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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,537 --> 00:00:06,672 [ ENGINES IDLING, LAUGHTER ] 2 00:00:06,674 --> 00:00:10,909 [ UPBEAT MUSIC PLAYS ON RADIOS ] 3 00:00:10,911 --> 00:00:13,345 Shirley: LIVING IN LOS ANGELES IN THE 1950s, 4 00:00:13,347 --> 00:00:16,682 THIS GIRL AND I, WE WEREN'T SO DIFFERENT, 5 00:00:16,684 --> 00:00:18,384 JUST LIKE THE THOUSANDS OF OTHER GIRLS 6 00:00:18,386 --> 00:00:21,587 WHO MOVED HERE WITH DREAMS OF BECOMING SOMEBODY. 7 00:00:21,589 --> 00:00:23,455 WE ALL BELIEVED IN THE HOLLYWOOD FAIRY TALE 8 00:00:23,457 --> 00:00:25,057 THAT ANYTHING WAS POSSIBLE HERE. 9 00:00:25,059 --> 00:00:25,724 [ WHISTLES ] 10 00:00:25,726 --> 00:00:27,393 [ GASPS ] OH! 11 00:00:27,395 --> 00:00:28,994 BRYAN, YOU SCARED ME. 12 00:00:28,996 --> 00:00:33,098 SO JUMPY TONIGHT. 13 00:00:33,100 --> 00:00:35,734 Announcer: IT IS 12:30 A.M. IN LOS ANGELES, 14 00:00:35,736 --> 00:00:39,705 AND YOU'RE LISTENING TO KFAX NIGHT MUSIC. 15 00:00:39,707 --> 00:00:42,241 ? OOH, LADY ? 16 00:00:42,243 --> 00:00:43,842 Shirley: BUT THE BEST PART OF THE WEEK -- 17 00:00:43,844 --> 00:00:46,378 SATURDAY NIGHT OUT IN YOUR BOYFRIEND'S CAR 18 00:00:46,380 --> 00:00:47,980 PARKED ON LOVERS' LANE 19 00:00:47,982 --> 00:00:49,982 WATCHING THOSE TWINKLING LIGHTS. 20 00:00:49,984 --> 00:00:53,052 FOR A MOMENT, YOU FELT LIKE A LEADING LADY, 21 00:00:53,054 --> 00:00:56,288 BUT IN A BIG CITY, YOU NEVER KNOW WHO MIGHT BE WATCHING. 22 00:00:56,290 --> 00:00:58,123 [ DRAMATIC MUSIC PLAYS ] 23 00:00:58,125 --> 00:01:01,160 [ KNOCKS ON WINDOW ] 24 00:01:01,162 --> 00:01:02,895 Man: LAPD VICE SQUAD. 25 00:01:02,897 --> 00:01:06,265 YOU TWO ARE COMMITTING A MORALS VIOLATION. 26 00:01:06,267 --> 00:01:07,933 PLEASE, OFFICER, WE WEREN'T DOING ANYTHING WRONG. 27 00:01:07,935 --> 00:01:09,168 THAT'S NOT WHAT I SAW. 28 00:01:09,170 --> 00:01:10,369 OFFICER, WE WERE JUST KISSING. 29 00:01:10,371 --> 00:01:12,771 GET OUT THE CAR, MISS. 30 00:01:12,773 --> 00:01:16,341 ?? 31 00:01:16,343 --> 00:01:19,912 ?? 32 00:01:19,914 --> 00:01:21,513 YOUNG MAN, YOU STAY RIGHT HERE. 33 00:01:21,515 --> 00:01:23,415 YES, SIR. 34 00:01:23,417 --> 00:01:25,484 COME WITH ME. 35 00:01:25,486 --> 00:01:29,354 ?? 36 00:01:29,356 --> 00:01:33,258 ?? 37 00:01:33,260 --> 00:01:36,795 [ SIGHS ] 38 00:01:36,797 --> 00:01:38,764 [ DOOR OPENS, CLOSES ] 39 00:01:38,766 --> 00:01:42,968 [ SIGHS ] 40 00:01:42,970 --> 00:01:45,671 [ DOOR OPENS, CLOSES ] 41 00:01:45,673 --> 00:01:47,606 WAIT. WHAT ARE YOU DOING? 42 00:01:47,608 --> 00:01:49,641 AIN'T NO USE IN FUSSING. 43 00:01:49,643 --> 00:01:52,978 NO! AAH! AAAAAAAAAAH! 44 00:01:59,019 --> 00:02:03,922 ?? 45 00:02:03,924 --> 00:02:09,661 ?? 46 00:02:09,663 --> 00:02:15,400 ?? 47 00:02:15,402 --> 00:02:21,140 ?? 48 00:02:21,142 --> 00:02:25,844 Engel: IN THE EARLY MORNING HOURS OF MAY 20, 1956, 49 00:02:25,846 --> 00:02:27,479 A YOUNG COUPLE WENT INTO 50 00:02:27,481 --> 00:02:30,482 THE LOS ANGELES CENTRAL POLICE STATION 51 00:02:30,484 --> 00:02:33,585 TO REPORT A VERY HIDEOUS CRIME. 52 00:02:33,587 --> 00:02:35,554 I'M GOING TO BE ASKING YOU SOME QUESTIONS. 53 00:02:35,556 --> 00:02:38,624 NOW, I'M GOING TO NEED YOU TO BE HONEST WITH ME. 54 00:02:38,626 --> 00:02:40,259 I DON'T CARE WHY YOU WERE UP THERE. 55 00:02:40,261 --> 00:02:42,027 THAT'S NOT WHY WE'RE HERE. 56 00:02:42,029 --> 00:02:44,563 SO WE'RE GOING TO START FROM THE BEGINNING. 57 00:02:44,565 --> 00:02:47,432 [ SNIFFLING ] UH... 58 00:02:47,434 --> 00:02:50,269 THERE WAS A POLICE OFFICER. 59 00:02:50,271 --> 00:02:53,505 HE CAME UP TO OUR CAR, 60 00:02:53,507 --> 00:02:57,509 AND HE SHOWED HIS BADGE, 61 00:02:57,511 --> 00:03:01,413 AND THEN HE ESCORTED ME 62 00:03:01,415 --> 00:03:05,851 TO THE BACK SEAT OF HIS CAR. 63 00:03:05,853 --> 00:03:08,153 OKAY. 64 00:03:08,155 --> 00:03:10,756 THEN WHAT HAPPENED? 65 00:03:10,758 --> 00:03:13,592 AND THEN HE WAS ON TOP OF ME. 66 00:03:13,594 --> 00:03:17,462 ?? 67 00:03:17,464 --> 00:03:19,064 HE SAID, 68 00:03:19,066 --> 00:03:22,000 "I THINK YOU'RE GONNA LIKE THIS." 69 00:03:22,002 --> 00:03:25,304 [ SNIFFLING ] 70 00:03:25,306 --> 00:03:27,839 HE TOLD HER THAT THIS IS SOMETHING THAT SHE'S GOING TO 71 00:03:27,841 --> 00:03:30,943 BE ABLE TO BRAG ABOUT FOR A VERY LONG TIME TO HER FRIENDS 72 00:03:30,945 --> 00:03:35,113 AS THE BEST 15 MINUTES OF HER LIFE. 73 00:03:35,115 --> 00:03:38,083 WERE YOU ABLE TO GET A LOOK AT THE ASSAILANT? 74 00:03:38,085 --> 00:03:40,986 IT WAS TOO DARK TO GET A GOOD LOOK AT HIS FACE, 75 00:03:40,988 --> 00:03:46,258 BUT HE WAS A TALL, LARGE, BLACK MAN. 76 00:03:46,260 --> 00:03:48,994 Ross: YOU HAVE TO REMEMBER, THIS IS 1950s AMERICA. 77 00:03:48,996 --> 00:03:52,130 AN AFRICAN-AMERICAN MAN RAPING A WHITE WOMAN 78 00:03:52,132 --> 00:03:54,666 WOULD HAVE BEEN PRETTY EXPLOSIVE. 79 00:03:54,668 --> 00:03:56,535 YOU SURE HE WAS BLACK, BLACK POLICE OFFICER 80 00:03:56,537 --> 00:03:57,769 PATROLLING IN THAT AREA? 81 00:03:57,771 --> 00:04:00,105 MM-HMM. 82 00:04:00,107 --> 00:04:04,610 AND THE LAPD AT THE TIME DID NOT HAVE A LOT OF BLACK COPS. 83 00:04:04,612 --> 00:04:07,679 BLACK COPS TYPICALLY PATROLLED IN THE BLACK NEIGHBORHOODS. 84 00:04:07,681 --> 00:04:10,282 WHITE COPS PATROLLED IN THE WHITE NEIGHBORHOODS. 85 00:04:10,284 --> 00:04:14,653 WHAT ABOUT A LICENSE PLATE? DID YOU SEE ONE? 86 00:04:14,655 --> 00:04:15,988 HE HAD HIS HIGH-BEAMS ON, 87 00:04:15,990 --> 00:04:17,589 SO IT WAS DIFFICULT TO SEE THE PLATE, 88 00:04:17,591 --> 00:04:19,758 BUT I THINK HE WAS DRIVING A DeSoto. 89 00:04:19,760 --> 00:04:22,160 DeSoto, OKAY. 90 00:04:22,162 --> 00:04:23,362 ANY IDEA WHAT COLOR IT WAS? 91 00:04:23,364 --> 00:04:28,133 A DARK COLOR, I COULDN'T REALLY TELL. 92 00:04:28,135 --> 00:04:32,738 CAROLINE, GOING TO BE OKAY? 93 00:04:32,740 --> 00:04:35,107 [ SNIFFLES ] 94 00:04:35,109 --> 00:04:37,576 I'M GOING TO DO EVERYTHING I CAN TO FIND THIS GUY, OKAY? 95 00:04:37,578 --> 00:04:40,345 OKAY. 96 00:04:40,347 --> 00:04:44,216 VERY BRAVE OF YOU TO COME HERE AND SPEAK UP ABOUT THIS. 97 00:04:44,218 --> 00:04:48,320 ?? 98 00:04:48,322 --> 00:04:50,489 Engel: THERE'S NO LICENSE PLATE NUMBER, 99 00:04:50,491 --> 00:04:56,461 AND IT WAS TOO DARK TO GET A GOOD LOOK AT THE PERPETRATOR. 100 00:04:56,463 --> 00:05:00,432 FINDING THIS GUY WOULD BE VERY DIFFICULT ANYWHERE, 101 00:05:00,434 --> 00:05:02,834 LET ALONE IN LOS ANGELES. 102 00:05:02,836 --> 00:05:06,905 ?? 103 00:05:06,907 --> 00:05:08,640 Hassan: IN 1956, 104 00:05:08,642 --> 00:05:12,110 LOS ANGELES IS 469 SQUARE MILES. 