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1
00:00:01,642 --> 00:00:04,942
[ BILLY IDOL'S
"DANCING WITH MYSELF" PLAYS ]
2
00:00:10,523 --> 00:00:13,323
♪ IF I LOOKED
ALL OVER THE WORLD ♪
3
00:00:13,317 --> 00:00:15,987
♪ AND THERE'S EVERY TYPE
OF GIRL ♪
4
00:00:15,990 --> 00:00:18,950
♪ BUT YOUR EMPTY EYES
SEEM TO PASS ME BY ♪
5
00:00:18,954 --> 00:00:21,424
♪ LEAVE ME DANCING WITH MYSELF ♪
LEAVE HIM ALONE!
6
00:00:21,417 --> 00:00:24,167
♪ SO LET'S SINK ANOTHER DRINK ♪
7
00:00:24,170 --> 00:00:26,620
♪ 'CAUSE IT'LL GIVE ME
TIME TO THINK ♪
8
00:00:26,623 --> 00:00:29,633
♪ IF I HAD THE CHANCE
I'D ASK THE WORLD TO DANCE ♪
9
00:00:29,627 --> 00:00:32,927
♪ AND I'LL BE DANCING
WITH MYSELF ♪
10
00:00:32,931 --> 00:00:34,301
[ RATT'S "DR. ROCK" PLAYS ]
♪ A DOCTOR ♪
11
00:00:34,303 --> 00:00:36,983
[ CHEERS AND APPLAUSE ]
12
00:00:41,191 --> 00:00:44,991
♪ YOU WANNA TAKE A BREAK ♪
13
00:00:44,986 --> 00:00:48,776
♪ WE'D LIKE TO TAKE YOU THERE ♪
14
00:00:48,781 --> 00:00:51,491
♪ YOU ARGUE ABOUT THE WORLD ♪
15
00:00:51,494 --> 00:00:55,334
Woman:
HERE, I'LL LAY IT OUT.
16
00:00:55,329 --> 00:00:57,579
Woman #2:
OKAY, WE'LL SEE WHAT HAPPENS.
17
00:00:57,581 --> 00:01:01,011
I'M GETTING TIRED OF CRASHING
ON PEOPLE'S COUCHES, YOU KNOW?
18
00:01:01,006 --> 00:01:02,426
HE'S SHOWING ME, LIKE,
THESE BITCHIN' APARTMENTS
19
00:01:02,427 --> 00:01:03,427
HE'S GOT FOR RENT.
20
00:01:03,429 --> 00:01:05,129
-YEAH?
-HE'S BIG IN REAL ESTATE.
21
00:01:05,131 --> 00:01:06,931
AND YEAH,
HE'S TOTALLY FINE, TOO.
22
00:01:06,933 --> 00:01:08,983
I'LL CATCH A RIDE HOME.
YOU'RE SO LUCKY.
23
00:01:08,976 --> 00:01:13,436
♪ DR. ROCK ♪
OKAY.
24
00:01:13,441 --> 00:01:14,851
[ CHEERS AND APPLAUSE ]
25
00:01:14,853 --> 00:01:18,823
COME ON, GIRL.
LET'S GO! LET'S GO.
26
00:01:18,818 --> 00:01:23,148
♪ DON'T NEED NO HEADACHE ♪
27
00:01:23,153 --> 00:01:24,913
♪ DON'T NEED TO MOVE SO SLOW ♪
28
00:01:24,905 --> 00:01:27,285
TALK TO YOU LATER.
LET'S GO.
29
00:01:27,288 --> 00:01:30,078
HOW YA DOIN'?
NICE.
30
00:01:30,082 --> 00:01:32,162
HEY, HEY.
YOU'RE NOT THE BAND'S TYPE.
31
00:01:32,164 --> 00:01:34,094
COME ON, MAN!
32
00:01:34,087 --> 00:01:35,207
HANG OUT HERE.
33
00:01:35,208 --> 00:01:38,378
♪ IT'S ONLY
ONE OF THOSE THINGS ♪
34
00:01:38,382 --> 00:01:42,062
♪ YOU KNOW YOU NEED TO ROCK ♪
35
00:01:42,057 --> 00:01:46,097
♪ DON'T NEED TO BREAK YOUR LEG ♪
36
00:01:46,102 --> 00:01:47,772
♪ CALL YOU DR. ROCK ♪
37
00:01:47,774 --> 00:01:50,734
EXCUSE ME!
