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Official YIFY movies site:
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>> **
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>> ( train whistle blows )
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>> ( train whistle blows )
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>> ( bell ringing)
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>> ( train whistle blows )
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>> GOOD-BYE.
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>> WHEN I WAS 12 AND MY SISTER
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ILY DALE WAS 11,L
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Y FATHER DIED.M
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ND SOON AFTER, MY MOTHERA
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ARRIED AGAIN AND WENTM
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O LIVE IN HOUSTON.T
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Y STEPFATHER AGREED TO HAVEM
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Y SISTER LIVE WITH THEM,M
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UT HE THOUGHT BOYS MY AGEB
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HOULD WORKS
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ND SUPPORT THEMSELVES.A
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O I GOT A JOB CLERKINGS
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T A PLANTATION STORE.A
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HEN I WAS 19,W
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GOT A LETTER FROM MY MOTHERI
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SKING ME TO COME VISIT HERA
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ND MY SISTER IN HOUSTON.A
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>> ( train whistle blows )
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>> I DECIDED TO GO.
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>> ( train whistle blows )
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>> SHE SAYS,
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"JUST A MINUTE, SON."
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SHE WALKS ACROSS THE STREET,
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TELLS THE LADY OFF
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SOMETHING AWFUL.
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>> ( all laugh )
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>> ( train whistle blows )
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>> MIND IF I SIT WITH YOU, SON?
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>> NO, MA'AM.
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>> I CAN'T STAND A TRAIN TRIP
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WITHOUT A LITTLE COMPANY.
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WHERE ARE YOU GOING?
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>> HOUSTON.
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>> SO AM I.
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HOUSTON YOUR HOME?
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>> NO, MA'AM,
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I'M GOING ON A VISIT.
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>> WHO ARE YOU VISITING,
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YOUR GRANDMA?
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>> NO, MY MOTHER.
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>> YOUR MOTHER.
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YOUR MOTHER, NOT YOUR DADDY?
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>> NO, MY DADDY'S DEAD.
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SHE'S MARRIED AGAIN.
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>> WELL, I LIVE IN HARRISON NOW.
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USED TO LIVE IN HOUSTON,
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BUT MY HUSBAND LOST HIS JOB
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AND GOT A POSITION AT THE GIN
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IN HARRISON.
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HE'S A BOOKKEEPER.
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I HOPE HE'LL KEEP THAT.
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( sighs) WE HAVE A PROBLEM--
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MY HUSBAND, I MEAN.
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HE DRINKS.
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OH, HE'S FINE ON A JOB,
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BUT THEN HE GETS TO DRINKING
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AFTER TWO OR THREE MONTHS,
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AND THEY LET HIM GO.
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HE'S TAKEN THE KEELEY CURE
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MORE TIMES THAN I CAN COUNT.
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I'M GOING IN TO SEE ABOUT
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SHIPPING OUR FURNITURE
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TO HARRISON.
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WE SOLD OUR HOME IN HOUSTON.
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>> WHOSE HOUSE ARE YOU RENTING
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IN HARRISON?
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>> WELL, THEY CALL IT
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THE OLD ROBEDAUX PLACE.
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THEY SAY IT'S A SAD HOUSE.
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THE MAN WAS A BRILLIANT LAWYER
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AND DRANK HIMSELF
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RIGHT INTO THE GRAVE.
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MR. COONS SAYS--
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>> THAT WAS MY HOUSE.
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AT LEAST, IT WAS MY FATHER'S.
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I LIVED THERE UNTIL I WAS EIGHT,
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UNTIL MY MOTHER AND FATHER
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SEPARATED.
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>> SEPARATED?
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OH, MERCY.
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THAT'S A TERRIBLE THING.
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I HOPE IT DIDN'T END IN DIVORCE.
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>> NO, MA'AM.
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>> IS IT THAT YOUR DADDY DIED
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A DRUNKARD?
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>> YES, MA'AM.
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>> I FEEL SORRY FOR YOU, SON.
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I KNOW WHAT THAT CAN MEAN.
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ARE YOU A CHRISTIAN, SON?
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>> YES, MA'AM, I GUESS SO.
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>> WHAT DO YOU MEAN,
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YOU GUESS SO?
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THERE'S NO GUESSING
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ABOUT BEING A CHRISTIAN.
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YOU'RE EITHER SAVED OR NOT.
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ARE YOU BAPTIZED?
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>> I DON'T KNOW, MA'AM.
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>> WHAT DO YOU MEAN,
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YOU DON'T KNOW?
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>> WELL, I HADN'T THOUGHT
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ABOUT IT ONE WAY OR THE OTHER.
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IF I WAS BAPTIZED,
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I WAS TOO YOUNG TO REMEMBER IT.
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>> MERCY.
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WELL, YOU WILL ASK YOUR MAMA.
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>> THE THE FIRST THING
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YOU SEE HER, YOU ASK HER
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IF YOU'RE BAPTIZED.
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YOUR SOUL IS IN
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TERRIBLE DANGER, SON,
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IF YOU'RE NOT.
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DO YOU ATTEND CHURCH?
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>> NO, MA'AM.
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THE CHURCH MY PEOPLE GO TO
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DOESN'T HAVE A CONGREGATION
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IN GLEN FLORA.
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>> WHAT CHURCH IS THAT?
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>> THE EPISCOPAL.
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>> I GUESS NOT.
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THEY ONLY HAVE A SMALL ONE
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IN HARRISON.
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I AM A BAPTIST.
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>> YES, MA'AM.
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>> IF WE'D BAPTIZED YOU,
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YOU WOULD'VE REMEMBERED.
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>> YES, MA'AM.
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>> I WAS BAPTIZED IN THE RIVER.
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MADE CLEAN IN THE RIVER.
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GAVE ALL MY SINS TO JESUS
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IN THE RIVER.
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WASHED IN THE BLOOD OF THE LAMB
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IN THE RIVER.
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( chuckles )
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DID YOU GO TO SCHOOL
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IN HARRISON?
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>> AS FAR AS THE SIXTH GRADE,
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THEN I QUIT.
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MY FATHER WAS AN EDUCATED MAN.
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ALL HIS FAMILY WERE.
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THERE WERE GREEK SCHOLARS
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AND LATIN SCHOLARS.
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DO YOU KNOW THE
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ARRISON SPECTATOR?H
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>> READ IT EVERY WEEK.
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>> MY UNCLES STARTED THAT.
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ONE OF THEM NEVER WORKED
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AT ALL, THEY SAID.
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HE JUST SAT AROUND AND
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READ BOOKS IN GREEK
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ALL THE TIME.
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MY MOTHER SAYS SHE'D RATHER
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SEE ME DEAD THAN THAT WAY.
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SHE SAID HE LIVED
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A USELESS LIFE.
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I LIKE TO READ, THOUGH.
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I CAN'T HELP IT.
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I DON'T TELL MY MOTHER.
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>> AND YOUR BIBLE,
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DO YOU READ YOUR BIBLE?
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>> NO, MA'AM.
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I DON'T HAVE A BIBLE.
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>> YOU DON'T HAVE A BIBLE?
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>> NO, MA'AM.
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>> DO YOU SAY YOUR PRAYERS
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EVERY NIGHT?
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>> NO, MA'AM.
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>> WELL, THEN YOU START
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PRAYING EVERY DAY...
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ON YOUR KNEES
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MORNING AND NIGHT.
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YOU CAN HEAR MY PRAYERS
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ALL OVER TOWN.
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MR. COONS SAYS, "MRS. COONS,
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YOU'RE PRAYING TOO LOUD.
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YOU'RE KEEPING PEOPLE AWAKE
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WITH YOUR PRAYERS."
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"IT'LL DO THEM GOOD," I SAID.
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"LET THEM HEAR THE PRAYERS
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OF A TRUE CHRISTIAN."
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AND THEN I JUST PRAY
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THAT MUCH LOUDER.
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SOMETIMES I EVEN SHOUT.
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SHOUT THE DEVIL DOWN, I SAY.
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YOU HAVE TO SHOUT LOUD
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TO SHOUT THE DEVIL DOWN.
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WOULD YOU JOIN ME IN A
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LITTLE PRAYER NOW, SON?
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>> NO, MA'AM, THAT'S ALL RIGHT.
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I DON'T THINK SO.
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>> OH, DON'T BE EMBARRASSED.
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NEVER BE ASHAMED TO LET PEOPLE
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KNOW THAT YOU ARE A CHRISTIAN.
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LORD, TAKE THIS BOY HERE...
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WHAT'S YOUR NAME?
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>> HORACE.
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CLEANSE HORACE OF ALL
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HIS WORLDLY WAYS.
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OPEN HIS EYES TO
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THE NEED OF BAPTISM.
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>> ( train whistle blows )
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>> ( bell ringing )
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>> **
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>> ( bell rings )
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>> ( knock at door )
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>> SOMEONE'S AT THE DOOR, MAMA.
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>> CAN'T YOU OPEN
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THE DOOR, HONEY?
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>> I'M SCARED TO, MAMA.
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>> ( sighs ) LILY DALE, HEAVENS!
218
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>> DORIS VIOLET SAYS THE CITY'S
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ALIVE WITH BEGGARS AND GYPSIES
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AND WHITE SLAVERS.
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SHE SAYS HER MOTHER FORBID HER
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EVER TO OPEN HER DOOR.
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>> WELL, I'M SURE THAT'S FINE
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WHEN YOU'RE ALONE, HONEY.
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BUT I DON'T THINK YOU
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HAVE TO WORRY WHEN I'M
227
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IN THE HOUSE.
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>> ( knocks )
229
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>> Corella: JUST A MINUTE.
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( gasps ) HORACE.
231
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LILY DALE, IT'S HORACE!
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OH! OH!
233
00:09:57,767 --> 00:10:00,067
( chuckles )
234
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>> HELLO, BROTHER.
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WE THOUGHT YOU WERE THE GYPSIES.
236
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MR. DAVENPORT'S IN ATLANTA
237
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VISITING HIS KIN,
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AND MAMA AND I ARE ALONE HERE.
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MY GIRLFRIEND DORIS VIOLET
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SAYS IT'S VERY DANGEROUS
241
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FOR LADIES AND YOUNG GIRLS
242
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TO BE LEFT ALONE
243
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IN THIS WICKED CITY.
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>> YES, IT IS.
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COME ON IN, SON.
246
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>> HOW DO YOU LIKE MY PIANO?
247
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>> IT'S VERY NICE.
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>> WHEN MAMA AND MR. DAVENPORT
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FIRST GOT MARRIED,
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HE GOT ME A SECONDHAND PIANO
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STRAIGHT OFF, AND THEN
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AFTER I LEARNED HOW
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TO PLAY SOME, HE SAID
254
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HE WOULDN'T HAVE ME
255
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PLAYING A SECONDHAND PIANO,
256
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AND HE WENT OUT AND BOUGHT
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THIS ONE FOR ME.
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BROTHER, YOU'VE NEVER
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HEARD ME PLAY THE PIANO,
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HAVE YOU?
261
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>> NO.
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>> YOU WANT ME TO PLAY
263
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SOMETHING FOR YOU NOW?
264
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>> HONEY, YOUR BROTHER
265
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JUST GOT HERE.
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HE'S TIRED.
267
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JUST LET HIM REST
268
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FOR A WHILE FIRST.
269
00:10:45,733 --> 00:10:47,467
NOW, WHAT TIME DID YOU
270
00:10:47,467 --> 00:10:48,333
GET UP THIS MORNING?
271
00:10:48,333 --> 00:10:48,867
>> FOUR.
272
00:10:48,867 --> 00:10:50,467
>> MR. DAVENPORT'S UP AT FOUR
273
00:10:50,467 --> 00:10:51,167
EVERY MORNING.
274
00:10:51,167 --> 00:10:52,300
EVEN ON SUNDAYS,
275
00:10:52,300 --> 00:10:52,900
ISN'T HE, MAMA?
276
00:10:52,900 --> 00:10:53,833
>> YES, HE IS.
277
00:10:53,833 --> 00:10:56,300
HORACE, YOU'VE GROWN INTO
278
00:10:56,300 --> 00:10:57,500
A NICE-LOOKING YOUNG MAN.
279
00:10:57,500 --> 00:10:59,333
>> THANK YOU.
280
00:10:59,333 --> 00:11:01,533
>> HOW LONG DO YOU PLAN
281
00:11:01,533 --> 00:11:02,567
ON STAYING, BROTHER?
282
00:11:02,567 --> 00:11:03,667
>> OH, I DON'T KNOW EXACTLY.
283
00:11:03,667 --> 00:11:04,733
YOU MENTIONED A WEEK
284
00:11:04,733 --> 00:11:05,700
IN YOUR LETTER, AND I THOUGHT--
285
00:11:05,700 --> 00:11:06,767
>> NOW, IF I FIXED YOU
286
00:11:06,767 --> 00:11:07,967
A SANDWICH, WOULD YOU EAT IT?
287
00:11:07,967 --> 00:11:08,900
>> SURE.
288
00:11:08,900 --> 00:11:09,900
>> AND I HAVE A CAKE I MADE
289
00:11:09,900 --> 00:11:10,667
JUST THIS MORNING.
290
00:11:10,667 --> 00:11:11,433
WOULD YOU LIKE A PIECE
291
00:11:11,433 --> 00:11:11,933
OF THAT, TOO?
292
00:11:11,933 --> 00:11:12,800
>> YES, MA'AM.
293
00:11:21,233 --> 00:11:22,933
>> ( chuckles )
294
00:11:22,933 --> 00:11:25,300
THIS IS A TWO-STORY HOUSE.
295
00:11:25,300 --> 00:11:27,333
WE RENT ONE OF THE UPSTAIRS
296
00:11:27,333 --> 00:11:29,633
BEDROOMS TO A QUIET COUPLE.
297
00:11:32,767 --> 00:11:34,633
>> DO YOU THINK I'VE CHANGED?
298
00:11:34,633 --> 00:11:36,567
>> YES, YOU HAVE.
299
00:11:36,567 --> 00:11:37,800
>> WOULD YOU HAVE RECOGNIZED ME
300
00:11:37,800 --> 00:11:38,600
IF YOU'D PASSED ME
301
00:11:38,600 --> 00:11:39,333
ON THE STREET?
302
00:11:39,333 --> 00:11:40,600
>> I THINK SO.
303
00:11:40,600 --> 00:11:42,233
>> I KEEP HAVING THIS TERRIBLE
304
00:11:42,233 --> 00:11:43,767
DREAM THAT I'VE BEEN KIDNAPPED
305
00:11:43,767 --> 00:11:45,333
AND THEY WON'T LET ME GO
306
00:11:45,333 --> 00:11:46,333
UNTIL I'M AN OLD WOMAN.
307
00:11:46,333 --> 00:11:47,567
AND WHEN I COME BACK HOME,
308
00:11:47,567 --> 00:11:48,700
NO ONE RECOGNIZES ME.
309
00:11:48,700 --> 00:11:49,667
AND I KEEP SAYING,
310
00:11:49,667 --> 00:11:50,667
"I'M LILY DALE.
311
00:11:50,667 --> 00:11:52,500
I'M LILY DALE ROBEDAUX."
312
00:11:52,500 --> 00:11:56,067
BUT NO ONE BELIEVES ME.
313
00:11:56,067 --> 00:11:58,500
YOU EVER HAVE A DREAM LIKE THAT?
314
00:11:58,500 --> 00:12:00,933
>> NO.
315
00:12:00,933 --> 00:12:02,533
>> YOU EVER HAVE DREAMS?
316
00:12:02,533 --> 00:12:04,333
>> SOMETIMES.
317
00:12:04,333 --> 00:12:07,300
ONCE I DREAMED...
318
00:12:07,300 --> 00:12:10,833
I FORGET. ( chuckles )
319
00:12:10,833 --> 00:12:12,400
>> WE DIDN'T THINK YOU WERE
320
00:12:12,400 --> 00:12:13,367
COMING WHEN YOU DIDN'T ANSWER
321
00:12:13,367 --> 00:12:13,933
MOTHER'S LETTER.
322
00:12:13,933 --> 00:12:15,300
>> I DIDN'T GET THE LETTER
323
00:12:15,300 --> 00:12:16,300
RIGHT AWAY, AND WHEN
324
00:12:16,300 --> 00:12:17,333
I DID GET IT, I JUST DECIDED
325
00:12:17,333 --> 00:12:18,600
TO COME ON.
326
00:12:18,600 --> 00:12:19,567
>> HOW MUCH DID IT
327
00:12:19,567 --> 00:12:20,800
COST YOU TO GET HERE?
328
00:12:20,800 --> 00:12:21,700
>> TWO DOLLARS.
329
00:12:21,700 --> 00:12:22,533
>> WHERE'D YOU GET
330
00:12:22,533 --> 00:12:23,633
THE TWO DOLLARS?
331
00:12:23,633 --> 00:12:24,867
>> MAMA SENT IT TO ME.
332
00:12:24,867 --> 00:12:25,767
>> SHE DID?
333
00:12:25,767 --> 00:12:27,700
>> MAMA SAID SHE'D GIVE ME
334
00:12:27,700 --> 00:12:29,300
THE MONEY TO COME BACK
335
00:12:29,300 --> 00:12:30,300
ONCE I GOT HERE.
336
00:12:30,300 --> 00:12:33,700
>> ( man shouting )
337
00:12:33,700 --> 00:12:34,900
>> MAMA, THE VEGETABLE MAN'S
338
00:12:34,900 --> 00:12:35,933
OUT FRONT.
339
00:12:35,933 --> 00:12:38,067
>> I HEAR HIM, HONEY.
340
00:12:38,067 --> 00:12:39,067
>> HOW MUCH LONGER WILL
341
00:12:39,067 --> 00:12:40,967
MR. DAVENPORT BE GONE?
342
00:12:40,967 --> 00:12:42,367
>> HE WAS TO BE GONE
343
00:12:42,367 --> 00:12:43,933
THREE WEEKS, BUT WE GOT
344
00:12:43,933 --> 00:12:45,067
A LETTER FROM HIM YESTERDAY
345
00:12:45,067 --> 00:12:46,067
AND HE SAID THINGS HAD
346
00:12:46,067 --> 00:12:47,067
CHANGED SO IN ATLANTA
347
00:12:47,067 --> 00:12:48,533
THAT IT DIDN'T FEEL LIKE HOME
348
00:12:48,533 --> 00:12:49,433
ANY LONGER AND HE LONGED
349
00:12:49,433 --> 00:12:50,300
TO GET BACK TO US.
350
00:12:50,300 --> 00:12:52,700
SO HE'S CUTTING HIS TRIP SHORT.
351
00:12:52,700 --> 00:12:53,967
WHEN MAMA GOT THE LETTER,
352
00:12:53,967 --> 00:12:55,067
SHE SAID IT WAS A BLESSING
353
00:12:55,067 --> 00:12:56,333
YOU HADN'T COME.
354
00:12:56,333 --> 00:12:57,300
SHE WOULD'VE BEEN A NERVOUS
355
00:12:57,300 --> 00:12:58,700
WRECK, HAVING YOU HERE AND
356
00:12:58,700 --> 00:12:59,733
EXPECTING MR. DAVENPORT TO
357
00:12:59,733 --> 00:13:01,800
WALK IN ANY MINUTE UNEXPECTED.
358
00:13:01,800 --> 00:13:03,100
YOU SEE, SHE SENT FOR YOU
359
00:13:03,100 --> 00:13:04,067
BEHIND HIS BACK.
360
00:13:04,067 --> 00:13:05,933
SHE KIND OF HINTED AROUND FOR
361
00:13:05,933 --> 00:13:07,367
HIS PERMISSION TO HAVE YOU HERE
362
00:13:07,367 --> 00:13:08,133
WHILE HE WAS GONE, BUT HE SAID
363
00:13:08,133 --> 00:13:09,067
HE DIDN'T THINK IT WAS
364
00:13:09,067 --> 00:13:10,067
A GOOD IDEA TO ENCOURAGE YOU
365
00:13:10,067 --> 00:13:11,067
TO TAKE OFF FROM WORK.
366
00:13:11,067 --> 00:13:12,700
SO SHE DIDN'T PRESS IT FURTHER,
367
00:13:12,700 --> 00:13:13,967
BUT THEN SHE DECIDED
368
00:13:13,967 --> 00:13:15,433
TO WRITE YOU ANYWAY,
369
00:13:15,433 --> 00:13:16,100
WHICH, AT THE TIME,
370
00:13:16,100 --> 00:13:17,700
I THOUGHT WAS A MISTAKE.
371
00:13:17,700 --> 00:13:19,100
I ALWAYS THINK DECEIT
372
00:13:19,100 --> 00:13:21,467
IS A MISTAKE, DON'T YOU?
373
00:13:21,467 --> 00:13:23,067
MAMA, WHY DIDN'T YOU TELL ME
374
00:13:23,067 --> 00:13:24,733
YOU SENT BROTHER TWO DOLLARS
375
00:13:24,733 --> 00:13:25,900
FOR A TRAIN TICKET?
376
00:13:25,900 --> 00:13:27,067
>> WELL, THAT WAS
377
00:13:27,067 --> 00:13:28,400
JUST MY SECRET, HONEY.
378
00:13:28,400 --> 00:13:29,067
WE'VE ALL GOT TO HAVE
379
00:13:29,067 --> 00:13:30,867
OUR SECRETS, DON'T WE?
380
00:13:33,900 --> 00:13:35,433
>> CAN I PLAY MY ETUDE
381
00:13:35,433 --> 00:13:36,067
FOR YOU NOW, BROTHER?
382
00:13:36,067 --> 00:13:37,567
>> SURE.
383
00:13:37,567 --> 00:13:39,067
>> MR. DAVENPORT SAYS HE'D PAY
384
00:13:39,067 --> 00:13:40,533
HIS LAST CENT TO PAY FOR
385
00:13:40,533 --> 00:13:41,667
MY MUSIC LESSONS.
386
00:13:41,667 --> 00:13:42,367
DO YOU HAVE
387
00:13:42,367 --> 00:13:43,833
MUSICAL ABILITY, BROTHER?
388
00:13:43,833 --> 00:13:45,067
>> I DON'T KNOW.
389
00:13:51,933 --> 00:13:54,600
>> **
390
00:14:01,900 --> 00:14:02,700
>> HAVE YOU BEEN
391
00:14:02,700 --> 00:14:04,433
TO HARRISON LATELY?
392
00:14:04,433 --> 00:14:06,433
>> I TRY TO GET IN EVERY WEEK.
393
00:14:06,433 --> 00:14:07,700
I GET UP EARLY SUNDAY MORNING
394
00:14:07,700 --> 00:14:08,567
AND WALK INTO HARRISON
395
00:14:08,567 --> 00:14:09,833
ALONG THE RAILROAD TRACKS
396
00:14:09,833 --> 00:14:10,967
AND HAVE SUNDAY DINNER WITH
397
00:14:10,967 --> 00:14:12,167
AUNT VIRGIE OR AUNT INEZ
398
00:14:12,167 --> 00:14:13,933
OR SOMETIMES AUNT GLADYS.
399
00:14:13,933 --> 00:14:14,933
THEN I GET UP EARLY
400
00:14:14,933 --> 00:14:15,967
MONDAY MORNING AND WALK BACK
401
00:14:15,967 --> 00:14:16,800
TO GLEN FLORA TO GET
402
00:14:16,800 --> 00:14:17,500
THE STORE OPEN.
403
00:14:17,500 --> 00:14:18,067
>> HOW LONG DOES IT
404
00:14:18,067 --> 00:14:19,067
TAKE YOU TO WALK IT?
405
00:14:19,067 --> 00:14:19,967
>> THREE HOURS.
406
00:14:19,967 --> 00:14:20,733
AUNT VIRGIE'S
407
00:14:20,733 --> 00:14:21,567
TAUGHT ME TO DANCE.
408
00:14:21,567 --> 00:14:22,567
>> OH, SHE WOULD.
409
00:14:22,567 --> 00:14:23,900
YOU CAN'T SPEND FIVE MINUTES
410
00:14:23,900 --> 00:14:24,833
AROUND VIRGIE WITHOUT
411
00:14:24,833 --> 00:14:26,100
SOME KIND OF DANCING GOING ON.
412
00:14:26,100 --> 00:14:27,667
>> WELL, I'M NOT GONNA PLAY
413
00:14:27,667 --> 00:14:28,933
IF YOU ALL ARE GONNA TALK.
414
00:14:28,933 --> 00:14:30,400
>> I'M SORRY, SISTER.
415
00:14:33,500 --> 00:14:35,600
>> ( clears throat )
416
00:14:35,600 --> 00:14:37,733
>> **
417
00:14:44,933 --> 00:14:45,667
>> MAMA--
418
00:14:45,667 --> 00:14:47,200
>> SHH.
419
00:14:47,200 --> 00:14:48,567
( whispering ) WE'LL TALK AFTER
420
00:14:48,567 --> 00:14:49,833
LILY DALE IS FINISHED.
421
00:14:49,833 --> 00:14:51,667
SHE'S VERY SENSITIVE.
422
00:15:13,767 --> 00:15:15,900
>> MAMA.
423
00:15:15,900 --> 00:15:16,667
HE'S ASLEEP.
424
00:15:16,667 --> 00:15:18,500
>> SHH.
425
00:15:18,500 --> 00:15:19,767
>> I THINK THAT'S
426
00:15:19,767 --> 00:15:21,233
VERY RUDE OF HIM.
427
00:15:21,233 --> 00:15:22,733
>> OH, HONEY, HE DOESN'T
428
00:15:22,733 --> 00:15:24,933
MEAN TO BE RUDE.
429
00:15:24,933 --> 00:15:26,133
I JUST DON'T THINK HE'S USED
430
00:15:26,133 --> 00:15:28,633
TO HEARING MUSIC LIKE THIS.
431
00:15:28,633 --> 00:15:30,067
AND, YOU KNOW, HE'S PROBABLY
432
00:15:30,067 --> 00:15:31,633
JUST VERY TIRED FROM
433
00:15:31,633 --> 00:15:32,133
HIS TRAIN RIDE.
434
00:15:32,133 --> 00:15:32,967
>> HOW LONG IS HE
435
00:15:32,967 --> 00:15:33,900
PLANNING ON STAYING?
436
00:15:33,900 --> 00:15:35,633
>> I DON'T KNOW.
437
00:15:35,633 --> 00:15:37,633
WHEN I FIRST INVITED HIM,
438
00:15:37,633 --> 00:15:40,067
I ASKED HIM TO STAY A WEEK.
439
00:15:40,067 --> 00:15:41,800
THAT WAS BEFORE I HEARD
440
00:15:41,800 --> 00:15:42,767
FROM MR. DAVENPORT THAT HE
441
00:15:42,767 --> 00:15:44,067
WAS CUTTING HIS TRIP SHORT.
442
00:15:44,067 --> 00:15:45,500
>> WHAT WOULD YOU DO IF
443
00:15:45,500 --> 00:15:46,567
MR. DAVENPORT WALKED IN
444
00:15:46,567 --> 00:15:47,100
RIGHT NOW?
445
00:15:47,100 --> 00:15:48,633
>> OH, I DON'T KNOW.
446
00:15:48,633 --> 00:15:50,067
I JUST HOPE HORACE LEAVES
447
00:15:50,067 --> 00:15:52,633
BEFORE MR. DAVENPORT GETS BACK.
448
00:15:52,633 --> 00:15:53,767
I DON'T THINK HE'LL BE BACK
449
00:15:53,767 --> 00:15:55,500
UNTIL THE DAY AFTER TOMORROW.
450
00:15:55,500 --> 00:15:56,167
WE JUST GOT
451
00:15:56,167 --> 00:15:57,067
THE LETTER YESTERDAY.
452
00:15:57,067 --> 00:15:59,067
IT TAKES TWO DAYS FROM ATLANTA.
453
00:16:01,800 --> 00:16:03,133
>> ( chickens clucking )
454
00:16:03,133 --> 00:16:03,967
>> BROTHER, HOW LONG
455
00:16:03,967 --> 00:16:05,567
DO YOU PLAN TO STAY?
456
00:16:05,567 --> 00:16:06,633
>> I HAD PLANNED ON
457
00:16:06,633 --> 00:16:07,567
STAYING A WEEK...
458
00:16:07,567 --> 00:16:09,600
AND I THOUGHT WHILE I WAS HERE,
459
00:16:09,600 --> 00:16:11,067
I MIGHT LOOK FOR A JOB.
460
00:16:11,067 --> 00:16:11,967
>> WHERE?
461
00:16:11,967 --> 00:16:13,067
>> IN HOUSTON.
462
00:16:13,067 --> 00:16:14,233
>> WHY?
463
00:16:14,233 --> 00:16:15,933
>> I THOUGHT IT MIGHT BE NICE
464
00:16:15,933 --> 00:16:16,967
TO LIVE NEAR YOU AND MAMA
465
00:16:16,967 --> 00:16:17,967
FOR A CHANGE.
466
00:16:17,967 --> 00:16:18,767
>> YOU COULDN'T LIVE
467
00:16:18,767 --> 00:16:19,267
HERE, BROTHER.
468
00:16:19,267 --> 00:16:20,067
THERE'S NO ROOM
469
00:16:20,067 --> 00:16:20,967
FOR YOU HERE AT ALL.
470
00:16:20,967 --> 00:16:22,633
>> I DIDN'T MEAN HERE.
471
00:16:22,633 --> 00:16:24,667
I MEANT IN HOUSTON SOMEWHERE,
472
00:16:24,667 --> 00:16:25,733
BUT NEAR YOU.
473
00:16:25,733 --> 00:16:26,733
>> WELL, WHAT COULD YOU DO
474
00:16:26,733 --> 00:16:27,733
IN HOUSTON, BROTHER?
475
00:16:27,733 --> 00:16:28,700
>> WELL, I THOUGHT I'D ASK
476
00:16:28,700 --> 00:16:29,867
MR. DAVENPORT TO HELP ME FIND
477
00:16:29,867 --> 00:16:31,567
A JOB AT THE RAILROAD.
478
00:16:31,567 --> 00:16:32,733
>> DO YOU KNOW THEY'RE LAYING
479
00:16:32,733 --> 00:16:33,933
OFF PEOPLE DOWN AT THE RAIL YARD
480
00:16:33,933 --> 00:16:34,867
EVERY DAY?
481
00:16:34,867 --> 00:16:36,067
AND IF MR. DAVENPORT WASN'T
482
00:16:36,067 --> 00:16:37,133
SUCH AN EXCEPTIONAL WORKER,
483
00:16:37,133 --> 00:16:38,100
HE'D BE IN MORTAL DANGER
484
00:16:38,100 --> 00:16:39,267
OF LOSING HIS JOB THERE.