105 00:05:12,112 --> 00:05:13,845 IT'S HUGE. 106 00:05:13,847 --> 00:05:18,250 Ross: AND LOS ANGELES ONLY HAS AROUND 4,000 POLICE OFFICERS 107 00:05:18,252 --> 00:05:20,652 IN A CITY THAT IS GROWING RAPIDLY. 108 00:05:20,654 --> 00:05:22,454 ?? 109 00:05:22,456 --> 00:05:23,722 WHEN I MOVED HERE, 110 00:05:23,724 --> 00:05:25,691 I THOUGHT L.A. WAS THE CITY OF DREAMS, 111 00:05:25,693 --> 00:05:29,828 A LAND OF MAKE-BELIEVE WHERE YOU COULD REINVENT YOURSELF, 112 00:05:29,830 --> 00:05:32,230 BUT WORKING IN THE POLICE DEPARTMENT, 113 00:05:32,232 --> 00:05:34,299 I QUICKLY LEARNED THERE WAS SOMETHING UGLY 114 00:05:34,301 --> 00:05:36,034 HIDING BENEATH THAT PRETTY FACADE. 115 00:05:36,036 --> 00:05:41,106 ANOTHER 261, YOU KNOW WHERE IT GOES. 116 00:05:41,108 --> 00:05:44,176 I WAS IN CHARGE OF SORTING AND FILING THE 261s. 117 00:05:44,178 --> 00:05:48,013 THAT WAS THE COP TERM FOR RAPE, 118 00:05:48,015 --> 00:05:50,515 A WAY TO TALK ABOUT SOME WOMAN'S UNTHINKABLE EXPERIENCE 119 00:05:50,517 --> 00:05:54,353 AS JUST ANOTHER NUMBER. 120 00:05:54,355 --> 00:05:56,421 IT WAS ONE OF THOSE CRIMES THAT THE POLICE DEPARTMENT 121 00:05:56,423 --> 00:05:59,658 PREFERRED TO KEEP OUT OF THE PUBLIC EYE. 122 00:05:59,660 --> 00:06:02,594 Shirley: GOT THE 261 FILES YOU REQUESTED. 123 00:06:02,596 --> 00:06:05,230 ANOTHER ONE CAME IN LAST NIGHT. 124 00:06:05,232 --> 00:06:07,466 THANK YOU, SHIRLEY. 125 00:06:07,468 --> 00:06:11,236 IN 1956, THERE WAS A HORRIBLE INCREASE IN RAPES. 126 00:06:11,238 --> 00:06:14,005 STATISTICALLY, THERE WAS A MORE THAN 20% INCREASE 127 00:06:14,007 --> 00:06:16,608 OVER THE YEAR BEFORE. 128 00:06:16,610 --> 00:06:21,046 [ TELEPHONES RINGING ] 129 00:06:21,048 --> 00:06:23,415 PLEASE, HAVE A SEAT. 130 00:06:23,417 --> 00:06:25,350 WHAT CAN I DO FOR YOU? 131 00:06:25,352 --> 00:06:28,653 WELL, WE WERE PARKED OVER ON VALENCIA, 132 00:06:28,655 --> 00:06:30,822 AND THIS MAN CAME OVER 133 00:06:30,824 --> 00:06:35,293 TO OUR VEHICLE AND... 134 00:06:35,295 --> 00:06:36,628 GO ON. WHAT? DID HE ROB YOU? 135 00:06:36,630 --> 00:06:40,065 NO, NOT THAT. 136 00:06:40,067 --> 00:06:42,968 Engel: THIS COUPLE HAD BEEN PARKED IN A CAR 137 00:06:42,970 --> 00:06:46,338 ON A LOVERS' LANE WHEN THEY HEAR A RAP ON THE WINDOW, 138 00:06:46,340 --> 00:06:48,874 AND A MAN WITH A FLASHLIGHT 139 00:06:48,876 --> 00:06:51,676 TELLS THEM TO GET OUT OF THE CAR, 140 00:06:51,678 --> 00:06:53,578 WHICH THEY COMPLY WITH. 141 00:06:53,580 --> 00:06:55,147 [ Southern accent ] HE WAS SHOVING MARGIE IN THE BACK 142 00:06:55,149 --> 00:06:57,482 OF HIS CAR, AND THAT'S WHEN I YANKED HER AWAY. 143 00:06:57,484 --> 00:06:59,117 I GOT READY TO FIGHT HIM, 144 00:06:59,119 --> 00:07:01,787 AND HE WAS BIG, INTIMIDATING. 145 00:07:01,789 --> 00:07:03,889 I WAS READY FOR HIM, 146 00:07:03,891 --> 00:07:07,559 AND HE GOT IN HIS CAR AND LEFT. 147 00:07:07,561 --> 00:07:09,661 HE SAID HE WAS LAPD. 148 00:07:09,663 --> 00:07:11,696 ?? 149 00:07:11,698 --> 00:07:14,032 WAS HE IN UNIFORM? 150 00:07:14,034 --> 00:07:17,102 NO, BUT HE DID HAVE A FLASHLIGHT AND A BADGE. 151 00:07:17,104 --> 00:07:20,172 WELL, WAIT A SECOND. HE SAID HE WAS LAPD AND HAD A FLASHLIGHT 152 00:07:20,174 --> 00:07:21,640 AND A BADGE? YES. 153 00:07:21,642 --> 00:07:22,974 HE DID. 154 00:07:22,976 --> 00:07:26,778 DID IT LOOK LIKE THIS ONE? 155 00:07:26,780 --> 00:07:28,013 YES, SIR. 156 00:07:28,015 --> 00:07:29,314 SO HE WAS A COP. 157 00:07:29,316 --> 00:07:31,983 IT WAS HARD TO TELL, HONESTLY. 158 00:07:31,985 --> 00:07:36,788 SOMETHING JUST DIDN'T SEEM, UH, RIGHT. 159 00:07:36,790 --> 00:07:38,123 WHAT DO YOU MEAN? 160 00:07:38,125 --> 00:07:41,193 WELL, FOR ONE, WHERE I'M FROM, 161 00:07:41,195 --> 00:07:46,364 WE DON'T HAVE COLOREDS PATROLLING OUR NEIGHBORHOOD. 162 00:07:46,366 --> 00:07:49,801 HE WAS A COLORED POLICE OFFICER? 163 00:07:49,803 --> 00:07:52,070 Martin: THIS IS THE SECOND TIME VICTIMS ARE COMING IN SAYING, 164 00:07:52,072 --> 00:07:54,272 "HEY, IT'S THIS GUY THAT GOT A BADGE AND A FLASHLIGHT. 165 00:07:54,274 --> 00:07:56,341 WE THOUGHT HE WAS A COP." 166 00:07:56,343 --> 00:08:01,613 ?? 167 00:08:01,615 --> 00:08:03,949 ALL RIGHT. LISTEN, WE JUST HAD ANOTHER REPORT 168 00:08:03,951 --> 00:08:05,951 OF SOME SICKO POSING AS LAPD, 169 00:08:05,953 --> 00:08:07,919 AND IF IT TURNS OUT TO TRULY BE ONE OF OURS, 170 00:08:07,921 --> 00:08:09,254 I AM GOING TO BLOW MY TOP. 171 00:08:09,256 --> 00:08:11,356 THERE'S NO WAY THAT THIS GUY IS LAPD. 172 00:08:11,358 --> 00:08:13,458 YEAH, WELL, YOU BETTER BE RIGHT, 173 00:08:13,460 --> 00:08:15,026 BUT WE BOTH KNOW HOW THESE BOYS OPERATE. 174 00:08:15,028 --> 00:08:16,361 RIGHT, GALINDO? 175 00:08:16,363 --> 00:08:17,696 I'M GOING TO HAVE TO START SENDING YOU OUT THERE 176 00:08:17,698 --> 00:08:19,798 TO POLICE THOSE LOVERS' LANES, HUH? 177 00:08:19,800 --> 00:08:21,867 YOU KNOW HOW MANY LOVERS' LANES THERE ARE IN THIS CITY? 178 00:08:21,869 --> 00:08:23,268 YOU MIGHT HAVE TO TAG ALONG. 179 00:08:23,270 --> 00:08:25,303 YOU DON'T WANT HIM TO GO ALONE, JONES. 180 00:08:25,305 --> 00:08:26,805 HE MIGHT START TO GET SOME IDEAS. 181 00:08:26,807 --> 00:08:29,107 [ LAUGHTER ] 182 00:08:29,109 --> 00:08:31,276 ALL RIGHT. BACK TO WORK. 183 00:08:31,278 --> 00:08:33,512 Martin: DETECTIVE DANNY GALINDO 184 00:08:33,514 --> 00:08:35,480 WAS ONE OF THE FEW HISPANIC MEMBERS 185 00:08:35,482 --> 00:08:37,215 OF THE LOS ANGELES POLICE DEPARTMENT. 186 00:08:37,217 --> 00:08:39,451 HE'S A DECORATED WORLD WAR II VETERAN, 187 00:08:39,453 --> 00:08:43,822 AND HE'S DAILY TASKED WITH SOLVING DIFFICULT CRIMES. 188 00:08:43,824 --> 00:08:46,658 Ross: THE FACT IS THERE ARE NUMEROUS LOVERS' LANES 189 00:08:46,660 --> 00:08:49,561 IN LOS ANGELES IN THE MID-1950s. 190 00:08:49,563 --> 00:08:52,998 Martin: AND THESE WERE SPREAD OUT THROUGH THE METROPOLITAN AREA, 191 00:08:53,000 --> 00:08:56,101 SO THEY KNOW THAT THIS IS GOING TO BE PRETTY DIFFICULT. 192 00:08:56,103 --> 00:08:58,637 HEY, HANSON, GIVE ME A LIST OF EVERY BLACK MAN 193 00:08:58,639 --> 00:09:00,772 THAT'S EVER WORKED FOR THE LAPD, 194 00:09:00,774 --> 00:09:03,508 PAST, PRESENT, RETIRED, FIRED, DEAD. 195 00:09:03,510 --> 00:09:04,676 I WANT THEM ALL. 196 00:09:04,678 --> 00:09:07,045 YES, SIR. 197 00:09:07,047 --> 00:09:09,681 SARGE, DON'T MEAN TO HOLD YOU UP, 198 00:09:09,683 --> 00:09:12,250 BUT WE NEED TO GET THE PRESS ON THIS, SIR. 199 00:09:12,252 --> 00:09:13,552 WITH YOUR PERMISSION, I CAN CONTACT 200 00:09:13,554 --> 00:09:14,986 THE PUBLIC INFORMATION OFFICER. 201 00:09:14,988 --> 00:09:15,987 WHAT FOR? 202 00:09:15,989 --> 00:09:17,188 THE PUBLIC NEEDS TO KNOW WHAT'S HAPPENING 203 00:09:17,190 --> 00:09:18,390 AT LOVERS' LANES. 