38
00:01:50,727 --> 00:01:52,857
EXCUSE ME!
39
00:01:52,860 --> 00:01:55,940
BOURBON.
40
00:01:55,944 --> 00:01:58,084
WHAT YOU DRINKING?
41
00:01:58,077 --> 00:01:59,867
VODKA ORANGE.
42
00:01:59,869 --> 00:02:02,699
VODKA ORANGE.
43
00:02:02,702 --> 00:02:04,242
THANKS.
44
00:02:04,244 --> 00:02:07,844
IT'S THE LEAST I COULD DO,
BACKSTAGE REJECTION AND ALL.
45
00:02:07,839 --> 00:02:08,879
SAVE YOUR PITY.
46
00:02:08,880 --> 00:02:11,170
I DON'T WANT TO PARTY
WITH THE BAND.
47
00:02:11,173 --> 00:02:12,603
I'M WORKING ON A STORY.
48
00:02:12,595 --> 00:02:14,175
WHAT'S THE STORY?
49
00:02:14,176 --> 00:02:15,676
ALL THIS.
50
00:02:15,678 --> 00:02:17,678
THE SUNSET STRIP
IS INSANE
51
00:02:17,681 --> 00:02:19,181
WHO'S IT FOR?
52
00:02:19,183 --> 00:02:22,903
ROLLING STONE...
53
00:02:22,897 --> 00:02:24,437
I HOPE.
54
00:02:24,439 --> 00:02:27,689
RIGHT NOW I'M SLUMMIN' IT WITH
THAT MAGAZINE, L.A. NOTORIOUS.
55
00:02:27,693 --> 00:02:29,663
LISTEN, I WORK AT A&R.
56
00:02:29,656 --> 00:02:31,156
I HEAR ABOUT GIGS
ALL THE TIME.
57
00:02:31,158 --> 00:02:33,738
YOU DO KNOW THAT ROLLING STONE'S
NOT THE ONLY GAME IN TOWN?
58
00:02:33,741 --> 00:02:36,161
DO YOU HAVE A CARD?
59
00:02:36,164 --> 00:02:37,844
I READ PEOPLE
PRETTY WELL.
60
00:02:37,836 --> 00:02:39,246
GOT A GOOD FEELING
ABOUT YOU.
61
00:02:39,248 --> 00:02:41,168
YOU KNOW WHAT? I'M ALL OUT.
YOU GOT A PEN?
62
00:02:41,170 --> 00:02:42,840
WRITE YOUR NAME
AND NUMBER DOWN.
63
00:02:42,842 --> 00:02:46,222
♪ YOU NEED YOUR TIME ♪
64
00:02:46,216 --> 00:02:48,006
♪ YEAH ♪
65
00:02:48,008 --> 00:02:49,008
SMOOTH.
66
00:02:49,010 --> 00:02:50,850
AM I FLIRTING?
67
00:02:50,852 --> 00:02:52,512
♪ AW, YEAH ♪
68
00:02:52,514 --> 00:02:53,694
MAYBE A LITTLE.
69
00:02:53,685 --> 00:02:54,685
BUT I WAS YOU.
70
00:02:54,687 --> 00:02:56,187
PEOPLE HELPED ME OUT.
71
00:02:56,189 --> 00:02:58,399
SO KILL ME,
I LIKE GIVING BACK.
72
00:02:58,401 --> 00:02:59,691
KAREN WHAT?
I'M JOHN.
73
00:02:59,693 --> 00:03:02,083
McCLAREN.
74
00:03:02,076 --> 00:03:04,196
LOOK, I GOTTA SPLIT,
BUT I'LL, UH, I'LL CALL YOU,
75
00:03:04,199 --> 00:03:06,579
KAREN McCLAREN,
WHEN I WANT TO HEAR SOMETHING.
76
00:03:06,581 --> 00:03:10,171
[ CHEERS ]
77
00:03:11,458 --> 00:03:12,828
MAN: KVXT. Hello.
