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1
00:00:03,537 --> 00:00:06,672
[ ENGINES IDLING, LAUGHTER ]
2
00:00:06,674 --> 00:00:10,909
[ UPBEAT MUSIC PLAYS ON RADIOS ]
3
00:00:10,911 --> 00:00:13,345
Shirley: LIVING IN LOS ANGELESIN THE 1950s,
4
00:00:13,347 --> 00:00:16,682
THIS GIRL AND I,WE WEREN'T SO DIFFERENT,
5
00:00:16,684 --> 00:00:18,384
JUST LIKE THE THOUSANDSOF OTHER GIRLS
6
00:00:18,386 --> 00:00:21,587
WHO MOVED HERE WITH DREAMSOF BECOMING SOMEBODY.
7
00:00:21,589 --> 00:00:23,455
WE ALL BELIEVED INTHE HOLLYWOOD FAIRY TALE
8
00:00:23,457 --> 00:00:25,057
THAT ANYTHINGWAS POSSIBLE HERE.
9
00:00:25,059 --> 00:00:25,724
[ WHISTLES ]
10
00:00:25,726 --> 00:00:27,393
[ GASPS ] OH!
11
00:00:27,395 --> 00:00:28,994
BRYAN, YOU SCARED ME.
12
00:00:28,996 --> 00:00:33,098
SO JUMPY TONIGHT.
13
00:00:33,100 --> 00:00:35,734
Announcer: IT IS 12:30 A.M.IN LOS ANGELES,
14
00:00:35,736 --> 00:00:39,705
AND YOU'RE LISTENINGTO KFAX NIGHT MUSIC.
15
00:00:39,707 --> 00:00:42,241
? OOH, LADY ?
16
00:00:42,243 --> 00:00:43,842
Shirley: BUT THE BEST PARTOF THE WEEK --
17
00:00:43,844 --> 00:00:46,378
SATURDAY NIGHTOUT IN YOUR BOYFRIEND'S CAR
18
00:00:46,380 --> 00:00:47,980
PARKED ON LOVERS' LANE
19
00:00:47,982 --> 00:00:49,982
WATCHING THOSETWINKLING LIGHTS.
20
00:00:49,984 --> 00:00:53,052
FOR A MOMENT, YOU FELTLIKE A LEADING LADY,
21
00:00:53,054 --> 00:00:56,288
BUT IN A BIG CITY, YOU NEVERKNOW WHO MIGHT BE WATCHING.
22
00:00:56,290 --> 00:00:58,123
[ DRAMATIC MUSIC PLAYS ]
23
00:00:58,125 --> 00:01:01,160
[ KNOCKS ON WINDOW ]
24
00:01:01,162 --> 00:01:02,895
Man: LAPD VICE SQUAD.
25
00:01:02,897 --> 00:01:06,265
YOU TWO ARE COMMITTING
A MORALS VIOLATION.
26
00:01:06,267 --> 00:01:07,933
PLEASE, OFFICER, WE WEREN'T
DOING ANYTHING WRONG.
27
00:01:07,935 --> 00:01:09,168
THAT'S NOT WHAT I SAW.
28
00:01:09,170 --> 00:01:10,369
OFFICER,
WE WERE JUST KISSING.
29
00:01:10,371 --> 00:01:12,771
GET OUT THE CAR, MISS.
30
00:01:12,773 --> 00:01:16,341
??
31
00:01:16,343 --> 00:01:19,912
??
32
00:01:19,914 --> 00:01:21,513
YOUNG MAN,
YOU STAY RIGHT HERE.
33
00:01:21,515 --> 00:01:23,415
YES, SIR.
34
00:01:23,417 --> 00:01:25,484
COME WITH ME.
35
00:01:25,486 --> 00:01:29,354
??
36
00:01:29,356 --> 00:01:33,258
??
37
00:01:33,260 --> 00:01:36,795
[ SIGHS ]
38
00:01:36,797 --> 00:01:38,764
[ DOOR OPENS, CLOSES ]
39
00:01:38,766 --> 00:01:42,968
[ SIGHS ]
40
00:01:42,970 --> 00:01:45,671
[ DOOR OPENS, CLOSES ]
41
00:01:45,673 --> 00:01:47,606
WAIT.
WHAT ARE YOU DOING?
42
00:01:47,608 --> 00:01:49,641
AIN'T NO USE IN FUSSING.
43
00:01:49,643 --> 00:01:52,978
NO! AAH! AAAAAAAAAAH!
44
00:01:59,019 --> 00:02:03,922
??
45
00:02:03,924 --> 00:02:09,661
??
46
00:02:09,663 --> 00:02:15,400
??
47
00:02:15,402 --> 00:02:21,140
??
48
00:02:21,142 --> 00:02:25,844
Engel: IN THE EARLY
MORNING HOURS OF MAY 20, 1956,
49
00:02:25,846 --> 00:02:27,479
A YOUNG COUPLE WENT INTO
50
00:02:27,481 --> 00:02:30,482
THE LOS ANGELES
CENTRAL POLICE STATION
51
00:02:30,484 --> 00:02:33,585
TO REPORT A VERY HIDEOUS CRIME.
52
00:02:33,587 --> 00:02:35,554
I'M GOING TO BE ASKING YOU
SOME QUESTIONS.
53
00:02:35,556 --> 00:02:38,624
NOW, I'M GOING TO NEED YOU
TO BE HONEST WITH ME.
54
00:02:38,626 --> 00:02:40,259
I DON'T CARE WHY
YOU WERE UP THERE.
55
00:02:40,261 --> 00:02:42,027
THAT'S NOT WHY WE'RE HERE.
56
00:02:42,029 --> 00:02:44,563
SO WE'RE GOING TO START
FROM THE BEGINNING.
57
00:02:44,565 --> 00:02:47,432
[ SNIFFLING ] UH...
58
00:02:47,434 --> 00:02:50,269
THERE WAS A POLICE OFFICER.
59
00:02:50,271 --> 00:02:53,505
HE CAME UP TO OUR CAR,
60
00:02:53,507 --> 00:02:57,509
AND HE SHOWED HIS BADGE,
61
00:02:57,511 --> 00:03:01,413
AND THEN HE ESCORTED ME
62
00:03:01,415 --> 00:03:05,851
TO THE BACK SEAT
OF HIS CAR.
63
00:03:05,853 --> 00:03:08,153
OKAY.
64
00:03:08,155 --> 00:03:10,756
THEN WHAT HAPPENED?
65
00:03:10,758 --> 00:03:13,592
AND THEN HE WAS ON TOP OF ME.
66
00:03:13,594 --> 00:03:17,462
??
67
00:03:17,464 --> 00:03:19,064
HE SAID,
68
00:03:19,066 --> 00:03:22,000
"I THINK YOU'RE
GONNA LIKE THIS."
69
00:03:22,002 --> 00:03:25,304
[ SNIFFLING ]
70
00:03:25,306 --> 00:03:27,839
HE TOLD HER THAT THIS IS
SOMETHING THAT SHE'S GOING TO
71
00:03:27,841 --> 00:03:30,943
BE ABLE TO BRAG ABOUT FOR
A VERY LONG TIME TO HER FRIENDS
72
00:03:30,945 --> 00:03:35,113
AS THE BEST 15 MINUTES
OF HER LIFE.
73
00:03:35,115 --> 00:03:38,083
WERE YOU ABLE TO GET
A LOOK AT THE ASSAILANT?
74
00:03:38,085 --> 00:03:40,986
IT WAS TOO DARK TO GET
A GOOD LOOK AT HIS FACE,
75
00:03:40,988 --> 00:03:46,258
BUT HE WAS A TALL,
LARGE, BLACK MAN.
76
00:03:46,260 --> 00:03:48,994
Ross: YOU HAVE TO REMEMBER,
THIS IS 1950s AMERICA.
77
00:03:48,996 --> 00:03:52,130
AN AFRICAN-AMERICAN MAN
RAPING A WHITE WOMAN
78
00:03:52,132 --> 00:03:54,666
WOULD HAVE BEEN
PRETTY EXPLOSIVE.
79
00:03:54,668 --> 00:03:56,535
YOU SURE HE WAS BLACK,
BLACK POLICE OFFICER
80
00:03:56,537 --> 00:03:57,769
PATROLLING IN THAT AREA?
81
00:03:57,771 --> 00:04:00,105
MM-HMM.
82
00:04:00,107 --> 00:04:04,610
AND THE LAPD AT THE TIME DID
NOT HAVE A LOT OF BLACK COPS.
83
00:04:04,612 --> 00:04:07,679
BLACK COPS TYPICALLY PATROLLED
IN THE BLACK NEIGHBORHOODS.
84
00:04:07,681 --> 00:04:10,282
WHITE COPS PATROLLED
IN THE WHITE NEIGHBORHOODS.
85
00:04:10,284 --> 00:04:14,653
WHAT ABOUT A LICENSE PLATE?
DID YOU SEE ONE?
86
00:04:14,655 --> 00:04:15,988
HE HAD HIS HIGH-BEAMS ON,
87
00:04:15,990 --> 00:04:17,589
SO IT WAS DIFFICULT
TO SEE THE PLATE,
88
00:04:17,591 --> 00:04:19,758
BUT I THINK HE WAS
DRIVING A DeSoto.
89
00:04:19,760 --> 00:04:22,160
DeSoto, OKAY.
90
00:04:22,162 --> 00:04:23,362
ANY IDEA WHAT COLOR IT WAS?
91
00:04:23,364 --> 00:04:28,133
A DARK COLOR,
I COULDN'T REALLY TELL.
92
00:04:28,135 --> 00:04:32,738
CAROLINE,
GOING TO BE OKAY?
93
00:04:32,740 --> 00:04:35,107
[ SNIFFLES ]
94
00:04:35,109 --> 00:04:37,576
I'M GOING TO DO EVERYTHING I CAN
TO FIND THIS GUY, OKAY?
95
00:04:37,578 --> 00:04:40,345
OKAY.
96
00:04:40,347 --> 00:04:44,216
VERY BRAVE OF YOU TO COME HERE
AND SPEAK UP ABOUT THIS.
97
00:04:44,218 --> 00:04:48,320
??
98
00:04:48,322 --> 00:04:50,489
Engel:
THERE'S NO LICENSE PLATE NUMBER,
99
00:04:50,491 --> 00:04:56,461
AND IT WAS TOO DARK TO GET
A GOOD LOOK AT THE PERPETRATOR.
100
00:04:56,463 --> 00:05:00,432
FINDING THIS GUY WOULD BE
VERY DIFFICULT ANYWHERE,
101
00:05:00,434 --> 00:05:02,834
LET ALONE IN LOS ANGELES.
102
00:05:02,836 --> 00:05:06,905
??
103
00:05:06,907 --> 00:05:08,640
Hassan: IN 1956,
104
00:05:08,642 --> 00:05:12,110
LOS ANGELES IS 469 SQUARE MILES.
105
00:05:12,112 --> 00:05:13,845
IT'S HUGE.
