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1
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Ok so we finished sort of the first pass of modelling to get a Peace form for
2
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Character using the skin modifier so I'm in this video we are just going to continue to her
3
00:00:17,664 --> 00:00:23,808
Find the spaceman a little bit further so I'm going to come into wireframe so I can see
4
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See you my selections here and I'm just going to give a little bit of Bend to the knees hear you wanted to
5
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The character of course to remain in t pose but
6
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Again as I said the previous video it helps to have a little bit of gammon joints when you go to reggae
7
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Ok next thing I want to look at is creating some basic fingers here
8
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Come into view by pressing 7 on my keyboard and I think I'm going to do this
9
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Cartoon style so having four fingers instead of
10
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11
00:01:02,620 --> 00:01:06,816
It's going to be three fingers and the opposable thumb now on the requirements
12
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For your hands and things like that
13
00:01:10,400 --> 00:01:16,544
Is largely up to you and what your goals are for this character I don't play
14
00:01:16,800 --> 00:01:22,944
Having any sort of complex hand animations really so I'm not too worried about having you know
15
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Digit or anything like bad as I'm not going to have any conflict and emotions
16
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But if you really likes me making a first-person game or something for VR you might want to pay more attention to the
17
00:01:36,000 --> 00:01:42,144
Ok so this is my wrist bone joint here and I have
18
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Single extrusion out for a hand so I'm just going to come out from this
19
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To make some fingers ones for finger
20
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You may need to reduce the
21
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Radius of the sphere
22
00:01:58,272 --> 00:02:00,576
Is Scott here for the index finger
23
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Let's come here
24
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For pinky
25
00:02:07,488 --> 00:02:11,072
I'm just trying to descale them
26
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I'm keeping an eye on how the Wire frame is being drawn so
27
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If I scale is too far and you can see were getting everything here and as well as talking about the skin modifier being a little fine
28
00:02:22,080 --> 00:02:28,224
So I can just be really careful and keep an eye on things like that and if that's controlling
29
00:02:28,480 --> 00:02:34,112
And we can see you're getting a match between a result by having that just be a little bit thicker
30
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First joined here from our hand to our first knuckles do one more
31
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Extrude it and control a descale it
32
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Experian scale
33
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Time
34
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And then I'm just going to go and die for us knuckle points in g&z to pull them out just to give that a little
35
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And now I'm just going to try to arrange these still up there
36
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Relax for game
37
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We may need one more point of articulation here in order to get that properly
38
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Set out
39
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For a snack or going to be quite a bit smaller
40
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Can you find that in addition to stealing my control are that moving your fingers around
41
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Tends to help with the errors
42
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In the fire
43
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I think I was actually better off without them
44
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But I will trial and error doesn't hurt
45
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That seems to be a little bit cleaner
46
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Go with a little bit thicker
47
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On the first knuckles
48
00:04:44,415 --> 00:04:50,047
Ok so now we need to come out one for the thumb here so let's extrude out
49
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Down and skillet and a little bit and one more time
50
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So it's not
51
00:05:00,287 --> 00:05:06,431
But we do have the rough form of a hand coming in and of course
52
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Does not going to reflect our final
53
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Lock or even topology
54
00:05:12,319 --> 00:05:13,599
And so
55
00:05:14,879 --> 00:05:21,023
I'll try that already there is a new key and it's going to make your sculpting easier but we do have the reform of a hand coming out of here
56
00:05:22,559 --> 00:05:24,607
I think we'll work for our purposes
57
00:05:27,423 --> 00:05:33,567
So if we want we can now bring the whole thing in to better match our reference here we go
58
00:05:33,823 --> 00:05:36,127
Far away from it so I'm just going to bring that include through the wrist
59