485
00:16:39,267 --> 00:16:40,933
>> WHY DON'T WE GO DOWN AND SEE
486
00:16:40,933 --> 00:16:42,133
A PLAY THIS AFTERNOON?
487
00:16:42,133 --> 00:16:43,100
WOULD YOU LIKE THAT, HORACE?
488
00:16:43,100 --> 00:16:44,100
>> SURE.
489
00:16:44,100 --> 00:16:45,633
>> GOOD, I'LL GO GET DRESSED.
490
00:16:45,633 --> 00:16:47,233
SON, I DON'T KNOW HOW
491
00:16:47,233 --> 00:16:48,833
TO TELL YOU THIS, BUT I'M
492
00:16:48,833 --> 00:16:49,967
AFRAID YOU WON'T BE ABLE TO STAY
493
00:16:49,967 --> 00:16:50,800
A WEEK AFTER ALL.
494
00:16:50,800 --> 00:16:52,100
YOU SEE, MR. DAVENPORT--
495
00:16:52,100 --> 00:16:52,900
>> I ALREADY TOLD HIM
496
00:16:52,900 --> 00:16:54,200
ABOUT MR. DAVENPORT.
497
00:16:54,200 --> 00:16:55,200
ARE YOU GONNA GIVE BROTHER
498
00:16:55,200 --> 00:16:56,233
MONEY FOR A TRAIN TICKET?
499
00:16:56,233 --> 00:16:57,200
>> YES, I AM.
500
00:16:57,200 --> 00:16:58,067
>> WHERE ARE YOU GETTING
501
00:16:58,067 --> 00:16:59,167
ALL THIS MONEY FROM?
502
00:16:59,167 --> 00:17:00,333
>> THAT IS NONE OF YOUR
503
00:17:00,333 --> 00:17:01,767
BUSINESS, LILY DALE.
504
00:17:01,767 --> 00:17:03,400
ANYWAY, SON, I'M AFRAID YOU'LL
505
00:17:03,400 --> 00:17:05,267
ONLY BE ABLE TO STAY TODAY
506
00:17:05,267 --> 00:17:08,867
AND TOMORROW...
507
00:17:08,867 --> 00:17:09,400
AT THIS TIME.
508
00:17:09,400 --> 00:17:10,767
>> YES, MA'AM.
509
00:17:10,767 --> 00:17:11,967
>> I'M AWFULLY SORRY.
510
00:17:11,967 --> 00:17:13,267
>> DON'T WORRY ABOUT IT.
511
00:17:26,767 --> 00:17:27,300
>> DO YOU HAVE
512
00:17:27,300 --> 00:17:29,300
A SWEETHEART, BROTHER?
513
00:17:29,300 --> 00:17:30,767
I HAVE ONE.
514
00:17:30,767 --> 00:17:31,833
DON'T TELL MAMA
515
00:17:31,833 --> 00:17:32,367
I TOLD YOU, THOUGH.
516
00:17:32,367 --> 00:17:34,067
SHE'D HAVE A FIT.
517
00:17:34,067 --> 00:17:35,833
HE'S A LOVELY BOY.
518
00:17:35,833 --> 00:17:38,767
MR. DAVENPORT CAN'T STAND HIM.
519
00:17:38,767 --> 00:17:39,933
HE WON'T EVEN LET HIM
520
00:17:39,933 --> 00:17:41,833
COME TO THE HOUSE.
521
00:17:41,833 --> 00:17:43,900
HE SAYS HE'S DISSOLUTE.
522
00:17:43,900 --> 00:17:45,167
I HAVE TO SLIP OUT
523
00:17:45,167 --> 00:17:46,667
EVEN TO SEE HIM.
524
00:17:46,667 --> 00:17:48,300
MR. DAVENPORT FOUND OUT ABOUT IT
525
00:17:48,300 --> 00:17:49,833
AND HE WAS IN FURY.
526
00:17:49,833 --> 00:17:50,867
HE WOULDN'T EVEN SPEAK TO ME
527
00:17:50,867 --> 00:17:51,767
UNTIL THE MORNING HE LEFT
528
00:17:51,767 --> 00:17:52,833
FOR ATLANTA.
529
00:17:57,133 --> 00:17:58,067
>> THIS IS THE RING
530
00:17:58,067 --> 00:18:00,433
MY BOYFRIEND GAVE ME.
531
00:18:00,433 --> 00:18:02,933
HE WANTS TO MARRY ME.
532
00:18:02,933 --> 00:18:05,100
HE SAYS I'M BEAUTIFUL.
533
00:18:05,100 --> 00:18:06,367
HE SAYS I'M PRETTY ENOUGH
534
00:18:06,367 --> 00:18:08,467
TO BE AN ACTRESS.
535
00:18:08,467 --> 00:18:10,700
HE'S VERY HANDSOME, TOO.
536
00:18:10,700 --> 00:18:11,967
HE DOES DRINK, THOUGH,
537
00:18:11,967 --> 00:18:13,100
AND HE SMOKES CIGARETTES,
538
00:18:13,100 --> 00:18:14,100
BUT I TOLD HIM HE'D HAVE TO
539
00:18:14,100 --> 00:18:15,467
STOP BOTH BEFORE I MARRIED HIM.
540
00:18:15,467 --> 00:18:16,800
I TOLD HIM I HAD A FATHER
541
00:18:16,800 --> 00:18:17,400
WHO WAS A DRUNKARD
542
00:18:17,400 --> 00:18:18,367
AND A CIGARETTE FIEND
543
00:18:18,367 --> 00:18:19,333
AND THAT THOSE HABITS
544
00:18:19,333 --> 00:18:21,467
HAD KILLED HIM.
545
00:18:21,467 --> 00:18:23,067
DO YOU REMEMBER PAPA?
546
00:18:23,067 --> 00:18:24,900
>> SURE.
547
00:18:24,900 --> 00:18:26,133
>> I DON'T HAVE A PICTURE
548
00:18:26,133 --> 00:18:27,267
OF HIM, DO YOU?
549
00:18:27,267 --> 00:18:28,267
>> NO.
550
00:18:28,267 --> 00:18:29,100
>> I WONDER IF ANYONE
551
00:18:29,100 --> 00:18:30,833
HAS A PICTURE OF HIM.
552
00:18:30,833 --> 00:18:32,067
I TELL YOU, I CAN HARDLY
553
00:18:32,067 --> 00:18:32,767
REMEMBER WHAT HE
554
00:18:32,767 --> 00:18:34,400
LOOKS LIKE ANYMORE.
555
00:18:34,400 --> 00:18:36,200
I CAN HEAR HIS VOICE, THOUGH.
556
00:18:36,200 --> 00:18:37,133
I CAN REMEMBER THE WAY HE
557
00:18:37,133 --> 00:18:38,733
ALWAYS USED TO CALL ME SISTER
558
00:18:38,733 --> 00:18:40,133
AND YOU BROTHER.
559
00:18:40,133 --> 00:18:41,700
>> HE NEVER CALLED YOU SISTER
560
00:18:41,700 --> 00:18:42,367
OR ME BROTHER.
561
00:18:42,367 --> 00:18:43,367
>> YES, HE DID.
562
00:18:43,367 --> 00:18:44,167
>> NO, HE DIDN'T.
563
00:18:44,167 --> 00:18:45,700
HE ALWAYS CALLED ME HORACE JR.
564
00:18:45,700 --> 00:18:46,800
AND YOU LILY DALE.
565
00:18:46,800 --> 00:18:47,467
>> WELL, THEN,
566
00:18:47,467 --> 00:18:48,200
WHO CALLED ME SISTER
567
00:18:48,200 --> 00:18:49,100
AND WHO CALLED YOU BROTHER?
568
00:18:49,100 --> 00:18:50,067
>> I CALLED YOU SISTER,
569
00:18:50,067 --> 00:18:50,833
AND YOU CALLED ME BROTHER,
570
00:18:50,833 --> 00:18:51,333
BUT PAPA--
571
00:18:51,333 --> 00:18:53,300
>> WHAT'S THAT?
572
00:18:53,300 --> 00:18:55,233
>> THIS IS PAPA'S WATCH.
573
00:18:55,233 --> 00:18:56,167
IT DOESN'T RUN.
574
00:18:56,167 --> 00:18:57,767
I'LL HAVE IT FIXED SOMEDAY.
575
00:18:57,767 --> 00:18:58,700
LOOK, IT HAD HIS INITIALS
576
00:18:58,700 --> 00:18:59,767
ENGRAVED, SEE?
577
00:18:59,767 --> 00:19:00,533
>> WHERE DID YOU GET IT?
578
00:19:00,533 --> 00:19:01,433
>> I FOUND IT STUFFED IN
579
00:19:01,433 --> 00:19:02,233
A DRAWER AT THE HOUSE
580
00:19:02,233 --> 00:19:03,133
WHEN I CAME BACK AFTER
581
00:19:03,133 --> 00:19:05,267
YOU ALL LEFT THAT TIME.
582
00:19:05,267 --> 00:19:08,267
AND LOOK.
583
00:19:08,267 --> 00:19:09,533
THIS IS MAMA'S WEDDING RING.
584
00:19:09,533 --> 00:19:10,433
>> HOW DO YOU KNOW?
585
00:19:10,433 --> 00:19:12,333
>> LOOK INSIDE.
586
00:19:12,333 --> 00:19:17,133
IT SAYS "TO C.T. FROM H.R."
587
00:19:17,133 --> 00:19:20,467
>> YES, IT DOES.
588
00:19:20,467 --> 00:19:21,800
>> I USED TO HAVE SOME
589
00:19:21,800 --> 00:19:23,267
OF PAPA'S BOOKS.
590
00:19:23,267 --> 00:19:24,467
>> WHERE ARE THEY NOW?
591
00:19:24,467 --> 00:19:25,800
>> I DON'T KNOW.
592
00:19:25,800 --> 00:19:27,200
THEY JUST DISAPPEARED AFTER
593
00:19:27,200 --> 00:19:28,067
I WENT TO WORK OUT AT
594
00:19:28,067 --> 00:19:31,300
THE GAUTIER PLANTATION.
595
00:19:31,300 --> 00:19:34,533
I USED TO READ ALL THE TIME.
596
00:19:34,533 --> 00:19:37,133
I READ NEWSPAPERS NOW MOSTLY.
597
00:19:37,133 --> 00:19:39,933
>> I CAN'T STAND READING.
598
00:19:39,933 --> 00:19:40,900
MOTHER DOESN'T LIKE
599
00:19:40,900 --> 00:19:41,867
TO READ EITHER.
600
00:19:41,867 --> 00:19:43,367
MR. DAVENPORT SAYS HE'S NEVER
601
00:19:43,367 --> 00:19:44,933
READ A BOOK IN HIS ENTIRE LIFE
602
00:19:44,933 --> 00:19:46,167
AND HE DOESN'T INTEND TO.
603
00:19:46,167 --> 00:19:47,833
AND ONCE WHEN MAMA TOLD HIM HOW
604
00:19:47,833 --> 00:19:48,933
PAPA USED TO LIKE TO READ,
605
00:19:48,933 --> 00:19:52,333
HE SAID, "NO WONDER HE DRANK."
606
00:19:52,333 --> 00:19:54,067
LOOK, THIS IS MY SWEETHEART.
607
00:19:57,300 --> 00:20:00,200
>> ISN'T HE GOOD-LOOKING?
608
00:20:00,200 --> 00:20:01,400
HE PLAYS BASEBALL
609
00:20:01,400 --> 00:20:02,800
ON THE CITY TEAM.
610
00:20:02,800 --> 00:20:03,900
HE'S A FIRST BASEMAN.
611
00:20:03,900 --> 00:20:07,000
HE'S A WONDERFUL ATHLETE.
612
00:20:07,000 --> 00:20:08,467
HE'S 25.
613
00:20:08,467 --> 00:20:09,900
MR. DAVENPORT SAYS
614
00:20:09,900 --> 00:20:11,167
HE'S OLD ENOUGH TO BE MY FATHER,
615
00:20:11,167 --> 00:20:12,233
BUT I THINK A BOY SHOULD BE
616
00:20:12,233 --> 00:20:13,300
QUITE A BIT OLDER THAN A GIRL,
617
00:20:13,300 --> 00:20:14,133
DON'T YOU?
618
00:20:14,133 --> 00:20:15,433
>> OH, I NEVER THOUGHT ABOUT IT
619
00:20:15,433 --> 00:20:16,333
ONE WAY OR THE OTHER.
620
00:20:16,333 --> 00:20:17,800
>> ARE YOU READY?
621
00:20:17,800 --> 00:20:19,300
>> WHAT ARE WE GONNA SEE?
622
00:20:19,300 --> 00:20:20,433
>> I DON'T KNOW, BUT I'M SURE
623
00:20:20,433 --> 00:20:21,233
IT'S GONNA BE GOOD.
624
00:20:21,233 --> 00:20:23,067
IT ALWAYS IS.
625
00:20:23,067 --> 00:20:27,067
>> ( people chattering )
626
00:20:27,067 --> 00:20:29,533
>> ISN'T THIS EXCITING, BROTHER?
627
00:20:29,533 --> 00:20:31,200
I LIKE MUSIC BEST.
628
00:20:31,200 --> 00:20:32,433
WE CAME TO HEAR GALLI-CURCI
629
00:20:32,433 --> 00:20:33,767
WHEN SHE SANG HERE,
630
00:20:33,767 --> 00:20:34,833
AND PADEREWSKI
631
00:20:34,833 --> 00:20:35,933
AND JOHN McCORMACK.
632
00:20:35,933 --> 00:20:36,467
>> I WOULD LOVE
633
00:20:36,467 --> 00:20:37,200
TO HAVE HEARD HIM.
634
00:20:37,200 --> 00:20:38,433
I LOVE IRISH TENORS.
635
00:20:38,433 --> 00:20:39,867
I HEARD CHAUNCEY OLCOTT.
636
00:20:39,867 --> 00:20:40,467
>> COME ALONG, CHILDREN,
637
00:20:40,467 --> 00:20:41,800
WE'RE GOING UPSTAIRS.
638
00:20:44,267 --> 00:20:45,167
>> DID JOHN McCORMACK
639
00:20:45,167 --> 00:20:46,100
SING MOTHER MACHREE?
640
00:20:46,100 --> 00:20:47,267
>> YES, HE DID.
641
00:20:47,267 --> 00:20:48,500
>> SO DID CHAUNCEY OLCOTT
642
00:20:48,500 --> 00:20:49,333
AS AN ENCORE.
643
00:20:49,333 --> 00:20:50,333
>> WE HAVE A RECORDING OF
644
00:20:50,333 --> 00:20:51,300
JOHN McCORMACK SINGING,
645
00:20:51,300 --> 00:20:52,067
DON'T WE, SISTER?
646
00:20:52,067 --> 00:20:53,367
>> YES, WE DO.
647
00:21:00,900 --> 00:21:02,067
>> CORELLA!
648
00:21:08,500 --> 00:21:10,200
>> LILY DALE!
649
00:21:30,133 --> 00:21:33,233
>> ( applause )
650
00:21:37,133 --> 00:21:38,233
>> I DON'T BELIEVE YOU CARED
651
00:21:38,233 --> 00:21:39,233
FOR THE PLAY, BROTHER.
652
00:21:39,233 --> 00:21:40,100
>> YES, I DID,
653
00:21:40,100 --> 00:21:41,500
WHAT I COULD UNDERSTAND.
654
00:21:41,500 --> 00:21:42,967
>> HE'S PROBABLY NEVER SEEN
655
00:21:42,967 --> 00:21:44,167
A PLAY BY SHAKESPEARE BEFORE,
656
00:21:44,167 --> 00:21:44,967
PRECIOUS.
657
00:21:44,967 --> 00:21:45,833
IT CAN BE HARD TO
658
00:21:45,833 --> 00:21:46,567
UNDERSTAND AT FIRST.
659
00:21:46,567 --> 00:21:47,900
>> YOU FELL ASLEEP TWICE.
660
00:21:47,900 --> 00:21:49,300
ONCE YOU WERE SNORING SO LOUD,
661
00:21:49,300 --> 00:21:50,500
I HAD TO POKE YOU.
662
00:21:53,467 --> 00:21:54,967
>> MAMA, WHAT DID PAPA CALL ME?
663
00:21:54,967 --> 00:21:56,067
DID HE CALL ME SISTER
664
00:21:56,067 --> 00:21:57,133
OR DID HE CALL ME LILY DALE?
665
00:21:57,133 --> 00:21:58,433
>> I DON'T REMEMBER.
666
00:21:58,433 --> 00:22:00,167
>> WELL, I THINK HE CALLED ME
667
00:22:00,167 --> 00:22:01,067
SISTER, BUT BROTHER SAYS
668
00:22:01,067 --> 00:22:02,167
HE CALLED ME LILY DALE.
669
00:22:02,167 --> 00:22:03,633
>> HE DID CALL YOU LILY DALE.
670
00:22:03,633 --> 00:22:05,067
I REMEMBER NOW.
671
00:22:05,067 --> 00:22:06,133
>> ALL OF THE TIME?
672
00:22:06,133 --> 00:22:09,300
>> I EXPECT SO.
673
00:22:09,300 --> 00:22:11,067
HE THOUGHT THAT WE SHOULD ALL
674
00:22:11,067 --> 00:22:13,233
BE CALLED BY OUR GIVEN NAMES.
675
00:22:13,233 --> 00:22:14,367
>> HOW OLD WERE YOU WHEN
676
00:22:14,367 --> 00:22:15,333
YOU MARRIED OUR FATHER?
677
00:22:15,333 --> 00:22:17,600
>> ( chuckles ) OH, 18.
678
00:22:17,600 --> 00:22:21,567
I HAD HORACE WHEN I WAS 19.
679
00:22:21,567 --> 00:22:23,500
>> HOW OLD WAS OUR FATHER?
680
00:22:23,500 --> 00:22:26,500
>> TWENTY-TWO.
681
00:22:26,500 --> 00:22:28,167
WE WERE ALL MOVING AROUND
682
00:22:28,167 --> 00:22:30,367
SO MUCH AFTER THE WAR.
683
00:22:30,367 --> 00:22:32,233
WE LIVED IN GOLIAD,
684
00:22:32,233 --> 00:22:34,067
SALURIE ISLAND,
685
00:22:34,067 --> 00:22:36,267
THEN BACK TO HARRISON.
686
00:22:36,267 --> 00:22:38,067
WELL, MY PAPA WANTED
687
00:22:38,067 --> 00:22:39,267
TO GET BACK HIS LAND
688
00:22:39,267 --> 00:22:42,067
HE FELT HIS PAPA HAD
689
00:22:42,067 --> 00:22:43,900
BEEN CHEATED OUT OF.
690
00:22:43,900 --> 00:22:45,267
I THINK YOUR DADDY'S PEOPLE
691
00:22:45,267 --> 00:22:46,533
WERE ALREADY THERE BY THEN.
692
00:22:46,533 --> 00:22:48,567
I'M SURE THEY WERE.
693
00:22:48,567 --> 00:22:51,300
HIS BROTHERS RAN THE NEWSPAPER.
694
00:22:51,300 --> 00:22:53,633
HE HAD A LAW OFFICE.
695
00:22:53,633 --> 00:22:55,933
HE WAS VERY HANDSOME.
696
00:22:55,933 --> 00:22:58,100
VERY DISTINGUISHED.
697
00:22:58,100 --> 00:22:59,567
HE WAS A YOUNG MAN.
698
00:22:59,567 --> 00:23:01,067
>> ( both gasp )
699
00:23:01,067 --> 00:23:03,533
>> DON'T BE FRIGHTENED.
700
00:23:03,533 --> 00:23:07,367
>> ( both laugh )
701
00:23:07,367 --> 00:23:09,400
>> I DIDN'T KNOW WHO YOU WERE
702
00:23:09,400 --> 00:23:10,300
OR WHAT YOU WANTED.
703
00:23:10,300 --> 00:23:11,267
>> I DON'T REMEMBER BEING SO
704
00:23:11,267 --> 00:23:13,233
FRIGHTENED IN ALL MY LIFE.
705
00:23:13,233 --> 00:23:14,200
WHEN'D YOU GET HERE?
706
00:23:14,200 --> 00:23:15,267
>> I'VE BEEN HERE TWO HOURS.
707
00:23:15,267 --> 00:23:16,600
TOOK A NAP.
708
00:23:16,600 --> 00:23:17,633
>> WE GOT YOUR LETTER.
709
00:23:17,633 --> 00:23:18,500
WE DIDN'T EXPECT YOU
710
00:23:18,500 --> 00:23:19,233
TILL TOMORROW.
711
00:23:19,233 --> 00:23:21,600
I'M SO GLAD YOU'RE HOME.
712
00:23:21,600 --> 00:23:22,567
I MISSED YOU SO MUCH.
713
00:23:22,567 --> 00:23:23,600
I LEARNED TWO NEW PIECES
714
00:23:23,600 --> 00:23:24,333
WHILE YOU WERE GONE.
715
00:23:24,333 --> 00:23:25,067
I JUST--
716
00:23:25,067 --> 00:23:27,333
>> PETE, HORACE SURPRISED US
717
00:23:27,333 --> 00:23:28,367
BY JUST WALKING IN HERE
718
00:23:28,367 --> 00:23:29,367
THIS MORNING.
719
00:23:29,367 --> 00:23:30,400
HE TOOK A DAY OFF FROM WORK
720
00:23:30,400 --> 00:23:32,600
AND DECIDED TO PAY US A VISIT.
721
00:23:32,600 --> 00:23:36,367
>> HELLO, SIR.
722
00:23:36,367 --> 00:23:39,233
>> HELLO.
723
00:23:39,233 --> 00:23:41,067
>> DID YOU HAVE A GOOD TIME?
724
00:23:41,067 --> 00:23:42,633
>> I GUESS SO.
725
00:23:42,633 --> 00:23:46,500
>> HOW WERE YOUR PEOPLE?
726
00:23:46,500 --> 00:23:48,200
>> ALL RIGHT.
727
00:23:53,067 --> 00:23:55,633
>> Lily Dale: OOH, HE IS MAD.
728
00:23:55,633 --> 00:23:57,500
I'VE ONLY SEEN HIM MAD ONCE.
729
00:23:57,500 --> 00:23:59,100
I HOPE NEVER TO SEE THAT AGAIN.
730
00:23:59,100 --> 00:24:01,067
>> HORACE.
731
00:24:01,067 --> 00:24:01,767
THERE'S NO ROOM FOR YOU
732
00:24:01,767 --> 00:24:02,467
HERE NOW.
733
00:24:02,467 --> 00:24:04,167
DO YOU UNDERSTAND THAT, HONEY?
734
00:24:04,167 --> 00:24:05,367
I WANT YOU TO TAKE THAT TRAIN
735
00:24:05,367 --> 00:24:06,300
BACK TO HARRISON TONIGHT.
736
00:24:06,300 --> 00:24:07,067
YOU GO TO VIRGIE.
737
00:24:07,067 --> 00:24:08,100
YOU TELL HER WHAT HAPPENED.
738
00:24:08,100 --> 00:24:09,167
SHE'LL JUST LET YOU STAY
739
00:24:09,167 --> 00:24:10,367
WITH HER, OKAY?
740
00:24:10,367 --> 00:24:11,600
>> I DON'T HAVE ANY MONEY
741
00:24:11,600 --> 00:24:12,500
FOR THE TICKET HOME.
742
00:24:12,500 --> 00:24:13,400
>> OH, YEAH, I FORGOT.
743
00:24:13,400 --> 00:24:14,500
I'M SO SORRY.
744
00:24:14,500 --> 00:24:15,433
I HAVE SOME MONEY
745
00:24:15,433 --> 00:24:16,300
UPSTAIRS IN MY CLOSET.
746
00:24:16,300 --> 00:24:17,067
I'LL GO GET IT.
747
00:24:17,067 --> 00:24:18,333
NOW YOU WAIT RIGHT HERE.
748
00:25:00,633 --> 00:25:02,267
>> HOW ARE ALL OUR OLD FRIENDS
749
00:25:02,267 --> 00:25:03,367
BACK IN HARRISON?
750
00:25:03,367 --> 00:25:07,567
>> ALL RIGHT.
751
00:25:07,567 --> 00:25:12,167
WILLIE ROSEBERRY LEFT.
752
00:25:12,167 --> 00:25:13,367
>> MAMA JUST WENT TO GET HIM
753
00:25:13,367 --> 00:25:14,633
SOME MONEY TO GET BACK HOME ON.
754
00:25:14,633 --> 00:25:15,467
SHE SENT HIM TWO DOLLARS
755
00:25:15,467 --> 00:25:16,167
TO GET HERE.
756
00:25:16,167 --> 00:25:17,767
>> YOU'RE GIVING HIM MONEY?
757
00:25:17,767 --> 00:25:19,600
>> WELL, YOU SEE,
758
00:25:19,600 --> 00:25:22,533
MR. DAVENPORT...
759
00:25:22,533 --> 00:25:27,133
>> YOU'RE A GROWN MAN.
760
00:25:27,133 --> 00:25:29,367
AREN'T YOU ASHAMED TO TAKE MONEY
761
00:25:29,367 --> 00:25:30,500
FROM YOUR MAMA?
762
00:25:30,500 --> 00:25:31,767
WELL, WHEN I WAS YOUR AGE,
763
00:25:31,767 --> 00:25:32,767
I WAS SUPPORTING MY MOTHER,
764
00:25:32,767 --> 00:25:33,533
BROTHER, AND SISTERS
765
00:25:33,533 --> 00:25:34,267
FOR SEVEN YEARS.
766
00:25:34,267 --> 00:25:37,800
NOBODY EVER GAVE ME ANYTHING.
767
00:25:37,800 --> 00:25:40,867
WHAT KIND OF MAN YOU GONNA MAKE,
768
00:25:40,867 --> 00:25:42,500
TAKING MONEY FROM A WOMAN
769
00:25:42,500 --> 00:25:43,633
AT YOUR AGE?
770
00:25:50,400 --> 00:25:52,133
>> HE DOESN'T MEAN THAT, SON.
771
00:25:52,133 --> 00:25:53,600
HE'S NOT AS BAD AS HE SOUNDS.
772
00:25:53,600 --> 00:25:55,233
LOOK, YOU TAKE THIS MONEY.
773
00:25:55,233 --> 00:25:57,233
AND HERE'S A LITTLE EXTRA
774
00:25:57,233 --> 00:25:59,067
FOR A SANDWICH ON THE TRAIN.
775
00:26:09,567 --> 00:26:12,400
>> MR. DAVENPORT, HE'S GONE.
776
00:26:12,400 --> 00:26:14,867
LISTEN TO MY NEW PIECES.
777
00:26:19,900 --> 00:26:21,733
>> **
778
00:26:37,700 --> 00:26:40,167
>> PLEASE, LILY DALE,
779
00:26:40,167 --> 00:26:41,333
JUST BE QUIET.
780
00:26:41,333 --> 00:26:42,433
I HAVE A SPLITTING HEADACHE.
781
00:26:42,433 --> 00:26:44,400
JUST BE QUIET FOR ONCE.
782
00:26:47,533 --> 00:26:51,900
>> PLAY THAT ETUDE I LIKE?
783
00:26:51,900 --> 00:26:55,300
>> ALL RIGHT.
784
00:26:55,300 --> 00:26:56,333
I'M NOT GONNA PLAY
785
00:26:56,333 --> 00:26:58,633
IF YOU'RE GONNA READ THE PAPER.
786
00:26:58,633 --> 00:27:01,333
>> I'M NOT GONNA READ THE PAPER.
787
00:27:04,900 --> 00:27:07,733
>> **
788
00:27:12,300 --> 00:27:15,467
>> ( knock at door )
789
00:27:24,633 --> 00:27:25,833
>> WHAT DO YOU WANT?
790
00:27:25,833 --> 00:27:28,333
>> I FORGOT MY SUITCASE.
791
00:27:39,600 --> 00:27:40,700
>> I BROUGHT SOME PRESENTS
792
00:27:40,700 --> 00:27:41,567
FOR YOU ALL.
793
00:27:51,433 --> 00:27:53,433
>> OH, THANK YOU, SON.
794
00:27:53,433 --> 00:27:54,900
ISN'T THAT PRETTY?
795
00:28:00,600 --> 00:28:01,967
>> THIS IS FOR YOU, LILY DALE.
796
00:28:01,967 --> 00:28:03,067
IT'S A MEMORY BOOK.
797
00:28:03,067 --> 00:28:04,900
IT'S FOR SCHOOL.
798
00:28:04,900 --> 00:28:06,467
>> OH, I HAVE ONE
799
00:28:06,467 --> 00:28:08,333
OF THESE ALREADY.
800
00:28:08,333 --> 00:28:09,433
ANYWAY, I HAVEN'T BEEN
801
00:28:09,433 --> 00:28:11,433
TO SCHOOL IN FOUR YEARS.
802
00:28:11,433 --> 00:28:12,833
MR. DAVENPORT SAYS
803
00:28:12,833 --> 00:28:13,733
I GET TO STAY AT HOME
804
00:28:13,733 --> 00:28:15,367
AND PRACTICE THE PIANO
805
00:28:15,367 --> 00:28:17,367
AND COMPOSE MUSIC.
806
00:28:17,367 --> 00:28:18,500
>> SHE WROTE A RAG.
807
00:28:18,500 --> 00:28:19,067
SHE CALLS IT
808
00:28:19,067 --> 00:28:20,567
HE DAVENPORT RAG,T
809
00:28:20,567 --> 00:28:22,600
IN HONOR OF HER STEP DADDY.
810
00:28:22,600 --> 00:28:24,067
>> WELL, MR. DAVENPORT,
811
00:28:24,067 --> 00:28:25,400
WHAT DID HORACE BRING YOU?
812
00:28:25,400 --> 00:28:27,433
OH, ISN'T THAT NICE.
813
00:28:27,433 --> 00:28:29,633
>> WOULD BE IF I SMOKED.
814
00:28:29,633 --> 00:28:30,933
>> WELL, YOU CAN JUST GIVE IT
815
00:28:30,933 --> 00:28:31,867
TO SOMEBODY DOWN AT
816
00:28:31,867 --> 00:28:32,733
THE RAILROAD YARD.
817
00:28:32,733 --> 00:28:34,300
>> I SUSPECT I CAN.
818
00:28:34,300 --> 00:28:38,600
>> HORACE, WHEN YOU SEE VIRGIE
819
00:28:38,600 --> 00:28:40,467
AND EVERYBODY ELSE, YOU TELL
820
00:28:40,467 --> 00:28:41,533
THEM HI FOR ME, WOULD YOU?
821
00:28:41,533 --> 00:28:42,067
>> I WILL.
822
00:28:42,067 --> 00:28:43,300
>> THANK YOU, SON.