106
00:05:13,847 --> 00:05:18,250
Ross: AND LOS ANGELES ONLY HAS
AROUND 4,000 POLICE OFFICERS
107
00:05:18,252 --> 00:05:20,652
IN A CITY THAT IS
GROWING RAPIDLY.
108
00:05:20,654 --> 00:05:22,454
??
109
00:05:22,456 --> 00:05:23,722
WHEN I MOVED HERE,
110
00:05:23,724 --> 00:05:25,691
I THOUGHT L.A. WAS THE CITYOF DREAMS,
111
00:05:25,693 --> 00:05:29,828
A LAND OF MAKE-BELIEVE WHEREYOU COULD REINVENT YOURSELF,
112
00:05:29,830 --> 00:05:32,230
BUT WORKING INTHE POLICE DEPARTMENT,
113
00:05:32,232 --> 00:05:34,299
I QUICKLY LEARNED THEREWAS SOMETHING UGLY
114
00:05:34,301 --> 00:05:36,034
HIDING BENEATHTHAT PRETTY FACADE.
115
00:05:36,036 --> 00:05:41,106
ANOTHER 261,
YOU KNOW WHERE IT GOES.
116
00:05:41,108 --> 00:05:44,176
I WAS IN CHARGE OF SORTINGAND FILING THE 261s.
117
00:05:44,178 --> 00:05:48,013
THAT WAS THE COP TERM FOR RAPE,
118
00:05:48,015 --> 00:05:50,515
A WAY TO TALK ABOUT SOMEWOMAN'S UNTHINKABLE EXPERIENCE
119
00:05:50,517 --> 00:05:54,353
AS JUST ANOTHER NUMBER.
120
00:05:54,355 --> 00:05:56,421
IT WAS ONE OF THOSE CRIMESTHAT THE POLICE DEPARTMENT
121
00:05:56,423 --> 00:05:59,658
PREFERRED TO KEEP OUTOF THE PUBLIC EYE.
122
00:05:59,660 --> 00:06:02,594
Shirley: GOT THE 261 FILES
YOU REQUESTED.
123
00:06:02,596 --> 00:06:05,230
ANOTHER ONE
CAME IN LAST NIGHT.
124
00:06:05,232 --> 00:06:07,466
THANK YOU, SHIRLEY.
125
00:06:07,468 --> 00:06:11,236
IN 1956, THERE WAS
A HORRIBLE INCREASE IN RAPES.
126
00:06:11,238 --> 00:06:14,005
STATISTICALLY, THERE WAS
A MORE THAN 20% INCREASE
127
00:06:14,007 --> 00:06:16,608
OVER THE YEAR BEFORE.
128
00:06:16,610 --> 00:06:21,046
[ TELEPHONES RINGING ]
129
00:06:21,048 --> 00:06:23,415
PLEASE, HAVE A SEAT.
130
00:06:23,417 --> 00:06:25,350
WHAT CAN I DO FOR YOU?
131
00:06:25,352 --> 00:06:28,653
WELL, WE WERE
PARKED OVER ON VALENCIA,
132
00:06:28,655 --> 00:06:30,822
AND THIS MAN CAME OVER
133
00:06:30,824 --> 00:06:35,293
TO OUR VEHICLE AND...
134
00:06:35,295 --> 00:06:36,628
GO ON. WHAT?
DID HE ROB YOU?
135
00:06:36,630 --> 00:06:40,065
NO, NOT THAT.
136
00:06:40,067 --> 00:06:42,968
Engel: THIS COUPLE
HAD BEEN PARKED IN A CAR
137
00:06:42,970 --> 00:06:46,338
ON A LOVERS' LANE WHEN THEY
HEAR A RAP ON THE WINDOW,
138
00:06:46,340 --> 00:06:48,874
AND A MAN WITH A FLASHLIGHT
139
00:06:48,876 --> 00:06:51,676
TELLS THEM TO GET OUT
OF THE CAR,
140
00:06:51,678 --> 00:06:53,578
WHICH THEY COMPLY WITH.
141
00:06:53,580 --> 00:06:55,147
[ Southern accent ] HE WAS
SHOVING MARGIE IN THE BACK
142
00:06:55,149 --> 00:06:57,482
OF HIS CAR, AND THAT'S
WHEN I YANKED HER AWAY.
143
00:06:57,484 --> 00:06:59,117
I GOT READY TO FIGHT HIM,
144
00:06:59,119 --> 00:07:01,787
AND HE WAS BIG,
INTIMIDATING.
145
00:07:01,789 --> 00:07:03,889
I WAS READY FOR HIM,
146
00:07:03,891 --> 00:07:07,559
AND HE GOT IN HIS CAR
AND LEFT.
147
00:07:07,561 --> 00:07:09,661
HE SAID HE WAS LAPD.
148
00:07:09,663 --> 00:07:11,696
??
149
00:07:11,698 --> 00:07:14,032
WAS HE IN UNIFORM?
150
00:07:14,034 --> 00:07:17,102
NO, BUT HE DID HAVE
A FLASHLIGHT AND A BADGE.
151
00:07:17,104 --> 00:07:20,172
WELL, WAIT A SECOND. HE SAID
HE WAS LAPD AND HAD A FLASHLIGHT
152
00:07:20,174 --> 00:07:21,640
AND A BADGE?
YES.
153
00:07:21,642 --> 00:07:22,974
HE DID.
154
00:07:22,976 --> 00:07:26,778
DID IT LOOK LIKE THIS ONE?
155
00:07:26,780 --> 00:07:28,013
YES, SIR.
156
00:07:28,015 --> 00:07:29,314
SO HE WAS A COP.
157
00:07:29,316 --> 00:07:31,983
IT WAS HARD TO TELL,
HONESTLY.
158
00:07:31,985 --> 00:07:36,788
SOMETHING JUST DIDN'T
SEEM, UH, RIGHT.
159
00:07:36,790 --> 00:07:38,123
WHAT DO YOU MEAN?
160
00:07:38,125 --> 00:07:41,193
WELL, FOR ONE,
WHERE I'M FROM,
161
00:07:41,195 --> 00:07:46,364
WE DON'T HAVE COLOREDS
PATROLLING OUR NEIGHBORHOOD.
162
00:07:46,366 --> 00:07:49,801
HE WAS A COLORED
POLICE OFFICER?
163
00:07:49,803 --> 00:07:52,070
Martin: THIS IS THE SECOND TIME
VICTIMS ARE COMING IN SAYING,
164
00:07:52,072 --> 00:07:54,272
"HEY, IT'S THIS GUY THAT GOT
A BADGE AND A FLASHLIGHT.
165
00:07:54,274 --> 00:07:56,341
WE THOUGHT HE WAS A COP."
166
00:07:56,343 --> 00:08:01,613
??
167
00:08:01,615 --> 00:08:03,949
ALL RIGHT. LISTEN,
WE JUST HAD ANOTHER REPORT
168
00:08:03,951 --> 00:08:05,951
OF SOME SICKO POSING AS LAPD,
169
00:08:05,953 --> 00:08:07,919
AND IF IT TURNS OUT
TO TRULY BE ONE OF OURS,
170
00:08:07,921 --> 00:08:09,254
I AM GOING TO BLOW MY TOP.
171
00:08:09,256 --> 00:08:11,356
THERE'S NO WAY THAT
THIS GUY IS LAPD.
172
00:08:11,358 --> 00:08:13,458
YEAH, WELL,
YOU BETTER BE RIGHT,
173
00:08:13,460 --> 00:08:15,026
BUT WE BOTH KNOW
HOW THESE BOYS OPERATE.
174
00:08:15,028 --> 00:08:16,361
RIGHT, GALINDO?
175
00:08:16,363 --> 00:08:17,696
I'M GOING TO HAVE TO START
SENDING YOU OUT THERE
176
00:08:17,698 --> 00:08:19,798
TO POLICE THOSE
LOVERS' LANES, HUH?
177
00:08:19,800 --> 00:08:21,867
YOU KNOW HOW MANY LOVERS' LANES
THERE ARE IN THIS CITY?
178
00:08:21,869 --> 00:08:23,268
YOU MIGHT HAVE TO
TAG ALONG.
179
00:08:23,270 --> 00:08:25,303
YOU DON'T WANT HIM
TO GO ALONE, JONES.
180
00:08:25,305 --> 00:08:26,805
HE MIGHT START
TO GET SOME IDEAS.
181
00:08:26,807 --> 00:08:29,107
[ LAUGHTER ]
182
00:08:29,109 --> 00:08:31,276
ALL RIGHT. BACK TO WORK.
183
00:08:31,278 --> 00:08:33,512
Martin: DETECTIVE DANNY GALINDO
184
00:08:33,514 --> 00:08:35,480
WAS ONE OF THE FEW
HISPANIC MEMBERS
185
00:08:35,482 --> 00:08:37,215
OF THE LOS ANGELES
POLICE DEPARTMENT.
186
00:08:37,217 --> 00:08:39,451
HE'S A DECORATED
WORLD WAR II VETERAN,
187
00:08:39,453 --> 00:08:43,822
AND HE'S DAILY TASKED
WITH SOLVING DIFFICULT CRIMES.
188
00:08:43,824 --> 00:08:46,658
Ross: THE FACT IS THERE
ARE NUMEROUS LOVERS' LANES
189
00:08:46,660 --> 00:08:49,561
IN LOS ANGELES IN THE MID-1950s.
190
00:08:49,563 --> 00:08:52,998
Martin: AND THESE WERE SPREAD OUT
THROUGH THE METROPOLITAN AREA,
191
00:08:53,000 --> 00:08:56,101
SO THEY KNOW THAT THIS IS
GOING TO BE PRETTY DIFFICULT.
192
00:08:56,103 --> 00:08:58,637
HEY, HANSON, GIVE ME A LIST
OF EVERY BLACK MAN
193
00:08:58,639 --> 00:09:00,772
THAT'S EVER WORKED
FOR THE LAPD,
194
00:09:00,774 --> 00:09:03,508
PAST, PRESENT,
RETIRED, FIRED, DEAD.
195
00:09:03,510 --> 00:09:04,676
I WANT THEM ALL.
196
00:09:04,678 --> 00:09:07,045
YES, SIR.
197
00:09:07,047 --> 00:09:09,681
SARGE, DON'T MEAN
TO HOLD YOU UP,
198
00:09:09,683 --> 00:09:12,250
BUT WE NEED TO GET
THE PRESS ON THIS, SIR.
199
00:09:12,252 --> 00:09:13,552
WITH YOUR PERMISSION,
I CAN CONTACT
200
00:09:13,554 --> 00:09:14,986
THE PUBLIC INFORMATION OFFICER.
201
00:09:14,988 --> 00:09:15,987
WHAT FOR?
202
00:09:15,989 --> 00:09:17,188
THE PUBLIC NEEDS TO KNOW
WHAT'S HAPPENING
203
00:09:17,190 --> 00:09:18,390
AT LOVERS' LANES.
