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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:01:25,519 --> 00:01:26,554 CHLOE. 4 00:01:26,587 --> 00:01:29,390 THIS IS DR. GREENBERG 5 00:01:29,423 --> 00:01:30,691 AND THIS IS HIS WIFE JANICE. 6 00:01:30,724 --> 00:01:33,327 THEY'RE INTERESTED IN YOUR WORK. 7 00:01:33,361 --> 00:01:35,163 WHAT DO YOU GUYS WANNA KNOW? 8 00:01:35,196 --> 00:01:36,864 WE'VE BEEN TOLD THAT IT'S CHILDISH, 9 00:01:36,897 --> 00:01:39,800 SELF-INDULGENT, SOPHOMORIC. 10 00:01:39,833 --> 00:01:43,271 I SEE. WELL, MAYBE THIS ISN'T A GOOD TIME. 11 00:01:43,304 --> 00:01:45,273 HONEY, WHY DON'T WE LOOK AROUND A LITTLE MORE? 12 00:01:45,306 --> 00:01:47,775 SURE, PLEASE DO. I'LL BE AROUND. 13 00:01:50,211 --> 00:01:53,447 WOW. CAN YOU NOT DO THIS TO ME RIGHT NOW, PLEASE? 14 00:01:53,481 --> 00:01:55,283 WHY? WHY DID YOU PUT UP MY STUFF? IT'S NOT READY. 15 00:01:55,316 --> 00:01:56,884 THERE'S ABSOLUTELY NOBODY HERE. 16 00:01:56,917 --> 00:01:59,287 CHLOE, IT'S EARLY, AND THE GALLERY-- 17 00:01:59,320 --> 00:02:01,655 I HAVE PUT WAY TOO MUCH TIME AND MONEY INTO THIS THING 18 00:02:01,689 --> 00:02:03,691 TO JUST KEEP PUSHING IT OFF. 19 00:02:03,724 --> 00:02:05,393 YOU NEED TO CALM DOWN AND RELAX. 20 00:02:05,426 --> 00:02:06,760 - CALM DOWN? - YES. 21 00:02:06,794 --> 00:02:08,629 ARE YOU SERIOUS? THIS IS FUCKING EMBARRASSING. 22 00:02:08,662 --> 00:02:09,930 OKAY, WOW. I CAN'T DO THIS RIGHT NOW 23 00:02:09,963 --> 00:02:11,665 BECAUSE I HAVE TO GO SELL YOUR WORK. 24 00:02:16,304 --> 00:02:18,572 YOU KNOW WHAT? WE LOVE THIS ONE. 25 00:02:18,606 --> 00:02:19,940 [WOMAN] I JUST LOVE THIS PIECE... 26 00:02:19,973 --> 00:02:23,577 [CHATTER CONTINUES] 27 00:02:23,611 --> 00:02:25,746 UM, ACTUALLY, CHLOE? 28 00:02:25,779 --> 00:02:28,249 DO YOU MIND TELLING THE GREENBERGS ABOUT THIS PIECE? 29 00:03:01,515 --> 00:03:05,886 [WOMAN] WILL YOU TELL ME YOUR NAME AND, UH, YOUR AGE? 30 00:03:05,919 --> 00:03:07,521 TOBY. 31 00:03:07,555 --> 00:03:08,856 JONAS. 32 00:03:08,889 --> 00:03:10,991 I'M ALEXIA. I'M 22. 33 00:03:11,024 --> 00:03:13,927 -20. -18. 34 00:03:13,961 --> 00:03:16,897 I'M AGELESS, BABY. 35 00:04:17,625 --> 00:04:20,294 [SNIFFS] 36 00:04:24,332 --> 00:04:25,833 [SNIFFLES] 37 00:05:04,938 --> 00:05:06,474 [GASPS] 38 00:05:11,144 --> 00:05:12,446 [SOBS] 39 00:05:28,529 --> 00:05:29,730 [MAN] CHLOE? 40 00:05:34,134 --> 00:05:35,669 CHLOE? 41 00:05:37,104 --> 00:05:38,105 CHLOE? 42 00:05:53,987 --> 00:05:55,423 [CHLOE] HOW'D YOU GET HERE IN LIFE? 43 00:05:55,456 --> 00:05:59,660 YOU KNOW, GIRL. SURGERY ISN'T CHEAP. 44 00:06:02,496 --> 00:06:03,531 METH. 45 00:06:05,065 --> 00:06:07,100 MY EX-BOYFRIEND. 46 00:06:07,134 --> 00:06:10,904 THREESOMES LEAD TO GROUP SEX, 47 00:06:10,938 --> 00:06:14,074 WHICH LEAD TO THIS, I GUESS. 48 00:06:14,107 --> 00:06:16,910 THE PIMP PICKED ME UP WHEN I WAS IN THE PARK 49 00:06:16,944 --> 00:06:19,513 RIGHT WHEN I WAS AGING OUT OF FOSTER CARE, OKAY? 50 00:06:19,547 --> 00:06:22,149 [MAN] LISTEN, THIS IS ADEQUATE FOR-- 51 00:06:22,182 --> 00:06:25,853 OKAY. OKAY. UM, THIS-- 52 00:06:25,886 --> 00:06:27,655 [MAN #2] THAT'S FINE. THAT'S FINE. 53 00:06:27,688 --> 00:06:28,689 [MAN] OKAY. 54 00:06:28,722 --> 00:06:29,923 CHLOE? 55 00:06:37,030 --> 00:06:40,868 OKAY. WELL... 56 00:06:40,901 --> 00:06:43,837 WALKING OUT OF REHAB DID NOT HELP YOUR CASE ANY. 57 00:06:43,871 --> 00:06:46,540 I NEED YOU TO READ THIS NON-DISCLOSURE AGREEMENT 58 00:06:46,574 --> 00:06:49,076 AND SIGN IT. 59 00:06:49,109 --> 00:06:51,579 I REGRET TO INFORM YOU THAT THE BOARD FEELS 60 00:06:51,612 --> 00:06:54,948 YOU CAN NO LONGER UPHOLD YOUR OBLIGATIONS TO THE CHARITY. 61 00:06:54,982 --> 00:06:57,951 YOU ARE RELIEVED OF ALL DUTIES AND RESPONSIBILITIES, 62 00:06:57,985 --> 00:06:59,487 EFFECTIVE IMMEDIATELY. 63 00:06:59,520 --> 00:07:01,889 WHAT IS-- WHAT IS THIS? 64 00:07:01,922 --> 00:07:03,857 THE BOARD RECOGNIZES THAT YOU WERE IMPORTANT 65 00:07:03,891 --> 00:07:06,193 TO THE IMPLEMENTATION OF THE FOUNDATION, 66 00:07:06,226 --> 00:07:09,963 BUT IT CAN NO LONGER BE ASSOCIATED WITH YOU. 67 00:07:09,997 --> 00:07:11,765 THERE ARE OTHERS THAT NEED TO BE CONSIDERED-- 68 00:07:11,799 --> 00:07:13,834 THE FAMILIES, THE RESEARCHERS-- 69 00:07:13,867 --> 00:07:17,137 I'M NOT TAKING MONEY FROM MY MOTHER'S FOUNDATION. 70 00:07:17,170 --> 00:07:19,907 PLEASE, CHLOE. 71 00:07:19,940 --> 00:07:23,811 CHLOE, WE WANT YOU TO CONCENTRATE ON YOUR LIFE. 72 00:07:43,063 --> 00:07:45,766 [MAN] I HOPE YOU UNDERSTAND, CHLOE. I'M SORRY. 73 00:07:50,270 --> 00:07:53,473 COULD YOU PLEASE LOOK AT ME? 74 00:07:55,275 --> 00:07:58,712 CHLOE, I'M DOING THE BEST THAT I CAN. 75 00:07:58,746 --> 00:08:00,814 I'M ONLY TRYING TO HELP. 76 00:08:02,883 --> 00:08:05,085 THIS ISN'T WHAT MOM WOULD HAVE WANTED. 77 00:08:08,088 --> 00:08:10,490 YEAH, WELL, MAYBE SHE SHOULDN'T HAVE KILLED HERSELF. 78 00:08:31,211 --> 00:08:34,848 [CHLOE] IF YOU COULD BE ANYTHING, WHAT WOULD YOU BE? 79 00:08:34,882 --> 00:08:38,318 -REALLY? -NOT ME. 80 00:08:38,351 --> 00:08:40,287 OH, I DON'T KNOW. 81 00:08:40,320 --> 00:08:41,889 I HAVEN'T REALLY THOUGHT ABOUT IT. 82 00:08:41,922 --> 00:08:46,193 OH, GOD, IF I COULD BE ANYTHING... 83 00:08:49,329 --> 00:08:50,698 I'D BE IN LOVE. 84 00:08:52,165 --> 00:08:55,168 ** 85 00:09:09,282 --> 00:09:15,222 [WOMAN SINGING INDISTINCTLY] 86 00:09:15,255 --> 00:09:19,326 -IS SOMETHING WRONG? -SHH. JUST DON'T MOVE. 87 00:09:26,133 --> 00:09:27,868 WHAT-- WHAT ARE YOU DOING? 88 00:09:27,901 --> 00:09:29,369 I'M SORRY. MY NECK IS KILLING ME. 89 00:09:29,402 --> 00:09:31,772 IF YOU'RE NOT GONNA TAKE ANY SHOTS, YOU KNOW, 90 00:09:31,805 --> 00:09:33,774 IS IT OKAY IF I JUST GO HAVE A SMOKE? 91 00:09:33,807 --> 00:09:36,677 OKAY, WELL, EVERYTHING'S JUST THE SAME. 92 00:09:36,710 --> 00:09:38,912 IT'S LIKE-- EVERYTHING'S JUST THE SAME. 93 00:09:38,946 --> 00:09:41,314 YOU'RE JUST... 94 00:09:41,348 --> 00:09:44,084 DO YOU HAVE ANY OTHER LOOKS OR ANYTHING? 95 00:09:44,117 --> 00:09:46,319 ME? YOU'RE THE ARTIST. 96 00:09:48,656 --> 00:09:49,890 LET'S TRY SOMETHING. IF YOU COME-- 97 00:09:49,923 --> 00:09:52,392 TRY COMING TO THE SIDE, MAYBE? 98 00:09:52,425 --> 00:09:55,228 LIKE, THINK OF, LIKE, A STRONG POSE. 99 00:09:55,262 --> 00:09:59,967 MAYBE A PULLING ONE-- SOMETHING LIKE THAT. 100 00:10:00,000 --> 00:10:04,171 YEAH, JUST KIND OF WORK WITH THE RIBBONS A LITTLE BIT. 101 00:10:04,204 --> 00:10:06,306 WHATEVER YOU FEEL COMFORTABLE WITH. 102 00:10:21,154 --> 00:10:23,891 -[SIGHS] -WHAT'S--WHAT'S-- WHAT'S GOING ON? 103 00:10:23,924 --> 00:10:26,293 I'M SORRY, IT JUST DOESN'T SEEM LIKE YOU'RE THAT INTO IT. 104 00:10:26,326 --> 00:10:28,395 IF YOU WANT, WE CAN JUST RESCHEDULE. 105 00:10:31,431 --> 00:10:34,134 OKAY, LET'S-- 106 00:10:34,167 --> 00:10:35,803 THIS IS NOT GONNA WORK. 107 00:10:35,836 --> 00:10:37,738 LET'S TRY SOMETHING COMPLETELY DIFFERENT, OKAY? 108 00:10:37,771 --> 00:10:39,773 JUST BACK UP. 109 00:10:50,818 --> 00:10:52,319 LET'S TRY THIS. 110 00:10:57,457 --> 00:10:59,159 OKAY. 111 00:10:59,192 --> 00:11:01,161 SIT DOWN. 112 00:11:06,433 --> 00:11:11,705 ALL RIGHT. LET'S SEE. 113 00:11:14,742 --> 00:11:16,744 WHAT'S IT LIKE TO BE YOU? 114 00:11:16,777 --> 00:11:19,479 WAIT, ARE YOU RECORDING THIS? 115 00:11:19,512 --> 00:11:20,948 BECAUSE THAT'S NOT IN OUR CONTRACT 116 00:11:20,981 --> 00:11:22,950 AND I'M HALF-NAKED. 117 00:11:22,983 --> 00:11:24,384 [CHLOE] IT'S JUST A PIECE 118 00:11:24,417 --> 00:11:27,320 FOR THIS EXPERIMENTAL EXHIBIT I'M DOING. 119 00:11:29,923 --> 00:11:31,959 OKAY. 120 00:11:31,992 --> 00:11:35,062 WHEN DID YOU GET STARTED? 121 00:11:35,095 --> 00:11:39,032 16. 122 00:11:39,066 --> 00:11:41,001 [CHLOE] WHERE WERE YOU? 123 00:11:41,034 --> 00:11:44,137 IN NEW YORK. 124 00:11:44,171 --> 00:11:45,839 [CHLOE] CAN YOU LEAVE THAT OPEN, PLEASE? 125 00:11:45,873 --> 00:11:49,309 THANK YOU. YEAH. 126 00:11:49,342 --> 00:11:52,212 SO, WHAT'S IT LIKE MAKING MONEY 127 00:11:52,245 --> 00:11:54,247 USING YOUR BODY? 128 00:11:57,918 --> 00:11:59,219 WAIT, I'VE BEEN-- 129 00:11:59,252 --> 00:12:02,055 I'VE BEEN IN ELLE, COSMO, AND VOGUE. 130 00:12:02,089 --> 00:12:04,191 I'M A HIGH-FASHION MODEL, NOT-- 131 00:12:04,224 --> 00:12:07,027 NOT SOME WHORE. 132 00:12:07,060 --> 00:12:09,396 SO, IF YOU WANT TO SHOOT, WE CAN SHOOT. 133 00:12:11,398 --> 00:12:14,067 ONE MORE QUESTION. 134 00:12:17,905 --> 00:12:22,375 DO YOU LIKE BEING DESIRED BY MEN AND WOMEN? 135 00:12:22,409 --> 00:12:24,477 IT IS WHAT IT IS. IT'S A JOB. 136 00:12:30,017 --> 00:12:31,451 YOU SHOULD SMILE MORE. 137 00:12:33,386 --> 00:12:34,387 FUCK OFF. 138 00:12:42,562 --> 00:12:44,431 WHAT'S IT LIKE TO NEVER HAVE TO STRUGGLE? 139 00:12:47,067 --> 00:12:49,269 ARE YOU JOKING? 140 00:12:49,302 --> 00:12:53,173 WHAT THE FUCK DO YOU EVEN KNOW ABOUT STRUGGLING? 141 00:12:57,911 --> 00:13:01,048 FREAK. 142 00:13:01,081 --> 00:13:03,183 WHAT THE FUCK DO YOU EVEN KNOW ABOUT STRUGGLING? 143 00:13:03,216 --> 00:13:06,419 ARE YOU JOKING? I'M NOT SOME WHORE. 144 00:13:06,453 --> 00:13:11,258 WHAT THE FUCK DO YOU EVEN KNOW ABOUT STRUGGLING? 145 00:13:11,291 --> 00:13:14,027 [CHLOE] CAN YOU LEAVE THAT OPEN, PLEASE? 146 00:13:14,061 --> 00:13:16,496 [WOMAN] WHAT THE FUCK DO YOU EVEN KNOW ABOUT-- ARE YOU JOKING? 147 00:13:16,529 --> 00:13:18,966 I'M NOT SOME WHORE. WHAT THE FUCK DO YOU-- 148 00:13:18,999 --> 00:13:21,001 WHAT THE FUCK DO YOU EVEN KNOW ABOUT-- 149 00:13:21,034 --> 00:13:22,936 I'M NOT SOME WHORE. 150 00:13:22,970 --> 00:13:24,604 WHAT THE FUCK DO YOU EVEN KNOW ABOUT STRUGGLING? 151 00:13:24,637 --> 00:13:26,940 ARE YOU JOKING? I'M NOT SOME WHORE. 152 00:13:26,974 --> 00:13:30,277 ARE YOU JOKING? I'M NOT SOME WHORE. 153 00:13:32,445 --> 00:13:35,382 WHAT THE FUCK DO YOU EVEN KNOW ABOUT-- I'M NOT SOME WHORE. 154 00:13:35,415 --> 00:13:37,951 WHAT THE FUCK DO YOU EVEN KNOW ABOUT-- 155 00:13:39,086 --> 00:13:41,121 WHAT'S THIS FOR? 156 00:13:41,154 --> 00:13:43,924 IT'S FOR THIS PROJECT I'M DOING. 157 00:13:43,957 --> 00:13:45,959 WHAT'S WITH THE GLASS? 158 00:13:45,993 --> 00:13:47,995 IT'S JUST TO BLUR YOUR FACE. 159 00:13:49,329 --> 00:13:51,631 OH. 160 00:13:51,664 --> 00:13:56,136 -YOU OKAY? -I'M OKAY. 161 00:13:57,337 --> 00:13:59,506 CAN I ASK HOW OLD YOU ARE? 162 00:14:01,441 --> 00:14:04,344 I'M 18. 163 00:14:07,114 --> 00:14:09,582 HOW'D YOU GET HERE? 164 00:14:09,616 --> 00:14:13,386 MY DAD DROVE ME HERE. 165 00:14:13,420 --> 00:14:16,123 YOUR DAD DROPPED YOU OFF HERE? 166 00:14:17,524 --> 00:14:20,860 YEAH. HE'S WAITING OUTSIDE. 167 00:14:22,595 --> 00:14:26,366 WHERE--WHERE'S YOUR MOTHER? 