823
00:28:43,300 --> 00:28:44,300
BYE AGAIN.
824
00:28:44,300 --> 00:28:44,900
>> BYE.
825
00:28:48,333 --> 00:28:50,567
>> MAMA, WHY DID YOU DO THAT?
826
00:28:50,567 --> 00:28:52,300
TELL MR. DAVENPORT
827
00:28:52,300 --> 00:28:53,767
ABOUT THE RAG I COMPOSED?
828
00:28:53,767 --> 00:28:56,067
I WANTED TO SURPRISE HIM.
829
00:28:56,067 --> 00:28:58,433
>> I'M SORRY, HONEY.
830
00:28:58,433 --> 00:29:00,067
>> IT WAS TO BE HIS
831
00:29:00,067 --> 00:29:00,900
CHRISTMAS PRESENT.
832
00:29:00,900 --> 00:29:02,133
I WAS GONNA PLAY IT FOR HIM
833
00:29:02,133 --> 00:29:03,400
ON CHRISTMAS MORNING.
834
00:29:03,400 --> 00:29:04,633
>> YOU CAN WRITE ME ANOTHER ONE
835
00:29:04,633 --> 00:29:05,733
FOR CHRISTMAS, HONEY.
836
00:29:05,733 --> 00:29:06,500
YOU CAN CALL THAT ONE
837
00:29:06,500 --> 00:29:07,700
HE CHRISTMAS RAG.T
838
00:29:07,700 --> 00:29:11,900
JUST PLAY THIS ONE FOR ME NOW.
839
00:29:11,900 --> 00:29:14,067
>> ALL RIGHT.
840
00:29:22,767 --> 00:29:23,867
>> WHAT ARE YOU LOOKING
841
00:29:23,867 --> 00:29:25,333
OUT THE WINDOW FOR?
842
00:29:29,633 --> 00:29:30,633
>> WHAT ARE YOU LOOKING OUT
843
00:29:30,633 --> 00:29:32,067
THE WINDOW FOR?
844
00:29:32,067 --> 00:29:34,067
>> WHAT?
845
00:29:34,067 --> 00:29:35,067
>> I SAID, WHY ARE YOU
846
00:29:35,067 --> 00:29:37,967
LOOKING OUT THE WINDOW?
847
00:29:37,967 --> 00:29:39,400
>> I JUST WANTED TO SEE
848
00:29:39,400 --> 00:29:40,100
IF YOUR BROTHER MADE
849
00:29:40,100 --> 00:29:41,533
THE STREETCAR ALL RIGHT.
850
00:29:41,533 --> 00:29:42,767
GO ON, PLAY.
851
00:29:42,767 --> 00:29:44,933
>> NO, I DON'T WANT TO PLAY
852
00:29:44,933 --> 00:29:47,633
UNLESS EVERYBODY'S GONNA LISTEN.
853
00:29:47,633 --> 00:29:48,800
>> I'M LISTENING, HONEY.
854
00:29:48,800 --> 00:29:49,800
>> YOU'RE NOT LISTENING IF
855
00:29:49,800 --> 00:29:51,567
YOU'RE LOOKING OUT THE WINDOW.
856
00:30:01,367 --> 00:30:07,033
>> ALL RIGHT, NOW I'M LISTENING.
857
00:30:07,033 --> 00:30:09,467
>> **
858
00:30:42,367 --> 00:30:43,367
>> MAMA.
859
00:30:43,367 --> 00:30:46,433
>> YES?
860
00:30:46,433 --> 00:30:47,967
>> CAN I SEE WILL AGAIN?
861
00:30:47,967 --> 00:30:50,433
>> NO.
862
00:30:50,433 --> 00:30:51,767
>> WHY NOT, MAMA?
863
00:30:51,767 --> 00:30:52,833
>> NOW, YOU KNOW WHY NOT,
864
00:30:52,833 --> 00:30:53,533
LILY DALE.
865
00:30:53,533 --> 00:30:54,567
BECAUSE MR. DAVENPORT
866
00:30:54,567 --> 00:30:57,967
DOES NOT APPROVE OF HIM.
867
00:30:57,967 --> 00:30:59,600
>> I LIKE HIM, MAMA.
868
00:30:59,600 --> 00:31:00,933
>> YOU'RE TOO YOUNG TO KNOW
869
00:31:00,933 --> 00:31:03,833
WHETHER YOU LIKE SOMEONE OR NOT.
870
00:31:03,833 --> 00:31:05,133
>> IF HE PROMISED TO STOP
871
00:31:05,133 --> 00:31:06,600
DRINKING, COULD I SEE HIM THEN?
872
00:31:06,600 --> 00:31:08,133
>> NO, BECAUSE HE WON'T.
873
00:31:08,133 --> 00:31:08,967
>> YES, HE WOULD.
874
00:31:08,967 --> 00:31:10,167
I KNOW HE WOULD.
875
00:31:10,167 --> 00:31:11,733
>> ( men singing )
876
00:31:11,733 --> 00:31:12,733
>> THAT'S WILL.
877
00:31:12,733 --> 00:31:16,633
HE'S COME TO SERENADE ME.
878
00:31:16,633 --> 00:31:20,633
>> * FAR OVER THE MOUNTAIN
879
00:31:20,633 --> 00:31:22,800
* BREAKS THE DAY...
880
00:31:25,200 --> 00:31:27,700
>> ( singing continues )
881
00:31:27,700 --> 00:31:29,100
>> WHAT'S THAT?
882
00:31:29,100 --> 00:31:30,767
>> IT'S WILL KIDDER.
883
00:31:30,767 --> 00:31:31,867
HE'S COME TO SERENADE
884
00:31:31,867 --> 00:31:33,967
LILY DALE AGAIN.
885
00:31:33,967 --> 00:31:35,700
>> DOESN'T HE KNOW THERE ARE
886
00:31:35,700 --> 00:31:37,100
WORKING PEOPLE THAT LIVE HERE?
887
00:31:37,100 --> 00:31:38,867
MR. AND MRS. WESTHEIMER
888
00:31:38,867 --> 00:31:40,433
GO TO BED AT 8:00.
889
00:31:40,433 --> 00:31:41,700
THEY WORK HARD ALL DAY LONG,
890
00:31:41,700 --> 00:31:42,533
AND THEY'RE TIRED.
891
00:31:42,533 --> 00:31:43,433
NOW YOU SEND HIM AWAY,
892
00:31:43,433 --> 00:31:44,433
LILY DALE.
893
00:31:44,433 --> 00:31:45,567
I FORBID YOU TO HAVE
894
00:31:45,567 --> 00:31:46,200
ANYTHING TO DO WITH HIM.
895
00:31:46,200 --> 00:31:46,967
I'VE TOLD YOU AND
896
00:31:46,967 --> 00:31:47,900
TOLD YOU THAT.
897
00:31:47,900 --> 00:31:48,800
>> AND I'VE TOLD HIM
898
00:31:48,800 --> 00:31:50,167
AND I TOLD HIM, MR. DAVENPORT,
899
00:31:50,167 --> 00:31:51,967
BUT HE SAYS HE'LL JUST DIE
900
00:31:51,967 --> 00:31:54,067
IF I NEVER SEE HIM AGAIN.
901
00:31:54,067 --> 00:31:55,733
HE SAYS HE'S GOING TO REFORM
902
00:31:55,733 --> 00:31:56,967
AND NEVER DRINK AGAIN
903
00:31:56,967 --> 00:31:58,200
AS LONG AS HE LIVES.
904
00:31:58,200 --> 00:31:59,600
>> I DON'T BELIEVE IT.
905
00:31:59,600 --> 00:32:00,733
HE'D TELL YOU ANYTHING
906
00:32:00,733 --> 00:32:01,500
JUST TO SEE YOU.
907
00:32:01,500 --> 00:32:03,567
NOW YOU TELL HIM TO CLEAR ON OUT
908
00:32:03,567 --> 00:32:04,867
OF HERE, OR I'M GOING TO.
909
00:32:04,867 --> 00:32:05,867
I THINK HE'S CRAZY
910
00:32:05,867 --> 00:32:07,067
COMING AROUND PEOPLE'S HOUSES
911
00:32:07,067 --> 00:32:07,700
THIS TIME OF NIGHT
912
00:32:07,700 --> 00:32:08,933
AND ACTING THAT WAY.
913
00:32:08,933 --> 00:32:14,667
>> ( crying )
914
00:32:24,067 --> 00:32:25,133
>> WHAT IS THE MATTER
915
00:32:25,133 --> 00:32:26,600
WITH YOU, LILY DALE?
916
00:32:26,600 --> 00:32:28,767
>> ( continues crying )
917
00:32:28,767 --> 00:32:30,167
YOU'RE BREAKING MY HEART!
918
00:32:30,167 --> 00:32:32,167
THAT'S WHAT'S WRONG WITH ME!
919
00:32:32,167 --> 00:32:33,900
YOU'RE BREAKING MY HEART!
920
00:32:33,900 --> 00:32:36,700
I LOVE HIM, AND HE LOVES ME!
921
00:32:36,700 --> 00:32:37,700
>> DON'T CRY.
922
00:32:37,700 --> 00:32:38,267
JUST DON'T CRY.
923
00:32:38,267 --> 00:32:39,500
>> I CAN'T HELP IF
924
00:32:39,500 --> 00:32:40,067
MY HEART IS BREAKING!
925
00:32:40,067 --> 00:32:41,800
IT'S JUST BREAKING!
926
00:32:41,800 --> 00:32:42,800
I'M SO UNHAPPY!
927
00:32:42,800 --> 00:32:46,067
I'M SO MISERABLE!
928
00:32:46,067 --> 00:32:50,900
>> NOW, NOW, COME ON, LILY DALE.
929
00:32:50,900 --> 00:32:53,100
IF YOU DON'T STOP CRYING,
930
00:32:53,100 --> 00:32:54,167
YOU WON'T BE ABLE
931
00:32:54,167 --> 00:32:55,567
TO HEAR THE SINGING.
932
00:32:55,567 --> 00:32:58,233
>> ( continues crying )
933
00:32:58,233 --> 00:33:01,167
>> DON'T CRY NOW, LILY DALE.
934
00:33:01,167 --> 00:33:02,833
YOU WON'T HAVE TO SEND HIM AWAY.
935
00:33:02,833 --> 00:33:05,233
JUST PLEASE DON'T CRY.
936
00:33:05,233 --> 00:33:07,167
>> WILL YOU SPEAK TO HIM?
937
00:33:07,167 --> 00:33:10,667
>> WHAT ABOUT?
938
00:33:10,667 --> 00:33:11,633
>> ABOUT--ABOUT HOW
939
00:33:11,633 --> 00:33:12,967
HE'S GONNA REFORM
940
00:33:12,967 --> 00:33:14,833
AND ABOUT HOW HE INTENDS
941
00:33:14,833 --> 00:33:19,833
TO BEHAVE HIMSELF FROM NOW ON.
942
00:33:19,833 --> 00:33:22,200
>> WELL, ALL RIGHT, I GUESS SO.
943
00:33:25,767 --> 00:33:30,967
>> * JUANITA
944
00:33:30,967 --> 00:33:33,767
>> WILL?
945
00:33:33,767 --> 00:33:35,967
WILL, COME ON INSIDE.
946
00:33:35,967 --> 00:33:36,733
MR. DAVENPORT
947
00:33:36,733 --> 00:33:37,733
WILL SPEAK TO YOU NOW.
948
00:33:49,900 --> 00:33:51,833
>> EVENING, FOLKS.
949
00:33:51,833 --> 00:33:54,133
>> HELLO, WILL.
950
00:33:54,133 --> 00:33:55,067
>> I HOPE YOU DIDN'T MIND
951
00:33:55,067 --> 00:33:55,933
THE SERENADE.
952
00:33:55,933 --> 00:33:57,800
>> NO, IT'S VERY PRETTY.
953
00:33:57,800 --> 00:33:58,667
UANITA IS ONE J
954
00:33:58,667 --> 00:34:01,900
OF MY FAVORITE SONGS.
955
00:34:01,900 --> 00:34:03,733
>> LILY DALE SAYS YOU OBJECT
956
00:34:03,733 --> 00:34:04,667
TO OUR SEEING EACH OTHER
957
00:34:04,667 --> 00:34:05,933
BECAUSE OF MY HABITS.
958
00:34:05,933 --> 00:34:06,733
>> ( chuckles )
959
00:34:10,132 --> 00:34:11,967
>> WELL, DID LILY DALE TELL YOU
960
00:34:11,967 --> 00:34:13,067
THAT I'M CHANGING MY HABITS?
961
00:34:13,067 --> 00:34:13,933
I'VE STOPPED DRINKING.
962
00:34:13,933 --> 00:34:14,733
>> I THINK THAT'S
963
00:34:14,733 --> 00:34:15,967
VERY WISE OF YOU, WILL.
964
00:34:15,967 --> 00:34:17,233
YOU'LL NEVER REGRET IT,
965
00:34:17,233 --> 00:34:18,300
I'LL TELL YOU THAT.
966
00:34:18,300 --> 00:34:19,733
>> NO, MA'AM, I KNOW THAT.
967
00:34:19,733 --> 00:34:20,300
I NEVER DID DRINK
968
00:34:20,300 --> 00:34:21,167
A WHOLE LOT ANYWAY.
969
00:34:21,167 --> 00:34:23,367
>> WHAT DO YOU CALL A WHOLE LOT?
970
00:34:23,367 --> 00:34:27,300
I SAW YOU DRUNK THREE TIMES.
971
00:34:27,300 --> 00:34:28,766
>> THE ONLY THREE TIMES
972
00:34:28,766 --> 00:34:30,300
IN MY LIFE I WAS EVER DRUNK.
973
00:34:30,300 --> 00:34:31,266
I SAID TO LILY DALE,
974
00:34:31,266 --> 00:34:32,300
"WOULDN'T YOU KNOW,
975
00:34:32,300 --> 00:34:33,333
THE ONLY TIMES IN MY LIFE
976
00:34:33,333 --> 00:34:34,233
I EVER GOT DRUNK,
977
00:34:34,233 --> 00:34:35,167
I HAD TO MEET YOUR STEP DADDY?"
978
00:34:35,167 --> 00:34:36,766
>> SHE IS TOO YOUNG FOR YOU.
979
00:34:36,766 --> 00:34:38,067
SHE'S 18 YEARS OLD.
980
00:34:38,067 --> 00:34:39,132
AN 18-YEAR-OLD GIRL
981
00:34:39,132 --> 00:34:40,132
HAS NO BUSINESS--
982
00:34:40,132 --> 00:34:42,132
>> I'M ALMOST 19, MR. DAVENPORT.
983
00:34:42,132 --> 00:34:44,733
I'LL BE 19 ON MY NEXT BIRTHDAY.
984
00:34:50,167 --> 00:34:54,067
>> WELL...
985
00:34:54,067 --> 00:34:55,800
WELL, IF YOU WANT TO COME
986
00:34:55,800 --> 00:34:56,933
CALL ON HER HERE, ALL RIGHT.
987
00:34:56,933 --> 00:34:57,800
BUT YOU'RE GONNA HAVE
988
00:34:57,800 --> 00:34:58,767
TO SIT RIGHT HERE.
989
00:34:58,767 --> 00:34:59,800
SHE CAN'T LEAVE THE HOUSE
990
00:34:59,800 --> 00:35:01,700
WITH YOU TILL SHE'S 19.
991
00:35:01,700 --> 00:35:03,867
IF I SO MUCH AS SMELL ONE DROP
992
00:35:03,867 --> 00:35:05,767
OF LIQUOR ON YOUR BREATH,
993
00:35:05,767 --> 00:35:06,700
YOU'LL NOT BE ALLOWED
994
00:35:06,700 --> 00:35:07,467
BACK IN HERE EVER AGAIN.
995
00:35:07,467 --> 00:35:08,933
>> YES, SIR.
996
00:35:08,933 --> 00:35:12,167
>> ( giggles )
997
00:35:12,167 --> 00:35:13,367
>> NOW GO ON, SO WE CAN
998
00:35:13,367 --> 00:35:18,800
GET TO BED AROUND HERE.
999
00:35:18,800 --> 00:35:20,133
>> ( giggles )
1000
00:35:23,167 --> 00:35:24,333
>> THANK YOU.
1001
00:35:24,333 --> 00:35:25,467
YOU'RE THE SWEETEST MAN
1002
00:35:25,467 --> 00:35:26,767
IN THE WHOLE WIDE WORLD.
1003
00:35:26,767 --> 00:35:28,300
YOU'VE MADE ME SO HAPPY
1004
00:35:28,300 --> 00:35:32,067
AND WILL SO HAPPY.
1005
00:35:32,067 --> 00:35:34,933
>> ( clock chimes )
1006
00:35:37,933 --> 00:35:39,833
>> ( knock at door )
1007
00:35:39,833 --> 00:35:42,067
>> IT'S AWFUL LATE.
1008
00:35:42,067 --> 00:35:43,833
MR. DAVENPORT.
1009
00:35:43,833 --> 00:35:45,100
THERE'S SOMEONE AT THE DOOR.
1010
00:35:51,767 --> 00:35:52,967
>> HORACE, WHAT'S THE MATTER?
1011
00:35:52,967 --> 00:35:54,233
>> I TOOK THE WRONG STREETCAR.
1012
00:35:54,233 --> 00:35:54,967
BY THE TIME I GOT
1013
00:35:54,967 --> 00:35:56,300
TO THE RAILROAD STATION,
1014
00:35:56,300 --> 00:35:58,333
THE TRAIN WAS GONE.
1015
00:35:58,333 --> 00:35:59,800
THERE'S NO TRAIN TO HARRISON
1016
00:35:59,800 --> 00:36:01,100
UNTIL THE MORNING.
1017
00:36:01,100 --> 00:36:01,933
>> I'M SO SORRY, SON.
1018
00:36:01,933 --> 00:36:02,433
DID YOU HEAR THAT,
1019
00:36:02,433 --> 00:36:03,867
MR. DAVENPORT?
1020
00:36:08,067 --> 00:36:09,900
>> I DIDN'T KNOW THERE WAS
1021
00:36:09,900 --> 00:36:10,900
DIFFERENT STREETCARS.
1022
00:36:10,900 --> 00:36:11,900
THE ONE I TOOK ENDED UP
1023
00:36:11,900 --> 00:36:14,167
IN THE HEIGHTS SOMEPLACE.
1024
00:36:14,167 --> 00:36:15,200
>> BROTHER, WHY ARE
1025
00:36:15,200 --> 00:36:16,200
YOU TREMBLING?
1026
00:36:16,200 --> 00:36:17,133
ARE YOU SICK?
1027
00:36:17,133 --> 00:36:18,300
YOU LOOK SO PALE.
1028
00:36:18,300 --> 00:36:19,767
>> ARE YOU ALL RIGHT, SON?
1029
00:36:19,767 --> 00:36:20,800
>> I DON'T FEEL WELL, MAMA.
1030
00:36:20,800 --> 00:36:21,433
>> OH, MY GOD,
1031
00:36:21,433 --> 00:36:22,933
YOU'RE BURNING UP.
1032
00:36:22,933 --> 00:36:24,167
YOU DON'T HAVE MALARIA, DO YOU?
1033
00:36:24,167 --> 00:36:25,400
YOU BEEN TAKING THAT QUININE?
1034
00:36:25,400 --> 00:36:26,900
>> YES, MA'AM, I DON'T KNOW
1035
00:36:26,900 --> 00:36:28,433
WHAT'S WRONG WITH ME.
1036
00:36:28,433 --> 00:36:29,133
>> ( gasps )
1037
00:36:29,133 --> 00:36:29,833
HORACE!
1038
00:36:29,833 --> 00:36:30,367
>> ( gasps )
1039
00:36:30,367 --> 00:36:31,433
>> MR. DAVENPORT!
1040
00:36:31,433 --> 00:36:32,467
MR. DAVENPORT, IT'S HORACE!
1041
00:36:32,467 --> 00:36:33,333
HE'S FAINTED!
1042
00:36:33,333 --> 00:36:34,500
HERE, HELP ME WITH HIM.
1043
00:36:34,500 --> 00:36:36,067
>> HE'S GONNA DIE!
1044
00:36:36,067 --> 00:36:37,100
I KNOW HE'S GONNA DIE!
1045
00:36:37,100 --> 00:36:37,900
THAT'S JUST ANOTHER
1046
00:36:37,900 --> 00:36:39,067
OF MY TERRIBLE DREAMS.
1047
00:36:39,067 --> 00:36:39,933
I'M ALWAYS SEEING
1048
00:36:39,933 --> 00:36:41,167
BROTHER DEAD IN HIS COFFIN.
1049
00:36:41,167 --> 00:36:42,833
SOMETIMES HE'S BEEN IN
1050
00:36:42,833 --> 00:36:43,433
A TERRIBLE TRAIN WRECK.
1051
00:36:43,433 --> 00:36:44,200
SOMETIMES--
1052
00:36:44,200 --> 00:36:46,133
>> LILY DALE, HUSH!
1053
00:36:46,133 --> 00:36:48,133
>> HE'S NOT GONNA DIE.
1054
00:36:48,133 --> 00:36:49,267
>> HE'S GOT A TERRIBLE FEVER.
1055
00:36:49,267 --> 00:36:50,767
FEEL HIS FOREHEAD.
1056
00:36:50,767 --> 00:36:52,900
HE'S BURNING UP.
1057
00:36:52,900 --> 00:36:54,267
>> YES, HE DOES.
1058
00:36:54,267 --> 00:36:55,267
>> OH, GOD, YOU SUPPOSE
1059
00:36:55,267 --> 00:36:56,267
HE HAS MALARIA?
1060
00:36:56,267 --> 00:36:57,867
IT'S JUST RIFE DOWN HOME.
1061
00:36:57,867 --> 00:36:59,067
>> I DON'T KNOW A THING
1062
00:36:59,067 --> 00:36:59,833
ABOUT MALARIA.
1063
00:36:59,833 --> 00:37:00,933
I'M NOT FROM THE SWAMPS
1064
00:37:00,933 --> 00:37:01,433
OR THE BOTTOMS.
1065
00:37:01,433 --> 00:37:03,500
I'M FROM ATLANTA, REMEMBER?
1066
00:37:03,500 --> 00:37:04,500
THE FINEST CLIMATE
1067
00:37:04,500 --> 00:37:05,367
IN THE WORLD.
1068
00:37:05,367 --> 00:37:06,333
>> WOULD IT BE ALL RIGHT
1069
00:37:06,333 --> 00:37:08,433
IF HE STAYS HERE TONIGHT?
1070
00:37:08,433 --> 00:37:10,900
>> WHAT ELSE CAN HE DO?
1071
00:37:10,900 --> 00:37:11,833
JUST HOPE HE DOESN'T
1072
00:37:11,833 --> 00:37:12,833
LOSE HIS JOB TRAMPING
1073
00:37:12,833 --> 00:37:13,833
AROUND THE COUNTRY LIKE THIS.
1074
00:37:13,833 --> 00:37:16,100
>> HE WAS GONNA QUIT HIS JOB.
1075
00:37:16,100 --> 00:37:18,367
HE SAID HE THOUGHT MAYBE
1076
00:37:18,367 --> 00:37:19,600
YOU COULD FIND HIM A JOB
1077
00:37:19,600 --> 00:37:20,600
WORKING AT THE RAILROAD YARD.
1078
00:37:20,600 --> 00:37:21,833
>> HE BETTER NOT
1079
00:37:21,833 --> 00:37:23,100
ASK ME FOR A JOB.
1080
00:37:23,100 --> 00:37:24,867
LET HIM FIND HIS OWN JOB.
1081
00:37:24,867 --> 00:37:26,367
NOBODY EVER GAVE ME A JOB.
1082
00:37:26,367 --> 00:37:27,200
I NEVER ASKED ANYBODY
1083
00:37:27,200 --> 00:37:27,900
FOR ANYTHING.
1084
00:37:27,900 --> 00:37:29,600
NOT ONE SOLITARY THING.
1085
00:37:29,600 --> 00:37:31,133
I HAVE TOO MUCH PRIDE
1086
00:37:31,133 --> 00:37:32,800
TO ASK HELP OF ANYONE.
1087
00:37:47,333 --> 00:37:50,067
>> * THERE'S A SPARK
1088
00:37:50,067 --> 00:37:52,500
* IN MY HEART
1089
00:37:52,500 --> 00:37:56,233
* WHICH NO COLLEEN MAY OWN
1090
00:37:56,233 --> 00:38:00,067
* THERE'S A DEPTH IN MY SOUL
1091
00:38:00,067 --> 00:38:04,433
* NEVER SOUNDED OR KNOWN
1092
00:38:04,433 --> 00:38:07,567
* THERE'S A PLACE IN MY MEMORY
1093
00:38:07,567 --> 00:38:10,400
* MY LIFE THAT YOU FILL
1094
00:38:10,400 --> 00:38:14,467
* NO OTHER CAN TAKE IT
1095
00:38:14,467 --> 00:38:19,333
* NO ONE EVER WILL
1096
00:38:19,333 --> 00:38:24,467
* SURE I LOVE THE DEAR SILVER
1097
00:38:24,467 --> 00:38:28,067
* THAT SHINES IN YOUR HAIR
1098
00:38:28,067 --> 00:38:30,067
* AND THE BROW
1099
00:38:30,067 --> 00:38:33,067
* THAT'S ALL FURROWED
1100
00:38:33,067 --> 00:38:36,067
* AND WRINKLED WITH CARE
1101
00:38:36,067 --> 00:38:40,167
* I KISS THE DEAR FINGERS
1102
00:38:40,167 --> 00:38:43,567
* SO TOIL-WORN FOR ME
1103
00:38:43,567 --> 00:38:49,067
* OH GOD BLESS YOU
1104
00:38:49,067 --> 00:38:52,933
* AND KEEP YOU
1105
00:38:52,933 --> 00:38:59,867
* MOTHER MACHREE
1106
00:39:06,200 --> 00:39:08,167
>> OH, HELLO, LILY DALE.
1107
00:39:08,167 --> 00:39:09,567
>> HELLO. HOME FROM WORK?
1108
00:39:09,567 --> 00:39:10,633
>> MM-HMM.
1109
00:39:10,633 --> 00:39:12,600
HOW IS YOUR BROTHER TODAY?
1110
00:39:12,600 --> 00:39:15,100
>> I THINK HE'S ALL RIGHT.
1111
00:39:15,100 --> 00:39:16,500
HE'S BEEN SLEEPING ALL DAY LONG.
1112
00:39:16,500 --> 00:39:17,733
>> WELL, THAT'S GOOD FOR HIM,
1113
00:39:17,733 --> 00:39:19,167
I'M SURE.
1114
00:39:27,367 --> 00:39:28,467
>> LILY DALE, WOULD YOU MIND
1115
00:39:28,467 --> 00:39:29,300
FIXING YOUR OWN BREAKFAST
1116
00:39:29,300 --> 00:39:30,067
THIS MORNING?
1117
00:39:30,067 --> 00:39:31,133
I WANNA GET UPTOWN BEFORE
1118
00:39:31,133 --> 00:39:32,167
THE STORES GET TOO CROWDED.
1119
00:39:32,167 --> 00:39:33,367
>> BUT WHAT IF BROTHER
1120
00:39:33,367 --> 00:39:34,367
GETS DELIRIOUS AGAIN?
1121
00:39:34,367 --> 00:39:35,667
>> OH, HE WON'T, HONEY.
1122
00:39:35,667 --> 00:39:36,633
THE QUININE IS HAVING
1123
00:39:36,633 --> 00:39:37,367
ITS EFFECT.
1124
00:39:37,367 --> 00:39:38,300
THE FEVER'S DOWN.
1125
00:39:38,300 --> 00:39:40,967
HE JUST WANTS TO SLEEP NOW.
1126
00:39:40,967 --> 00:39:42,600
NOW, I'LL BE BACK
1127
00:39:42,600 --> 00:39:46,567
AS SOON AS I CAN.
1128
00:39:46,567 --> 00:39:48,200
>> BYE.
1129
00:39:49,567 --> 00:39:54,567
* SURE I LOVE THE DEAR SILVER
1130
00:39:54,567 --> 00:39:58,367
* THAT SHINES IN YOUR HAIR
1131
00:39:58,367 --> 00:40:00,533
* AND THE BROW
1132
00:40:00,533 --> 00:40:02,733
* THAT'S ALL FURROWED
1133
00:40:02,733 --> 00:40:06,500
* AND WRINKLED WITH CARE
1134
00:40:06,500 --> 00:40:10,600
* I KISS THE DEAR FINGERS
1135
00:40:10,600 --> 00:40:16,200
* SO TOIL-WORN FOR ME
1136
00:40:16,200 --> 00:40:21,700
* OH
1137
00:40:21,700 --> 00:40:26,067
* GOD BLESS YOU
1138
00:40:26,067 --> 00:40:29,733
* AND KEEP YOU
1139
00:40:29,733 --> 00:40:36,300
* MOTHER MACHREE
1140
00:40:38,700 --> 00:40:40,433
>> BROTHER?
1141
00:40:40,433 --> 00:40:43,533
>> YES.
1142
00:40:43,533 --> 00:40:47,667
>> HOW DO YOU FEEL?
1143
00:40:47,667 --> 00:40:49,033
>> BETTER.
1144
00:40:49,033 --> 00:40:51,733
>> I'M GLAD TO HEAR THAT.
1145
00:40:51,733 --> 00:40:53,300
WELCOME BACK TO THE LAND
1146
00:40:53,300 --> 00:40:55,000
OF THE LIVING.
1147
00:40:55,000 --> 00:40:56,400
>> THANK YOU.
1148
00:40:56,400 --> 00:40:57,600
>> THIS IS THE FIRST TIME
1149
00:40:57,600 --> 00:40:58,700
IN A WHOLE WEEK YOU'VE
1150
00:40:58,700 --> 00:41:01,267
EVEN RESPONDED TO US AT ALL.
1151
00:41:01,267 --> 00:41:02,500
WE WERE SO AFRAID
1152
00:41:02,500 --> 00:41:03,500
FOR YOU, BROTHER.
1153
00:41:03,500 --> 00:41:05,167
WE THOUGHT WE WERE
1154
00:41:05,167 --> 00:41:06,500
GONNA LOSE YOU.
1155
00:41:06,500 --> 00:41:07,467
>> WAS I SICK?
1156
00:41:07,467 --> 00:41:08,300
>> SICK?
1157
00:41:08,300 --> 00:41:11,300
I GUESS YOU WERE SICK.
1158
00:41:11,300 --> 00:41:12,467
AT THE POINT OF DEATH
1159
00:41:12,467 --> 00:41:14,467
FOR NEARLY TWO WEEKS.