204 00:09:18,392 --> 00:09:19,791 NOBODY IS TOUCHING THAT. 205 00:09:19,793 --> 00:09:21,593 WHY NOT? 206 00:09:21,595 --> 00:09:23,428 "BLACK COP RAPES GIRL AT LOVERS' LANE," 207 00:09:23,430 --> 00:09:24,996 ARE YOU KIDDING ME? 208 00:09:24,998 --> 00:09:26,531 IT MAKES US ALL LOOK BAD. 209 00:09:26,533 --> 00:09:28,033 HERE, YOU WANT TO SEE THE STORIES 210 00:09:28,035 --> 00:09:29,200 THEY'RE REALLY PRINTING? 211 00:09:29,202 --> 00:09:31,369 READ THE PAPER. 212 00:09:31,371 --> 00:09:34,239 Engel: IN THOSE DAYS, THE PAPERS HAD A VESTED INTEREST 213 00:09:34,241 --> 00:09:39,077 IN MAINTAINING THE FICTION THAT LOS ANGELES WAS PARADISE. 214 00:09:39,079 --> 00:09:42,581 ?? 215 00:09:42,583 --> 00:09:47,319 Shirley: LIKE I SAID, THIS WAS THE CITY OF MAKE-BELIEVE, 216 00:09:47,321 --> 00:09:49,087 AND IT SEEMED LIKE THE POLICE DEPARTMENT 217 00:09:49,089 --> 00:09:53,124 WANTED TO PRETEND THIS CASE NEVER EVEN HAPPENED. 218 00:09:53,126 --> 00:09:54,726 I STOPPED GOING OUT MYSELF, 219 00:09:54,728 --> 00:09:56,861 BUT THERE WERE STILL THOUSANDS OF YOUNG LOVERS 220 00:09:56,863 --> 00:10:00,065 PARKING AT NIGHT, AND NONE OF THEM EVEN KNEW 221 00:10:00,067 --> 00:10:02,467 THEY WERE BEING HUNTED. 222 00:10:02,469 --> 00:10:04,135 [ CHUCKLES ] WHAT ARE YOU DOING? 223 00:10:04,137 --> 00:10:06,237 I SAID NO HANDS, JUST KISSING. 224 00:10:06,239 --> 00:10:08,673 [ SIGHS ] I KNOW. I'M SORRY. 225 00:10:08,675 --> 00:10:09,841 [ VEHICLE APPROACHES ] 226 00:10:09,843 --> 00:10:13,645 ?? 227 00:10:13,647 --> 00:10:17,482 ?? 228 00:10:17,484 --> 00:10:20,785 [ CHUCKLES ] 229 00:10:20,787 --> 00:10:23,121 [ KNOCKS ON WINDOW ] 230 00:10:23,123 --> 00:10:28,093 LAPD VICE SQUAD. ROLL DOWN YOUR WINDOW. 231 00:10:28,095 --> 00:10:29,594 YOU'RE COMMITTING A CRIME. 232 00:10:29,596 --> 00:10:30,662 WHAT? 233 00:10:30,664 --> 00:10:33,598 LEWD MISCONDUCT. STEP OUT THE CAR. 234 00:10:33,600 --> 00:10:35,066 ?? 235 00:10:44,778 --> 00:10:46,778 ?? 236 00:10:52,452 --> 00:10:55,320 HELLO. 237 00:10:55,322 --> 00:10:58,490 I'M DETECTIVE GALINDO. 238 00:10:58,492 --> 00:11:02,827 I'M HERE TO TAKE YOUR REPORT. 239 00:11:02,829 --> 00:11:06,097 CAN YOU TELL ME WHAT HAPPENED? 240 00:11:06,099 --> 00:11:08,066 SOMETHING TERRIBLE HAPPENED. 241 00:11:08,068 --> 00:11:11,803 ?? 242 00:11:11,805 --> 00:11:14,105 Ross: ON JULY 23, 1956, 243 00:11:14,107 --> 00:11:17,242 A JAPANESE-AMERICAN COUPLE COMES IN TO THE POLICE STATION 244 00:11:17,244 --> 00:11:19,277 TO REPORT A RAPE. 245 00:11:19,279 --> 00:11:21,780 WE WERE JUST HAVING A NIGHT OUT, 246 00:11:21,782 --> 00:11:25,750 AND THIS CAR PULLED UP, 247 00:11:25,752 --> 00:11:30,855 AND THIS MAN CAME UP TO US AND KNOCKED ON THE WINDOWS, 248 00:11:30,857 --> 00:11:34,759 AND HE SAID HE WAS LAPD VICE SQUAD. 249 00:11:34,761 --> 00:11:37,762 THE JAPANESE COUPLE DESCRIBES A LARGE BLACK MAN 250 00:11:37,764 --> 00:11:41,866 FLASHING A BADGE, ORDERING THEM OUT OF THE CAR. 251 00:11:41,868 --> 00:11:45,637 [ Voice breaking ] HE FORCED ME INTO HIS CAR. 252 00:11:45,639 --> 00:11:49,441 NEXT THING I KNEW, HE WAS ON TOP OF ME. 253 00:11:49,443 --> 00:11:53,044 I'M SORRY. I CAN'T DO THIS. 254 00:11:53,046 --> 00:11:58,316 IT'S ALL MY FAULT. IT'S ALL MY FAULT. 255 00:11:58,318 --> 00:12:00,485 [ CRYING ] 256 00:12:02,989 --> 00:12:06,858 ?? 257 00:12:06,860 --> 00:12:10,061 I REALLY FELT FOR THAT POOR GIRL, 258 00:12:10,063 --> 00:12:11,730 AND NONE OF US IN THE DEPARTMENT COULD STOP 259 00:12:11,732 --> 00:12:13,765 ASKING OURSELVES, 260 00:12:13,767 --> 00:12:19,170 "WHAT IF THIS CREEP ACTUALLY WAS ONE OF OUR OWN?" 261 00:12:19,172 --> 00:12:22,474 THIS IS ALL OF OUR CURRENT AND FORMER BLACK LAPD. 262 00:12:22,476 --> 00:12:24,642 ANYBODY STAND OUT? 263 00:12:24,644 --> 00:12:26,978 YES, REMEMBER ROARK? 264 00:12:26,980 --> 00:12:28,913 - YEAH, TODD ROARK, RIGHT? - YEAH, THAT'S RIGHT. 265 00:12:28,915 --> 00:12:31,382 AND HE LEFT THE FORCE ABOUT A YEAR AGO? 266 00:12:31,384 --> 00:12:36,921 HE WAS FIRED. 267 00:12:36,923 --> 00:12:39,924 Engel: DETECTIVES REMEMBER THIS FORMER COP. 268 00:12:39,926 --> 00:12:41,493 Martin: TODD ROARK HAD BEEN LET GO 269 00:12:41,495 --> 00:12:45,296 FOR SUPPOSEDLY BOUNCING CHECKS. 270 00:12:45,298 --> 00:12:48,633 YOU KNOW THE REAL REASON THOUGH. 271 00:12:48,635 --> 00:12:51,136 NO. 272 00:12:51,138 --> 00:12:54,038 HE GOT CAUGHT... 273 00:12:54,040 --> 00:12:56,207 DOING SOMETHING UNMENTIONABLE. 274 00:12:56,209 --> 00:12:58,910 ?? 275 00:12:58,912 --> 00:13:01,546 HOWEVER, IN THE WHISPERS, 276 00:13:01,548 --> 00:13:05,850 THERE ALLEGED TO BE SOME OTHER REASONS. 277 00:13:05,852 --> 00:13:08,086 YOU KNOW THIS WHOLE LOVERS' LANE DEAL? 278 00:13:08,088 --> 00:13:12,123 IT WOULDN'T SURPRISE ME IF WE CAUGHT HIM IN THE ACT, YOU KNOW? 279 00:13:12,125 --> 00:13:13,992 WOULD YOU BE ABLE TO IDENTIFY THE MAN 280 00:13:13,994 --> 00:13:15,593 IF WE SHOWED YOU A FEW PHOTOS? 281 00:13:15,595 --> 00:13:17,428 I CAN TRY. 282 00:13:17,430 --> 00:13:20,665 JUST TAKE A LOOK AT THESE FOR ME. 283 00:13:20,667 --> 00:13:24,102 LET ME KNOW IF ANYONE SEEMS FAMILIAR. 284 00:13:24,104 --> 00:13:30,441 ?? 285 00:13:32,279 --> 00:13:36,981 Engel: THE COUPLE FLIPPED THROUGH PAGE OF PERP PHOTOS... 286 00:13:36,983 --> 00:13:38,383 NO. 287 00:13:38,385 --> 00:13:40,919 ...BUT THERE'S NO FACE THAT THEY RECOGNIZE. 288 00:13:40,921 --> 00:13:46,124 [ TELEPHONE RINGING IN DISTANCE ] 289 00:13:46,126 --> 00:13:50,829 GALINDO. HOLD ON. 290 00:13:50,831 --> 00:13:53,498 COULD THIS BE THE GUY? 291 00:13:53,500 --> 00:13:56,434 [ INDISTINCT CHATTER ] 292 00:14:00,707 --> 00:14:03,641 HIS FACE... LOOKS FAMILIAR. 293 00:14:03,643 --> 00:14:08,546 ?? 294 00:14:08,548 --> 00:14:13,451 ?? 295 00:14:13,453 --> 00:14:17,922 Engel: AT THAT POINT, THEY BRING TODD ROARK INTO THE STATION, 296 00:14:17,924 --> 00:14:20,091 AND THEY PUT HIM IN A LINEUP. 297 00:14:20,093 --> 00:14:23,328 YOU TAKE YOUR TIME. GET A GOOD LOOK AT ALL OF THEM. 298 00:14:23,330 --> 00:14:25,430 WE WANT TO MAKE SURE WE GET THE RIGHT GUY. 299 00:14:30,837 --> 00:14:34,739 [ ELECTRICITY CRACKLES, LIGHT BUZZING ] 300 00:14:34,741 --> 00:14:37,242 Man: ONE, STEP UP. 301 00:14:40,580 --> 00:14:43,882 DOES HE LOOK FAMILIAR? 302 00:14:43,884 --> 00:14:47,919 TWO, STEP UP. 303 00:14:47,921 --> 00:14:52,757 HOW ABOUT HIM? DOES HE LOOK FAMILIAR? 304 00:14:52,759 --> 00:14:55,059 THREE, STEP UP. 305 00:14:59,966 --> 00:15:03,635 GET A GOOD LOOK AT HIM. 306 00:15:03,637 --> 00:15:05,136 CONCENTRATE. 307 00:15:05,138 --> 00:15:07,338 IS THAT THE MAN WHO ATTACKED YOU? 308 00:15:10,410 --> 00:15:12,911 ?? 309 00:15:12,913 --> 00:15:15,847 YES, THAT'S -- THAT'S HIM. 310 00:15:15,849 --> 00:15:20,218 ?? 311 00:15:20,220 --> 00:15:26,090 ARE YOU SURE? 312 00:15:26,092 --> 00:15:30,461 - YES. - OKAY. GOOD JOB. 313 00:15:30,463 --> 00:15:32,630 GET HIM BOOKED. 