168 00:14:28,035 --> 00:14:29,369 DEAD. 169 00:14:32,172 --> 00:14:34,041 [KNOCK ON DOOR] 170 00:14:34,074 --> 00:14:37,477 -WHO IS THAT? -OH, I DON'T KNOW. 171 00:14:37,510 --> 00:14:39,246 YOU'RE FULL OF SHIT. WHO IS THAT? 172 00:14:39,279 --> 00:14:40,680 IT'S OKAY, I'LL GET THE DOOR. IT'S FINE. 173 00:14:40,713 --> 00:14:42,249 WHAT THE FUCK, LADY? 174 00:14:42,282 --> 00:14:43,683 -CALM DOWN, I DIDN'T-- -NOT COOL, LADY! 175 00:14:43,716 --> 00:14:45,318 IT'S FINE. WAIT, WAIT, WAIT. 176 00:14:45,352 --> 00:14:46,353 HEY! HEY! 177 00:14:48,555 --> 00:14:50,457 UM, I THINK I MIGHT BE IN THE WRONG APARTMENT. 178 00:14:50,490 --> 00:14:52,225 I'M LOOKING FOR APARTMENT 119. 179 00:14:52,259 --> 00:14:54,194 THIS IS RIGHT. COME ON. KAT, YEAH? CONRAD SENT YOU? 180 00:14:54,227 --> 00:14:55,695 WHAT'S WITH THE KID? 181 00:14:55,728 --> 00:14:57,530 UM, NOTHING, I'M DOING INTERVIEWS. 182 00:14:57,564 --> 00:14:59,299 YOU'RE CERTAINLY DOING SOMETHING. 183 00:14:59,332 --> 00:15:00,633 YEAH, IT'LL JUST BE A FEW QUESTIONS. 184 00:15:00,667 --> 00:15:04,004 IF, UM-- I'LL PAY YOU, OKAY? 185 00:15:05,238 --> 00:15:06,473 HOW LONG WILL THIS TAKE? 186 00:15:06,506 --> 00:15:08,575 NO MORE THAN 15 MINUTES. 187 00:15:08,608 --> 00:15:12,312 IF YOU COULD JUST ANSWER A FEW QUESTIONS, AND BE HONEST, PLEASE. 188 00:15:12,345 --> 00:15:15,215 JUST BE, LIKE, BRUTALLY HONEST. 189 00:15:15,248 --> 00:15:18,385 BRUTALLY HONEST? 190 00:15:18,418 --> 00:15:22,189 UH, THERE'S NO SMOKING IN HERE. 191 00:15:31,598 --> 00:15:33,433 OKAY, COULD YOU JUST SAY YOUR NAME, AND YOUR AGE, 192 00:15:33,466 --> 00:15:36,136 AND SOME BASIC STUFF TO THE CAMERA, PLEASE, 193 00:15:36,169 --> 00:15:39,206 -KIND OF THING? -NO. 194 00:15:39,239 --> 00:15:41,108 OKAY, WELL, I NEED BASIC INFO FROM YOU. 195 00:15:41,141 --> 00:15:44,077 NO, YOU DON'T. 196 00:15:44,111 --> 00:15:46,179 OKAY, HOW DID YOU GET INTO YOUR FIELD? 197 00:15:46,213 --> 00:15:49,382 -MY FIELD? -PROSTITUTION. 198 00:15:49,416 --> 00:15:51,318 THANK YOU. 199 00:15:51,351 --> 00:15:54,254 A MAN PAID ME TO HAVE SEX WITH HIM. 200 00:15:54,287 --> 00:15:57,290 WHAT WERE THE CIRCUMSTANCES? 201 00:15:57,324 --> 00:15:59,526 CIRCUMSTANCES WERE HE WANTED TO FUCK ME, 202 00:15:59,559 --> 00:16:00,627 BUT I DIDN'T WANT TO FUCK HIM, 203 00:16:00,660 --> 00:16:02,996 SO HE GAVE ME SOME MONEY. 204 00:16:04,464 --> 00:16:05,698 HOW LONG AGO WAS THIS? 205 00:16:05,732 --> 00:16:07,734 A WHILE. 206 00:16:07,767 --> 00:16:10,170 HOW OLD WERE YOU? 207 00:16:11,471 --> 00:16:12,972 YOUNGER. 208 00:16:15,808 --> 00:16:20,280 OKAY. LET'S TRY SOMETHING ELSE. 209 00:16:20,313 --> 00:16:23,216 IS THIS-- 210 00:16:23,250 --> 00:16:25,618 IS THIS A LIFE THAT YOU'VE CHOSEN TO STICK WITH 211 00:16:25,652 --> 00:16:28,021 OR DO YOU WANT OUT? 212 00:16:28,055 --> 00:16:31,391 [KAT] WHY DO YOU WANT TO KNOW? 213 00:16:31,424 --> 00:16:35,062 BECAUSE THE DEAL WAS THAT I PAY YOU 214 00:16:35,095 --> 00:16:36,496 TO TELL ME THE TRUTH. 215 00:16:36,529 --> 00:16:39,432 NO, THE DEAL WAS YOU WANTED ME TO BE HONEST. 216 00:16:39,466 --> 00:16:41,801 -REMEMBER? -YES. 217 00:16:41,834 --> 00:16:44,404 WELL, THE TRUTH IS, YOU'RE ASKING ALL THE WRONG QUESTIONS. 218 00:16:44,437 --> 00:16:45,672 REALLY? 219 00:16:45,705 --> 00:16:47,374 WHEN DID I GET STARTED 220 00:16:47,407 --> 00:16:49,309 AND HOW LONG HAVE I BEEN DOING THIS? 221 00:16:49,342 --> 00:16:52,045 DO I WANT OUT? WHO CARES? 222 00:16:52,079 --> 00:16:54,047 DO YOU LIKE WHAT YOU DO? 223 00:16:54,081 --> 00:16:56,816 I LIKE BEING GOOD AT WHAT I DO. 224 00:16:56,849 --> 00:17:00,053 WHEN I'M WITH A CLIENT, I'M EXACTLY WHAT THEY WANT. 225 00:17:00,087 --> 00:17:01,788 NOT WHAT THEY SAY THEY WANT. 226 00:17:01,821 --> 00:17:03,790 NOT WHAT THEY THINK THEY WANT. 227 00:17:03,823 --> 00:17:07,794 I'M WHAT THEY DON'T KNOW THEY WANT. 228 00:17:09,296 --> 00:17:12,099 WHAT DO I WANT? 229 00:17:12,132 --> 00:17:16,836 YOU WANT SOMEONE TO COME IN HERE AND SHIT ALL OVER YOUR WORLD, 230 00:17:16,869 --> 00:17:21,174 MAKE YOU DO THINGS YOU REALLY WANT TO DO, BUT CAN'T. 231 00:17:21,208 --> 00:17:22,775 YOU SAID YOU WANTED BRUTAL HONESTY 232 00:17:22,809 --> 00:17:24,744 BECAUSE YOU ARE LOOKING FOR SOMEONE 233 00:17:24,777 --> 00:17:26,179 TO COME IN HERE AND TELL YOU THINGS 234 00:17:26,213 --> 00:17:28,615 YOU DON'T WANT TO HEAR. 235 00:17:28,648 --> 00:17:31,451 WHAT DON'T I WANT TO HEAR? 236 00:17:41,894 --> 00:17:43,663 I BELIEVE YOU OWE ME MONEY. 237 00:17:47,134 --> 00:17:49,536 [CHLOE] HOW MUCH YOU CHARGE? 238 00:17:49,569 --> 00:17:50,837 AS MUCH AS I CAN GET. 239 00:17:50,870 --> 00:17:53,506 UP TO $3,000 A NIGHT. 240 00:17:54,874 --> 00:17:58,111 I DO WHATEVER I NEED TO. 241 00:17:58,145 --> 00:18:01,848 TRADE OR STEAL, YOU KNOW, IF I NEED A FIX. 242 00:18:01,881 --> 00:18:05,818 I'LL CHARGE A DICK IN THE ASS IF HE'S GOT IT GOING ON. 243 00:18:08,255 --> 00:18:10,857 [MAN MOANING] 244 00:18:10,890 --> 00:18:13,560 [MOANING CONTINUES] 245 00:18:14,694 --> 00:18:20,099 [MAN COUGHING, WHEEZING] 246 00:18:22,269 --> 00:18:24,404 HEY, BABE. 247 00:18:24,437 --> 00:18:25,905 GET ME A BOTTLE OF WATER FROM THE MINI-BAR. 248 00:18:25,938 --> 00:18:29,142 -[MAN COUGHING] -YEAH, SURE. 249 00:18:36,549 --> 00:18:38,885 [COUGHING] 250 00:18:38,918 --> 00:18:40,453 OH, MAN. 251 00:18:43,556 --> 00:18:45,292 CAN I KEEP THESE? 252 00:18:46,926 --> 00:18:51,364 IF YOU WANT TO PLAY SOME MORE, WE HAVE TO RENEGOTIATE. 253 00:18:51,398 --> 00:18:54,434 BABE, TIMES ARE TIGHT. 254 00:18:54,467 --> 00:18:58,305 I CAN'T EVEN AFFORD OUR DATES ANYMORE. 255 00:18:58,338 --> 00:19:02,575 I KNOW YOU UNDERSTAND. [COUGHING] 256 00:19:04,744 --> 00:19:07,780 SOUNDS LIKE YOU COULDN'T GO ANOTHER ROUND ANYWAY, LOVE. 257 00:19:07,814 --> 00:19:10,217 YOU NEED TO TAKE CARE OF YOURSELF 258 00:19:10,250 --> 00:19:12,352 OR YOU'LL DIE BEFORE YOUR WIFE DOES. 259 00:19:12,385 --> 00:19:15,288 [GROANS] OH, MAN. 260 00:19:15,322 --> 00:19:18,725 I CAN'T BELIEVE A 45-YEAR-OLD PROSTITUTE IS HANDING OUT ADVICE. 261 00:19:18,758 --> 00:19:20,560 [CONTINUES COUGHING] 262 00:19:20,593 --> 00:19:21,928 I'M 44. 263 00:19:27,500 --> 00:19:30,803 [GIRL] MY DAD DROPPED ME HERE. 264 00:19:30,837 --> 00:19:34,641 [CHLOE] YOUR DAD DROPPED YOU OFF HERE? 265 00:19:34,674 --> 00:19:38,645 [GIRL] YEAH. HE'S WAITING OUTSIDE. 266 00:19:38,678 --> 00:19:40,313 [CHLOE] WHERE'S YOUR MOTHER? 267 00:19:41,981 --> 00:19:43,516 [GIRL] DEAD. 268 00:19:49,356 --> 00:19:52,825 [WOMAN ECHOING] I'M NOT LEAVING YOU ON PURPOSE. 269 00:19:54,894 --> 00:19:56,329 [GIRL] WHAT THE FUCK, LADY? 270 00:19:56,363 --> 00:19:57,797 [CHLOE] CALM DOWN. I DIDN'T CALL-- 271 00:19:57,830 --> 00:19:59,899 -NOT COOL, LADY. -IT'S FINE. 272 00:19:59,932 --> 00:20:01,434 [KAT] WHAT'S WITH THE KID? 273 00:20:01,468 --> 00:20:03,002 -[GIRL] NOT COOL, LADY! -[CHLOE] IT'S FINE. 274 00:20:03,035 --> 00:20:05,238 WHERE DO YOU WANT ME? 275 00:20:07,607 --> 00:20:10,843 THE KEY TO THIS JOB IS CONTROL. 276 00:20:10,877 --> 00:20:12,845 SHOW UP EARLY BEFORE THE CLIENT'S READY 277 00:20:12,879 --> 00:20:15,348 AND IT KEEPS YOU IN CHARGE OF THE SITUATION. 278 00:20:15,382 --> 00:20:18,351 PLUS IT HELPS WEED OUT THE COPS. 279 00:20:18,385 --> 00:20:20,987 [CHLOE] HOW'D YOU KNOW I WASN'T A COP? 280 00:20:21,020 --> 00:20:25,658 [CHUCKLING] YOU'RE NOT A COP. 281 00:20:25,692 --> 00:20:28,561 [CHLOE] HOW DO YOU KNOW ALL THIS STUFF? 282 00:20:28,595 --> 00:20:30,229 EXPERIENCE. 283 00:20:41,474 --> 00:20:43,543 [WHISTLES] 284 00:20:43,576 --> 00:20:46,946 UNBELIEVABLE. WHERE THE FUCK HAVE YOU BEEN? 285 00:20:46,979 --> 00:20:50,550 -SORRY. I SLEPT IN. -CHECK YOUR MESSAGES? 286 00:20:50,583 --> 00:20:51,918 I CALLED YOU THREE TIMES. 287 00:20:51,951 --> 00:20:53,953 I KNOW, BUT I WAS WORKING LATE LAST NIGHT. 288 00:20:53,986 --> 00:20:55,588 ONE JOB? THAT'S IT, RIGHT? 289 00:20:55,622 --> 00:20:57,990 YEP. 290 00:20:58,024 --> 00:21:00,527 YOU DON'T HAVE THE LUXURY TO WORK ONE JOB A NIGHT. 291 00:21:00,560 --> 00:21:01,894 ALL YOUR REGULARS HAVE BEEN CALLING 292 00:21:01,928 --> 00:21:03,930 AND ASKING FOR NEW AND IMPROVED GIRLS. 293 00:21:03,963 --> 00:21:07,900 MAYBE IT'S TIME FOR YOU TO FIND SOME OTHER GAME. 294 00:21:07,934 --> 00:21:09,636 I DON'T KNOW, LOOK FOR SOME OFFICE WORK. 295 00:21:09,669 --> 00:21:12,071 WHAT'S COME IN? 296 00:21:12,104 --> 00:21:15,342 I GET CALLS, JUST NOT FOR ROAD KILL. 297 00:21:15,375 --> 00:21:17,810 MAYBE IT'S TIME FOR A MAKEOVER, 298 00:21:17,844 --> 00:21:20,079 SQUEEZE ANOTHER YEAR OUT OF THIS. 299 00:21:20,112 --> 00:21:23,783 -I MEAN STUFF. -I KNOW WHAT YOU MEAN. 300 00:21:27,053 --> 00:21:28,321 IS THAT ALL? 301 00:21:28,355 --> 00:21:31,424 YOU WANT MORE? MAKE MORE MONEY. 302 00:21:31,458 --> 00:21:33,393 IF YOU CHECKED YOUR MESSAGES ONCE IN AWHILE, 303 00:21:33,426 --> 00:21:35,595 YOU'D KNOW THE CLIENT FROM THE OTHER DAY HAS BEEN CALLING. 304 00:21:35,628 --> 00:21:38,097 SHE CALLED ME, LIKE, THREE TIMES. 305 00:21:38,130 --> 00:21:39,799 SHE? WHO'S SHE? 306 00:21:39,832 --> 00:21:42,335 THE 119? UPTOWN? 307 00:21:42,369 --> 00:21:43,803 NEXT TO THE PAWN SHOP? 308 00:21:43,836 --> 00:21:46,072 I SENT YOU THERE TWO DAYS AGO. 309 00:21:46,105 --> 00:21:49,442 -THE WOMAN. -YEAH, RIGHT. 310 00:21:49,476 --> 00:21:53,446 HEY, ONE OF MR. ROMA'S GUYS 311 00:21:53,480 --> 00:21:56,616 CAME BACK HERE LOOKING FOR YOU EARLIER. 312 00:21:56,649 --> 00:21:59,719 SENT THEM TO YOUR OLD ADDRESS. 313 00:21:59,752 --> 00:22:02,088 THEY SAID YOU DON'T LIVE THERE ANYMORE. 314 00:22:02,121 --> 00:22:04,657 NO. NO, I DON'T. 315 00:22:06,759 --> 00:22:08,294 WHERE DO YOU LIVE? 316 00:22:12,164 --> 00:22:15,001 IT'S NONE OF YOUR BUSINESS. 317 00:22:15,034 --> 00:22:17,336 [CHUCKLING] CRAZY BITCH. 318 00:22:18,938 --> 00:22:20,773 [CHLOE] HOW DO YOU KNOW ALL THIS STUFF? 319 00:22:20,807 --> 00:22:24,611 [KAT] EXPERIENCE. THERE'S RULES. 320 00:22:24,644 --> 00:22:26,813 [CHLOE] WHAT ARE THE RULES? 321 00:22:26,846 --> 00:22:31,083 [KAT] YOU KNOW, NO IN-CALLS, NO GROUPS, 322 00:22:31,117 --> 00:22:33,720 NO FREEBIES, NO BLACKS, 323 00:22:33,753 --> 00:22:34,987 NO GETTING ATTACHED, 324 00:22:35,021 --> 00:22:38,825 AND DON'T DO DRUGS WITH CLIENTS. 325 00:22:38,858 --> 00:22:40,527 [KNOCK ON DOOR] 326 00:22:46,165 --> 00:22:49,035 -HEY. -COME ON IN. 327 00:22:53,540 --> 00:22:54,841 SO, WHAT ARE WE DOING TONIGHT? 328 00:22:54,874 --> 00:22:56,876 UH, I WANTED TO SHOOT NUDES. 329 00:22:59,178 --> 00:23:00,913 OH, THAT'S GOING TO COST YOU MORE THAN THIS. 330 00:23:00,947 --> 00:23:02,849 WELL, THERE'S 3,500 IN THERE. 331 00:23:02,882 --> 00:23:04,551 YEAH, BUT THAT GETS ME TO THE DOOR. 332 00:23:04,584 --> 00:23:06,152 I'M GONNA NEED ANOTHER 500. 