1160
00:41:14,467 --> 00:41:15,167
OUT OF YOUR HEAD
1161
00:41:15,167 --> 00:41:15,700
THE WHOLE TIME.
1162
00:41:15,700 --> 00:41:17,067
TALKING THE WILDEST
1163
00:41:17,067 --> 00:41:18,267
KIND OF NONSENSE.
1164
00:41:18,267 --> 00:41:19,600
YOU THOUGHT MR. DAVENPORT
1165
00:41:19,600 --> 00:41:21,267
HAD A BUTCHER KNIFE AND WAS
1166
00:41:21,267 --> 00:41:22,400
TRYING TO KILL YOU.
1167
00:41:22,400 --> 00:41:24,133
"HE'S TRYING TO SLIT MY THROAT!
1168
00:41:24,133 --> 00:41:25,300
PLEASE DON'T LET HIM
1169
00:41:25,300 --> 00:41:26,300
SLIT MY THROAT!"
1170
00:41:26,300 --> 00:41:28,567
I TELL YOU, IT WAS AWFUL.
1171
00:41:28,567 --> 00:41:29,400
THERE'S GOOD
1172
00:41:29,400 --> 00:41:30,367
COME FROM IT, THOUGH.
1173
00:41:30,367 --> 00:41:31,200
YOU KNOW WHAT HAPPENED?
1174
00:41:31,200 --> 00:41:32,300
THE NEXT NIGHT,
1175
00:41:32,300 --> 00:41:33,300
WILL CAME TO CALL
1176
00:41:33,300 --> 00:41:34,633
AND HE MADE HIMSELF SO HELPFUL
1177
00:41:34,633 --> 00:41:35,700
THAT MAMA AND MR. DAVENPORT
1178
00:41:35,700 --> 00:41:36,600
FELL IN LOVE WITH HIM
1179
00:41:36,600 --> 00:41:37,567
AND HE'S BEEN INVITED OVER
1180
00:41:37,567 --> 00:41:39,100
EVERY NIGHT FOR SUPPER.
1181
00:41:39,100 --> 00:41:40,300
AND WHEN MR. DAVENPORT
1182
00:41:40,300 --> 00:41:41,200
FOUND OUT THAT WILL HAD
1183
00:41:41,200 --> 00:41:42,200
LOST HIS JOB, HE TOOK HIM
1184
00:41:42,200 --> 00:41:43,133
DOWN TO THE RAILROAD YARD
1185
00:41:43,133 --> 00:41:44,233
AND GOT HIM A JOB
1186
00:41:44,233 --> 00:41:45,067
WORKING THERE.
1187
00:41:45,067 --> 00:41:46,433
ISN'T THAT THRILLING?
1188
00:41:46,433 --> 00:41:47,533
>> WHERE AM I?
1189
00:41:47,533 --> 00:41:48,733
>> WHAT, BROTHER?
1190
00:41:48,733 --> 00:41:50,567
>> WHERE AM I?
1191
00:41:50,567 --> 00:41:52,167
>> WHERE ARE YOU?
1192
00:41:52,167 --> 00:41:53,567
HEAVENS, BROTHER.
1193
00:41:53,567 --> 00:41:54,733
DON'T SCARE ME THAT WAY.
1194
00:41:54,733 --> 00:41:56,333
YOU'RE IN HOUSTON.
1195
00:41:56,333 --> 00:41:58,100
DON'T YOU KNOW WHERE YOU ARE?
1196
00:41:58,100 --> 00:41:59,333
>> HOW DID I GET HERE?
1197
00:41:59,333 --> 00:42:01,133
>> HOW DID YOU GET HERE?
1198
00:42:01,133 --> 00:42:03,233
ON THE TRAIN.
1199
00:42:03,233 --> 00:42:05,367
>> HOW LONG HAVE I BEEN HERE?
1200
00:42:05,367 --> 00:42:06,367
>> TWO WEEKS.
1201
00:42:06,367 --> 00:42:07,233
YOU'VE BEEN SICK
1202
00:42:07,233 --> 00:42:08,367
THE WHOLE TIME.
1203
00:42:08,367 --> 00:42:09,333
DON'T YOU REMEMBER?
1204
00:42:09,333 --> 00:42:10,633
I HAD TO GO TO MY GIRLFRIEND'S
1205
00:42:10,633 --> 00:42:12,100
TO PRACTICE MY MUSIC.
1206
00:42:12,100 --> 00:42:13,633
>> HAVE I BEEN BAPTIZED?
1207
00:42:13,633 --> 00:42:14,633
>> WHAT, HONEY?
1208
00:42:14,633 --> 00:42:15,600
>> HAVE I BEEN BAPTIZED?
1209
00:42:15,600 --> 00:42:16,500
>> BROTHER, I DON'T KNOW.
1210
00:42:16,500 --> 00:42:17,767
>> HAVE YOU BEEN BAPTIZED?
1211
00:42:17,767 --> 00:42:19,500
>> I DON'T KNOW THAT EITHER.
1212
00:42:19,500 --> 00:42:20,500
WHAT MAKES YOU ASK
1213
00:42:20,500 --> 00:42:21,433
A QUESTION LIKE THAT
1214
00:42:21,433 --> 00:42:23,633
AT A TIME LIKE THIS.
1215
00:42:23,633 --> 00:42:25,233
>> IS MAMA HERE?
1216
00:42:25,233 --> 00:42:26,233
>> NO.
1217
00:42:26,233 --> 00:42:27,367
SHE WENT TO THE STORE.
1218
00:42:27,367 --> 00:42:29,233
SHE'S MAKING ME A BALL GOWN.
1219
00:42:29,233 --> 00:42:30,100
WILL'S TAKING ME TO
1220
00:42:30,100 --> 00:42:32,633
A DANCE NEXT WEEK.
1221
00:42:32,633 --> 00:42:34,133
WOULD YOU LIKE SOME MUSIC
1222
00:42:34,133 --> 00:42:35,167
TO CHEER YOU UP?
1223
00:42:35,167 --> 00:42:40,100
I'VE JUST GONE CRAZY OVER RAGS.
1224
00:42:40,100 --> 00:42:41,733
I WROTE THE DAVENPORT RAG
1225
00:42:41,733 --> 00:42:43,467
FOR MR. DAVENPORT.
1226
00:42:43,467 --> 00:42:46,167
>> **
1227
00:42:50,867 --> 00:42:53,467
>> AND THE WILLIE RAG FOR WILL.
1228
00:42:53,467 --> 00:42:55,600
>> **
1229
00:43:00,600 --> 00:43:02,233
>> AND NOW I'M WORKING ON
1230
00:43:02,233 --> 00:43:02,833
HE LILY RAG,T
1231
00:43:02,833 --> 00:43:04,300
WHICH I'M DEDICATING
1232
00:43:04,300 --> 00:43:06,167
TO MYSELF.
1233
00:43:06,167 --> 00:43:09,267
>> **
1234
00:43:14,600 --> 00:43:16,533
>> HELLO.
1235
00:43:16,533 --> 00:43:19,200
>> HE'S FEELING MUCH BETTER NOW.
1236
00:43:19,200 --> 00:43:19,733
>> OH!
1237
00:43:19,733 --> 00:43:21,700
I'M SO HAPPY TO HEAR THAT!
1238
00:43:21,700 --> 00:43:22,833
>> HE DOESN'T REMEMBER A THING
1239
00:43:22,833 --> 00:43:23,933
THAT'S HAPPENED TO HIM, BUT HE'S
1240
00:43:23,933 --> 00:43:25,700
TALKING SOME SENSE NOW.
1241
00:43:25,700 --> 00:43:28,200
>> WELL, LILY DALE, I HAD TO GO
1242
00:43:28,200 --> 00:43:30,367
TO FOUR STORES BEFORE I FOUND
1243
00:43:30,367 --> 00:43:32,433
THE RIGHT FABRIC AND PATTERN
1244
00:43:32,433 --> 00:43:34,200
FOR YOUR DRESS.
1245
00:43:34,200 --> 00:43:36,233
IT TOOK ME FOREVER!
1246
00:43:36,233 --> 00:43:37,733
NOW... ( chuckles )
1247
00:43:37,733 --> 00:43:39,900
YOU WANNA SEE WHAT I GOT?
1248
00:43:39,900 --> 00:43:40,733
>> OF COURSE!
1249
00:43:40,733 --> 00:43:41,933
I CERTAINLY DO!
1250
00:43:41,933 --> 00:43:43,567
I AM SO EXCITED!
1251
00:43:43,567 --> 00:43:45,600
>> I HOPE YOU LIKE IT.
1252
00:43:45,600 --> 00:43:48,167
NOW...
1253
00:43:48,167 --> 00:43:51,167
THERE.
1254
00:43:51,167 --> 00:43:54,400
>> OH, IT'S BEAUTIFUL!
1255
00:43:54,400 --> 00:43:56,433
ISN'T IT BEAUTIFUL, BROTHER?
1256
00:43:56,433 --> 00:43:57,733
>> YES.
1257
00:43:57,733 --> 00:44:01,567
>> I'M SO HAPPY TO HEAR THAT
1258
00:44:01,567 --> 00:44:03,567
YOU'RE FEELING BETTER.
1259
00:44:03,567 --> 00:44:04,633
DID YOU GIVE HIM ANY
1260
00:44:04,633 --> 00:44:06,067
NOURISHMENT, LILY DALE?
1261
00:44:06,067 --> 00:44:08,400
>> NO. HE JUST WOKE UP.
1262
00:44:08,400 --> 00:44:09,233
>> WOULD YOU LIKE
1263
00:44:09,233 --> 00:44:10,233
SOME BROTH, SON?
1264
00:44:10,233 --> 00:44:11,267
I BET YOU WOULD.
1265
00:44:11,267 --> 00:44:12,567
I'M GONNA GET YOU SOME BROTH.
1266
00:44:12,567 --> 00:44:13,333
YOU'RE GONNA GET
1267
00:44:13,333 --> 00:44:13,900
THAT STRENGTH BACK.
1268
00:44:13,900 --> 00:44:16,267
>> HAVE I BEEN BAPTIZED, MAMA?
1269
00:44:16,267 --> 00:44:19,600
>> UH, WELL, NO, YOU HAVEN'T.
1270
00:44:19,600 --> 00:44:20,700
WHAT MADE YOU ASK ME
1271
00:44:20,700 --> 00:44:22,533
A QUESTION LIKE THAT?
1272
00:44:22,533 --> 00:44:24,267
>> I MET THIS LADY.
1273
00:44:24,267 --> 00:44:25,800
SHE SAID I WAS IN MORTAL DANGER
1274
00:44:25,800 --> 00:44:27,833
IF I WASN'T BAPTIZED.
1275
00:44:27,833 --> 00:44:28,733
I THOUGHT FOR SURE
1276
00:44:28,733 --> 00:44:29,467
I WAS GONNA DIE.
1277
00:44:29,467 --> 00:44:30,233
I WAS GONNA DIE
1278
00:44:30,233 --> 00:44:31,633
WITHOUT BEING BAPTIZED.
1279
00:44:31,633 --> 00:44:33,700
>> WELL, YOU DIDN'T DIE.
1280
00:44:33,700 --> 00:44:35,567
>> WAS I BAPTIZED, MAMA?
1281
00:44:35,567 --> 00:44:37,367
>> NO.
1282
00:44:37,367 --> 00:44:40,467
>> HOW COME WE WEREN'T BAPTIZED?
1283
00:44:40,467 --> 00:44:41,400
>> WELL...
1284
00:44:41,400 --> 00:44:42,767
EVERY TIME I STARTED TO GET
1285
00:44:42,767 --> 00:44:43,933
YOU BAPTIZED WHEN YOU WERE
1286
00:44:43,933 --> 00:44:46,667
A BABY, SOMETHING PREVENTED ME
1287
00:44:46,667 --> 00:44:47,400
FROM DOING IT.
1288
00:44:47,400 --> 00:44:48,433
I MEAN, I GOT SICK,
1289
00:44:48,433 --> 00:44:50,767
YOU GOT SICK, YOUR FATHER...
1290
00:44:50,767 --> 00:44:52,633
THEN ALL OUR
1291
00:44:52,633 --> 00:44:53,500
TROUBLES STARTED.
1292
00:44:53,500 --> 00:44:54,333
I JUST NEVER GOT
1293
00:44:54,333 --> 00:44:54,833
AROUND TO IT.
1294
00:44:57,600 --> 00:45:00,367
>> WELL, LOOK WHO'S HOME.
1295
00:45:00,367 --> 00:45:01,967
>> HOW DOES THE YOUNG MAN FEEL?
1296
00:45:01,967 --> 00:45:04,900
>> I THINK HE'S GONNA LIVE NOW.
1297
00:45:04,900 --> 00:45:06,700
>> HE'S STRONG AS AN OX.
1298
00:45:06,700 --> 00:45:07,600
DID YOU TELL HIM HOW I HAD
1299
00:45:07,600 --> 00:45:08,533
TO WRESTLE WITH HIM TO KEEP HIM
1300
00:45:08,533 --> 00:45:09,433
ON THAT BED?
1301
00:45:09,433 --> 00:45:10,367
HE THOUGHT THAT PETE HERE
1302
00:45:10,367 --> 00:45:11,400
WAS TRYING TO KILL HIM.
1303
00:45:11,400 --> 00:45:12,533
>> HOW WAS WORK?
1304
00:45:12,533 --> 00:45:13,300
>> FINE.
1305
00:45:13,300 --> 00:45:14,367
I LIKE IT BETTER EVERY DAY.
1306
00:45:14,367 --> 00:45:15,933
I THINK THEY LIKE ME, TOO.
1307
00:45:15,933 --> 00:45:16,767
DON'T THEY, PETE?
1308
00:45:16,767 --> 00:45:17,867
>> OH, YES, THEY DO.
1309
00:45:17,867 --> 00:45:19,467
THEY SAID TODAY YOU'RE AS GOOD
1310
00:45:19,467 --> 00:45:21,300
A WORKER AS THEY'VE EVER SEEN.
1311
00:45:21,300 --> 00:45:22,567
>> OH, LILY DALE,
1312
00:45:22,567 --> 00:45:23,833
WHY DON'T YOU SHOW WILL
1313
00:45:23,833 --> 00:45:28,533
THE FABRIC I GOT FOR YOUR DRESS?
1314
00:45:28,533 --> 00:45:29,900
>> THAT IS MIGHTY GOOD-LOOKING.
1315
00:45:29,900 --> 00:45:31,067
I'M GONNA HAVE THE PRETTIEST
1316
00:45:31,067 --> 00:45:31,933
AND BEST-DRESSED GIRL
1317
00:45:31,933 --> 00:45:33,067
AT THE BALL.
1318
00:45:33,067 --> 00:45:33,800
>> SEE IT, PETE?
1319
00:45:33,800 --> 00:45:35,067
ISN'T IT PRETTY?
1320
00:45:35,067 --> 00:45:36,700
>> IT SURE IS.
1321
00:45:36,700 --> 00:45:37,933
>> YOUNG MAN, YOU'D BETTER GET
1322
00:45:37,933 --> 00:45:39,533
WELL AND COME GO WITH US.
1323
00:45:39,533 --> 00:45:40,867
>> I'M GOING BACK TOMORROW.
1324
00:45:40,867 --> 00:45:42,833
>> NO, SON.
1325
00:45:42,833 --> 00:45:43,733
>> NO, I'M GOING TO.
1326
00:45:43,733 --> 00:45:44,867
BUT FIRST I'M GONNA GET
1327
00:45:44,867 --> 00:45:46,333
DRESSED AND GET BAPTIZED.
1328
00:45:46,333 --> 00:45:47,533
I'M GONNA FIND ME A PREACHER.
1329
00:45:47,533 --> 00:45:48,867
I'M DIRTY, AND I WANNA BE
1330
00:45:48,867 --> 00:45:49,567
WASHED CLEAN.
1331
00:45:49,567 --> 00:45:51,467
>> HE'S DELIRIOUS AGAIN.
1332
00:45:51,467 --> 00:45:52,067
>> COME ON, FELLA.
1333
00:45:52,067 --> 00:45:53,600
>> DON'T COME NEAR ME!
1334
00:45:53,600 --> 00:45:54,400
DON'T COME NEAR ME!
1335
00:45:54,400 --> 00:45:55,300
YOU'RE TRYING TO KILL ME
1336
00:45:55,300 --> 00:45:58,433
BEFORE I GET BAPTIZED!
1337
00:45:58,433 --> 00:45:59,733
>> I THINK HE'S PUTTING ON
1338
00:45:59,733 --> 00:46:01,400
AN ACT JUST TO GET US
1339
00:46:01,400 --> 00:46:02,367
TO KEEP HIM HERE
1340
00:46:02,367 --> 00:46:03,767
SO HE CAN GET FREE ROOM
1341
00:46:03,767 --> 00:46:04,467
AND BOARD.
1342
00:46:04,467 --> 00:46:06,567
>> WHY WOULD ANYBODY DO THAT?
1343
00:46:06,567 --> 00:46:07,700
HE'S SICK,
1344
00:46:07,700 --> 00:46:08,900
AND YOU KNOW HE'S SICK.
1345
00:46:08,900 --> 00:46:10,400
YOU SHOULD BE ASHAMED
1346
00:46:10,400 --> 00:46:11,433
OF YOURSELF, PETE.
1347
00:46:18,933 --> 00:46:19,800
>> DOES HE KNOW HE LOST
1348
00:46:19,800 --> 00:46:22,567
HIS JOB IN GLEN FLORA?
1349
00:46:22,567 --> 00:46:24,433
>> HE DIDN'T LOSE HIS JOB,
1350
00:46:24,433 --> 00:46:26,067
JUST LAID OFF TEMPORARILY.
1351
00:46:26,067 --> 00:46:27,367
>> WHAT ABOUT MY JOB?
1352
00:46:27,367 --> 00:46:29,667
>> SHH, IT'S OKAY.
1353
00:46:29,667 --> 00:46:31,600
DON'T GET EXCITED.
1354
00:46:31,600 --> 00:46:32,600
JUST HUSH.
1355
00:46:32,600 --> 00:46:33,467
DON'T WORRY ABOUT THAT.
1356
00:46:33,467 --> 00:46:34,100
WE'LL TALK ABOUT THAT
1357
00:46:34,100 --> 00:46:34,800
ANOTHER TIME.
1358
00:46:34,800 --> 00:46:35,667
>> WHAT ABOUT MY JOB, MAMA?
1359
00:46:35,667 --> 00:46:36,500
DON'T I HAVE MY JOB
1360
00:46:36,500 --> 00:46:37,567
IN GLEN FLORA?
1361
00:46:37,567 --> 00:46:38,467
>> BROTHER, THERE'S BEEN A
1362
00:46:38,467 --> 00:46:39,900
TERRIBLE FIRE IN GLEN FLORA.
1363
00:46:39,900 --> 00:46:40,900
MR. GALBRAITH'S STORE
1364
00:46:40,900 --> 00:46:42,533
BURNED DOWN.
1365
00:46:42,533 --> 00:46:44,067
>> OH, MY GOD.
1366
00:46:44,067 --> 00:46:46,933
>> MR. GALBRAITH SENT WORD
1367
00:46:46,933 --> 00:46:50,067
HE IS GONNA REBUILD HIS STORE,
1368
00:46:50,067 --> 00:46:51,900
AND THEN YOU ARE GONNA GET
1369
00:46:51,900 --> 00:46:54,533
YOUR OLD JOB BACK THEN.
1370
00:46:54,533 --> 00:46:55,933
OKAY?
1371
00:46:55,933 --> 00:46:58,367
NOW YOU JUST REST, HONEY.
1372
00:47:22,467 --> 00:47:24,467
>> THERE, TAKE THE DRESS
1373
00:47:24,467 --> 00:47:25,767
TO YOUR ROOM.
1374
00:47:25,767 --> 00:47:27,633
CAREFUL YOU DON'T WRINKLE IT.
1375
00:47:27,633 --> 00:47:29,133
>> THANK YOU.
1376
00:47:39,133 --> 00:47:40,167
>> Pete: WHERE'S LILY DALE?
1377
00:47:40,167 --> 00:47:41,467
>> SHE'S UPSTAIRS IN HER ROOM,
1378
00:47:41,467 --> 00:47:43,133
GETTING DRESSED FOR THE DANCE.
1379
00:47:43,133 --> 00:47:44,133
>> CALL ME WHEN
1380
00:47:44,133 --> 00:47:45,500
SHE'S ALL DRESSED.
1381
00:47:45,500 --> 00:47:47,167
>> I WILL.
1382
00:48:03,667 --> 00:48:05,200
>> WELL, I DON'T HAVE TO
1383
00:48:05,200 --> 00:48:07,067
ASK YOU HOW YOU'RE FEELING.
1384
00:48:07,067 --> 00:48:08,533
ONE LOOK AT YOU TELLS ME
1385
00:48:08,533 --> 00:48:09,500
YOU'RE FEELING BETTER.
1386
00:48:09,500 --> 00:48:10,867
>> I AM, THANK YOU.
1387
00:48:10,867 --> 00:48:12,767
WHO BROUGHT ME THE PAPERS?
1388
00:48:12,767 --> 00:48:13,933
>> WILL DID.
1389
00:48:13,933 --> 00:48:15,200
I ASKED HIM TO.
1390
00:48:15,200 --> 00:48:16,933
I HOPE THEY'RE ALL RIGHT.
1391
00:48:16,933 --> 00:48:18,533
>> OH, YES, I LIKE THEM.
1392
00:48:18,533 --> 00:48:19,700
>> HE ASKED ME WHAT YOU WANTED.
1393
00:48:19,700 --> 00:48:20,567
I SAID, "OH, ANYTHING
1394
00:48:20,567 --> 00:48:21,067
FROM OUT OF TOWN."
1395
00:48:21,067 --> 00:48:21,933
WHAT'D HE GET?
1396
00:48:21,933 --> 00:48:22,833
>> NEW ORLEANS PICAYUNE,
1397
00:48:22,833 --> 00:48:23,833
T. LOUIS STAR,S
1398
00:48:23,833 --> 00:48:25,567
AND THE GALVESTON NEWS.
1399
00:48:25,567 --> 00:48:26,933
>> GALVESTON NEWS?
1400
00:48:26,933 --> 00:48:28,533
THAT'S NOT VERY FAR AWAY.
1401
00:48:28,533 --> 00:48:29,533
>> I KNOW, BUT I LIKE IT.
1402
00:48:29,533 --> 00:48:31,067
IT'S MY FAVORITE PAPER.
1403
00:48:31,067 --> 00:48:32,167
>> IS THAT SO?
1404
00:48:32,167 --> 00:48:33,900
WELL, I DON'T KNOW ONE
1405
00:48:33,900 --> 00:48:35,500
FROM THE OTHER.
1406
00:48:35,500 --> 00:48:37,767
I NEVER READ THE PAPER.
1407
00:48:37,767 --> 00:48:39,933
IT'S MY EYES, I GUESS.
1408
00:48:39,933 --> 00:48:41,067
AT THE END OF THE DAY,
1409
00:48:41,067 --> 00:48:42,500
MY EYES ARE SO TIRED
1410
00:48:42,500 --> 00:48:45,067
FROM ALL THAT SEWING.
1411
00:48:45,067 --> 00:48:47,800
HORACE, DO YOU REMEMBER
1412
00:48:47,800 --> 00:48:49,533
MRS. CLINT HARRIS?
1413
00:48:49,533 --> 00:48:50,667
>> NO, MA'AM.
1414
00:48:50,667 --> 00:48:52,533
>> OH, SURE, YOU DO.
1415
00:48:52,533 --> 00:48:53,633
SHE'S KIN TO THE VAUGHNS.
1416
00:48:53,633 --> 00:48:55,200
WELL, MRS. VAUGHN, I GUESS.
1417
00:48:55,200 --> 00:48:56,100
YEAH, SHE AND I WERE
1418
00:48:56,100 --> 00:48:58,267
FRIENDS BACK IN HARRISON
1419
00:48:58,267 --> 00:48:59,667
BEFORE I LEFT TO MARRY
1420
00:48:59,667 --> 00:49:01,167
MR. DAVENPORT.
1421
00:49:01,167 --> 00:49:03,633
WELL, MYRTLE HARRIS LIVES
1422
00:49:03,633 --> 00:49:05,067
IN THAT HOUSE ACROSS
1423
00:49:05,067 --> 00:49:05,733
THE STREET--
1424
00:49:05,733 --> 00:49:06,267
THE ONE WITH THE BIG
1425
00:49:06,267 --> 00:49:07,800
STONE LIONS IN FRONT.
1426
00:49:07,800 --> 00:49:09,233
COST ALL KINDS OF MONEY,
1427
00:49:09,233 --> 00:49:10,867
THEY SAY.
1428
00:49:10,867 --> 00:49:12,267
SO WHEN I FIRST MOVED HERE,
1429
00:49:12,267 --> 00:49:14,067
SHE CAME CALLING ON ME
1430
00:49:14,067 --> 00:49:15,200
AND I NEVER RETURNED THE CALL
1431
00:49:15,200 --> 00:49:16,633
BECAUSE I'M ALWAYS WORKING.
1432
00:49:16,633 --> 00:49:18,967
SO VIRGIE WRITES ME THAT
1433
00:49:18,967 --> 00:49:21,333
MYRTLE HARRIS GOES TO HARRISON.
1434
00:49:21,333 --> 00:49:23,233
AND SHE TELLS VIRGIE THAT
1435
00:49:23,233 --> 00:49:24,733
I HAD HURT HER FEELINGS
1436
00:49:24,733 --> 00:49:25,900
BECAUSE I HAD NEVER
1437
00:49:25,900 --> 00:49:27,267
RETURNED THE CALL.
1438
00:49:27,267 --> 00:49:28,233
SO VIRGIE SAYS, "OH,
1439
00:49:28,233 --> 00:49:29,167
I'M SURE IT'S BECAUSE
1440
00:49:29,167 --> 00:49:30,200
SHE'S ALWAYS WORKING."
1441
00:49:30,200 --> 00:49:31,633
"OH," SAYS MYRTLE.
1442
00:49:31,633 --> 00:49:32,767
"WHAT DOES SHE DO?"
1443
00:49:32,767 --> 00:49:33,933
"WELL," SAYS VIRGIE,
1444
00:49:33,933 --> 00:49:35,700
"SHE TAKES IN SEWING."
1445
00:49:35,700 --> 00:49:38,700
"OH, WELL, HEAVENS,"
1446
00:49:38,700 --> 00:49:39,900
SAYS MYRTLE HARRIS.
1447
00:49:39,900 --> 00:49:41,233
"OH, HEAVENS WHAT?"
1448
00:49:41,233 --> 00:49:42,200
SAYS VIRGIE.
1449
00:49:42,200 --> 00:49:43,667
"SHE'S JUST AS POOR AS YOU
1450
00:49:43,667 --> 00:49:45,067
WERE WHEN YOU LIVED HERE.
1451
00:49:45,067 --> 00:49:45,967
SHE JUST DIDN'T MARRY
1452
00:49:45,967 --> 00:49:47,200
A RICH HUSBAND."
1453
00:49:47,200 --> 00:49:49,233
( laughs )
1454
00:49:49,233 --> 00:49:54,067
VIRGIE SAID THAT SHUT HER UP.
1455
00:49:54,067 --> 00:49:55,067
WHY DO YOU LIKE THIS
1456
00:49:55,067 --> 00:49:57,067
GALVESTON PAPER SO MUCH?
1457
00:49:57,067 --> 00:49:57,833
>> I DON'T KNOW.
1458
00:49:57,833 --> 00:49:58,600
I'VE ALWAYS LOVED
1459
00:49:58,600 --> 00:49:59,333
GALVESTON, YOU KNOW.
1460
00:49:59,333 --> 00:50:02,300
>> NO, I DIDN'T KNOW THAT.
1461
00:50:02,300 --> 00:50:04,300
>> OH, YEAH.
1462
00:50:04,300 --> 00:50:06,267
PAPA USED TO TALK
1463
00:50:06,267 --> 00:50:07,733
ABOUT IT SOMETIMES.
1464
00:50:07,733 --> 00:50:08,700
YOU KNOW, WHEN HE WAS
1465
00:50:08,700 --> 00:50:09,633
GROWING UP THERE AS A BOY.
1466
00:50:09,633 --> 00:50:12,200
>> OH, HONEY, HE DIDN'T
1467
00:50:12,200 --> 00:50:14,300
GROW UP THERE.
1468
00:50:14,300 --> 00:50:16,267
NO, HE WAS ABOUT TWO YEARS OLD
1469
00:50:16,267 --> 00:50:18,100
WHEN THE WAR WAS OVER
1470
00:50:18,100 --> 00:50:20,000
AND HIS DADDY WAS KILLED.
1471
00:50:20,000 --> 00:50:21,700
AND HE AND HIS MAMA HAD TO
1472
00:50:21,700 --> 00:50:23,033
GO TO TYLER AND START
1473
00:50:23,033 --> 00:50:26,833
THAT BOARDINGHOUSE.
1474
00:50:26,833 --> 00:50:28,300
>> MAMA, WILL KIDDER TELLS ME
1475
00:50:28,300 --> 00:50:29,600
THAT FOR 50 DOLLARS,
1476
00:50:29,600 --> 00:50:30,733
YOU CAN GO TO A BUSINESS SCHOOL
1477
00:50:30,733 --> 00:50:31,767
HERE IN HOUSTON.
1478
00:50:31,767 --> 00:50:33,567
I THINK I'M GONNA DO IT.
1479
00:50:38,733 --> 00:50:41,100
>> WHERE WOULD YOU STAY?
1480
00:50:41,100 --> 00:50:41,967
>> WELL--
1481
00:50:41,967 --> 00:50:44,133
>> HONEY...
1482
00:50:44,133 --> 00:50:45,733
I'D LIKE NOTHING BETTER THAN
1483
00:50:45,733 --> 00:50:47,733
TO ASK YOU TO STAY HERE,
1484
00:50:47,733 --> 00:50:49,233
BUT I CAN'T.
1485
00:50:49,233 --> 00:50:51,800
YOU UNDERSTAND.
1486
00:50:51,800 --> 00:50:53,967
THERE'S NO ROOM.
1487
00:50:53,967 --> 00:50:55,067
WE MADE ROOM
1488
00:50:55,067 --> 00:50:56,033
WHILE YOU WERE SICK.
1489
00:50:56,033 --> 00:50:56,733
>> I KNOW.
1490
00:50:56,733 --> 00:50:57,700
I WASN'T EXPECTING
1491
00:50:57,700 --> 00:51:00,233
TO STAY HERE.
1492
00:51:00,233 --> 00:51:01,333
>> WELL, WHERE WOULD YOU GET
1493
00:51:01,333 --> 00:51:02,933
THE MONEY TO PAY FOR ALL THIS?