314 00:15:32,632 --> 00:15:35,233 ON IT. 315 00:15:35,235 --> 00:15:39,938 I STILL REMEMBER THE CHILL FROM THAT DAY. 316 00:15:39,940 --> 00:15:42,307 FOR THOSE OF US WHO KNEW TODD ROARK, 317 00:15:42,309 --> 00:15:45,777 IT WAS VERY HARD TO BELIEVE. 318 00:15:45,779 --> 00:15:47,645 HE WAS A GOOD MAN. 319 00:15:47,647 --> 00:15:51,683 COULD HE REALLY HAVE DONE SOMETHING SO AWFUL? 320 00:15:51,685 --> 00:15:54,519 MY ONLY CONSOLATION WAS THAT DETECTIVE GALINDO 321 00:15:54,521 --> 00:15:58,623 WAS THE KIND OF COP WHO WOULD GET TO THE BOTTOM OF IT. 322 00:15:58,625 --> 00:16:02,293 GALINDO IS KNOWN AS BEING A PERSON WHO KIND OF DIGS. 323 00:16:02,295 --> 00:16:03,695 [ BUZZER, LOUD CLANG ] 324 00:16:03,697 --> 00:16:06,431 AND HE HAD KNOWN ROARK A LITTLE BIT. 325 00:16:06,433 --> 00:16:10,234 [ CHATTER IN DISTANCE ] 326 00:16:10,236 --> 00:16:15,073 Engel: SO DANNY VISITS TODD ROARK IN THE JAIL. 327 00:16:15,075 --> 00:16:16,941 ROARK, YOU GOT TO BE STRAIGHT WITH ME. 328 00:16:16,943 --> 00:16:20,311 DID YOU DO THIS? 329 00:16:20,313 --> 00:16:22,947 THEN JUST TELL ME WHERE YOU WERE ON THE NIGHT OF JULY 23rd. 330 00:16:22,949 --> 00:16:24,415 I CAN'T TELL YOU THAT. 331 00:16:24,417 --> 00:16:25,450 WHY NOT? 332 00:16:25,452 --> 00:16:29,921 BECAUSE IT DON'T MATTER NOTHING. 333 00:16:29,923 --> 00:16:35,059 ?? 334 00:16:42,102 --> 00:16:44,802 ?? 335 00:16:44,804 --> 00:16:47,405 ROARK, TALK TO ME. 336 00:16:47,407 --> 00:16:49,407 I GOT NOTHING TO DO WITH ANY OF THIS. 337 00:16:49,409 --> 00:16:53,378 THEN TELL ME WHERE YOU WERE THAT NIGHT. 338 00:16:53,380 --> 00:16:58,316 I WAS WITH MY OLD LADY, OKAY? ALL NIGHT. 339 00:16:58,318 --> 00:16:59,450 OKAY, 340 00:16:59,452 --> 00:17:00,952 AND WHAT THE HELL IS WRONG WITH THAT? 341 00:17:00,954 --> 00:17:03,254 I'M NOT BRINGING HER INTO THIS. 342 00:17:03,256 --> 00:17:04,555 WHY NOT? 343 00:17:04,557 --> 00:17:08,192 YOU OF ALL PEOPLE SHOULD KNOW HOW THIS WORKS. 344 00:17:08,194 --> 00:17:11,396 THEY'LL DRAG HER NAME THROUGH THE MUD. 345 00:17:11,398 --> 00:17:15,433 [ SCOFFS ] 346 00:17:15,435 --> 00:17:20,271 NAH, IT'S OVER. 347 00:17:20,273 --> 00:17:23,441 THEY ALREADY DECIDED. 348 00:17:23,443 --> 00:17:25,176 WHO'S THEY? 349 00:17:25,178 --> 00:17:28,880 WHO DO YOU THINK? 350 00:17:28,882 --> 00:17:31,616 THE ENTIRE LAPD. 351 00:17:31,618 --> 00:17:34,352 THAT'S NOT TRUE. 352 00:17:34,354 --> 00:17:38,089 YEAH. 353 00:17:38,091 --> 00:17:43,528 A COUPLE WEEKS BEFORE THEY LET ME GO, 354 00:17:43,530 --> 00:17:47,098 I WAS IN THE PARK WITH THIS GIRL... 355 00:17:47,100 --> 00:17:49,033 ?? 356 00:17:49,035 --> 00:17:54,705 ? OOH, OOH, OOH, OOH ? 357 00:17:54,707 --> 00:17:56,908 ...A WHITE GIRL... 358 00:17:56,910 --> 00:18:02,814 ? OOH, OOH, OOH, OOH, OOH ? 359 00:18:02,816 --> 00:18:04,715 AND YOU KNOW WHO JUST SO HAPPENS TO BE 360 00:18:04,717 --> 00:18:06,884 IN THE PARK AT THAT RIGHT TIME? 361 00:18:06,886 --> 00:18:12,290 ?? 362 00:18:12,292 --> 00:18:13,991 HANSON. 363 00:18:18,264 --> 00:18:21,365 AND THEY SAW ME, 364 00:18:21,367 --> 00:18:23,901 WALKED RIGHT PAST US. 365 00:18:23,903 --> 00:18:26,871 ?? 366 00:18:26,873 --> 00:18:29,874 ?? 367 00:18:29,876 --> 00:18:35,580 I JUST KNEW... 368 00:18:35,582 --> 00:18:38,983 IT WAS OVER, MAN. 369 00:18:38,985 --> 00:18:43,921 ?? 370 00:18:43,923 --> 00:18:47,492 Ross: ROARK TELLS GALINDO HE WASN'T FIRED FOR CHECK FRAUD. 371 00:18:47,494 --> 00:18:50,061 THAT WAS JUST A COVER. 372 00:18:50,063 --> 00:18:52,463 ROARK WAS REALLY FIRED FOR BEING OUT 373 00:18:52,465 --> 00:18:54,465 AND BEING SEEN WITH A WHITE WOMAN. 374 00:18:54,467 --> 00:18:58,202 ?? 375 00:18:58,204 --> 00:19:01,906 ?? 376 00:19:01,908 --> 00:19:04,876 [ CHATTER IN DISTANCE ] 377 00:19:08,414 --> 00:19:10,748 [ SIGHS ] 378 00:19:10,750 --> 00:19:13,317 GALINDO IS NOT A PERSON WHO JUMPS TO CONCLUSIONS. 379 00:19:13,319 --> 00:19:16,053 SEE YOU LATER. 380 00:19:16,055 --> 00:19:18,322 Engel: DANNY WILL GO WHERE THE EVIDENCE TAKES HIM. 381 00:19:18,324 --> 00:19:22,960 [ RADIO CHATTER ] 382 00:19:22,962 --> 00:19:25,029 JUST CAME BACK FROM THE DMV. 383 00:19:25,031 --> 00:19:26,564 AND...? 384 00:19:26,566 --> 00:19:29,567 THERE'S NO RECORD THAT SHOWS THAT ROARK OWNS A DeSoto. 385 00:19:29,569 --> 00:19:31,836 HE ACTUALLY DOESN'T OWN A CAR, PERIOD. 386 00:19:31,838 --> 00:19:34,105 HMM. WELL, HE PROBABLY BORROWED IT, THEN. 387 00:19:34,107 --> 00:19:36,374 DID YOU SEE WHAT HANSON DUG UP ON THE MURDER CASE? 388 00:19:36,376 --> 00:19:40,945 [ TELEPHONE RINGING ] 389 00:19:40,947 --> 00:19:43,714 ?? 390 00:19:43,716 --> 00:19:47,318 UH, DANNY, YOU LISTENING? 391 00:19:47,320 --> 00:19:48,719 SPACE CADET. [ SNAPS FINGERS ] 392 00:19:48,721 --> 00:19:50,855 [ Chuckling ] WAKE UP, AMIGO. 393 00:19:50,857 --> 00:19:54,425 [ LAUGHTER ] 394 00:19:54,427 --> 00:19:57,094 I'LL TAKE A LOOK AT IT. 395 00:19:57,096 --> 00:20:00,064 ?? 396 00:20:00,066 --> 00:20:03,301 SOMETHING WAS DEFINITELY OFF ABOUT THIS CASE. 397 00:20:03,303 --> 00:20:06,404 ?? 398 00:20:06,406 --> 00:20:09,440 BUT ONE THING DETECTIVE GALINDO TAUGHT ME -- 399 00:20:09,442 --> 00:20:11,542 THE PD WAS A FAMILY, 400 00:20:11,544 --> 00:20:13,010 AND TO THROW A COP OUT LIKE THAT 401 00:20:13,012 --> 00:20:17,048 WAS TO TURN YOUR BACK ON A BROTHER, 402 00:20:17,050 --> 00:20:19,483 AND IF ROARK WAS INNOCENT, 403 00:20:19,485 --> 00:20:22,587 THAT MEANT THE REAL RAPIST WAS STILL OUT THERE, 404 00:20:22,589 --> 00:20:25,623 LURKING IN THE SHADOWS, WAITING TO STRIKE. 405 00:20:25,625 --> 00:20:29,193 - NO! NO! - COME ON! 406 00:20:29,195 --> 00:20:33,064 WE CAN TALK ABOUT THIS. 407 00:20:33,066 --> 00:20:38,603 ?? 408 00:20:38,605 --> 00:20:42,440 [ TELEPHONE RINGS ] 409 00:20:42,442 --> 00:20:44,175 HELLO? 410 00:20:44,177 --> 00:20:47,678 YES, THIS IS HIM. 411 00:20:47,680 --> 00:20:49,113 WHERE? 412 00:20:49,115 --> 00:20:52,116 Engel: A FEW DAYS AFTER ROARK'S ARREST... 413 00:20:52,118 --> 00:20:53,551 YEAH, KEEP HER THERE. 414 00:20:53,553 --> 00:20:56,921 ...ANOTHER RAPE IS REPORTED, THIS TIME IN ANOTHER DIVISION. 415 00:20:56,923 --> 00:20:59,924 ?? 416 00:20:59,926 --> 00:21:05,630 HE ASKED ME TO FOLLOW HIM TO HIS CAR, SO I DID. 417 00:21:11,938 --> 00:21:16,807 I THOUGHT HE WAS A COP. 418 00:21:16,809 --> 00:21:18,976 HE HAD A BADGE. 419 00:21:18,978 --> 00:21:23,080 ?? 420 00:21:23,082 --> 00:21:27,218 ?? 421 00:21:27,220 --> 00:21:31,322 ?? 422 00:21:31,324 --> 00:21:35,026 THAT, IN AND OF ITSELF, REMOVES ALL DOUBT IN HIS MIND. 423 00:21:35,028 --> 00:21:37,361 TODD ROARK CAN'T HAVE COMMITTED THIS RAPE 424 00:21:37,363 --> 00:21:41,432 AND BE IN JAIL AT THE SAME TIME. 425 00:21:45,905 --> 00:21:50,041 ANOTHER RAPE, VICTIM I.D.'ed THE PERP THE SAME WAY -- 426 00:21:50,043 --> 00:21:52,810 TALL BLACK MAN WITH A BADGE. 