333 00:23:06,185 --> 00:23:08,120 OKAY. 334 00:23:08,154 --> 00:23:10,457 AND I WOULD LOVE A DRINK. 335 00:23:13,059 --> 00:23:14,827 YOU DON'T HAVE TO DO THAT, ACTUALLY. 336 00:23:14,861 --> 00:23:19,532 UM, HERE, YOU KNOW WHAT? HERE. COME HERE. 337 00:23:19,566 --> 00:23:22,569 COME TO THE CORNER OVER THERE. 338 00:23:25,237 --> 00:23:28,174 MAYBE... 339 00:23:28,207 --> 00:23:30,943 MAYBE GO DOWN ON THE FLOOR. 340 00:23:30,977 --> 00:23:32,745 AND IF YOU, LIKE... 341 00:23:36,583 --> 00:23:40,052 SO, I JUST, WHAT? PUT MY HEAD HERE? 342 00:23:40,086 --> 00:23:41,554 SHOULD I PUT IT BACK? 343 00:23:41,588 --> 00:23:43,590 LIKE, PUSH MY TITS OUT OR SOMETHING? 344 00:23:46,726 --> 00:23:50,096 -JUST BE NORMAL. -NORMAL? 345 00:23:51,864 --> 00:23:54,100 I'M CURIOUS. 346 00:23:54,133 --> 00:23:57,103 WHY DO YOU DO THIS? 347 00:23:57,136 --> 00:23:58,538 WHEN I MOVED HERE FROM LONDON, 348 00:23:58,571 --> 00:23:59,739 I WAS IN A BIT OF TROUBLE. 349 00:23:59,772 --> 00:24:02,074 SO, SOMEONE OFFERED ME A WAY OUT, 350 00:24:02,108 --> 00:24:05,144 AND, WELL, YOU KNOW. 351 00:24:05,177 --> 00:24:07,013 [CHLOE] OUT OF WHAT? 352 00:24:07,046 --> 00:24:10,216 -I HAD SEX TO PAY FOR DEBT. -[CAMERA SHUTTER CLICKS] 353 00:24:10,249 --> 00:24:14,521 AFTER THAT, IT SEEMED, I DON'T KNOW, EASY MONEY. 354 00:24:16,055 --> 00:24:17,824 [CHLOE] CAN YOU STAND UP, PLEASE? 355 00:24:23,630 --> 00:24:25,097 PERFECT. 356 00:24:26,899 --> 00:24:29,235 DO YOU EVER GET SICK OF IT ALL? 357 00:24:29,268 --> 00:24:33,139 [SIGHS] NO. 358 00:24:33,172 --> 00:24:35,775 [CHLOE] DO YOU HAVE ANY REGRETS? 359 00:24:35,808 --> 00:24:39,278 [KAT] YOU CAN'T REGRET ANYTHING YOU DO IN LIFE, RIGHT? 360 00:24:39,311 --> 00:24:40,913 SOMETIMES YOU JUST GOTTA LIVE YOUR LIFE 361 00:24:40,947 --> 00:24:43,616 AND HOPE IT ALL WORKS OUT. 362 00:24:44,617 --> 00:24:45,818 IS THAT RIGHT? 363 00:24:51,858 --> 00:24:54,661 YOU HUNGRY? WANNA GET SOME FOOD? 364 00:24:56,195 --> 00:24:58,164 ** 365 00:24:58,197 --> 00:25:02,802 [WOMAN SINGING INDISTINCTLY] 366 00:25:02,835 --> 00:25:05,672 [CHATTERING] 367 00:25:12,044 --> 00:25:13,780 WHAT ARE YOU DOING? 368 00:25:15,848 --> 00:25:17,650 [KAT] WORKING. 369 00:25:20,186 --> 00:25:22,288 TELL ME, HOW DO YOU WALK INTO A BAR 370 00:25:22,321 --> 00:25:26,158 -AND JUST FIND THESE... -JOHNS? 371 00:25:26,192 --> 00:25:27,827 IT'S REALLY NOT THAT DIFFICULT. 372 00:25:27,860 --> 00:25:31,297 ANY GUY CAN BECOME A CLIENT OR A JOHN. 373 00:25:31,330 --> 00:25:34,734 -LIKE THAT ONE OVER THERE? -EXACTLY LIKE THAT ONE. 374 00:25:34,767 --> 00:25:37,003 HAVE YOU EVER DATED A JOHN? 375 00:25:37,036 --> 00:25:39,238 SURE. 376 00:25:39,271 --> 00:25:40,807 YOU EVER FALL IN LOVE WITH ONE? 377 00:25:40,840 --> 00:25:44,110 I TRY NOT TO. THAT'S ONE OF MY RULES. 378 00:25:46,345 --> 00:25:48,080 LISTEN, I'VE GOTTA GO. 379 00:25:48,114 --> 00:25:51,017 -CAN I COME? -COME? 380 00:25:51,050 --> 00:25:54,787 -WHERE? -WITH YOU. 381 00:25:54,821 --> 00:25:57,690 THAT'S GONNA COST YOU A WHOLE LOT MORE. 382 00:25:57,724 --> 00:25:59,726 I UNDERSTAND. 383 00:26:06,365 --> 00:26:08,635 OKAY, WELL, MAYBE TOMORROW. 384 00:26:08,668 --> 00:26:10,737 OKAY. 385 00:26:13,372 --> 00:26:15,908 CATCH YOU LATER. 386 00:26:22,915 --> 00:26:26,252 SO, WHAT ARE YOU LOOKING FOR? 387 00:26:28,087 --> 00:26:29,255 WHAT CAN I GET? 388 00:26:36,763 --> 00:26:40,399 * AND I'LL USE MY LEGS 389 00:26:40,432 --> 00:26:43,903 * USE MY CHEST 390 00:26:43,936 --> 00:26:47,373 * USE MY HANDS 391 00:26:47,406 --> 00:26:50,109 * USE MY HIPS 392 00:26:50,142 --> 00:26:53,112 [CONTINUES INDISTINCTLY] 393 00:27:24,811 --> 00:27:26,879 ** 394 00:27:42,829 --> 00:27:44,296 SORRY I'M SO LATE. 395 00:27:44,330 --> 00:27:45,965 IT'S OKAY. TRAFFIC WAS AWFUL. 396 00:27:45,998 --> 00:27:48,134 OH, MY GOD. ALL RIGHT, WHAT DO I NEED? 397 00:27:48,167 --> 00:27:50,737 SORRY, EXCUSE THE MESS. I'M IN TRANSITION RIGHT NOW. 398 00:27:50,770 --> 00:27:53,706 SORRY. 399 00:27:53,740 --> 00:27:56,042 YOU, UH-- YOU NEED A PLACE TO STAY? 400 00:27:58,244 --> 00:28:01,047 NO. I'M JUST STAYING WITH A FRIEND. 401 00:28:01,080 --> 00:28:02,882 IT'S ALL GOOD. 402 00:28:02,915 --> 00:28:04,917 [HORN HONKS] 403 00:28:04,951 --> 00:28:07,954 * AND EVERYTHING IS YOUR FAULT * 404 00:28:11,357 --> 00:28:14,326 [CONTINUES INDISTINCTLY] 405 00:28:14,360 --> 00:28:16,929 OKAY. 406 00:28:16,963 --> 00:28:18,965 READY TO GET WEIRD? 407 00:28:45,224 --> 00:28:47,059 THANKS. 408 00:28:47,093 --> 00:28:48,861 YOU DON'T THINK HE'S GONNA SEE THAT, DO YOU? 409 00:28:48,895 --> 00:28:51,063 I DON'T THINK SO. WHAT DO YOU THINK? 410 00:28:53,065 --> 00:28:54,366 I GUESS IT'S OKAY. 411 00:28:54,400 --> 00:28:56,268 JUST GONNA HAVE TO KEEP HIM DISTRACTED, EH? 412 00:28:56,302 --> 00:28:58,270 WHAT TIME IS HE GONNA BE HERE? 413 00:28:58,304 --> 00:29:00,239 -ANY MINUTE. -OKAY. 414 00:29:08,247 --> 00:29:09,882 [KNOCK ON DOOR] 415 00:29:09,916 --> 00:29:12,251 [DOOR BOLT CLICKS] 416 00:29:16,155 --> 00:29:17,857 [SNIFFS] 417 00:29:17,890 --> 00:29:20,927 [KAT GIGGLING] 418 00:29:23,362 --> 00:29:26,098 [MAN MOANING] 419 00:29:26,132 --> 00:29:29,401 [KAT GASPING] 420 00:29:30,569 --> 00:29:32,271 [MAN COUGHING] 421 00:29:45,952 --> 00:29:48,420 THAT WAS FAST. 422 00:29:48,454 --> 00:29:49,956 [KAT] THEY USUALLY ARE. 423 00:30:38,670 --> 00:30:44,310 [CHLOE GASPING] 424 00:30:44,343 --> 00:30:45,544 SO, HOW'S IT LOOKING? 425 00:30:45,577 --> 00:30:49,048 OH, SHIT. OH, SHIT. 426 00:30:49,081 --> 00:30:51,150 DO YOU NEED SOME HELP WITH THAT? 427 00:30:51,183 --> 00:30:52,384 NO. GOD, NO. 428 00:30:56,188 --> 00:30:57,924 OH, MY GOD. 429 00:31:09,535 --> 00:31:11,337 NO, I'M NOT STUPID. 430 00:31:11,370 --> 00:31:14,340 YEAH, I--I KNOW WHAT YOU TOLD ME. 431 00:31:14,373 --> 00:31:16,642 I KNOW, BUT COME-- COME ON. 432 00:31:16,675 --> 00:31:21,247 YEAH. SHE'S HERE RIGHT NOW. 433 00:31:21,280 --> 00:31:23,882 OKAY. YEAH, I'LL GET IT. 434 00:31:30,122 --> 00:31:33,459 -YOU ARE FUCKED. -WHY? WHAT DID HE SAY? 435 00:31:33,492 --> 00:31:36,462 HE SAID YOU ARE FUCKED. 436 00:31:36,495 --> 00:31:40,566 HE SAID IT TO ME, AND NOW I'M SAYING IT TO YOU. 437 00:31:40,599 --> 00:31:42,368 SO, WHAT DO I DO? 438 00:31:42,401 --> 00:31:46,505 I MEAN, THIS HELPS, BUT IT'S NOT ENOUGH. 439 00:31:46,538 --> 00:31:49,942 FUCK. I THOUGHT WE HAD A DEAL WORKED OUT. 440 00:31:49,976 --> 00:31:51,944 WE HAD A DEAL. 441 00:31:51,978 --> 00:31:55,381 I THOUGHT SO, TOO. 442 00:31:55,414 --> 00:31:59,118 WHY CAN'T WE JUST DO WHAT WE DID THE TIME BEFORE? 443 00:32:00,252 --> 00:32:02,288 HE DON'T WANT YOU NO MORE. 444 00:32:02,321 --> 00:32:04,356 HE WANTS HIS MONEY. 445 00:32:06,758 --> 00:32:08,594 HOW MUCH TIME HAVE I GOT? 446 00:32:10,096 --> 00:32:11,597 ZERO. 447 00:32:13,265 --> 00:32:15,434 IT'S OUT OF MY HANDS NOW. 448 00:32:41,227 --> 00:32:43,262 SO, HOW'S THE PROJECT GOING? 449 00:32:43,295 --> 00:32:46,265 -ARE YOU ALMOST DONE? -UH, KIND OF. 450 00:32:46,298 --> 00:32:49,601 I DON'T REALLY KNOW IF I'VE FOUND MY ANGLE YET. 451 00:32:49,635 --> 00:32:52,604 WHY? MAYBE I CAN HELP. 452 00:32:52,638 --> 00:32:55,307 UH, THANKS, BUT YOU'VE ALREADY DONE ENOUGH. 453 00:32:57,643 --> 00:32:59,245 GOD, I'LL TELL YOU, 454 00:32:59,278 --> 00:33:00,746 ALL WEEK I'VE BEEN LOOKING AT APARTMENTS, 455 00:33:00,779 --> 00:33:03,115 AND THOSE BLOODY ESTATE AGENTS, 456 00:33:03,149 --> 00:33:05,117 THEY WANT HUGE DEPOSITS 457 00:33:05,151 --> 00:33:08,620 FOR ROOMS THAT ARE SMALLER THAN A MOTEL. 458 00:33:08,654 --> 00:33:10,156 YOU DON'T THINK I COULD GET, LIKE, 459 00:33:10,189 --> 00:33:13,159 A BIT OR TWO UPFRONT, DO YOU, OF MY PAY? 460 00:33:13,192 --> 00:33:17,129 YEAH, THAT'S FINE. I'LL GIVE YOU A WEEK IN ADVANCE. COOL? 461 00:33:17,163 --> 00:33:18,664 THANK YOU. THAT WOULD BE BRILLIANT. 462 00:33:18,697 --> 00:33:20,499 YEAH. 463 00:33:20,532 --> 00:33:23,535 -HOW DO I LOOK? -NORMAL. 464 00:33:26,672 --> 00:33:29,341 SO, WHEN WE FIRST MET, 465 00:33:29,375 --> 00:33:32,644 YOU TOLD ME THAT THERE ARE RULES. 466 00:33:32,678 --> 00:33:34,146 YEAH, I MEAN, THEY'RE NOT MY RULES. 467 00:33:34,180 --> 00:33:36,382 THEY'RE JUST THE RULES. 468 00:33:36,415 --> 00:33:39,051 WHAT KIND OF RULES? 469 00:33:39,085 --> 00:33:41,653 UM, NO IN-CALLS. 470 00:33:41,687 --> 00:33:44,156 ALWAYS MEET AT A HOTEL OR AT THE CLIENT'S PLACE. 471 00:33:44,190 --> 00:33:46,092 NEVER LET THEM KNOW WHERE YOU LIVE. 472 00:33:46,125 --> 00:33:48,160 DON'T DO DRUGS WITH CLIENTS. 473 00:33:48,194 --> 00:33:50,329 YOU'VE GOT TO STAY IN CONTROL. 474 00:33:50,362 --> 00:33:52,198 AND NO BLACKS. 475 00:33:53,832 --> 00:33:56,835 THAT SEEMS RACIST. 476 00:33:56,868 --> 00:33:59,805 YEAH, IT IS, BUT IT'S NOT MY RULES. 477 00:33:59,838 --> 00:34:02,741 I DIDN'T MAKE 'EM. 478 00:34:02,774 --> 00:34:04,443 [PHONE RINGS] 479 00:34:06,545 --> 00:34:08,180 [CHLOE] SORRY, HOLD ON. 480 00:34:08,214 --> 00:34:11,183 HELLO? YES. 481 00:34:11,217 --> 00:34:14,186 NO, I'M WITH A CLIENT RIGHT NOW, DAD. 482 00:34:14,220 --> 00:34:15,521 NO, IT WAS TO PAY A MODEL. 483 00:34:17,856 --> 00:34:19,525 NO, I DON'T CARE. I DO NOT-- 484 00:34:19,558 --> 00:34:21,327 NO, IT'S MY MONEY. I REALLY DON'T CARE. 485 00:34:21,360 --> 00:34:25,197 -SORRY. -THAT WENT WELL? 486 00:34:25,231 --> 00:34:27,399 [CHLOE] MY DAD, HE'S AN ASSHOLE. 487 00:34:28,400 --> 00:34:30,502 MOST ARE. 488 00:34:30,536 --> 00:34:32,738 HE ALWAYS FEELS LIKE HE HAS TO BE IN CONTROL OF EVERYTHING. 489 00:34:34,806 --> 00:34:37,209 DO YOU LIKE BEING IN CONTROL? 490 00:34:37,243 --> 00:34:39,411 MAYBE. 491 00:34:51,690 --> 00:34:54,726 OKAY, THAT'S ENOUGH. BULLETS AREN'T CHEAP. 492 00:34:54,760 --> 00:34:57,263 -THIS IS FUN. -YEAH? 493 00:34:57,296 --> 00:34:59,798 DO YOU--DO YOU ALWAYS CARRY THIS THING ON YOU? 494 00:34:59,831 --> 00:35:01,867 -YEP. -WHY? 495 00:35:01,900 --> 00:35:04,236 HAVE YOU EVER BEEN ATTACKED BY A CLIENT BEFORE? 496 00:35:04,270 --> 00:35:07,573 NOT A CLIENT, BUT, UM, A CRACKHEAD IN AN ALLEY ONCE. 497 00:35:07,606 --> 00:35:11,377 -NEVER? -IF YOU PUT IN ENOUGH TIME AND EFFORT, 498 00:35:11,410 --> 00:35:14,146 THEN YOU CAN WEED OUT THE PSYCHOS AND THE RAPISTS BEFORE YOU MEET THEM. 499 00:35:15,781 --> 00:35:17,716 WHEN YOU ARRIVE YOU CALL IN, 500 00:35:17,749 --> 00:35:19,585 DESCRIBE THE CLIENT, TELL THEM WHERE YOU'RE AT, 501 00:35:19,618 --> 00:35:23,555 AND SAY YOU'RE GONNA TEXT IN 20 MINUTES. 502 00:35:23,589 --> 00:35:25,591 EVEN IF NOBODY'S ON THE OTHER END OF THE PHONE, 503 00:35:25,624 --> 00:35:27,259 AT LEAST THE CLIENT THINKS 504 00:35:27,293 --> 00:35:29,127 THERE'S SOME BIG SON OF A BITCH IN THE LOBBY. 505 00:35:33,299 --> 00:35:37,436 SO, YOU'VE NEVER BEEN ATTACKED? 