204
00:09:18,392 --> 00:09:19,791
NOBODY IS TOUCHING THAT.
205
00:09:19,793 --> 00:09:21,593
WHY NOT?
206
00:09:21,595 --> 00:09:23,428
"BLACK COP RAPES GIRL
AT LOVERS' LANE,"
207
00:09:23,430 --> 00:09:24,996
ARE YOU KIDDING ME?
208
00:09:24,998 --> 00:09:26,531
IT MAKES US ALL LOOK BAD.
209
00:09:26,533 --> 00:09:28,033
HERE, YOU WANT TO
SEE THE STORIES
210
00:09:28,035 --> 00:09:29,200
THEY'RE REALLY PRINTING?
211
00:09:29,202 --> 00:09:31,369
READ THE PAPER.
212
00:09:31,371 --> 00:09:34,239
Engel: IN THOSE DAYS,
THE PAPERS HAD A VESTED INTEREST
213
00:09:34,241 --> 00:09:39,077
IN MAINTAINING THE FICTION
THAT LOS ANGELES WAS PARADISE.
214
00:09:39,079 --> 00:09:42,581
??
215
00:09:42,583 --> 00:09:47,319
Shirley: LIKE I SAID, THIS WASTHE CITY OF MAKE-BELIEVE,
216
00:09:47,321 --> 00:09:49,087
AND IT SEEMED LIKETHE POLICE DEPARTMENT
217
00:09:49,089 --> 00:09:53,124
WANTED TO PRETEND THIS CASENEVER EVEN HAPPENED.
218
00:09:53,126 --> 00:09:54,726
I STOPPED GOING OUT MYSELF,
219
00:09:54,728 --> 00:09:56,861
BUT THERE WERE STILLTHOUSANDS OF YOUNG LOVERS
220
00:09:56,863 --> 00:10:00,065
PARKING AT NIGHT,AND NONE OF THEM EVEN KNEW
221
00:10:00,067 --> 00:10:02,467
THEY WERE BEING HUNTED.
222
00:10:02,469 --> 00:10:04,135
[ CHUCKLES ]
WHAT ARE YOU DOING?
223
00:10:04,137 --> 00:10:06,237
I SAID NO HANDS,
JUST KISSING.
224
00:10:06,239 --> 00:10:08,673
[ SIGHS ]
I KNOW. I'M SORRY.
225
00:10:08,675 --> 00:10:09,841
[ VEHICLE APPROACHES ]
226
00:10:09,843 --> 00:10:13,645
??
227
00:10:13,647 --> 00:10:17,482
??
228
00:10:17,484 --> 00:10:20,785
[ CHUCKLES ]
229
00:10:20,787 --> 00:10:23,121
[ KNOCKS ON WINDOW ]
230
00:10:23,123 --> 00:10:28,093
LAPD VICE SQUAD.
ROLL DOWN YOUR WINDOW.
231
00:10:28,095 --> 00:10:29,594
YOU'RE COMMITTING A CRIME.
232
00:10:29,596 --> 00:10:30,662
WHAT?
233
00:10:30,664 --> 00:10:33,598
LEWD MISCONDUCT.
STEP OUT THE CAR.
234
00:10:33,600 --> 00:10:35,066
??
235
00:10:44,778 --> 00:10:46,778
??
236
00:10:52,452 --> 00:10:55,320
HELLO.
237
00:10:55,322 --> 00:10:58,490
I'M DETECTIVE GALINDO.
238
00:10:58,492 --> 00:11:02,827
I'M HERE TO TAKE
YOUR REPORT.
239
00:11:02,829 --> 00:11:06,097
CAN YOU TELL ME
WHAT HAPPENED?
240
00:11:06,099 --> 00:11:08,066
SOMETHING TERRIBLE
HAPPENED.
241
00:11:08,068 --> 00:11:11,803
??
242
00:11:11,805 --> 00:11:14,105
Ross: ON JULY 23, 1956,
243
00:11:14,107 --> 00:11:17,242
A JAPANESE-AMERICAN COUPLE
COMES IN TO THE POLICE STATION
244
00:11:17,244 --> 00:11:19,277
TO REPORT A RAPE.
245
00:11:19,279 --> 00:11:21,780
WE WERE JUST HAVING
A NIGHT OUT,
246
00:11:21,782 --> 00:11:25,750
AND THIS CAR PULLED UP,
247
00:11:25,752 --> 00:11:30,855
AND THIS MAN CAME UP TO US
AND KNOCKED ON THE WINDOWS,
248
00:11:30,857 --> 00:11:34,759
AND HE SAID
HE WAS LAPD VICE SQUAD.
249
00:11:34,761 --> 00:11:37,762
THE JAPANESE COUPLE
DESCRIBES A LARGE BLACK MAN
250
00:11:37,764 --> 00:11:41,866
FLASHING A BADGE,
ORDERING THEM OUT OF THE CAR.
251
00:11:41,868 --> 00:11:45,637
[ Voice breaking ]
HE FORCED ME INTO HIS CAR.
252
00:11:45,639 --> 00:11:49,441
NEXT THING I KNEW,
HE WAS ON TOP OF ME.
253
00:11:49,443 --> 00:11:53,044
I'M SORRY.
I CAN'T DO THIS.
254
00:11:53,046 --> 00:11:58,316
IT'S ALL MY FAULT.
IT'S ALL MY FAULT.
255
00:11:58,318 --> 00:12:00,485
[ CRYING ]
256
00:12:02,989 --> 00:12:06,858
??
257
00:12:06,860 --> 00:12:10,061
I REALLY FELTFOR THAT POOR GIRL,
258
00:12:10,063 --> 00:12:11,730
AND NONE OF US IN THEDEPARTMENT COULD STOP
259
00:12:11,732 --> 00:12:13,765
ASKING OURSELVES,
260
00:12:13,767 --> 00:12:19,170
"WHAT IF THIS CREEP ACTUALLYWAS ONE OF OUR OWN?"
261
00:12:19,172 --> 00:12:22,474
THIS IS ALL OF OUR CURRENT
AND FORMER BLACK LAPD.
262
00:12:22,476 --> 00:12:24,642
ANYBODY STAND OUT?
263
00:12:24,644 --> 00:12:26,978
YES, REMEMBER ROARK?
264
00:12:26,980 --> 00:12:28,913
- YEAH, TODD ROARK, RIGHT?
- YEAH, THAT'S RIGHT.
265
00:12:28,915 --> 00:12:31,382
AND HE LEFT THE FORCE
ABOUT A YEAR AGO?
266
00:12:31,384 --> 00:12:36,921
HE WAS FIRED.
267
00:12:36,923 --> 00:12:39,924
Engel: DETECTIVES REMEMBER
THIS FORMER COP.
268
00:12:39,926 --> 00:12:41,493
Martin: TODD ROARK
HAD BEEN LET GO
269
00:12:41,495 --> 00:12:45,296
FOR SUPPOSEDLY BOUNCING CHECKS.
270
00:12:45,298 --> 00:12:48,633
YOU KNOW
THE REAL REASON THOUGH.
271
00:12:48,635 --> 00:12:51,136
NO.
272
00:12:51,138 --> 00:12:54,038
HE GOT CAUGHT...
273
00:12:54,040 --> 00:12:56,207
DOING SOMETHING
UNMENTIONABLE.
274
00:12:56,209 --> 00:12:58,910
??
275
00:12:58,912 --> 00:13:01,546
HOWEVER, IN THE WHISPERS,
276
00:13:01,548 --> 00:13:05,850
THERE ALLEGED TO BE
SOME OTHER REASONS.
277
00:13:05,852 --> 00:13:08,086
YOU KNOW THIS WHOLE
LOVERS' LANE DEAL?
278
00:13:08,088 --> 00:13:12,123
IT WOULDN'T SURPRISE ME IF WE
CAUGHT HIM IN THE ACT, YOU KNOW?
279
00:13:12,125 --> 00:13:13,992
WOULD YOU BE ABLE
TO IDENTIFY THE MAN
280
00:13:13,994 --> 00:13:15,593
IF WE SHOWED YOU
A FEW PHOTOS?
281
00:13:15,595 --> 00:13:17,428
I CAN TRY.
282
00:13:17,430 --> 00:13:20,665
JUST TAKE A LOOK
AT THESE FOR ME.
283
00:13:20,667 --> 00:13:24,102
LET ME KNOW IF ANYONE
SEEMS FAMILIAR.
284
00:13:24,104 --> 00:13:30,441
??
285
00:13:32,279 --> 00:13:36,981
Engel: THE COUPLE FLIPPED
THROUGH PAGE OF PERP PHOTOS...
286
00:13:36,983 --> 00:13:38,383
NO.
287
00:13:38,385 --> 00:13:40,919
...BUT THERE'S NO FACE
THAT THEY RECOGNIZE.
288
00:13:40,921 --> 00:13:46,124
[ TELEPHONE RINGING
IN DISTANCE ]
289
00:13:46,126 --> 00:13:50,829
GALINDO. HOLD ON.
290
00:13:50,831 --> 00:13:53,498
COULD THIS BE THE GUY?
291
00:13:53,500 --> 00:13:56,434
[ INDISTINCT CHATTER ]
292
00:14:00,707 --> 00:14:03,641
HIS FACE... LOOKS FAMILIAR.
293
00:14:03,643 --> 00:14:08,546
??
294
00:14:08,548 --> 00:14:13,451
??
295
00:14:13,453 --> 00:14:17,922
Engel: AT THAT POINT, THEY BRING
TODD ROARK INTO THE STATION,
296
00:14:17,924 --> 00:14:20,091
AND THEY PUT HIM IN A LINEUP.
297
00:14:20,093 --> 00:14:23,328
YOU TAKE YOUR TIME.
GET A GOOD LOOK AT ALL OF THEM.
298
00:14:23,330 --> 00:14:25,430
WE WANT TO MAKE SURE
WE GET THE RIGHT GUY.
299
00:14:30,837 --> 00:14:34,739
[ ELECTRICITY CRACKLES,
LIGHT BUZZING ]
300
00:14:34,741 --> 00:14:37,242
Man: ONE, STEP UP.
301
00:14:40,580 --> 00:14:43,882
DOES HE LOOK FAMILIAR?
302
00:14:43,884 --> 00:14:47,919
TWO, STEP UP.
303
00:14:47,921 --> 00:14:52,757
HOW ABOUT HIM?
DOES HE LOOK FAMILIAR?
304
00:14:52,759 --> 00:14:55,059
THREE, STEP UP.
305
00:14:59,966 --> 00:15:03,635
GET A GOOD LOOK AT HIM.
306
00:15:03,637 --> 00:15:05,136
CONCENTRATE.
307
00:15:05,138 --> 00:15:07,338
IS THAT THE MAN
WHO ATTACKED YOU?
308
00:15:10,410 --> 00:15:12,911
??
309
00:15:12,913 --> 00:15:15,847
YES, THAT'S --
THAT'S HIM.
310
00:15:15,849 --> 00:15:20,218
??