1494
00:51:02,933 --> 00:51:04,267
>> I'LL TRY AND BORROW IT.
1495
00:51:04,267 --> 00:51:05,167
>> I CAN'T HELP YOU, SON.
1496
00:51:05,167 --> 00:51:05,900
YOU UNDERSTAND.
1497
00:51:05,900 --> 00:51:08,900
>> I WASN'T GONNA ASK YOU, MAMA.
1498
00:51:08,900 --> 00:51:10,700
>> WELL, WHERE WOULD YOU
1499
00:51:10,700 --> 00:51:11,333
GET THE MONEY?
1500
00:51:11,333 --> 00:51:12,933
>> I THOUGHT I'D ASK AUNT VIRGIE
1501
00:51:12,933 --> 00:51:13,933
OR TRY THE BANK.
1502
00:51:13,933 --> 00:51:14,900
>> WELL, WHAT IF YOU
1503
00:51:14,900 --> 00:51:15,733
COULDN'T BORROW IT?
1504
00:51:15,733 --> 00:51:17,833
>> THEN I CAN'T GO.
1505
00:51:17,833 --> 00:51:18,767
>> WHY DO YOU WANNA STUDY
1506
00:51:18,767 --> 00:51:21,067
SO MUCH, SON?
1507
00:51:21,067 --> 00:51:24,633
>> I DON'T WANNA CLERK IN
1508
00:51:24,633 --> 00:51:26,100
A DRY GOODS STORE ALL MY LIFE.
1509
00:51:26,100 --> 00:51:27,333
I THOUGHT IF I HAD A
1510
00:51:27,333 --> 00:51:28,333
BUSINESS COURSE, I MIGHT HAVE
1511
00:51:28,333 --> 00:51:30,067
A FEW MORE OPPORTUNITIES.
1512
00:51:30,067 --> 00:51:33,200
>> I SEE.
1513
00:51:33,200 --> 00:51:38,367
WELL...
1514
00:51:38,367 --> 00:51:42,200
I COULD DO THIS MUCH.
1515
00:51:42,200 --> 00:51:43,667
I COULD MAKE SURE YOU HAVE
1516
00:51:43,667 --> 00:51:45,867
A GOOD BREAKFAST EVERY DAY.
1517
00:51:45,867 --> 00:51:47,300
MR. DAVENPORT GOES
1518
00:51:47,300 --> 00:51:50,400
TO WORK ABOUT 5:00, 5:30.
1519
00:51:50,400 --> 00:51:51,867
AND IF YOU CAME HERE
1520
00:51:51,867 --> 00:51:53,933
ABOUT 6:00, 6:30,
1521
00:51:53,933 --> 00:51:55,067
I'LL MAKE SURE YOU HAD
1522
00:51:55,067 --> 00:51:57,667
A GOOD, HOT BREAKFAST.
1523
00:51:57,667 --> 00:52:00,967
YOU HAVE A GIRL, SON?
1524
00:52:00,967 --> 00:52:03,867
>> I GO WITH SEVERAL.
1525
00:52:03,867 --> 00:52:05,433
>> NO PARTICULAR ONE?
1526
00:52:05,433 --> 00:52:07,867
>> I'VE BEEN SEEING QUITE A BIT
1527
00:52:07,867 --> 00:52:09,200
OF DOLLY PARKER.
1528
00:52:09,200 --> 00:52:11,267
SHE LIVES AT THE GARRETTS'.
1529
00:52:11,267 --> 00:52:12,300
THEY HAVE A PIANO,
1530
00:52:12,300 --> 00:52:13,133
AND THERE'S ALWAYS
1531
00:52:13,133 --> 00:52:13,867
LOTS OF YOUNG PEOPLE
1532
00:52:13,867 --> 00:52:14,700
OVER THERE.
1533
00:52:14,700 --> 00:52:16,733
ROSA GARRETT HAS A LOVELY VOICE.
1534
00:52:16,733 --> 00:52:20,067
>> IS DOLLY PRETTY, HONEY?
1535
00:52:20,067 --> 00:52:21,700
>> YES, MA'AM, SHE'S PRETTY.
1536
00:52:21,700 --> 00:52:22,933
>> AND ROSA?
1537
00:52:22,933 --> 00:52:24,133
>> WELL, ROSA HAS
1538
00:52:24,133 --> 00:52:25,867
A VERY NICE DISPOSITION.
1539
00:52:25,867 --> 00:52:27,067
AND LIKE I SAY,
1540
00:52:27,067 --> 00:52:28,733
HER MOTHER AND FATHER ARE ALWAYS
1541
00:52:28,733 --> 00:52:30,833
VERY KIND AND HOSPITABLE.
1542
00:52:30,833 --> 00:52:31,867
>> THEY STILL AS POOR
1543
00:52:31,867 --> 00:52:32,733
AS CHURCH MICE?
1544
00:52:32,733 --> 00:52:34,367
>> YES, MA'AM, I GUESS SO,
1545
00:52:34,367 --> 00:52:35,800
BUT THERE'S ALWAYS A HAM
1546
00:52:35,800 --> 00:52:36,833
OR A CHICKEN OR A TURKEY
1547
00:52:36,833 --> 00:52:38,067
ON THE TABLE.
1548
00:52:38,067 --> 00:52:39,067
SOMETIMES THEY INVITE
1549
00:52:39,067 --> 00:52:40,400
AS MANY AS 12 OR 14 OF US
1550
00:52:40,400 --> 00:52:41,800
TO STAY FOR DINNER.
1551
00:52:41,800 --> 00:52:42,967
>> I GUESS YOU'LL BE THINKING
1552
00:52:42,967 --> 00:52:44,333
ABOUT GETTING MARRIED SOON,
1553
00:52:44,333 --> 00:52:45,733
WON'T YOU?
1554
00:52:45,733 --> 00:52:47,400
>> I SUPPOSE SO.
1555
00:52:47,400 --> 00:52:48,267
>> WELL, YOU BEEN
1556
00:52:48,267 --> 00:52:48,967
THINKING ABOUT IT?
1557
00:52:48,967 --> 00:52:50,400
>> MAMA, I CAN'T THINK
1558
00:52:50,400 --> 00:52:51,400
OF GETTING MARRIED.
1559
00:52:51,400 --> 00:52:53,067
I DON'T EVEN HAVE A JOB.
1560
00:52:53,067 --> 00:52:55,100
>> I THINK THAT'S VERY
1561
00:52:55,100 --> 00:52:57,700
SENSIBLE OF YOU.
1562
00:52:57,700 --> 00:52:59,267
I WISH I'D BEEN AS SENSIBLE AS
1563
00:52:59,267 --> 00:53:01,067
THAT WHEN I MARRIED YOUR FATHER.
1564
00:53:01,067 --> 00:53:04,067
I HOPE YOUR SISTER WILL BE.
1565
00:53:04,067 --> 00:53:08,333
OH. OH.
1566
00:53:08,333 --> 00:53:09,533
>> HOW DO I LOOK?
1567
00:53:09,533 --> 00:53:11,433
>> JUST BEAUTIFUL,
1568
00:53:11,433 --> 00:53:12,533
LIKE A PICTURE.
1569
00:53:12,533 --> 00:53:14,167
>> HOW DO I LOOK, BROTHER?
1570
00:53:14,167 --> 00:53:15,433
>> VERY PRETTY, SISTER.
1571
00:53:15,433 --> 00:53:17,433
>> THANK YOU.
1572
00:53:17,433 --> 00:53:19,167
I FEEL PRETTY.
1573
00:53:19,167 --> 00:53:20,800
I THOUGHT THAT JUST NOW AS I
1574
00:53:20,800 --> 00:53:22,200
LOOKED AT MYSELF IN THE MIRROR.
1575
00:53:22,200 --> 00:53:23,900
NOT A GIRL AT THAT BALL,
1576
00:53:23,900 --> 00:53:25,400
I DON'T CARE HOW RICH THEY ARE,
1577
00:53:25,400 --> 00:53:26,133
WILL HAVE A DRESS
1578
00:53:26,133 --> 00:53:27,433
AS PRETTY AS MINE.
1579
00:53:27,433 --> 00:53:28,300
THANK YOU.
1580
00:53:28,300 --> 00:53:30,333
>> OH, SUGAR.
1581
00:53:30,333 --> 00:53:31,367
>> WHERE'S MR. DAVENPORT?
1582
00:53:31,367 --> 00:53:32,800
I WANT HIM TO SEE ME.
1583
00:53:32,800 --> 00:53:34,833
>> WELL, HE'S OUT IN THE GARDEN.
1584
00:53:34,833 --> 00:53:35,800
I'LL GO GET HIM.
1585
00:53:39,300 --> 00:53:40,900
>> LILY DALE'S ALL DRESSED NOW.
1586
00:53:40,900 --> 00:53:41,433
SHE WANTS YOU TO
1587
00:53:41,433 --> 00:53:42,800
COME IN AND SEE HER.
1588
00:53:42,800 --> 00:53:43,467
>> I'M ALMOST DONE.
1589
00:53:43,467 --> 00:53:44,233
IF YOU COULD HOLD
1590
00:53:44,233 --> 00:53:45,067
THAT LANTERN UP,
1591
00:53:45,067 --> 00:53:45,800
I COULD SEE BETTER
1592
00:53:45,800 --> 00:53:49,133
WHAT I'M DOING.
1593
00:53:49,133 --> 00:53:51,867
>> I WAS THINKING, LYING ON THE
1594
00:53:51,867 --> 00:53:55,167
COUCH HERE THIS AFTERNOON...
1595
00:53:55,167 --> 00:53:57,933
LILY DALE,
1596
00:53:57,933 --> 00:54:00,267
PAPA USED TO SING A SONG
1597
00:54:00,267 --> 00:54:01,133
TO THE TWO OF US
1598
00:54:01,133 --> 00:54:03,067
CALLED LILY DALE.
1599
00:54:03,067 --> 00:54:05,100
DO YOU REMEMBER HOW IT WENT?
1600
00:54:05,100 --> 00:54:09,433
>> NO, AND I DON'T WANT TO.
1601
00:54:09,433 --> 00:54:10,900
YOU ALWAYS WANNA
1602
00:54:10,900 --> 00:54:12,967
TALK ABOUT THE PAST.
1603
00:54:12,967 --> 00:54:14,467
THAT'S WHY I LOVE WILL.
1604
00:54:14,467 --> 00:54:15,267
HE ONLY WANTS TO TALK
1605
00:54:15,267 --> 00:54:16,267
ABOUT THE FUTURE, WHAT HE'S
1606
00:54:16,267 --> 00:54:17,333
GONNA DO WITH HIS LIFE,
1607
00:54:17,333 --> 00:54:18,567
HOW MUCH HE'S GONNA ACCOMPLISH.
1608
00:54:18,567 --> 00:54:19,933
WHY DO YOU ALWAYS WANNA
1609
00:54:19,933 --> 00:54:21,333
TALK ABOUT THE PAST?
1610
00:54:21,333 --> 00:54:22,867
WHAT PAPA DID OR DIDN'T DO?
1611
00:54:22,867 --> 00:54:24,400
I DON'T CARE WHAT HE CALLED ME.
1612
00:54:24,400 --> 00:54:26,200
ALL I KNOW IS HE SMOKED
1613
00:54:26,200 --> 00:54:27,367
CIGARETTES LIKE A FIEND
1614
00:54:27,367 --> 00:54:28,233
AND WAS A DRUNKARD
1615
00:54:28,233 --> 00:54:29,467
AND BROKE MY MOTHER'S HEART
1616
00:54:29,467 --> 00:54:31,300
AND DIED AND LEFT HER PENNILESS
1617
00:54:31,300 --> 00:54:32,333
TO GO OUT IN THE WORLD TO WORK
1618
00:54:32,333 --> 00:54:33,500
TO SUPPORT TWO CHILDREN.
1619
00:54:33,500 --> 00:54:35,233
>> NO ONE'S SUPPORTED ME
1620
00:54:35,233 --> 00:54:38,267
SINCE I WAS 12 YEARS OLD.
1621
00:54:38,267 --> 00:54:40,267
>> WELL, SHE SUPPORTED ME.
1622
00:54:40,267 --> 00:54:41,400
AND SHE'S THE ONLY ONE
1623
00:54:41,400 --> 00:54:42,267
I WANNA TALK ABOUT,
1624
00:54:42,267 --> 00:54:43,833
EXCEPT MR. DAVENPORT, WHO'S BEEN
1625
00:54:43,833 --> 00:54:44,833
MORE TO ME THAN A REAL FATHER
1626
00:54:44,833 --> 00:54:49,367
COULD HAVE BEEN.
1627
00:54:49,367 --> 00:54:52,500
WHAT IS THE MATTER WITH YOU?
1628
00:54:52,500 --> 00:54:54,067
WHY HAVE YOU TURNED
1629
00:54:54,067 --> 00:54:56,533
YOUR FACE AWAY?
1630
00:54:56,533 --> 00:54:57,600
BROTHER, ARE YOU GONNA LIE THERE
1631
00:54:57,600 --> 00:54:59,200
FOREVER ON THAT COUCH?
1632
00:54:59,200 --> 00:55:00,667
YOU SHOULD MAKE YOURSELF
1633
00:55:00,667 --> 00:55:02,067
GET DRESSED NOW EVERY DAY
1634
00:55:02,067 --> 00:55:02,933
AND START WALKING
1635
00:55:02,933 --> 00:55:05,600
AROUND THE BLOCK AT LEAST.
1636
00:55:05,600 --> 00:55:08,233
WHY ARE YOU SO SAD, BROTHER?
1637
00:55:08,233 --> 00:55:10,433
WHY ARE YOU ALWAYS SO SAD?
1638
00:55:10,433 --> 00:55:12,933
IT'S NOT FAIR.
1639
00:55:12,933 --> 00:55:16,567
TURN AROUND AND LOOK AT ME.
1640
00:55:16,567 --> 00:55:18,067
I CAN'T HELP IT IF I HAVE
1641
00:55:18,067 --> 00:55:18,967
A HAPPY DISPOSITION
1642
00:55:18,967 --> 00:55:21,200
AND YOU DON'T.
1643
00:55:21,200 --> 00:55:23,400
BROTHER, I WANNA BE CLOSE.
1644
00:55:23,400 --> 00:55:26,067
LET'S BE CLOSE, PLEASE.
1645
00:55:26,067 --> 00:55:26,967
WE'RE NOT CLOSE AS A
1646
00:55:26,967 --> 00:55:28,067
BROTHER AND SISTER SHOULD BE.
1647
00:55:28,067 --> 00:55:29,133
I SHOULD BE ABLE TO COME TO YOU
1648
00:55:29,133 --> 00:55:29,667
WITH MY TROUBLES,
1649
00:55:29,667 --> 00:55:32,600
AND I CAN'T.
1650
00:55:32,600 --> 00:55:35,067
>> SISTER, I FEEL CLOSE TO YOU.
1651
00:55:35,067 --> 00:55:36,400
>> DO YOU?
1652
00:55:36,400 --> 00:55:38,067
>> YES.
1653
00:55:38,067 --> 00:55:39,900
>> AND YOU'RE NOT JEALOUS OF ME?
1654
00:55:39,900 --> 00:55:41,067
>> I DON'T KNOW WHAT
1655
00:55:41,067 --> 00:55:42,067
YOU'RE TALKING ABOUT.
1656
00:55:42,067 --> 00:55:44,100
I'VE NEVER BEEN JEALOUS OF YOU
1657
00:55:44,100 --> 00:55:47,200
IN MY WHOLE LIFE.
1658
00:55:47,200 --> 00:55:50,933
>> I'M RELIEVED TO HEAR THAT.
1659
00:55:50,933 --> 00:55:53,233
I THOUGHT YOU WERE JEALOUS OF ME
1660
00:55:53,233 --> 00:55:55,233
BECAUSE MR. DAVENPORT SPOILS ME
1661
00:55:55,233 --> 00:55:56,200
AND PREFERS ME TO YOU,
1662
00:55:56,200 --> 00:55:57,533
BUT THAT'S ONLY NATURAL,
1663
00:55:57,533 --> 00:55:58,367
BROTHER, THAT HE WOULD.
1664
00:55:58,367 --> 00:55:59,300
YOU'RE A STRANGER TO HIM,
1665
00:55:59,300 --> 00:56:01,067
REALLY, AND I WAS RAISED UP HERE
1666
00:56:01,067 --> 00:56:02,667
IN THE HOUSE WITH HIM.
1667
00:56:02,667 --> 00:56:04,667
HE'S ALWAYS BEEN SO SWEET
1668
00:56:04,667 --> 00:56:06,400
AND CONSIDERATE TO ME, BROTHER.
1669
00:56:06,400 --> 00:56:07,967
I REMEMBER WHEN MAMA
1670
00:56:07,967 --> 00:56:09,233
DECIDED TO MARRY HIM.
1671
00:56:09,233 --> 00:56:11,133
HE TOOK ME IN HIS ARMS, AND HE
1672
00:56:11,133 --> 00:56:12,233
TOLD ME HE WAS GONNA BE
1673
00:56:12,233 --> 00:56:13,300
A DADDY TO ME.
1674
00:56:13,300 --> 00:56:15,133
AND HE HAS.
1675
00:56:15,133 --> 00:56:17,267
HE CERTAINLY HAS.
1676
00:56:17,267 --> 00:56:20,100
YOU MUST LOVE HIM FOR THAT.
1677
00:56:20,100 --> 00:56:21,633
SAY YOU DO.
1678
00:56:21,633 --> 00:56:24,400
>> I CAN'T STAND HIM.
1679
00:56:24,400 --> 00:56:25,567
>> DON'T SAY THAT.
1680
00:56:25,567 --> 00:56:28,067
>> DO YOU THINK I'M FAKING
1681
00:56:28,067 --> 00:56:30,533
LYING HERE ON THIS COUCH?
1682
00:56:30,533 --> 00:56:33,433
DO YOU THINK I DON'T CHOKE ON
1683
00:56:33,433 --> 00:56:34,367
EVERY PIECE OF HIS FOOD
1684
00:56:34,367 --> 00:56:35,067
THAT I EAT?
1685
00:56:35,067 --> 00:56:37,067
HOW CAN I GET WELL EATING
1686
00:56:37,067 --> 00:56:41,467
THE FOOD OF A MAN...
1687
00:56:41,467 --> 00:56:43,200
I DESPISE?
1688
00:56:43,200 --> 00:56:44,733
>> BROTHER, BROTHER, STOP IT.
1689
00:56:44,733 --> 00:56:48,133
>> I DESPISE HIM.
1690
00:56:48,133 --> 00:56:50,667
I WOULD NEVER HAVE COME HERE
1691
00:56:50,667 --> 00:56:52,067
IF I WOULD'VE THOUGHT
1692
00:56:52,067 --> 00:56:52,700
HE WOULD COME HERE
1693
00:56:52,700 --> 00:56:54,267
AND I WOULD HAVE GOTTEN SICK
1694
00:56:54,267 --> 00:56:55,533
AND BEEN AT HIS MERCY!
1695
00:56:55,533 --> 00:56:56,700
>> STOP IT.
1696
00:56:56,700 --> 00:56:58,367
>> I DESPISE HIM!
1697
00:56:58,367 --> 00:57:00,300
I DESPISE HIM!
1698
00:57:00,300 --> 00:57:01,533
IF I HAD THE STRENGTH,
1699
00:57:01,533 --> 00:57:03,633
I WOULD GET UP AND WALK ACROSS
1700
00:57:03,633 --> 00:57:05,133
THIS ROOM RIGHT NOW--
1701
00:57:05,133 --> 00:57:07,433
>> NOW YOU'VE SPOILED IT FOR ME.
1702
00:57:07,433 --> 00:57:09,800
>> RIGHT NOW.
1703
00:57:09,800 --> 00:57:11,133
>> TELL LILY DALE
1704
00:57:11,133 --> 00:57:12,133
I'LL BE RIGHT IN.
1705
00:57:12,133 --> 00:57:13,433
>> ALL RIGHT.
1706
00:57:26,067 --> 00:57:27,600
>> HORACE!
1707
00:57:27,600 --> 00:57:31,400
HORACE!
1708
00:57:31,400 --> 00:57:34,700
LILY DALE!
1709
00:57:34,700 --> 00:57:36,067
LILY DALE, GET MR. DAVENPORT,
1710
00:57:36,067 --> 00:57:37,367
QUICK, OUT IN THE YARD.
1711
00:57:37,367 --> 00:57:38,467
YOUR BROTHER HAS FALLEN,
1712
00:57:38,467 --> 00:57:39,567
AND HE'S HURT! HURRY!
1713
00:57:39,567 --> 00:57:43,067
AND GET THOSE SMELLING SALTS!
1714
00:57:43,067 --> 00:57:45,367
>> PETE, MAMA NEEDS YOU.
1715
00:57:45,367 --> 00:57:47,700
BROTHER'S FAINTED AGAIN.
1716
00:57:47,700 --> 00:57:50,100
>> WHAT?
1717
00:57:55,800 --> 00:57:57,133
>> WHAT'S HAPPENED NOW?
1718
00:57:57,133 --> 00:57:57,700
>> I DON'T KNOW.
1719
00:57:57,700 --> 00:57:58,567
I CAME IN AND JUST FOUND HIM
1720
00:57:58,567 --> 00:58:01,500
ON THE FLOOR.
1721
00:58:01,500 --> 00:58:03,367
HERE.
1722
00:58:12,367 --> 00:58:13,233
>> I DESPISE HIM.
1723
00:58:13,233 --> 00:58:13,800
>> WHAT?
1724
00:58:13,800 --> 00:58:14,833
>> I DESPISE HIM.
1725
00:58:14,833 --> 00:58:15,733
>> HE'S DELIRIOUS.
1726
00:58:15,733 --> 00:58:16,600
>> I DESPISE HIM.
1727
00:58:16,600 --> 00:58:17,833
>> YOU DELIRIOUS, BOY?
1728
00:58:17,833 --> 00:58:19,467
WHAT ARE YOU TALKING ABOUT, SON?
1729
00:58:19,467 --> 00:58:21,300
>> PETE. MR. DAVENPORT.
1730
00:58:21,300 --> 00:58:21,800
HE SAYS HE HATES
1731
00:58:21,800 --> 00:58:22,533
AND DESPISES HIM.
1732
00:58:22,533 --> 00:58:24,767
>> SHH, DON'T SAY THAT.
1733
00:58:24,767 --> 00:58:26,100
HE DOESN'T MEAN THAT. NEVER.
1734
00:58:26,100 --> 00:58:26,833
DON'T REPEAT SOMETHING
1735
00:58:26,833 --> 00:58:27,733
SOMEONE SAYS WHEN THEY'RE
1736
00:58:27,733 --> 00:58:28,467
OUT OF THEIR MIND.
1737
00:58:28,467 --> 00:58:30,867
>> HE WAS NOT OUT OF HIS MIND.
1738
00:58:30,867 --> 00:58:33,433
HE'S RUINED THIS NIGHT FOR ME
1739
00:58:33,433 --> 00:58:34,800
BY HIS HATE!
1740
00:58:34,800 --> 00:58:36,300
>> YOU WERE OUT OF YOUR HEAD,
1741
00:58:36,300 --> 00:58:37,267
WEREN'T YOU, HONEY?
1742
00:58:37,267 --> 00:58:38,200
DON'T RUIN THIS EVENING
1743
00:58:38,200 --> 00:58:38,700
FOR HER.
1744
00:58:38,700 --> 00:58:39,500
SHE'S HAD SO LITTLE
1745
00:58:39,500 --> 00:58:40,667
HAPPINESS IN HER LIFE.
1746
00:58:40,667 --> 00:58:41,633
>> ( knock at door )
1747
00:58:48,700 --> 00:58:49,700
>> HELLO THERE, YOUNG LADY.
1748
00:58:49,700 --> 00:58:50,467
HOW DO YOU FEEL?
1749
00:58:50,467 --> 00:58:51,500
>> WILL, COME ON AND HELP ME.
1750
00:58:51,500 --> 00:58:52,367
HORACE HAS FALLEN.
1751
00:58:52,367 --> 00:58:52,867
I NEED TO GET HIM
1752
00:58:52,867 --> 00:58:53,733
BACK ON THE COUCH.
1753
00:58:53,733 --> 00:58:55,367
COME ON.
1754
00:58:55,367 --> 00:58:56,733
>> COME ON, BOY.
1755
00:58:56,733 --> 00:58:57,700
COME ON.
1756
00:58:57,700 --> 00:59:01,300
WHERE DO YOU THINK YOU'RE GOING?
1757
00:59:01,300 --> 00:59:06,233
>> THERE. THERE. THERE.
1758
00:59:06,233 --> 00:59:08,533
NOW...
1759
00:59:08,533 --> 00:59:10,333
YOU FEELING BETTER, HONEY?
1760
00:59:10,333 --> 00:59:11,533
>> YES, MA'AM.
1761
00:59:11,533 --> 00:59:13,433
>> YOU GAVE US QUITE A SCARE.
1762
00:59:13,433 --> 00:59:14,600
YOU WERE DELIRIOUS.
1763
00:59:14,600 --> 00:59:16,867
YOU KEPT LOOKING AT MR.DAVENPORT
1764
00:59:16,867 --> 00:59:18,533
AND SAYING HOW YOU DESPISED HIM.
1765
00:59:18,533 --> 00:59:20,433
BUT HE KNEW YOU WERE DELIRIOUS
1766
00:59:20,433 --> 00:59:22,333
AND DIDN'T MEAN A WORD OF IT.
1767
00:59:22,333 --> 00:59:23,867
( sighs )
1768
00:59:23,867 --> 00:59:24,867
>> WHERE'S MY GIRL?
1769
00:59:24,867 --> 00:59:25,700
I THOUGHT SHE'D BE
1770
00:59:25,700 --> 00:59:26,567
ALL DRESSED AND WAITING.
1771
00:59:26,567 --> 00:59:28,267
>> WELL, SHE WAS,
1772
00:59:28,267 --> 00:59:30,633
BUT HER BROTHER FELL DOWN
1773
00:59:30,633 --> 00:59:32,333
AND SHE GOT ALL NERVOUS
1774
00:59:32,333 --> 00:59:33,400
AND UPSET AND JUST RAN
1775
00:59:33,400 --> 00:59:34,300
OUT OF THE ROOM.
1776
00:59:34,300 --> 00:59:35,533
I'LL GO GET HER.
1777
00:59:43,467 --> 00:59:44,533
>> DID LILY DALE TELL YOU
1778
00:59:44,533 --> 00:59:45,767
ABOUT MY NEW JOB?
1779
00:59:45,767 --> 00:59:47,667
I'M LEAVING THE RAILROAD.
1780
00:59:47,667 --> 00:59:48,467
I'M GOING INTO THE
1781
00:59:48,467 --> 00:59:49,633
PRODUCE BUSINESS.
1782
00:59:49,633 --> 00:59:50,600
GREAT NEW COMPANY
1783
00:59:50,600 --> 00:59:51,600
THAT'S JUST STARTED UP.
1784
00:59:51,600 --> 00:59:52,533
THEY GOT THE RIGHTS TO HANDLE
1785
00:59:52,533 --> 00:59:53,433
SOME GREAT NEW PRODUCTS
1786
00:59:53,433 --> 00:59:54,700
HERE IN THIS AREA.
1787
00:59:54,700 --> 00:59:56,500
ADMIRATION COFFEE...
1788
00:59:56,500 --> 00:59:57,433
THAT'S THE ONE THEY
1789
00:59:57,433 --> 00:59:58,433
ADVERTISE AS "THE CUP
1790
00:59:58,433 --> 01:00:00,200
OF SOUTHERN HOSPITALITY."
1791
01:00:00,200 --> 01:00:01,700
AND, UH...
1792
01:00:01,700 --> 01:00:03,833
HEY, SAY, YOU NEED A JOB.
1793
01:00:03,833 --> 01:00:04,700
SPEAK TO PETE ABOUT GETTING
1794
01:00:04,700 --> 01:00:05,467
MY JOB FOR YOU OUT AT
1795
01:00:05,467 --> 01:00:06,433
THE RAILROADS.
1796
01:00:06,433 --> 01:00:08,433
ANYONE CAN DO IT.
1797
01:00:08,433 --> 01:00:09,600
>> LILY DALE WILL BE DOWN
1798
01:00:09,600 --> 01:00:10,300
IN A MINUTE.
1799
01:00:10,300 --> 01:00:11,733
>> PLENTY OF TIME, PETE.
1800
01:00:11,733 --> 01:00:12,733
PLENTY OF TIME.
1801
01:00:12,733 --> 01:00:14,400
SAY, I JUST HAD A GREAT IDEA.
1802
01:00:14,400 --> 01:00:15,700
WHAT ABOUT HORACE FOR MY JOB
1803
01:00:15,700 --> 01:00:18,567
AT THE YARDS?
1804
01:00:18,567 --> 01:00:20,700
>> NO, IT WAS ALREADY TAKEN.
1805
01:00:20,700 --> 01:00:22,333
IT WAS FILLED THIS AFTERNOON.
1806
01:00:22,333 --> 01:00:24,700
>> OH, WELL, THAT'S TOO BAD.
1807
01:00:24,700 --> 01:00:25,900
WE JUST WEREN'T ON THE BALL,
1808
01:00:25,900 --> 01:00:26,600
WERE WE, PETE?
1809
01:00:26,600 --> 01:00:27,800
WHY DIDN'T WE THINK
1810
01:00:27,800 --> 01:00:31,433
ABOUT IT SOONER?
1811
01:00:31,433 --> 01:00:35,600
SAY, LOOK HERE.
1812
01:00:35,600 --> 01:00:36,900
THIS SIGHT WAS
1813
01:00:36,900 --> 01:00:39,567
WORTH WAITING FOR.
1814
01:00:39,567 --> 01:00:42,300
MY, MY.
1815
01:00:42,300 --> 01:00:44,333
YOU ARE BEAUTIFUL.
1816
01:00:44,333 --> 01:00:45,733
>> THANK YOU, WILL.
1817
01:00:45,733 --> 01:00:47,300
MAMA MADE THE DRESS.
1818
01:00:47,300 --> 01:00:49,167
>> AND IT IS SOMETHING.
1819
01:00:49,167 --> 01:00:50,367
YES, IT IS.
1820
01:00:50,367 --> 01:00:52,800
DOESN'T SHE LOOK GORGEOUS, PETE?
1821
01:00:52,800 --> 01:00:54,567
>> YES, SHE DOES.
1822
01:00:54,567 --> 01:00:55,433
>> SHOOT, SHE'LL BE THE
1823
01:00:55,433 --> 01:00:56,200
PRETTIEST GIRL THERE,
1824
01:00:56,200 --> 01:00:57,200
I'LL TELL YOU THAT.