427 00:21:52,812 --> 00:21:57,148 ROARK IS LOCKED UP, SO IT CAN'T BE HIM. 428 00:21:57,150 --> 00:21:59,684 DON'T BE NAIVE, GALINDO. 429 00:21:59,686 --> 00:22:01,952 ROARK PROBABLY CALLED ONE OF HIS BUDDIES FROM THE INSIDE, 430 00:22:01,954 --> 00:22:03,054 AND NOW HE'S FILLING IN FOR HIM. 431 00:22:03,056 --> 00:22:05,089 IT'S THE OLDEST TRICK IN THE BOOK. 432 00:22:05,091 --> 00:22:07,091 [ TELEPHONE RINGING ] 433 00:22:07,093 --> 00:22:11,762 ?? 434 00:22:11,764 --> 00:22:16,400 ?? 435 00:22:16,402 --> 00:22:21,072 ?? 436 00:22:21,074 --> 00:22:25,743 ?? 437 00:22:25,745 --> 00:22:29,480 AT THAT POINT, DANNY GALINDO KNOWS HE'S ALONE ON THIS. 438 00:22:29,482 --> 00:22:32,950 ?? 439 00:22:32,952 --> 00:22:37,555 AND HE REALIZES THAT HE HAS TO WALK A FINE LINE. 440 00:22:37,557 --> 00:22:39,890 HERE HE IS, A LATINO DETECTIVE 441 00:22:39,892 --> 00:22:43,361 IN A ALMOST ENTIRELY WHITE DEPARTMENT 442 00:22:43,363 --> 00:22:45,863 WHERE LITERALLY EVERYBODY ELSE BELIEVES 443 00:22:45,865 --> 00:22:48,766 THAT THIS BLACK FORMER COP COMMITTED THIS CRIME. 444 00:22:48,768 --> 00:22:49,633 [ CHEERS AND APPLAUSE ] 445 00:22:49,635 --> 00:22:52,169 - COME ON, ROARK! - COME ON, ROARK! 446 00:22:52,171 --> 00:22:53,337 LET'S GO, BUD. 447 00:22:53,339 --> 00:22:55,339 - [ GRUNTS ] - AH! 448 00:22:55,341 --> 00:22:56,240 [ INDISTINCT SHOUTING ] 449 00:22:56,242 --> 00:22:58,075 HEY! DON'T STRIKE OUT, ROARK. 450 00:22:58,077 --> 00:22:59,176 IF WE LOSE, IT'LL BE ON YOU. 451 00:22:59,178 --> 00:23:00,378 - COME ON, BUD. - ALL RIGHT. HERE WE GO. 452 00:23:00,380 --> 00:23:05,349 HERE WE GO. 453 00:23:05,351 --> 00:23:07,451 - OHH! - WHOO! 454 00:23:07,453 --> 00:23:09,520 ?? 455 00:23:09,522 --> 00:23:11,922 YOU KNOW THOSE MOMENTS WHEN YOU LOOK BACK ON THINGS 456 00:23:11,924 --> 00:23:14,558 WITH A NEW EYE? 457 00:23:14,560 --> 00:23:19,163 WELL, DETECTIVE GALINDO'S EYES WERE WIDE OPEN NOW. 458 00:23:19,165 --> 00:23:20,698 YEAH. NOW, THAT'S THE WAY TO DO IT. YEAH? 459 00:23:20,700 --> 00:23:22,733 Man: HEY, MAN, YOU COULD PLAY FOR THE MAJORS. 460 00:23:22,735 --> 00:23:24,168 - YEAH, THAT'S RIGHT. - RIGHT? 461 00:23:24,170 --> 00:23:26,670 ?? 462 00:23:26,672 --> 00:23:29,306 'CAUSE NO MATTER HOW MUCH WE WANTED TO BELIEVE 463 00:23:29,308 --> 00:23:31,776 WE WERE PART OF THAT FAMILY, 464 00:23:31,778 --> 00:23:36,013 THAT WAS JUST MORE OF THAT MAKE-BELIEVE. 465 00:23:36,015 --> 00:23:38,516 IF THIS WAS A PLACE WHERE A COP COULD BE TORN DOWN 466 00:23:38,518 --> 00:23:42,119 AND THROWN OUT JUST BECAUSE OF HIS COLOR, 467 00:23:42,121 --> 00:23:43,487 THEN WHAT WAS HAPPENING TO ROARK 468 00:23:43,489 --> 00:23:48,993 COULD HAPPEN TO ANY OF US, 469 00:23:48,995 --> 00:23:50,628 AND IT WAS OBVIOUS DETECTIVE GALINDO 470 00:23:50,630 --> 00:23:51,929 WASN'T GOING TO GET ANY HELP 471 00:23:51,931 --> 00:23:54,198 FROM ANYONE ELSE IN THE DEPARTMENT. 472 00:23:54,200 --> 00:23:59,170 ?? 473 00:23:59,172 --> 00:24:03,174 [ LOUD CLANG, FOOTSTEPS APPROACH ] 474 00:24:03,176 --> 00:24:07,945 ROARK, I'M GOING TO GET YOU OUT OF HERE. 475 00:24:07,947 --> 00:24:11,415 YOU HEAR ME? 476 00:24:11,417 --> 00:24:14,785 THIS ISN'T RIGHT. 477 00:24:14,787 --> 00:24:16,887 SURE. 478 00:24:16,889 --> 00:24:19,290 ?? 479 00:24:19,292 --> 00:24:21,258 Martin: IT'S VERY MUCH A LOSE-LOSE SITUATION. 480 00:24:21,260 --> 00:24:23,427 THE WAY TO GET ROARK OUT OF PRISON 481 00:24:23,429 --> 00:24:26,797 IS TO CATCH THE TRUE CULPRIT IN THESE CRIMES, 482 00:24:26,799 --> 00:24:30,968 BUT IN ORDER TO DO THAT, MORE RAPES HAVE GOT TO OCCUR, 483 00:24:30,970 --> 00:24:33,537 AND THE LAPD JUST DOESN'T HAVE THE RESOURCES 484 00:24:33,539 --> 00:24:35,940 TO ASSIST DANNY WITH THIS INVESTIGATION. 485 00:24:35,942 --> 00:24:40,177 ?? 486 00:24:40,179 --> 00:24:44,448 ?? 487 00:24:44,450 --> 00:24:47,451 ANOTHER ONE, SIR, LAST NIGHT. 488 00:24:47,453 --> 00:24:49,720 THANK YOU, SHIRLEY. 489 00:24:49,722 --> 00:24:54,091 ?? 490 00:24:54,093 --> 00:24:56,360 Galindo: SHE WAS 17. 491 00:24:56,362 --> 00:25:01,465 NOTED, GALINDO. 492 00:25:01,467 --> 00:25:03,534 Engel: WHILE ROARK IS IN JAIL, 493 00:25:03,536 --> 00:25:06,337 SEVERAL OTHER RAPES ARE REPORTED. 494 00:25:06,339 --> 00:25:08,906 DID YOU GET A LICENSE PLATE NUMBER? 495 00:25:08,908 --> 00:25:13,277 NO, IT JUST ALL HAPPENED SO FAST. 496 00:25:13,279 --> 00:25:16,247 IT'S THREE WOMEN NOW, THE SAME GUY POSING AS A COP. 497 00:25:16,249 --> 00:25:17,681 SARGE, WE NEED TO STEP IT UP ON THIS. 498 00:25:17,683 --> 00:25:18,816 THIS ATTACK HAPPENED DURING THE WEEK. 499 00:25:18,818 --> 00:25:19,950 - LOOK. - HE'S GETTING BOLD. 500 00:25:19,952 --> 00:25:22,486 I CAN'T TALK ABOUT THIS RIGHT NOW, OKAY?! 501 00:25:22,488 --> 00:25:25,789 ?? 502 00:25:25,791 --> 00:25:28,192 Martin: DANNY GALINDO ENJOYS NO SUCCESS WHATSOEVER 503 00:25:28,194 --> 00:25:30,427 IN TRYING TO CONVINCE HIS COLLEAGUES THAT THEY HAVE 504 00:25:30,429 --> 00:25:32,029 INCARCERATED THE WRONG PERSON. 505 00:25:32,031 --> 00:25:36,500 [ TELEPHONE RINGING ] 506 00:25:36,502 --> 00:25:37,902 WHO ARE YOU HERE TO SEE? 507 00:25:37,904 --> 00:25:39,670 DETECTIVE GALINDO. 508 00:25:39,672 --> 00:25:42,439 HE REQUESTED THAT I BRING HER OVER HERE. 509 00:25:42,441 --> 00:25:45,976 ALL RIGHT. HAVE HER WAIT RIGHT HERE. 510 00:25:45,978 --> 00:25:47,411 Martin: IN EARLY AUGUST, A BLACK WAITRESS 511 00:25:47,413 --> 00:25:48,879 BY THE NAME OF JOSEPHINE JOHNSON 512 00:25:48,881 --> 00:25:53,417 GOES INTO THE LOS ANGELES POLICE DEPARTMENT. 513 00:25:53,419 --> 00:25:57,688 JOSEPHINE? HI, I'M DETECTIVE GALINDO. 514 00:25:59,959 --> 00:26:03,727 JOSEPHINE, IF YOU WOULDN'T MIND TELLING ME WHAT HAPPENED? 515 00:26:03,729 --> 00:26:06,430 I HAD JUST FINISHED WORKING A DOUBLE AT THE RESTAURANT, 516 00:26:06,432 --> 00:26:09,099 AND I WAS WAITING AT THE BUS STOP, 517 00:26:09,101 --> 00:26:10,668 JUST TRYING TO GET HOME, 518 00:26:10,670 --> 00:26:16,407 A-AND THIS CAR PULLS UP. 519 00:26:16,409 --> 00:26:20,578 HELLO, MISS. LAPD. 520 00:26:20,580 --> 00:26:22,479 THIS MAN SAYS HE'S A COP 521 00:26:22,481 --> 00:26:24,148 AND TELLS ME THAT I NEED TO GET INTO THE CAR 522 00:26:24,150 --> 00:26:26,417 BECAUSE I COMMITTED SOME CRIME. 523 00:26:26,419 --> 00:26:27,585 T-THERE'S BEEN SOME KIND OF MISTAKE. 524 00:26:27,587 --> 00:26:29,386 I DIDN'T DO NOTHING, SIR. 525 00:26:29,388 --> 00:26:32,456 WELL, WE JUST HAVE TO VERIFY THAT. 526 00:26:32,458 --> 00:26:38,195 ?? 