stuff and do ...
381
00:24:15,930 --> 00:24:17,097
I kept being like, "I've got to get back
382
00:24:17,097 --> 00:24:18,839
"to water the cujete."
383
00:24:18,839 --> 00:24:21,030
'Cause it was just so hot today.
384
00:24:21,030 --> 00:24:22,470
And no one's at my house for a few days,
385
00:24:22,470 --> 00:24:24,200
and I've got to water the garden.
386
00:24:24,200 --> 00:24:25,897
But I'll I remember is
I just kept repeating,
387
00:24:25,897 --> 00:24:27,997
"I've got to go back and water my cujete."
388
00:24:29,383 --> 00:24:31,000
- [Jack] I have worked myself up
389
00:24:31,000 --> 00:24:33,037
into a quite nervous frenzy.
390
00:24:33,037 --> 00:24:34,630
I sort of had to talk myself down
391
00:24:34,630 --> 00:24:37,860
from quite a lot of stress
in the loo a minute ago.
392
00:24:37,860 --> 00:24:38,990
I don't know what it is about Glastonbury.
393
00:24:38,990 --> 00:24:40,720
Last time we did it was
maybe the most nervous
394
00:24:40,720 --> 00:24:42,040
I've ever been before a show.
395
00:24:42,040 --> 00:24:44,853
I paced around the dressing
by myself for four hours.
396
00:24:45,742 --> 00:24:48,490
I think it's jut the responsibility,
397
00:24:48,490 --> 00:24:52,860
like the pressure that you
feel to give the festival
398
00:24:52,860 --> 00:24:54,643
what you feel like it deserves.
399
00:25:14,066 --> 00:25:15,243
- I need a lighter.
400
00:25:15,243 --> 00:25:16,264
Lighter.
401
00:25:16,264 --> 00:25:17,710
All right.
402
00:25:17,710 --> 00:25:19,197
Fucking Old Testament.
403
00:25:23,673 --> 00:25:25,006
We should do it.
404
00:25:26,610 --> 00:25:27,860
One last shift!
405
00:25:52,990 --> 00:25:55,909
- [Female Announcer] Anything
not saved will be lost.
406
00:25:58,550 --> 00:26:01,810
- [Jack] Good live music can
be a force that is bigger
407
00:26:01,810 --> 00:26:03,740
than most other things out there.
408
00:26:03,740 --> 00:26:06,220
And if you have one of
those seminal moments
409
00:26:06,220 --> 00:26:08,980
where there's a gig that
does just a little bit more,
410
00:26:08,980 --> 00:26:10,210
it felt like something like that
411
00:26:10,210 --> 00:26:11,950
was happening at Glastonbury this year,
412
00:26:11,950 --> 00:26:15,090
where it just felt more important
413
00:26:15,090 --> 00:26:17,720
and bigger than we were expecting it.
414
00:26:17,720 --> 00:26:20,830
And I think we realized quite
soon after we were on stage
415
00:26:20,830 --> 00:26:22,280
by how many people had shown up.
416
00:26:22,280 --> 00:26:23,300
I don't know, there was just something
417
00:26:23,300 --> 00:26:25,140
in the air at that show.
418
00:26:25,140 --> 00:26:29,620
- [Yannis] Looking out at that
sea of people, that felt ...
419
00:26:29,620 --> 00:26:32,430
You know, that felt
really, really powerful.
420
00:26:32,430 --> 00:26:34,310
It felt like one of the shows that,
421
00:26:34,310 --> 00:26:36,940
if, at the end of the band's career,
422
00:26:36,940 --> 00:26:38,307
I was to look back and be like,
423
00:26:38,307 --> 00:26:40,973
"Right, top 10 shows,"
that will be up there.
424
00:26:43,015 --> 00:26:44,512
- [Audience] One more song!
425
00:26:44,512 --> 00:26:45,604
One more song!
426
00:26:45,604 --> 00:26:46,487
One more song!
427
00:26:46,487 --> 00:26:47,803
One more song!
428
00:26:47,803 --> 00:26:48,759
One more song!
429
00:26:48,759 --> 00:26:49,926
One more song!
430
00:26:53,706 --> 00:26:55,802
- We'll just do a bottle
of vodka and a cigarette.
431
00:26:55,802 --> 00:26:58,000
My string broke and just
went (whip cracking sound),
432
00:26:58,000 --> 00:26:59,810
and like cut my finger ...
433
00:26:59,810 --> 00:27:00,780
so brutally.
434
00:27:00,780 --> 00:27:02,947
I mean, look at the state of that.
435
00:27:02,947 --> 00:27:04,610
It's like I've been fucking murdered.
436
00:27:04,610 --> 00:27:06,260
The keyboards!
437
00:27:06,260 --> 00:27:08,580
Also, it's like my fucking pick
438
00:27:08,580 --> 00:27:11,990
just was stuck to my
finger and it kept turning.
439
00:27:11,990 --> 00:27:12,873
Joe, get me in.
440
00:27:14,480 --> 00:27:16,200
It was an E man!
441
00:27:16,200 --> 00:27:18,044
Rock and roll, baby.
- You all right?
442
00:27:18,044 --> 00:27:19,131
Fuckin' 'ell, man!
443
00:27:19,131 --> 00:27:20,339
Wow!
- T-shirt!
444
00:27:20,339 --> 00:27:21,172
- Wow!
445
00:27:21,172 --> 00:27:22,005
- You should see the state of my guitar.
446
00:27:22,005 --> 00:27:22,900
- The guitar looked incredible.
447
00:27:22,900 --> 00:27:23,783
- My keyboards.
448
00:27:24,690 --> 00:27:26,560
Also, I managed to draw a bloody X
449
00:27:26,560 --> 00:27:29,170
on the Glastonbury cameras. (laughs)
450
00:27:29,170 --> 00:27:30,532
When the guy was wiping, I was like,
451
00:27:30,532 --> 00:27:31,888
"Yeah, that was good that."
452
00:27:31,888 --> 00:27:32,721
Yes!
453
00:27:34,191 --> 00:27:35,735
- Get away!
454
00:27:49,330 --> 00:27:51,320
- [Jack] Glastonbury
is an amazing festival.
455
00:27:51,320 --> 00:27:54,780
The sheer amount of different experiences
456
00:27:54,780 --> 00:27:56,560
you can have there,
there's no other festival
457
00:27:56,560 --> 00:27:58,803
in the world that does that.
458
00:28:01,230 --> 00:28:02,980
- [Edwin] It's by far the
best festival in the world.
459
00:28:02,980 --> 00:28:03,840
Nothing else compares.
460
00:28:03,840 --> 00:28:07,550
A lot rules of society kind
of fall away for a few days.
461
00:28:07,550 --> 00:28:08,383
That's why people like it so much.
462
00:28:08,383 --> 00:28:10,520
- There's a positive energy there
463
00:28:10,520 --> 00:28:14,270
that feels deeper than just a festival.
464
00:28:14,270 --> 00:28:16,560
There's just so much to
see and so many places
465
00:28:16,560 --> 00:28:19,230
to get lost in and so many
experiences to be had.
466
00:28:19,230 --> 00:28:21,970
It's like being confronted
with every possible avenue
467
00:28:21,970 --> 00:28:23,960
of the future all in one go.
468
00:28:23,960 --> 00:28:26,460
And that's quite a rare experience,
469
00:28:26,460 --> 00:28:31,320
to feel like you could end
up in any type of scenario
470
00:28:31,320 --> 00:28:34,180
depending on the decision
you make about next minute,
471
00:28:34,180 --> 00:28:37,580
and all of them will be
great and life-affirming.
472
00:28:37,580 --> 00:28:38,470
- Who else is in the van?
473
00:28:38,470 --> 00:28:39,303
- [Woman] Jimmy.
474
00:28:39,303 --> 00:28:40,142
- Yeah, who else?
475
00:28:40,142 --> 00:28:40,975
- [Woman] Abby.
476
00:28:40,975 --> 00:28:43,493
- Yeah, but they're comatose, that lot.
477
00:28:43,493 --> 00:28:44,480
Where's the rest?
478
00:28:44,480 --> 00:28:46,580
Where are the lively people?
479
00:28:46,580 --> 00:28:47,413
Where's Jack?
480
00:28:47,413 --> 00:28:48,296
Where's Beaky?
481
00:28:55,775 --> 00:28:59,240
- I think there's a
respect that everyone has
482
00:28:59,240 --> 00:29:02,310
for the festival and for
each other you don't get
483
00:29:02,310 --> 00:29:04,170
at any other festival, really.
484
00:29:04,170 --> 00:29:06,360
There's like this huge
ball of positive energy
485
00:29:06,360 --> 00:29:10,110
that everybody feeds off and
comes back like destroyed
486
00:29:10,110 --> 00:29:14,520
but enriched by that
collective human experience.
487
00:29:14,520 --> 00:29:16,760
It feels like you're gonna bump into Pan
488
00:29:16,760 --> 00:29:18,380
running around with his cloven hooves
489
00:29:18,380 --> 00:29:21,500
and this massive erection,
playing a flute in a forest
490
00:29:21,500 --> 00:29:23,370
while dousing himself in wine.
491
00:29:23,370 --> 00:29:25,790
- I was just high on life that evening,
492
00:29:25,790 --> 00:29:28,880
just high on the euphoria of having played
493
00:29:28,880 --> 00:29:30,540
to a packed out crowd in the park stadium.
494
00:29:30,540 --> 00:29:31,630
What a time.
495
00:29:31,630 --> 00:29:32,630
It was incredible.
496
00:29:32,630 --> 00:29:34,430
As I'm saying this, I
know that this will be
497
00:29:34,430 --> 00:29:37,530
narrating clips of like
me pushing people over
498
00:29:37,530 --> 00:29:38,840
and pulling their pants down
499
00:29:38,840 --> 00:29:40,900
and slapping them on the ass and stuff.
500
00:29:40,900 --> 00:29:44,350
- It feels like a release
from a lot of the pressures
501
00:29:44,350 --> 00:29:47,730
and a lot of the restrictiveness
of British society
502
00:29:47,730 --> 00:29:51,630
and the kind of insular
nature of life in Britain.
503
00:29:51,630 --> 00:29:53,140
It's the antithesis to all of that,
504
00:29:53,140 --> 00:29:55,080
and it's like an antidote
where people get to go
505
00:29:55,080 --> 00:29:59,760
for a weekend and talk
to strangers and to feel
506
00:29:59,760 --> 00:30:04,430
and show empathy and
show instant connection.
507
00:30:04,430 --> 00:30:06,070
- [Woman] What's he doing?
508
00:30:06,070 --> 00:30:07,298
- [Man] Nothing's happening!
509
00:30:07,298 --> 00:30:08,131
- [Woman] Who?
510
00:30:08,131 --> 00:30:09,259
- [Man] Nothing is happening.
511
00:30:10,637 --> 00:30:13,887
- Weird mixture of high and exhaustion.
512
00:30:15,692 --> 00:30:18,609
Not sure which one's gonna prevail.
513
00:30:20,831 --> 00:30:22,248
- [Woman] Yannis!
514
00:30:23,197 --> 00:30:25,156
- Has somebody spiked your drink?
515
00:30:25,156 --> 00:30:25,989
- Get in the car.
516
00:30:33,755 --> 00:30:35,560
Have you trimmed your
beard since the show?
517
00:30:35,560 --> 00:30:36,393
- [Jimmy] No.
518
00:30:38,650 --> 00:30:39,930
- [Yannis] Maybe you
should just be thankful
519
00:30:39,930 --> 00:30:42,274
I picked up your white T-shirt.
520
00:30:42,274 --> 00:30:43,107
- Did you?
521
00:30:43,107 --> 00:30:45,780
- Yes, I did, you little ginger person.
522
00:30:45,780 --> 00:30:47,425
Tik tok, mate.