78
00:03:12,829 --> 00:03:16,249
YEAH, HEY, UM, I'D LIKE TO MAKE
A DEDICATION, PLEASE.
79
00:03:16,253 --> 00:03:17,843
FOR EMILY F.
80
00:03:17,835 --> 00:03:19,755
THANK YOU.
81
00:03:19,758 --> 00:03:22,138
YOU'RE GONNA LOVE THESE PADS,
EMILY.
82
00:03:22,141 --> 00:03:25,271
A BIT OUT OF YOUR PRICE RANGE,
BUT I WAS YOU ONCE.
83
00:03:25,265 --> 00:03:26,645
PEOPLE HELPED ME OUT.
84
00:03:26,646 --> 00:03:29,516
SO KILL ME,
I LIKE GIVING BACK.
85
00:03:29,520 --> 00:03:30,810
ALL RIGHT.
86
00:03:30,812 --> 00:03:33,362
LET'S GO.
87
00:03:33,355 --> 00:03:37,065
♪ DON'T WANT TO PACK
MY THINGS AND GO ♪
88
00:03:37,069 --> 00:03:38,779
♪ TAINTED LOVE ♪
89
00:03:38,781 --> 00:03:40,701
♪ WHOA-OH-OH-OH ♪
90
00:03:40,704 --> 00:03:42,214
♪ TAINTED LOVE ♪
91
00:03:42,206 --> 00:03:44,036
♪ WHOA-OH-OH-OH ♪
92
00:03:44,038 --> 00:03:45,668
♪ TAINTED LOVE ♪
93
00:03:45,670 --> 00:03:47,290
♪ WHOA-OH-OH-OH ♪
94
00:03:47,292 --> 00:03:49,212
♪ TAINTED LOVE ♪
95
00:03:49,214 --> 00:03:50,724
IT'S TAKING YOU
A WHILE, HUH?
96
00:03:50,716 --> 00:03:53,836
♪ TOUCH ME, BABY,
TAINTED LOVE ♪
97
00:03:53,840 --> 00:03:57,010
♪ TOUCH ME, BABY,
TAINTED LOVE ♪
98
00:03:57,014 --> 00:03:58,564
♪ TAINTED LOVE ♪
99
00:03:58,556 --> 00:04:00,476
Man #2: I GOTTA TELL YOU,
I AM LOVING THAT NEW RECORD.
100
00:04:00,478 --> 00:04:02,558
AND I CAN'T WAIT
TO SEE THOSE BOYS LIVE.
101
00:04:02,561 --> 00:04:04,021
NOW, I'VE GOT FOREIGNER.
102
00:04:04,023 --> 00:04:06,283
THIS IS "FEELS LIKE
THE FIRST TIME" FOR EMILY F.,
103
00:04:06,275 --> 00:04:08,105
AND IT'S FROM
HER SECRET ADMIRER.
104
00:04:08,108 --> 00:04:09,448
COOL -- [ GASPS ]
105
00:04:09,449 --> 00:04:12,359
[ SCREAMING ]
♪ FEELS LIKE THE FIRST TIME ♪
106
00:04:14,035 --> 00:04:17,205
♪ FEELS LIKE
THE VERY FIRST TIME ♪
107
00:04:19,832 --> 00:04:25,092
♪ WON'T YOU OPEN UP THE DOOR? ♪
108
00:04:25,089 --> 00:04:28,799
♪ OPEN UP THE DOOR ♪
109
00:04:28,803 --> 00:04:33,103
♪ WON'T YOU OPEN UP THE DOOR? ♪
110
00:04:33,099 --> 00:04:35,349
[ HELICOPTER BLADES WHIRRING ]
♪ KVXT, LOS ANGELES ♪
111
00:04:35,352 --> 00:04:37,782
Man: IT'S ANOTHER SCORCHER
IN LOS ANGELES, FOLKS.
112
00:04:37,775 --> 00:04:39,435
THE HILLSIDE STRANGLERS,
BIANCHI AND BUONO,
113
00:04:39,437 --> 00:04:41,027
MAY BE IN JAIL NOW,
114
00:04:41,029 --> 00:04:44,319
BUT IT DOESN'T LOOK LIKE THE
CITY CAN SLEEP EASY JUST YET.
