All language subtitles for 2. Prop layout

So we're going to lay out our items in our scene now, so let's just make sure that we do a final and

safe scene, going to take the squad and rename it.

This is going to be my ground.

And so in my cemetery Halloween set, I've got my prefigure prefab mobiles, so a prefab is basically

a pre-built object that has everything that you need all set up for you.

And what I'm going to do is basically make this a little bit bigger.

OK, so I'm just going to drop Dragsholm types into the scene and then we can work from there.

OK.

Make sure that you're in scene view to do this.

So I want one of these mobile Gracetown, maybe one that's kind of broke, maybe one of these.

It's kind of like a little bit warped.

Maybe one of these, uh, one of these.

You can just pull a skull in there and mobile to bring those and uh, even just one hand, and then

I also want these tree backgrounds as well, I think.

I think I'll go with this one tree, zero zero three zero one Biji.

Just write that one.

OK.

They're the items we're going to work with to begin with.

So now what I want to do is I want to see what I can see through my game and through the camera so I

can line them up correctly.

So I want to take my game, touch, click and drag over to the right so that it's lined up.

I'm just going to drag my inspector way over here, drag my Iraki over here.

That can be relatively small.

Now I can start dragging these items around.

So you want to take this and just want to drag it here like this.

And then rotate that around, and I probably want two or three of these, so I actually want to click

on the mobile to press control and D to duplicate, or if you want us edit and duplicate, that will

create me a second one mobile to zero one, and then I can pull one up here maybe a bit further back.

Maybe you can just rotated around a little bit.

Maybe I'll up another one as well.

So controlling D.

Just a little bit here.

This one for the bit.

That's good.

My tree.

I just moved back a bit.

Now, one of the few trees you can control in the.

Rolande.

And you can use multiple trees if you want.

I mean, there are four variations, but I'm just going to use the same one.

I'm fine.

It brings forward a bit and control the.

OK, just maybe another one.

Something like this.

OK, so it doesn't look so unusual.

Now, this tree, as you can see, is not a real tree.

It's just simply an image that's a simple quad.

So if I go to shaded wireframe, you can just see that is so basic, so simple.

It's just an image on the simple quad.

All of these items are extremely low poly.

So you can see it's barely got any kind of lines.

I go to wireframe.

You can see how simple these items really are.

All right.

Which is perfect for mobile.

Try and avoid items that, you know, are almost completely black because they've got so many triangles

in them that's just not useful for mobile or you really want to work, be working with very, very low

poly objects.

OK.

Yep, so I'm quite happy with that.

Want to take this one?

Maybe just pull it over here a little bit.

I'm going to switch off my gizmos, don't get in the way as I'm working, so with my mobile gravestone,

zero three control, and they should bring this forward a little bit.

You know, maybe one could even just rotate that around just a little bit.

And to my original one, again, just click on the control and the.

You yourself were not there as well.

Moved back a little bit.

Then we have this one.

Going to bring these ones forward a little bit closer to the camera.

Control and D.

Troll Andy.

Trouble in the.

OK, then I've got this one.

And.

Control and make sure that it is visible in the frame if he gets out here.

Not really visible, but we are going to be doing some rowth tatian on the camera a little bit later

so that it will be a bit more visible.

And I'm going to put this another one over this side this time.

From the.

OK, and then we've got this one that's all broken.

So to put this one on this side.

Here we go.

Control and they bring this one over to this side, in fact, actually, I might put it in that big

space at the back here.

Just make sure that it is visible.

If it's not visible, there's not really much point to put in there.

It's just kind of wasted geometry if you can't see it.

And what else do we have?

We have this little hand.

Let's make sure that that is kind of visible in the screen there.

It's not so small that you can't really see it.

It's maybe put another and somewhere over here in to my she bring this a little bit closer so we can

see that it looks pretty cool.

And then we've got a little skull here.

And now I think it's facing the wrong way at the moment, if I can find it.

It is.

So I need to rotate around its face in the camera.

And I'm going to bring this over like this, so it's maybe this one here that looks pretty cool.

You can actually make it out now you can see on the screen.

So make sure it's not so far away that you can barely see the.

See what we've got so far?

Yeah, I think that's looking fine.

I'm not too happy with the way that this ground looks at the moment.

So what I'm going to do and I'm going to take my main camera and on my way position, I'm just going

to click and drag in order to raise this up a little bit.

Yeah, I think that looks a little bit by the.

Yeah, OK, I'm fine with that, and I might try just manipulating this texture on the ground a little

bit, see what I can do with that.

So if I click on the ground, my material or my texture, where I've got my tiling sort of 45 by 45,

let me try 25.

All right, 25.

It's not too big.

Yeah, too big.

All right.

Thirty five this way.

Which over 65 the other way.

It's a bit stretched, isn't it so?

Fifty five.

I 40.

I actually prefer that, I think.

I mean, obviously, you know, you don't want it to be too visible far away, and you've got this nice

kind of blending effect going on there, but you don't want it to get too blended too early.

OK.

I think I think I should be fine.

Yes.

Yeah, that's quite nice.

OK, so we've got all of these items and in our scene.

All right.

But each of these items, if we just click on, for example, one of the gravestones, it has a mesh

renderer.

And as an old legacy on the machine that we're going to get rid of later.

And it's using mobile, diffuse.

OK, shader, which is fine.

This this actually does react to light, or at least it should do.

I'm just going to change the shader from the mobile diffuse to mobile unlinked.

OK, you probably won't notice much of a difference, but basically it means that they now won't react

to any kind of lighting.

All right.

So it makes it a lot easier and a lot quicker for a mobile to actually render.

It doesn't have to take into consideration any kind of lighting.

These almost have the lighting painted into them.

Now, at the moment, each of these objects is considered immovable object by unity, simply for the

reason it's not marked static.

Anything not marked as static is considered that these objects could potentially be moving all the time.

And so each one of these items is going to incur its own.

Dracul is is effectively a command from the CPU central processor to the graphics processor.

Each item having its own Dracul means the CPU asked to send the command to the GPU to draw in every

frame.

OK.

As soon as we mark them estatic, it will actually group all of these items together as one piece and

only send one command to the GPU because effectively it knows they're not going to move, knows exactly

what they're going to be every frame.

It's going to instead of sending draw calls for each and every item, she's going to send Wandrille

call, OK, in order to see this.

If we if I just move over here on the game and I just click start, we should leave.

We've only got set pascals moment, which is different to the draw calls.

So what I'm going to do in the next video is I'm going to show you the profiler where we can actually

start to see a lot of the elements going on behind the scenes, stuff to look at, things like draw

calls and batching and textures and all the rest of it and actually see how the computer is rendering

these items and how long each of those items is taking per frame.