311
00:15:20,220 --> 00:15:26,090
ARE YOU SURE?
312
00:15:26,092 --> 00:15:30,461
- YES.
- OKAY. GOOD JOB.
313
00:15:30,463 --> 00:15:32,630
GET HIM BOOKED.
314
00:15:32,632 --> 00:15:35,233
ON IT.
315
00:15:35,235 --> 00:15:39,938
I STILL REMEMBERTHE CHILL FROM THAT DAY.
316
00:15:39,940 --> 00:15:42,307
FOR THOSE OF USWHO KNEW TODD ROARK,
317
00:15:42,309 --> 00:15:45,777
IT WAS VERY HARD TO BELIEVE.
318
00:15:45,779 --> 00:15:47,645
HE WAS A GOOD MAN.
319
00:15:47,647 --> 00:15:51,683
COULD HE REALLY HAVEDONE SOMETHING SO AWFUL?
320
00:15:51,685 --> 00:15:54,519
MY ONLY CONSOLATIONWAS THAT DETECTIVE GALINDO
321
00:15:54,521 --> 00:15:58,623
WAS THE KIND OF COP WHOWOULD GET TO THE BOTTOM OF IT.
322
00:15:58,625 --> 00:16:02,293
GALINDO IS KNOWN AS BEING
A PERSON WHO KIND OF DIGS.
323
00:16:02,295 --> 00:16:03,695
[ BUZZER, LOUD CLANG ]
324
00:16:03,697 --> 00:16:06,431
AND HE HAD KNOWN
ROARK A LITTLE BIT.
325
00:16:06,433 --> 00:16:10,234
[ CHATTER IN DISTANCE ]
326
00:16:10,236 --> 00:16:15,073
Engel: SO DANNY VISITS
TODD ROARK IN THE JAIL.
327
00:16:15,075 --> 00:16:16,941
ROARK, YOU GOT TO BE
STRAIGHT WITH ME.
328
00:16:16,943 --> 00:16:20,311
DID YOU DO THIS?
329
00:16:20,313 --> 00:16:22,947
THEN JUST TELL ME WHERE YOU
WERE ON THE NIGHT OF JULY 23rd.
330
00:16:22,949 --> 00:16:24,415
I CAN'T TELL YOU THAT.
331
00:16:24,417 --> 00:16:25,450
WHY NOT?
332
00:16:25,452 --> 00:16:29,921
BECAUSE IT DON'T MATTER
NOTHING.
333
00:16:29,923 --> 00:16:35,059
??
334
00:16:42,102 --> 00:16:44,802
??
335
00:16:44,804 --> 00:16:47,405
ROARK, TALK TO ME.
336
00:16:47,407 --> 00:16:49,407
I GOT NOTHING TO DO
WITH ANY OF THIS.
337
00:16:49,409 --> 00:16:53,378
THEN TELL ME WHERE
YOU WERE THAT NIGHT.
338
00:16:53,380 --> 00:16:58,316
I WAS WITH MY OLD LADY, OKAY?
ALL NIGHT.
339
00:16:58,318 --> 00:16:59,450
OKAY,
340
00:16:59,452 --> 00:17:00,952
AND WHAT THE HELL
IS WRONG WITH THAT?
341
00:17:00,954 --> 00:17:03,254
I'M NOT BRINGING HER
INTO THIS.
342
00:17:03,256 --> 00:17:04,555
WHY NOT?
343
00:17:04,557 --> 00:17:08,192
YOU OF ALL PEOPLE
SHOULD KNOW HOW THIS WORKS.
344
00:17:08,194 --> 00:17:11,396
THEY'LL DRAG HER NAME
THROUGH THE MUD.
345
00:17:11,398 --> 00:17:15,433
[ SCOFFS ]
346
00:17:15,435 --> 00:17:20,271
NAH, IT'S OVER.
347
00:17:20,273 --> 00:17:23,441
THEY ALREADY DECIDED.
348
00:17:23,443 --> 00:17:25,176
WHO'S THEY?
349
00:17:25,178 --> 00:17:28,880
WHO DO YOU THINK?
350
00:17:28,882 --> 00:17:31,616
THE ENTIRE LAPD.
351
00:17:31,618 --> 00:17:34,352
THAT'S NOT TRUE.
352
00:17:34,354 --> 00:17:38,089
YEAH.
353
00:17:38,091 --> 00:17:43,528
A COUPLE WEEKS BEFORE
THEY LET ME GO,
354
00:17:43,530 --> 00:17:47,098
I WAS IN THE PARK
WITH THIS GIRL...
355
00:17:47,100 --> 00:17:49,033
??
356
00:17:49,035 --> 00:17:54,705
? OOH, OOH, OOH, OOH ?
357
00:17:54,707 --> 00:17:56,908
...A WHITE GIRL...
358
00:17:56,910 --> 00:18:02,814
? OOH, OOH, OOH, OOH, OOH ?
359
00:18:02,816 --> 00:18:04,715
AND YOU KNOW WHO JUST
SO HAPPENS TO BE
360
00:18:04,717 --> 00:18:06,884
IN THE PARK
AT THAT RIGHT TIME?
361
00:18:06,886 --> 00:18:12,290
??
362
00:18:12,292 --> 00:18:13,991
HANSON.
363
00:18:18,264 --> 00:18:21,365
AND THEY SAW ME,
364
00:18:21,367 --> 00:18:23,901
WALKED RIGHT PAST US.
365
00:18:23,903 --> 00:18:26,871
??
366
00:18:26,873 --> 00:18:29,874
??
367
00:18:29,876 --> 00:18:35,580
I JUST KNEW...
368
00:18:35,582 --> 00:18:38,983
IT WAS OVER, MAN.
369
00:18:38,985 --> 00:18:43,921
??
370
00:18:43,923 --> 00:18:47,492
Ross: ROARK TELLS GALINDO
HE WASN'T FIRED FOR CHECK FRAUD.
371
00:18:47,494 --> 00:18:50,061
THAT WAS JUST A COVER.
372
00:18:50,063 --> 00:18:52,463
ROARK WAS REALLY FIRED
FOR BEING OUT
373
00:18:52,465 --> 00:18:54,465
AND BEING SEEN
WITH A WHITE WOMAN.
374
00:18:54,467 --> 00:18:58,202
??
375
00:18:58,204 --> 00:19:01,906
??
376
00:19:01,908 --> 00:19:04,876
[ CHATTER IN DISTANCE ]
377
00:19:08,414 --> 00:19:10,748
[ SIGHS ]
378
00:19:10,750 --> 00:19:13,317
GALINDO IS NOT A PERSON
WHO JUMPS TO CONCLUSIONS.
379
00:19:13,319 --> 00:19:16,053
SEE YOU LATER.
380
00:19:16,055 --> 00:19:18,322
Engel: DANNY WILL GO WHERE
THE EVIDENCE TAKES HIM.
381
00:19:18,324 --> 00:19:22,960
[ RADIO CHATTER ]
382
00:19:22,962 --> 00:19:25,029
JUST CAME BACK
FROM THE DMV.
383
00:19:25,031 --> 00:19:26,564
AND...?
384
00:19:26,566 --> 00:19:29,567
THERE'S NO RECORD THAT SHOWS
THAT ROARK OWNS A DeSoto.
385
00:19:29,569 --> 00:19:31,836
HE ACTUALLY DOESN'T
OWN A CAR, PERIOD.
386
00:19:31,838 --> 00:19:34,105
HMM. WELL, HE PROBABLY
BORROWED IT, THEN.
387
00:19:34,107 --> 00:19:36,374
DID YOU SEE WHAT HANSON
DUG UP ON THE MURDER CASE?
388
00:19:36,376 --> 00:19:40,945
[ TELEPHONE RINGING ]
389
00:19:40,947 --> 00:19:43,714
??
390
00:19:43,716 --> 00:19:47,318
UH, DANNY, YOU LISTENING?
391
00:19:47,320 --> 00:19:48,719
SPACE CADET.
[ SNAPS FINGERS ]
392
00:19:48,721 --> 00:19:50,855
[ Chuckling ]
WAKE UP, AMIGO.
393
00:19:50,857 --> 00:19:54,425
[ LAUGHTER ]
394
00:19:54,427 --> 00:19:57,094
I'LL TAKE A LOOK AT IT.
395
00:19:57,096 --> 00:20:00,064
??
396
00:20:00,066 --> 00:20:03,301
SOMETHING WAS DEFINITELY OFFABOUT THIS CASE.
397
00:20:03,303 --> 00:20:06,404
??
398
00:20:06,406 --> 00:20:09,440
BUT ONE THING DETECTIVEGALINDO TAUGHT ME --
399
00:20:09,442 --> 00:20:11,542
THE PD WAS A FAMILY,
400
00:20:11,544 --> 00:20:13,010
AND TO THROW A COPOUT LIKE THAT
401
00:20:13,012 --> 00:20:17,048
WAS TO TURN YOUR BACKON A BROTHER,
402
00:20:17,050 --> 00:20:19,483
AND IF ROARK WAS INNOCENT,
403
00:20:19,485 --> 00:20:22,587
THAT MEANT THE REAL RAPISTWAS STILL OUT THERE,
404
00:20:22,589 --> 00:20:25,623
LURKING IN THE SHADOWS,WAITING TO STRIKE.
405
00:20:25,625 --> 00:20:29,193
- NO! NO!
- COME ON!
406
00:20:29,195 --> 00:20:33,064
WE CAN TALK ABOUT THIS.
407
00:20:33,066 --> 00:20:38,603
??
408
00:20:38,605 --> 00:20:42,440
[ TELEPHONE RINGS ]
409
00:20:42,442 --> 00:20:44,175
HELLO?
410
00:20:44,177 --> 00:20:47,678
YES, THIS IS HIM.
411
00:20:47,680 --> 00:20:49,113
WHERE?
412
00:20:49,115 --> 00:20:52,116
Engel: A FEW DAYS AFTER
ROARK'S ARREST...
413
00:20:52,118 --> 00:20:53,551
YEAH, KEEP HER THERE.
414
00:20:53,553 --> 00:20:56,921
...ANOTHER RAPE IS REPORTED,
THIS TIME IN ANOTHER DIVISION.
415
00:20:56,923 --> 00:20:59,924
??
416
00:20:59,926 --> 00:21:05,630
HE ASKED ME TO FOLLOW HIM
TO HIS CAR, SO I DID.
417
00:21:11,938 --> 00:21:16,807
I THOUGHT HE WAS A COP.
418
00:21:16,809 --> 00:21:18,976
HE HAD A BADGE.
419
00:21:18,978 --> 00:21:23,080
??
420
00:21:23,082 --> 00:21:27,218
??
421
00:21:27,220 --> 00:21:31,322
??
422
00:21:31,324 --> 00:21:35,026
THAT, IN AND OF ITSELF,
REMOVES ALL DOUBT IN HIS MIND.
423
00:21:35,028 --> 00:21:37,361
TODD ROARK CAN'T HAVE
COMMITTED THIS RAPE
424
00:21:37,363 --> 00:21:41,432
AND BE IN JAIL AT THE SAME TIME.