523
00:31:13,081 --> 00:31:16,066
♪ Now the sea eats the sky ♪
524
00:31:16,066 --> 00:31:18,591
♪ But they say it's a lie ♪
525
00:31:18,591 --> 00:31:21,542
♪ There's no birds left to fly ♪
526
00:31:21,542 --> 00:31:23,209
♪ We'll hide out ♪
527
00:31:23,209 --> 00:31:26,482
♪ Oh the weather's against us ♪
528
00:31:26,482 --> 00:31:28,824
♪ Houses underground ♪
529
00:31:28,824 --> 00:31:31,778
♪ The flowers upside down ♪
530
00:31:31,778 --> 00:31:33,558
♪ In our dreams ♪
531
00:31:33,558 --> 00:31:36,446
♪ In the eye of the storm ♪
532
00:31:36,446 --> 00:31:38,987
♪ The land where you were born ♪
533
00:31:38,987 --> 00:31:42,008
♪ You try to make no sound ♪
534
00:31:42,008 --> 00:31:43,730
♪ You hide out ♪
535
00:31:43,730 --> 00:31:46,641
♪ 'Cause they watch us in sleep ♪
536
00:31:46,641 --> 00:31:49,113
♪ The language that we speak ♪
537
00:31:49,113 --> 00:31:52,213
♪ And the secrets that we keep ♪
538
00:31:52,213 --> 00:31:55,204
♪ To ourselves ♪
539
00:31:55,204 --> 00:31:57,871
♪ In our dreams ♪
540
00:32:05,529 --> 00:32:10,529
♪ In our dreams ♪
541
00:32:14,164 --> 00:32:16,570
♪ I said I'm so sorry ♪
542
00:32:16,570 --> 00:32:19,139
♪ To have kept you waiting around ♪
543
00:32:19,139 --> 00:32:22,112
♪ I wish I could've come up ♪
544
00:32:22,112 --> 00:32:24,515
♪ I could've shouted out loud ♪
545
00:32:24,515 --> 00:32:27,047
♪ They got exits covered ♪
546
00:32:27,047 --> 00:32:29,400
♪ All the exits underground ♪
547
00:32:29,400 --> 00:32:32,532
♪ I wish I could figure it out ♪
548
00:32:32,532 --> 00:32:34,767
♪ But the world's upside down ♪
549
00:32:34,767 --> 00:32:37,348
♪ I said I'm so sorry ♪
550
00:32:37,348 --> 00:32:39,575
♪ That the world has fallen down ♪
551
00:32:39,575 --> 00:32:42,731
♪ I wish I could do something more ♪
552
00:32:42,731 --> 00:32:45,001
♪ I could shout it out loud ♪
553
00:32:45,001 --> 00:32:47,846
♪ They got exits covered ♪
554
00:32:47,846 --> 00:32:49,845
♪ The exits underground ♪
555
00:32:49,845 --> 00:32:52,884
♪ I wish I could figure it out ♪
556
00:32:52,884 --> 00:32:56,717
♪ But the world's upside down ♪
557
00:33:08,216 --> 00:33:11,633
♪ In a world upside down ♪
558
00:34:05,284 --> 00:34:07,580
♪ Back to the days of yore ♪
559
00:34:07,580 --> 00:34:10,270
♪ When we were sure of
a good long summer ♪
560
00:34:10,270 --> 00:34:13,306
♪ I hope you could be
found out of ground ♪
561
00:34:13,306 --> 00:34:16,189
♪ Our long lost brother ♪
562
00:34:19,299 --> 00:34:20,132
Thank you!
563
00:34:28,560 --> 00:34:30,400
- [Edwin] So I love flying.
564
00:34:30,400 --> 00:34:32,083
I just enjoy being able to kind of sit
565
00:34:32,083 --> 00:34:34,070
and just kind of observe the world
566
00:34:34,070 --> 00:34:35,470
from different perspectives.
567
00:34:37,300 --> 00:34:39,690
Don't understand why people
don't do window seats,
568
00:34:39,690 --> 00:34:41,907
but apparently people are different.
569
00:34:45,560 --> 00:34:50,250
I love being part of the sort of machine,
570
00:34:50,250 --> 00:34:52,830
like the actual sort of Foals juggernaut,
571
00:34:52,830 --> 00:34:54,510
dare I call it a juggernaut,
572
00:34:54,510 --> 00:34:56,440
kind of rambling around the world.
573
00:34:56,440 --> 00:34:58,440
It's definitely exciting just to be part
574
00:34:58,440 --> 00:35:00,600
of something that's bigger than yourself.
575
00:35:00,600 --> 00:35:01,970
- I like the fact that you can live
576
00:35:01,970 --> 00:35:04,470
like a sort of modern age pirate.
577
00:35:04,470 --> 00:35:06,340
To be able to just wheel around
578
00:35:06,340 --> 00:35:08,140
and do whatever the fuck you want.
579
00:35:08,140 --> 00:35:13,140
There's something about
endless movement and relocation
580
00:35:13,390 --> 00:35:16,810
and that alone, the endless
movement and traveling
581
00:35:16,810 --> 00:35:20,070
and always being in a different place
582
00:35:20,070 --> 00:35:23,510
is fantastic on one
level, 'cause you're just,
583
00:35:23,510 --> 00:35:25,810
it never gets old, nothing's ever boring.
584
00:35:25,810 --> 00:35:30,050
You can play in a city one
night and completely destroy it
585
00:35:30,050 --> 00:35:32,040
and then wake up in a brand-new city,
586
00:35:32,040 --> 00:35:34,393
and then you just hit repeat.
587
00:35:40,370 --> 00:35:41,930
Waiheke's just like a ...
588
00:35:41,930 --> 00:35:43,290
It's just so beautiful.
589
00:35:43,290 --> 00:35:45,450
Like it reminds me of Devon and Cornwall.
590
00:35:45,450 --> 00:35:49,550
There's like nice craggy
coastlines and little coves.
591
00:35:49,550 --> 00:35:52,410
But it's tropical, and
it's very, very peaceful.
592
00:35:52,410 --> 00:35:54,070
And the people there are lovely.
593
00:35:54,070 --> 00:35:56,470
They wave at you when you
drive past. (laughing)
594
00:35:56,470 --> 00:35:58,170
And you're like, "Fuck off, mate."
595
00:36:02,210 --> 00:36:05,700
I have to try and get in the sea
596
00:36:05,700 --> 00:36:07,360
every time I possibly can.
597
00:36:07,360 --> 00:36:09,880
I think it's from my grandfather,
598
00:36:09,880 --> 00:36:12,160
like going on holidays with him.
599
00:36:12,160 --> 00:36:14,930
He'd always go swimming, rain or shine,
600
00:36:14,930 --> 00:36:16,910
whether it's freezing or boiling,
601
00:36:16,910 --> 00:36:19,250
he'd always have to go in the sea.
602
00:36:19,250 --> 00:36:21,880
So it just like, I don't know, salt water,
603
00:36:21,880 --> 00:36:26,010
especially cold salt water,
it just makes you feel alive.
604
00:36:26,010 --> 00:36:28,075
It's so intense.
605
00:36:28,075 --> 00:36:31,570
It's just lovely, especially
when you're on tour
606
00:36:31,570 --> 00:36:34,000
and the madness starts setting in.
607
00:36:34,000 --> 00:36:37,606
It's like, to go somewhere
so very different
608
00:36:37,606 --> 00:36:39,903
and just replenish yourself.
609
00:36:53,270 --> 00:36:54,620
Jack, this is your nemesis.
610
00:36:59,980 --> 00:37:03,570
It's easy to let yourself become
611
00:37:03,570 --> 00:37:05,940
completely taken care of on tour.
612
00:37:05,940 --> 00:37:07,740
Certainly your brain devolves
613
00:37:07,740 --> 00:37:09,903
into a sort of primitive state.
614
00:37:11,950 --> 00:37:13,310
- The way the tour is designed
615
00:37:13,310 --> 00:37:15,050
is it kind of infantilizes you.
616
00:37:15,050 --> 00:37:17,350
You voluntarily infantilize yourself,
617
00:37:17,350 --> 00:37:20,420
'cause everything's pre-organized for you.
618
00:37:20,420 --> 00:37:22,510
You behave like a baby, basically,
619
00:37:22,510 --> 00:37:23,792
behave like a little baby.
620
00:37:27,000 --> 00:37:28,489
Like a boozy one.
621
00:37:33,150 --> 00:37:37,510
Touring is being stunting for
some us, like in the band.
622
00:37:37,510 --> 00:37:39,480
I used to be able to read books on tour.
623
00:37:39,480 --> 00:37:42,810
I felt that my brain was
less of a dormant organ.
624
00:37:42,810 --> 00:37:45,300
And nowadays, I just feel like
625
00:37:45,300 --> 00:37:50,300
my creative and
intellectual interior life,
626
00:37:50,600 --> 00:37:54,200
it feels like I've neglected it.
627
00:37:54,200 --> 00:37:57,180
I feel like I'm not becoming
a better or bigger a person,
628
00:37:57,180 --> 00:37:58,860
becoming less through touring.
629
00:37:58,860 --> 00:38:02,320
And sometimes I'd see
Edwin, and I think, like,
630
00:38:02,320 --> 00:38:05,653
how amazing it is that he
can continue to pursue ...
631
00:38:08,540 --> 00:38:11,370
like his intellectual
curiosity and his education
632
00:38:11,370 --> 00:38:12,570
at the same time as being on tour.
633
00:38:12,570 --> 00:38:17,350
It's like, I have tremendous
respect for his desire to do it
634
00:38:17,350 --> 00:38:19,770
but also his discipline
in being able to do it.
635
00:38:19,770 --> 00:38:23,093
- Oh, I've been doing maths
degree for a few years now.
636
00:38:24,247 --> 00:38:26,043
And that fills up a lot of my time.
637
00:38:29,090 --> 00:38:31,000
I've been reading a lot.
638
00:38:31,000 --> 00:38:32,360
It's sort of an obvious thing to say,
639
00:38:32,360 --> 00:38:34,740
but as soon as you remove the hangovers
640
00:38:34,740 --> 00:38:37,330
and just the drinking,
then all of your motivation
641
00:38:37,330 --> 00:38:39,180
and desire to learn about the world
642
00:38:39,180 --> 00:38:41,320
comes sort of flooding back.
643
00:38:41,320 --> 00:38:43,100
So this year we offset
our carbon emissions
644
00:38:43,100 --> 00:38:44,380
for the first time.
645
00:38:44,380 --> 00:38:49,097
The problem I have is that,
because I sort of know how ...
646
00:38:50,510 --> 00:38:51,703
irrelevant it is.
647
00:38:53,050 --> 00:38:57,230
And also, all of the emissions
and the impact we have
648
00:38:57,230 --> 00:38:58,700
on a sort of secondary basis.
649
00:38:58,700 --> 00:39:01,140
So, we travel to Australia,
650
00:39:01,140 --> 00:39:03,340
and obviously there's the
emissions from flying there,
651
00:39:03,340 --> 00:39:04,880
but just in terms of the show and people
652
00:39:04,880 --> 00:39:08,990
traveling to the show, there's
all these elements to it.
653
00:39:08,990 --> 00:39:10,770
The problem is, as soon as
you start thinking about it
654
00:39:10,770 --> 00:39:13,270
and getting into it, the worse it gets
655
00:39:13,270 --> 00:39:15,973
and the more kind of
insurmountable the problem become.
656
00:39:17,290 --> 00:39:20,640
Obviously, ideally there'd be
like a carbon tax basically,
657
00:39:20,640 --> 00:39:22,160
and everyone would be compelled
658
00:39:22,160 --> 00:39:24,083
to pay for the real cost of travel.
659
00:39:25,500 --> 00:39:26,720
- [Pilot] Once again, welcome aboard.
660
00:39:26,720 --> 00:39:27,910
- I mean, it's not hugely rational,
661
00:39:27,910 --> 00:39:30,130
because, without going into it too much,
662
00:39:30,130 --> 00:39:32,350
the actual flying side of our lives
663
00:39:32,350 --> 00:39:34,930
isn't that big of a deal compared to
664
00:39:34,930 --> 00:39:37,490
other aspects of the economy.
665
00:39:37,490 --> 00:39:41,400
But, I guess I became ...
666
00:39:41,400 --> 00:39:43,220
I think on that tour that was like
667
00:39:43,220 --> 00:39:45,460
a sort of low point of irrationality
668
00:39:45,460 --> 00:39:49,080
for trying to work out how to
live my life within a tour.
669
00:39:49,080 --> 00:39:51,470
- One thing about touring,
you just cannot fight it.
670
00:39:51,470 --> 00:39:55,970
Whatever you're feeling,
whether it's super bummed out
671
00:39:55,970 --> 00:39:59,120
or like super excited to be caught up
672
00:39:59,120 --> 00:40:01,240
in this relentless momentum,
673
00:40:01,240 --> 00:40:03,433
the worst thing you can do is fight it.
674
00:40:04,840 --> 00:40:06,830
- [Jack] When you get to
that point of exhaustion
675
00:40:06,830 --> 00:40:09,440
from just being jet lagged and tired
676
00:40:09,440 --> 00:40:12,210
and not eating well and not sleeping well,
677
00:40:12,210 --> 00:40:15,610
you switch your expectations
from having an amazing time
678
00:40:15,610 --> 00:40:19,484
to just getting through everything.
679
00:40:21,122 --> 00:40:23,713
- I'm just sick and tired
of being sick and tired.
680
00:40:29,821 --> 00:40:32,238
I mean, there's nothing left.