115
00:04:44,323 --> 00:04:45,873
THEY'VE FOUND ANOTHER BODY.
116
00:04:45,865 --> 00:04:47,205
THAT'S RIGHT, FOLKS.
117
00:04:47,206 --> 00:04:48,866
ANOTHER DAY, ANOTHER CORPSE
118
00:04:48,868 --> 00:04:51,208
IN THE MURDER CAPITAL
OF THE COUNTRY.
119
00:04:53,584 --> 00:04:56,514
[ POLICE RADIO CHATTER ]
120
00:04:56,508 --> 00:04:58,718
[ SIREN WAILS ]
121
00:04:58,721 --> 00:04:59,591
[ SIGHS ]
122
00:04:59,592 --> 00:05:00,802
LEFT THEM AT THE OFFICE.
123
00:05:00,803 --> 00:05:01,973
THANK YOU, EILEEN.
124
00:05:01,965 --> 00:05:04,515
YEAH.
125
00:05:04,518 --> 00:05:05,888
GOOD THING
YOU BROUGHT THEM.
126
00:05:05,889 --> 00:05:07,929
I COULD'VE BEEN BLINDED
BY CONTRERAS' GETUP.
127
00:05:07,932 --> 00:05:09,852
WHAT'S HE STILL
DOING HERE ANYWAY?
128
00:05:09,854 --> 00:05:11,574
THERE'S ALWAYS SOME GUY
IN THE LOCAL HOMICIDE
129
00:05:11,566 --> 00:05:13,236
WHO THINKS HE'S GONNA MOVE UP
TO THE BIG LEAGUES
130
00:05:13,239 --> 00:05:14,149
BY KISSING ASS.
131
00:05:14,150 --> 00:05:15,980
WHY AM I NOT SURPRISED
IT'S HIM?
132
00:05:15,982 --> 00:05:17,192
SO WHAT HAVE WE GOT?
133
00:05:17,193 --> 00:05:19,993
WE HAVE A DEAD GIRL WITH A BUNCH
OF DEAD MOVIE STARS,
134
00:05:19,987 --> 00:05:22,617
PLACED AT THE HILLSIDE
STRANGLER'S FIRST KILL.
135
00:05:22,620 --> 00:05:24,620
PROBABLY
NOT A COINCIDENCE.
136
00:05:24,623 --> 00:05:25,993
THAT WAS YOUR CASE.
137
00:05:25,994 --> 00:05:28,174
SOMEBODY WANTS
YOUR ATTENTION.
138
00:05:28,167 --> 00:05:29,457
WELL, THEY GOT IT.
139
00:05:29,459 --> 00:05:31,709
VICTIM LOOKS BETWEEN
15 AND 25.
140
00:05:31,711 --> 00:05:34,431
EXACT AGE IS HARD
TO PIN DOWN BECAUSE...
141
00:05:34,425 --> 00:05:37,765
[ CAMERA SHUTTER CLICKING ]
142
00:05:39,311 --> 00:05:41,891
[ SIGHS ] YEAH.
143
00:05:47,902 --> 00:05:49,862
NOT MEDICAL,
BUT IT'S A PRETTY CLEAN CUT.
144
00:05:49,864 --> 00:05:51,534
LOOKS LIKE
HE'S DONE THIS BEFORE.
145
00:05:51,526 --> 00:05:54,076
IT'S 90 DEGREES OUT
AND SHE'S COLD.
146
00:05:54,079 --> 00:05:56,449
HE KEPT HER ON ICE.
147
00:05:56,452 --> 00:05:59,542
NO BRUISING
OR SIGNS OF STRUGGLE.
148
00:05:59,536 --> 00:06:01,126
HE TIED HER UP
AFTER HE KILLED HER.
149
00:06:04,342 --> 00:06:06,852
WHAT'S THAT?
150
00:06:06,845 --> 00:06:08,305
[ GRUNTS ]
151
00:06:08,307 --> 00:06:11,307
FLY BRAND COKE.
152
00:06:11,311 --> 00:06:13,221
SEEN THAT BEFORE?
153
00:06:13,223 --> 00:06:14,523
NO.
154
00:06:16,897 --> 00:06:20,647
LOOKS LIKE
HE SLIT HER JUMPSUIT HERE.