425
00:21:45,905 --> 00:21:50,041
ANOTHER RAPE, VICTIM I.D.'ed
THE PERP THE SAME WAY --
426
00:21:50,043 --> 00:21:52,810
TALL BLACK MAN WITH A BADGE.
427
00:21:52,812 --> 00:21:57,148
ROARK IS LOCKED UP,
SO IT CAN'T BE HIM.
428
00:21:57,150 --> 00:21:59,684
DON'T BE NAIVE, GALINDO.
429
00:21:59,686 --> 00:22:01,952
ROARK PROBABLY CALLED ONE OF
HIS BUDDIES FROM THE INSIDE,
430
00:22:01,954 --> 00:22:03,054
AND NOW HE'S FILLING IN FOR HIM.
431
00:22:03,056 --> 00:22:05,089
IT'S THE OLDEST TRICK
IN THE BOOK.
432
00:22:05,091 --> 00:22:07,091
[ TELEPHONE RINGING ]
433
00:22:07,093 --> 00:22:11,762
??
434
00:22:11,764 --> 00:22:16,400
??
435
00:22:16,402 --> 00:22:21,072
??
436
00:22:21,074 --> 00:22:25,743
??
437
00:22:25,745 --> 00:22:29,480
AT THAT POINT, DANNY GALINDO
KNOWS HE'S ALONE ON THIS.
438
00:22:29,482 --> 00:22:32,950
??
439
00:22:32,952 --> 00:22:37,555
AND HE REALIZES THAT HE HAS
TO WALK A FINE LINE.
440
00:22:37,557 --> 00:22:39,890
HERE HE IS, A LATINO DETECTIVE
441
00:22:39,892 --> 00:22:43,361
IN A ALMOST ENTIRELY
WHITE DEPARTMENT
442
00:22:43,363 --> 00:22:45,863
WHERE LITERALLY EVERYBODY ELSE
BELIEVES
443
00:22:45,865 --> 00:22:48,766
THAT THIS BLACK FORMER COP
COMMITTED THIS CRIME.
444
00:22:48,768 --> 00:22:49,633
[ CHEERS AND APPLAUSE ]
445
00:22:49,635 --> 00:22:52,169
- COME ON, ROARK!
- COME ON, ROARK!
446
00:22:52,171 --> 00:22:53,337
LET'S GO, BUD.
447
00:22:53,339 --> 00:22:55,339
- [ GRUNTS ]
- AH!
448
00:22:55,341 --> 00:22:56,240
[ INDISTINCT SHOUTING ]
449
00:22:56,242 --> 00:22:58,075
HEY!
DON'T STRIKE OUT, ROARK.
450
00:22:58,077 --> 00:22:59,176
IF WE LOSE, IT'LL BE ON YOU.
451
00:22:59,178 --> 00:23:00,378
- COME ON, BUD.
- ALL RIGHT. HERE WE GO.
452
00:23:00,380 --> 00:23:05,349
HERE WE GO.
453
00:23:05,351 --> 00:23:07,451
- OHH!
- WHOO!
454
00:23:07,453 --> 00:23:09,520
??
455
00:23:09,522 --> 00:23:11,922
YOU KNOW THOSE MOMENTSWHEN YOU LOOK BACK ON THINGS
456
00:23:11,924 --> 00:23:14,558
WITH A NEW EYE?
457
00:23:14,560 --> 00:23:19,163
WELL, DETECTIVE GALINDO'S EYESWERE WIDE OPEN NOW.
458
00:23:19,165 --> 00:23:20,698
YEAH. NOW, THAT'S THE WAY
TO DO IT. YEAH?
459
00:23:20,700 --> 00:23:22,733
Man: HEY, MAN, YOU COULD
PLAY FOR THE MAJORS.
460
00:23:22,735 --> 00:23:24,168
- YEAH, THAT'S RIGHT.
- RIGHT?
461
00:23:24,170 --> 00:23:26,670
??
462
00:23:26,672 --> 00:23:29,306
'CAUSE NO MATTER HOW MUCHWE WANTED TO BELIEVE
463
00:23:29,308 --> 00:23:31,776
WE WERE PART OF THAT FAMILY,
464
00:23:31,778 --> 00:23:36,013
THAT WAS JUST MOREOF THAT MAKE-BELIEVE.
465
00:23:36,015 --> 00:23:38,516
IF THIS WAS A PLACE WHEREA COP COULD BE TORN DOWN
466
00:23:38,518 --> 00:23:42,119
AND THROWN OUT JUSTBECAUSE OF HIS COLOR,
467
00:23:42,121 --> 00:23:43,487
THEN WHAT WAS HAPPENINGTO ROARK
468
00:23:43,489 --> 00:23:48,993
COULD HAPPEN TO ANY OF US,
469
00:23:48,995 --> 00:23:50,628
AND IT WAS OBVIOUSDETECTIVE GALINDO
470
00:23:50,630 --> 00:23:51,929
WASN'T GOING TO GET ANY HELP
471
00:23:51,931 --> 00:23:54,198
FROM ANYONE ELSEIN THE DEPARTMENT.
472
00:23:54,200 --> 00:23:59,170
??
473
00:23:59,172 --> 00:24:03,174
[ LOUD CLANG,
FOOTSTEPS APPROACH ]
474
00:24:03,176 --> 00:24:07,945
ROARK, I'M GOING TO
GET YOU OUT OF HERE.
475
00:24:07,947 --> 00:24:11,415
YOU HEAR ME?
476
00:24:11,417 --> 00:24:14,785
THIS ISN'T RIGHT.
477
00:24:14,787 --> 00:24:16,887
SURE.
478
00:24:16,889 --> 00:24:19,290
??
479
00:24:19,292 --> 00:24:21,258
Martin: IT'S VERY MUCH
A LOSE-LOSE SITUATION.
480
00:24:21,260 --> 00:24:23,427
THE WAY TO GET ROARK
OUT OF PRISON
481
00:24:23,429 --> 00:24:26,797
IS TO CATCH THE TRUE CULPRIT
IN THESE CRIMES,
482
00:24:26,799 --> 00:24:30,968
BUT IN ORDER TO DO THAT,
MORE RAPES HAVE GOT TO OCCUR,
483
00:24:30,970 --> 00:24:33,537
AND THE LAPD JUST DOESN'T
HAVE THE RESOURCES
484
00:24:33,539 --> 00:24:35,940
TO ASSIST DANNY
WITH THIS INVESTIGATION.
485
00:24:35,942 --> 00:24:40,177
??
486
00:24:40,179 --> 00:24:44,448
??
487
00:24:44,450 --> 00:24:47,451
ANOTHER ONE, SIR,
LAST NIGHT.
488
00:24:47,453 --> 00:24:49,720
THANK YOU, SHIRLEY.
489
00:24:49,722 --> 00:24:54,091
??
490
00:24:54,093 --> 00:24:56,360
Galindo: SHE WAS 17.
491
00:24:56,362 --> 00:25:01,465
NOTED, GALINDO.
492
00:25:01,467 --> 00:25:03,534
Engel: WHILE ROARK IS IN JAIL,
493
00:25:03,536 --> 00:25:06,337
SEVERAL OTHER RAPES
ARE REPORTED.
494
00:25:06,339 --> 00:25:08,906
DID YOU GET
A LICENSE PLATE NUMBER?
495
00:25:08,908 --> 00:25:13,277
NO, IT JUST ALL
HAPPENED SO FAST.
496
00:25:13,279 --> 00:25:16,247
IT'S THREE WOMEN NOW,
THE SAME GUY POSING AS A COP.
497
00:25:16,249 --> 00:25:17,681
SARGE, WE NEED TO
STEP IT UP ON THIS.
498
00:25:17,683 --> 00:25:18,816
THIS ATTACK HAPPENED
DURING THE WEEK.
499
00:25:18,818 --> 00:25:19,950
- LOOK.
- HE'S GETTING BOLD.
500
00:25:19,952 --> 00:25:22,486
I CAN'T TALK ABOUT THIS
RIGHT NOW, OKAY?!
501
00:25:22,488 --> 00:25:25,789
??
502
00:25:25,791 --> 00:25:28,192
Martin: DANNY GALINDO
ENJOYS NO SUCCESS WHATSOEVER
503
00:25:28,194 --> 00:25:30,427
IN TRYING TO CONVINCE
HIS COLLEAGUES THAT THEY HAVE
504
00:25:30,429 --> 00:25:32,029
INCARCERATED THE WRONG PERSON.
505
00:25:32,031 --> 00:25:36,500
[ TELEPHONE RINGING ]
506
00:25:36,502 --> 00:25:37,902
WHO ARE YOU HERE TO SEE?
507
00:25:37,904 --> 00:25:39,670
DETECTIVE GALINDO.
508
00:25:39,672 --> 00:25:42,439
HE REQUESTED THAT
I BRING HER OVER HERE.
509
00:25:42,441 --> 00:25:45,976
ALL RIGHT.
HAVE HER WAIT RIGHT HERE.
510
00:25:45,978 --> 00:25:47,411
Martin: IN EARLY AUGUST,
A BLACK WAITRESS
511
00:25:47,413 --> 00:25:48,879
BY THE NAME OF JOSEPHINE JOHNSON
512
00:25:48,881 --> 00:25:53,417
GOES INTO THE LOS ANGELES
POLICE DEPARTMENT.
513
00:25:53,419 --> 00:25:57,688
JOSEPHINE?
HI, I'M DETECTIVE GALINDO.
514
00:25:59,959 --> 00:26:03,727
JOSEPHINE, IF YOU WOULDN'T MIND
TELLING ME WHAT HAPPENED?
515
00:26:03,729 --> 00:26:06,430
I HAD JUST FINISHED WORKING
A DOUBLE AT THE RESTAURANT,
516
00:26:06,432 --> 00:26:09,099
AND I WAS WAITING
AT THE BUS STOP,
517
00:26:09,101 --> 00:26:10,668
JUST TRYING TO GET HOME,
518
00:26:10,670 --> 00:26:16,407
A-AND THIS CAR PULLS UP.
519
00:26:16,409 --> 00:26:20,578
HELLO, MISS. LAPD.
520
00:26:20,580 --> 00:26:22,479
THIS MAN SAYS HE'S A COP
521
00:26:22,481 --> 00:26:24,148
AND TELLS ME THAT I NEED
TO GET INTO THE CAR
522
00:26:24,150 --> 00:26:26,417
BECAUSE I COMMITTED
SOME CRIME.
523
00:26:26,419 --> 00:26:27,585
T-THERE'S BEEN
SOME KIND OF MISTAKE.
524
00:26:27,587 --> 00:26:29,386
I DIDN'T DO NOTHING, SIR.
525
00:26:29,388 --> 00:26:32,456
WELL, WE JUST HAVE
TO VERIFY THAT.
526
00:26:32,458 --> 00:26:38,195
??