1825
01:00:57,200 --> 01:00:58,200
WHAT DO YOU THINK OF
1826
01:00:58,200 --> 01:01:00,267
YOUR SISTER, HORACE?
1827
01:01:00,267 --> 01:01:00,767
PUT A WALTZ ON
1828
01:01:00,767 --> 01:01:01,500
THE VICTROLA, PETE.
1829
01:01:01,500 --> 01:01:02,567
LILY DALE AND I WILL SHOW YOU
1830
01:01:02,567 --> 01:01:03,333
THE TEXAS CASTLES--
1831
01:01:03,333 --> 01:01:04,633
IRENE AND VERNON.
1832
01:01:04,633 --> 01:01:05,800
>> I DON'T FEEL LIKE IT, WILL.
1833
01:01:05,800 --> 01:01:06,700
I HAVE A HEADACHE.
1834
01:01:06,700 --> 01:01:07,667
>> A HEADACHE?
1835
01:01:07,667 --> 01:01:08,667
WELL, GET OVER IT.
1836
01:01:08,667 --> 01:01:09,733
NO HEADACHES ARE ALLOWED
1837
01:01:09,733 --> 01:01:10,467
ON THIS NIGHT.
1838
01:01:10,467 --> 01:01:13,833
WE'RE GONNA DANCE ALL NIGHT.
1839
01:01:13,833 --> 01:01:17,233
>> **
1840
01:01:20,267 --> 01:01:21,700
>> HOW IS THAT?
1841
01:01:21,700 --> 01:01:22,733
>> YOU DO MAKE
1842
01:01:22,733 --> 01:01:24,567
A BEAUTIFUL COUPLE.
1843
01:01:24,567 --> 01:01:25,533
AND YOU'RE BOTH
1844
01:01:25,533 --> 01:01:27,500
WONDERFUL DANCERS.
1845
01:01:27,500 --> 01:01:28,900
NOW, WHEN ARE YOU GONNA
1846
01:01:28,900 --> 01:01:30,267
BRING HER HOME?
1847
01:01:30,267 --> 01:01:32,067
>> DON'T WAIT UP FOR US.
1848
01:01:32,067 --> 01:01:34,633
>> OH, I ALWAYS DO.
1849
01:01:34,633 --> 01:01:35,967
I DON'T SHUT MY EYES
1850
01:01:35,967 --> 01:01:37,367
UNTIL SHE'S HOME.
1851
01:01:37,367 --> 01:01:39,067
>> DON'T YOU TRUST ME, LADY?
1852
01:01:39,067 --> 01:01:40,300
DON'T YOU TRUST ME TO
1853
01:01:40,300 --> 01:01:41,567
TAKE CARE OF YOUR DAUGHTER?
1854
01:01:41,567 --> 01:01:42,333
>> I TRUST YOU, WILL.
1855
01:01:42,333 --> 01:01:43,300
YOU KNOW THAT.
1856
01:01:43,300 --> 01:01:45,467
>> THEN YOU GO TO SLEEP.
1857
01:01:45,467 --> 01:01:46,833
>> NO, I DON'T SHUT MY EYES
1858
01:01:46,833 --> 01:01:49,467
UNTIL SHE'S IN THE HOUSE.
1859
01:01:49,467 --> 01:01:50,400
>> WHAT ARE YOU GONNA DO
1860
01:01:50,400 --> 01:01:51,300
WHEN SHE'S MARRIED AND
1861
01:01:51,300 --> 01:01:52,067
NOT LIVING HERE ANYMORE?
1862
01:01:52,067 --> 01:01:52,967
>> THEN I CAN'T HELP IT.
1863
01:01:52,967 --> 01:01:53,900
SHE'S SOMEONE ELSE'S
1864
01:01:53,900 --> 01:01:54,733
RESPONSIBILITY.
1865
01:01:54,733 --> 01:01:56,400
>> WHAT IF WE'RE OUT UNTIL DAWN?
1866
01:01:56,400 --> 01:01:57,433
>> THEN I WON'T SLEEP
1867
01:01:57,433 --> 01:01:58,333
UNTIL DAWN.
1868
01:01:58,333 --> 01:02:00,300
YOU'RE TEASING ABOUT DAWN.
1869
01:02:00,300 --> 01:02:02,067
YOU'LL BRING HER HOME BY 12:00.
1870
01:02:02,067 --> 01:02:02,800
>> OR ONE.
1871
01:02:02,800 --> 01:02:05,067
>> TWELVE.
1872
01:02:05,067 --> 01:02:07,733
>> ALL RIGHT, 12:30.
1873
01:02:07,733 --> 01:02:10,500
LET'S GO, PRINCESS.
1874
01:02:10,500 --> 01:02:14,067
>> NOW, HAVE A WONDERFUL TIME,
1875
01:02:14,067 --> 01:02:15,367
BOTH OF YOU.
1876
01:02:15,367 --> 01:02:16,867
THERE.
1877
01:02:16,867 --> 01:02:17,967
>> THANK YOU, MAMA.
1878
01:02:17,967 --> 01:02:19,633
>> GOOD NIGHT, HONEY.
1879
01:02:19,633 --> 01:02:20,500
>> GOOD NIGHT, PETE.
1880
01:02:20,500 --> 01:02:21,700
>> GOOD NIGHT, HON.
1881
01:02:21,700 --> 01:02:22,500
>> GOOD NIGHT, PETE.
1882
01:02:22,500 --> 01:02:23,833
DON'T TAKE ANY WOODEN NICKELS.
1883
01:02:23,833 --> 01:02:24,767
>> I'LL TRY NOT TO.
1884
01:02:24,767 --> 01:02:25,533
TAKE CARE OF HER.
1885
01:02:25,533 --> 01:02:29,633
>> I WILL.
1886
01:02:29,633 --> 01:02:32,600
>> GOOD NIGHT, LILY DALE.
1887
01:02:32,600 --> 01:02:33,967
>> GOOD NIGHT, YOUNG MAN.
1888
01:02:33,967 --> 01:02:35,633
YOU TAKE CARE OF YOURSELF.
1889
01:02:45,733 --> 01:02:46,967
>> SHE SURE LOOKED PRETTY,
1890
01:02:46,967 --> 01:02:47,700
DIDN'T SHE?
1891
01:02:47,700 --> 01:02:49,867
>> YES.
1892
01:02:49,867 --> 01:02:53,333
>> ARE YOU ALL RIGHT?
1893
01:02:53,333 --> 01:02:54,567
>> YES.
1894
01:03:04,667 --> 01:03:05,767
>> I TOLD MR. DAVENPORT
1895
01:03:05,767 --> 01:03:07,133
THAT WHATEVER YOU SAID TO HIM
1896
01:03:07,133 --> 01:03:10,067
JUST NOW, YOU WERE DELIRIOUS.
1897
01:03:10,067 --> 01:03:12,667
>> I WASN'T DELIRIOUS, MAMA.
1898
01:03:12,667 --> 01:03:14,800
I KNEW WHAT I WAS SAYING.
1899
01:03:14,800 --> 01:03:17,067
I'M LEAVING HERE
1900
01:03:17,067 --> 01:03:18,133
TOMORROW, MAMA.
1901
01:03:18,133 --> 01:03:20,400
>> HOW CAN YOU DO THAT?
1902
01:03:20,400 --> 01:03:22,500
YOU CAN'T EVEN GET
1903
01:03:22,500 --> 01:03:23,767
YOURSELF ACROSS THE FLOOR.
1904
01:03:23,767 --> 01:03:24,700
>> I'M GOING IF I HAVE
1905
01:03:24,700 --> 01:03:29,067
TO CRAWL OUT OF HERE.
1906
01:03:29,067 --> 01:03:30,833
I'M GONNA ASK WILL TO COME
1907
01:03:30,833 --> 01:03:32,800
AND HELP ME OUT OF HERE,
1908
01:03:32,800 --> 01:03:34,967
RIDE TO HARRISON WITH ME
1909
01:03:34,967 --> 01:03:36,367
ON THE TRAIN,
1910
01:03:36,367 --> 01:03:38,467
OR I'LL MAKE IT MYSELF.
1911
01:03:38,467 --> 01:03:39,733
>> I DON'T WANT YOU
1912
01:03:39,733 --> 01:03:40,733
TO DO THAT NOW.
1913
01:03:40,733 --> 01:03:42,800
>> I'M GOING, MAMA.
1914
01:03:42,800 --> 01:03:43,933
NOTHING WILL KEEP ME HERE.
1915
01:03:43,933 --> 01:03:44,667
NOTHING.
1916
01:03:44,667 --> 01:03:45,900
>> WHERE WILL YOU GO?
1917
01:03:45,900 --> 01:03:46,733
YOU HAVEN'T GOT A JOB.
1918
01:03:46,733 --> 01:03:47,467
WHAT WILL YOU DO?
1919
01:03:47,467 --> 01:03:49,733
>> I'LL GO TO AUNT VIRGIE.
1920
01:03:49,733 --> 01:03:51,633
SHE'LL NURSE ME.
1921
01:03:51,633 --> 01:03:53,967
>> I WANNA NURSE YOU.
1922
01:03:53,967 --> 01:03:56,567
I WANNA DO SOMETHING FOR YOU.
1923
01:03:56,567 --> 01:03:57,767
PLEASE LET ME.
1924
01:04:06,600 --> 01:04:09,067
>> WELL...
1925
01:04:09,067 --> 01:04:12,100
ANYWAY, IF YOU DECIDE TO
1926
01:04:12,100 --> 01:04:13,467
COME BACK AND STUDY AT
1927
01:04:13,467 --> 01:04:14,133
THAT BUSINESS COURSE,
1928
01:04:14,133 --> 01:04:15,900
I HOPE YOU'LL REMEMBER
1929
01:04:15,900 --> 01:04:17,133
TO COME OVER HERE
1930
01:04:17,133 --> 01:04:18,100
AND HAVE A GOOD BREAKFAST
1931
01:04:18,100 --> 01:04:18,933
IN THE MORNING.
1932
01:04:18,933 --> 01:04:21,067
WELL, HONEY, YOU'RE TIRED.
1933
01:04:21,067 --> 01:04:22,733
I'LL JUST LET YOU REST.
1934
01:04:26,600 --> 01:04:27,700
>> MAMA.
1935
01:04:27,700 --> 01:04:29,900
>> YES, SON.
1936
01:04:29,900 --> 01:04:31,533
>> DO YOU REMEMBER THAT SONG
1937
01:04:31,533 --> 01:04:34,767
CALLED LILY DALE?
1938
01:04:34,767 --> 01:04:35,967
THE ONE PAPA
1939
01:04:35,967 --> 01:04:39,067
ALWAYS SANG TO SISTER?
1940
01:04:39,067 --> 01:04:42,067
>> WELL, LET'S SEE NOW.
1941
01:04:42,067 --> 01:04:43,133
I SEEM TO REMEMBER HIM
1942
01:04:43,133 --> 01:04:44,200
SINGING IT, BUT I CAN'T
1943
01:04:44,200 --> 01:04:45,767
REMEMBER HOW IT GOES.
1944
01:04:45,767 --> 01:04:50,533
>> TRY TO REMEMBER IT, MAMA.
1945
01:04:50,533 --> 01:04:53,167
>> WHY, HONEY?
1946
01:04:53,167 --> 01:04:54,567
WHY?
1947
01:04:54,567 --> 01:04:58,067
>> BECAUSE I WANNA REMEMBER IT.
1948
01:04:58,067 --> 01:05:00,067
>> ALL RIGHT, I'LL TRY.
1949
01:05:00,067 --> 01:05:03,067
I'LL CERTAINLY TRY.
1950
01:05:03,067 --> 01:05:05,900
RIGHT NOW?
1951
01:05:05,900 --> 01:05:07,100
>> YES.
1952
01:05:10,667 --> 01:05:14,567
>> I JUST CAN'T.
1953
01:05:14,567 --> 01:05:16,767
BUT I'LL KEEP ON TRYING.
1954
01:05:26,200 --> 01:05:30,567
>> ( indistinct chatter )
1955
01:05:30,567 --> 01:05:31,167
>> NO.
1956
01:05:31,167 --> 01:05:32,200
>> ARE YOU GONNA TELL YOUR MAMA
1957
01:05:32,200 --> 01:05:33,100
WHAT THAT REPORTER
1958
01:05:33,100 --> 01:05:34,900
FROM THE PAPER SAID TO YOU?
1959
01:05:34,900 --> 01:05:35,833
>> I DON'T REMEMBER
1960
01:05:35,833 --> 01:05:36,533
WHAT HE SAID.
1961
01:05:36,533 --> 01:05:37,067
WHAT DID HE SAY?
1962
01:05:37,067 --> 01:05:38,667
>> YOU DON'T?
1963
01:05:38,667 --> 01:05:39,667
I THINK HE SAID YOU WERE
1964
01:05:39,667 --> 01:05:40,633
THE MOST BEAUTIFUL DANCER
1965
01:05:40,633 --> 01:05:42,533
AT THE WHOLE DANCE.
1966
01:05:42,533 --> 01:05:43,800
>> I THINK HE SAID I WAS
1967
01:05:43,800 --> 01:05:44,700
THE MOST GRACEFUL DANCER
1968
01:05:44,700 --> 01:05:45,233
HE'D EVER SEEN.
1969
01:05:45,233 --> 01:05:45,933
>> I THOUGHT YOU
1970
01:05:45,933 --> 01:05:49,500
FORGOT WHAT HE SAID.
1971
01:05:49,500 --> 01:05:50,267
DIDN'T I TELL YOU I'D
1972
01:05:50,267 --> 01:05:51,067
HAVE HER HOME BY 12:30?
1973
01:05:51,067 --> 01:05:52,567
>> SHH, SHH, SHH.
1974
01:06:01,067 --> 01:06:02,933
>> DID YOU HAVE A GOOD EVENING?
1975
01:06:02,933 --> 01:06:05,700
>> WONDERFUL EVENING.
1976
01:06:05,700 --> 01:06:07,200
>> SHOW HER YOUR PRESENT.
1977
01:06:10,233 --> 01:06:11,333
>> OH, MY GOODNESS.
1978
01:06:11,333 --> 01:06:14,067
>> WHAT DO YOU THINK OF THAT?
1979
01:06:14,067 --> 01:06:16,133
>> WELL...
1980
01:06:16,133 --> 01:06:17,633
IT'S BEAUTIFUL.
1981
01:06:17,633 --> 01:06:20,833
>> WHAT DO YOU THINK IT COST ME?
1982
01:06:20,833 --> 01:06:22,267
>> I HAVE NO IDEA.
1983
01:06:22,267 --> 01:06:24,067
>> PLENTY.
1984
01:06:24,067 --> 01:06:25,067
BUT I THOUGHT NOTHING IS
1985
01:06:25,067 --> 01:06:27,300
TOO MUCH FOR MY SWEETHEART.
1986
01:06:27,300 --> 01:06:30,267
>> WHAT DOES IT MEAN, WILL?
1987
01:06:30,267 --> 01:06:31,667
>> IT MEANS WE'RE ENGAGED.
1988
01:06:31,667 --> 01:06:33,133
I'VE ASKED HER TO MARRY ME.
1989
01:06:33,133 --> 01:06:37,067
>> ( crying )
1990
01:06:42,733 --> 01:06:45,067
>> ( sniffles )
1991
01:06:45,067 --> 01:06:49,133
DARLING...
1992
01:06:49,133 --> 01:06:52,200
YOU'RE TOO YOUNG TO GET MARRIED.
1993
01:06:52,200 --> 01:06:53,333
WILL, PLEASE BELIEVE ME,
1994
01:06:53,333 --> 01:06:54,867
SHE'S TOO YOUNG.
1995
01:06:54,867 --> 01:06:55,567
I HAVE NOTHING,
1996
01:06:55,567 --> 01:06:56,333
ABSOLUTELY NOTHING
1997
01:06:56,333 --> 01:06:57,600
IN THE WORLD AGAINST YOU.
1998
01:06:57,600 --> 01:06:59,133
YOU GOT TO BELIEVE THAT.
1999
01:06:59,133 --> 01:07:00,400
>> WHAT'S THE MATTER WITH YOU?
2000
01:07:00,400 --> 01:07:01,333
WE'RE NOT GETTING
2001
01:07:01,333 --> 01:07:02,933
MARRIED TOMORROW.
2002
01:07:02,933 --> 01:07:04,933
I HAVE SOME SENSE, YOU KNOW.
2003
01:07:04,933 --> 01:07:06,333
I'M MAKING MY PLANS.
2004
01:07:06,333 --> 01:07:07,667
I'M GONNA WORK HARD FOR
2005
01:07:07,667 --> 01:07:09,200
A YEAR, SAVE MY MONEY...
2006
01:07:09,200 --> 01:07:10,067
AND WHEN I HAVE
2007
01:07:10,067 --> 01:07:11,067
A FEW THOUSAND IN THE BANK,
2008
01:07:11,067 --> 01:07:12,333
THEN WE'LL MARRY.
2009
01:07:12,333 --> 01:07:13,333
DO YOU HAVE ANY OBJECTIONS
2010
01:07:13,333 --> 01:07:15,800
TO THAT PLAN?
2011
01:07:15,800 --> 01:07:18,100
>> WELL, I GUESS NOT.
2012
01:07:18,100 --> 01:07:19,267
BUT YOU'LL PROMISE ME
2013
01:07:19,267 --> 01:07:20,333
YOU'LL WAIT A YEAR, WON'T YOU?
2014
01:07:20,333 --> 01:07:22,167
>> I'M NOT MAKING ANY PROMISES.
2015
01:07:22,167 --> 01:07:22,867
I MIGHT WANNA BE
2016
01:07:22,867 --> 01:07:23,667
MARRIED TOMORROW.
2017
01:07:23,667 --> 01:07:26,100
>> OH, WILL, PLEASE BE SERIOUS.
2018
01:07:26,100 --> 01:07:27,933
>> OH, I'M SERIOUS.
2019
01:07:27,933 --> 01:07:29,167
WE'LL WAIT AS LONG AS YOU
2020
01:07:29,167 --> 01:07:31,933
WANT US TO, WON'T WE, HONEY?
2021
01:07:31,933 --> 01:07:32,967
>> ( crying )
2022
01:07:32,967 --> 01:07:35,700
>> LILY DALE.
2023
01:07:35,700 --> 01:07:37,167
>> SHE'LL BE ALL RIGHT.
2024
01:07:37,167 --> 01:07:38,333
SHE'S BEEN A LITTLE UPSET
2025
01:07:38,333 --> 01:07:40,733
ALL EVENING.
2026
01:07:40,733 --> 01:07:42,067
I THINK HIS BEING HERE
2027
01:07:42,067 --> 01:07:44,867
GETS HER UPSET.
2028
01:07:44,867 --> 01:07:46,067
SHE SAID HE TALKED MEAN
2029
01:07:46,067 --> 01:07:46,900
TO HER TONIGHT.
2030
01:07:46,900 --> 01:07:47,733
>> OH, I DON'T KNOW
2031
01:07:47,733 --> 01:07:48,667
WHAT ALL WENT ON.
2032
01:07:48,667 --> 01:07:49,933
HE'S UPSET, TOO.
2033
01:07:49,933 --> 01:07:51,200
HE TOLD ME.
2034
01:07:51,200 --> 01:07:52,300
HE WANTS YOU TO TAKE HIM
2035
01:07:52,300 --> 01:07:53,100
TO THE STATION TOMORROW.
2036
01:07:53,100 --> 01:07:53,933
HE WANTS TO GO HOME.
2037
01:07:53,933 --> 01:07:55,667
I JUST DON'T THINK HE'S
2038
01:07:55,667 --> 01:07:57,067
STRONG ENOUGH TO MAKE IT
2039
01:07:57,067 --> 01:07:58,800
ON HIS OWN, BUT HE'S
2040
01:07:58,800 --> 01:08:00,067
DETERMINED TO GO.
2041
01:08:00,067 --> 01:08:02,900
>> I'M SORRY, WILL.
2042
01:08:02,900 --> 01:08:04,967
I BET YOU THINK I'M CRAZY.
2043
01:08:04,967 --> 01:08:06,100
>> NO, I DON'T.
2044
01:08:06,100 --> 01:08:07,067
I JUST THINK YOU'RE
2045
01:08:07,067 --> 01:08:10,067
SWEET AND PRETTY.
2046
01:08:10,067 --> 01:08:11,867
CAN I KISS HER GOOD NIGHT?
2047
01:08:11,867 --> 01:08:14,167
WE'RE ENGAGED.
2048
01:08:14,167 --> 01:08:16,067
>> ( sighs )
2049
01:08:16,067 --> 01:08:18,833
ALL RIGHT.
2050
01:08:28,733 --> 01:08:29,733
>> GOOD NIGHT.
2051
01:08:29,733 --> 01:08:31,200
>> GOOD NIGHT, WILL.
2052
01:08:31,200 --> 01:08:32,399
>> GOOD NIGHT, MISS CORELLA.
2053
01:08:32,399 --> 01:08:34,067
>> GOOD NIGHT, WILL.
2054
01:08:40,467 --> 01:08:42,100
>> ( door shuts )
2055
01:08:42,100 --> 01:08:45,267
>> ( sighs )
2056
01:08:45,267 --> 01:08:48,267
WELL...
2057
01:08:48,267 --> 01:08:50,700
HE'S A GOOD BOY.
2058
01:08:50,700 --> 01:08:52,967
I'M VERY PLEASED FOR YOU.
2059
01:08:52,967 --> 01:08:54,733
NOW...
2060
01:08:54,733 --> 01:08:57,399
WE BETTER GET TO BED.
2061
01:08:57,399 --> 01:08:58,367
>> MAMA.
2062
01:08:58,367 --> 01:09:00,333
>> MM-HMM.
2063
01:09:00,333 --> 01:09:02,399
>> WHAT DO THEY DO TO YOU
2064
01:09:02,399 --> 01:09:05,067
WHEN YOU'RE MARRIED TO...
2065
01:09:05,067 --> 01:09:08,166
MAKE YOU HAVE CHILDREN?
2066
01:09:08,166 --> 01:09:09,867
>> OH, DON'T ASK ME SUCH
2067
01:09:09,867 --> 01:09:11,067
QUESTIONS THIS TIME OF NIGHT,
2068
01:09:11,067 --> 01:09:12,133
LILY DALE. HEAVENS.
2069
01:09:12,133 --> 01:09:14,333
>> LAVINIA SAYS YOUR HUSBAND
2070
01:09:14,333 --> 01:09:15,767
DOES TERRIBLE THINGS TO YOU.
2071
01:09:15,767 --> 01:09:16,933
DOES HE?
2072
01:09:16,933 --> 01:09:19,267
>> IT'S NOT SO TERRIBLE.
2073
01:09:19,267 --> 01:09:21,532
>> WHAT IS IT?
2074
01:09:21,532 --> 01:09:24,267
>> UH, IT'S JUST...
2075
01:09:24,267 --> 01:09:27,100
WHAT A HUSBAND DOES TO A WIFE
2076
01:09:27,100 --> 01:09:28,267
WHEN THEY'RE MARRIED,
2077
01:09:28,267 --> 01:09:30,067
THAT'S ALL.
2078
01:09:30,067 --> 01:09:31,267
WELL, YOU'LL FIND OUT.
2079
01:09:31,267 --> 01:09:32,300
>> WHEN?
2080
01:09:32,300 --> 01:09:35,867
>> WHEN YOU'RE MARRIED.
2081
01:09:35,867 --> 01:09:37,300
>> DOES IT HURT?
2082
01:09:37,300 --> 01:09:38,833
>> I'VE HEARD SOME PEOPLE
2083
01:09:38,833 --> 01:09:39,500
SAY THAT IT HURTS,
2084
01:09:39,500 --> 01:09:40,532
BUT IT NEVER HURT ME.
2085
01:09:40,532 --> 01:09:41,233
>> DOES IT HURT
2086
01:09:41,233 --> 01:09:42,467
TO HAVE CHILDREN?
2087
01:09:42,467 --> 01:09:44,532
>> YES, AND I PRAY TO GOD YOU
2088
01:09:44,532 --> 01:09:46,800
NEVER HAVE TO GO THROUGH THAT.
2089
01:09:46,800 --> 01:09:48,300
>> WILL WANTS TO HAVE CHILDREN.
2090
01:09:48,300 --> 01:09:49,433
>> WELL, THEN HE IS A FOOL,
2091
01:09:49,433 --> 01:09:50,967
AND DON'T YOU EVER LET HIM
2092
01:09:50,967 --> 01:09:52,133
TALK YOU INTO IT.
2093
01:09:52,133 --> 01:09:54,067
>> WOMEN DIE IN CHILDBIRTH,
2094
01:09:54,067 --> 01:09:55,067
DON'T THEY?
2095
01:09:55,067 --> 01:09:55,967
>> ALL THE TIME.
2096
01:09:55,967 --> 01:09:57,967
EVERY MINUTE OF THE HOUR.
2097
01:09:57,967 --> 01:09:59,333
WHEN I HAD YOU AND YOUR BROTHER,
2098
01:09:59,333 --> 01:10:00,267
I PRAYED TO GOD
2099
01:10:00,267 --> 01:10:02,000
THAT I WOULD DIE.
2100
01:10:02,000 --> 01:10:02,800
>> WHY?
2101
01:10:02,800 --> 01:10:04,433
>> BECAUSE IT HURT SO MUCH.
2102
01:10:04,433 --> 01:10:05,500
I WAS IN TERROR
2103
01:10:05,500 --> 01:10:08,032
THE ENTIRE TIME.
2104
01:10:08,032 --> 01:10:09,067
>> IS THE DANCE OVER?
2105
01:10:09,067 --> 01:10:10,267
>> OH, HONEY, I'M SORRY.
2106
01:10:10,267 --> 01:10:11,067
WE WOKE YOU UP.
2107
01:10:11,067 --> 01:10:11,933
GO BACK TO SLEEP.
2108
01:10:11,933 --> 01:10:14,367
>> HOW WAS THE DANCE, LILY DALE?
2109
01:10:14,367 --> 01:10:19,400
>> IT WAS VERY NICE.
2110
01:10:19,400 --> 01:10:21,800
>> LILY DALE IS ENGAGED
2111
01:10:21,800 --> 01:10:22,467
TO BE MARRIED.
2112
01:10:22,467 --> 01:10:25,032
SHOW YOUR BROTHER YOUR RING.
2113
01:10:29,200 --> 01:10:31,867
>> IT COST $125.
2114
01:10:31,867 --> 01:10:33,100
>> HOW DO YOU KNOW?
2115
01:10:33,100 --> 01:10:35,333
>> WILL TOLD ME.
2116
01:10:35,333 --> 01:10:37,500
HE PAID CASH FOR IT.
2117
01:10:37,500 --> 01:10:38,900
>> YOU KNOW, PAPA DID SING
2118
01:10:38,900 --> 01:10:40,000
ILY DALE TO YOU WHEN L
2119
01:10:40,000 --> 01:10:40,867
YOU WERE A GIRL.
2120
01:10:40,867 --> 01:10:41,500
AND YOU GOT YOUR NAME
2121
01:10:41,500 --> 01:10:42,200
FROM THAT SONG.
2122
01:10:42,200 --> 01:10:43,333
MAMA TOLD ME.
2123
01:10:43,333 --> 01:10:44,467
>> WELL, I DON'T CARE
2124
01:10:44,467 --> 01:10:45,900
WHETHER YOU'RE RIGHT OR NOT,
2125
01:10:45,900 --> 01:10:47,000
IT DOESN'T MEAN A THING
2126
01:10:47,000 --> 01:10:48,800
TO ME ONE WAY OR THE OTHER.
2127
01:10:48,800 --> 01:10:49,967
>> AND, MAMA, I REMEMBERED
2128
01:10:49,967 --> 01:10:51,333
HOW THE SONG GOES.
2129
01:10:51,333 --> 01:10:56,900
( humming )
2130
01:11:00,067 --> 01:11:01,067
>> YEAH, THAT'S IT.
2131
01:11:01,067 --> 01:11:02,867
THAT'S HOW IT GOES.
2132
01:11:02,867 --> 01:11:04,067
>> YOU'LL HAVE TO LEARN IT AND
2133
01:11:04,067 --> 01:11:05,100
TEACH IT TO YOUR CHILDREN,
2134
01:11:05,100 --> 01:11:06,367
LILY DALE.
2135
01:11:06,367 --> 01:11:08,267
>> I'M NOT GONNA HAVE CHILDREN.
2136
01:11:08,267 --> 01:11:09,100
>> YOU'RE NOT?
2137
01:11:09,100 --> 01:11:10,067
>> NO!
2138
01:11:10,067 --> 01:11:11,400
>> WHY?
2139
01:11:11,400 --> 01:11:13,532
>> BECAUSE.
2140
01:11:13,532 --> 01:11:15,833
ANYWAY, IF I DID HAVE CHILDREN,
2141
01:11:15,833 --> 01:11:17,532
I WOULDN'T SING THEM THAT SONG.
2142
01:11:17,532 --> 01:11:18,967
>> WHY?
2143
01:11:18,967 --> 01:11:20,967
>> BECAUSE I WANNA FORGET
2144
01:11:20,967 --> 01:11:21,600
EVERYTHING THAT HAPPENED
2145
01:11:21,600 --> 01:11:22,300
BACK THEN.
2146
01:11:22,300 --> 01:11:24,200
EVERYTHING.
2147
01:11:24,200 --> 01:11:25,433
AND I WANT YOU TO QUIT
2148
01:11:25,433 --> 01:11:26,967
TALKING TO ME ABOUT IT.
2149
01:11:26,967 --> 01:11:28,133
EVERY TIME I FEEL THE LEAST
2150
01:11:28,133 --> 01:11:29,333
BIT GOOD, YOU BEGIN ON ALL THAT.
2151
01:11:29,333 --> 01:11:31,433
"WHAT DID PAPA CALL US?
2152
01:11:31,433 --> 01:11:32,300
WHAT DID HE SING?
2153
01:11:32,300 --> 01:11:33,900
DID PAPA DO THIS?
2154
01:11:33,900 --> 01:11:34,532
DID PAPA DO THAT?"
2155
01:11:34,532 --> 01:11:35,867
I DON'T CARE ABOUT HIM.
2156
01:11:35,867 --> 01:11:36,867
HOW MANY TIMES DO I HAVE
2157
01:11:36,867 --> 01:11:37,433
TO TELL YOU THAT?
2158
01:11:37,433 --> 01:11:38,867
I DON'T CARE IF I EVER
2159
01:11:38,867 --> 01:11:39,500
HEAR HIS NAME AGAIN.
