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[ BELLS TOLLING ]
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>> [ CONVERSING IN ITALIAN ]
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TAKE HER HOME WITH ME.
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WHISK HER OFF.
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>> EASY, JOE.
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[ INDISTINCT CONVERSATION ]
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>> KEEP AN EYE ON MINE FOR ME,
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WILL YOU?
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>> JUST A MINUTE, SIR.
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HELLO.
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>> CAN I GET A BOTTLE OF BUD?
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>> I TOLD YOU, SIR.
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I'LL BE WITH YOU IN A MINUTE.
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WHAT WAS IT?
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>> BOTTLE OF BUD, PLEASE.
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>> A COLD ONE?
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>> YEAH.
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>> OKAY.
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>> [ SPEAKS INDISTINCTLY ]
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>> AND WHAT ARE YOU DRINKING?
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>> A PINT OF BITTERS.
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>> GIVE ME THAT BEFORE YOU TAKE
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YOUR BLOODY EYE OUT.
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YOU NEVER HAD ALL THIS TROUBLE
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WHEN YOU WORE GLASSES.
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COME TO THINK OF IT, YOU WERE
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ALWAYS LOSING THEM IN SCHOOL,
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TOO.
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[ CASH REGISTER BEEPS ]
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>> THANKS.
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>> I'VE BEEN SINGING FOR 10
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YEARS.
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>> YOU DON'T LOOK OLD ENOUGH.
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>> HOW LONG HAVE YOU BEEN
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SINGING FOR?
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>> ALL MY LIFE.
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I'VE WANTED TO SING DON ALFONSO
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>> I DOUBT IT.
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AND WHAT KIND OF LOVE SCENES ARE
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WE GOING TO HAVE THEN?
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ON STAGE, THOSE TWO HAVE TO
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ABSOLUTELY --
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>> SIZZLE.
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>> RIGHT.
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WHAT IDIOT MADE THIS BET WITH
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HIM, ANYWAY?
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>> MARTIN.
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>> HMM. UNBELIEVABLE.
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COME ON. YOU HAVE TO CRACK THIS.
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NATHAN!
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[ MUSIC PLAYS ]
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>> * E VOI RIDETE?
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>> * CERTO, RIDIAMO
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>> * MA COSA AVETE?
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>> * GI?? LO SAPPIAMO *
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>> * RIDETE PIANO!
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>> * PARLATE INVANO
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>> * RIDETE PIANO, PIANO, PIANO,
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PIANO *
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>> * PARLATE INVANO!
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PARLATE INVANO! *
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>> * SE VI SENTISSERO, SE VI
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SCOPRISSERO *
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* SI GUASTEREBBE TUTTO L'AFFAR
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* SI GUASTEREBBE TUTTO L'AFFAR
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>> [ CHUCKLES ]
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WELL, THAT'S BETTER.
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>> THANK YOU.
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DEBBIE, YOU CAN SIT THIS ONE
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OUT.
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EVERYONE, START POSITIONS,
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PLEASE.
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>> COME ON. IT DOESN'T MATTER.
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HE'S JUST TRYING SOMETHING NEW.
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>> NATHAN, CELIA?
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>> RELAX. GIVE IT A TRY.
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>> I'VE BEEN GIVING IT A TRY FOR
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TWO WEEKS.
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>> [ CHUCKLES ]
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YOU ALWAYS THIS BAD?
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YOU CAN TAKE YOUR GLASSES OFF.
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>> YES, YES.
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NANNY ME, MARTIN.
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>> [ VOCALIZES OPERATICALLY ]
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>> * AH, CHE TUTTA
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IN UN MOMENTO *
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* SI CANGIO LA SORTE MIA
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>> STOP THE MUSIC, PLEASE.
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>> STOP.
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>> I'M SORRY.
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>> STELLA, CAN YOU DO THESE
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PAGES?
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>> OKAY.
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>> BUT WHEN THE MUSIC STARTS,
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YOU JUST -- YOU'RE BOTH LOOKING
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OUT, AND YOU'RE IN CONFUSION.
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YOU'RE IN PAIN.
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YOU'RE THINKING ABOUT THE OLD
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>> MADAM, HAVE YOU FOUND IT YET?
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>> OKAY.
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YOU'LL LIVE.
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01:38:32,333 --> 01:38:35,433
OFF TO WARDROBE, PROMPTLY.
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>> WHAT THE HELL IS GOING ON?
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>> WHAT ELSE HAS HE LOST?
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>> HIS PHONE. I HAVE TO FIND IT.
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>> YOU COULD TRY SOMEWHERE DOWN
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BY THE LAKE.
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>> WHAT MAKES YOU THINK HE LOST
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IT THERE?
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>> IT'S JUST A HUNCH.
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>> BUT WHERE DOWN BY THE LAKE?
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>> OH, IN THE WOODS SOMEWHERE.
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>> SOMEW--
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SOMEWHERE?!
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IT'S A SODDING BIG WOOD!
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>> TAKE BASKERVILLE.
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IF ANYONE CAN FIND IT, HE CAN.
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>> BASKERVILLE?
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[ DOOR OPENS ]
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>> MR. PRODI.
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>> COULD I HAVE A MOMENT WITH
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YOU, MISS FORD?
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>> YOU CAN HAVE AS MANY MOMENTS
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AS YOU'D LIKE, MR. PRODI.
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>> MM.
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I WOULD LIKE YOU TO SING
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DORABELLA IN MILANO.
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WOULD YOU DO THAT FOR ME?
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I KNEW YOU WOULDN'T LET US DOWN!
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>> YOU MUST GIVE ME THE RECIPE
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FOR THAT, MRS. H.
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>> OH, I MADE IT UP MYSELF,
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BUNNY.
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IT'S ALL IN THE MIND.
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>> LET'S GO!
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WE GOT A SHOW TO PUT ON!
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>> WE LOVED THE PRESHOW IMPROV,
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PHILIP.
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BUT, TELL ME, DO YOU REALLY
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THINK IT HELPS?
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01:47:01,367 --> 01:47:03,300
>> YES, BOSELEY.
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>> HOW EXACTLY?
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>> WELL...
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I THINK IT HAD SIZZLE.
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>> SIZZLE?
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>> MM.
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>> I SEE.
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WELL, WE'RE ABOUT TO FIND OUT
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TONIGHT WHETHER IT DOES HAVE
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SIZZLE, WON'T WE?
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>> CAN I HAVE AN "A" PLEASE?
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[ NOTE PLAYS ]
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>> [ CHUCKLES ]
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[ OPERATIC MUSIC PLAYS ]
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[ OPERATIC SINGING ]
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>> YOU'RE ON! GO!
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[ OPERATIC SINGING CONTINUES ]
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[ SINGING STOPS ]
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[ OPERATIC MUSIC PLAYS ]
9447
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