527
00:26:38,197 --> 00:26:40,064
AAH!
528
00:26:40,066 --> 00:26:45,536
GET IN THE CAR.
529
00:26:45,538 --> 00:26:50,074
[ Voice breaking ]
HE PUT A GUN TO MY HEAD.
530
00:26:50,076 --> 00:26:53,010
JOSEPHINE IS FORCED AT GUNPOINT
TO PERFORM ORAL SEX
531
00:26:53,012 --> 00:26:55,512
ON THE DRIVER OF THE CAR.
532
00:26:55,514 --> 00:26:59,750
AND I WAS SO DISGUSTED,
I VOMITED ON HIM
533
00:26:59,752 --> 00:27:02,419
AND CAUSED HIM TO DROP
HIS GUN.
534
00:27:02,421 --> 00:27:06,190
AND WHEN SHE SEES THE GUN
ON THE FLOORBOARD,
535
00:27:06,192 --> 00:27:09,760
SHE IMMEDIATELY JUMPS OUT
OF THE CAR AND RUNS OUTSIDE.
536
00:27:09,762 --> 00:27:13,330
??
537
00:27:13,332 --> 00:27:16,567
SO NOW THE GUY IS USING A GUN.
538
00:27:16,569 --> 00:27:19,803
THE VIOLENCE HAS ESCALATED.
539
00:27:19,805 --> 00:27:21,905
- SARGE.
- WHAT NOW?
540
00:27:21,907 --> 00:27:24,141
THIS BETTER BE GOOD,
GALINDO.
541
00:27:24,143 --> 00:27:26,410
THE GUY HAS GOT A GUN NOW.
542
00:27:26,412 --> 00:27:31,615
??
543
00:27:31,617 --> 00:27:33,851
WITH ALL DUE RESPECT, SERGEANT,
544
00:27:33,853 --> 00:27:35,252
THIS IS SERIOUS.
545
00:27:35,254 --> 00:27:37,688
I UNDERSTAND.
546
00:27:37,690 --> 00:27:39,823
Martin: NOW, THIS IS
AN OFFICER-SAFETY HAZARD.
547
00:27:39,825 --> 00:27:44,728
"GOD FORBID ONE OF OUR OFFICERS
WALKS UP ON THIS AND GETS SHOT."
548
00:27:44,730 --> 00:27:47,131
LET ME TAKE A CRACK
AT IT, SIR.
549
00:27:47,133 --> 00:27:47,965
PLEASE.
550
00:27:47,967 --> 00:27:49,566
[ BREATHES DEEPLY ]
551
00:27:49,568 --> 00:27:51,001
FINE. WHAT DO YOU NEED?
552
00:27:51,003 --> 00:27:56,507
MORE MEN.
WE NEED A PAIR AT EACH SPOT.
553
00:27:56,509 --> 00:27:58,876
DON'T MAKE ME REGRET THIS.
554
00:27:58,878 --> 00:28:01,111
YOU WON'T.
555
00:28:01,113 --> 00:28:05,349
HE MANAGES TO GET HIMSELF
MADE THE HEAD OF A TASK FORCE
556
00:28:05,351 --> 00:28:08,819
COMMITTED TO FINDING THIS GUY.
557
00:28:08,821 --> 00:28:09,920
BUT WHAT ABOUT ROARK?
558
00:28:09,922 --> 00:28:11,388
HE'S STAYING PUT.
559
00:28:11,390 --> 00:28:15,192
BUT WE KNOW IT'S NOT HIM.
560
00:28:15,194 --> 00:28:16,393
THAT'LL BE ALL, GALINDO.
561
00:28:16,395 --> 00:28:17,528
SIR, HE'S ONE OF OUR OWN!
562
00:28:17,530 --> 00:28:20,297
I SAID, "THAT'LL BE ALL."
563
00:28:20,299 --> 00:28:23,867
??
564
00:28:23,869 --> 00:28:27,504
??
565
00:28:27,506 --> 00:28:30,541
FOR ALL OF US WHO WANTED TO SEETODD ROARK SET FREE,
566
00:28:30,543 --> 00:28:32,409
IT SEEMED LIKETHE ONLY WAY OUT
567
00:28:32,411 --> 00:28:35,479
WAS FOR DETECTIVE GALINDOTO CATCH THE PERP RED-HANDED.
568
00:28:35,481 --> 00:28:40,851
??
569
00:28:40,853 --> 00:28:43,854
AT LEAST NOW HE FINALLYHAD THE MEN HE NEEDED,
570
00:28:43,856 --> 00:28:46,590
BUT IT DIDN'T MEANHE COULD PICK WHO THEY WERE,
571
00:28:46,592 --> 00:28:48,926
AND WE ALL KNEW THAT NOTEVERYBODY IN THE DEPARTMENT
572
00:28:48,928 --> 00:28:52,563
WAS AS DEDICATED AS GALINDOWAS TO SOLVING THIS CASE.
573
00:28:52,565 --> 00:28:54,698
Engel: GALINDO THINKS
THAT THE ONLY WAY
574
00:28:54,700 --> 00:28:57,768
HE CAN CATCH THE GUY
IS TO FIND THE CAR,
575
00:28:57,770 --> 00:29:01,171
BUT THAT'S LIKE LOOKING FOR
A NEEDLE IN A HAYSTACK.
576
00:29:01,173 --> 00:29:05,309
??
577
00:29:05,311 --> 00:29:08,879
AHH.
578
00:29:08,881 --> 00:29:14,118
HUH. YOU STILL
MR. HOLLYWOOD, GALINDO?
579
00:29:14,120 --> 00:29:17,421
[ CHUCKLES ]
IT'S ONLY A HOBBY.
580
00:29:17,423 --> 00:29:19,890
IT'S KINDA --
KIND OF WILD.
581
00:29:19,892 --> 00:29:22,659
THEY SHOULD HAVE SOMEBODY
LIKE ME ON THAT SHOW.
582
00:29:22,661 --> 00:29:28,465
??
583
00:29:28,467 --> 00:29:31,568
YEAH.
YEAH, THEY SHOULD.
584
00:29:31,570 --> 00:29:33,170
THE BARTENDER SAYS,
"HOW THE HELL SHOULD I KNOW?
585
00:29:33,172 --> 00:29:35,873
MY WIFE LEFT ME."
[ LAUGHS ]
586
00:29:35,875 --> 00:29:38,876
I'M GOING TO NEED
MORE RESOURCES.
587
00:29:38,878 --> 00:29:40,878
WHAT FOR?
588
00:29:40,880 --> 00:29:46,650
??
589
00:29:46,652 --> 00:29:52,256
??
590
00:30:01,167 --> 00:30:06,570
??
591
00:30:06,572 --> 00:30:08,872
Shirley: WITH THISSERIAL RAPIST ON THE LOOSE,
592
00:30:08,874 --> 00:30:12,042
DETECTIVE GALINDO REALIZEDTHAT THE ONLY WAY TO NAB HIM
593
00:30:12,044 --> 00:30:16,413
WAS TO LAY A TRAP, AND IF WHATTHIS CREEP WANTED WAS GIRLS,
594
00:30:16,415 --> 00:30:19,249
THEN IT WAS TIME TO DOWHAT WE DO BEST HERE IN L.A. --
595
00:30:19,251 --> 00:30:22,219
PUT ON A SHOW.
596
00:30:22,221 --> 00:30:23,854
[ LAUGHTER ]
597
00:30:23,856 --> 00:30:28,258
[ WOMAN SINGING IN SPANISH ]
598
00:30:28,260 --> 00:30:30,327
Engel:
DANNY PERSUADES THE LAPD BRASS
599
00:30:30,329 --> 00:30:34,331
THAT THEY HAVE TO DO
AN UNDERCOVER STAKEOUT.
600
00:30:34,333 --> 00:30:37,835
THE PROBLEM IS THAT THERE
AREN'T ENOUGH FEMALE OFFICERS
601
00:30:37,837 --> 00:30:39,536
ON THE POLICE FORCE,
602
00:30:39,538 --> 00:30:43,807
SO 10 MALE COPS
GO TO THE MAKEUP WIZARDS
603
00:30:43,809 --> 00:30:47,211
AT UNIVERSAL INTERNATIONAL
STUDIOS.
604
00:30:47,213 --> 00:30:48,812
Galindo: THANKS AGAIN
FOR DOING THIS, JACK.
605
00:30:48,814 --> 00:30:52,115
Webb: OH, COME ON.
ANYTIME, BUDDY.
606
00:30:52,117 --> 00:30:56,119
SO THIS HERE IS
DETECTIVE DANNY GALINDO, LAPD.
607
00:30:56,121 --> 00:30:59,323
NICE TO MEET
THE REAL GALINDO.
608
00:30:59,325 --> 00:31:01,658
DANNY WAS FRIENDS
WITH JACK WEBB,
609
00:31:01,660 --> 00:31:04,895
WHO PLAYED SERGEANT JOE FRIDAY
ON THE VERY POPULAR
610
00:31:04,897 --> 00:31:07,564
TELEVISION SERIES "DRAGNET"...
611
00:31:07,566 --> 00:31:08,999
NOW, ABOUT THIS
ELIZABETH HAUGHTON,
612
00:31:09,001 --> 00:31:10,334
MRS. MILLER,
DID YOU KNOW HER AT ALL?
613
00:31:10,336 --> 00:31:12,336
WELL, YES.
NOT VERY WELL, THOUGH.
614
00:31:12,338 --> 00:31:14,638
...WHICH WAS BASED ON
THE REAL DAY-TO-DAY OPERATIONS
615
00:31:14,640 --> 00:31:17,474
OF THE LOS ANGELES
POLICE DEPARTMENT.
616
00:31:17,476 --> 00:31:20,143
DETECTIVE GALINDO PITCHEDHIS REAL-LIFE EXPERIENCES
617
00:31:20,145 --> 00:31:20,978
TO THE SHOW.
618
00:31:20,980 --> 00:31:22,145
THEY LIKED THEM SO MUCH,
619
00:31:22,147 --> 00:31:23,513
THEY NAMED A CHARACTERAFTER HIM
620
00:31:23,515 --> 00:31:25,916
AND TURNED HIS STORIESINTO EPISODES.
621
00:31:25,918 --> 00:31:28,919
[ LAUGHTER ]
622
00:31:28,921 --> 00:31:30,254
WE NEED YOU ON SET.
623
00:31:30,256 --> 00:31:32,356
THANKS, AGAIN.
624
00:31:32,358 --> 00:31:35,459
??
625
00:31:35,461 --> 00:31:38,629
OFFICER HALL.
626
00:31:38,631 --> 00:31:42,065
WHAT HAVE YOU ALL DONE?
627
00:31:42,067 --> 00:31:44,935
Engel: DORIS HALL WAS
THE ACTUAL ONE FEMALE
628
00:31:44,937 --> 00:31:47,638
WHO WAS GOING TO BE PART
OF THIS STING OPERATION,
629
00:31:47,640 --> 00:31:49,940
AND SHE'S DANNY'S PARTNER.