155
00:06:20,652 --> 00:06:22,572
TO HAVE SEX WITH HER?
156
00:06:22,565 --> 00:06:24,365
THE CUT WAS MADE
AFTER SHE DIED.
157
00:06:24,367 --> 00:06:25,737
SEE?
IT'S A PERFECT CUT.
158
00:06:25,738 --> 00:06:27,988
IF SHE'D BEEN ALIVE, THERE WOULD
HAVE BEEN A STRUGGLE.
159
00:06:27,991 --> 00:06:28,991
IT WOULD BE JAGGED.
160
00:06:28,992 --> 00:06:30,672
WHAT IF HE DRUGGED
AND RAPED HER?
161
00:06:31,746 --> 00:06:34,246
THE BLOOD PATTERN
IS PERFECTLY DIVIDED,
162
00:06:34,249 --> 00:06:37,039
WHICH SAYS
IT HAD ALREADY COAGULATED.
163
00:06:37,042 --> 00:06:40,352
NO BRUISING
IN THE VAGINAL REGION.
164
00:06:40,347 --> 00:06:43,797
WELL, I'M -- [ SIGHS ]
I'M GUESSING A POSTMORTEM PARTY.
165
00:06:43,801 --> 00:06:45,641
NECROPHILIA?
166
00:06:45,643 --> 00:06:48,023
WELL, THE PRESS IS GONNA HAVE
A FIELD DAY WITH THIS ONE.
167
00:06:48,016 --> 00:06:51,686
UH, CONTRERAS, YOU KNOW
WHAT YOUR PROBLEM IS?
168
00:06:51,691 --> 00:06:53,521
NO, BUT I'M SURE
YOU'RE GONNA TELL ME.
169
00:06:53,523 --> 00:06:57,993
TO ME, THIS GIRL IS A VICTIM,
BUT TO YOU SHE'S A STEP UP.
170
00:06:57,988 --> 00:07:01,608
THAT'S WHERE YOU'RE WRONG,
JACK -- SHE'S BOTH.
171
00:07:03,916 --> 00:07:06,286
THERE'S A MILITARY KNOT.
172
00:07:06,289 --> 00:07:07,619
THAT'S RIGHT.
173
00:07:07,620 --> 00:07:10,710
YOU SERVED IN VIETNAM,
SO YOU SHOULD UNDERSTAND RANK.
174
00:07:10,714 --> 00:07:13,684
WE'RE ROBBERY/HOMICIDE,
SO UNLESS YOU GOT A PROMOTION
175
00:07:13,678 --> 00:07:16,588
I HAVEN'T HEARD ABOUT,
YOU'RE OFF THE CASE.
176
00:07:16,592 --> 00:07:18,392
THANKS FOR STOPPING BY.
177
00:07:24,521 --> 00:07:26,731
[ SIGHS ]
178
00:07:26,734 --> 00:07:30,154
[ CAMERA SHUTTER CLICKS,
INDISTINCT RADIO CHATTER ]
179
00:07:30,148 --> 00:07:32,908
♪ A LUST FOR LIFE ♪
180
00:07:32,912 --> 00:07:34,912
♪ OOH ♪
181
00:07:34,914 --> 00:07:37,714
♪ I'VE GOT A LUST FOR LIFE ♪
182
00:07:37,708 --> 00:07:39,498
♪ OOH ♪
183
00:07:39,500 --> 00:07:42,000
♪ GOT A LUST FOR LIFE ♪
184
00:07:42,003 --> 00:07:44,263
♪ OOH ♪
185
00:07:44,256 --> 00:07:46,336
♪ OH, A LUST FOR LIFE ♪
186
00:07:46,338 --> 00:07:48,928
[ METAL CLANGS ]
♪ OOH ♪
187
00:07:48,932 --> 00:07:50,262
[ DOOR BELL RINGS ]
188
00:07:50,263 --> 00:07:51,943
-HEY. HEY, MARY.
-HI.
189
00:07:51,935 --> 00:07:53,765
YOU'RE A LIFESAVER, KENT.
THANKS.
190
00:07:53,768 --> 00:07:55,098
BYE, SWEETIE.
BE GOOD. SEE YA.