681
00:40:35,060 --> 00:40:36,634
There's nothing left.
682
00:40:36,634 --> 00:40:38,300
There's just an empty, screaming void
683
00:40:38,300 --> 00:40:40,070
that my brain used to be.
684
00:40:40,070 --> 00:40:41,770
- I think because they all drink,
685
00:40:41,770 --> 00:40:44,080
like party quite a lot,
I think a lot of it
686
00:40:44,080 --> 00:40:47,113
is just like (chuckles)
a cumulative hangover.
687
00:40:49,330 --> 00:40:51,747
Jimmy will regularly just
be like, "I'm so tired.
688
00:40:51,747 --> 00:40:53,162
"Oh my god, I'm so tired."
689
00:40:53,162 --> 00:40:54,089
It's two o'clock in the afternoon,
690
00:40:54,089 --> 00:40:55,690
it's just like, "I've never
felt tired, I'm so tired."
691
00:40:55,690 --> 00:40:58,240
You know, like, well,
I think maybe you need
692
00:40:58,240 --> 00:41:00,590
to take some time off;
that's why you're tired.
693
00:41:03,370 --> 00:41:04,410
- [Jack] Give it a try.
694
00:41:04,410 --> 00:41:06,130
There's a lot of nice lime
in there, a lot of ice.
695
00:41:06,130 --> 00:41:07,180
- What's this called?
696
00:41:08,431 --> 00:41:09,264
Fruity.
697
00:41:09,264 --> 00:41:11,514
- [Jack] Just give it a go.
698
00:41:14,699 --> 00:41:15,699
- Oh my god.
699
00:41:16,730 --> 00:41:18,570
It's nice, but it's very strong.
700
00:41:20,520 --> 00:41:22,646
- Why is it such a hedonistic atmosphere?
701
00:41:22,646 --> 00:41:24,646
- There's your ...
702
00:41:24,646 --> 00:41:27,120
Jez has got this thing where, what is it?
703
00:41:27,120 --> 00:41:28,770
There's your "you've arrived" mood.
704
00:41:28,770 --> 00:41:30,660
- Oh yeah, this is
something my partner says.
705
00:41:30,660 --> 00:41:33,287
Right, so she's like, "Yours
is the only job in the world
706
00:41:33,287 --> 00:41:36,607
"where it's like, 'Well
done, you've come to work'
707
00:41:36,607 --> 00:41:38,567
"'Have some booze.
708
00:41:38,567 --> 00:41:40,797
"'Here's your before you do the job booze.
709
00:41:40,797 --> 00:41:43,150
"'Here's your during the job booze.
710
00:41:43,150 --> 00:41:45,080
"'Here's your after the job booze.
711
00:41:45,080 --> 00:41:48,600
"'Here's your bus booze, here's
your going to bed booze.'"
712
00:41:50,260 --> 00:41:54,250
That systemic indulgence is ...
713
00:41:54,250 --> 00:41:55,083
- Cheap.
714
00:41:55,083 --> 00:41:56,710
- Endemic, yeah.
715
00:41:56,710 --> 00:41:58,230
We don't, you know ...
716
00:41:58,230 --> 00:42:00,980
We don't have to indulge in all of that,
717
00:42:00,980 --> 00:42:03,146
but being surrounded by it all the time
718
00:42:03,146 --> 00:42:06,183
means that we basically do.
719
00:42:06,183 --> 00:42:08,690
- [Yannis] Everything on
tour becomes about the show.
720
00:42:08,690 --> 00:42:13,190
So like, the show is this
hour and a half of your life
721
00:42:13,190 --> 00:42:16,250
every day that is paramount
that it goes well.
722
00:42:16,250 --> 00:42:17,550
- Sometimes when I'm ...
723
00:42:17,550 --> 00:42:18,620
Let's saying doing BB..
724
00:42:18,620 --> 00:42:21,120
When I'm yelling into Jez's mic
725
00:42:21,120 --> 00:42:22,493
'cause I've got nothing else to do,
726
00:42:22,493 --> 00:42:24,860
I'll sometimes put
subliminal satanic messages
727
00:42:24,860 --> 00:42:26,237
into "Two Steps."
728
00:42:27,340 --> 00:42:28,173
Might do it tonight.
729
00:42:28,173 --> 00:42:29,006
- [Interviewer] What kind of messaging?
730
00:42:29,006 --> 00:42:33,677
- Just like, "Satan, Satan,
Satan lives." (chuckling)
731
00:42:34,520 --> 00:42:35,353
Wow.
732
00:42:35,353 --> 00:42:36,186
Really ...
733
00:42:36,186 --> 00:42:37,555
Sort of gone a bit Lars Von Trier.
734
00:42:38,850 --> 00:42:41,590
- The best Foals shows are ones where
735
00:42:41,590 --> 00:42:43,140
they're like an out-of-body experience.
736
00:42:43,140 --> 00:42:46,970
You don't feel a sense
of the end of yourself.
737
00:42:46,970 --> 00:42:51,710
You feel like you're just
a part of this chaotic,
738
00:42:51,710 --> 00:42:56,380
crazed, intense burst of
electricity in a room,
739
00:42:56,380 --> 00:42:59,890
and it's a communion between the crowd
740
00:42:59,890 --> 00:43:01,700
and the five of us on stage.
741
00:43:01,700 --> 00:43:06,600
And the volume of the
show, and the lights,
742
00:43:06,600 --> 00:43:09,930
it all just turns into this strange,
743
00:43:09,930 --> 00:43:12,230
transcendent experience.
744
00:43:12,230 --> 00:43:14,490
It's hard to put into words;
you just sort of know.
745
00:43:14,490 --> 00:43:18,570
Usually, when you've
reached this higher state
746
00:43:18,570 --> 00:43:21,710
where it's just like sound
and audience and energy
747
00:43:21,710 --> 00:43:24,730
and you're totally out of
the more workmanlike aspects
748
00:43:24,730 --> 00:43:26,160
of playing the instrument
or singing the songs
749
00:43:26,160 --> 00:43:28,350
where it just becomes like a bigger thing.
750
00:43:28,350 --> 00:43:29,730
But we chase that thing.
751
00:43:29,730 --> 00:43:30,600
That's worse.
752
00:43:30,600 --> 00:43:33,551
That's the propeller for
the shows being good,
753
00:43:33,551 --> 00:43:35,043
is always chasing that.
754
00:43:36,260 --> 00:43:38,110
It's like, knowing that it's possible
755
00:43:38,981 --> 00:43:40,230
and having experienced it
756
00:43:40,230 --> 00:43:42,340
but also knowing that it can't
be like that every night,
757
00:43:42,340 --> 00:43:45,410
but nevertheless going
onto the stage every night
758
00:43:45,410 --> 00:43:47,407
like it's gonna be like that.
759
00:43:48,320 --> 00:43:50,810
- [Jack] The bad shows are
where people go in on themselves
760
00:43:50,810 --> 00:43:54,760
and Yannis is in between songs
shouting at monitor lens,
761
00:43:54,760 --> 00:43:58,030
Jimmy's not really coming out of his area,
762
00:43:58,030 --> 00:43:59,390
I've got my head down.
763
00:43:59,390 --> 00:44:00,860
- Everyone starts shouting at each other
764
00:44:00,860 --> 00:44:03,830
and blaming everyone for fucking up.
765
00:44:03,830 --> 00:44:07,100
The energy that can be so invigorating
766
00:44:07,100 --> 00:44:09,590
becomes really, really negative.
767
00:44:09,590 --> 00:44:11,290
It's a horrible feeling 'cause you're like
768
00:44:11,290 --> 00:44:14,260
everyone's still putting in the
exact same amount of effort.
769
00:44:14,260 --> 00:44:16,100
It's just like, I don't know,
770
00:44:16,100 --> 00:44:19,000
it's like you've built
this beautiful new boat,
771
00:44:19,000 --> 00:44:21,760
and you take it out and
it starts fucking sinking.
772
00:44:21,760 --> 00:44:23,010
It's like, "Christ!"
773
00:44:23,010 --> 00:44:24,190
And you're still sailing it,
774
00:44:24,190 --> 00:44:26,290
and it's like you're half underwater.
775
00:44:27,283 --> 00:44:28,116
- [Yannis] We love you!
776
00:44:28,116 --> 00:44:28,949
See you next time!
777
00:44:28,949 --> 00:44:29,782
Drive safe!
778
00:44:29,782 --> 00:44:30,615
Thank you!
779
00:44:51,837 --> 00:44:53,070
- Fuck it!
780
00:44:53,070 --> 00:44:56,395
That was like an Event
Horizon version of the gig.
781
00:44:56,395 --> 00:44:57,507
Gone to hell and back.
782
00:44:57,507 --> 00:44:59,211
- It was just totally flat.
783
00:44:59,211 --> 00:45:01,183
- The drums crapped out.
784
00:45:02,900 --> 00:45:04,810
But also my guitar was
so loud in every scene.
785
00:45:04,810 --> 00:45:06,980
It's like some was just
leant on a knob by mistake.
786
00:45:06,980 --> 00:45:08,370
Those overhead lights.
787
00:45:08,370 --> 00:45:09,300
Don't know about you, but all I see
788
00:45:09,300 --> 00:45:10,810
when I look at my fret
board is just reflections
789
00:45:10,810 --> 00:45:13,194
across the top, and I
can't see what I'm playing.
790
00:45:14,500 --> 00:45:16,913
Bright white light, bright
white light, oh my God.
791
00:45:16,913 --> 00:45:18,430
Just like a shit Christmas tree.
792
00:45:18,430 --> 00:45:20,640
Twatted the light on my side at the end.
793
00:45:20,640 --> 00:45:23,971
Kicked it, and it went
thuh-dung! (chuckles)
794
00:45:23,971 --> 00:45:25,830
It's like, you've gotta
have them for arenas,
795
00:45:25,830 --> 00:45:27,886
but it's like, well, let's
just not play arenas.
796
00:46:07,019 --> 00:46:09,306
♪ Sticks and stones ♪
797
00:46:09,306 --> 00:46:11,481
♪ Don't break my bones ♪
798
00:46:11,481 --> 00:46:15,893
♪ You make believe ♪
799
00:46:15,893 --> 00:46:18,513
♪ It's lock and load ♪
800
00:46:18,513 --> 00:46:20,679
♪ Dead end road ♪
801
00:46:20,679 --> 00:46:25,236
♪ To you and me ♪
802
00:46:25,236 --> 00:46:27,606
♪ You know what's to go ♪
803
00:46:27,606 --> 00:46:29,723
♪ I'm strict for soul ♪
804
00:46:29,723 --> 00:46:34,266
♪ You make believe ♪
805
00:46:34,266 --> 00:46:36,702
♪ And I'm off the rent ♪
806
00:46:36,702 --> 00:46:38,917
♪ I haven't spent ♪
807
00:46:38,917 --> 00:46:43,917
♪ I guarantee ♪
808
00:46:44,832 --> 00:46:49,648
♪ Can you not go away ♪
809
00:46:49,648 --> 00:46:54,648
♪ Just for one day ♪
810
00:46:57,381 --> 00:47:00,200
♪ Impossible possible ♪
811
00:47:00,200 --> 00:47:04,397
♪ How would you do know how'd you do now ♪
812
00:47:04,397 --> 00:47:09,397
♪ Run away war sounds in you ♪
813
00:47:11,909 --> 00:47:16,575
♪ Don't throw your fortune away ♪
814
00:47:16,575 --> 00:47:21,575
♪ And I can't get enough space ♪
815
00:47:23,096 --> 00:47:27,808
♪ Space ♪
816
00:47:27,808 --> 00:47:29,808
♪ Space ♪
817
00:48:30,615 --> 00:48:33,282
- We're gonna fuckin' do it now!
818
00:50:15,524 --> 00:50:18,919
All right, I want every
single person in here.
819
00:50:18,919 --> 00:50:20,997
This isn't a request.
820
00:50:20,997 --> 00:50:22,431
Everyone get down on the ground.
821
00:50:22,431 --> 00:50:24,743
Everyone get onto your
knees down on the ground.
822
00:50:26,990 --> 00:50:28,640
It's gonna be worth it, trust me.
823
00:50:29,484 --> 00:50:31,670
All right, and once we build it back up,
824
00:50:31,670 --> 00:50:34,920
when you know we're gonna
kick in, you jump back up.
825
00:50:34,920 --> 00:50:35,753
It's simple.
826
00:50:37,210 --> 00:50:38,043
Stay down.
827
00:50:40,731 --> 00:50:42,081
Gonna blow this place away.
828
00:51:03,359 --> 00:51:08,359
♪ Space ♪
829
00:51:13,159 --> 00:51:15,159
♪ Space ♪
830
00:51:31,003 --> 00:51:32,503
That's the spirit.