506 00:35:37,469 --> 00:35:38,904 NOT REALLY. 507 00:35:38,937 --> 00:35:42,441 NOTHING THAT I DIDN'T GET COMPENSATED FOR. 508 00:35:42,474 --> 00:35:44,776 HOW'D YOU FIND THIS PLACE? 509 00:35:44,810 --> 00:35:45,911 IT'S WHERE I USED TO WORK-- 510 00:35:45,944 --> 00:35:47,479 JUST UP THE ROAD. 511 00:35:49,948 --> 00:35:51,317 DOING WHAT? 512 00:36:42,868 --> 00:36:45,504 [MOANING] 513 00:36:52,544 --> 00:36:54,212 WE CAN LEAVE. 514 00:36:56,882 --> 00:36:59,618 I CAN HANDLE IT. [CLEARS THROAT] 515 00:37:01,587 --> 00:37:04,556 DID YOU REALLY USED TO WORK HERE? 516 00:37:05,724 --> 00:37:06,858 IT WASN'T QUITE LIKE THIS. 517 00:37:07,893 --> 00:37:10,429 THEY'RE TALENTED. 518 00:37:18,404 --> 00:37:20,906 COME ON. LET'S GET OUT OF HERE. 519 00:37:43,595 --> 00:37:46,598 [CAMERA CLICKING AND BEEPING] 520 00:38:02,614 --> 00:38:05,584 -WHAT ARE YOU DOING? -UH... 521 00:38:05,617 --> 00:38:06,952 JUST, UH... 522 00:38:08,620 --> 00:38:11,757 I'M--I'M, UH, TAKING THESE PICTURES... 523 00:38:11,790 --> 00:38:15,761 FOR DOCUMENTING, I DON'T KNOW, 524 00:38:15,794 --> 00:38:19,064 MY LIFE AND CHANGE. 525 00:38:19,097 --> 00:38:21,933 IN CASE YOU GET FAMOUS OR SOMETHING? 526 00:38:21,967 --> 00:38:23,935 OR SOMETHING. 527 00:38:23,969 --> 00:38:29,341 -CAN I SEE THEM? -UH, OKAY. 528 00:38:51,497 --> 00:38:55,100 WOW. THESE ARE BEAUTIFUL. 529 00:38:55,133 --> 00:38:56,668 THANK YOU. 530 00:39:04,009 --> 00:39:05,844 WHAT ARE YOU DOING? 531 00:39:14,185 --> 00:39:16,522 IT'S BEEN A REALLY LONG TIME SINCE... 532 00:39:18,156 --> 00:39:20,358 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 533 00:39:49,888 --> 00:39:53,525 -ALL RIGHT. GOT IT? -YES. 534 00:39:53,559 --> 00:39:55,561 -TO THE BEDROOM. -THANK YOU. 535 00:40:09,575 --> 00:40:12,578 -YOU ALL RIGHT? -UH-HUH. 536 00:40:15,914 --> 00:40:17,182 YOU WANNA GO GET A BEER? 537 00:40:17,215 --> 00:40:19,150 YEAH. I'M GONNA GO TO THE BATHROOM. 538 00:40:40,839 --> 00:40:43,041 [SNIFFS] 539 00:40:43,074 --> 00:40:45,911 [SNIFFLING] YOU READY? 540 00:40:45,944 --> 00:40:49,114 YEAH. WAIT. 541 00:40:52,117 --> 00:40:54,920 -AFTER YOU. -THANK YOU VERY MUCH. 542 00:40:54,953 --> 00:40:56,988 [SNIFFLES] 543 00:41:22,280 --> 00:41:25,784 I LOVE THE WAY HE LAYERED THE MUSIC SHEETS. 544 00:41:25,817 --> 00:41:27,619 COLLAGING WAS REALLY BIG IN THE '60s. 545 00:41:27,653 --> 00:41:30,121 IT'S VERY JASPER JOHNS. 546 00:41:30,155 --> 00:41:31,623 THAT'S ACTUALLY LAYERED? 547 00:41:31,657 --> 00:41:34,259 MM-HMM. DON'T TOUCH IT! 548 00:41:34,292 --> 00:41:36,261 STOP IT. 549 00:41:36,294 --> 00:41:38,797 STOP IT, I'M SERIOUS. DON'T DO THAT. 550 00:41:38,830 --> 00:41:40,265 I'M JUST MESSING WITH YOU. 551 00:41:40,298 --> 00:41:41,967 I WOULD NEVER REALLY TOUCH IT. 552 00:41:42,000 --> 00:41:44,269 I'VE BEEN TO HUNDREDS OF THESE POP-UPS. 553 00:41:44,302 --> 00:41:46,137 CLIENTS USED TO LOVE BRINGING ME HERE, 554 00:41:46,171 --> 00:41:49,975 SHOWING ME OFF TO THEIR INTELLECTUAL FRIENDS AND BOSSES. 555 00:41:50,008 --> 00:41:51,176 IT WAS FUN. 556 00:41:52,678 --> 00:41:55,814 AND WHAT HAPPENED? 557 00:41:55,847 --> 00:41:57,515 I GOT OLD. 558 00:42:10,629 --> 00:42:12,297 WHAT DO YOU THINK OF THIS ONE? 559 00:42:12,330 --> 00:42:14,299 HMM. 560 00:42:14,332 --> 00:42:16,602 IT DOESN'T REALLY MATCH 561 00:42:16,635 --> 00:42:18,604 THE REST OF THE GALLERY, DOES IT? 562 00:42:18,637 --> 00:42:21,039 KIND OF MUDDY, DARK. 563 00:42:21,072 --> 00:42:23,074 DON'T REALLY KNOW. 564 00:42:23,108 --> 00:42:25,210 WHAT DO YOU THINK? 565 00:42:26,845 --> 00:42:28,714 IT'S MINE. 566 00:42:35,086 --> 00:42:36,688 I DIDN'T OFFEND YOU, DID I? 567 00:42:36,722 --> 00:42:38,023 I MEAN, YOU'RE THE ONE THAT SAID 568 00:42:38,056 --> 00:42:39,825 YOU'RE A PHOTOGRAPHER, NOT A PAINTER. 569 00:42:39,858 --> 00:42:41,026 AND IT REALLY WASN'T THAT BAD. 570 00:42:41,059 --> 00:42:43,762 YOU'VE JUST GOT TO GET A NEW FRAME. 571 00:42:43,795 --> 00:42:46,031 IT'S FINE. 572 00:42:46,064 --> 00:42:47,866 HEY, WHY DON'T YOU PAINT ME? 573 00:42:47,899 --> 00:42:51,202 I--WHY WOULD I PAINT YOU? I DON'T PAINT ANYMORE. 574 00:42:51,236 --> 00:42:53,872 I'M SO HUNGRY. ARE YOU HUNGRY? 575 00:42:53,905 --> 00:42:55,306 PLEASE, PAINT ME. 576 00:42:55,340 --> 00:42:58,710 DO YOU LIKE SUSHI? 577 00:42:58,744 --> 00:43:00,145 COME ON, I'VE ALWAYS WANTED TO BE PAINTED 578 00:43:00,178 --> 00:43:02,047 BY A REAL ARTIST. 579 00:43:02,080 --> 00:43:03,348 WHAT DON'T YOU GET 580 00:43:03,381 --> 00:43:05,350 ABOUT ME NOT PAINTING ANYMORE, OKAY? 581 00:43:05,383 --> 00:43:07,953 SERIOUSLY, CAN WE JUST GET DRESSED AND GO EAT SOMEWHERE? 582 00:43:12,958 --> 00:43:15,761 [SIGHS] 583 00:43:15,794 --> 00:43:19,364 I JUST THINK THAT IT WOULD BE REALLY GOOD FOR US. 584 00:43:19,397 --> 00:43:20,899 -OH. -IT WOULD BE NICE. 585 00:43:20,932 --> 00:43:22,367 -DO YOU? -YES. 586 00:43:22,400 --> 00:43:24,069 -DON'T YOU THINK? -I DON'T KNOW. 587 00:43:24,102 --> 00:43:25,270 MAYBE ONE DAY. 588 00:43:41,319 --> 00:43:43,621 WE HAVEN'T TALKED ABOUT THAT. 589 00:43:48,960 --> 00:43:50,395 [SIGHS] 590 00:43:50,428 --> 00:43:54,132 -I'M NOT STUPID. -NOBODY SAID YOU WERE. 591 00:43:56,301 --> 00:43:59,971 -IT WAS AN ACCIDENT... -WHAT KIND OF ACCIDENT? 592 00:44:02,974 --> 00:44:05,110 AND A LONG TIME AGO. 593 00:44:05,143 --> 00:44:08,113 IT DOESN'T NEED TO CONCERN YOU, 594 00:45:22,888 --> 00:45:25,723 -[KNOCKING ON DOOR] -CHLOE? 595 00:45:26,892 --> 00:45:28,059 [KNOCKING] 596 00:45:30,395 --> 00:45:31,830 [KNOCKING] 597 00:45:31,863 --> 00:45:33,431 CHLOE, IT'S DAD. ARE YOU IN THERE? 598 00:45:33,464 --> 00:45:35,400 [DOORKNOB RATTLING] 599 00:45:37,402 --> 00:45:38,770 CHLOE? 600 00:45:38,804 --> 00:45:41,472 -[LOCKS RATTLE] -CHLOE? 601 00:45:43,541 --> 00:45:45,343 DID YOU JUST BREAK IN HERE? 602 00:45:45,376 --> 00:45:47,512 NO, YOU KNOW I HAVE KEYS. 603 00:45:47,545 --> 00:45:50,048 WELL, YOU CAN'T JUST COME IN HERE LIKE THAT. 604 00:45:50,081 --> 00:45:51,282 OH, PLEASE, CHLOE, 605 00:45:51,316 --> 00:45:52,884 IT'S TOO EARLY IN THE MORNING TO ARGUE. 606 00:45:52,918 --> 00:45:56,221 COME ON, PUT SOME CLOTHES ON. 607 00:45:56,254 --> 00:45:57,522 I'M GONNA CALL THE COPS ON YOU 608 00:45:57,555 --> 00:45:59,757 AND SEE HOW YOU LIKE BEING ARRESTED. 609 00:46:02,427 --> 00:46:04,062 YOU'RE SMOKING NOW? 610 00:46:04,095 --> 00:46:06,097 NO. 611 00:46:07,999 --> 00:46:10,568 I HAD FRIENDS OVER LAST NIGHT. 612 00:46:10,601 --> 00:46:13,371 -WHO? -DOES IT REALLY MATTER? 613 00:46:13,404 --> 00:46:15,073 DO I KNOW THEM? 614 00:46:15,106 --> 00:46:16,808 [CHLOE] NO. 615 00:46:19,945 --> 00:46:23,081 WELL, I JUST-- I JUST WANTED TO STOP BY 616 00:46:23,114 --> 00:46:24,249 AND SEE MY BEAUTIFUL DAUGHTER. 617 00:46:24,282 --> 00:46:25,383 DAD, IT'S 9:00 IN THE MORNING. 618 00:46:25,416 --> 00:46:26,918 PLEASE STOP SPYING ON ME. 619 00:46:26,952 --> 00:46:29,154 I'M NOT SPYING ON YOU. I JUST-- 620 00:46:29,187 --> 00:46:30,555 WHY DON'T YOU STICK TO YOUR WORD 621 00:46:30,588 --> 00:46:32,590 AND LEAVE ME ALONE? 622 00:46:32,623 --> 00:46:34,459 I WILL NEVER LEAVE YOU. 623 00:46:37,228 --> 00:46:40,098 DON'T YOU HAVE A FUNDRAISER TO RUN? 624 00:46:40,131 --> 00:46:41,466 REMEMBER? 625 00:47:20,338 --> 00:47:22,140 UGH, MY DAD. 626 00:47:22,173 --> 00:47:24,609 -THE ASSHOLE? -YEAH. 627 00:47:24,642 --> 00:47:26,311 WELL, HE SEEMED LIKE A NICE MAN TO ME. 628 00:47:26,344 --> 00:47:29,480 -WELL, HE'S NOT. -HE CAN'T BE THAT BAD. 629 00:47:29,514 --> 00:47:30,982 AT LEAST HE WANTED TO SEE YOU. 630 00:47:31,016 --> 00:47:32,350 NO, HE DOESN'T, 631 00:47:32,383 --> 00:47:33,985 HE JUST CALLED BECAUSE HE WANTS ME TO COME 632 00:47:34,019 --> 00:47:36,021 TO THIS GALA THING ON SATURDAY. 633 00:47:37,655 --> 00:47:40,158 IT'S JUST... 634 00:47:40,191 --> 00:47:41,459 WOULD YOU COME WITH ME? 635 00:47:41,492 --> 00:47:43,995 SATURDAY, IS IT? 636 00:47:44,029 --> 00:47:47,598 IT COULD BE FUN, COULDN'T IT? 637 00:47:47,632 --> 00:47:50,568 OKAY, IF THAT'S WHAT YOU WANT. 638 00:47:50,601 --> 00:47:55,073 -YEAH, THAT'S WHAT I WANT. -OH. THE GALA. 639 00:47:55,106 --> 00:47:57,542 THE GALA. 640 00:47:57,575 --> 00:48:01,046 -OKAY. -OKAY. 641 00:48:04,249 --> 00:48:05,984 -[GIGGLING] -[SHOUTING AND GIGGLING] 642 00:48:06,017 --> 00:48:09,554 ** 643 00:48:09,587 --> 00:48:15,193 * CITY BIRD, CITY BIRD 644 00:48:15,226 --> 00:48:17,195 -* FLY AWAY -[NO AUDIBLE DIALOGUE] 645 00:48:17,228 --> 00:48:19,364 * FROM MY WINDOW 646 00:48:19,397 --> 00:48:22,467 * FROM MY WINDOW 647 00:48:22,500 --> 00:48:24,669 * 'CAUSE YOU DON'T SING... 648 00:48:24,702 --> 00:48:27,205 [CHATTERING] 649 00:48:27,238 --> 00:48:28,539 STOP IT. 650 00:48:28,573 --> 00:48:30,408 STOP IT. 651 00:48:31,709 --> 00:48:33,678 SERIOUSLY, COME ON. STOP IT. 652 00:48:33,711 --> 00:48:35,680 NO, I DON'T WANT TO. I'M REALLY HAPPY. 653 00:48:35,713 --> 00:48:38,049 I'M HAVING A GOOD TIME SHOPPING FOR CLOTHES WITH YOU. 654 00:48:38,083 --> 00:48:39,550 WELL, THEN LET'S JUST SHOP FOR CLOTHES. 655 00:48:39,584 --> 00:48:41,552 STOP HANGING ALL OVER ME. WHAT ABOUT THAT ONE? 656 00:48:41,586 --> 00:48:43,221 YOU WANT IT? I'LL BUY IT FOR YOU. 657 00:48:43,254 --> 00:48:44,555 -YEAH, I LIKE IT. -YEAH? 658 00:48:44,589 --> 00:48:45,690 -YOU LIKE THIS ONE? -YEAH. 659 00:48:45,723 --> 00:48:48,226 YEAH, I LIKE THAT ONE. 660 00:48:48,259 --> 00:48:50,595 [MUTTERING] 661 00:48:51,729 --> 00:48:53,564 HONESTLY. 662 00:48:53,598 --> 00:48:55,000 YOU LIKE IT. 663 00:48:55,033 --> 00:48:56,734 YEAH, BUT I'M TWICE YOUR AGE. 664 00:48:56,767 --> 00:48:58,469 IT LOOKS LIKE YOU'RE KISSING YOUR MOTHER. 665 00:48:58,503 --> 00:49:01,072 SO, I'M--WHAT ARE YOU TALKING ABOUT? WHO CARES? 666 00:49:01,106 --> 00:49:03,408 I LIKE THIS ONE. THIS ONE IS GOOD, TOO. 667 00:49:03,441 --> 00:49:05,243 THAT WOULD LOOK REALLY GOOD ON YOU. 668 00:49:05,276 --> 00:49:06,444 I LIKE THAT ONE. 669 00:49:09,280 --> 00:49:10,715 HAVE YOU SEEN ANY THAT YOU WANT? 670 00:49:10,748 --> 00:49:13,251 NO. I WANT YOU. 671 00:49:13,284 --> 00:49:14,252 KISS ME. 672 00:49:14,285 --> 00:49:15,420 NO, I'M NOT WORKING. 673 00:49:15,453 --> 00:49:17,122 OH, YES, YOU ARE. 674 00:49:20,458 --> 00:49:22,093 OKAY, THAT'S ENOUGH. COME ON. 675 00:49:22,127 --> 00:49:23,995 -THE WORST. -COME ON. 676 00:49:25,463 --> 00:49:28,099 [KAT] RIGHT, SO LET ME GET THIS STRAIGHT. 677 00:49:28,133 --> 00:49:30,401 WE'RE GOING TO A PARTY BECAUSE YOU HATE EVERYBODY THERE. 678 00:49:30,435 --> 00:49:31,436 YES. 679 00:49:31,469 --> 00:49:32,737 AND YOU WANT THEM TO KNOW 680 00:49:32,770 --> 00:49:34,739 THAT YOU'RE DATING A PROSTITUTE. 