All language subtitles for 59 - Character Creation Modeling Pt 1

Ok so we have our references setup and now we are ready to

Start my line or character here

However there is

A couple more organisational small things that I want to do

To keep this organisation to make my work slowly easier

Set alarm going to rename my reference to reference

I'm getting in this collection to Utilities

I like to keep things for the scale references and anything that

Is not actually part of my final piece I like to keep them in separate collections here

Just when you have a lot of objects and you're seeing it makes things all but easier if your references are in the sea

Recollection

In the last thing I want to do is

Make these not selectable so

As I am working I might find myself accidentally selecting

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Either of these two objects but I don't really want them to move at all in space so I'm going to temporary

Disable selection for days

The way we do that is becoming a into the outliner

Now be so what ability of drugs is not one of these options by default

That does not mean that it does not exist or we have to do is

Enable that in the filter here so it's going to the filter and there's all sorts of filters you can add

This one right here will be

Is 4

Whether or not the omelette is selectable so let's just that icon

And I'll see what we have the selectable

I can't in here in the outline Arsenal I have to do is disable selection on knees and I can

In the 3D viewport I can select the outline our stuff we need to change anything about the settings

We can do that

It will prevent me from accidentally clicking on things when these are not the areas that I'm trying to edit

Tell now we are really ready to start

Marilyn hair

So the way that I like to model at characters

Anything

Creatures or anything like that has sort of a skeleton to it is by using

What is called a skin modifier

So I'm destiny found anymore

With

Just like any of the

Fires that we have used to far so it requires a match to be able to work on so

We are going to start by a present shift

In Ireland do you report adding a

Plain mash

Ok so we are animal cleaners because we actually only need a single Vertex to work with for the skin mod

So

The first thing I'm going to do is I'm going to come into France for the graphic by pressing one on the keyboard

And actually let me enable my keystroke capture

So when you going to do is I am just in undirected mode going to present g&z

I'm going to remove

This prenup

Until the pivot point of this plane with orange diary here

Is about level with the Hips on my scale proportion die

From here all I need to do is merge these four Points into a single point on this

I'm going to come in to edit mode

I'm going to pray

M with everything selected and just choose merge at Centre

This will make the plane disappear from your report but you can see in the outline or that the object is still

Just reduced down

To a single Vertex which we can't see because it's been

The origin of it is being rented or other time

But don't worry it is still there

The next thing we need to do is the skin modifier it's off so

I was just coming to our modifiers panel

Add modifier

And add the skin modifier

What's done is basically drawn a box around r

So I think the best way to demonstrate the way that the skin my fireworks is just to use it so

Going to

I'm coming to wireframe view so I can see what's going on in the interior because

Your skin monitor will draw

Basically mesh around any area that where you have vertices

Cell

The first thing I'm going to do as I'm just going to make sure that my single point is highlighted by making a selection here

To extrude

And then come straight up

So what has the stand exactly was still have a box here because I have these two points but

Basically where I can do is take me to point in extruded an hour long by the bones

In our model to create a

Form of humour

So and there's a couple more things to know about this

Firstly

This red circle that is being run around my point

Is to indicate what the route of the object if not this has to do with how

Queen's are parents dead and how it smooth

Just know that you always want your route to be around your hips or your pelvic region on

Just a standard way to create model

Because I'm excluded from this point in his actually moved to the root hair which is not what I

So I have to do to fix that

If you highlight the point that I do want to be there any modifier panel on Hitman micro

This red circle back to where it should be

The next thing and it is obviously

Does MASH has been funded way to fake around certain areas of my mum

For instance I have extruded out this bed here to be the arm but obviously this is much too

We control the radius of the match that's being drawn by the skin modifier

Highlight

Control a on the keyboard and then we can scale it in

Now

The skin modifier can be somewhat tricky in the way that it blends

Together different points and holes in your mesh

It's just a little bit sensitive so water dress this morning if it comes up but just knows

Moving these points around in space will change the way that the smash of danger on

You can see here I have

Like this edge here if I move it down

Well this entire Edge loop has been

Delete

Trying to draw the best shaper can figure out

Based on your skeleton

So the general raw

For creating a match with a skin modifier is that you want

There to be at least enough vertices to create a skeleton so there should be a point