630
00:31:49,942 --> 00:31:51,141
ALL RIGHT.
LISTEN UP, MEN.
631
00:31:51,143 --> 00:31:52,776
IF WE'RE GOING TO
GET THIS GUY,
632
00:31:52,778 --> 00:31:54,444
WE'RE GOING TO
GET HIM IN THE ACT.
633
00:31:54,446 --> 00:31:57,814
IF HE APPROACHES YOUR VEHICLE,
BE PREPARED TO TAKE HIM DOWN.
634
00:31:57,816 --> 00:31:58,982
RIGHT?
635
00:31:58,984 --> 00:32:00,150
ALL RIGHT.
636
00:32:00,152 --> 00:32:01,919
LET'S GET HIM.
637
00:32:01,921 --> 00:32:05,022
??
638
00:32:05,024 --> 00:32:08,091
??
639
00:32:08,093 --> 00:32:13,297
THE STING OPERATION BEGINS
ON AUGUST 6, 1956
640
00:32:13,299 --> 00:32:17,968
WITH 10 TEAMS OF COUPLES
GOING UNDERCOVER
641
00:32:17,970 --> 00:32:21,738
AT STRATEGIC LOVERS' LANES
AROUND LOS ANGELES.
642
00:32:21,740 --> 00:32:24,141
??
643
00:32:24,143 --> 00:32:26,143
WE'RE MAKING SOME PROGRESS.
644
00:32:26,145 --> 00:32:31,748
I'VE GOT MEN POSTED UP AT
LOVERS' LANES AROUND THE CITY.
645
00:32:31,750 --> 00:32:33,450
WE'LL GET HIM.
646
00:32:33,452 --> 00:32:36,019
YEAH. THANKS.
647
00:32:36,021 --> 00:32:37,888
NEXT TIME I'M BACK HERE,
648
00:32:37,890 --> 00:32:42,125
IT'S GOING TO BE
WITH GOOD NEWS.
649
00:32:42,127 --> 00:32:44,294
[ BIRDS CHIRPING ]
650
00:32:56,608 --> 00:32:58,208
??
651
00:32:58,210 --> 00:33:03,246
BUT NIGHT AFTER NIGHT,
NOTHING HAPPENS.
652
00:33:03,248 --> 00:33:05,649
THE PRESSURE STARTS
TO BUILD FOR DANNY.
653
00:33:05,651 --> 00:33:11,088
HERE IS THE FIRST TIME
HE'S EVER LED A TASK FORCE,
654
00:33:11,090 --> 00:33:15,425
AND IT APPEARS THAT
IT'S NOT GOING TO WORK.
655
00:33:15,427 --> 00:33:17,094
WE FOLLOWED THIS GUY'S PATTERN.
656
00:33:17,096 --> 00:33:19,696
IF WE STICK WITH IT,
WE'RE BOUND TO GET HIM.
657
00:33:19,698 --> 00:33:22,766
IT'S TIME TO PACK THIS THING IN.
DON'T YOU THINK?
658
00:33:22,768 --> 00:33:24,534
IT'S COSTING THE DEPARTMENT
A FORTUNE.
659
00:33:24,536 --> 00:33:29,706
JUST GIVE ME A LITTLE
MORE TIME, SIR.
660
00:33:29,708 --> 00:33:32,776
Engel: THIS IS A GIGANTIC
ALLOCATION OF RESOURCES,
661
00:33:32,778 --> 00:33:34,911
MEN PULLED OFF OF OTHER SHIFTS,
662
00:33:34,913 --> 00:33:39,549
AND LOS ANGELES IS ALREADY
AN UNDERPOLICED CITY.
663
00:33:39,551 --> 00:33:41,418
Martin:
DANNY GALINDO HAS A REAL FEAR
664
00:33:41,420 --> 00:33:45,689
THAT THE TRUE SUSPECT IN
THE CASE HAS GONE UNDERGROUND,
665
00:33:45,691 --> 00:33:48,525
AND ULTIMATELY, THESE CRIMES
MAY NEVER BE SOLVED.
666
00:33:48,527 --> 00:33:54,865
[ DOG PARKING,
MUSIC PLAYS ON RADIOS ]
667
00:33:54,867 --> 00:33:58,101
? WHY DON'T YOU TELL ME? ?
668
00:33:58,103 --> 00:34:01,605
? BABY, DO YOU EVEN CARE? ?
669
00:34:01,607 --> 00:34:05,609
? WHY DON'T YOU TELL ME? ?
670
00:34:05,611 --> 00:34:08,211
? BECAUSE YOU KNOW
IT ISN'T FAIR ?
671
00:34:08,213 --> 00:34:12,816
SOMEONE IS WATCHING US,
7:00.
672
00:34:12,818 --> 00:34:14,751
??
673
00:34:14,753 --> 00:34:20,123
IT LOOKS LIKE A DeSoto.
674
00:34:20,125 --> 00:34:23,360
YEP. THAT'S A DeSoto.
675
00:34:23,362 --> 00:34:24,861
??
676
00:34:24,863 --> 00:34:28,365
COME HERE.
677
00:34:28,367 --> 00:34:29,566
??
678
00:34:29,568 --> 00:34:31,701
[ ENGINE SHUTS OFF ]
679
00:34:31,703 --> 00:34:35,539
[ DOOR OPENS, CLOSES ]
680
00:34:35,541 --> 00:34:37,574
HE'S COMING.
681
00:34:37,576 --> 00:34:40,343
Martin: ON AUGUST 26, 1956,
682
00:34:40,345 --> 00:34:42,946
AFTER THREE WEEKS OF RUNNING
THIS OPERATION,
683
00:34:42,948 --> 00:34:47,551
SOMETHING FINALLY HAPPENS.
684
00:34:47,553 --> 00:34:51,855
THEY SEE THE FIGURE
IS HOLDING SOMETHING -- A GUN.
685
00:34:51,857 --> 00:34:55,559
NOTIFY THE OTHER UNITS.
686
00:34:55,561 --> 00:34:57,894
LAPD! FREEZE!
687
00:34:57,896 --> 00:34:58,929
CALLING ALL UNITS.
688
00:34:58,931 --> 00:35:00,630
BUT THE MAN DOESN'T DROP
THE GUN.
689
00:35:01,366 --> 00:35:02,732
- [ GROANS ]
- [ SCREAMS ]
690
00:35:02,734 --> 00:35:06,203
DANNY FIRES A SHOT.
HE HEARS A YELP.
691
00:35:06,205 --> 00:35:08,105
HE'S DEFINITELY HIT THE GUY.
692
00:35:08,107 --> 00:35:10,874
- FREEZE!
- AAH!
693
00:35:10,876 --> 00:35:14,044
??
694
00:35:14,046 --> 00:35:17,080
SUSPECT IS RUNNING SOUTH
ON GRIFFITH STREET.
695
00:35:17,082 --> 00:35:21,818
DETECTIVE GALINDO
IS IN PURSUIT.
696
00:35:21,820 --> 00:35:23,520
LAPD.
STAY IN THE CAR.
697
00:35:23,522 --> 00:35:25,589
AND ON AND ON THE CHASE GOES,
698
00:35:25,591 --> 00:35:27,958
DOWN THE STREET
AND AROUND ANOTHER CORNER.
699
00:35:27,960 --> 00:35:31,928
??
700
00:35:31,930 --> 00:35:35,866
??
701
00:35:35,868 --> 00:35:38,001
POLICE!
702
00:35:38,003 --> 00:35:40,170
PUT YOUR WEAPON DOWN!
703
00:35:40,172 --> 00:35:41,805
[ PANTING ]
704
00:35:41,807 --> 00:35:44,541
[ GUN CLICKS ]
705
00:35:44,543 --> 00:35:46,343
HE HEARS THE CLICK OF A TRIGGER.
706
00:35:46,345 --> 00:35:47,077
[ GUN CLICKS ]
707
00:35:47,079 --> 00:35:48,912
HE HEARS IT AGAIN.
708
00:35:48,914 --> 00:35:51,314
HE SHOULD BE DEAD,
709
00:35:51,316 --> 00:35:53,350
BUT THE GUN
HAS OBVIOUSLY MISFIRED.
710
00:35:53,352 --> 00:35:57,521
??
711
00:35:57,523 --> 00:36:01,658
??
712
00:36:01,660 --> 00:36:05,529
DANNY HAS A SHORT NIGHTSTICK
IN HIS BACK POCKET.
713
00:36:05,531 --> 00:36:11,168
??
714
00:36:11,170 --> 00:36:16,840
??
715
00:36:16,842 --> 00:36:20,210
[ PANTING ]
716
00:36:20,212 --> 00:36:22,679
[ INDISTINCT CHATTER ]
717
00:36:22,681 --> 00:36:25,549
DANNY RUNS THE WAY HE CAME...
718
00:36:25,551 --> 00:36:28,618
[ PANTING ]
719
00:36:28,620 --> 00:36:32,355
BUT BY THE TIME HE GETS BACK,
THE DeSoto WAS GONE.
720
00:36:32,357 --> 00:36:34,090
THE GUY WAS GONE.
721
00:36:34,092 --> 00:36:36,326
COME ON!
722
00:36:36,328 --> 00:36:38,461
Martin: HE'S MADE HIS GETAWAY.
723
00:36:38,463 --> 00:36:41,798
DANNY IS THINKING HE MAY
NEVER SEE THE SUSPECT AGAIN,
724
00:36:41,800 --> 00:36:44,367
AND TODD ROARK IS NEVER
GOING TO GET OUT OF PRISON.
725
00:36:44,369 --> 00:36:46,369
??
726
00:36:46,371 --> 00:36:48,438
DAMN!
727
00:36:55,681 --> 00:36:56,846
??
728
00:36:56,848 --> 00:36:59,282
[ PANTING ]
729
00:36:59,284 --> 00:37:04,087
[ FOOTSTEPS APPROACH ]
730
00:37:04,089 --> 00:37:05,388
WHAT HAPPENED?
731
00:37:05,390 --> 00:37:08,024
I LOST HIM.
732
00:37:10,696 --> 00:37:14,264
Martin: THE SERIAL RAPIST
HAS MADE HIS GETAWAY.
733
00:37:14,266 --> 00:37:15,899
GALINDO'S THINKING HIS OPERATION
734
00:37:15,901 --> 00:37:17,901
MAY BE COMPLETELY
CALLED TO AN END.
735
00:37:17,903 --> 00:37:18,902
[ ENGINE STARTS ]
736
00:37:18,904 --> 00:37:22,339
DON'T BEAT YOURSELF UP,
GALINDO.
737
00:37:22,341 --> 00:37:23,840
Man: THIS IS 1047.
738
00:37:23,842 --> 00:37:25,909
WE HAVE A SUSPECT FITTINGTHE ASSAILANT'S DESCRIPTION.
739
00:37:25,911 --> 00:37:28,578
APPROACHING THEIR VEHICLE.