831
00:51:36,316 --> 00:51:37,149
- [Carly Anne] Jack.
832
00:51:37,149 --> 00:51:38,707
- What?
833
00:51:40,725 --> 00:51:43,393
♪ Take me to the place I love ♪
834
00:51:49,490 --> 00:51:51,650
- Okay, I guess the drinks
are on other people then.
835
00:51:51,650 --> 00:51:52,723
Oh my God.
836
00:51:53,556 --> 00:51:54,609
Oh my God.
837
00:52:00,374 --> 00:52:02,275
Repeat, hold the lift, hold the lift.
838
00:52:05,530 --> 00:52:06,813
- [Jack] You dropped your key.
839
00:52:08,135 --> 00:52:09,925
- That's not my key.
840
00:52:09,925 --> 00:52:11,809
- [Yannis] That's a a different hotel.
841
00:52:11,809 --> 00:52:14,210
- You dropped your elastic band.
842
00:52:14,210 --> 00:52:15,060
- [Jimmy] Oh yes.
843
00:52:17,430 --> 00:52:20,818
- We got all the way tot eh
ground floor! (claps hands)
844
00:52:28,100 --> 00:52:29,520
- Fucking punished in there.
845
00:52:29,520 --> 00:52:32,293
- There were two guys
in there that were like
846
00:52:32,293 --> 00:52:35,580
the ultimate in strength and punishers.
847
00:52:35,580 --> 00:52:36,413
"You a bit tired?
848
00:52:36,413 --> 00:52:38,001
"You can't lie."
849
00:52:38,001 --> 00:52:41,260
It was just like, "Wow, you
keep calling me a cunt."
850
00:52:41,260 --> 00:52:42,297
"Cunt!"
851
00:52:42,297 --> 00:52:43,495
And it's like, when you're knackered
852
00:52:43,495 --> 00:52:44,340
and you're like, "Yeah, thanks man."
853
00:52:44,340 --> 00:52:45,817
They're like, "Oh, sorry mate.
854
00:52:45,817 --> 00:52:48,642
"Didn't mean to put you out or anything."
855
00:52:48,642 --> 00:52:49,475
- [Yannis] Cunt.
856
00:52:49,475 --> 00:52:50,594
- Cunt, yeah.
857
00:52:50,594 --> 00:52:51,923
- You know what?
858
00:52:51,923 --> 00:52:53,730
It's someone's birthday tomorrow isn't it?
859
00:52:53,730 --> 00:52:55,530
Somebody might be getting a new cap.
860
00:53:03,550 --> 00:53:04,640
- People seem to think that you live
861
00:53:04,640 --> 00:53:07,550
in like absolute comfort the whole time
862
00:53:07,550 --> 00:53:12,550
and that it's really easy
and it's a dream to do it.
863
00:53:13,680 --> 00:53:16,663
Sometimes that's true
but, like, it's brutal.
864
00:53:17,870 --> 00:53:20,580
Any one of our friends who's
tried to come on tour with us
865
00:53:20,580 --> 00:53:23,780
will testify that they can
only last about three days.
866
00:53:23,780 --> 00:53:27,600
Because it's so cool what
we do, but no one ever wants
867
00:53:27,600 --> 00:53:30,980
to hear the fact that it
might not be that great.
868
00:53:30,980 --> 00:53:32,960
- I want to qualify this,
because this is the problem
869
00:53:32,960 --> 00:53:34,330
with doing the interview at the moment.
870
00:53:34,330 --> 00:53:37,160
It's like, if you asked
me in four month's time,
871
00:53:37,160 --> 00:53:39,105
I would be like, "Touring's amazing.
872
00:53:39,105 --> 00:53:40,947
"Touring's incredible.
873
00:53:40,947 --> 00:53:42,497
"You'll have the best
time with your friends.
874
00:53:42,497 --> 00:53:44,117
"I miss playing shows.
875
00:53:44,117 --> 00:53:45,157
"I'm feeling restless.
876
00:53:45,157 --> 00:53:47,017
"I want to go see the world.
877
00:53:47,017 --> 00:53:49,310
"And I want to be on stage again."
878
00:53:49,310 --> 00:53:52,260
And the problem is, with doing
this interview now, I guess,
879
00:53:52,260 --> 00:53:55,160
is that we're at the end
of quite a long year,
880
00:53:55,160 --> 00:53:58,860
and I'm really at that point
where I'm craving time at home
881
00:53:58,860 --> 00:54:01,709
and wanting to have a break.
882
00:54:07,397 --> 00:54:09,151
- [Jack] All right, man.
883
00:54:09,151 --> 00:54:10,630
- Are you going barefoot?
884
00:54:10,630 --> 00:54:12,130
- Yeah.
885
00:54:12,130 --> 00:54:14,160
I've quite leathery feet.
886
00:54:14,160 --> 00:54:17,094
Oh, look, there's one
of those turkey things.
887
00:54:26,850 --> 00:54:29,830
- There was a dog on
the beach that was like
888
00:54:30,690 --> 00:54:33,410
one of the coolest dudes I've ever met.
889
00:54:33,410 --> 00:54:36,510
Very attentive to the ball
and a great sense of humor.
890
00:54:36,510 --> 00:54:38,933
So, that dog, top marks.
891
00:54:49,454 --> 00:54:50,287
Fuck!
892
00:54:50,287 --> 00:54:52,349
- [Man] Oh, he's gotta got at this one.
893
00:54:52,349 --> 00:54:53,182
- Fuck!
894
00:54:53,182 --> 00:54:54,599
All the pressure!
895
00:54:56,759 --> 00:54:58,676
- [Man] Get in, get in!
896
00:55:08,911 --> 00:55:10,607
- Happy birthday!
897
00:55:10,607 --> 00:55:15,607
♪ Happy birthday do messieurs ♪
898
00:55:16,156 --> 00:55:19,489
♪ Happy birthday to you ♪
899
00:55:31,971 --> 00:55:33,679
- Let's ride!
900
00:55:33,679 --> 00:55:34,512
Lizard!
901
00:56:34,981 --> 00:56:36,560
All right.
902
00:56:36,560 --> 00:56:38,170
You all right?
903
00:56:38,170 --> 00:56:39,500
What happened?
904
00:56:39,500 --> 00:56:40,620
- Oh, the set list.
905
00:56:41,513 --> 00:56:42,519
- [Yannis] Set list was funky.
906
00:56:42,519 --> 00:56:44,040
- Set list fucked me up.
907
00:56:44,040 --> 00:56:45,345
- [Yannis] Tightness, or just vibe?
908
00:56:45,345 --> 00:56:46,980
- No, no, just the vibe.
909
00:56:46,980 --> 00:56:49,510
Like, we shouldn't be
fucking with that shit.
910
00:56:49,510 --> 00:56:51,810
We're too long in the game to just be like
911
00:56:51,810 --> 00:56:54,860
getting insecure and changing
the set list before a gib.
912
00:56:54,860 --> 00:56:55,693
It's bullshit.
913
00:56:55,693 --> 00:56:56,560
- [Yannis] I don't think it
really makes a difference.
914
00:56:56,560 --> 00:56:58,070
- It makes a huge difference!
915
00:56:58,070 --> 00:56:58,930
- [Yannis] What for?
916
00:56:58,930 --> 00:57:01,010
- Like the flow of the set,
917
00:57:01,010 --> 00:57:02,450
like the way I felt during the gig.
918
00:57:02,450 --> 00:57:04,630
I don't know if you felt
the same but just like--
919
00:57:04,630 --> 00:57:06,000
- [Yannis] I definitely
felt when went into "Exes,"
920
00:57:06,000 --> 00:57:07,927
it was like, "I wish my
number was in front of me."
921
00:57:07,927 --> 00:57:09,727
- But then I just also felt like ...
922
00:57:10,735 --> 00:57:15,323
It just felt like, yeah,
rock music is on its way out.
923
00:57:15,323 --> 00:57:17,650
No matter how hard we
went, it just felt like
924
00:57:17,650 --> 00:57:20,980
it wasn't reciprocated in the
same way that we're used to.
925
00:57:20,980 --> 00:57:23,217
- The way that records are consumed now
926
00:57:23,217 --> 00:57:27,253
and the way that all kind
of output is consumed,
927
00:57:28,520 --> 00:57:31,410
the appetite is ...
928
00:57:31,410 --> 00:57:36,310
so fast-moving that, if you
spend two years of your life
929
00:57:36,310 --> 00:57:38,980
making a record and it seems old to people
930
00:57:38,980 --> 00:57:41,430
within three months or four months,
931
00:57:41,430 --> 00:57:44,303
and that's not to do with
the quality of the record,
932
00:57:45,720 --> 00:57:49,160
but it's more to do with the
way that people consume art,
933
00:57:49,160 --> 00:57:51,337
then the question is
like, "What are you doing
934
00:57:51,337 --> 00:57:54,397
"spending two years of
your life on something
935
00:57:54,397 --> 00:57:58,005
"that only has oxygen for three months?"
936
00:58:19,770 --> 00:58:22,840
- [Jimmy] We had that great
bonfire on the beach at night
937
00:58:22,840 --> 00:58:24,120
with Jenn from War Paint.
938
00:58:24,120 --> 00:58:26,033
The moonlight was incredible.
939
00:58:26,033 --> 00:58:27,210
I've never seen anything like it.
940
00:58:27,210 --> 00:58:28,540
It was so blue.
941
00:58:28,540 --> 00:58:30,067
It's that kind of thing where you're like,
942
00:58:30,067 --> 00:58:32,987
"I feel so good and so cosmic
943
00:58:32,987 --> 00:58:36,220
"and so in the right place to be this
944
00:58:36,220 --> 00:58:38,670
"that I didn't want it to end at all."
945
00:59:08,905 --> 00:59:13,905
♪ So I walked through to the haze ♪
946
00:59:16,299 --> 00:59:21,299
♪ And a million dirty waves ♪
947
00:59:24,061 --> 00:59:29,061
♪ Now I see you lying there ♪
948
00:59:31,629 --> 00:59:36,298
♪ Like a lilo losing air ♪
949
00:59:36,298 --> 00:59:39,086
♪ Air ♪
950
00:59:39,086 --> 00:59:43,297
♪ Black rocks and shoreline sand ♪
951
00:59:46,345 --> 00:59:51,345
♪ Still dead summer I cannot bear ♪
952
00:59:53,757 --> 00:59:58,757
♪ And so wipe the sand from my arms ♪
953
01:00:00,950 --> 01:00:03,178
♪ The Spanish Sahara ♪
954
01:00:03,178 --> 01:00:05,193
♪ The place that you'd wanna ♪
955
01:00:05,193 --> 01:00:08,244
♪ Leave the horror here ♪
956
01:00:08,244 --> 01:00:12,073
♪ Forget the horror here ♪
957
01:00:12,073 --> 01:00:15,837
♪ Forget the horror here ♪
958
01:00:15,837 --> 01:00:19,328
♪ Leave it all down here ♪
959
01:00:19,328 --> 01:00:23,278
♪ It's future rust and it's future dust ♪
960
01:00:23,278 --> 01:00:26,715
♪ Forget the horror here ♪
961
01:00:26,715 --> 01:00:30,513
♪ Forget the horror here ♪
962
01:00:30,513 --> 01:00:34,133
♪ Leave it all down here ♪
963
01:00:34,133 --> 01:00:38,792
♪ It's future rust and it's future dust ♪
964
01:00:53,451 --> 01:00:58,451
♪ Now the waves they drag you down ♪
965
01:01:00,395 --> 01:01:05,395
♪ Carry you to broken ground ♪
966
01:01:08,338 --> 01:01:13,338
♪ Though I'll find you in the sand ♪
967
01:01:15,410 --> 01:01:20,410
♪ Wipe you clean with my dirty hands ♪
968
01:01:22,926 --> 01:01:27,926
♪ So god damn this boiling space ♪
969
01:01:30,156 --> 01:01:32,255
♪ The Spanish Sahara ♪
970
01:01:32,255 --> 01:01:34,158
♪ The place that you'd wanna ♪
971
01:01:34,158 --> 01:01:37,714
♪ Leave the horror here ♪
972
01:01:37,714 --> 01:01:41,380
♪ Forget the horror here ♪
973
01:01:41,380 --> 01:01:45,159
♪ Forget the horror here ♪
974
01:01:45,159 --> 01:01:48,724
♪ Leave it all down here ♪
975
01:01:48,724 --> 01:01:52,557
♪ It's future rust and it's future dust ♪
976
01:01:52,557 --> 01:01:56,316
♪ I'm the fury in your head ♪
977
01:01:56,316 --> 01:01:59,963
♪ I'm the fury in your bed ♪
978
01:01:59,963 --> 01:02:04,963
♪ I'm the ghost in the back of your head ♪
979
01:02:05,420 --> 01:02:07,531
♪ 'Cause I am ♪
980
01:02:07,531 --> 01:02:11,049
♪ I'm the fury in your head ♪
981
01:02:11,049 --> 01:02:14,824
♪ I'm the fury in your bed ♪
982
01:02:14,824 --> 01:02:19,824
♪ I'm the ghost in the back of your head ♪
983
01:02:20,298 --> 01:02:22,566
♪ 'Cause I am ♪
984
01:02:22,566 --> 01:02:26,038
♪ I'm the fury in your head ♪
985
01:02:26,038 --> 01:02:29,713
♪ I'm the fury in your bed ♪
986
01:02:29,713 --> 01:02:34,713
♪ I'm the ghost in the back of your head ♪
987
01:02:35,180 --> 01:02:37,680
♪ 'Cause I am ♪
988
01:03:19,725 --> 01:03:23,178
♪ Forget the horror here ♪
989
01:03:23,178 --> 01:03:26,870
♪ Forget the horror here ♪
990
01:03:26,870 --> 01:03:30,211
♪ Leave it all down here ♪
991
01:03:30,211 --> 01:03:33,897
♪ It's future rust and it's future dust ♪
992
01:03:33,897 --> 01:03:37,593
♪ Choir of furies in your head ♪
993
01:03:37,593 --> 01:03:41,235
♪ Choir of furies in your bed ♪
994
01:03:41,235 --> 01:03:46,235
♪ I'm the ghost in the back of your head ♪
995
01:03:46,284 --> 01:03:48,238
♪ 'Cause I am ♪
996
01:03:48,238 --> 01:03:51,772
♪ The choir of furies in your head ♪
997
01:03:51,772 --> 01:03:55,596
♪ Choir of furies in your bed ♪
998
01:03:55,596 --> 01:04:00,596
♪ I'm the ghost in the back of your head ♪
999
01:04:00,758 --> 01:04:03,258
♪ 'Cause I am ♪
1000
01:05:24,077 --> 01:05:25,310
- We are in Bangkok.