2160
01:11:39,500 --> 01:11:41,067
MR. DAVENPORT IS MY FATHER.
2161
01:11:41,067 --> 01:11:42,333
HE'S THE ONLY ONE I WANT.
2162
01:11:42,333 --> 01:11:43,267
YOU HAVE NO FATHER,
2163
01:11:43,267 --> 01:11:44,500
BUT THAT'S NOT MY FAULT!
2164
01:11:44,500 --> 01:11:47,200
I HAVE ONE, THE ONLY ONE I WANT!
2165
01:11:50,267 --> 01:11:51,500
>> SHE DOESN'T MEAN THAT, SON.
2166
01:11:51,500 --> 01:11:52,233
YOU KNOW...
2167
01:11:52,233 --> 01:11:54,133
SHE'S JUST ALL EXCITED
2168
01:11:54,133 --> 01:11:55,400
ABOUT THE DANCE
2169
01:11:55,400 --> 01:11:56,233
AND GETTING ENGAGED
2170
01:11:56,233 --> 01:11:57,067
AND EVERYTHING.
2171
01:11:57,067 --> 01:11:59,067
>> I DON'T CARE, MAMA,
2172
01:11:59,067 --> 01:12:00,467
IF THAT'S HOW SHE FEELS.
2173
01:12:00,467 --> 01:12:03,367
>> HORACE, YOU KNOW, MAYBE YOU
2174
01:12:03,367 --> 01:12:04,500
SHOULDN'T TALK SO MUCH ABOUT
2175
01:12:04,500 --> 01:12:06,933
YOUR PAPA.
2176
01:12:06,933 --> 01:12:08,333
MR. DAVENPORT
2177
01:12:08,333 --> 01:12:09,967
IS VERY SENSITIVE.
2178
01:12:09,967 --> 01:12:12,933
I DON'T THINK HE LIKES IT MUCH.
2179
01:12:12,933 --> 01:12:14,400
>> I DON'T TALK TO HIM
2180
01:12:14,400 --> 01:12:15,233
ABOUT MY FATHER.
2181
01:12:15,233 --> 01:12:17,267
I WOULDN'T, THANK YOU.
2182
01:12:17,267 --> 01:12:18,067
>> LET ME TELL YOU
2183
01:12:18,067 --> 01:12:19,067
SOMETHING ELSE.
2184
01:12:19,067 --> 01:12:20,333
MAMA DIDN'T LOVE OUR PAPA.
2185
01:12:20,333 --> 01:12:21,600
SHE LOVES MR. DAVENPORT BECAUSE
2186
01:12:21,600 --> 01:12:23,367
HE'S BEEN GOOD TO HER AND TO ME.
2187
01:12:23,367 --> 01:12:24,600
SO DON'T LET ME EVER HEAR YOU
2188
01:12:24,600 --> 01:12:25,500
SAY ANOTHER WORD AGAINST HIM.
2189
01:12:25,500 --> 01:12:26,532
BECAUSE IF YOU DO, I'LL TELL HIM
2190
01:12:26,532 --> 01:12:27,633
EXACTLY WHAT YOU SAID AND
2191
01:12:27,633 --> 01:12:28,600
HE'LL THROW YOU OUT OF THIS
2192
01:12:28,600 --> 01:12:29,400
HOUSE AND NEVER LET
2193
01:12:29,400 --> 01:12:30,200
YOU IN HERE AGAIN
2194
01:12:30,200 --> 01:12:31,400
TO UPSET ME AND MAMA!
2195
01:12:31,400 --> 01:12:32,633
NEVER, NEVER, NEVER,
2196
01:12:32,633 --> 01:12:33,600
NEVER, NEVER!
2197
01:12:33,600 --> 01:12:35,166
>> HE'LL NEVER GET THE CHANCE
2198
01:12:35,166 --> 01:12:35,933
TO THROW ME OUT.
2199
01:12:35,933 --> 01:12:36,433
>> HORACE.
2200
01:12:36,433 --> 01:12:37,433
>> I'M GETTING ON MY CLOTHES
2201
01:12:37,433 --> 01:12:38,933
AND I'M GETTING OUT OF HERE.
2202
01:12:38,933 --> 01:12:39,633
>> YOU CAN'T LEAVE NOW.
2203
01:12:39,633 --> 01:12:40,600
>> YES, I CAN.
2204
01:12:40,600 --> 01:12:43,067
AND I'M GOING TO LEAVE IF I HAVE
2205
01:12:43,067 --> 01:12:44,400
TO CRAWL OUT OF HERE ON MY HANDS
2206
01:12:44,400 --> 01:12:48,300
AND ON MY KNEES.
2207
01:12:48,300 --> 01:12:49,067
>> HORACE!
2208
01:12:49,067 --> 01:12:52,333
>> OH, BROTHER!
2209
01:12:52,333 --> 01:12:55,500
I'M SO SORRY, BROTHER.
2210
01:12:55,500 --> 01:12:57,367
I DIDN'T MEAN A WORD OF
2211
01:12:57,367 --> 01:12:59,200
THE TERRIBLE THINGS I SAID.
2212
01:12:59,200 --> 01:13:00,600
NOT A ONE.
2213
01:13:00,600 --> 01:13:02,166
I DON'T KNOW WHAT GETS
2214
01:13:02,166 --> 01:13:04,067
INTO ME SOMETIMES, BROTHER.
2215
01:13:04,067 --> 01:13:06,367
I HAVE A TERRIBLE DISPOSITION.
2216
01:13:06,367 --> 01:13:08,067
TERRIBLE DISPOSITION.
2217
01:13:08,067 --> 01:13:08,666
IT'S THE ROBEDAUX
2218
01:13:08,666 --> 01:13:11,532
COMING OUT IN ME.
2219
01:13:11,532 --> 01:13:13,733
BROTHER...
2220
01:13:13,733 --> 01:13:16,133
PLEASE, PLEASE FORGIVE ME.
2221
01:13:16,133 --> 01:13:20,200
PLEASE.
2222
01:13:20,200 --> 01:13:22,333
I LOVED PAPA.
2223
01:13:22,333 --> 01:13:24,500
BELIEVE ME, I DID,
2224
01:13:24,500 --> 01:13:25,967
JUST AS MUCH AS YOU DID,
2225
01:13:25,967 --> 01:13:27,100
BUT IT HURTS ME SO MUCH
2226
01:13:27,100 --> 01:13:28,400
TO TALK ABOUT HIM,
2227
01:13:28,400 --> 01:13:29,532
AND IT SCARES ME, TOO.
2228
01:13:29,532 --> 01:13:31,267
YOU DON'T KNOW HOW IT SCARES ME.
2229
01:13:31,267 --> 01:13:33,233
SOMETIMES AT NIGHT...
2230
01:13:33,233 --> 01:13:35,567
( crying )
2231
01:13:35,567 --> 01:13:38,567
I CAN HEAR PAPA COUGHING
2232
01:13:38,567 --> 01:13:40,067
AND STRUGGLING TO BREATHE
2233
01:13:40,067 --> 01:13:42,233
LIKE HE USED TO.
2234
01:13:42,233 --> 01:13:44,233
AND I DIDN'T MEAN WHAT I SAID
2235
01:13:44,233 --> 01:13:45,100
ABOUT YOU LEAVING.
2236
01:13:45,100 --> 01:13:46,233
I WANT YOU TO STAY
2237
01:13:46,233 --> 01:13:47,567
UNTIL YOU'RE ALL WELL
2238
01:13:47,567 --> 01:13:49,433
AND STRONG AGAIN, BECAUSE YOU'RE
2239
01:13:49,433 --> 01:13:51,400
THE ONLY BROTHER I HAVE.
2240
01:13:51,400 --> 01:13:53,067
SOMETIMES AT NIGHT,
2241
01:13:53,067 --> 01:13:56,100
I THINK I CAN SEE YOU DEAD
2242
01:13:56,100 --> 01:13:59,200
AND IN YOUR COFFIN.
2243
01:13:59,200 --> 01:14:01,200
AND I CRY IN MY DREAMS
2244
01:14:01,200 --> 01:14:02,532
LIKE MY HEART WILL BREAK.
2245
01:14:02,532 --> 01:14:04,333
AND I'M REALLY CRYING, TOO,
2246
01:14:04,333 --> 01:14:05,633
BECAUSE MY CRYING WAKES ME UP,
2247
01:14:05,633 --> 01:14:07,267
AND I SAY TO MYSELF,
2248
01:14:07,267 --> 01:14:08,333
"BROTHER'S ALIVE.
2249
01:14:08,333 --> 01:14:09,200
HE'S NOT DEAD AT ALL.
2250
01:14:09,200 --> 01:14:10,532
IT'S JUST A DREAM."
2251
01:14:10,532 --> 01:14:11,633
BUT STILL, I JUST
2252
01:14:11,633 --> 01:14:12,733
FEEL SO MISERABLE.
2253
01:14:12,733 --> 01:14:15,067
I JUST LIE THERE SOBBING
2254
01:14:15,067 --> 01:14:17,100
LIKE MY HEART WILL BREAK.
2255
01:14:17,100 --> 01:14:18,532
AND SOMETIMES MAMA HEARS ME
2256
01:14:18,532 --> 01:14:20,100
AND SHE COMES IN AND SHE SAYS,
2257
01:14:20,100 --> 01:14:21,433
"LILY DALE, WHY ARE YOU CRYING?"
2258
01:14:21,433 --> 01:14:23,200
AND I SAY, "BECAUSE I DREAMT
2259
01:14:23,200 --> 01:14:24,333
AGAIN THAT BROTHER HAD DIED
2260
01:14:24,333 --> 01:14:30,166
AND GONE TO HEAVEN AND LEFT US."
2261
01:14:30,166 --> 01:14:31,467
>> SHH, LILY DALE.
2262
01:14:31,467 --> 01:14:34,532
LILY DALE, NOW COME ON, HONEY.
2263
01:14:34,532 --> 01:14:36,200
I KNOW THAT YOUR BROTHER
2264
01:14:36,200 --> 01:14:37,133
FORGIVES YOU.
2265
01:14:37,133 --> 01:14:38,633
HE'S JUST FEELING WEAK
2266
01:14:38,633 --> 01:14:39,333
RIGHT NOW.
2267
01:14:39,333 --> 01:14:40,200
HE'S VERY WEAK.
2268
01:14:40,200 --> 01:14:41,166
HE CAN'T TALK MUCH RIGHT NOW.
2269
01:14:41,166 --> 01:14:43,367
HORACE. HORACE.
2270
01:14:43,367 --> 01:14:44,267
WE JUST BETTER GET
2271
01:14:44,267 --> 01:14:45,166
MR. DAVENPORT.
2272
01:14:45,166 --> 01:14:46,467
>> DON'T YOU CALL HIM.
2273
01:14:46,467 --> 01:14:48,467
I DON'T WANT HIM TO HELP ME.
2274
01:14:48,467 --> 01:14:50,400
I DON'T WANT HIM NEAR ME.
2275
01:14:50,400 --> 01:14:54,733
I DON'T WANT HIM TO TOUCH ME.
2276
01:14:54,733 --> 01:14:56,067
I'LL GET BACK ON THE COUCH
2277
01:14:56,067 --> 01:14:56,666
BY MYSELF.
2278
01:14:56,666 --> 01:14:57,500
>> WHAT THE HELL'S
2279
01:14:57,500 --> 01:14:58,666
GOING ON OUT HERE?
2280
01:14:58,666 --> 01:14:59,433
>> IT'S ALL RIGHT,
2281
01:14:59,433 --> 01:15:00,367
MR. DAVENPORT.
2282
01:15:00,367 --> 01:15:01,300
HORACE JUST FELL AGAIN,
2283
01:15:01,300 --> 01:15:03,567
BUT HE'S ALL RIGHT.
2284
01:15:03,567 --> 01:15:05,166
>> WHAT TIME IS IT?
2285
01:15:05,166 --> 01:15:07,133
>> IT'S 1:00 OR AFTER.
2286
01:15:07,133 --> 01:15:08,733
>> GET TO BED.
2287
01:15:08,733 --> 01:15:10,100
MY GOD!
2288
01:15:10,100 --> 01:15:11,433
I HAVE TO BE UP AT 5:00,
2289
01:15:11,433 --> 01:15:12,133
YOU KNOW.
2290
01:15:12,133 --> 01:15:13,532
I HAVE TO WORK FOR A LIVING!
2291
01:15:13,532 --> 01:15:16,267
>> GO GET YOUR REST NOW.
2292
01:15:23,666 --> 01:15:27,233
>> HERE. HERE YOU GO.
2293
01:15:37,767 --> 01:15:39,532
>> I DESPISE HIM.
2294
01:15:39,532 --> 01:15:42,633
>> SHH. SHH.
2295
01:15:46,133 --> 01:15:46,633
>> MAMA.
2296
01:15:46,633 --> 01:15:47,733
>> SHH.
2297
01:15:47,733 --> 01:15:49,267
IT'S OKAY.
2298
01:15:49,267 --> 01:15:51,200
IT'S OKAY, HONEY.
2299
01:15:51,200 --> 01:15:51,867
IT'S OKAY.
2300
01:15:51,867 --> 01:15:52,666
>> MAMA.
2301
01:15:52,666 --> 01:15:57,067
>> SHH. SHH.
2302
01:16:05,333 --> 01:16:07,400
>> ( singing )
2303
01:16:23,467 --> 01:16:26,833
>> ( crying )
2304
01:16:29,532 --> 01:16:32,166
>> ( continues singing )
2305
01:17:23,967 --> 01:17:26,267
>> **
2306
01:17:39,767 --> 01:17:41,567
>> WILL!
2307
01:17:41,567 --> 01:17:43,700
BEHAVE YOURSELF.
2308
01:17:43,700 --> 01:17:44,867
MAMA AND BROTHER JUST WENT
2309
01:17:44,867 --> 01:17:46,700
FOR A SHORT WALK.
2310
01:17:46,700 --> 01:17:48,600
NOW SIT DOWN
2311
01:17:48,600 --> 01:17:51,267
AND BEHAVE YOURSELF.
2312
01:17:51,267 --> 01:17:51,800
WILL...
2313
01:17:51,800 --> 01:17:52,867
>> I'M NOT LEAVING YOUR SIDE
2314
01:17:52,867 --> 01:17:56,267
UNTIL YOU PROMISE TO MARRY ME.
2315
01:17:56,267 --> 01:17:58,567
>> I PROMISE TO MARRY YOU...
2316
01:17:58,567 --> 01:18:00,967
A YEAR FROM NOW.
2317
01:18:00,967 --> 01:18:02,633
>> I DON'T WANNA WAIT A YEAR.
2318
01:18:02,633 --> 01:18:04,300
>> WILL, YOU PROMISED MAMA
2319
01:18:04,300 --> 01:18:05,367
YOU WOULD.
2320
01:18:05,367 --> 01:18:06,567
WHY ARE YOU GOING BACK
2321
01:18:06,567 --> 01:18:07,067
ON YOUR WORD?
2322
01:18:07,067 --> 01:18:09,367
WHY ARE YOU DOING THAT?
2323
01:18:09,367 --> 01:18:10,567
QUIT LOOKING AT ME THAT WAY.
2324
01:18:10,567 --> 01:18:11,633
YOU MAKE ME VERY NERVOUS.
2325
01:18:11,633 --> 01:18:12,733
GO SIT DOWN IN THAT CHAIR
2326
01:18:12,733 --> 01:18:13,800
OVER THERE, OR I'M GONNA
2327
01:18:13,800 --> 01:18:14,800
GO FIND MAMA AND I'M GONNA
2328
01:18:14,800 --> 01:18:15,967
TELL HER THAT YOU'RE NOT
2329
01:18:15,967 --> 01:18:17,500
BEHAVING LIKE A GENTLEMAN.
2330
01:18:30,400 --> 01:18:31,333
>> IS THIS HOW
2331
01:18:31,333 --> 01:18:31,867
A GENTLEMAN BEHAVES?
2332
01:18:31,867 --> 01:18:32,867
>> YES.
2333
01:18:32,867 --> 01:18:37,067
THANK YOU.
2334
01:18:37,067 --> 01:18:39,433
>> **
2335
01:18:39,433 --> 01:18:40,767
>> LILY DALE.
2336
01:18:40,767 --> 01:18:41,900
>> WHAT?
2337
01:18:41,900 --> 01:18:43,900
>> SOMETHING'S WRONG WITH YOU.
2338
01:18:43,900 --> 01:18:45,567
>> NOTHING'S WRONG WITH ME.
2339
01:18:45,567 --> 01:18:46,067
JUST BE QUIET
2340
01:18:46,067 --> 01:18:47,733
AND LET ME PRACTICE.
2341
01:18:47,733 --> 01:18:51,067
>> **
2342
01:18:51,067 --> 01:18:52,333
>> LILY DALE.
2343
01:18:52,333 --> 01:18:52,967
>> WHAT?
2344
01:18:52,967 --> 01:18:55,767
>> SOMETHING IS TROUBLING YOU.
2345
01:18:55,767 --> 01:18:57,333
>> OH, I DON'T KNOW, WILL.
2346
01:18:57,333 --> 01:19:00,133
I'M JUST VERY NERVOUS.
2347
01:19:00,133 --> 01:19:02,733
I THINK IT'S BROTHER BEING HERE.
2348
01:19:02,733 --> 01:19:03,666
>> IT'LL SOON BE OVER.
2349
01:19:03,666 --> 01:19:04,666
HE'S LEAVING TOMORROW.
2350
01:19:04,666 --> 01:19:05,833
>> I MUST SAY,
2351
01:19:05,833 --> 01:19:07,467
IT WILL BE A RELIEF TO HAVE THE
2352
01:19:07,467 --> 01:19:08,933
HOUSE BACK TO OURSELVES AGAIN.
2353
01:19:08,933 --> 01:19:11,532
BROTHER JUST DOESN'T FIT IN.
2354
01:19:11,532 --> 01:19:12,400
WE ALL TRIED,
2355
01:19:12,400 --> 01:19:15,900
BUT HE JUST DOESN'T FIT IN.
2356
01:19:15,900 --> 01:19:17,500
NOW, YOU FIT IN.
2357
01:19:17,500 --> 01:19:18,567
ISN'T THAT FUNNY?
2358
01:19:18,567 --> 01:19:20,500
YOU'RE HERE FOR FIVE MINUTES,
2359
01:19:20,500 --> 01:19:21,567
AND YOU CHEER EVERYBODY UP
2360
01:19:21,567 --> 01:19:23,633
AND MR. DAVENPORT STARTS TO TALK
2361
01:19:23,633 --> 01:19:25,067
LIKE A NORMAL HUMAN BEING AGAIN.
2362
01:19:25,067 --> 01:19:28,067
BUT ONCE YOU LEAVE, WELL...
2363
01:19:28,067 --> 01:19:32,700
SILENT AND GLOOMY AND UNHAPPY.
2364
01:19:36,800 --> 01:19:40,467
>> HORACE, HOW YOU FEELING?
2365
01:19:40,467 --> 01:19:43,067
YOU WANNA GO BACK NOW?
2366
01:19:43,067 --> 01:19:44,666
>> YES, MA'AM.
2367
01:19:44,666 --> 01:19:46,666
>> COME ON, HONEY.
2368
01:19:46,666 --> 01:19:47,666
>> I HAD A DREAM ABOUT
2369
01:19:47,666 --> 01:19:49,067
BROTHER AGAIN LAST NIGHT.
2370
01:19:49,067 --> 01:19:50,700
I DREAMT HE WAS DEAD.
2371
01:19:50,700 --> 01:19:53,400
ONLY THIS TIME, I DIDN'T CRY.
2372
01:19:53,400 --> 01:19:54,867
I SAID A TERRIBLE THING.
2373
01:19:54,867 --> 01:19:58,532
I SAID, "IT'S ABOUT TIME."
2374
01:19:58,532 --> 01:20:00,666
MAMA SAID,
2375
01:20:00,666 --> 01:20:02,967
"WE'LL BURY HIM HERE,
2376
01:20:02,967 --> 01:20:04,967
IN THE FAMILY PLOT IN HOUSTON."
2377
01:20:04,967 --> 01:20:06,532
"NO, WE WON'T," I SAID.
2378
01:20:06,532 --> 01:20:07,633
"I WON'T HAVE HIM BURIED NEXT TO
2379
01:20:07,633 --> 01:20:08,967
YOU AND MR. DAVENPORT AND ME.
2380
01:20:08,967 --> 01:20:09,967
I WANT HIM BURIED WITH
2381
01:20:09,967 --> 01:20:12,600
HIS FATHER, WHERE HE BELONGS."
2382
01:20:12,600 --> 01:20:13,933
ISN'T IT A TERRIBLE THING
2383
01:20:13,933 --> 01:20:15,633
FOR A SISTER TO HAVE A DREAM
2384
01:20:15,633 --> 01:20:17,567
LIKE THAT ABOUT A BROTHER?
2385
01:20:17,567 --> 01:20:18,633
>> PROBABLY ATE SOMETHING
2386
01:20:18,633 --> 01:20:20,933
THAT DIDN'T AGREE WITH YOU.
2387
01:20:20,933 --> 01:20:22,500
>> WILL?
2388
01:20:22,500 --> 01:20:24,133
>> WHAT?
2389
01:20:24,133 --> 01:20:24,833
>> LOOK AWAY.
2390
01:20:24,833 --> 01:20:29,467
I WANNA ASK YOU SOMETHING.
2391
01:20:29,467 --> 01:20:30,567
>> WHERE SHOULD I LOOK?
2392
01:20:30,567 --> 01:20:32,367
>> ANYWHERE AWAY FROM ME.
2393
01:20:36,800 --> 01:20:38,532
>> I DON'T WANNA GET MARRIED.
2394
01:20:38,532 --> 01:20:39,833
>> WHY?
2395
01:20:39,833 --> 01:20:44,067
>> DON'T LOOK AT ME, PLEASE.
2396
01:20:44,067 --> 01:20:46,532
>> WHY?
2397
01:20:46,532 --> 01:20:49,900
>> BECAUSE YOU'LL HURT ME
2398
01:20:49,900 --> 01:20:51,800
IF YOU DO.
2399
01:20:51,800 --> 01:20:54,600
>> HOW'LL I HURT YOU?
2400
01:20:54,600 --> 01:20:55,967
>> YOU KNOW...
2401
01:20:59,532 --> 01:21:03,166
>> OH.
2402
01:21:03,166 --> 01:21:05,067
WHAT MAKES YOU THINK
2403
01:21:05,067 --> 01:21:05,733
I'LL HURT YOU?
2404
01:21:05,733 --> 01:21:07,067
WHO TOLD YOU I WOULD?
2405
01:21:07,067 --> 01:21:08,500
>> SISSY DOUGLAS.
2406
01:21:08,500 --> 01:21:10,133
>> SHE'S A FOOL.
2407
01:21:10,133 --> 01:21:12,467
>> I ASKED MAMA ABOUT IT, TOO.
2408
01:21:12,467 --> 01:21:14,500
>> WHAT DID SHE SAY?
2409
01:21:14,500 --> 01:21:16,067
>> SHE SAID...
2410
01:21:16,067 --> 01:21:16,833
WELL, SHE DIDN'T
2411
01:21:16,833 --> 01:21:18,933
WANNA TALK ABOUT IT.
2412
01:21:18,933 --> 01:21:20,700
SHE SAID PAPA DIDN'T HURT HER,
2413
01:21:20,700 --> 01:21:22,600
BUT SOME WOMEN TOLD HER
2414
01:21:22,600 --> 01:21:23,166
THAT THEY WERE HURT
2415
01:21:23,166 --> 01:21:26,532
BY THEIR HUSBANDS.
2416
01:21:26,532 --> 01:21:29,067
>> I'M NOT GONNA HURT YOU.
2417
01:21:29,067 --> 01:21:30,067
>> HOW DO YOU KNOW?
2418
01:21:30,067 --> 01:21:34,467
>> I JUST DO!
2419
01:21:34,467 --> 01:21:36,900
OH, LILY, WHAT'S THE MATTER?
2420
01:21:36,900 --> 01:21:40,067
>> I'M SCARED, WILL.
2421
01:21:40,067 --> 01:21:41,100
I WANNA MARRY YOU,
2422
01:21:41,100 --> 01:21:42,067
BUT I'M SCARED TO.
2423
01:21:42,067 --> 01:21:42,733
>> NOW I TOLD YOU--
2424
01:21:42,733 --> 01:21:43,600
>> I'M SCARED I'M
2425
01:21:43,600 --> 01:21:45,133
GONNA HAVE A BABY.
2426
01:21:45,133 --> 01:21:46,633
I KNOW IT HURTS WHEN YOU DO.
2427
01:21:46,633 --> 01:21:47,467
I'M GONNA DIE WHILE
2428
01:21:47,467 --> 01:21:48,133
I'M HAVING HIM.
2429
01:21:48,133 --> 01:21:49,166
MAMA SAYS IT'S THE WORST PAIN
2430
01:21:49,166 --> 01:21:50,700
IN THE WORLD.
2431
01:21:50,700 --> 01:21:51,567
>> DON'T YOU WANNA
2432
01:21:51,567 --> 01:21:52,200
HAVE CHILDREN?
2433
01:21:52,200 --> 01:21:55,133
>> I DO, BUT I'M SCARED TO.
2434
01:21:55,133 --> 01:21:57,166
I'M SCARED OF THE TERRIBLE PAIN,
2435
01:21:57,166 --> 01:21:58,166
THAT I MIGHT DIE.
2436
01:21:58,166 --> 01:21:58,967
>> WE DON'T HAVE
2437
01:21:58,967 --> 01:22:00,567
TO HAVE THEM THEN.
2438
01:22:00,567 --> 01:22:03,933
>> YOU MEAN, YOU CAN BE MARRIED
2439
01:22:03,933 --> 01:22:05,900
AND NOT HAVE CHILDREN?
2440
01:22:05,900 --> 01:22:07,200
>> YES.
2441
01:22:07,200 --> 01:22:08,166
>> HOW?
2442
01:22:08,166 --> 01:22:10,233
>> THERE ARE WAYS.
2443
01:22:10,233 --> 01:22:11,233
PETE AND YOUR MAMA,
2444
01:22:11,233 --> 01:22:12,166
THEY'VE BEEN MARRIED FOR
2445
01:22:12,166 --> 01:22:13,800
10 YEARS, THEY HAVE NO CHILDREN.
2446
01:22:13,800 --> 01:22:15,532
>> YOU'RE SAYING THAT
2447
01:22:15,532 --> 01:22:16,600
PETE AND MAMA--
2448
01:22:16,600 --> 01:22:17,867
>> HONEY, THEY'RE MARRIED.
2449
01:22:17,867 --> 01:22:19,067
>> THEY'RE TOO OLD, WILL!
2450
01:22:19,067 --> 01:22:19,900
>> NO, THEY'RE NOT.
2451
01:22:19,900 --> 01:22:21,067
YOUR MAMA'S ONLY 40.
2452
01:22:21,067 --> 01:22:21,933
SHE COULD STILL HAVE A CHILD
2453
01:22:21,933 --> 01:22:22,633
IF SHE WANTED TO.
2454
01:22:22,633 --> 01:22:24,067
>> OH, MY GOD ALMIGHTY!
2455
01:22:24,067 --> 01:22:25,166
I WISH YOU WOULDN'T
2456
01:22:25,166 --> 01:22:26,200
TELL ME THINGS LIKE THAT!
2457
01:22:26,200 --> 01:22:27,067
GOD KNOWS THE KIND OF
2458
01:22:27,067 --> 01:22:27,933
TERRIBLE DREAMS I'M
2459
01:22:27,933 --> 01:22:29,067
GONNA START HAVING NOW!
2460
01:22:29,067 --> 01:22:30,532
>> HONEY, I ONLY TOLD YOU SO
2461
01:22:30,532 --> 01:22:31,166
THAT YOU COULD UNDERSTAND
2462
01:22:31,166 --> 01:22:32,067
THAT MARRIED PEOPLE DON'T
2463
01:22:32,067 --> 01:22:33,067
ALWAYS HAVE TO HAVE CHILDREN
2464
01:22:33,067 --> 01:22:34,233
IF THEY DON'T WANT TO.
2465
01:22:34,233 --> 01:22:35,233
>> I DON'T WANT TO.
2466
01:22:35,233 --> 01:22:36,867
I MEAN, I WANT TO,
2467
01:22:36,867 --> 01:22:38,666
BUT I'M SCARED TO.
2468
01:22:38,666 --> 01:22:40,767
>> THEN WE'LL NEVER HAVE THEM.
2469
01:22:40,767 --> 01:22:42,067
>> YOU PROMISE ME?
2470
01:22:42,067 --> 01:22:44,166
>> I PROMISE.
2471
01:22:44,166 --> 01:22:45,733
DOES THAT MAKE YOU HAPPY?
2472
01:22:45,733 --> 01:22:48,233
>> YES, IT CERTAINLY DOES.
2473
01:22:48,233 --> 01:22:49,867
YOU'RE SO SWEET.
2474
01:22:49,867 --> 01:22:50,767
YOU'RE THE SWEETEST THING
2475
01:22:50,767 --> 01:22:52,200
IN THE WHOLE WIDE WORLD.
2476
01:22:52,200 --> 01:22:54,067
>> YOU'RE MIGHTY SWEET YOURSELF.
2477
01:22:58,800 --> 01:23:00,600
>> WHAT'S GOING ON?
2478
01:23:00,600 --> 01:23:02,867
>> MR. DAVENPORT, I'M NERVOUS
2479
01:23:02,867 --> 01:23:04,133
ENOUGH WITHOUT YOU COMING IN
2480
01:23:04,133 --> 01:23:06,633
HERE AND SCARING ME THIS WAY.
2481
01:23:06,633 --> 01:23:08,100
>> I DIDN'T MEAN TO SCARE YOU,
2482
01:23:08,100 --> 01:23:08,933
LITTLE GIRL.
2483
01:23:08,933 --> 01:23:10,567
WHERE'S YOUR MAMA?
2484
01:23:10,567 --> 01:23:12,733
>> SHE TOOK BROTHER FOR A WALK
2485
01:23:12,733 --> 01:23:13,600
TO HELP HIM GET HIS
2486
01:23:13,600 --> 01:23:14,267
STRENGTH BACK.
2487
01:23:14,267 --> 01:23:15,267
>> YEAH, WE'RE GONNA LOSE
2488
01:23:15,267 --> 01:23:16,233
THE OLD BOY TOMORROW.
2489
01:23:16,233 --> 01:23:17,067
>> UNCLE ALBERT'S
2490
01:23:17,067 --> 01:23:18,567
COMING FOR HIM.
2491
01:23:18,567 --> 01:23:20,567
>> WHAT TIME IS HE LEAVING?