527 00:26:38,197 --> 00:26:40,064 AAH! 528 00:26:40,066 --> 00:26:45,536 GET IN THE CAR. 529 00:26:45,538 --> 00:26:50,074 [ Voice breaking ] HE PUT A GUN TO MY HEAD. 530 00:26:50,076 --> 00:26:53,010 JOSEPHINE IS FORCED AT GUNPOINT TO PERFORM ORAL SEX 531 00:26:53,012 --> 00:26:55,512 ON THE DRIVER OF THE CAR. 532 00:26:55,514 --> 00:26:59,750 AND I WAS SO DISGUSTED, I VOMITED ON HIM 533 00:26:59,752 --> 00:27:02,419 AND CAUSED HIM TO DROP HIS GUN. 534 00:27:02,421 --> 00:27:06,190 AND WHEN SHE SEES THE GUN ON THE FLOORBOARD, 535 00:27:06,192 --> 00:27:09,760 SHE IMMEDIATELY JUMPS OUT OF THE CAR AND RUNS OUTSIDE. 536 00:27:09,762 --> 00:27:13,330 ?? 537 00:27:13,332 --> 00:27:16,567 SO NOW THE GUY IS USING A GUN. 538 00:27:16,569 --> 00:27:19,803 THE VIOLENCE HAS ESCALATED. 539 00:27:19,805 --> 00:27:21,905 - SARGE. - WHAT NOW? 540 00:27:21,907 --> 00:27:24,141 THIS BETTER BE GOOD, GALINDO. 541 00:27:24,143 --> 00:27:26,410 THE GUY HAS GOT A GUN NOW. 542 00:27:26,412 --> 00:27:31,615 ?? 543 00:27:31,617 --> 00:27:33,851 WITH ALL DUE RESPECT, SERGEANT, 544 00:27:33,853 --> 00:27:35,252 THIS IS SERIOUS. 545 00:27:35,254 --> 00:27:37,688 I UNDERSTAND. 546 00:27:37,690 --> 00:27:39,823 Martin: NOW, THIS IS AN OFFICER-SAFETY HAZARD. 547 00:27:39,825 --> 00:27:44,728 "GOD FORBID ONE OF OUR OFFICERS WALKS UP ON THIS AND GETS SHOT." 548 00:27:44,730 --> 00:27:47,131 LET ME TAKE A CRACK AT IT, SIR. 549 00:27:47,133 --> 00:27:47,965 PLEASE. 550 00:27:47,967 --> 00:27:49,566 [ BREATHES DEEPLY ] 551 00:27:49,568 --> 00:27:51,001 FINE. WHAT DO YOU NEED? 552 00:27:51,003 --> 00:27:56,507 MORE MEN. WE NEED A PAIR AT EACH SPOT. 553 00:27:56,509 --> 00:27:58,876 DON'T MAKE ME REGRET THIS. 554 00:27:58,878 --> 00:28:01,111 YOU WON'T. 555 00:28:01,113 --> 00:28:05,349 HE MANAGES TO GET HIMSELF MADE THE HEAD OF A TASK FORCE 556 00:28:05,351 --> 00:28:08,819 COMMITTED TO FINDING THIS GUY. 557 00:28:08,821 --> 00:28:09,920 BUT WHAT ABOUT ROARK? 558 00:28:09,922 --> 00:28:11,388 HE'S STAYING PUT. 559 00:28:11,390 --> 00:28:15,192 BUT WE KNOW IT'S NOT HIM. 560 00:28:15,194 --> 00:28:16,393 THAT'LL BE ALL, GALINDO. 561 00:28:16,395 --> 00:28:17,528 SIR, HE'S ONE OF OUR OWN! 562 00:28:17,530 --> 00:28:20,297 I SAID, "THAT'LL BE ALL." 563 00:28:20,299 --> 00:28:23,867 ?? 564 00:28:23,869 --> 00:28:27,504 ?? 565 00:28:27,506 --> 00:28:30,541 FOR ALL OF US WHO WANTED TO SEE TODD ROARK SET FREE, 566 00:28:30,543 --> 00:28:32,409 IT SEEMED LIKE THE ONLY WAY OUT 567 00:28:32,411 --> 00:28:35,479 WAS FOR DETECTIVE GALINDO TO CATCH THE PERP RED-HANDED. 568 00:28:35,481 --> 00:28:40,851 ?? 569 00:28:40,853 --> 00:28:43,854 AT LEAST NOW HE FINALLY HAD THE MEN HE NEEDED, 570 00:28:43,856 --> 00:28:46,590 BUT IT DIDN'T MEAN HE COULD PICK WHO THEY WERE, 571 00:28:46,592 --> 00:28:48,926 AND WE ALL KNEW THAT NOT EVERYBODY IN THE DEPARTMENT 572 00:28:48,928 --> 00:28:52,563 WAS AS DEDICATED AS GALINDO WAS TO SOLVING THIS CASE. 573 00:28:52,565 --> 00:28:54,698 Engel: GALINDO THINKS THAT THE ONLY WAY 574 00:28:54,700 --> 00:28:57,768 HE CAN CATCH THE GUY IS TO FIND THE CAR, 575 00:28:57,770 --> 00:29:01,171 BUT THAT'S LIKE LOOKING FOR A NEEDLE IN A HAYSTACK. 576 00:29:01,173 --> 00:29:05,309 ?? 577 00:29:05,311 --> 00:29:08,879 AHH. 578 00:29:08,881 --> 00:29:14,118 HUH. YOU STILL MR. HOLLYWOOD, GALINDO? 579 00:29:14,120 --> 00:29:17,421 [ CHUCKLES ] IT'S ONLY A HOBBY. 580 00:29:17,423 --> 00:29:19,890 IT'S KINDA -- KIND OF WILD. 581 00:29:19,892 --> 00:29:22,659 THEY SHOULD HAVE SOMEBODY LIKE ME ON THAT SHOW. 582 00:29:22,661 --> 00:29:28,465 ?? 583 00:29:28,467 --> 00:29:31,568 YEAH. YEAH, THEY SHOULD. 584 00:29:31,570 --> 00:29:33,170 THE BARTENDER SAYS, "HOW THE HELL SHOULD I KNOW? 585 00:29:33,172 --> 00:29:35,873 MY WIFE LEFT ME." [ LAUGHS ] 586 00:29:35,875 --> 00:29:38,876 I'M GOING TO NEED MORE RESOURCES. 587 00:29:38,878 --> 00:29:40,878 WHAT FOR? 588 00:29:40,880 --> 00:29:46,650 ?? 589 00:29:46,652 --> 00:29:52,256 ?? 590 00:30:01,167 --> 00:30:06,570 ?? 591 00:30:06,572 --> 00:30:08,872 Shirley: WITH THIS SERIAL RAPIST ON THE LOOSE, 592 00:30:08,874 --> 00:30:12,042 DETECTIVE GALINDO REALIZED THAT THE ONLY WAY TO NAB HIM 593 00:30:12,044 --> 00:30:16,413 WAS TO LAY A TRAP, AND IF WHAT THIS CREEP WANTED WAS GIRLS, 594 00:30:16,415 --> 00:30:19,249 THEN IT WAS TIME TO DO WHAT WE DO BEST HERE IN L.A. -- 595 00:30:19,251 --> 00:30:22,219 PUT ON A SHOW. 596 00:30:22,221 --> 00:30:23,854 [ LAUGHTER ] 597 00:30:23,856 --> 00:30:28,258 [ WOMAN SINGING IN SPANISH ] 598 00:30:28,260 --> 00:30:30,327 Engel: DANNY PERSUADES THE LAPD BRASS 599 00:30:30,329 --> 00:30:34,331 THAT THEY HAVE TO DO AN UNDERCOVER STAKEOUT. 600 00:30:34,333 --> 00:30:37,835 THE PROBLEM IS THAT THERE AREN'T ENOUGH FEMALE OFFICERS 601 00:30:37,837 --> 00:30:39,536 ON THE POLICE FORCE, 602 00:30:39,538 --> 00:30:43,807 SO 10 MALE COPS GO TO THE MAKEUP WIZARDS 603 00:30:43,809 --> 00:30:47,211 AT UNIVERSAL INTERNATIONAL STUDIOS. 604 00:30:47,213 --> 00:30:48,812 Galindo: THANKS AGAIN FOR DOING THIS, JACK. 605 00:30:48,814 --> 00:30:52,115 Webb: OH, COME ON. ANYTIME, BUDDY. 606 00:30:52,117 --> 00:30:56,119 SO THIS HERE IS DETECTIVE DANNY GALINDO, LAPD. 607 00:30:56,121 --> 00:30:59,323 NICE TO MEET THE REAL GALINDO. 608 00:30:59,325 --> 00:31:01,658 DANNY WAS FRIENDS WITH JACK WEBB, 609 00:31:01,660 --> 00:31:04,895 WHO PLAYED SERGEANT JOE FRIDAY ON THE VERY POPULAR 610 00:31:04,897 --> 00:31:07,564 TELEVISION SERIES "DRAGNET"... 611 00:31:07,566 --> 00:31:08,999 NOW, ABOUT THIS ELIZABETH HAUGHTON, 612 00:31:09,001 --> 00:31:10,334 MRS. MILLER, DID YOU KNOW HER AT ALL? 613 00:31:10,336 --> 00:31:12,336 WELL, YES. NOT VERY WELL, THOUGH. 614 00:31:12,338 --> 00:31:14,638 ...WHICH WAS BASED ON THE REAL DAY-TO-DAY OPERATIONS 615 00:31:14,640 --> 00:31:17,474 OF THE LOS ANGELES POLICE DEPARTMENT. 616 00:31:17,476 --> 00:31:20,143 DETECTIVE GALINDO PITCHED HIS REAL-LIFE EXPERIENCES 617 00:31:20,145 --> 00:31:20,978 TO THE SHOW. 618 00:31:20,980 --> 00:31:22,145 THEY LIKED THEM SO MUCH, 619 00:31:22,147 --> 00:31:23,513 THEY NAMED A CHARACTER AFTER HIM 620 00:31:23,515 --> 00:31:25,916 AND TURNED HIS STORIES INTO EPISODES. 621 00:31:25,918 --> 00:31:28,919 [ LAUGHTER ] 622 00:31:28,921 --> 00:31:30,254 WE NEED YOU ON SET. 623 00:31:30,256 --> 00:31:32,356 THANKS, AGAIN. 624 00:31:32,358 --> 00:31:35,459 ?? 625 00:31:35,461 --> 00:31:38,629 OFFICER HALL. 626 00:31:38,631 --> 00:31:42,065 WHAT HAVE YOU ALL DONE? 627 00:31:42,067 --> 00:31:44,935 Engel: DORIS HALL WAS THE ACTUAL ONE FEMALE 628 00:31:44,937 --> 00:31:47,638 WHO WAS GOING TO BE PART OF THIS STING OPERATION, 629 00:31:47,640 --> 00:31:49,940 AND SHE'S DANNY'S PARTNER. 