1001
01:05:25,310 --> 01:05:26,630
In a van.
1002
01:05:26,630 --> 01:05:28,330
As usual. (chuckles)
1003
01:05:28,330 --> 01:05:30,063
First impressions, very vibrant.
1004
01:05:31,170 --> 01:05:32,833
The food is insanely good.
1005
01:05:34,410 --> 01:05:36,020
- Bangkok we'd never been to before.
1006
01:05:36,020 --> 01:05:38,000
So anywhere new in this
stage in our career
1007
01:05:38,000 --> 01:05:41,660
is definitely intriguing and
abuzz and keeps things fresh.
1008
01:05:41,660 --> 01:05:43,630
There was an element of
us only getting there
1009
01:05:43,630 --> 01:05:45,040
after 10 years of being a band,
1010
01:05:45,040 --> 01:05:47,100
and I think that that was powerful.
1011
01:05:47,100 --> 01:05:48,900
- [Jack] I like cities where things
1012
01:05:48,900 --> 01:05:50,910
aren't pristine and overly ordered.
1013
01:05:50,910 --> 01:05:52,870
It's got a lot of energy to it.
1014
01:05:52,870 --> 01:05:54,500
There's a lot of hustle and bustle.
1015
01:05:54,500 --> 01:05:57,023
It's chaotic, it's quite dirty.
1016
01:06:43,221 --> 01:06:45,221
- It feels really clean.
1017
01:06:49,863 --> 01:06:51,306
It just keeps firing.
1018
01:06:51,306 --> 01:06:55,139
- Don't fire it like
that you fucking plunker!
1019
01:07:11,097 --> 01:07:13,060
- I feel like Jack starts to turn into
1020
01:07:13,060 --> 01:07:14,830
a type of mythological creature,
1021
01:07:14,830 --> 01:07:17,540
like a griffin or a banshee.
1022
01:07:17,540 --> 01:07:20,960
Something of the pterodactyl
about it right before a show.
1023
01:07:20,960 --> 01:07:23,280
I don't know how much it was
to do with his bare feet,
1024
01:07:23,280 --> 01:07:25,123
but yeah, he gets pretty hyped up.
1025
01:08:08,670 --> 01:08:09,590
They were a great crowd.
1026
01:08:09,590 --> 01:08:12,630
They were like super
bouncy, very receptive.
1027
01:08:12,630 --> 01:08:13,730
Also heard that a lot of people
1028
01:08:13,730 --> 01:08:16,130
had flown in from Malaysia and Singapore.
1029
01:08:16,130 --> 01:08:17,330
So, lots of people singing along.
1030
01:08:17,330 --> 01:08:19,830
There was a Pigeon Forever handmade poster
1031
01:08:19,830 --> 01:08:21,130
right at the front.
1032
01:08:21,130 --> 01:08:24,130
So it was good, there was
definitely a lot of hardcore fans.
1033
01:08:27,913 --> 01:08:29,510
When you come to a new place
1034
01:08:29,510 --> 01:08:31,480
and you're experiencing new
things for the first time,
1035
01:08:31,480 --> 01:08:33,770
it's like it just breaks that,
1036
01:08:33,770 --> 01:08:36,230
the kind of predictable
nature of the circuit,
1037
01:08:36,230 --> 01:08:38,590
and you have that reciprocal energy
1038
01:08:38,590 --> 01:08:39,537
coming back at you from the crowd,
1039
01:08:39,537 --> 01:08:42,590
and you see that what
you're doing is meaningful
1040
01:08:42,590 --> 01:08:46,670
and the music affects people,
and that becomes more poignant
1041
01:08:46,670 --> 01:08:49,420
in a place that you haven't played before.
1042
01:08:54,683 --> 01:08:56,288
Thank you.
1043
01:08:56,288 --> 01:08:57,121
Hi.
1044
01:09:01,983 --> 01:09:03,473
- Jack!
1045
01:09:03,473 --> 01:09:04,390
Lives here!
1046
01:09:05,367 --> 01:09:08,574
- [Jimmy] Welcome home, mate.
1047
01:09:22,437 --> 01:09:24,270
This is fucking sweet!
1048
01:10:16,100 --> 01:10:18,733
- We've being going on some
sort of crazy adventure.
1049
01:10:20,140 --> 01:10:23,223
Seeing Bangkok, seeing the
sights, hustle and bustle.
1050
01:10:24,160 --> 01:10:25,473
Watching many eggs.
1051
01:11:03,880 --> 01:11:06,050
Definitely thought that that
was one of the best things
1052
01:11:06,050 --> 01:11:08,960
on tour of this whole
album campaign, for sure,
1053
01:11:08,960 --> 01:11:10,610
if not one of the best days ever.
1054
01:11:38,940 --> 01:11:42,480
We haven't been here for a
few, like five years now.
1055
01:11:42,480 --> 01:11:44,970
We were told that kind
of like rock music's
1056
01:11:44,970 --> 01:11:47,890
on the decline in a way out
here, like quite rapidly,
1057
01:11:47,890 --> 01:11:51,010
and also that the foreign music market
1058
01:11:51,010 --> 01:11:54,720
shrunk massively in general as well.
1059
01:11:54,720 --> 01:11:56,380
- [Jack] That's why we're
here now, to turn it around.
1060
01:11:56,380 --> 01:11:58,270
- Yeah, turn it around, and just, yeah,
1061
01:11:58,270 --> 01:12:01,032
two steps forward, three steps back.
1062
01:12:02,506 --> 01:12:04,196
- [Jack] We're just out
here saving rock music.
1063
01:12:04,196 --> 01:12:06,291
Do you know what I mean?
1064
01:12:37,734 --> 01:12:41,165
♪ Time has come and time is done ♪
1065
01:12:41,165 --> 01:12:45,704
♪ Cities burn we've got youth to spend ♪
1066
01:12:45,704 --> 01:12:50,704
♪ And life to live and time
to waste again my friend ♪
1067
01:12:52,397 --> 01:12:55,948
♪ Through the flames
and through the fire ♪
1068
01:12:55,948 --> 01:13:00,386
♪ Cities burn but we don't give a damn ♪
1069
01:13:00,386 --> 01:13:05,360
♪ 'Cause we've got all
our friends right here ♪
1070
01:13:05,360 --> 01:13:10,360
♪ We've got youth to spend ♪
1071
01:13:14,986 --> 01:13:19,369
♪ Time away from me is what I need ♪
1072
01:13:19,369 --> 01:13:22,980
♪ To clear my sight and clear my head ♪
1073
01:13:22,980 --> 01:13:25,186
♪ I'm coming down over it ♪
1074
01:13:25,186 --> 01:13:27,009
♪ Coming down over it ♪
1075
01:13:27,009 --> 01:13:30,347
♪ Coming down over I'll be right there ♪
1076
01:13:30,347 --> 01:13:32,553
♪ I'm coming down over it ♪
1077
01:13:32,553 --> 01:13:36,687
♪ Coming down over again ♪
1078
01:13:36,687 --> 01:13:39,953
♪ Be right there ♪
1079
01:13:39,953 --> 01:13:43,203
♪ I'll be right there ♪
1080
01:13:58,379 --> 01:14:02,104
♪ I'll be right there ♪
1081
01:14:02,104 --> 01:14:05,271
♪ I'll be right there ♪
1082
01:14:42,407 --> 01:14:45,616
♪ The birds are singing
it's the end of the world ♪
1083
01:14:45,616 --> 01:14:49,103
♪ The birds are singing
the birds are singing ♪
1084
01:14:49,103 --> 01:14:52,733
♪ The birds are singing
it's the end of the world ♪
1085
01:14:52,733 --> 01:14:56,479
♪ The birds are singing
the birds are singing ♪
1086
01:14:56,479 --> 01:14:59,814
♪ The birds are singing
it's the end of the world ♪
1087
01:14:59,814 --> 01:15:03,410
♪ The birds are singing
the birds are singing ♪
1088
01:15:03,410 --> 01:15:06,871
♪ The birds are singing
it's the end of the world ♪
1089
01:15:06,871 --> 01:15:10,632
♪ The birds are singing
the birds are singing ♪
1090
01:15:10,632 --> 01:15:14,182
♪ The birds are singing
it's the end of the world ♪
1091
01:15:14,182 --> 01:15:17,627
♪ The birds are singing
the birds are singing ♪
1092
01:15:17,627 --> 01:15:21,152
♪ The birds are singing
it's the end of the world ♪
1093
01:15:21,152 --> 01:15:26,152
♪ The birds are singing
the birds are singing ♪
1094
01:15:53,945 --> 01:15:58,012
♪ 'Cause time away from
me is what I need ♪
1095
01:15:58,012 --> 01:16:03,012
♪ To clear my sight and clear my head ♪
1096
01:16:03,942 --> 01:16:07,316
♪ Clear my head ♪
1097
01:16:07,316 --> 01:16:12,316
♪ Clear my head ♪
1098
01:16:14,259 --> 01:16:16,926
♪ Clear my head ♪
1099
01:17:15,350 --> 01:17:16,183
- Thank you.
1100
01:17:17,650 --> 01:17:20,760
Japan in particular, it's
so different culturally.
1101
01:17:20,760 --> 01:17:22,340
Coming at it from a Western perspective,
1102
01:17:22,340 --> 01:17:24,690
it's an unintuitive place in certain ways,
1103
01:17:24,690 --> 01:17:25,890
which is quite rare.
1104
01:17:25,890 --> 01:17:28,920
I feel like the world is
incredibly homogenous these days
1105
01:17:28,920 --> 01:17:32,290
and even when it isn't, you
have signs and signifiers
1106
01:17:32,290 --> 01:17:36,600
in the way that the city
operates that is quite familiar
1107
01:17:36,600 --> 01:17:37,940
even if the language might not be
1108
01:17:37,940 --> 01:17:39,880
and other cultural aspect won't be.
1109
01:17:39,880 --> 01:17:44,880
But Japan, you can't rely on
intuition in the same way.
1110
01:17:45,100 --> 01:17:48,350
So that's just exciting,
it's an exciting place.
1111
01:17:48,350 --> 01:17:50,287
The shows are different, the
architecture's different,
1112
01:17:50,287 --> 01:17:52,350
and the fans are different.
1113
01:17:52,350 --> 01:17:53,880
Very thoughtful.
1114
01:17:53,880 --> 01:17:57,540
Often they come with
beautifully made gifts,
1115
01:17:57,540 --> 01:18:01,500
like lots of time spent on
really nice personalized
1116
01:18:02,660 --> 01:18:05,440
letters and presents that
are just really thoughtful
1117
01:18:05,440 --> 01:18:06,807
and sweets as well.