681 00:49:34,772 --> 00:49:38,209 WELL, I WOULDN'T TAKE IT THAT FAR, BUT... 682 00:49:38,243 --> 00:49:40,611 SO, YOU'RE PAYING ME TO BE AMAZING AND SUFFER THROUGH IT WITH YOU? 683 00:49:40,645 --> 00:49:42,313 MM-HMM. CORRECT. 684 00:49:43,781 --> 00:49:45,750 -YOU KNOW WHAT? -HMM? 685 00:49:45,783 --> 00:49:47,618 YOU'RE LUCKY I LIKE YOU. 686 00:49:47,652 --> 00:49:49,054 I KNOW. 687 00:49:49,087 --> 00:49:51,556 ** 688 00:49:55,326 --> 00:50:00,165 [NO AUDIBLE DIALOGUE] 689 00:50:05,603 --> 00:50:09,274 [WOMAN SINGING INDISTINCTLY] 690 00:50:18,383 --> 00:50:20,518 OOH, FANCY. 691 00:50:22,553 --> 00:50:25,490 SO, WHAT IS THIS GALA FOR? 692 00:50:25,523 --> 00:50:28,293 THIS IS A CHARITY FOR HUNTINGTON'S DISEASE. 693 00:50:28,326 --> 00:50:30,361 LET'S GO TO THE BAR. 694 00:50:32,197 --> 00:50:33,731 I THOUGHT SHE WAS STILL IN REHAB. 695 00:50:33,764 --> 00:50:35,366 CHEERS, I GUESS. 696 00:50:39,137 --> 00:50:41,372 WHOA. EASY TIGER. 697 00:50:42,707 --> 00:50:45,076 -DON'T TELL. -DON'T TELL? 698 00:50:48,613 --> 00:50:50,515 -YOU LOOK REALLY PRETTY. -THANK YOU. 699 00:50:50,548 --> 00:50:51,549 YEAH. 700 00:50:51,582 --> 00:50:53,684 YOWZA! 701 00:50:53,718 --> 00:50:55,586 THERE IS MY GIRL! 702 00:50:55,620 --> 00:50:56,854 YOU FINALLY CAME OUT OF YOUR CAVE. 703 00:50:56,887 --> 00:50:59,857 -WHAT IS UP? -SAME OLD. 704 00:50:59,890 --> 00:51:01,426 UH, THIS IS MY BEST FRIEND ZOE. 705 00:51:01,459 --> 00:51:02,727 -THIS IS KAT. -HI. 706 00:51:02,760 --> 00:51:04,329 -HELLO, ZOE. -IT'S SO NICE TO MEET YOU. 707 00:51:04,362 --> 00:51:05,663 NICE TO MEET YOU. 708 00:51:05,696 --> 00:51:07,365 I'VE HEARD ABSOLUTELY NOTHING ABOUT YOU, 709 00:51:07,398 --> 00:51:09,200 BECAUSE SOMEONE FORGOT HOW TO USE THEIR PHONE. 710 00:51:09,234 --> 00:51:11,602 JERK. 711 00:51:11,636 --> 00:51:13,238 OOH. WAITER'S CALLING MY NAME. 712 00:51:13,271 --> 00:51:14,839 WHO WANTS BUBBLY? 713 00:51:14,872 --> 00:51:16,874 YEAH, I THINK I'LL BE FINISHED BY THE TIME YOU GET BACK. 714 00:51:16,907 --> 00:51:18,709 GIRL, I KNOW EXACTLY HOW YOU FEEL. 715 00:51:18,743 --> 00:51:22,247 I SWEAR, MY SOUL IS MADE OF CHAMPAGNE AND BACON. 716 00:51:22,280 --> 00:51:24,849 SHE'S FUNNY. SHE'S COOL. 717 00:51:24,882 --> 00:51:27,218 YEAH, OUR PARENTS GREW UP TOGETHER. SHE'S RAD. 718 00:51:27,252 --> 00:51:29,387 -OH, REALLY? -MM-HMM. 719 00:51:29,420 --> 00:51:32,323 I'M SO GLAD YOU COULD MAKE IT. 720 00:51:32,357 --> 00:51:33,691 YOU LOOK STUNNING, SWEETHEART. 721 00:51:33,724 --> 00:51:35,626 -REALLY, REALLY LOVELY. -THANK YOU. THANK YOU. 722 00:51:35,660 --> 00:51:38,596 HI. I'M CHLOE'S FATHER, 723 00:51:38,629 --> 00:51:40,398 AND YOU'RE... 724 00:51:40,431 --> 00:51:42,567 THIS IS MY GIRLFRIEND, KAT, I'M SORRY. 725 00:51:42,600 --> 00:51:44,569 IT'S AN ABSOLUTE PLEASURE TO MEET YOU, SIR. 726 00:51:44,602 --> 00:51:46,237 WHAT A GORGEOUS HOUSE YOU HAVE. 727 00:51:46,271 --> 00:51:48,173 WELL, THANK YOU. THANK YOU VERY MUCH. 728 00:51:48,206 --> 00:51:50,241 WHAT DO YOU DO, KAT? 729 00:51:50,275 --> 00:51:51,376 OH, I MODEL FOR YOUR DAUGHTER. 730 00:51:51,409 --> 00:51:53,878 -NUDES, MOSTLY. -REALLY? 731 00:51:53,911 --> 00:51:58,249 -MR. D! WHAT IS SHAKING? -ZOE, HOW ARE YOU? 732 00:51:58,283 --> 00:52:00,251 OH, MY GOD, I LOVE THE TIE. 733 00:52:00,285 --> 00:52:02,253 -IT'S VERY NORM-CORE. -THANK YOU. 734 00:52:02,287 --> 00:52:05,256 UM, I'M DOING GOOD. I'M DOING GOOD, YOU KNOW? 735 00:52:05,290 --> 00:52:07,825 -GOOD. -TAKING IT DAY BY DAY. 736 00:52:07,858 --> 00:52:09,427 HOW ARE YOU AND THE FOLKS? 737 00:52:09,460 --> 00:52:11,596 OH, YOU KNOW, THE FOLKS ARE GOOD. 738 00:52:11,629 --> 00:52:14,299 YEAH, SAME OLD, YOU KNOW? 739 00:52:26,344 --> 00:52:27,612 [KAT] WHAT'S IN THERE? 740 00:52:27,645 --> 00:52:28,646 NOTHING. 741 00:52:30,348 --> 00:52:31,816 [CANISTER TAPPING] 742 00:52:31,849 --> 00:52:34,919 [WOMEN GASPING] 743 00:52:34,952 --> 00:52:38,889 [SNIFFING] 744 00:52:38,923 --> 00:52:40,858 [WOMEN GASPING] 745 00:52:40,891 --> 00:52:45,230 [MUTED CHATTER AND LAUGHTER] 746 00:52:48,666 --> 00:52:50,801 WHEW! IT IS HOT IN HERE. 747 00:52:50,835 --> 00:52:53,638 [CHLOE SNIFFS, GRUNTS] 748 00:52:53,671 --> 00:52:55,840 [SNIFFS] OH, MY GOD. 749 00:52:57,508 --> 00:52:58,843 ALL OF THIS USED TO BE MY ROOM. 750 00:52:58,876 --> 00:53:00,878 ALL MY ARTWORK WAS UP EVERYWHERE IN HERE. 751 00:53:00,911 --> 00:53:06,484 YOU NAME IT--DOODLES, DRAWINGS, PAINTINGS. 752 00:53:06,517 --> 00:53:08,653 UM, MY MOM HUNG IT. 753 00:53:08,686 --> 00:53:10,321 SHE PUT IT ALL UP. 754 00:53:10,355 --> 00:53:13,391 I MEAN, MY DAD TURNED THIS INTO HIS FUCK DEN. 755 00:53:13,424 --> 00:53:14,825 [LAUGHS] 756 00:53:14,859 --> 00:53:16,961 -GO ON. -YEAH, I BET YOU HE HAD SEX 757 00:53:16,994 --> 00:53:18,863 RIGHT THERE WHERE YOU'RE SITTING. 758 00:53:18,896 --> 00:53:20,498 ON THIS BED? COME ON. 759 00:53:20,531 --> 00:53:22,333 -ON THIS BED RIGHT HERE? -RIGHT HERE. 760 00:53:22,367 --> 00:53:23,968 NO WAY. WHAT DO YOU THINK HE DID? 761 00:53:24,001 --> 00:53:25,970 -WITH WHAT KIND OF WOMEN? -OH, GOD, I DON'T KNOW. 762 00:53:26,003 --> 00:53:27,972 WERE THEY HUSKIES? WERE THEY WHORES? 763 00:53:28,005 --> 00:53:29,507 [GROANING] OH, MY GOD, 764 00:53:29,540 --> 00:53:32,510 THEY MUST HAVE BEEN ABSOLUTE WHORES. 765 00:53:32,543 --> 00:53:35,346 COME TO ME! MWAH! MWAH! 766 00:53:35,380 --> 00:53:38,015 -OH, MY GOD. -HEY. 767 00:53:38,048 --> 00:53:39,417 YES? 768 00:53:43,388 --> 00:53:44,689 WHAT? 769 00:53:44,722 --> 00:53:46,391 PROMISE YOU WON'T LEAVE ME. 770 00:53:48,893 --> 00:53:50,528 I WON'T. 771 00:53:52,397 --> 00:53:53,898 -BACK TO THE PARTY. -OKAY! 772 00:53:55,566 --> 00:53:57,868 SHE'S ABSOLUTELY FANTASTIC. 773 00:53:57,902 --> 00:53:59,537 WHAT MEDIUM DO YOU WORK IN? 774 00:53:59,570 --> 00:54:01,272 SHE WORKS IN ALL MEDIUMS, OF COURSE. 775 00:54:01,306 --> 00:54:02,907 SHE'S ABSOLUTELY BLOODY BRILLIANT. 776 00:54:02,940 --> 00:54:05,009 WE'RE COLLABORATING ON A PROJECT TOGETHER RIGHT NOW. 777 00:54:05,042 --> 00:54:06,544 REALLY? 778 00:54:06,577 --> 00:54:08,012 YEAH, IT'S MAINLY PHOTOGRAPHY, 779 00:54:08,045 --> 00:54:10,481 BUT--AND VIDEO, OF COURSE. 780 00:54:10,515 --> 00:54:12,383 AND I'M--I'M TRYING TO PROJECT FILM 781 00:54:12,417 --> 00:54:13,951 ONTO THREE -DIMENSIONAL CANVASES 782 00:54:13,984 --> 00:54:16,887 AND CAPTURE, OBVIOUSLY, THE PIECE IN ITSELF, 783 00:54:16,921 --> 00:54:21,559 BUT ALSO WHAT'S THE SECOND BEFORE AND AFTER EVERYTHING. 784 00:54:21,592 --> 00:54:23,828 BUT I'M JUST STILL-- STILL FIGURING IT OUT. 785 00:54:23,861 --> 00:54:27,398 I'M ONE OF THE MODELS. STRICTLY NUDES. 786 00:54:27,432 --> 00:54:30,668 EVERYONE, CAN I HAVE YOUR ATTENTION, PLEASE? 787 00:54:30,701 --> 00:54:35,740 WELCOME TO THE 14TH ANNUAL 788 00:54:35,773 --> 00:54:38,476 "WE CARE, WE CURE" GALA. 789 00:54:38,509 --> 00:54:42,913 [APPLAUSE] 790 00:54:42,947 --> 00:54:44,749 -HI. -HI. 791 00:54:44,782 --> 00:54:46,751 I'M SORRY I HAVEN'T CALLED. 792 00:54:46,784 --> 00:54:48,553 I'VE JUST BEEN REALLY BUSY AT THE GALLERY, 793 00:54:48,586 --> 00:54:50,054 BUT I WANNA HEAR HOW EVERYTHING'S COMING. 794 00:54:50,087 --> 00:54:51,522 [FATHER CONTINUES INDISTINCTLY] 795 00:54:51,556 --> 00:54:52,723 YEAH. IT'S FINE. 796 00:54:52,757 --> 00:54:53,758 EVERYTHING'S REALLY GOOD. 797 00:54:53,791 --> 00:54:54,992 DON'T WORRY ABOUT IT. 798 00:54:55,025 --> 00:54:56,627 EVERYTHING'S COMING ALONG. 799 00:54:56,661 --> 00:54:58,396 I CAN'T WAIT TO SHOW YOU. IT'S GONNA BE GREAT. 800 00:54:58,429 --> 00:55:00,431 -IT SHOULD BE DONE SOON. -OKAY, GOOD. 801 00:55:00,465 --> 00:55:02,032 JUST LET ME KNOW WHEN YOU'RE READY. 802 00:55:02,066 --> 00:55:03,601 YEAH, OKAY. LET'S LISTEN. 803 00:55:03,634 --> 00:55:05,403 [FATHER] IT WASN'T LONG AFTER WE WERE MARRIED 804 00:55:05,436 --> 00:55:09,774 THE TELL-TALE SIGNS BEGAN TO APPEAR-- 805 00:55:09,807 --> 00:55:12,910 THE DEPRESSION, 806 00:55:12,943 --> 00:55:16,080 THE DEMENTIA, 807 00:55:16,113 --> 00:55:18,449 AND PROBABLY THE WORST FOR GABRIELA, 808 00:55:18,483 --> 00:55:21,386 LOSS OF COORDINATION. 809 00:55:21,419 --> 00:55:22,787 AS MANY OF YOU KNOW, 810 00:55:22,820 --> 00:55:25,523 SHE WAS A VERY, VERY STRONG WOMAN, 811 00:55:25,556 --> 00:55:26,524 AND SHE FOUGHT. 812 00:55:26,557 --> 00:55:27,858 WHERE HAVE YOU BEEN HIDING? 813 00:55:27,892 --> 00:55:29,460 I'VE BEEN LOOKING EVERYWHERE FOR YOU. 814 00:55:29,494 --> 00:55:30,961 I WAS IN THE BATHROOM. 815 00:55:30,995 --> 00:55:32,797 WELL, I'M REALLY GLAD THAT YOU'RE HERE. 816 00:55:32,830 --> 00:55:34,632 I DIDN'T EVEN KNOW IF YOU YOU GOT OUT OF REHAB. 817 00:55:34,665 --> 00:55:36,634 YOUR DAD'S BEEN SUPER WEIRD ABOUT THE WHOLE THING. 818 00:55:36,667 --> 00:55:38,669 I'M FINE. I'M FINE. I'VE JUST BEEN WORKING A LOT. 819 00:55:38,703 --> 00:55:40,104 YEAH, AND GETTING SOME ACTION CLEARLY. 820 00:55:40,137 --> 00:55:41,939 YES. 821 00:55:41,972 --> 00:55:45,743 AND WITH THAT IN MIND, 822 00:55:45,776 --> 00:55:47,812 I WOULD LIKE TO INTRODUCE TO YOU 823 00:55:47,845 --> 00:55:50,781 ANOTHER VERY SPECIAL PERSON, 824 00:55:50,815 --> 00:55:52,817 WHO HAS INSPIRED NOT ONLY ME, 825 00:55:52,850 --> 00:55:55,853 BUT ALL THOSE WHO HAVE EVER HEARD HER STORY-- 826 00:55:55,886 --> 00:55:59,690 -JACKIE SORKA. -[APPLAUSE] 827 00:56:04,529 --> 00:56:05,830 [JACKIE] THANK YOU ALL VERY MUCH. 828 00:56:05,863 --> 00:56:07,131 I'M SO HONORED TO BE HERE. 829 00:56:07,164 --> 00:56:09,500 [SIGHS] 830 00:56:09,534 --> 00:56:11,502 EIGHT MONTHS AGO, 831 00:56:11,536 --> 00:56:13,938 I DECIDED TO EMBARK ON AN INEVITABLE JOURNEY 832 00:56:13,971 --> 00:56:15,806 THAT THREATENED TO CHANGE THE COURSE OF MY LIFE. 833 00:56:15,840 --> 00:56:17,708 MY BROTHER AND I WATCHED HUNTINGTON'S DISEASE 834 00:56:17,742 --> 00:56:21,846 TAKE OUR FATHER'S LIFE 835 00:56:21,879 --> 00:56:26,851 WITH A 50% CHANCE OF HAVING THE H.T. GENE, 836 00:56:26,884 --> 00:56:29,687 I CHOSE NOT TO GET TESTED AS A CHILD. 837 00:56:29,720 --> 00:56:34,525 BUT AS MY HEART GREW HARDER AND HARDER TO INVEST, 838 00:56:34,559 --> 00:56:35,626 I MADE THE HARD CHOICE. 839 00:56:35,660 --> 00:56:37,862 I PICKED UP THE PHONE. 840 00:56:37,895 --> 00:56:39,564 I CALLED MY DOCTOR. 841 00:56:41,732 --> 00:56:44,869 I CALLED MY FAMILY 842 00:56:44,902 --> 00:56:46,203 AND MY LOVED ONES. 843 00:56:46,236 --> 00:56:50,040 WE WERE PREPARED FOR ANYTHING AND EVERYTHING 844 00:56:50,074 --> 00:56:53,744 EXCEPT BEING THROWN OFF-COURSE BY A POSITIVE RESULT. 