630 00:31:49,942 --> 00:31:51,141 ALL RIGHT. LISTEN UP, MEN. 631 00:31:51,143 --> 00:31:52,776 IF WE'RE GOING TO GET THIS GUY, 632 00:31:52,778 --> 00:31:54,444 WE'RE GOING TO GET HIM IN THE ACT. 633 00:31:54,446 --> 00:31:57,814 IF HE APPROACHES YOUR VEHICLE, BE PREPARED TO TAKE HIM DOWN. 634 00:31:57,816 --> 00:31:58,982 RIGHT? 635 00:31:58,984 --> 00:32:00,150 ALL RIGHT. 636 00:32:00,152 --> 00:32:01,919 LET'S GET HIM. 637 00:32:01,921 --> 00:32:05,022 ?? 638 00:32:05,024 --> 00:32:08,091 ?? 639 00:32:08,093 --> 00:32:13,297 THE STING OPERATION BEGINS ON AUGUST 6, 1956 640 00:32:13,299 --> 00:32:17,968 WITH 10 TEAMS OF COUPLES GOING UNDERCOVER 641 00:32:17,970 --> 00:32:21,738 AT STRATEGIC LOVERS' LANES AROUND LOS ANGELES. 642 00:32:21,740 --> 00:32:24,141 ?? 643 00:32:24,143 --> 00:32:26,143 WE'RE MAKING SOME PROGRESS. 644 00:32:26,145 --> 00:32:31,748 I'VE GOT MEN POSTED UP AT LOVERS' LANES AROUND THE CITY. 645 00:32:31,750 --> 00:32:33,450 WE'LL GET HIM. 646 00:32:33,452 --> 00:32:36,019 YEAH. THANKS. 647 00:32:36,021 --> 00:32:37,888 NEXT TIME I'M BACK HERE, 648 00:32:37,890 --> 00:32:42,125 IT'S GOING TO BE WITH GOOD NEWS. 649 00:32:42,127 --> 00:32:44,294 [ BIRDS CHIRPING ] 650 00:32:56,608 --> 00:32:58,208 ?? 651 00:32:58,210 --> 00:33:03,246 BUT NIGHT AFTER NIGHT, NOTHING HAPPENS. 652 00:33:03,248 --> 00:33:05,649 THE PRESSURE STARTS TO BUILD FOR DANNY. 653 00:33:05,651 --> 00:33:11,088 HERE IS THE FIRST TIME HE'S EVER LED A TASK FORCE, 654 00:33:11,090 --> 00:33:15,425 AND IT APPEARS THAT IT'S NOT GOING TO WORK. 655 00:33:15,427 --> 00:33:17,094 WE FOLLOWED THIS GUY'S PATTERN. 656 00:33:17,096 --> 00:33:19,696 IF WE STICK WITH IT, WE'RE BOUND TO GET HIM. 657 00:33:19,698 --> 00:33:22,766 IT'S TIME TO PACK THIS THING IN. DON'T YOU THINK? 658 00:33:22,768 --> 00:33:24,534 IT'S COSTING THE DEPARTMENT A FORTUNE. 659 00:33:24,536 --> 00:33:29,706 JUST GIVE ME A LITTLE MORE TIME, SIR. 660 00:33:29,708 --> 00:33:32,776 Engel: THIS IS A GIGANTIC ALLOCATION OF RESOURCES, 661 00:33:32,778 --> 00:33:34,911 MEN PULLED OFF OF OTHER SHIFTS, 662 00:33:34,913 --> 00:33:39,549 AND LOS ANGELES IS ALREADY AN UNDERPOLICED CITY. 663 00:33:39,551 --> 00:33:41,418 Martin: DANNY GALINDO HAS A REAL FEAR 664 00:33:41,420 --> 00:33:45,689 THAT THE TRUE SUSPECT IN THE CASE HAS GONE UNDERGROUND, 665 00:33:45,691 --> 00:33:48,525 AND ULTIMATELY, THESE CRIMES MAY NEVER BE SOLVED. 666 00:33:48,527 --> 00:33:54,865 [ DOG PARKING, MUSIC PLAYS ON RADIOS ] 667 00:33:54,867 --> 00:33:58,101 ? WHY DON'T YOU TELL ME? ? 668 00:33:58,103 --> 00:34:01,605 ? BABY, DO YOU EVEN CARE? ? 669 00:34:01,607 --> 00:34:05,609 ? WHY DON'T YOU TELL ME? ? 670 00:34:05,611 --> 00:34:08,211 ? BECAUSE YOU KNOW IT ISN'T FAIR ? 671 00:34:08,213 --> 00:34:12,816 SOMEONE IS WATCHING US, 7:00. 672 00:34:12,818 --> 00:34:14,751 ?? 673 00:34:14,753 --> 00:34:20,123 IT LOOKS LIKE A DeSoto. 674 00:34:20,125 --> 00:34:23,360 YEP. THAT'S A DeSoto. 675 00:34:23,362 --> 00:34:24,861 ?? 676 00:34:24,863 --> 00:34:28,365 COME HERE. 677 00:34:28,367 --> 00:34:29,566 ?? 678 00:34:29,568 --> 00:34:31,701 [ ENGINE SHUTS OFF ] 679 00:34:31,703 --> 00:34:35,539 [ DOOR OPENS, CLOSES ] 680 00:34:35,541 --> 00:34:37,574 HE'S COMING. 681 00:34:37,576 --> 00:34:40,343 Martin: ON AUGUST 26, 1956, 682 00:34:40,345 --> 00:34:42,946 AFTER THREE WEEKS OF RUNNING THIS OPERATION, 683 00:34:42,948 --> 00:34:47,551 SOMETHING FINALLY HAPPENS. 684 00:34:47,553 --> 00:34:51,855 THEY SEE THE FIGURE IS HOLDING SOMETHING -- A GUN. 685 00:34:51,857 --> 00:34:55,559 NOTIFY THE OTHER UNITS. 686 00:34:55,561 --> 00:34:57,894 LAPD! FREEZE! 687 00:34:57,896 --> 00:34:58,929 CALLING ALL UNITS. 688 00:34:58,931 --> 00:35:00,630 BUT THE MAN DOESN'T DROP THE GUN. 689 00:35:01,366 --> 00:35:02,732 - [ GROANS ] - [ SCREAMS ] 690 00:35:02,734 --> 00:35:06,203 DANNY FIRES A SHOT. HE HEARS A YELP. 691 00:35:06,205 --> 00:35:08,105 HE'S DEFINITELY HIT THE GUY. 692 00:35:08,107 --> 00:35:10,874 - FREEZE! - AAH! 693 00:35:10,876 --> 00:35:14,044 ?? 694 00:35:14,046 --> 00:35:17,080 SUSPECT IS RUNNING SOUTH ON GRIFFITH STREET. 695 00:35:17,082 --> 00:35:21,818 DETECTIVE GALINDO IS IN PURSUIT. 696 00:35:21,820 --> 00:35:23,520 LAPD. STAY IN THE CAR. 697 00:35:23,522 --> 00:35:25,589 AND ON AND ON THE CHASE GOES, 698 00:35:25,591 --> 00:35:27,958 DOWN THE STREET AND AROUND ANOTHER CORNER. 699 00:35:27,960 --> 00:35:31,928 ?? 700 00:35:31,930 --> 00:35:35,866 ?? 701 00:35:35,868 --> 00:35:38,001 POLICE! 702 00:35:38,003 --> 00:35:40,170 PUT YOUR WEAPON DOWN! 703 00:35:40,172 --> 00:35:41,805 [ PANTING ] 704 00:35:41,807 --> 00:35:44,541 [ GUN CLICKS ] 705 00:35:44,543 --> 00:35:46,343 HE HEARS THE CLICK OF A TRIGGER. 706 00:35:46,345 --> 00:35:47,077 [ GUN CLICKS ] 707 00:35:47,079 --> 00:35:48,912 HE HEARS IT AGAIN. 708 00:35:48,914 --> 00:35:51,314 HE SHOULD BE DEAD, 709 00:35:51,316 --> 00:35:53,350 BUT THE GUN HAS OBVIOUSLY MISFIRED. 710 00:35:53,352 --> 00:35:57,521 ?? 711 00:35:57,523 --> 00:36:01,658 ?? 712 00:36:01,660 --> 00:36:05,529 DANNY HAS A SHORT NIGHTSTICK IN HIS BACK POCKET. 713 00:36:05,531 --> 00:36:11,168 ?? 714 00:36:11,170 --> 00:36:16,840 ?? 715 00:36:16,842 --> 00:36:20,210 [ PANTING ] 716 00:36:20,212 --> 00:36:22,679 [ INDISTINCT CHATTER ] 717 00:36:22,681 --> 00:36:25,549 DANNY RUNS THE WAY HE CAME... 718 00:36:25,551 --> 00:36:28,618 [ PANTING ] 719 00:36:28,620 --> 00:36:32,355 BUT BY THE TIME HE GETS BACK, THE DeSoto WAS GONE. 720 00:36:32,357 --> 00:36:34,090 THE GUY WAS GONE. 721 00:36:34,092 --> 00:36:36,326 COME ON! 722 00:36:36,328 --> 00:36:38,461 Martin: HE'S MADE HIS GETAWAY. 723 00:36:38,463 --> 00:36:41,798 DANNY IS THINKING HE MAY NEVER SEE THE SUSPECT AGAIN, 724 00:36:41,800 --> 00:36:44,367 AND TODD ROARK IS NEVER GOING TO GET OUT OF PRISON. 725 00:36:44,369 --> 00:36:46,369 ?? 726 00:36:46,371 --> 00:36:48,438 DAMN! 727 00:36:55,681 --> 00:36:56,846 ?? 728 00:36:56,848 --> 00:36:59,282 [ PANTING ] 729 00:36:59,284 --> 00:37:04,087 [ FOOTSTEPS APPROACH ] 730 00:37:04,089 --> 00:37:05,388 WHAT HAPPENED? 731 00:37:05,390 --> 00:37:08,024 I LOST HIM. 732 00:37:10,696 --> 00:37:14,264 Martin: THE SERIAL RAPIST HAS MADE HIS GETAWAY. 733 00:37:14,266 --> 00:37:15,899 GALINDO'S THINKING HIS OPERATION 734 00:37:15,901 --> 00:37:17,901 MAY BE COMPLETELY CALLED TO AN END. 735 00:37:17,903 --> 00:37:18,902 [ ENGINE STARTS ] 736 00:37:18,904 --> 00:37:22,339 DON'T BEAT YOURSELF UP, GALINDO. 737 00:37:22,341 --> 00:37:23,840 Man: THIS IS 1047. 738 00:37:23,842 --> 00:37:25,909 WE HAVE A SUSPECT FITTING THE ASSAILANT'S DESCRIPTION. 739 00:37:25,911 --> 00:37:28,578 APPROACHING THEIR VEHICLE. 740 00:37:28,580 --> 00:37:31,848 GALINDO THEN RECEIVES AN ABSOLUTELY UNBELIEVABLE 741 00:37:31,850 --> 00:37:34,918 RADIO TRANSMISSION FROM TWO OF THE OTHER OFFICERS 742 00:37:34,920 --> 00:37:38,488 THAT ARE PART OF THIS UNDERCOVER OPERATION. 