1118
01:18:06,807 --> 01:18:09,080
They live to give sweets.
1119
01:18:09,080 --> 01:18:10,383
Very passionate.
1120
01:18:11,835 --> 01:18:13,063
- [Jack] How you doing?
1121
01:18:13,063 --> 01:18:16,357
- [Fan] Hi! (giggling)
1122
01:18:16,357 --> 01:18:17,437
- [Jack] I like your shirt as well.
1123
01:18:17,437 --> 01:18:18,685
- Oh, thank you.
1124
01:18:18,685 --> 01:18:19,603
Like Yannis.
1125
01:18:19,603 --> 01:18:20,436
- [Jack] Yeah, yeah.
1126
01:18:20,436 --> 01:18:21,910
- [Yannis] You know, the Japanese crowds
1127
01:18:21,910 --> 01:18:25,263
are famously different,
they're more respectful.
1128
01:18:26,140 --> 01:18:27,690
They're quieter.
1129
01:18:27,690 --> 01:18:30,080
They're kinda less rowdy I
guess you'd put it in a way,
1130
01:18:30,080 --> 01:18:33,770
but it doesn't feel
cold, it just feels like
1131
01:18:33,770 --> 01:18:35,540
the appreciation, the attentiveness
1132
01:18:35,540 --> 01:18:37,300
is manifest in a different way.
1133
01:18:37,300 --> 01:18:39,760
Also, on a personal level,
I'm approaching the shows
1134
01:18:39,760 --> 01:18:42,340
slightly differently at
this point in the tour.
1135
01:18:42,340 --> 01:18:43,900
The first show, the Osaka show, was great.
1136
01:18:43,900 --> 01:18:45,080
I really enjoyed that.
1137
01:18:45,080 --> 01:18:48,280
It was a good one for me
to play it relatively sober
1138
01:18:48,280 --> 01:18:50,140
and still have a great show.
1139
01:18:50,140 --> 01:18:53,280
- Japanese crowds are
awesome, but between songs
1140
01:18:53,280 --> 01:18:56,500
it was like absolute, deathly silence.
1141
01:18:56,500 --> 01:18:57,990
No one had told us they
were gonna do that,
1142
01:18:57,990 --> 01:19:00,150
so we were like, "Oh my God, they hate--"
1143
01:19:00,150 --> 01:19:01,560
You know, like, "They hate us."
1144
01:19:01,560 --> 01:19:04,310
And it's actually just like
a show of respect, I think.
1145
01:19:08,417 --> 01:19:09,739
- Can I take a picture of that?
1146
01:19:09,739 --> 01:19:11,322
- Yeah, yeah, yeah.
1147
01:19:13,080 --> 01:19:15,300
Her first time show in Osaka.
1148
01:19:15,300 --> 01:19:17,797
- [Jack] This is what 10 yeas
of touring will do to you.
1149
01:19:29,914 --> 01:19:30,747
- Thank you very much.
1150
01:19:30,747 --> 01:19:31,664
- Pleasure.
1151
01:19:34,321 --> 01:19:35,478
- Caffeinated.
1152
01:19:35,478 --> 01:19:38,514
- Highly, highly caffeinated.
1153
01:19:38,514 --> 01:19:40,480
The caffeine's just a
sort of slight veneer
1154
01:19:40,480 --> 01:19:43,900
on top of the exhaustion and the ...
1155
01:19:43,900 --> 01:19:46,020
the general sense of impending doom.
1156
01:19:46,020 --> 01:19:48,063
Do you have a general sense of malaise?
1157
01:19:49,063 --> 01:19:49,896
Of course you don't,
1158
01:19:49,896 --> 01:19:51,773
'cause you're the chirpiest man ever made.
1159
01:19:52,843 --> 01:19:56,240
You're just a happy
little hamster. (laughing)
1160
01:19:56,240 --> 01:19:57,430
- Is it 'cause I fall asleep smiling?
1161
01:19:57,430 --> 01:19:59,330
- Yeah, have you heard about Kit's ...
1162
01:20:00,709 --> 01:20:01,930
philosophy of sleep?
1163
01:20:01,930 --> 01:20:05,398
If you go to sleep with a silly
little smile on your face,
1164
01:20:05,398 --> 01:20:07,983
(laughing) it'll change
your outlook on life.
1165
01:20:09,770 --> 01:20:14,500
- The most futuristic, outdated
country you'll ever go to.
1166
01:20:14,500 --> 01:20:16,680
Like, you'd go there and
you'd think all the technology
1167
01:20:16,680 --> 01:20:19,630
would be like absolutely cutting edge.
1168
01:20:19,630 --> 01:20:21,230
You know, even like
things like the toilets
1169
01:20:21,230 --> 01:20:22,720
and the trains and stuff, they're all like
1170
01:20:22,720 --> 01:20:24,990
they were cutting edge, and
they're still cutting edge
1171
01:20:24,990 --> 01:20:26,920
in a way, but they're like 20 years old.
1172
01:20:26,920 --> 01:20:28,030
What I'd love to happen tonight--
1173
01:20:28,030 --> 01:20:29,147
- [Jack] Is to have a mental ward.
1174
01:20:29,147 --> 01:20:30,530
- Have a really big one.
1175
01:20:30,530 --> 01:20:32,270
Just go out and like--
1176
01:20:32,270 --> 01:20:33,370
- [Jack] Some saki.
1177
01:20:33,370 --> 01:20:34,780
- Yeah, well there's like this area,
1178
01:20:34,780 --> 01:20:36,520
I want to find out where it is.
1179
01:20:36,520 --> 01:20:37,600
- [Yannis] Is it the
bit that's all covered?
1180
01:20:37,600 --> 01:20:39,133
- Yeah.
1181
01:20:39,133 --> 01:20:40,640
- [Yannis] Yeah, we used to
walk there from our hotel.
1182
01:20:40,640 --> 01:20:42,290
- Yeah, and there's like food stalls.
1183
01:20:42,290 --> 01:20:43,400
- [Yannis] Yeah and I
don't know if it has that
1184
01:20:43,400 --> 01:20:45,190
sort of like Oxford city center culture
1185
01:20:45,190 --> 01:20:46,570
where it's Friday night and you get--
1186
01:20:46,570 --> 01:20:48,541
- [Jimmy] No, it's the opposite
of that, which is great.
1187
01:20:48,541 --> 01:20:49,374
- [Jack] Down the cellar.
1188
01:20:49,374 --> 01:20:51,431
- [Yannis] Down the Fuggle and Firkin.
1189
01:20:51,431 --> 01:20:52,913
- [Jimmy] I mean, it's very universal.
1190
01:20:52,913 --> 01:20:54,610
People work nine to five
from Monday to Friday,
1191
01:20:54,610 --> 01:20:56,130
so Friday night would be the night
1192
01:20:56,130 --> 01:20:58,460
that they'd probably
go out and have a beer.
1193
01:20:58,460 --> 01:20:59,860
You're so jet lagged when you get there.
1194
01:20:59,860 --> 01:21:01,780
It's like Australian
jet lag where it's like
1195
01:21:01,780 --> 01:21:03,950
it can be quite psychedelic.
1196
01:21:03,950 --> 01:21:06,680
It helps when you're
somewhere so weird as Japan,
1197
01:21:06,680 --> 01:21:08,930
'cause you just fully
immerse yourself in it
1198
01:21:08,930 --> 01:21:12,561
and go to all these tiny bars.
1199
01:21:12,561 --> 01:21:15,220
We've had some really,
really good nights out there.
1200
01:21:15,220 --> 01:21:18,450
Sort of pointing at men with earpieces
1201
01:21:18,450 --> 01:21:19,283
kneeling outside clubs, and being like,
1202
01:21:19,283 --> 01:21:21,177
"Is that the Yakuza?"
1203
01:21:22,070 --> 01:21:24,790
Like our Warner's girl
being like, "Uh, yes.
1204
01:21:24,790 --> 01:21:25,947
Like, "Fucking run."
1205
01:21:31,543 --> 01:21:32,450
Hey, Jez.
1206
01:21:32,450 --> 01:21:33,720
You're fired.
1207
01:21:33,720 --> 01:21:34,670
You're fired, mate.
1208
01:21:36,890 --> 01:21:37,723
Assholes.
1209
01:21:37,723 --> 01:21:38,556
See you later.
1210
01:21:42,967 --> 01:21:44,630
- [Jack] You make better friends
1211
01:21:44,630 --> 01:21:45,780
with the people you tour with
1212
01:21:45,780 --> 01:21:48,143
than you will ever have outside of tour.
1213
01:21:54,140 --> 01:21:55,370
- Yeah!
1214
01:21:55,370 --> 01:21:58,060
- [Jack] It's beyond a
traditional friendship.
1215
01:21:58,060 --> 01:21:59,470
It becomes a brotherhood.
1216
01:21:59,470 --> 01:22:04,145
You will never spend more time
and be closer to anyone else.
1217
01:22:04,145 --> 01:22:08,007
♪ Fuckin' Sally used
to work on the docks ♪
1218
01:22:08,007 --> 01:22:10,398
♪ Fuckin' union's been on strike ♪
1219
01:22:10,398 --> 01:22:12,037
♪ He's down on his luck ♪
1220
01:22:12,037 --> 01:22:15,574
♪ It's tough ♪
1221
01:22:15,574 --> 01:22:19,846
♪ So tough ♪
1222
01:22:19,846 --> 01:22:23,945
♪ Fuckin' Gina works the diner all day ♪
1223
01:22:23,945 --> 01:22:26,068
♪ Fuckin' working for a man ♪
1224
01:22:26,068 --> 01:22:29,200
♪ She brings home her pay for love ♪
1225
01:22:29,200 --> 01:22:31,481
♪ What a fuckin' legend ♪
1226
01:22:31,481 --> 01:22:35,576
♪ Fuckin' love ♪
1227
01:22:35,576 --> 01:22:39,701
♪ We've gotta hold on to what we've got ♪
1228
01:22:39,701 --> 01:22:41,407
♪ It fuckin' doesn't make a difference ♪
1229
01:22:41,407 --> 01:22:43,471
♪ If we make it or not ♪
1230
01:22:43,471 --> 01:22:48,471
♪ Fuckin' got each other and
that's all right for love ♪
1231
01:22:49,421 --> 01:22:51,586
♪ Fuckin' give it a shot ♪
1232
01:22:51,586 --> 01:22:53,697
♪ Whoa ♪
1233
01:22:53,697 --> 01:22:55,429
♪ We're halfway there ♪
1234
01:22:55,429 --> 01:22:56,960
♪ Whoa ♪
1235
01:22:56,960 --> 01:22:59,546
♪ Fuckin' living on a prayer ♪
1236
01:22:59,546 --> 01:23:00,998
♪ Take my hand ♪
1237
01:23:00,998 --> 01:23:03,365
♪ We'll fucking make it I swear ♪
1238
01:23:03,365 --> 01:23:04,890
- (speaking foreign
language) Playstation gamers.
1239
01:23:04,890 --> 01:23:05,723
I'm Yannis.
1240
01:23:05,723 --> 01:23:06,556
- I'm Jack.
1241
01:23:06,556 --> 01:23:07,389
- I'm Edwin.
1242
01:23:07,389 --> 01:23:08,222
- I'm Jimmy.
1243
01:23:08,222 --> 01:23:09,055
- And we're Foals.
1244
01:23:09,055 --> 01:23:11,792
And we're at Summer Sonic in Tokyo in ...
1245
01:23:11,792 --> 01:23:13,008
Fuck!
1246
01:23:16,330 --> 01:23:17,820
- We've selected a playlist.
1247
01:23:17,820 --> 01:23:19,970
Listen to it while you're gaming.
1248
01:23:19,970 --> 01:23:21,343
- That sounds so sarcastic.
1249
01:23:21,343 --> 01:23:22,176
- That does not sound--
1250
01:23:22,176 --> 01:23:23,926
That's just my voice.
1251
01:23:25,710 --> 01:23:27,697
- Hey, we're Foals and
this is Summer Sonic
1252
01:23:27,697 --> 01:23:29,313
20th anniversary on Wowow.
1253
01:23:31,940 --> 01:23:33,810
- When you're in Japan, it's a cliche,
1254
01:23:33,810 --> 01:23:36,060
but it's like being in another world.
1255
01:23:36,060 --> 01:23:37,190
We haven't been for a while,
1256
01:23:37,190 --> 01:23:39,310
because they're not really as interested
1257
01:23:39,310 --> 01:23:42,430
in so-called Western
music as they used to be.