845 00:56:53,778 --> 00:56:56,180 I MEAN, S.A.T.'S AND WEDDINGS AND CHILDREN-- 846 00:56:56,213 --> 00:57:00,451 I HAD PLANNED FOR SO MUCH LIFE. 847 00:57:02,620 --> 00:57:07,191 I MEAN, EVERY DAY BRINGS NEW CHALLENGES, 848 00:57:07,224 --> 00:57:11,562 BUT I AM DETERMINED TO PACK IN FIFTY YEARS OF LIFE 849 00:57:11,596 --> 00:57:15,065 IF ALL I HAVE IS TEN LEFT. 850 00:57:25,242 --> 00:57:26,911 [SNIFFLING] 851 00:57:32,783 --> 00:57:34,785 [SNIFFLING] 852 00:57:47,798 --> 00:57:49,534 [CHATTERING] 853 00:57:51,636 --> 00:57:55,873 HEY. I THOUGHT YOU SAID YOU WEREN'T GONNA LEAVE ME. 854 00:57:55,906 --> 00:57:58,609 WHAT ARE YOU TALKING ABOUT? I WAS RIGHT THERE. 855 00:57:58,643 --> 00:58:00,545 -HERE IT IS. -THANK YOU. 856 00:58:00,578 --> 00:58:01,812 GIVE ME A CALL SOMETIME. 857 00:58:01,846 --> 00:58:04,949 WHERE'S YOUR WIFE? YOU DITCH HER? 858 00:58:04,982 --> 00:58:07,251 -EXCUSE ME? -YOUR WIFE. 859 00:58:07,284 --> 00:58:09,119 -I'M NOT-- -WHAT'S GOING ON? 860 00:58:09,153 --> 00:58:10,821 I DON'T KNOW, UH-- 861 00:58:10,855 --> 00:58:12,757 WHAT ARE YOU TWO DOING OUT HERE? 862 00:58:12,790 --> 00:58:14,959 I--I--SORRY. 863 00:58:14,992 --> 00:58:16,193 I THINK YOU SHOULD COME 864 00:58:16,226 --> 00:58:17,294 AND GET SOME FRESH AIR MAYBE? 865 00:58:17,327 --> 00:58:18,996 YOU'RE A LITTLE WORKED UP. 866 00:58:19,029 --> 00:58:20,998 ME? I'M NOT THE ONE TRYING TO FUCK RANDOM GUYS. 867 00:58:22,299 --> 00:58:25,002 MAYBE I SHOULD, UM... 868 00:58:25,035 --> 00:58:27,672 -IT WAS NICE MEETING YOU. -THAT IT WAS. 869 00:58:29,306 --> 00:58:32,276 WHAT ARE YOU TALKING ABOUT? 870 00:58:32,309 --> 00:58:35,279 I THOUGHT YOU SAID YOU WEREN'T GONNA LEAVE ME. 871 00:58:35,312 --> 00:58:39,650 I DIDN'T. I WAS RIGHT THERE. 872 00:58:39,684 --> 00:58:41,185 CHLOE! 873 00:58:48,192 --> 00:58:49,994 CHLOE! 874 00:58:50,027 --> 00:58:51,295 I DIDN'T LEAVE YOU. 875 00:58:51,328 --> 00:58:53,063 YOU WERE THE ONE WHO DISAPPEARED. 876 00:58:53,097 --> 00:58:55,666 OH, COME ON, JUST ADMIT IT. YOU WERE WORKING. 877 00:58:55,700 --> 00:58:57,668 I WAS TALKING TO PEOPLE! 878 00:58:57,702 --> 00:59:00,070 JUST ADMIT IT. YOU WERE WORKING. 879 00:59:00,104 --> 00:59:01,672 NO, I SWEAR! THAT IS NOT WHAT HAPPENED! 880 00:59:01,706 --> 00:59:02,840 I WASN'T TRYING TO FUCK THE GUY. 881 00:59:02,873 --> 00:59:04,174 HE JUST WANTED A CIGARETTE. 882 00:59:04,208 --> 00:59:07,311 COME ON. 883 00:59:07,344 --> 00:59:09,013 GET YOUR FUCKING HANDS OFF ME. 884 00:59:09,046 --> 00:59:10,681 CHLOE, CHLOE, LET ME TALK TO YOU 885 00:59:10,715 --> 00:59:12,316 FOR JUST A MINUTE, PLEASE! 886 00:59:12,349 --> 00:59:14,719 IT'S FINE, I'LL GET HER. 887 00:59:31,936 --> 00:59:33,904 [SNIFFS] 888 00:59:40,277 --> 00:59:42,880 OH, MY GOD. YOU DON'T--YOU DON'T CARE ABOUT ANYONE. 889 00:59:42,913 --> 00:59:45,215 YOU DON'T FUCKING CARE ABOUT YOURSELF. 890 00:59:45,249 --> 00:59:47,251 [KAT] IS THAT WHAT THAT LITTLE FIT WAS ABOUT IN THERE? 891 00:59:47,284 --> 00:59:49,620 I MEAN, WHAT THE FUCK WAS THAT? 892 00:59:55,259 --> 00:59:58,062 YOU KNOW, I'VE NEVER BEEN IN LOVE. 893 00:59:58,095 --> 00:59:59,730 [KAT] DON'T SAY IT. 894 00:59:59,764 --> 01:00:01,298 WHY? 895 01:00:01,331 --> 01:00:04,902 BECAUSE THIS ISN'T IT. 896 01:00:04,935 --> 01:00:07,938 WELL, I WANTED TO SAY IT BEFORE YOU GO. 897 01:00:09,273 --> 01:00:11,275 I'M GOING? 898 01:00:14,411 --> 01:00:15,913 WHERE AM I GOING? 899 01:00:15,946 --> 01:00:17,782 YOU JUST GOTTA GO. 900 01:00:25,355 --> 01:00:27,925 -TAKE OFF YOUR DRESS. -WHAT? 901 01:00:27,958 --> 01:00:31,095 -TAKE OFF YOUR DRESS. -WHY? 902 01:00:31,128 --> 01:00:33,698 BECAUSE I WANT TO DO ONE LAST INTERVIEW WITH YOU BEFORE YOU LEAVE. 903 01:00:33,731 --> 01:00:36,300 -OH, I'M LEAVING TONIGHT? -YES. 904 01:00:36,333 --> 01:00:39,770 -THEN I'M LEAVING NOW. -NO, YOU'RE NOT. 905 01:00:39,804 --> 01:00:43,307 TAKE THIS. HERE. IT'S EVERYTHING AND A LITTLE EXTRA. 906 01:00:47,812 --> 01:00:49,146 TAKE OFF YOUR CLOTHES. 907 01:00:51,281 --> 01:00:53,283 DON'T SIT. YOU ALWAYS SIT. 908 01:00:53,317 --> 01:00:54,985 HERE, STAND. 909 01:00:59,990 --> 01:01:01,826 THERE WE GO. 910 01:01:05,229 --> 01:01:07,798 WAIT, STOP. 911 01:01:07,832 --> 01:01:09,666 I WANT THE TRUTH FROM YOU. 912 01:01:11,368 --> 01:01:15,272 YOU HAVE A KID, AM I RIGHT? 913 01:01:15,305 --> 01:01:17,441 HAD. I HAD A KID. 914 01:01:17,474 --> 01:01:19,877 YEAH? WHAT HAPPENED? 915 01:01:19,910 --> 01:01:23,313 I GAVE IT AWAY. 916 01:01:23,347 --> 01:01:24,414 [CHLOE] YOU GAVE IT AWAY. 917 01:01:24,448 --> 01:01:26,917 WAS IT A HE OR A SHE OR-- 918 01:01:26,951 --> 01:01:28,452 IT. 919 01:01:28,485 --> 01:01:30,154 IT GREW INSIDE OF ME, I HAD IT, 920 01:01:30,187 --> 01:01:31,321 I GAVE IT AWAY. 921 01:01:31,355 --> 01:01:32,890 DID YOU EVER TRY TO FIND-- 922 01:01:32,923 --> 01:01:37,127 NO, AND THAT'S THE END OF THAT STORY. 923 01:01:37,161 --> 01:01:41,198 -HOW COULD YOU JUST-- -EASILY. 924 01:01:41,231 --> 01:01:44,969 I DIDN'T KNOW OR CARE IF I WAS PREGNANT UNTIL IT WAS TOO LATE. 925 01:01:45,002 --> 01:01:49,006 -HOW COULD YOU JUST-- -WHAT? WHAT? 926 01:01:49,039 --> 01:01:50,340 YOU DON'T UNDERSTAND 927 01:01:50,374 --> 01:01:52,409 HOW A MOTHER COULD JUST GIVE AWAY HER CHILD 928 01:01:52,442 --> 01:01:54,879 AND NEVER THINK ABOUT IT AGAIN? 929 01:01:54,912 --> 01:01:57,181 I'M NOBODY'S MOTHER. 930 01:01:57,214 --> 01:01:59,183 I'M JUST A WOMAN WHO GAVE UP 931 01:01:59,216 --> 01:02:02,152 ON HER LITTLE GIRL. 932 01:02:02,186 --> 01:02:05,455 SO, IT WAS A GIRL? 933 01:02:05,489 --> 01:02:08,192 SURE. DO YOU KNOW WHAT? 934 01:02:08,225 --> 01:02:10,961 ARE YOU DONE WORKING OUT YOUR MOMMY ISSUES? 935 01:02:10,995 --> 01:02:12,196 THIS HAS NOTHING TO DO WITH ME. 936 01:02:12,229 --> 01:02:14,131 -OH, IT ISN'T? -UNH-UNH. 937 01:02:14,164 --> 01:02:15,866 YOU TAKE ME TO YOUR MOTHER'S CHARITY EVENT. 938 01:02:15,900 --> 01:02:18,035 YOU GO BATSHIT CRAZY WHEN I START TO FLIRT. 939 01:02:18,068 --> 01:02:21,371 YOU COME HOME HERE AND YOU JUST GRILL ME ABOUT MY SCAR. 940 01:02:21,405 --> 01:02:24,341 DO YOU WANT A WHORE OR A THERAPIST? 941 01:02:27,111 --> 01:02:29,113 OH, MAYBE YOU WANT ANOTHER MOTHER. 942 01:02:32,182 --> 01:02:35,052 STOP IT. 943 01:02:35,085 --> 01:02:36,386 YOU COULD NEVER BE MY MOTHER 944 01:02:36,420 --> 01:02:38,122 BECAUSE MY MOTHER WAS LOVING. 945 01:02:38,155 --> 01:02:39,957 -BLAH, BLAH, BLAH. -GET THE FUCK OUT. 946 01:02:39,990 --> 01:02:41,391 GET OUT, GET OUT, GET OUT. 947 01:02:41,425 --> 01:02:42,559 I DON'T GIVE A SHIT. NOW! 948 01:02:42,592 --> 01:02:44,895 [KAT] I'M LEAVING ANYWAY. 949 01:02:44,929 --> 01:02:47,764 HOW LONG CAN YOU KEEP A WHORE AROUND, HUH? 950 01:03:46,991 --> 01:03:50,127 WHAT YOU THINK FOR DINNER? MAYBE BARBEQUE? 951 01:03:50,160 --> 01:03:51,495 OH, WHERE THE FUCK HAVE YOU BEEN? 952 01:03:51,528 --> 01:03:54,464 -WORKING. -REALLY? THAT'S GOOD. 953 01:03:54,498 --> 01:03:57,301 I HOPE THIS IS IT, BECAUSE MR. ROMA IS ALL OVER MY ASS NOW. 954 01:03:57,334 --> 01:04:00,104 YEAH, IT'S NOT ENOUGH, BUT I'M GONNA GIVE TO YOU IN TWO, THREE DAYS. 955 01:04:00,137 --> 01:04:02,940 HOW'S THAT SUPPOSED TO HAPPEN? 956 01:04:02,973 --> 01:04:04,308 I DON'T FUCKING KNOW. 957 01:04:04,341 --> 01:04:07,311 THIS IS YOUR JOB. I NEED CLIENTS. 958 01:04:07,344 --> 01:04:08,612 YOU SHOULD PROBABLY KEEP THIS 959 01:04:08,645 --> 01:04:10,247 BECAUSE THERE'S NOTHING OUT THERE. 960 01:04:10,280 --> 01:04:13,617 NOTHING OUT THERE, OR NOTHING OUT THERE FOR ME? 961 01:04:13,650 --> 01:04:16,987 TAKE YOUR PICK. 962 01:04:17,021 --> 01:04:20,090 I GOT GIRLS TURNING 20 THAT ARE IN FOR A SURPRISE. 963 01:04:22,159 --> 01:04:25,129 TWENTY. IT'S DRY. 964 01:04:29,033 --> 01:04:30,500 I'LL DO ANYTHING. 965 01:04:30,534 --> 01:04:32,636 I'LL DO PARTIES. 966 01:04:32,669 --> 01:04:34,238 I'LL EVEN DO GROUPS. 967 01:04:34,271 --> 01:04:35,239 ANYTHING. 968 01:04:35,272 --> 01:04:37,374 ANYTHING? 969 01:04:39,543 --> 01:04:43,447 WELL, THERE'S SOMETHING, BUT IT IS NOT GOOD. 970 01:04:46,550 --> 01:04:50,020 -YOU HEAR ME? -ANYTHING. 971 01:04:50,054 --> 01:04:51,355 -NOT GOOD. -I'LL DO ANYTHING. 972 01:04:51,388 --> 01:04:52,889 IT PAYS WELL, BUT IT'S NOT GOOD. 973 01:04:54,224 --> 01:04:56,360 THAT'S OKAY. 974 01:04:56,393 --> 01:04:58,195 ANYTHING. I CAN DO IT. 975 01:04:58,228 --> 01:05:00,097 ALL RIGHT. I'LL CALL YOU. 976 01:05:06,570 --> 01:05:11,275 -ARE YOU OKAY? -YEAH, I'M FINE. 977 01:05:11,308 --> 01:05:16,146 CHLOE, I THINK IT'S IMPORTANT FOR YOU TO KNOW 978 01:05:16,180 --> 01:05:17,982 THAT I NEVER DID ANYTHING TO MOM 979 01:05:18,015 --> 01:05:21,418 THAT SHE DIDN'T ASK ME TO DO. 980 01:05:25,422 --> 01:05:29,259 YOUR MOM DIDN'T WANT TO SUFFER, SO SHE... 981 01:05:34,598 --> 01:05:37,201 CHLOE, YOU NEED HELP. 982 01:05:37,234 --> 01:05:39,303 THAT'S WHY WE'RE HERE, 983 01:05:39,336 --> 01:05:43,273 MR. KENNER AND I WOULD LIKE TO DISCUSS YOUR OPTIONS. 984 01:05:44,741 --> 01:05:47,711 YOU KNOW? 985 01:05:47,744 --> 01:05:50,680 CHLOE, MOM HAD HUNTINGTON'S FOR MANY YEARS. 986 01:06:01,291 --> 01:06:03,593 I LOVE YOU. 987 01:06:03,627 --> 01:06:06,630 [KNOCK ON DOOR] 988 01:06:11,135 --> 01:06:12,502 YOU PETE? 989 01:06:12,536 --> 01:06:15,972 YOU CAN PUT YOUR SHIT OVER THERE. 990 01:06:34,158 --> 01:06:39,029 HEY, UM, COULD YOU HELP ME WITH SOMETHING? 991 01:06:39,063 --> 01:06:41,631 -SURE, ANYTHING. -I NEED TO FIND SOMEONE. 992 01:06:41,665 --> 01:06:43,233 OKAY. 993 01:07:28,178 --> 01:07:30,514 [PETE] SO, ARE YOU GONNA SHARE ANY OF THAT WITH ME? 994 01:07:30,547 --> 01:07:33,850 YOU'RE GOOD. SO THIS IS IT? 995 01:07:33,883 --> 01:07:35,585 -YEAH. -JUST IN FRONT OF THIS? 996 01:07:35,619 --> 01:07:38,222 -YEAH. THAT'S IT. -LET'S DO IT. 997 01:07:38,255 --> 01:07:40,157 OKAY, SO RENT HERE IS NOT FREE, OKAY? 998 01:07:40,190 --> 01:07:41,691 [KAT] GOT IT. 999 01:07:41,725 --> 01:07:43,693 [PETE] THERE'S A LOT OF WORK IF YOU NEED IT. 1000 01:07:43,727 --> 01:07:45,729 -LET'S JUST DO IT. -YEAH, LET'S SEE WHAT YOU GOT. 1001 01:07:47,397 --> 01:07:48,698 WHOA, WHAT ARE YOU-- 1002 01:07:48,732 --> 01:07:50,667 STOP, STOP, STOP. WHOA, STOP. 1003 01:07:50,700 --> 01:07:54,404 IS THIS YOUR FIRST TIME? SLOWLY, BABE, OKAY? 1004 01:07:54,438 --> 01:07:57,307 SLOWLY. I GOTTA SELL THIS SHIT TO PEOPLE. 1005 01:07:57,341 --> 01:07:59,309 TRY AGAIN. 1006 01:07:59,343 --> 01:08:02,379 ALL RIGHT, MAKE IT LOOK LIKE YOU'RE INTO IT. 1007 01:08:02,412 --> 01:08:03,813 LOOK LIKE YOU LIKE IT. 1008 01:08:07,751 --> 01:08:09,719 OKAY, YOU GOTTA-- YOU GOTTA BE HAP-- 1009 01:08:09,753 --> 01:08:12,556 YOU LOOK LIKE YOU'RE ABOUT TO FUCKING CRY. 1010 01:08:12,589 --> 01:08:14,291 TRY AND BE HAPPY. 1011 01:08:22,432 --> 01:08:24,568 [CHLOE] I'M GONNA ASK YOU A FEW QUESTIONS, OKAY? 1012 01:08:24,601 --> 01:08:25,769 [GIRL] OKAY. 1013 01:08:28,438 --> 01:08:30,774 -WHAT'S YOUR NAME? -AMY. 1014 01:08:32,442 --> 01:08:35,579 HMM. YOUR MOMMY SAID WE COULD TALK. 1015 01:08:35,612 --> 01:08:39,449 SHE'S NOT MY REAL MOMMY. 