00:05:36,383 --> 00:05:38,943
And I'm going to scale the rest in
60
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And have a little bit to better match the tempering an arm
61
00:05:46,367 --> 00:05:50,207
Ok so the next thing I want to look at is the food here
62
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CR0 strange to do
63
00:05:53,023 --> 00:05:54,815
I find anon
64
00:05:55,327 --> 00:05:56,863
In 3D
65
00:05:57,119 --> 00:06:01,471
Having a movie ankle bone a little bit so typically when your mama love flip
66
00:06:01,983 --> 00:06:04,799
Extrusion coming out of this way for a bit heel
67
00:06:06,079 --> 00:06:12,223
Is typically structured in real life but it feels a little Connor into it over
68
00:06:12,735 --> 00:06:17,343
Avon flying out of destruction but it will give you a nice meal formation here
69
00:06:19,391 --> 00:06:25,535
Trying to get this flat to the ground as much as possible also looks like our character has
70
00:06:25,791 --> 00:06:31,935
Wait to it and then for the toes here when I do something very somewhere to the hands cause if you were
71
00:06:32,191 --> 00:06:38,335
We're doing a monkey character and so monkeys and Apes of course Havana
72
00:06:38,591 --> 00:06:39,103
Thunderball
73
00:06:39,359 --> 00:06:43,455
Psalms for the volatile as well so can be very somewhere to this
74
00:06:43,711 --> 00:06:49,855
I've just come in and start excluding out points for our toes
75
00:06:52,927 --> 00:06:54,463
Straight out there
76
00:06:56,511 --> 00:06:58,047
One more
77
00:07:00,607 --> 00:07:05,471
And then I'm for the some here I actually want to come out
78
00:07:05,983 --> 00:07:10,591
Closer to the ankle not from this point so it's go ahead and some divine this
79
00:07:11,103 --> 00:07:14,431
And exclude app from this time right here
80
00:07:17,503 --> 00:07:18,271
Shell
81
00:07:18,783 --> 00:07:24,671
Now we have our life Beginnings of her fee here what's trying to get these
82
00:07:25,439 --> 00:07:27,231
More point for word
83
00:07:28,255 --> 00:07:29,791
As much as we can
84
00:07:30,303 --> 00:07:34,655
And then we also just we stillorgan extra one more joint for me to leave
85
00:07:50,271 --> 00:07:55,903
Ok very blocky very rough but I think you get the idea of where we're going
86
00:07:56,159 --> 00:07:59,999
The next this is I want to extrude one
87
00:08:00,255 --> 00:08:04,607
One point out for the job which is going to form the chin coming forward
88
00:08:05,119 --> 00:08:07,679
I think I'm going to text you from this point here
89
00:08:07,935 --> 00:08:11,519
S32 coming to rate orthographic and thus excluded h
90
00:08:12,031 --> 00:08:18,175
And then scale it we down so we get more of a chin point here for going forward obviously this head is not
91
00:08:18,431 --> 00:08:20,223
What are the dimensions we needed to me
92
00:08:20,479 --> 00:08:24,319
Exactly my name at the graphic but we look at it
93
00:08:24,831 --> 00:08:26,111
Hear it
94
00:08:26,367 --> 00:08:28,671
It looks quite strange so
95
00:08:29,183 --> 00:08:32,511
Don't worry anymore still have a lot of work to do on this though
96
00:08:37,631 --> 00:08:41,983
So how many points you want to add to find to the
97
00:08:43,263 --> 00:08:49,407
Form of Italy up to you you know you can come in and start adding more points to like these fine
98
00:08:49,919 --> 00:08:52,223
To get a better control of the main section
99
00:08:52,735 --> 00:08:54,783
And things like that
100
00:08:55,551 --> 00:09:01,695
Why it is important to get the basis down by dating meson the balance on my sleeve
101
00:09:01,951 --> 00:09:08,095
Structural we won't be using for a final piece of just sort of a tool to help us build
102
00:09:08,351 --> 00:09:14,495
Out of this but this is not the way we are going to do it for this project
103
00:09:16,031 --> 00:09:22,175
We are going around that modelling here this is a good enough space for me to work off of
104
00:09:22,431 --> 00:09:28,575
The one thing I'm going to do is add a subdivision surface modifier to it to give us a couple more
105
00:09:28,831 --> 00:09:34,463
I work with here not always say we lost some mass in the head and stuff from the smoothing but
106
00:09:34,719 --> 00:09:40,863
Again we are still going to take this into sculpt mode and a flash out the forms
107
00:09:41,119 --> 00:09:47,263
The last thing I really want to do here is apply all these modifiers so that are coming to school
108
00:09:47,519 --> 00:09:53,663
I can work with all these points that I just created so I'm going to get the hands of one's last
109
00:09:53,919 --> 00:09:59,295
Should say to make sure my proportions are good because
110
00:09:59,807 --> 00:10:00,972
Easier to edit
111
00:10:00,973 --> 00:10:03,144
Subtitled by
-♪ online-courses.club ♪-
We compress knowledge for you!
https://t.me/joinchat/ailxpXoW3JVjYzQ1
112
00:10:03,145 --> 00:10:06,975
Proportions for these types of things before you apply your modifiers
113
00:10:10,559 --> 00:10:16,703
Scale up the Centre and we did forget to extrude our second joint for the
114
00:10:19,519 --> 00:10:20,287
Tell
115
00:10:20,543 --> 00:10:24,895
Naturally the best way to call it I'm sure it has a name
116
00:10:25,919 --> 00:10:28,223
Ok so that
117
00:10:28,479 --> 00:10:33,343
Pretty girl let me just bring me down for the actually work like resting on the ground
118
00:10:40,255 --> 00:10:46,399
I think this is a good enough point to work with for the rest of our
119
00:10:47,167 --> 00:10:53,311
Model so let's go ahead in a play all these modifiers you can do this one by one over here
120
00:10:53,823 --> 00:10:57,919
Or you can do these all at once becoming an into
121
00:10:58,175 --> 00:11:01,503
Right clicking on your model and pressing convert to mesh
122
00:11:01,759 --> 00:11:06,623
Eva on disappear and now going to edit my own you can see we have the complete number
123
00:11:06,879 --> 00:11:13,023
He said he used to work with
124
00:11:13,279 --> 00:11:19,423
Creating a baby smile to bathe my sculpting off of so we will begin our Scotland process
125
00:11:19,679 --> 00:11:20,703
The next video
11632
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