1258
01:23:42,430 --> 01:23:44,140
Certainly when we did Antidotes,
1259
01:23:44,140 --> 01:23:45,700
I feel like you could rock up to Japan
1260
01:23:45,700 --> 01:23:47,620
if you had a record contract
and you were British,
1261
01:23:47,620 --> 01:23:50,780
and a certain sector of the
population would love you.
1262
01:23:50,780 --> 01:23:53,310
And that doesn't seem to
exist in the same way anymore.
1263
01:23:53,310 --> 01:23:54,520
I think maybe they're a bit more busy
1264
01:23:54,520 --> 01:23:58,140
listening to Japanese
music and Korean music.
1265
01:23:58,140 --> 01:24:01,400
Yeah, like sort of since 2008
people have been telling us
1266
01:24:01,400 --> 01:24:03,210
that guitar bands are coming back.
1267
01:24:03,210 --> 01:24:04,560
That like, just around the cor--
1268
01:24:04,560 --> 01:24:07,080
Particularly in America,
like, "It'll be fine soon."
1269
01:24:07,080 --> 01:24:08,260
And it's obviously not happened,
1270
01:24:08,260 --> 01:24:10,440
and I don't think it's
ever going to happen.
1271
01:24:10,440 --> 01:24:12,762
- Being in a band's like ...
1272
01:24:12,762 --> 01:24:15,073
It doesn't make much
sort of business sense.
1273
01:24:15,073 --> 01:24:17,350
- I don't know whether bands
can actually do it anymore,
1274
01:24:17,350 --> 01:24:18,570
and it seems that bands release
1275
01:24:18,570 --> 01:24:20,670
one album and then disappear.
1276
01:24:20,670 --> 01:24:24,530
Because they'll get support
from the record label
1277
01:24:24,530 --> 01:24:26,420
and they won't see any financial return.
1278
01:24:26,420 --> 01:24:28,310
You know, it's just like,
"Oh well then, goodbye."
1279
01:24:28,310 --> 01:24:31,760
I just feel really fucking bad
for young bands at the moment
1280
01:24:31,760 --> 01:24:34,290
or people who want to take that path,
1281
01:24:34,290 --> 01:24:36,923
the difficult path to making music.
1282
01:24:37,760 --> 01:24:39,830
I feel like it's never
been more difficult,
1283
01:24:39,830 --> 01:24:44,830
and I feel like there's never
been less support than now.
1284
01:24:45,500 --> 01:24:48,520
- When you're making a
record, it's kind of lonely
1285
01:24:50,283 --> 01:24:54,410
and daunting, and you don't
know if it's good in a way.
1286
01:24:54,410 --> 01:24:59,010
You don't know what it
means to other people.
1287
01:24:59,010 --> 01:25:02,120
And I feel like the more
that you're making a record,
1288
01:25:02,120 --> 01:25:05,360
the more lyrics I write,
the deeper I get into it,
1289
01:25:05,360 --> 01:25:07,730
by the end of it I'm basically empty.
1290
01:25:07,730 --> 01:25:11,140
Like I just feel like
you've put so much into it
1291
01:25:11,140 --> 01:25:13,268
that there's nothing left inside you.
1292
01:25:13,268 --> 01:25:15,160
One of the great things
about touring is that,
1293
01:25:15,160 --> 01:25:16,880
every night that you play a show,
1294
01:25:16,880 --> 01:25:18,770
you're slowly filled back up by the energy
1295
01:25:18,770 --> 01:25:20,670
coming from the crowd and the interactions
1296
01:25:20,670 --> 01:25:22,329
you have outside of the show.
1297
01:25:27,850 --> 01:25:29,560
Like when somebody comes
up to you and tells you
1298
01:25:29,560 --> 01:25:32,450
that one of your songs
is their favorite song
1299
01:25:32,450 --> 01:25:34,880
or helped them et through a hard time,
1300
01:25:34,880 --> 01:25:38,820
it's a deeply rewarding moment.
1301
01:25:38,820 --> 01:25:41,873
And cumulatively, those
things fill you up.
1302
01:25:44,080 --> 01:25:47,870
The ability for what we're doing to endure
1303
01:25:47,870 --> 01:25:51,010
is under threat from the way that ...
1304
01:25:51,010 --> 01:25:55,470
The way that music and
culture are consumed.
1305
01:25:55,470 --> 01:25:58,610
I struggle with that, because
obviously I want what we make
1306
01:25:58,610 --> 01:26:02,970
to live and breathe and
communicate and be powerful.
1307
01:26:02,970 --> 01:26:07,070
I don't want to do it just to
fill somebody's half an hour,
1308
01:26:07,070 --> 01:26:08,930
somebody's free time on their phone.
1309
01:26:08,930 --> 01:26:10,750
Like we were saying about feeling
1310
01:26:10,750 --> 01:26:13,520
that what you do with
your life is meaningful.
1311
01:26:13,520 --> 01:26:16,610
Like, how meaningful is it
to be a musician in 2019,
1312
01:26:16,610 --> 01:26:18,890
and in a band particularly?
1313
01:26:18,890 --> 01:26:21,330
It doesn't have the same cultural power
1314
01:26:21,330 --> 01:26:23,740
that it did 10 years ago or 20 years ago.
1315
01:26:23,740 --> 01:26:27,880
You don't have the feeling
that you can penetrate society
1316
01:26:27,880 --> 01:26:29,550
and culture in the same way
1317
01:26:29,550 --> 01:26:31,970
or engage with it or
form a dialogue with it.
1318
01:26:31,970 --> 01:26:34,040
So I think at the darker moments,
1319
01:26:34,040 --> 01:26:37,393
I kind of start to think,
what's the point of it?
1320
01:26:38,720 --> 01:26:41,940
Beyond me just enjoying or needing
1321
01:26:41,940 --> 01:26:44,150
to express myself creatively,
1322
01:26:44,150 --> 01:26:47,855
is there a wide purpose to it?
1323
01:26:49,850 --> 01:26:53,260
I'm gonna figure that out
in the next few years.
1324
01:26:53,260 --> 01:26:56,870
But in the interim, those
interactions with fans
1325
01:26:56,870 --> 01:27:00,991
are the ones that make you
feel like it's worth pursuing.
1326
01:27:12,183 --> 01:27:17,106
♪ I buried my heart in
a hole in the ground ♪
1327
01:27:17,106 --> 01:27:22,106
♪ With the lights and the roses
and the cowards downtown ♪
1328
01:27:22,190 --> 01:27:27,190
♪ They threw me a party
there was no one around ♪
1329
01:27:27,396 --> 01:27:32,396
♪ They tried to call my girl
but she could not be found ♪
1330
01:27:38,374 --> 01:27:43,093
♪ I buried my guilt in
a pit in the sound ♪
1331
01:27:43,093 --> 01:27:48,093
♪ With the rust and the vultures
and the trash downtown ♪
1332
01:27:48,679 --> 01:27:53,679
♪ So don't step to me kid
you'll never be found ♪
1333
01:27:54,023 --> 01:27:59,023
♪ 'Cause while you were
sleeping I took over your town ♪
1334
01:28:17,323 --> 01:28:20,163
♪ When I see a man I see a lion ♪
1335
01:28:20,163 --> 01:28:23,237
♪ When I see a man I see a lion ♪
1336
01:28:23,237 --> 01:28:26,368
♪ You're the apple of my
eye of my eye of my eye ♪
1337
01:28:26,368 --> 01:28:31,368
♪ You're the apple of my
eye of my eye I want ya ♪
1338
01:28:32,361 --> 01:28:37,300
♪ I fell for a girl
with a port wine stain ♪
1339
01:28:37,300 --> 01:28:42,300
♪ I knew her initials but never her name ♪
1340
01:28:42,736 --> 01:28:47,736
♪ I tried and I tried and
I was never the same ♪
1341
01:28:48,148 --> 01:28:53,148
♪ It's no longer for love
and I'm forever changed ♪
1342
01:29:11,538 --> 01:29:14,490
♪ When I see a man I see a lion ♪
1343
01:29:14,490 --> 01:29:17,528
♪ When I see a man I see a lion ♪
1344
01:29:17,528 --> 01:29:20,648
♪ You're the apple of my
eye of my eye of my eye ♪
1345
01:29:20,648 --> 01:29:23,593
♪ You're the apple of my
eye of my eye I want ya ♪
1346
01:29:23,593 --> 01:29:26,908
♪ Give up my money give
up my name take it away ♪
1347
01:29:26,908 --> 01:29:29,474
♪ I'll give it away I'll
give it away I'll give it ♪
1348
01:29:29,474 --> 01:29:32,703
♪ When I see a man I see a lion ♪
1349
01:29:32,703 --> 01:29:36,703
♪ When I see a man I see a lion ♪
1350
01:30:53,486 --> 01:30:56,672
♪ When I see a man I see a lion ♪
1351
01:30:56,672 --> 01:30:59,751
♪ When I see a man I see a lion ♪
1352
01:30:59,751 --> 01:31:02,912
♪ You're the apple of my
eye of my eye of my eye ♪
1353
01:31:02,912 --> 01:31:06,019
♪ You're the apple of my
eye of my eye I want ya ♪
1354
01:31:06,019 --> 01:31:09,018
♪ Give up my money give
up my name take it away ♪
1355
01:31:09,018 --> 01:31:12,270
♪ I'll give it away I'll
give it away I'll give it ♪
1356
01:31:12,270 --> 01:31:14,249
♪ I'm a sycophantic animal ♪
1357
01:31:14,249 --> 01:31:15,761
♪ I'm a sycophantic fool ♪
1358
01:31:15,761 --> 01:31:18,449
♪ I'm a sycophantic fool ♪
1359
01:31:18,449 --> 01:31:21,653
♪ Break up the chain I'll break
up the chain I'll break it ♪
1360
01:31:21,653 --> 01:31:24,734
♪ Give it away I'll give
it away I'll give it ♪
1361
01:31:24,734 --> 01:31:27,938
♪ When I see a man I see a lion ♪
1362
01:31:27,938 --> 01:31:31,035
♪ When I see a man I see a lion ♪
1363
01:31:31,035 --> 01:31:34,196
♪ You're the apple of my
eye of my eye of my eye ♪
1364
01:31:34,196 --> 01:31:37,395
♪ You're the apple of my
eye of my eye I want ya ♪
1365
01:31:37,395 --> 01:31:40,233
♪ Give up my money give
up my name take it away ♪
1366
01:31:40,233 --> 01:31:43,510
♪ I'll give it away I'll
give it away I'll give it ♪
1367
01:31:43,510 --> 01:31:46,526
♪ See you again I'll see
you again I'll see ya ♪
1368
01:31:46,526 --> 01:31:51,526
♪ Give it away I'll give
it away I'll give it ♪
1369
01:32:01,897 --> 01:32:04,954
♪ When I see a man I see a lion ♪
1370
01:32:04,954 --> 01:32:08,095
♪ When I see a man I see a lion ♪
1371
01:32:08,095 --> 01:32:11,333
♪ You're the apple of my
eye of my eye of my eye ♪
1372
01:32:11,333 --> 01:32:15,142
♪ You're the apple of my
eye of my eye I want ya ♪
1373
01:32:31,974 --> 01:32:32,807
Thank you!
1374
01:32:35,372 --> 01:32:37,955
We love you, thank you so much!
1375
01:33:05,814 --> 01:33:07,147
- You killed it.
1376
01:33:08,014 --> 01:33:11,681
(speaking foreign language)
1377
01:33:13,039 --> 01:33:16,010
- The calming down after the
show doesn't happen. (chuckles)
1378
01:33:16,010 --> 01:33:18,230
It's not a "how does it
happen," it just doesn't happen.
1379
01:33:18,230 --> 01:33:21,010
- Well, we're not fucking Navy
Seals, you know what I mean?
1380
01:33:21,010 --> 01:33:23,990
All four member at the
same place 1600 hours.
1381
01:33:23,990 --> 01:33:25,340
- I'm talking about Yannis.
1382
01:33:26,190 --> 01:33:28,040
He usually amps things up.
1383
01:33:28,040 --> 01:33:29,590
- I'm like a Tasmanian devil.
1384
01:33:29,590 --> 01:33:31,930
I'm like charged, I'm a spinning top.
1385
01:33:31,930 --> 01:33:34,480
And then it goes into the night,
1386
01:33:34,480 --> 01:33:36,190
and that's where the problem is.
1387
01:33:36,190 --> 01:33:38,480
- He needs to actually
accelerate, for whatever reason.
1388
01:33:38,480 --> 01:33:40,893
- Let's open this drug den for business.
1389
01:33:42,890 --> 01:33:43,930
Well played.
1390
01:33:43,930 --> 01:33:44,840
Give us a bump.
1391
01:33:44,840 --> 01:33:47,800
We were literally the gospel
out there this evening.