Each

Joint Adventures

This age system here that we are using to create a mesh will not be our final skeleton

So don't worry about matching these exactly to what the bone should be

I'm not going to go about ringing in a different way later on we are just trying to get the shape

Of the match here

I'm going to keep extruding m out until I have basically base form

That resembles his proportions but before I do that I want to add a new modifier

I'm working half essential

I'm going to come to the fire stick and I'm just going to add a modify

This arm hasn't been married over to the other side but there is a problem here

Because the skin modifier is above the mirror modifier in our static here

It is created this for the L-shaped and then just made that but we want the chest area to not

Two separate sheets that are stacked on top of each other we want us to B1 form because right now if

You can see how is their intersecting and it is not free

To fix this all we have to do is change the order of a modifier stack

I mentioned this briefly in a previous video

Because of the

Monitors we were using a couldn't demonstrate really clearly what I meant and this is what I mean my modifier

Is that

The star

Will be evaluated

From the top down to the skin modifier and then it's mirroring

What we want is to first apply mirror modifier

And then skinhead so that we have the

Structure essentially

The structure about the Nerf modifiers based on which is just eat edges and vertices we want to hear that

And then apply the skin around it so that in the centre we have just a single form

Set alarm

That is a good way to demonstrate why

Modifier order is so important

Self ban

With that all being said let's just go ahead and continue

To a dump without so

A excluded out of single point for the entire length of the arm but I am missing you too my joints here

In order for this to work properly so I'm just going to say

This point hair and ships like out here in the hand and going to right click and hit some divide 2 add 8

New pointer at here at the elbow

Ctrl-a and skeleton down to about the

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Of the arm

Based on

Proportion guide

We also need a joint for the shoulder

This again

And I just want to be careful about scaling and moving repoint around

Cell

The skin modifier dries the mash I don't

Now you will not be able to get

Exactly the form you want with the skin modifier the skin modifier just give you a good jumping off point

Forgetting me piece of started

Ctrl-a and scale in the

To adapt the width of the Hips here

And

Point here

What's on again know the style

Scale this one a little bit up to indicate the hand

Before I get too far

A good way to form

Countermeasures is to give each other joint a slight bend into them it will help one cancel

Funny things to be read properly if we can easily determine where all the joints are

Bending the mesh

Ok so I'm going to grab this chest point herein hit you to extrude up from it

I'm going to press control a scale down for the neck

I think I'm going to learn little little bit

And do another extrusion point because we have a very thin neck right here

I'm going other thing is that I do not have clipping turned on so you can see I can push this straight through the

And I'm getting offered to strange errors in my mash so you won't make sure that clipping is turned on for

Are near modifier at least what we are doing

The central line

So I'm going to bring my central line back to the centre with cutting turn on which will make it

Search marriage into a single point here

Use my mixer all the point along the line of symmetry are doing that as well

Essex Street 11

Add up for the head here

Subdivide this

And then I'm going to grab the middle point here and get control A2

Scaling out

More volume for the head

What to do the same thing up here

So this is kind of what I mean by trying to get the shape of the Nash rather than worrying too much

About the bone structure

I'm obviously the head it's

For an armature for animation would be a single Bond but here I have one two three

And this is just to get the shape of the head roughly match

And I'm going to worry more about

The pound later on

I also want you to think something like this one

Ok so I'm going to try and slipping off at the moment because I need to extrude out from these

Stuff on the Waze and if I have clipping turned on I will not be able to move it away from the central line

And has moved my route out with me which is not what I want so let's

Hips again and it's Margaret

Control a little

And bring the sense I'm going to come out at night

An angle here and come down for the legs that if you look at

Structure of

Human health

The the legs don't come

Straight out from the Centre Point you have that sort of hip bone here and then straight down

Little bit more now that we have a little bit more work with

Feet

Put them straight out

And then in the save you hear any right or the graphic I'm just going to make sure that they're meeting

I don't want my character to end up

Flooding

Ok so this is the

Most basic level of

Using a skin modifier to create your character

In there some find dimensions going on especially in the head region

This is the first step

Continue on at refining this in the next video