743 00:37:38,490 --> 00:37:43,493 REPEAT, SUSPECT GOT OUT OF A DeSoto. 744 00:37:43,495 --> 00:37:45,362 HOW CAN THAT BE? 745 00:37:45,364 --> 00:37:47,864 Ross: EVEN AFTER HAVING BEEN SHOT BY GALINDO, 746 00:37:47,866 --> 00:37:51,835 INSTEAD OF ESCAPING, HE TRIES TO GO TO ANOTHER LOVERS' LANE. 747 00:37:51,837 --> 00:37:54,971 [ GUN COCKS ] 748 00:37:54,973 --> 00:37:59,242 ?? 749 00:37:59,244 --> 00:38:03,480 ?? 750 00:38:03,482 --> 00:38:07,784 ?? 751 00:38:07,786 --> 00:38:10,186 Martin: THE SUSPECT IS APPREHENDED 752 00:38:10,188 --> 00:38:13,523 AND IS IN THE CUSTODY OF THE LOS ANGELES POLICE DEPARTMENT. 753 00:38:13,525 --> 00:38:17,360 ?? 754 00:38:17,362 --> 00:38:21,231 ?? 755 00:38:21,233 --> 00:38:23,466 THE SUSPECT'S NAME IS WILLY FIELDS. 756 00:38:23,468 --> 00:38:25,568 HE WAS A CONSTRUCTION WORKER. 757 00:38:25,570 --> 00:38:29,606 Engel: HE'S TALL, AND HE'S BLACK. 758 00:38:29,608 --> 00:38:32,676 OTHERWISE, HE LOOKS NOTHING LIKE TODD ROARK. 759 00:38:32,678 --> 00:38:34,978 ?? 760 00:38:34,980 --> 00:38:37,514 HE WASN'T A COP. 761 00:38:37,516 --> 00:38:39,949 HE HAD USED A TIN SHERIFF'S BADGE, 762 00:38:39,951 --> 00:38:44,187 THE KIND SOLD AT THE FIVE-AND-DIME STORE. 763 00:38:44,189 --> 00:38:46,122 HERE'S THE GUN. 764 00:38:46,124 --> 00:38:47,524 YOU GOT LUCKY. 765 00:38:47,526 --> 00:38:49,759 IT JAMMED. 766 00:38:49,761 --> 00:38:52,829 THE GUN IS A LUGER. 767 00:38:52,831 --> 00:38:55,965 ?? 768 00:38:55,967 --> 00:38:57,567 DANNY GOT LUCKY. 769 00:38:57,569 --> 00:39:02,105 IT HAD THE WRONG AMMO IN IT. 770 00:39:02,107 --> 00:39:04,274 Man: YOU'RE FREE TO GO. 771 00:39:04,276 --> 00:39:08,078 [ CHATTER IN DISTANCE ] 772 00:39:08,080 --> 00:39:11,414 ?? 773 00:39:11,416 --> 00:39:13,083 THANKS. 774 00:39:13,085 --> 00:39:15,919 Martin: WITH THE REAL SUSPECT IN CUSTODY, 775 00:39:15,921 --> 00:39:20,090 TODD ROARK IS FINALLY RELEASED. 776 00:39:20,092 --> 00:39:23,026 Shirley: WHAT GETS ME AFTER ALL THESE YEARS 777 00:39:23,028 --> 00:39:27,897 IS THE WAY HE GOT PUT THERE IN THE FIRST PLACE. 778 00:39:27,899 --> 00:39:31,901 IT STARTED AS NOTHING MORE THAN A SNAP JUDGMENT 779 00:39:31,903 --> 00:39:35,105 THAT TOOK ON A LIFE OF ITS OWN. 780 00:39:35,107 --> 00:39:39,342 Ross: RACISM IS THE BELIEF THAT THE STEREOTYPES THAT WE CREATE 781 00:39:39,344 --> 00:39:41,911 THAT ARE NEGATIVE ABOUT PEOPLE OF COLOR 782 00:39:41,913 --> 00:39:47,751 ARE TRUE, AND, SO, IF YOU HAVE A PREDISPOSITION 783 00:39:47,753 --> 00:39:49,686 TO THINK THAT HE IS GOING TO BE GUILTY, 784 00:39:49,688 --> 00:39:54,591 THEN HE WILL ALWAYS REMAIN GUILTY. 785 00:39:54,593 --> 00:39:58,561 IT WAS A FICTION PASSED FROM ONE PERSON TO ANOTHER 786 00:39:58,563 --> 00:40:03,933 UNTIL SOMETHING SO WRONG SOMEHOW BECAME A BELIEF, 787 00:40:03,935 --> 00:40:09,005 AND THAT BELIEF CLOUDED EVERYONE'S EYES. 788 00:40:09,007 --> 00:40:14,277 Engel: ONCE ONE DETECTIVE WAS ALL IN ON ROARK'S GUILT, 789 00:40:14,279 --> 00:40:16,780 IT TOOK ON A MOMENTUM OF ITS OWN, 790 00:40:16,782 --> 00:40:20,850 AND THE WHOLE THING SNOWBALLED FROM THERE, 791 00:40:20,852 --> 00:40:24,087 AND IT WOULD HAVE CONTINUED TO SNOWBALL IF NOT FOR 792 00:40:24,089 --> 00:40:28,825 DANNY GALINDO'S KNOWING THAT SOMETHING WAS WRONG ABOUT THIS. 793 00:40:28,827 --> 00:40:31,361 WILLY FIELDS, WHO HAD COMMITTED THESE CRIMES, 794 00:40:31,363 --> 00:40:33,263 SERVED ONLY 11 YEARS, 795 00:40:33,265 --> 00:40:35,298 CAME OUT WITH A CARPENTRY SKILL 796 00:40:35,300 --> 00:40:37,133 THAT HE LEARNED IN SAN QUENTIN, 797 00:40:37,135 --> 00:40:39,369 WAS IMMEDIATELY HIRED GAINFULLY 798 00:40:39,371 --> 00:40:42,939 AND HAD A WONDERFUL LIFE. 799 00:40:42,941 --> 00:40:47,310 THE IRONY IS THAT TODD ROARK WAS A BROKEN MAN. 800 00:40:47,312 --> 00:40:50,647 [ CHEERS AND APPLAUSE ] 801 00:40:50,649 --> 00:40:52,515 ?? 802 00:40:52,517 --> 00:40:56,519 IT STILL MAKES ME SAD THAT DETECTIVE GALINDO, 803 00:40:56,521 --> 00:40:58,121 FOR EVERYTHING HE DID, 804 00:40:58,123 --> 00:41:00,423 COULDN'T SAVE ROARK FROM BEING LABELED, 805 00:41:00,425 --> 00:41:03,760 FROM BEING STAINED BY THESE CRIMES HE DIDN'T COMMIT. 806 00:41:03,762 --> 00:41:08,064 EVEN THOUGH HE WAS FREED, TODD ROARK'S LIFE IS RUINED. 807 00:41:08,066 --> 00:41:11,134 WHEN HE GETS OUT, HE'S STAMPED WITH STIGMA 808 00:41:11,136 --> 00:41:13,169 THAT HE'S ESSENTIALLY A CRIMINAL. 809 00:41:13,171 --> 00:41:14,704 HE CAN'T GET A JOB, 810 00:41:14,706 --> 00:41:18,942 AND HE PAYS A PRICE FOR SOMETHING HE DIDN'T DO. 811 00:41:18,944 --> 00:41:21,244 Ross: HE LITERALLY JUST MOVES TO FRESNO 812 00:41:21,246 --> 00:41:23,980 AND LIVES ON A FAMILY FARM, THEN DIES. 813 00:41:23,982 --> 00:41:27,550 ?? 814 00:41:27,552 --> 00:41:31,321 I USED TO THINK OF LOS ANGELES AS THE CITY OF DREAMS. 815 00:41:31,323 --> 00:41:34,123 THERE WAS NO LIMIT ON WHO YOU COULD BECOME THERE. 816 00:41:34,125 --> 00:41:36,659 A CRIMINAL COULD DRESS UP LIKE A COP. 817 00:41:36,661 --> 00:41:39,462 A MAN COULD DRESS UP LIKE A WOMAN. 818 00:41:39,464 --> 00:41:43,466 YOU JUST HAD TO PRETEND. 819 00:41:43,468 --> 00:41:45,869 BUT THE TRUTH IS THE RULES WEREN'T THE SAME 820 00:41:45,871 --> 00:41:50,640 FOR PEOPLE LIKE ME OR DETECTIVE GALINDO, 821 00:41:50,642 --> 00:41:55,078 AND THEY CERTAINLY WEREN'T THE SAME FOR TODD ROARK. 822 00:41:55,080 --> 00:41:56,279 SOMETIMES IT DIDN'T MATTER 823 00:41:56,281 --> 00:41:59,115 IF YOU WERE PLAYING IT STRAIGHT. 824 00:41:59,117 --> 00:42:00,717 PEOPLE ARE GOING TO MAKE UP THEIR MINDS ABOUT YOU 825 00:42:00,719 --> 00:42:05,221 BASED ON ONLY ONE THING -- 826 00:42:05,223 --> 00:42:06,656 THE COLOR OF YOUR SKIN. 827 00:42:06,658 --> 00:42:08,791 ? HONEY, IT'S TOO LATE ? 828 00:42:08,793 --> 00:42:13,296 ? TOO LATE FOR TEARS ? 829 00:42:13,298 --> 00:42:15,431 ? HONEY, I KNOW THAT IT'S TOO LATE ? 830 00:42:15,433 --> 00:42:20,570 ? TOO LATE FOR TEARS ? 831 00:42:20,572 --> 00:42:23,339 ? HONEY, I KNOW YOU KNOW THAT I KNOW THAT IT IS ? 832 00:42:23,341 --> 00:42:28,578 ? TOO LATE FOR TEARS ? 833 00:42:28,580 --> 00:42:32,282 ? IT'S TOO LATE ? 834 00:42:32,284 --> 00:42:35,952 ? FOR TEARS ? 835 00:42:35,954 --> 00:42:37,787 ? HONEY, IT'S TOO LATE ? 836 00:42:37,789 --> 00:42:42,058 ? TOO LATE FOR TEARS ? 837 00:42:42,060 --> 00:42:45,128 ? BUT I GOT TO SAY IT FOR ME THAT IT'S TOO LATE, DARLING ? 838 00:42:45,130 --> 00:42:49,265 ? TOO LATE FOR TEARS ? 839 00:42:49,267 --> 00:42:52,335 ? HONEY, I KNOW THAT IT IS ? 840 00:42:52,385 --> 00:42:56,935 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 59355

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