1392
01:33:47,800 --> 01:33:48,650
- Who's everyone?
1393
01:33:49,730 --> 01:33:51,530
- We were the Holy Ghost up there.
1394
01:33:51,530 --> 01:33:52,793
Leave it for ...
1395
01:33:53,692 --> 01:33:54,525
Leave it for someone.
1396
01:33:54,525 --> 01:33:55,525
- All right.
1397
01:33:56,780 --> 01:33:58,580
- I'm in my Holy Ghost side.
1398
01:33:58,580 --> 01:34:00,810
You're like a math rock Komodo dragon.
1399
01:34:00,810 --> 01:34:02,885
- Can you try and catch
this cork with your bottom?
1400
01:34:02,885 --> 01:34:06,150
- [Yannis] No, 'cause I know
how you take corks out as well.
1401
01:34:06,150 --> 01:34:07,680
And I'll leave the viewer to--
1402
01:34:07,680 --> 01:34:09,070
- I'm a gentleman.
1403
01:34:09,070 --> 01:34:10,520
- I tell you what, though, were literally,
1404
01:34:10,520 --> 01:34:13,375
we were Old Testament tonight.
1405
01:34:13,375 --> 01:34:16,590
Our series has acquired fucking biblical--
1406
01:34:16,590 --> 01:34:17,423
- [Jack] Jimmy, do you want to try
1407
01:34:17,423 --> 01:34:18,714
and catch this with your bottom?
1408
01:34:18,714 --> 01:34:19,547
- [Yannis] Marry your third cousins.
1409
01:34:19,547 --> 01:34:21,740
- Yeah, fuck, man, I
feel great, I feel great.
1410
01:34:21,740 --> 01:34:24,300
It felt like fucking
Nirvana at Rock in Rio.
1411
01:34:24,300 --> 01:34:27,147
You know, and there's
that guy on the soldiers.
1412
01:34:27,147 --> 01:34:30,907
It's like, "Eat my guitar!" (chuckles)
1413
01:34:30,907 --> 01:34:31,740
But apparently no one could see me
1414
01:34:31,740 --> 01:34:34,170
'cause there wasn't a spotlight on me.
1415
01:34:35,003 --> 01:34:35,836
- Oh my god.
1416
01:34:45,777 --> 01:34:46,843
- [Man] Oh, yes!
1417
01:34:49,464 --> 01:34:51,697
- That is literally
Ecclesiastes number two.
1418
01:34:57,134 --> 01:34:59,042
- Yannis, Yannis.
1419
01:34:59,042 --> 01:34:59,950
Yannis.
1420
01:34:59,950 --> 01:35:02,363
- Jokes aside, the
gospel, all these jokes,
1421
01:35:03,820 --> 01:35:05,930
'cause they are obviously jokes,
1422
01:35:05,930 --> 01:35:07,963
but when you play a show like
that with a crowd like that,
1423
01:35:07,963 --> 01:35:11,050
it is transcendental, it's spiritual.
1424
01:35:11,050 --> 01:35:12,800
It's like, since the dawn of man
1425
01:35:12,800 --> 01:35:15,570
people have got together
and they made music.
1426
01:35:15,570 --> 01:35:16,723
Music's a prayer.
1427
01:35:18,040 --> 01:35:19,347
Original music started as a prayer.
1428
01:35:19,347 --> 01:35:21,390
And we make music that is a prayer.
1429
01:35:21,390 --> 01:35:23,000
And then we share it with people.
1430
01:35:23,000 --> 01:35:24,990
We share it with 10,000
people every two nights
1431
01:35:24,990 --> 01:35:29,553
in a bogged city of
peeling bricks like London.
1432
01:35:30,729 --> 01:35:34,060
We sing our prayers out
two nights in a row,
1433
01:35:34,060 --> 01:35:36,593
and then you end up like
a madman at the end of it.
1434
01:35:45,180 --> 01:35:47,100
- Everyone in the band has
a slightly different idea
1435
01:35:47,100 --> 01:35:49,200
of what could possibly come next.
1436
01:35:49,200 --> 01:35:52,283
- I just want to make ...
1437
01:35:53,150 --> 01:35:55,680
the best Foals record of all time
1438
01:35:55,680 --> 01:35:59,510
and I'd like to make the best
record of all time, I guess.
1439
01:35:59,510 --> 01:36:01,630
That sounds kind of slightly ridiculous,
1440
01:36:01,630 --> 01:36:05,800
but, I mean, that would
be the loftiest desire,
1441
01:36:05,800 --> 01:36:10,800
would be to make a record that
will never ever be forgotten.
1442
01:36:13,490 --> 01:36:15,390
- I feel that the best song
that we will ever write
1443
01:36:15,390 --> 01:36:16,510
is still ahead of us.
1444
01:36:16,510 --> 01:36:17,980
That's what I want us to achieve,
1445
01:36:17,980 --> 01:36:22,540
is to capture that elusive
song or that elusive album
1446
01:36:22,540 --> 01:36:25,450
or that elusive best ever show.
1447
01:36:25,450 --> 01:36:28,860
And I think, like with
any addiction as well,
1448
01:36:28,860 --> 01:36:30,830
we will probably attain those things,
1449
01:36:30,830 --> 01:36:33,310
but quite shortly afterwards we will feel
1450
01:36:33,310 --> 01:36:34,850
like we need the next hit.
1451
01:36:34,850 --> 01:36:37,580
That's the problem with
being a musician or an artist
1452
01:36:37,580 --> 01:36:39,040
or whatever it is like.
1453
01:36:39,040 --> 01:36:42,210
You can spend a life doing that
1454
01:36:42,210 --> 01:36:44,123
and never really feeling satisfied.
1455
01:36:44,980 --> 01:36:47,070
You know, 'cause it's only a transitory
1456
01:36:47,070 --> 01:36:49,830
feeling of satisfaction.
1457
01:36:49,830 --> 01:36:53,440
- The amount of experiences
we've had over the years,
1458
01:36:53,440 --> 01:36:55,790
I do kind of just feel like ...
1459
01:36:55,790 --> 01:36:57,740
I don't mean this in a morbid way
1460
01:36:57,740 --> 01:37:00,310
or in like a nihilistic
way, but I just feel like,
1461
01:37:00,310 --> 01:37:02,283
if I did drop dead tomorrow,
1462
01:37:04,706 --> 01:37:06,460
I would have been proud of ...
1463
01:37:06,460 --> 01:37:07,960
I would have led a good life.
1464
01:37:07,960 --> 01:37:09,773
And I don't believe that ...
1465
01:37:10,630 --> 01:37:13,390
It hasn't had a chance to go sour.
1466
01:37:13,390 --> 01:37:15,440
But it's also the only thing I know now.
1467
01:37:15,440 --> 01:37:18,010
I mean, there's loads of
experiences I've got from it
1468
01:37:18,010 --> 01:37:21,650
that would translate into
doing something else,
1469
01:37:21,650 --> 01:37:24,163
but I can't really imagine
doing something else.
1470
01:37:25,030 --> 01:37:26,370
I don't see it lasting forever,
1471
01:37:26,370 --> 01:37:28,530
but I also don't really see it ending.
1472
01:37:28,530 --> 01:37:30,700
If it was gonna end, I'd like to think
1473
01:37:30,700 --> 01:37:32,140
that we would all kind of ...
1474
01:37:32,140 --> 01:37:35,540
We'd all be on the same page
and we'd decide in advance
1475
01:37:35,540 --> 01:37:39,700
so it's not like a huge, big
horrible shock to everyone.
1476
01:37:39,700 --> 01:37:42,083
- Trying to keep it together, I think.
1477
01:37:42,927 --> 01:37:46,130
It's like realizing how
fragile an ecosystem
1478
01:37:46,130 --> 01:37:50,160
a band really is and how
vulnerable it can be sometimes
1479
01:37:50,160 --> 01:37:55,160
to external influences and
protecting the precious core,
1480
01:37:57,649 --> 01:38:01,060
the gemstone that's lying
at the heart of all of this,
1481
01:38:02,030 --> 01:38:04,940
and just protecting it
with everything you've got,
1482
01:38:04,940 --> 01:38:09,373
and polishing it every now and
then, and treating it nice.
1483
01:38:10,336 --> 01:38:11,260
You know, like the beatings, the heart,
1484
01:38:11,260 --> 01:38:13,800
not a fucking gemstone,
it's a beating heart,
1485
01:38:13,800 --> 01:38:16,690
and it's like protecting that
1486
01:38:16,690 --> 01:38:20,900
and putting personal differences or ego
1487
01:38:20,900 --> 01:38:25,500
or money or anything
aside in order to protect
1488
01:38:25,500 --> 01:38:27,370
what it is that's got you there
1489
01:38:28,320 --> 01:38:30,400
and what it is that everybody loves.
1490
01:38:30,400 --> 01:38:32,100
- I think that there's
something uniquely valuable
1491
01:38:32,100 --> 01:38:35,380
about forging deep ties with your friends
1492
01:38:35,380 --> 01:38:38,880
and creating something in unison together.
1493
01:38:38,880 --> 01:38:41,580
- The most rewarding thing
about being in a band
1494
01:38:41,580 --> 01:38:44,320
is that we've built something
out of absolutely nothing,
1495
01:38:44,320 --> 01:38:46,440
pure love of making music.
1496
01:38:46,440 --> 01:38:48,300
- Having this type of communal experience
1497
01:38:48,300 --> 01:38:49,770
and doing that with your friends
1498
01:38:49,770 --> 01:38:53,460
and experiencing those songs
that you've worked on together
1499
01:38:53,460 --> 01:38:55,550
go into the world, and
then meeting other people
1500
01:38:55,550 --> 01:38:58,403
through that, I think that it's ...
1501
01:39:00,240 --> 01:39:01,863
It's a good way to spend a life.
1502
01:39:03,670 --> 01:39:05,305
Hey man.
1503
01:39:05,305 --> 01:39:06,560
Sorry to keep you waiting.
1504
01:39:06,560 --> 01:39:07,560
Tobey, hurry up bro!
1505
01:39:08,590 --> 01:39:09,687
Holly, I'll text you.
1506
01:39:13,770 --> 01:39:14,920
It's been a long night.
1507
01:39:18,960 --> 01:39:21,221
How's your night been?
1508
01:39:21,221 --> 01:39:22,221
Bad or good?
1509
01:39:51,243 --> 01:39:52,541
This song's called "Two Steps Twice".
1510
01:41:07,056 --> 01:41:11,451
♪ Sun side sun dance step for two ♪
1511
01:41:11,451 --> 01:41:15,128
♪ Sun side dance step for two ♪
1512
01:41:15,128 --> 01:41:18,803
♪ Sun side dance step for two ♪
1513
01:41:18,803 --> 01:41:21,697
♪ Sun side dance step for
two dance upon and sing ♪
1514
01:41:21,697 --> 01:41:23,897
♪ Dance upon and sing ♪
1515
01:41:23,897 --> 01:41:25,818
♪ Dance upon and sing ♪
1516
01:41:25,818 --> 01:41:27,531
♪ Dance upon and sing ♪
1517
01:41:27,531 --> 01:41:29,083
♪ Dance upon and sing ♪
1518
01:41:29,083 --> 01:41:34,041
♪ Sun side sun dance step for two ♪
1519
01:41:34,041 --> 01:41:37,142
♪ Sun side dance step for ♪
1520
01:41:37,142 --> 01:41:40,596
♪ Sunset disco this is for you ♪
1521
01:45:01,910 --> 01:45:05,910
One more round then we're
gonna fucking do this!
1522
01:45:08,803 --> 01:45:10,053
Saturday night!
1523
01:45:17,333 --> 01:45:18,416
It's coming!
1524
01:45:28,728 --> 01:45:31,803
♪ That's one step one step two step ♪
1525
01:45:31,803 --> 01:45:35,027
♪ That's one steps two steps speed bikes ♪
1526
01:45:35,027 --> 01:45:38,273
♪ That's one step one step two step ♪
1527
01:45:38,273 --> 01:45:41,664
♪ That's one step two speed bikes ♪
1528
01:45:41,664 --> 01:45:44,879
♪ That's one side one side one side ♪
1529
01:45:44,879 --> 01:45:48,371
♪ That's one side two steps speed bikes ♪
1530
01:45:48,371 --> 01:45:53,204
♪ Lets swim lets swim
lets swim this song ♪
1531
01:46:07,150 --> 01:46:10,660
♪ That's one step one step two step ♪
1532
01:46:10,660 --> 01:46:14,067
♪ That's one step dance step speed bikes ♪
1533
01:46:14,067 --> 01:46:17,422
♪ One sound one sound one sound ♪
1534
01:47:06,185 --> 01:47:07,018
- Yes!117905
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