2492
01:23:20,567 --> 01:23:23,267
>> 2:30, I GUESS.
2493
01:23:23,267 --> 01:23:24,267
THAT IS IF ALBERT DOESN'T
2494
01:23:24,267 --> 01:23:25,666
GET INTO A GAMBLING GAME.
2495
01:23:25,666 --> 01:23:27,067
THEY'RE A FOOL TO SEND ALBERT.
2496
01:23:27,067 --> 01:23:28,333
EVERY PROFESSIONAL GAMBLER
2497
01:23:28,333 --> 01:23:29,833
IN HOUSTON KNOWS HIM.
2498
01:23:29,833 --> 01:23:31,267
>> BUT HE HAS TO GO BACK.
2499
01:23:31,267 --> 01:23:32,733
HE'S GOT A STORE NOW, YOU KNOW?
2500
01:23:32,733 --> 01:23:33,933
>> NOTHING NEVER STOPPED HIM
2501
01:23:33,933 --> 01:23:34,733
FROM GAMBLING.
2502
01:23:34,733 --> 01:23:37,233
NOT HIS JOB, NOT HIS WIFE,
2503
01:23:37,233 --> 01:23:38,867
NOT HIS CHILDREN.
2504
01:23:38,867 --> 01:23:40,067
I GIVE HIM SIX MONTHS,
2505
01:23:40,067 --> 01:23:41,133
HE'LL BE GONE.
2506
01:23:41,133 --> 01:23:41,967
HE'LL BE CLERKING
2507
01:23:41,967 --> 01:23:43,800
FOR SOMEONE ELSE AGAIN.
2508
01:23:48,733 --> 01:23:50,700
>> DID YOU HAVE A NICE WALK?
2509
01:23:50,700 --> 01:23:53,600
>> A SLOW WALK.
2510
01:23:53,600 --> 01:23:55,067
>> I HEAR YOU HAVE A JOB.
2511
01:23:55,067 --> 01:23:56,633
>> YES, CLERKING FOR MY UNCLE
2512
01:23:56,633 --> 01:23:57,733
IN HARRISON.
2513
01:23:57,733 --> 01:23:58,867
>> HE'S GONNA STAY WITH
2514
01:23:58,867 --> 01:24:00,166
MY SISTER, VIRGIE.
2515
01:24:00,166 --> 01:24:00,933
AT LEAST UNTIL HE GETS
2516
01:24:00,933 --> 01:24:02,133
HIS STRENGTH BACK.
2517
01:24:02,133 --> 01:24:03,333
SHE'S A WONDERFUL COOK,
2518
01:24:03,333 --> 01:24:04,767
AND SHE LOVES HIM.
2519
01:24:04,767 --> 01:24:05,367
>> DOES SHE HAVE ANY
2520
01:24:05,367 --> 01:24:06,333
CHILDREN OF HER OWN?
2521
01:24:06,333 --> 01:24:07,733
>> JUST THE ONE.
2522
01:24:07,733 --> 01:24:09,067
A LITTLE GIRL.
2523
01:24:09,067 --> 01:24:10,733
HER HUSBAND SAID AFTER SEEING
2524
01:24:10,733 --> 01:24:11,666
WHAT SHE WENT THROUGH
2525
01:24:11,666 --> 01:24:12,833
TO HAVE JUST THAT ONE,
2526
01:24:12,833 --> 01:24:14,333
THEY COULD DRAG HIM AROUND
2527
01:24:14,333 --> 01:24:15,700
THE COURTHOUSE SQUARE
2528
01:24:15,700 --> 01:24:16,800
BEFORE HE'D LET HER
2529
01:24:16,800 --> 01:24:19,633
GO THROUGH THAT AGAIN.
2530
01:24:19,633 --> 01:24:21,933
>> YOU HUNGRY, PETE?
2531
01:24:21,933 --> 01:24:23,067
>> PETE'S ALWAYS HUNGRY.
2532
01:24:23,067 --> 01:24:23,800
I NEVER KNEW A TIME
2533
01:24:23,800 --> 01:24:24,367
HE WASN'T HUNGRY.
2534
01:24:24,367 --> 01:24:25,133
>> YOU DO PRETTY WELL
2535
01:24:25,133 --> 01:24:25,900
YOURSELF, WILL.
2536
01:24:25,900 --> 01:24:27,067
YOU GONNA STAY FOR SUPPER?
2537
01:24:27,067 --> 01:24:27,800
>> NO, MA'AM.
2538
01:24:27,800 --> 01:24:28,400
I'M AFRAID IF I EAT
2539
01:24:28,400 --> 01:24:29,200
ANOTHER MEAL OVER HERE,
2540
01:24:29,200 --> 01:24:31,067
YOU'LL SEND ME A BOARD BILL.
2541
01:24:31,067 --> 01:24:32,633
>> COME ON NOW, STAY FOR SUPPER.
2542
01:24:32,633 --> 01:24:33,200
>> ALL RIGHT.
2543
01:24:33,200 --> 01:24:33,900
YOU DON'T HAVE
2544
01:24:33,900 --> 01:24:34,400
TO TWIST MY ARM.
2545
01:24:34,400 --> 01:24:35,333
I'LL STAY.
2546
01:24:35,333 --> 01:24:36,933
>> WOULD YOU PLAY LILY DALE
2547
01:24:36,933 --> 01:24:39,666
FOR ME?
2548
01:24:39,666 --> 01:24:41,900
>> I DON'T KNOW LILY DALE.
2549
01:24:41,900 --> 01:24:43,166
HOW CAN I PLAY IT FOR YOU?
2550
01:24:43,166 --> 01:24:44,166
>> I'LL SING IT FOR YOU.
2551
01:24:44,166 --> 01:24:47,067
MAYBE YOU CAN PLAY IT THEN.
2552
01:24:47,067 --> 01:24:49,067
>> ALL RIGHT, I'LL TRY.
2553
01:24:54,067 --> 01:24:57,067
>> * 'TWAS A CALM, STILL NIGHT
2554
01:24:57,067 --> 01:25:00,067
* AND THE MOON'S PALE LIGHT
2555
01:25:00,067 --> 01:25:03,067
* SHONE SOFT O'ER
2556
01:25:03,067 --> 01:25:06,100
* HILL AND VALE
2557
01:25:06,100 --> 01:25:10,267
* WHEN FRIENDS MUTE WITH GRIEF
2558
01:25:10,267 --> 01:25:14,700
* STOOD AROUND THE DEATH BED
2559
01:25:14,700 --> 01:25:19,300
* OF MY POOR, LOST LILY DALE
2560
01:25:19,300 --> 01:25:25,400
* OH, LILY, SWEET LILY DALE
2561
01:25:25,400 --> 01:25:30,800
* DEAR LILY DALE
2562
01:25:30,800 --> 01:25:33,100
* NOW THE WILD ROSE BLOSSOMS
2563
01:25:33,100 --> 01:25:36,767
* O'ER HER LITTLE GREEN GRAVE
2564
01:25:36,767 --> 01:25:39,133
* IN THE SHADE OF
2565
01:25:39,133 --> 01:25:43,067
* THE FLOWERY VALE
2566
01:25:43,067 --> 01:25:43,867
>> YOU CERTAINLY HAVE
2567
01:25:43,867 --> 01:25:46,733
A SWEET VOICE, SON.
2568
01:25:46,733 --> 01:25:50,267
>> CAN YOU PLAY IT NOW, SISTER?
2569
01:25:50,267 --> 01:25:52,233
>> I DON'T WANT TO.
2570
01:25:52,233 --> 01:25:54,067
I WANNA PLAY MY CLASSICAL PIECE.
2571
01:25:54,067 --> 01:25:55,166
>> GO AHEAD, HONEY.
2572
01:25:55,166 --> 01:25:56,467
PLAY YOUR CLASSICAL PIECE.
2573
01:25:56,467 --> 01:25:58,100
>> I DON'T WANNA PLAY IT IF YOU
2574
01:25:58,100 --> 01:25:59,767
ALL DON'T WANT ME TO PLAY IT.
2575
01:25:59,767 --> 01:26:00,532
>> OF COURSE WE WANT YOU TO.
2576
01:26:00,532 --> 01:26:02,067
DON'T WE, PETE?
2577
01:26:02,067 --> 01:26:02,833
>> DOES IT HAVE A LOT
2578
01:26:02,833 --> 01:26:03,800
OF RUNS IN IT?
2579
01:26:03,800 --> 01:26:05,067
>> YES.
2580
01:26:05,067 --> 01:26:05,867
>> I ALWAYS LOVE IT WHEN
2581
01:26:05,867 --> 01:26:07,867
IT HAS A LOT OF RUNS.
2582
01:26:07,867 --> 01:26:09,233
PLAY IT FOR US.
2583
01:26:09,233 --> 01:26:10,166
>> NO, WILL DOESN'T
2584
01:26:10,166 --> 01:26:10,867
WANNA HEAR IT.
2585
01:26:10,867 --> 01:26:12,532
HE WANTS ME TO PLAY RAGS.
2586
01:26:12,532 --> 01:26:13,467
>> NO, I WANNA HEAR
2587
01:26:13,467 --> 01:26:15,400
YOUR CLASSICAL PIECE.
2588
01:26:15,400 --> 01:26:17,467
>> HOW ABOUT YOU, BROTHER?
2589
01:26:17,467 --> 01:26:18,800
>> SURE I WANNA HEAR IT.
2590
01:26:18,800 --> 01:26:19,767
>> IT'S THE LAST CHANCE
2591
01:26:19,767 --> 01:26:21,532
HE'LL GET TO HEAR IT.
2592
01:26:21,532 --> 01:26:23,267
>> YOU SURE NOW?
2593
01:26:23,267 --> 01:26:25,933
>> YES, I'M SURE.
2594
01:26:30,933 --> 01:26:33,733
>> **
2595
01:26:51,800 --> 01:26:55,133
>> ( indistinct chatter )
2596
01:26:55,133 --> 01:26:56,367
>> HORACE, I BELIEVE I'LL STEP
2597
01:26:56,367 --> 01:26:57,800
IN THE BACK AND HAVE A CIGAR
2598
01:26:57,800 --> 01:26:58,532
IN THE SMOKING SECTION.
2599
01:26:58,532 --> 01:26:59,532
>> YES, SIR.
2600
01:26:59,532 --> 01:27:01,067
>> WOULD YOU CARE TO JOIN ME?
2601
01:27:01,067 --> 01:27:03,233
>> I DON'T FEEL LIKE SMOKING.
2602
01:27:03,233 --> 01:27:04,833
>> I HAVE SOME CHEWING TOBACCO.
2603
01:27:04,833 --> 01:27:07,833
>> NO, SIR, THANK YOU.
2604
01:27:07,833 --> 01:27:10,933
>> WELL, HORACE,
2605
01:27:10,933 --> 01:27:12,067
I MAY BE A WHILE.
2606
01:27:12,067 --> 01:27:13,933
THERE'S A POKER GAME GOING ON
2607
01:27:13,933 --> 01:27:14,933
BACK THERE AND I THINK I CAN
2608
01:27:14,933 --> 01:27:15,532
GET IN IT.
2609
01:27:15,532 --> 01:27:16,933
I FEEL VERY LUCKY TODAY.
2610
01:27:16,933 --> 01:27:18,433
>> YES, SIR.
2611
01:27:18,433 --> 01:27:19,867
>> BUT I KNOW YOU WON'T TELL
2612
01:27:19,867 --> 01:27:21,367
MY WIFE OR VIRGIE ABOUT THIS.
2613
01:27:21,367 --> 01:27:22,833
>> NO, SIR.
2614
01:27:22,833 --> 01:27:24,100
>> GOOD BOY, HORACE.
2615
01:27:24,100 --> 01:27:25,067
>> Lily Dale: BROTHER'S NEVER
2616
01:27:25,067 --> 01:27:26,300
SEEMED VERY HAPPY TO ME
2617
01:27:26,300 --> 01:27:27,067
IN HIS ENTIRE LIFE.
2618
01:27:27,067 --> 01:27:28,532
WAS HE EVER HAPPY?
2619
01:27:28,532 --> 01:27:30,400
>> I THINK SO.
2620
01:27:30,400 --> 01:27:32,067
I HOPE SO.
2621
01:27:32,067 --> 01:27:33,067
>> HE'S DETERMINED,
2622
01:27:33,067 --> 01:27:34,233
THAT'S FOR SURE.
2623
01:27:34,233 --> 01:27:35,333
HE TOOK WILL ASIDE
2624
01:27:35,333 --> 01:27:36,400
AND ASKED HIM TO STOP BY
2625
01:27:36,400 --> 01:27:37,500
GOGGAN'S TO PICK UP THIS SHEET
2626
01:27:37,500 --> 01:27:38,500
MUSIC FOR HIM AND PLAY IT
2627
01:27:38,500 --> 01:27:39,233
FOR HIM.
2628
01:27:39,233 --> 01:27:40,300
>> I'M GLAD HE GOT A CHANCE
2629
01:27:40,300 --> 01:27:41,333
TO HEAR IT AT LEAST ONCE
2630
01:27:41,333 --> 01:27:43,600
BEFORE HE LEFT.
2631
01:27:43,600 --> 01:27:44,367
>> DO YOU THINK
2632
01:27:44,367 --> 01:27:45,933
IT'S A PRETTY PIECE?
2633
01:27:45,933 --> 01:27:47,367
>> YES, I THINK IT'S VERY SWEET.
2634
01:27:47,367 --> 01:27:48,166
>> DO YOU THINK THE GIRL
2635
01:27:48,166 --> 01:27:49,967
ON THE COVER LOOKS LIKE ME?
2636
01:27:49,967 --> 01:27:53,100
>> I GUESS SHE DOES.
2637
01:27:53,100 --> 01:27:54,567
>> I'M PRETTIER THAN HER,
2638
01:27:54,567 --> 01:27:56,067
DON'T YOU THINK?
2639
01:27:56,067 --> 01:27:58,200
>> YES, I DO.
2640
01:27:58,200 --> 01:28:00,100
>> YOU THINK I'M BEAUTIFUL?
2641
01:28:00,100 --> 01:28:02,367
>> YES, I DO.
2642
01:28:02,367 --> 01:28:04,933
>> WILL SAYS I'M BEAUTIFUL
2643
01:28:04,933 --> 01:28:06,400
ENOUGH TO BE IN MOTION PICTURES.
2644
01:28:06,400 --> 01:28:07,400
I HOPE HE'S SINCERE
2645
01:28:07,400 --> 01:28:08,133
WHEN HE SAYS IT.
2646
01:28:08,133 --> 01:28:12,500
>> OH, I'M SURE HE IS.
2647
01:28:12,500 --> 01:28:16,532
>> WILL SAYS...
2648
01:28:16,532 --> 01:28:19,433
YOU AND MR. DAVENPORT...
2649
01:28:19,433 --> 01:28:21,333
IF YOU WANTED...
2650
01:28:21,333 --> 01:28:25,967
MR. DAVENPORT AND YOU...
2651
01:28:25,967 --> 01:28:28,267
>> COULD WHAT, HONEY?
2652
01:28:28,267 --> 01:28:30,067
>> NOTHING.
2653
01:28:30,067 --> 01:28:35,367
I FORGOT WHAT I WAS GONNA ASK.
2654
01:28:35,367 --> 01:28:37,400
>> **
2655
01:28:42,133 --> 01:28:43,467
>> EXCUSE ME.
2656
01:28:43,467 --> 01:28:45,100
AREN'T YOU THE YOUNG MAN THAT
2657
01:28:45,100 --> 01:28:46,600
I MET ON THE WAY TO HOUSTON
2658
01:28:46,600 --> 01:28:47,967
THREE WEEKS AGO?
2659
01:28:47,967 --> 01:28:48,633
>> YES, MA'AM.
2660
01:28:48,633 --> 01:28:52,467
>> I THOUGHT SO.
2661
01:28:52,467 --> 01:28:55,100
WAS THAT MR. ALBERT THORNTON
2662
01:28:55,100 --> 01:28:57,067
OF HARRISON SITTING WITH YOU?
2663
01:28:57,067 --> 01:28:57,933
>> YES, MA'AM.
2664
01:28:57,933 --> 01:29:00,467
>> I THOUGHT SO.
2665
01:29:00,467 --> 01:29:02,100
>> HE'S MY UNCLE.
2666
01:29:02,100 --> 01:29:05,166
>> OF COURSE.
2667
01:29:05,166 --> 01:29:06,967
YOU LOOK TERRIBLE, SON.
2668
01:29:06,967 --> 01:29:09,067
HAVE A SPELL OF MALARIA?
2669
01:29:09,067 --> 01:29:10,666
>> I'VE HAD A SPELL
2670
01:29:10,666 --> 01:29:11,367
OF SOMETHING.
2671
01:29:11,367 --> 01:29:12,500
I'VE BEEN PRETTY SICK.
2672
01:29:12,500 --> 01:29:14,067
>> WELL, YOU STILL
2673
01:29:14,067 --> 01:29:15,233
LOOK SICK TO ME.
2674
01:29:15,233 --> 01:29:16,967
MAY I SIT AND VISIT
2675
01:29:16,967 --> 01:29:17,532
WITH YOU A WHILE?
2676
01:29:17,532 --> 01:29:18,600
>> YES, MA'AM.
2677
01:29:18,600 --> 01:29:22,600
>> ( train whistle blows )
2678
01:29:26,067 --> 01:29:27,666
>> I DON'T KNOW WHY I'M NOT
2679
01:29:27,666 --> 01:29:30,200
DOWN MYSELF, AS MUCH AS I HAVE
2680
01:29:30,200 --> 01:29:31,532
TO BEAR.
2681
01:29:31,532 --> 01:29:32,967
MR. COONS IS SICK AGAIN,
2682
01:29:32,967 --> 01:29:33,500
YOU KNOW?
2683
01:29:33,500 --> 01:29:34,200
>> NO.
2684
01:29:34,200 --> 01:29:35,133
>> OH, YES.
2685
01:29:35,133 --> 01:29:37,267
LOST HIS JOB, OF COURSE.
2686
01:29:37,267 --> 01:29:39,200
WE HAVE TO MOVE AGAIN.
2687
01:29:39,200 --> 01:29:40,600
I'VE BEEN IN HOUSTON
2688
01:29:40,600 --> 01:29:41,967
WHERE HE'S STARTING ANOTHER
2689
01:29:41,967 --> 01:29:43,200
KEELEY CURE.
2690
01:29:43,200 --> 01:29:44,433
HE SWEARS THIS IS THE
2691
01:29:44,433 --> 01:29:47,166
LAST TIME THIS WILL HAPPEN.
2692
01:29:47,166 --> 01:29:48,333
"WHAT IS TO BECOME OF US,
2693
01:29:48,333 --> 01:29:50,133
MR. COONS?" I SAID.
2694
01:29:50,133 --> 01:29:52,133
"I AM UNEDUCATED.
2695
01:29:52,133 --> 01:29:53,100
I CAN'T WORK.
2696
01:29:53,100 --> 01:29:54,067
YOU GET SICK AND CAN'T
2697
01:29:54,067 --> 01:29:57,067
KEEP A JOB."
2698
01:29:57,067 --> 01:29:58,333
( sighs )
2699
01:29:58,333 --> 01:30:00,133
OF COURSE, YOU UNDERSTAND
2700
01:30:00,133 --> 01:30:01,633
WHAT KIND OF SICKNESS
2701
01:30:01,633 --> 01:30:03,633
I AM TALKING ABOUT.
2702
01:30:03,633 --> 01:30:05,267
WHISKEY!
2703
01:30:05,267 --> 01:30:06,967
THAT IS THE KIND OF SICKNESS
2704
01:30:06,967 --> 01:30:08,200
I AM TALKING ABOUT.
2705
01:30:08,200 --> 01:30:10,733
HE JUST CAN'T SEEM
2706
01:30:10,733 --> 01:30:12,032
TO LEAVE IT ALONE.
2707
01:30:12,032 --> 01:30:13,032
>> Lily Dale: DID YOU LOVE PAPA
2708
01:30:13,032 --> 01:30:14,133
WHEN YOU MARRIED HIM?
2709
01:30:14,133 --> 01:30:17,500
>> YES, I DID.
2710
01:30:17,500 --> 01:30:20,000
AT LEAST I THOUGHT I DID.
2711
01:30:20,000 --> 01:30:22,300
>> WHO DID YOU LOVE MOST,
2712
01:30:22,300 --> 01:30:25,233
PAPA OR MR. DAVENPORT?
2713
01:30:25,233 --> 01:30:28,067
>> MR. DAVENPORT.
2714
01:30:28,067 --> 01:30:32,433
HE'S A VERY GOOD MAN.
2715
01:30:32,433 --> 01:30:37,032
HE'S BEEN VERY GOOD TO ME.
2716
01:30:37,032 --> 01:30:38,733
HE JUST DOESN'T SEEM
2717
01:30:38,733 --> 01:30:41,133
TO LIKE YOUR BROTHER.
2718
01:30:41,133 --> 01:30:42,300
I WISH THAT WOULD CHANGE.
2719
01:30:42,300 --> 01:30:43,700
>> BROTHER DOESN'T
2720
01:30:43,700 --> 01:30:46,267
LIKE HIM, EITHER.
2721
01:30:46,267 --> 01:30:47,400
WHO DO YOU LOVE MOST,
2722
01:30:47,400 --> 01:30:48,633
ME OR BROTHER?
2723
01:30:48,633 --> 01:30:50,967
>> OH, I LOVE YOU BOTH, HONEY.
2724
01:30:50,967 --> 01:30:53,400
>> YOU LOVE ME MOST.
2725
01:30:53,400 --> 01:30:55,200
>> I LOVE YOU BOTH.
2726
01:30:55,200 --> 01:30:57,600
>> I THINK YOU LOVE ME MOST.
2727
01:30:57,600 --> 01:30:59,133
>> WELL, YOU'RE A GIRL.
2728
01:30:59,133 --> 01:31:02,233
SO I THINK YOU NEEDED ME MORE.
2729
01:31:02,233 --> 01:31:04,200
>> I'M NEVER GONNA LEAVE YOU AND
2730
01:31:04,200 --> 01:31:05,200
YOU'RE NEVER GONNA LEAVE ME.
2731
01:31:05,200 --> 01:31:08,433
>> OH, HONEY...
2732
01:31:08,433 --> 01:31:11,633
YOU'RE GONNA GET MARRIED...
2733
01:31:11,633 --> 01:31:13,067
AND THEN YOU'RE GONNA HAVE
2734
01:31:13,067 --> 01:31:16,067
TO LIVE WITH YOUR HUSBAND.
2735
01:31:16,067 --> 01:31:17,200
>> WHY CAN'T WILL
2736
01:31:17,200 --> 01:31:18,633
MOVE IN HERE WITH US?
2737
01:31:18,633 --> 01:31:19,633
>> NO, THAT WOULDN'T
2738
01:31:19,633 --> 01:31:21,567
BE PRACTICAL.
2739
01:31:21,567 --> 01:31:24,467
>> THAT'S WHAT WILL SAYS, TOO.
2740
01:31:24,467 --> 01:31:28,067
WELL, THEN WE'LL JUST MOVE
2741
01:31:28,067 --> 01:31:29,200
INTO THE HOUSE NEXT DOOR,
2742
01:31:29,200 --> 01:31:30,166
AND IF WE CAN'T DO THAT,
2743
01:31:30,166 --> 01:31:35,233
THEN JUST AS CLOSE AS WE CAN.
2744
01:31:35,233 --> 01:31:40,267
>> **
2745
01:31:40,267 --> 01:31:43,600
>> HOW DID YOU FIND YOUR MOTHER?
2746
01:31:43,600 --> 01:31:44,467
>> SHE'S WELL.
2747
01:31:44,467 --> 01:31:45,600
>> AND YOUR SISTER?
2748
01:31:45,600 --> 01:31:46,532
>> SHE'S FINE.
2749
01:31:46,532 --> 01:31:48,400
>> I BET THEY WERE GLAD TO SEE
2750
01:31:48,400 --> 01:31:53,067
YOU AND SORRY TO SEE YOU GO.
2751
01:31:53,067 --> 01:31:55,100
DID YOU ASK YOUR MOM ABOUT
2752
01:31:55,100 --> 01:31:55,733
YOUR BAPTISM?
2753
01:31:55,733 --> 01:31:57,333
>> YES, MA'AM.
2754
01:31:57,333 --> 01:31:59,100
I HAVEN'T BEEN.
2755
01:31:59,100 --> 01:32:01,133
>> MERCY!
2756
01:32:01,133 --> 01:32:03,200
SICK AS YOU LOOK, I WOULDN'T
2757
01:32:03,200 --> 01:32:05,200
PUT IT OFF ANY LONGER.
2758
01:32:05,200 --> 01:32:07,133
IT WOULD BE TERRIBLE IF YOU
2759
01:32:07,133 --> 01:32:09,500
DIED WITHOUT BEING BAPTIZED.
2760
01:32:09,500 --> 01:32:11,567
HOW WOULD YOU EXPLAIN THAT
2761
01:32:11,567 --> 01:32:12,600
TO YOUR MAKER?
2762
01:32:12,600 --> 01:32:15,233
>> PRAY FOR ME, MRS. COONS.
2763
01:32:15,233 --> 01:32:16,367
>> WHAT WOULD YOU LIKE ME
2764
01:32:16,367 --> 01:32:18,133
TO PRAY ABOUT?
2765
01:32:18,133 --> 01:32:19,133
THAT YOU LIVE UNTIL
2766
01:32:19,133 --> 01:32:20,567
YOU'RE BAPTIZED?
2767
01:32:20,567 --> 01:32:23,200
>> NO, MA'AM, JUST...
2768
01:32:23,200 --> 01:32:25,433
PRAY FOR ME AND MY MOTHER
2769
01:32:25,433 --> 01:32:26,233
AND MY SISTER.
2770
01:32:26,233 --> 01:32:29,532
>> ALL RIGHT, I WILL.
2771
01:32:29,532 --> 01:32:31,100
I DON'T KNOW YOUR SISTER
2772
01:32:31,100 --> 01:32:33,233
AND YOUR MOTHER, BUT I'LL BE
2773
01:32:33,233 --> 01:32:34,300
GLAD TO INCLUDE THEM
2774
01:32:34,300 --> 01:32:35,200
IN MY PRAYERS.
2775
01:32:35,200 --> 01:32:36,300
>> NOW, MRS. COONS.
2776
01:32:36,300 --> 01:32:37,100
PRAY FOR US NOW,
2777
01:32:37,100 --> 01:32:38,500
THIS VERY MOMENT.
2778
01:32:38,500 --> 01:32:42,500
>> WHY CERTAINLY, SON.
2779
01:32:42,500 --> 01:32:45,833
FATHER, I'M TURNING TO YOU
2780
01:32:45,833 --> 01:32:47,467
ON THIS TRAIN...
2781
01:32:47,467 --> 01:32:52,100
I TURN TO YOU NOW AND ASK YOU
2782
01:32:52,100 --> 01:32:54,100
TO FORGIVE OUR SINS,
2783
01:32:54,100 --> 01:32:56,166
AND YOUR BLESSINGS--
2784
01:32:56,166 --> 01:32:56,800
>> MY MOTHER AND MY SISTER
2785
01:32:56,800 --> 01:32:57,500
AND ME.
2786
01:32:57,500 --> 01:32:58,367
PRAY FOR US, MRS. COONS.
2787
01:32:58,367 --> 01:32:59,166
PRAY FOR US.
2788
01:32:59,166 --> 01:33:00,532
>> GIVE ME TIME, SON.
2789
01:33:00,532 --> 01:33:02,300
I'M GETTING TO YOU ALL.
2790
01:33:02,300 --> 01:33:03,233
FATHER...
2791
01:33:03,233 --> 01:33:05,200
WHAT IS YOUR MOTHER'S NAME?
2792
01:33:05,200 --> 01:33:05,867
>> CORELLA.
2793
01:33:05,867 --> 01:33:06,867
>> AND YOUR SISTER'S?
2794
01:33:06,867 --> 01:33:08,867
>> LILY DALE.
2795
01:33:08,867 --> 01:33:11,300
>> FATHER, I HAVE BEEN ASKED
2796
01:33:11,300 --> 01:33:12,900
TO REMEMBER IN MY PRAYERS
2797
01:33:12,900 --> 01:33:14,700
THIS YOUNG MAN, HORACE,
2798
01:33:14,700 --> 01:33:17,300
AND HIS DEAR MOTHER, CORELLA,
2799
01:33:17,300 --> 01:33:20,333
AND HIS SISTER, LILY DALE.
2800
01:33:20,333 --> 01:33:22,300
FATHER OF MERCY,
2801
01:33:22,300 --> 01:33:24,267
FATHER OF GOODNESS,
2802
01:33:24,267 --> 01:33:25,267
FATHER OF FORGIVENESS...
2803
01:33:25,267 --> 01:33:28,267
>> * 'TWAS A CALM, STILL NIGHT
2804
01:33:28,267 --> 01:33:32,267
* AND THE MOON'S PALE LIGHT
2805
01:33:32,267 --> 01:33:35,166
* SHONE SOFT O'ER
2806
01:33:35,166 --> 01:33:39,200
* HILL AND VALE
2807
01:33:39,200 --> 01:33:40,567
>> Horace: LILY DALE MARRIED
2808
01:33:40,567 --> 01:33:42,733
ILL KIDDER SOON AFTERWARDS.W
2809
01:33:42,733 --> 01:33:44,233
MARRIED AND HADI
2810
01:33:44,233 --> 01:33:46,200
Y OWN FAMILY.M
2811
01:33:46,200 --> 01:33:48,300
SAW MY MOTHER AND SISTERI
2812
01:33:48,300 --> 01:33:49,467
NCE IN A WHILE AFTERWARDSO
2813
01:33:49,467 --> 01:33:51,333
N HARRISON...I
2814
01:33:51,333 --> 01:33:52,867
UT I NEVER VISITED THEMB
2815
01:33:52,867 --> 01:33:56,767
GAIN IN HOUSTON.A
2816
01:33:56,767 --> 01:34:03,800
* OH, LILY, SWEET LILY DALE
2817
01:34:03,800 --> 01:34:09,433
* DEAR LILY DALE
2818
01:34:09,433 --> 01:34:14,300
* NOW THE WILD ROSE BLOSSOMS
2819
01:34:14,300 --> 01:34:18,300
* O'ER HER LITTLE GREEN GRAVE
2820
01:34:18,300 --> 01:34:20,333
* BENEATH THE TREES
2821
01:34:20,333 --> 01:34:25,633
* IN THE FLOWERY VALE
2822
01:34:36,233 --> 01:34:38,733
>> **
162372
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