740
00:37:28,580 --> 00:37:31,848
GALINDO THEN RECEIVES
AN ABSOLUTELY UNBELIEVABLE
741
00:37:31,850 --> 00:37:34,918
RADIO TRANSMISSION
FROM TWO OF THE OTHER OFFICERS
742
00:37:34,920 --> 00:37:38,488
THAT ARE PART OF THIS
UNDERCOVER OPERATION.
743
00:37:38,490 --> 00:37:43,493
REPEAT, SUSPECT GOTOUT OF A DeSoto.
744
00:37:43,495 --> 00:37:45,362
HOW CAN THAT BE?
745
00:37:45,364 --> 00:37:47,864
Ross: EVEN AFTER
HAVING BEEN SHOT BY GALINDO,
746
00:37:47,866 --> 00:37:51,835
INSTEAD OF ESCAPING, HE TRIES
TO GO TO ANOTHER LOVERS' LANE.
747
00:37:51,837 --> 00:37:54,971
[ GUN COCKS ]
748
00:37:54,973 --> 00:37:59,242
??
749
00:37:59,244 --> 00:38:03,480
??
750
00:38:03,482 --> 00:38:07,784
??
751
00:38:07,786 --> 00:38:10,186
Martin:
THE SUSPECT IS APPREHENDED
752
00:38:10,188 --> 00:38:13,523
AND IS IN THE CUSTODY OF THE
LOS ANGELES POLICE DEPARTMENT.
753
00:38:13,525 --> 00:38:17,360
??
754
00:38:17,362 --> 00:38:21,231
??
755
00:38:21,233 --> 00:38:23,466
THE SUSPECT'S NAME
IS WILLY FIELDS.
756
00:38:23,468 --> 00:38:25,568
HE WAS A CONSTRUCTION WORKER.
757
00:38:25,570 --> 00:38:29,606
Engel:
HE'S TALL, AND HE'S BLACK.
758
00:38:29,608 --> 00:38:32,676
OTHERWISE, HE LOOKS
NOTHING LIKE TODD ROARK.
759
00:38:32,678 --> 00:38:34,978
??
760
00:38:34,980 --> 00:38:37,514
HE WASN'T A COP.
761
00:38:37,516 --> 00:38:39,949
HE HAD USED A TIN
SHERIFF'S BADGE,
762
00:38:39,951 --> 00:38:44,187
THE KIND SOLD AT THE
FIVE-AND-DIME STORE.
763
00:38:44,189 --> 00:38:46,122
HERE'S THE GUN.
764
00:38:46,124 --> 00:38:47,524
YOU GOT LUCKY.
765
00:38:47,526 --> 00:38:49,759
IT JAMMED.
766
00:38:49,761 --> 00:38:52,829
THE GUN IS A LUGER.
767
00:38:52,831 --> 00:38:55,965
??
768
00:38:55,967 --> 00:38:57,567
DANNY GOT LUCKY.
769
00:38:57,569 --> 00:39:02,105
IT HAD THE WRONG AMMO IN IT.
770
00:39:02,107 --> 00:39:04,274
Man:
YOU'RE FREE TO GO.
771
00:39:04,276 --> 00:39:08,078
[ CHATTER IN DISTANCE ]
772
00:39:08,080 --> 00:39:11,414
??
773
00:39:11,416 --> 00:39:13,083
THANKS.
774
00:39:13,085 --> 00:39:15,919
Martin: WITH THE REAL SUSPECT
IN CUSTODY,
775
00:39:15,921 --> 00:39:20,090
TODD ROARK IS FINALLY RELEASED.
776
00:39:20,092 --> 00:39:23,026
Shirley: WHAT GETS ME AFTERALL THESE YEARS
777
00:39:23,028 --> 00:39:27,897
IS THE WAY HE GOT PUTTHERE IN THE FIRST PLACE.
778
00:39:27,899 --> 00:39:31,901
IT STARTED AS NOTHING MORETHAN A SNAP JUDGMENT
779
00:39:31,903 --> 00:39:35,105
THAT TOOK ON A LIFE OF ITS OWN.
780
00:39:35,107 --> 00:39:39,342
Ross: RACISM IS THE BELIEF THAT
THE STEREOTYPES THAT WE CREATE
781
00:39:39,344 --> 00:39:41,911
THAT ARE NEGATIVE
ABOUT PEOPLE OF COLOR
782
00:39:41,913 --> 00:39:47,751
ARE TRUE, AND, SO, IF YOU
HAVE A PREDISPOSITION
783
00:39:47,753 --> 00:39:49,686
TO THINK THAT HE IS
GOING TO BE GUILTY,
784
00:39:49,688 --> 00:39:54,591
THEN HE WILL ALWAYS
REMAIN GUILTY.
785
00:39:54,593 --> 00:39:58,561
IT WAS A FICTION PASSEDFROM ONE PERSON TO ANOTHER
786
00:39:58,563 --> 00:40:03,933
UNTIL SOMETHING SO WRONGSOMEHOW BECAME A BELIEF,
787
00:40:03,935 --> 00:40:09,005
AND THAT BELIEF CLOUDEDEVERYONE'S EYES.
788
00:40:09,007 --> 00:40:14,277
Engel: ONCE ONE DETECTIVE
WAS ALL IN ON ROARK'S GUILT,
789
00:40:14,279 --> 00:40:16,780
IT TOOK ON A MOMENTUM
OF ITS OWN,
790
00:40:16,782 --> 00:40:20,850
AND THE WHOLE THING
SNOWBALLED FROM THERE,
791
00:40:20,852 --> 00:40:24,087
AND IT WOULD HAVE CONTINUED
TO SNOWBALL IF NOT FOR
792
00:40:24,089 --> 00:40:28,825
DANNY GALINDO'S KNOWING THAT
SOMETHING WAS WRONG ABOUT THIS.
793
00:40:28,827 --> 00:40:31,361
WILLY FIELDS,
WHO HAD COMMITTED THESE CRIMES,
794
00:40:31,363 --> 00:40:33,263
SERVED ONLY 11 YEARS,
795
00:40:33,265 --> 00:40:35,298
CAME OUT WITH A CARPENTRY SKILL
796
00:40:35,300 --> 00:40:37,133
THAT HE LEARNED IN SAN QUENTIN,
797
00:40:37,135 --> 00:40:39,369
WAS IMMEDIATELY HIRED GAINFULLY
798
00:40:39,371 --> 00:40:42,939
AND HAD A WONDERFUL LIFE.
799
00:40:42,941 --> 00:40:47,310
THE IRONY IS THAT TODD ROARK
WAS A BROKEN MAN.
800
00:40:47,312 --> 00:40:50,647
[ CHEERS AND APPLAUSE ]
801
00:40:50,649 --> 00:40:52,515
??
802
00:40:52,517 --> 00:40:56,519
IT STILL MAKES ME SADTHAT DETECTIVE GALINDO,
803
00:40:56,521 --> 00:40:58,121
FOR EVERYTHING HE DID,
804
00:40:58,123 --> 00:41:00,423
COULDN'T SAVE ROARKFROM BEING LABELED,
805
00:41:00,425 --> 00:41:03,760
FROM BEING STAINED BYTHESE CRIMES HE DIDN'T COMMIT.
806
00:41:03,762 --> 00:41:08,064
EVEN THOUGH HE WAS FREED,
TODD ROARK'S LIFE IS RUINED.
807
00:41:08,066 --> 00:41:11,134
WHEN HE GETS OUT,
HE'S STAMPED WITH STIGMA
808
00:41:11,136 --> 00:41:13,169
THAT HE'S ESSENTIALLY
A CRIMINAL.
809
00:41:13,171 --> 00:41:14,704
HE CAN'T GET A JOB,
810
00:41:14,706 --> 00:41:18,942
AND HE PAYS A PRICE
FOR SOMETHING HE DIDN'T DO.
811
00:41:18,944 --> 00:41:21,244
Ross: HE LITERALLY
JUST MOVES TO FRESNO
812
00:41:21,246 --> 00:41:23,980
AND LIVES ON A FAMILY FARM,
THEN DIES.
813
00:41:23,982 --> 00:41:27,550
??
814
00:41:27,552 --> 00:41:31,321
I USED TO THINK OF LOS ANGELESAS THE CITY OF DREAMS.
815
00:41:31,323 --> 00:41:34,123
THERE WAS NO LIMIT ON WHOYOU COULD BECOME THERE.
816
00:41:34,125 --> 00:41:36,659
A CRIMINAL COULD DRESS UPLIKE A COP.
817
00:41:36,661 --> 00:41:39,462
A MAN COULD DRESS UPLIKE A WOMAN.
818
00:41:39,464 --> 00:41:43,466
YOU JUST HAD TO PRETEND.
819
00:41:43,468 --> 00:41:45,869
BUT THE TRUTH ISTHE RULES WEREN'T THE SAME
820
00:41:45,871 --> 00:41:50,640
FOR PEOPLE LIKE MEOR DETECTIVE GALINDO,
821
00:41:50,642 --> 00:41:55,078
AND THEY CERTAINLY WEREN'TTHE SAME FOR TODD ROARK.
822
00:41:55,080 --> 00:41:56,279
SOMETIMES IT DIDN'T MATTER
823
00:41:56,281 --> 00:41:59,115
IF YOU WERE PLAYING ITSTRAIGHT.
824
00:41:59,117 --> 00:42:00,717
PEOPLE ARE GOING TO MAKE UPTHEIR MINDS ABOUT YOU
825
00:42:00,719 --> 00:42:05,221
BASED ON ONLY ONE THING --
826
00:42:05,223 --> 00:42:06,656
THE COLOR OF YOUR SKIN.
827
00:42:06,658 --> 00:42:08,791
? HONEY, IT'S TOO LATE ?
828
00:42:08,793 --> 00:42:13,296
? TOO LATE FOR TEARS ?
829
00:42:13,298 --> 00:42:15,431
? HONEY, I KNOW THAT
IT'S TOO LATE ?
830
00:42:15,433 --> 00:42:20,570
? TOO LATE FOR TEARS ?
831
00:42:20,572 --> 00:42:23,339
? HONEY, I KNOW YOU KNOW
THAT I KNOW THAT IT IS ?
832
00:42:23,341 --> 00:42:28,578
? TOO LATE FOR TEARS ?
833
00:42:28,580 --> 00:42:32,282
? IT'S TOO LATE ?
834
00:42:32,284 --> 00:42:35,952
? FOR TEARS ?
835
00:42:35,954 --> 00:42:37,787
? HONEY, IT'S TOO LATE ?
836
00:42:37,789 --> 00:42:42,058
? TOO LATE FOR TEARS ?
837
00:42:42,060 --> 00:42:45,128
? BUT I GOT TO SAY IT FOR ME
THAT IT'S TOO LATE, DARLING ?
838
00:42:45,130 --> 00:42:49,265
? TOO LATE FOR TEARS ?
839
00:42:49,267 --> 00:42:52,335
? HONEY, I KNOW THAT IT IS ?
840
00:42:52,385 --> 00:42:56,935
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