1016 01:08:44,288 --> 01:08:45,722 [CHLOE] YOU WANNA STOP DOING THIS? 1017 01:08:45,755 --> 01:08:47,424 [WOMAN] YOU NEED ANOTHER DAMN QUESTION. 1018 01:08:47,457 --> 01:08:49,426 [CHLOE] DO YOU WANNA STOP DOING THIS? 1019 01:08:49,459 --> 01:08:50,794 [SIGHS] 1020 01:08:53,297 --> 01:08:54,764 NO. 1021 01:08:54,798 --> 01:08:56,766 [CHLOE] YOU EVER THINK THAT YOU WILL? 1022 01:08:56,800 --> 01:09:00,770 SURE, YOU KNOW, IN A YEAR OR TWO. 1023 01:09:00,804 --> 01:09:03,440 -SURE. -OH, NO, NO, NO. 1024 01:09:03,473 --> 01:09:06,610 NO, I'M PLANNING ON DOING THIS MAYBE ONE MORE YEAR, 1025 01:09:06,643 --> 01:09:07,944 TWO AT THE MOST. 1026 01:09:07,977 --> 01:09:12,182 UH, YEAH, ONE, MAYBE TWO YEARS TOPS. 1027 01:09:19,823 --> 01:09:21,491 [KNOCKING ON DOOR] 1028 01:09:21,525 --> 01:09:23,493 ARE YOU IN THERE? 1029 01:09:25,495 --> 01:09:27,163 CHLOE? 1030 01:09:31,768 --> 01:09:33,670 OH. 1031 01:09:33,703 --> 01:09:36,473 HELLO, IS CHLOE AROUND? 1032 01:09:36,506 --> 01:09:39,243 NO, SORRY. SHE'S IN AN APPOINTMENT. 1033 01:09:39,276 --> 01:09:40,677 OKAY. 1034 01:09:40,710 --> 01:09:43,713 WELL, DO YOU KNOW WHEN SHE'S GONNA BE HOME? 1035 01:09:43,747 --> 01:09:46,316 I DON'T. SORRY. 1036 01:09:48,852 --> 01:09:51,955 -ARE YOU OKAY? -YEAH, I'M FINE. 1037 01:09:51,988 --> 01:09:54,324 LOOK, CAN I JUST COME IN AND GET MY STUFF? 1038 01:09:54,358 --> 01:09:57,327 I DON'T THINK THAT'S REALLY A GOOD IDEA. 1039 01:09:57,361 --> 01:09:59,563 FUCK. 1040 01:09:59,596 --> 01:10:02,366 -ARE YOU OKAY, THOUGH? -YEAH. 1041 01:10:03,367 --> 01:10:05,369 I'LL SWING BY LATER. 1042 01:10:08,037 --> 01:10:09,873 YOU KNOW SHE'S SICK. 1043 01:10:13,543 --> 01:10:15,545 CHLOE'S GONNA LOSE HER INDEPENDENCE 1044 01:10:15,579 --> 01:10:19,849 AND SHE NEEDS PEOPLE WHO CAN TAKE CARE OF HER. 1045 01:10:19,883 --> 01:10:22,218 DO YOU HONESTLY THINK YOU CAN DO THAT? 1046 01:10:40,737 --> 01:10:42,439 [CHLOE] DO YOU LIKE WHAT YOU DO? 1047 01:10:42,472 --> 01:10:45,375 [KAT] I LIKE BEING GOOD AT WHAT I DO. 1048 01:10:45,409 --> 01:10:48,378 WHEN I'M WITH A CLIENT, I'M EXACTLY WHAT THEY WANT. 1049 01:10:48,412 --> 01:10:50,013 NOT WHAT THEY SAY THEY WANT, 1050 01:10:50,046 --> 01:10:52,015 NOT WHAT THEY THINK THEY WANT, 1051 01:10:52,048 --> 01:10:55,352 I'M WHAT THEY DON'T KNOW THEY WANT. 1052 01:10:57,754 --> 01:11:00,957 [CHLOE] WHAT DO I WANT? 1053 01:11:00,990 --> 01:11:02,559 [KAT] YOU WANT SOMEONE TO COME IN HERE 1054 01:11:02,592 --> 01:11:05,028 AND SHIT ALL OVER YOUR WORLD, 1055 01:11:05,061 --> 01:11:08,832 MAKE YOU DO THINGS YOU REALLY WANT TO DO, BUT CAN'T. 1056 01:11:08,865 --> 01:11:12,001 YOU SAID YOU WANTED BRUTAL HONESTY BECAUSE YOU 1057 01:11:12,035 --> 01:11:13,970 ARE LOOKING FOR SOMEONE TO COME IN HERE 1058 01:11:14,003 --> 01:11:15,839 AND TELL YOU THINGS YOU DON'T WANT TO HEAR. 1059 01:11:17,941 --> 01:11:20,777 SHIT. 1060 01:11:20,810 --> 01:11:22,879 WHAT'RE YOU DOING HERE? 1061 01:11:22,912 --> 01:11:24,481 I WAS REALLY WORRIED ABOUT YOU. 1062 01:11:27,784 --> 01:11:29,753 SORRY, I JUST USED MY KEY TO GET IN. 1063 01:11:29,786 --> 01:11:31,921 YOU DIDN'T GET BACK TO ME. I DIDN'T HEAR FROM YOU. 1064 01:11:31,955 --> 01:11:33,790 IT'S COOL. 1065 01:11:33,823 --> 01:11:35,959 UM, DID YOU, UH, TOUCH ANYTHING? 1066 01:11:35,992 --> 01:11:37,494 NO. 1067 01:11:37,527 --> 01:11:39,028 'CAUSE I HAD EVERYTHING SET UP ON THIS TABLE 1068 01:11:39,062 --> 01:11:40,464 -THAT WAS REALLY FOR-- -NO. 1069 01:11:40,497 --> 01:11:42,599 THERE WERE THESE POLAROIDS-- 1070 01:11:42,632 --> 01:11:45,602 LOOK, CHLOE, EVERYONE'S REALLY WORRIED ABOUT YOU, OKAY? 1071 01:11:45,635 --> 01:11:48,605 AND, UM, YOUR GIRLFRIEND STOPPED BY. 1072 01:11:48,638 --> 01:11:50,774 MY--KAT STOPPED BY? 1073 01:11:50,807 --> 01:11:52,509 YEAH. 1074 01:11:52,542 --> 01:11:55,011 WHEN DID KAT COME BY? 1075 01:11:55,044 --> 01:11:57,881 I DON'T KNOW. 20, 30 MINUTES AGO. 1076 01:11:57,914 --> 01:12:00,384 -LOOK, ARE YOU OKAY? -FUCK. 1077 01:12:06,122 --> 01:12:07,991 LOOK, YOU GOTTA TALK TO ME, OKAY? 1078 01:12:08,024 --> 01:12:09,826 -YEAH. -YEAH? 1079 01:12:09,859 --> 01:12:11,628 -WHAT'S GOING ON? -[SIGHS] I'M JUST HOT. 1080 01:12:11,661 --> 01:12:12,929 YEAH, YOU'RE HOT? 1081 01:12:12,962 --> 01:12:14,564 OKAY, I'M GONNA GET YOU A GLASS OF WATER, 1082 01:12:14,598 --> 01:12:17,033 AND, UM, I'M GONNA CALL YOUR DAD, ALL RIGHT? 1083 01:12:17,066 --> 01:12:18,568 DON'T CALL MY DAD. DON'T CALL MY DAD. 1084 01:12:18,602 --> 01:12:20,770 -DON'T CALL MY DAD. -CHLOE? 1085 01:12:23,840 --> 01:12:25,475 WHAT DO YOU WANT? YOU GOTTA TALK TO ME. 1086 01:12:25,509 --> 01:12:26,976 CAN YOU HELP ME? 1087 01:12:27,010 --> 01:12:29,413 CAN YOU HELP ME WITH SOMETHING? COME HERE. 1088 01:12:29,446 --> 01:12:31,748 -OOH. OKAY. -IT'S OKAY. 1089 01:12:31,781 --> 01:12:32,849 -IT'S OKAY. -MY HANDS. 1090 01:12:32,882 --> 01:12:34,718 YEAH, I KNOW. I KNOW. I KNOW. 1091 01:12:34,751 --> 01:12:36,920 DO YOU WANT ME TO HELP YOU? YOU WANT TO TELL ME WHAT TO DO? 1092 01:12:36,953 --> 01:12:38,488 -MM-HMM. -OKAY. 1093 01:12:38,522 --> 01:12:39,923 I'D LIKE IF YOU CAN JUST PULL UP THIS FILE 1094 01:12:39,956 --> 01:12:41,157 WITH THE ONE WHERE SHE'S SITTING 1095 01:12:41,190 --> 01:12:44,127 IN THE BATHROOM, UM... 1096 01:12:44,160 --> 01:12:45,562 THE ONE THAT'S A LITTLE BIT CLOSER 1097 01:12:45,595 --> 01:12:46,563 AND ON HER FACE. 1098 01:12:46,596 --> 01:12:48,532 OKAY. THIS IS THE ONE 1099 01:12:48,565 --> 01:12:49,566 I'M GOING TO SETUP, OKAY? 1100 01:12:59,709 --> 01:13:01,778 [PETE] HEY, ARE YOU READY YET? HE'S HERE. 1101 01:13:01,811 --> 01:13:03,513 COME ON, HURRY UP. 1102 01:13:03,547 --> 01:13:06,149 [DOOR OPENS, CLOSES] 1103 01:13:08,652 --> 01:13:11,921 ISN'T HE THE GUY FROM THE CHAT ROOM? 1104 01:13:11,955 --> 01:13:13,990 HOW THE HELL SHOULD I KNOW? 1105 01:13:14,023 --> 01:13:15,625 COME ON. [SNAPS FINGERS] 1106 01:13:17,727 --> 01:13:20,697 [CHLOE] WHAT'S THE WORST THING ABOUT YOUR WORK? 1107 01:13:20,730 --> 01:13:22,832 BEATINGS, 1108 01:13:22,866 --> 01:13:25,034 NOT GETTING PAID, 1109 01:13:25,068 --> 01:13:26,903 GETTIN' HARASSED BY PIGS AND ARRESTED. 1110 01:13:26,936 --> 01:13:29,105 I--WHAT DO YOU THINK? 1111 01:13:29,138 --> 01:13:32,476 BEING TREATED LIKE A HUMAN TOILET. 1112 01:13:32,509 --> 01:13:35,078 -THAT I CAN'T GO BACK. -[CHLOE] BACK WHERE? 1113 01:13:39,583 --> 01:13:40,917 BACK HOME. 1114 01:13:42,586 --> 01:13:45,722 [KEYBOARD CLICKING] 1115 01:13:45,755 --> 01:13:48,458 [VOICE MUMBLES] 1116 01:13:51,227 --> 01:13:54,030 COME HERE. 1117 01:13:54,063 --> 01:13:56,966 NO INCALL. 1118 01:13:57,000 --> 01:13:59,969 ALWAYS MEET AT A HOTEL OR THE CLIENT'S PLACE. 1119 01:14:00,003 --> 01:14:01,771 NEVER LET THEM KNOW WHERE YOU LIVE. 1120 01:14:01,805 --> 01:14:03,206 [GRUNTING] 1121 01:14:04,941 --> 01:14:08,545 DON'T DO DRUGS WITH CLIENTS. GOTTA STAY IN CONTROL. 1122 01:14:12,782 --> 01:14:14,751 [TELEPHONE RINGING] 1123 01:14:14,784 --> 01:14:17,787 [MOANING] 1124 01:14:17,821 --> 01:14:19,122 YOU GOTTA STAY IN CONTROL. 1125 01:14:19,155 --> 01:14:21,224 NEVER LET THEM KNOW WHERE YOU LIVE. 1126 01:14:25,562 --> 01:14:27,664 YOU'VE GOT TO STAY IN CONTROL. 1127 01:14:27,697 --> 01:14:32,268 THEY'RE NEVER MY RULES. THEY'RE THE RULES TO KEEP YOU SAFE. 1128 01:14:32,301 --> 01:14:34,538 [CHLOE] WHAT KIND OF RULES? 1129 01:14:34,571 --> 01:14:37,206 UM, NO INCALLS 1130 01:14:37,240 --> 01:14:40,009 ALWAYS MEET AT A HOTEL OR AT THE CLIENT'S PLACE. 1131 01:14:40,043 --> 01:14:42,178 NEVER LET THEM KNOW WHERE YOU LIVE. 1132 01:14:42,211 --> 01:14:45,649 DON'T DO DRUGS WITH CLIENTS, GOTTA STAY IN CONTROL. 1133 01:14:45,682 --> 01:14:47,784 [PETE] YOU WANNA GET THE FUCK OUTTA HERE TOMORROW NIGHT? 1134 01:14:47,817 --> 01:14:49,118 GET A DRINK OR SOMETHING? 1135 01:14:49,152 --> 01:14:52,021 [SIGHS] OKAY. 1136 01:15:10,940 --> 01:15:14,277 [CHLOE] HI, I'D LIKE TO MAKE AN APPOINTMENT. 1137 01:15:14,310 --> 01:15:16,680 UH, IS SHE AVAILABLE TONIGHT? 1138 01:15:17,914 --> 01:15:20,149 UGH, UH, R-RIGHT NOW? 1139 01:15:21,985 --> 01:15:24,020 OKAY. UM, I'LL TEXT YOU MY ADDRESS. 1140 01:15:25,354 --> 01:15:28,191 [KAT] SO, WHERE ARE WE GOING TONIGHT? 1141 01:15:32,161 --> 01:15:34,263 [STAMMERING] SORRY. I--I, UM, 1142 01:15:34,297 --> 01:15:35,799 I JUST GOT A CALL. 1143 01:15:35,832 --> 01:15:37,667 YOU'RE WORKING TONIGHT. 1144 01:15:37,701 --> 01:15:40,570 HE'S COMING OVER NOW. SO GET READY. 1145 01:16:11,901 --> 01:16:13,870 [KNOCKING ON DOOR] 1146 01:16:19,743 --> 01:16:21,678 WELL, COME ON, JOIN US. DON'T BE SCARED. 1147 01:16:24,380 --> 01:16:26,850 COME IN. 1148 01:16:26,883 --> 01:16:29,786 WHAT ARE WE DOING HERE? 1149 01:16:29,819 --> 01:16:33,189 FILMING HOUSE EXTRA. 1150 01:16:33,222 --> 01:16:35,591 I KNOW. SIT. 1151 01:16:43,800 --> 01:16:46,903 WHERE'S THE BLOW? 1152 01:16:46,936 --> 01:16:48,604 YOU COMPLAINING RIGHT NOW? 1153 01:16:49,873 --> 01:16:51,875 SO, UH, 1154 01:16:51,908 --> 01:16:54,844 HOW'D YOU GET STARTED? 1155 01:16:54,878 --> 01:16:57,013 I WAS STRIPPING AT BACHELOR PARTIES, 1156 01:16:57,046 --> 01:17:00,717 AND, UH, SWITCHED OVER. 1157 01:17:00,750 --> 01:17:03,219 REMEMBER YOUR FIRST TIME? 1158 01:17:03,252 --> 01:17:04,921 [SCOFFS] 1159 01:17:04,954 --> 01:17:07,023 NO, NOT REALLY. 1160 01:17:08,825 --> 01:17:11,160 [WHISPERING] 1161 01:17:14,430 --> 01:17:16,632 EVERYTHING ALL RIGHT? 1162 01:17:18,267 --> 01:17:22,105 WHAT'S THE WORST THING THAT'S EVER HAPPENED TO YOU? 1163 01:17:22,138 --> 01:17:25,141 NOTHING BAD HAS EVER HAPPENED TO ME. 1164 01:17:26,442 --> 01:17:29,278 NOT YET. 1165 01:17:29,312 --> 01:17:31,848 YOU EVER FALL IN LOVE WITH A CLIENT? 1166 01:17:35,985 --> 01:17:38,287 NO, THAT'S NOT ME. 1167 01:17:40,990 --> 01:17:43,126 [CLEARS THROAT] I'M GONNA GO GET A SIX PACK. 1168 01:17:43,159 --> 01:17:45,829 WHAT? YOU SERIOUS? 1169 01:17:45,862 --> 01:17:48,865 LOOK. HE'S A FRIEND OF CONRAD'S, OKAY? 1170 01:17:48,898 --> 01:17:50,299 RELAX. 1171 01:17:50,333 --> 01:17:52,769 [DOOR OPENS, CLOSES] 1172 01:18:49,893 --> 01:18:51,861 YOU WANT A HIT? 1173 01:18:55,398 --> 01:18:58,167 YOU JUST GONNA SIT THERE AND SAY NOTHING? 1174 01:18:59,535 --> 01:19:01,237 FUCK IT. I'LL DO ANOTHER ONE. 1175 01:20:07,871 --> 01:20:09,873 WHAT IS THAT SHIT, MAN? 1176 01:20:12,608 --> 01:20:14,143 I'M NOT INTO THAT FUCKING SHIT. 1177 01:20:14,177 --> 01:20:15,344 [SNIFFS] 1178 01:20:55,518 --> 01:20:57,887 I'M NOT DOING IT. 1179 01:20:57,921 --> 01:20:59,555 I'M NOT FUCKING INTO THAT SHIT. 1180 01:21:03,026 --> 01:21:05,494 FUCK IT. 1181 01:21:05,528 --> 01:21:07,363 I'M NOT INTO THAT SHIT. 1182 01:21:07,396 --> 01:21:09,032 AH! OW! 1183 01:21:14,337 --> 01:21:18,007 WHAT? WHAT THE FUCK? 1184 01:21:18,041 --> 01:21:21,410 WHAT'S WRONG? 