191
00:07:55,099 --> 00:07:58,099
LET'S HAVE FUN.
192
00:07:58,103 --> 00:07:59,613
Anchorman: YOU'RE SAYING
IT'S JUST A COINCIDENCE
193
00:07:59,605 --> 00:08:01,105
THIS BODY WAS FOUND
IN THE SAME LOCATION
194
00:08:01,107 --> 00:08:02,397
AS THE HILLSIDE STRANGLERS'
FIRST?
195
00:08:02,398 --> 00:08:04,488
I-I CAN'T COMMENT ON THAT
AT THIS TIME.
196
00:08:04,491 --> 00:08:06,071
KENT?
MM-HMM?
197
00:08:06,073 --> 00:08:08,963
HOW COME
YOU'RE NOT MARRIED?
198
00:08:08,956 --> 00:08:11,576
KENT?
199
00:08:13,292 --> 00:08:15,922
I...JUST HAVEN'T MET
THE RIGHT WOMAN YET, SWEETIE.
200
00:08:15,915 --> 00:08:17,625
I THINK
YOU'D BE A GOOD DADDY.
201
00:08:17,627 --> 00:08:20,587
[ CHUCKLES ]
YOU DO, HUH?
202
00:08:20,591 --> 00:08:22,591
MM-HMM.
203
00:08:22,593 --> 00:08:23,893
[ GASPS PLAYFULLY ]
204
00:08:23,885 --> 00:08:26,175
THAT'S A REALLY GOOD ELEPHANT,
MARY.
205
00:08:27,219 --> 00:08:28,679
GOOD JOB.
206
00:08:28,681 --> 00:08:30,061
THANKS.
207
00:08:30,063 --> 00:08:31,433
...WAS FOUND IN THE EARLIER
HOURS OF THE MORNING.
208
00:08:31,434 --> 00:08:32,694
DETECTIVE JACK ROTH,
209
00:08:32,686 --> 00:08:34,856
THE LEAD IN THE INFAMOUS
HILLSIDE STRANGLER CASE
210
00:08:34,859 --> 00:08:37,279
IS HEADING UP THIS
INVESTIGATION INTO WHAT MAY BE
211
00:08:37,282 --> 00:08:40,412
A COPYCAT KILLER,
ON THE TRAIL OF A MURDERER
212
00:08:40,405 --> 00:08:43,235
WHO'S ALREADY GOT THE ATTENTION
OF THE WHOLE CITY.
213
00:08:43,239 --> 00:08:45,579
[ SIREN WAILING ]
214
00:08:45,582 --> 00:08:49,092
MISSING PERSONS FILED REPORTS
ON THESE FIVE IN THE LAST MONTH,
215
00:08:49,086 --> 00:08:51,206
SO MAYBE ONE OF THEM
IS OUR GIRL.
216
00:08:51,209 --> 00:08:52,919
PEYTON, YOU GOT A MATCH
ON THOSE PRINTS YET?
217
00:08:52,921 --> 00:08:54,841
IT'S BACKED UP DOWNTOWN.
IF SHE'S IN THE SYSTEM AT ALL,
218
00:08:54,843 --> 00:08:58,723
WE WON'T GET THEM
TILL TUESDAY, WEDNESDAY, MAYBE.
219
00:08:58,718 --> 00:09:00,468
EXCUSE ME, DETECTIVE ROTH?
220
00:09:00,470 --> 00:09:02,930
THE VICTIM IS THE ONE
ON THE FAR LEFT --
221
00:09:02,933 --> 00:09:04,823
EMILY FUENTES
FROM ECHO PARK.
222
00:09:04,816 --> 00:09:06,726
SHE WAS PRINTED
WHEN SHE JOINED THE R.O.T.C.
223
00:09:09,942 --> 00:09:11,322
YOU SEE,
THERE'S A NEW NATIONAL
224
00:09:11,324 --> 00:09:12,784
FINGERPRINT DATABASE
GEARING UP,
225
00:09:12,776 --> 00:09:14,866
AND I WAS ONE OF THE OFFICERS
THAT INPUTTED THE INFORMATION
226
00:09:14,868 --> 00:09:16,238
INTO THE COMPUTER.
227
00:09:16,240 --> 00:09:17,580
SO I HAD A LITTLE INROAD.