1185 01:21:21,444 --> 01:21:24,113 WHAT-- WHAT? 1186 01:21:24,147 --> 01:21:26,649 -WHAT'S-- -GET OUT. 1187 01:21:26,682 --> 01:21:28,584 GET OUT. GET THE FUCK OUT! 1188 01:21:28,617 --> 01:21:32,021 -WHAT'RE YOU TALKING ABOUT? -GET THE FUCK OUT! 1189 01:21:34,390 --> 01:21:36,092 OH, MY GOD. 1190 01:21:43,399 --> 01:21:46,002 [MUFFLED VOICE] NO, NO, NO! 1191 01:21:46,035 --> 01:21:48,904 [GASPING, COUGHING] 1192 01:21:52,708 --> 01:21:54,978 [MAN] ...ROOM SSI. 1193 01:21:55,011 --> 01:21:57,313 [KAT CHOKING, SILENCE] 1194 01:22:29,045 --> 01:22:31,414 [GASPING] 1195 01:22:47,330 --> 01:22:49,632 [WOMAN] I'M NOT LEAVING YOU ON PURPOSE. 1196 01:22:49,665 --> 01:22:51,534 I'M NOT LEAVING YOU ON PURPOSE. 1197 01:22:51,567 --> 01:22:53,536 I'M NOT LEAVING YOU ON... 1198 01:22:53,569 --> 01:22:54,970 [SILENCE] 1199 01:22:56,705 --> 01:22:59,242 -[GASPS] -[MONITOR BEEPING] 1200 01:23:20,663 --> 01:23:22,665 [GROANS] 1201 01:23:49,458 --> 01:23:51,060 [CHLOE] HOW DO YOU GET THROUGH IT? 1202 01:23:52,361 --> 01:23:55,598 THE DRUGS. 1203 01:23:55,631 --> 01:23:57,333 HOPE. 1204 01:24:01,537 --> 01:24:03,106 I JUST DO. 1205 01:24:05,374 --> 01:24:06,809 I BELIEVE YOU KNOW MY CLIENT 1206 01:24:06,842 --> 01:24:09,678 MISS CHLOE DAVIS? 1207 01:24:09,712 --> 01:24:12,215 YES, I DO. 1208 01:24:12,248 --> 01:24:15,518 HOW DID YOU FIND ME? 1209 01:24:15,551 --> 01:24:18,554 I'M THE EXECUTOR OF MISS DAVIS' ESTATE. 1210 01:24:26,629 --> 01:24:30,266 MISS DAVIS HAS SET UP A TRUST FUND IN YOUR NAME. 1211 01:24:34,670 --> 01:24:37,373 TRUST FUND? 1212 01:24:37,406 --> 01:24:40,676 I TAKE IT MISS DAVIS DIDN'T DISCUSS THIS WITH YOU. 1213 01:24:42,411 --> 01:24:44,247 SHE CAME TO ME ABOUT A MONTH AGO 1214 01:24:44,280 --> 01:24:46,749 TO ADJUST HER WILL AMONGST OTHER THINGS. 1215 01:24:48,584 --> 01:24:51,420 A WEEK AGO I HIRED A PRIVATE DETECTIVE 1216 01:24:51,454 --> 01:24:52,855 TO TRACK YOU DOWN. 1217 01:24:54,523 --> 01:24:55,691 SHORTLY THEREAFTER, 1218 01:24:55,724 --> 01:24:58,727 HE INFORMED US OF YOUR INCIDENT. 1219 01:25:00,763 --> 01:25:03,432 WE SPOKE TO THE POLICE AND, UH, 1220 01:25:03,466 --> 01:25:07,270 THEY HAVE NOT FOUND THE MAN WHO DID THIS TO YOU. 1221 01:25:07,303 --> 01:25:09,138 THEY'VE ALSO NOT BEEN ABLE TO LOCATE 1222 01:25:09,172 --> 01:25:13,742 -A MR. UH, CONRAD SETCH. -WHAT'D YOU MEAN YOU LEFT? 1223 01:25:13,776 --> 01:25:15,478 THE MAN WHO DROPPED YOU OFF AT THE HOSPITAL. 1224 01:25:15,511 --> 01:25:18,614 GET THE FUCKING CAR, IDIOT! 1225 01:25:18,647 --> 01:25:20,516 DOESN'T SURPRISE ME. 1226 01:25:22,618 --> 01:25:25,588 NOW, MISS FULLER. 1227 01:25:25,621 --> 01:25:29,292 I DON'T KNOW WHAT YOUR RELATIONSHIP WAS WITH MISS DAVIS, 1228 01:25:29,325 --> 01:25:32,795 NOR DOES IT MATTER. 1229 01:25:32,828 --> 01:25:34,597 THIS TRUST FUND WAS SET UP 1230 01:25:34,630 --> 01:25:36,732 WITH SEVERAL STRICT CONDITIONS 1231 01:25:36,765 --> 01:25:40,736 OF WHICH I WILL BE MONITORING CLOSELY. 1232 01:25:40,769 --> 01:25:44,273 IF YOU NEGLECT THAT IN WAY SHAPE OR FORM 1233 01:25:44,307 --> 01:25:46,175 TO ABIDE BY THESE CONDITIONS, 1234 01:25:46,209 --> 01:25:48,811 THE TRUST WILL BE NULL AND VOID 1235 01:25:48,844 --> 01:25:51,547 AND ALL OF THE FUNDS WILL BE DONATED TO CHARITY. 1236 01:25:53,482 --> 01:25:56,785 AN OPPORTUNITY HERE, MISS FULLER, 1237 01:25:56,819 --> 01:25:59,822 ONE THAT VERY FEW PEOPLE ARE EVER GIVEN. 1238 01:26:03,826 --> 01:26:06,529 HAVE YOU BEEN LISTENING TO ME, MISS FULLER? 1239 01:26:07,963 --> 01:26:09,765 EVERY WORD. 1240 01:26:11,967 --> 01:26:15,471 SHE TOLD ME TO TELL YOU ONE LAST THING, 1241 01:26:15,504 --> 01:26:18,674 IS THAT YOU ATTEND HER ART EXHIBIT. 1242 01:26:32,688 --> 01:26:36,225 TOBY, 20. 1243 01:26:36,259 --> 01:26:38,594 I'M ALEXIA, I'M 22. 1244 01:26:38,627 --> 01:26:39,662 SINCE I WAS LITTLE, 1245 01:26:39,695 --> 01:26:41,597 I ALWAYS WANTED TO BE A SINGER. 1246 01:26:41,630 --> 01:26:42,898 I WANTED TO BE FAMOUS 1247 01:26:42,931 --> 01:26:45,701 AND BE A REALLY AWESOME FEMALE ROCK STAR. 1248 01:26:48,771 --> 01:26:50,373 -THAT WOULD BE COOL. -NOT GETTING PAID. 1249 01:26:50,406 --> 01:26:52,007 I'M ALEXIA, I'M 22. 1250 01:26:52,040 --> 01:26:54,443 GETTIN' HARASSED BY PIGS AMD ARRESTED. 1251 01:26:54,477 --> 01:26:56,779 WHAT DO YOU THINK? NOT GETTIN' PAID. 1252 01:26:56,812 --> 01:26:58,814 [OVERLAPPING VOICES] ...AWESOME FEMALE ROCK STAR. 1253 01:26:58,847 --> 01:27:00,983 GETTIN' HARASSED BY PIGS AND ARRESTED. 1254 01:27:01,016 --> 01:27:03,519 -WHAT DO YOU THINK? -THAT WOULD BE COOL. 1255 01:27:03,552 --> 01:27:05,954 NOT GETTIN' PAID, 1256 01:27:05,988 --> 01:27:07,856 GETTIN' HARASSED BY PIGS AND ARRESTED. 1257 01:27:07,890 --> 01:27:11,527 -WHAT DO YOU THINK? -WHAT'S THIS FOR? 1258 01:27:11,560 --> 01:27:13,262 -NOT GETTIN' PAID-- -EIGHTEEN. 1259 01:27:13,296 --> 01:27:15,798 -JONAS. -GETTIN' HARASSED BY PIGS, AND ARRESTED. 1260 01:27:15,831 --> 01:27:18,701 -WHAT'S THIS FOR? -TO BE IN LOVE. 1261 01:27:18,734 --> 01:27:21,504 -EIGHTEEN. -WITH SOMEBODY WHO ISN'T ASHAMED OF ME. 1262 01:27:21,537 --> 01:27:23,506 -JONAS. -WHAT'S THIS FOR? 1263 01:27:23,539 --> 01:27:28,277 [OVERLAPPING VOICES] 1264 01:27:28,311 --> 01:27:30,546 WITH SOMEBODY WHO ISN'T ASHAMED OF ME. 1265 01:27:30,579 --> 01:27:32,681 -WHAT'S THIS FOR? -JONAS. 1266 01:27:32,715 --> 01:27:34,283 [VOICES CONTINUE] 1267 01:27:34,317 --> 01:27:36,885 ...TO BE IN LOVE. 1268 01:27:36,919 --> 01:27:39,788 WITH SOMEBODY WHO ISN'T ASHAMED OF ME. 1269 01:27:39,822 --> 01:27:40,889 JONAS. 1270 01:27:40,923 --> 01:27:42,891 I GREW IT INSIDE OF ME. 1271 01:27:42,925 --> 01:27:45,561 I HAD IT, I GAVE IT AWAY. 1272 01:27:45,594 --> 01:27:49,832 I DIDN'T KNOW, OKAY, I WAS PREGNANT UNTIL IT WAS TOO LATE. 1273 01:27:49,865 --> 01:27:52,468 I FOUND A COUPLE OUT OF STATE WHO WANTED TO ADOPT. 1274 01:27:52,501 --> 01:27:55,804 I HAD A KID. I GAVE IT AWAY. 1275 01:27:55,838 --> 01:27:58,607 "IT," I GREW IT INSIDE OF ME, 1276 01:27:58,641 --> 01:28:01,610 I HAD IT, I GAVE IT AWAY. 1277 01:28:01,644 --> 01:28:05,581 I DIDN'T KNOW, OKAY, I WAS PREGNANT UNTIL IT WAS TOO LATE. 1278 01:28:05,614 --> 01:28:07,550 -I FOUND A COUPLE OUT OF STATE-- -WHAT'S YOUR NAME? 1279 01:28:07,583 --> 01:28:08,817 AMY. 1280 01:28:08,851 --> 01:28:10,386 -I HAD A KID. -HOW OLD ARE YOU, AMY? 1281 01:28:10,419 --> 01:28:12,355 -EIGHT. -I GAVE IT AWAY. 1282 01:28:12,388 --> 01:28:14,490 HOW CAN A MOTHER GIVE AWAY HER CHILD 1283 01:28:14,523 --> 01:28:16,359 -AND NEVER THINK ABOUT IT? -HOW OLD ARE YOU, AMY? 1284 01:28:16,392 --> 01:28:18,561 -EIGHT. -AND THAT'S THE END OF THE STORY. 1285 01:28:18,594 --> 01:28:20,062 AND THAT'S THE END OF THE STORY. 1286 01:28:20,095 --> 01:28:22,431 SHE'S NOT MY REAL MOMMY. 1287 01:28:22,465 --> 01:28:26,402 -WHAT'S YOUR NAME? -AMY. 1288 01:28:26,435 --> 01:28:28,637 -HOW OLD ARE YOU, AMY? -EIGHT. 1289 01:28:30,573 --> 01:28:32,375 YOUR MOMMY SAID WE COULD TALK. 1290 01:28:32,408 --> 01:28:34,410 SHE'S NOT MY REAL MOMMY. 1291 01:28:37,513 --> 01:28:38,814 HAVE YOU EVER MET YOUR REAL MOMMY? 1292 01:28:38,847 --> 01:28:40,716 NO. 1293 01:28:40,749 --> 01:28:43,018 DO YOU WANT TO? 1294 01:28:47,656 --> 01:28:50,626 -WHAT'S YOUR NAME? -AMY. 1295 01:28:50,659 --> 01:28:52,828 -HOW OLD ARE YOU, AMY? -EIGHT. 1296 01:29:14,583 --> 01:29:17,352 [GUITAR MUSIC PLAYING] 1297 01:29:18,687 --> 01:29:20,823 * CITY BIRD 1298 01:29:20,856 --> 01:29:23,759 * CITY BIRD 1299 01:29:23,792 --> 01:29:28,431 * FLY AWAY FROM MY WINDOW 1300 01:29:28,464 --> 01:29:31,934 * FROM MY WINDOW 1301 01:29:31,967 --> 01:29:35,638 * 'CAUSE YOU DON'T SING 1302 01:29:35,671 --> 01:29:39,642 * LIKE THE BIRDS FROM HOME SING * 1303 01:29:39,675 --> 01:29:44,747 * YOUR SONG IS DYING 1304 01:29:44,780 --> 01:29:48,917 * I SET THE TABLE FOR THE GHOSTS IN MY HOME * 1305 01:29:48,951 --> 01:29:52,020 * MY HOME 1306 01:29:52,054 --> 01:29:54,022 * AND POUR THE WINE AND RAISE A GLASS * 1307 01:29:54,056 --> 01:29:57,560 * FOR THE GUESTS IN MY HOME 1308 01:29:57,593 --> 01:30:00,429 * MM 1309 01:30:00,463 --> 01:30:02,030 * THEY'RE ENTERING 1310 01:30:02,064 --> 01:30:04,066 * IN THEIR SKIN AND IN THEIR BONES * 1311 01:30:04,099 --> 01:30:07,570 * STILL IN THEIR BONES 1312 01:30:07,603 --> 01:30:09,905 * THE VISION SCARES, BUT NONE COMPARES * 1313 01:30:09,938 --> 01:30:12,908 * TO THE DREAD OF DRINKING ALONE * 1314 01:30:12,941 --> 01:30:16,545 * MM 1315 01:30:16,579 --> 01:30:22,117 * AFTER THE TOWERS TUNED TO A TOMB * 1316 01:30:24,920 --> 01:30:29,492 * THE UNDERWORLD REFUGEES ALL * 1317 01:30:29,525 --> 01:30:33,829 * WERE REFUSED BY THE BANKER * 1318 01:30:33,862 --> 01:30:37,199 * THEY COULD NEVER GO IN 1319 01:30:37,232 --> 01:30:40,202 * SO I LET THEM IN, OH 1320 01:30:40,235 --> 01:30:44,773 * OH, CITY BIRD 1321 01:30:44,807 --> 01:30:48,010 * CITY BIRD 1322 01:30:48,043 --> 01:30:52,014 * FLY AWAY FROM MY WINDOW 1323 01:30:52,047 --> 01:30:55,884 * FROM MY WINDOW 1324 01:30:55,918 --> 01:30:59,221 * 'CAUSE YOU DON'T SING 1325 01:30:59,254 --> 01:31:03,592 * LIKE THE BIRDS FROM HOME SING * 1326 01:31:03,626 --> 01:31:06,695 * YOUR SONG IS DYING 1327 01:31:06,729 --> 01:31:09,097 [VOCALIZING] 1328 01:31:31,654 --> 01:31:36,959 * I LIGHT THE CANDLE FOR THE GHOSTS IN MY HOME * 1329 01:31:36,992 --> 01:31:39,962 * MY HOME 1330 01:31:39,995 --> 01:31:41,830 * SAY A PRAYER 1331 01:31:41,864 --> 01:31:45,534 * TO PLEASE SEND CARE FOR THE GUESTS IN MY HOME * 1332 01:31:45,568 --> 01:31:46,935 * MM 1333 01:31:48,671 --> 01:31:50,305 * BUT IN THEIR SLEEP 1334 01:31:50,338 --> 01:31:52,307 * THEY CLAW AND SCREAM THE DEVIL HOME * 1335 01:31:52,340 --> 01:31:55,644 * THE DEVIL'S COME HOME 1336 01:31:55,678 --> 01:31:57,980 * BUT THAT NIGHTMARE DOES NOT COMPARE * 1337 01:31:58,013 --> 01:32:01,149 * TO THE DEMONS IN SLEEPING ALONE * 1338 01:32:01,183 --> 01:32:02,985 * MM 1339 01:32:04,853 --> 01:32:10,258 * AFTER THE TOWER IS TURNED TO A TOMB * 1340 01:32:13,161 --> 01:32:17,099 * THE UNDERWORLD REFUGEES 1341 01:32:17,132 --> 01:32:22,004 * ALL WERE REFUSED BY THE BANKER * 1342 01:32:22,037 --> 01:32:24,973 * AND WITH NOWHERE TO GO 1343 01:32:25,007 --> 01:32:28,677 * THEY WASH UP ON SKID ROW 1344 01:32:28,711 --> 01:32:35,183 * A HARD CITY BIRD 1345 01:32:35,217 --> 01:32:38,621 * CITY BIRD 1346 01:32:38,654 --> 01:32:42,691 * FLY AWAY FROM MY WINDOW 1347 01:32:42,725 --> 01:32:46,228 * FROM MY WINDOW 1348 01:32:46,261 --> 01:32:49,932 * 'CAUSE YOU DON'T SING 1349 01:32:49,965 --> 01:32:54,002 * LIKE THE BIRDS FROM HOME SING * 1350 01:32:54,036 --> 01:32:57,072 * YOUR SONG IS DYING 1351 01:32:57,105 --> 01:32:59,307 [VOCALIZING CONTINUES] 86600