228
00:09:17,582 --> 00:09:18,952
THANKS.
THERE'S THE OUT-ROAD.
229
00:09:20,045 --> 00:09:21,205
ROTH.
WHAT?
230
00:09:21,206 --> 00:09:23,626
SEE YOU'VE MET
YOUR NEW PARTNER.
231
00:09:23,629 --> 00:09:24,919
NEW --
232
00:09:27,173 --> 00:09:28,603
YOU SERIOUS?
233
00:09:28,595 --> 00:09:30,755
YEP.
234
00:09:30,758 --> 00:09:32,598
CAPTAIN,
I DON'T NEED A NEW PARTNER.
235
00:09:32,600 --> 00:09:33,720
I'M FINE WORKING ALONE.
236
00:09:33,722 --> 00:09:36,112
CAME FROM THE CHIEF.
NOT MY CALL.
237
00:09:37,266 --> 00:09:40,396
NOBODY WANTS YOU HERE.
YOU -- YOU KNOW THAT, RIGHT?
238
00:09:40,400 --> 00:09:41,770
[ SIGHS ]
COME ON, JACK.
239
00:09:41,772 --> 00:09:43,572
YOU USED TO ENJOY
WORKING WITH ME.
240
00:09:43,574 --> 00:09:45,454
YEAH, THAT WAS BEFORE
I FIGURED OUT HOW YOUR OPERATE.
241
00:09:45,446 --> 00:09:46,986
OH, YEAH?
HOW DO I OPERATE?
242
00:09:46,988 --> 00:09:48,578
SIX MONTHS AGO,
YOU'RE VICE.
243
00:09:48,580 --> 00:09:52,460
THEN A BUNCH OF COPS GO DOWN,
INCLUDING MY PARTNER VINCE,
244
00:09:52,455 --> 00:09:54,245
AND SUDDENLY YOU'RE HERE.
245
00:09:54,247 --> 00:09:55,167
COINCIDENCE?
246
00:09:55,168 --> 00:09:56,458
JUST KEEPING MY EYE
ON THE BALL.
247
00:09:56,460 --> 00:09:57,590
YEAH?
248
00:09:57,591 --> 00:10:00,511
THE REST OF US,
WE WORKED OUR ASSES OFF
249
00:10:00,505 --> 00:10:02,595
TO GET HERE --
FOR YEARS.
250
00:10:02,597 --> 00:10:04,467
BUT NOT YOU.
251
00:10:04,470 --> 00:10:06,760
YOU ALWAYS GOT AN ANGLE,
DON'T YOU, CONTRERAS?
252
00:10:06,763 --> 00:10:08,613
YOU SAY THAT
LIKE IT'S A BAD THING.
253
00:10:08,605 --> 00:10:10,605
HEY, I DON'T TRUST YOU.
254
00:10:12,349 --> 00:10:14,439
HOW AM I SUPPOSED TO WORK
WITH A GUY I DON'T TRUST?
255
00:10:14,442 --> 00:10:16,192
YOU BETTER
GET USED TO IT.
256
00:10:17,406 --> 00:10:18,906
I'M NOT GOING ANYWHERE.
257
00:10:20,950 --> 00:10:24,790
[ SIREN WAILING ]
♪ I'M ALL OUT OF HOPE ♪
258
00:10:24,785 --> 00:10:26,455
♪ ONE MORE BAD DREAM ♪
259
00:10:26,457 --> 00:10:29,707
HERE'S THE REAL DEAL --
EVERYBODY'S LOOKING
FOR LOVE, RIGHT?
260
00:10:29,711 --> 00:10:31,131
I MEAN,
THAT'S THE SUNSET STRIP --
261
00:10:31,133 --> 00:10:33,553
ACCEPT ME FOR WHO I AM.
262
00:10:33,546 --> 00:10:36,046
♪ WHEN I'M FAR FROM HOME ♪
RIGHT.
WE ALL WANT THAT.
263
00:10:36,049 --> 00:10:38,009
♪ DON'T CALL ME ON THE PHONE ♪
"KILL ME
OR TAKE ME AS I AM,
264
00:10:38,011 --> 00:10:39,721
BECAUSE I'LL BE DAMNED
IF I EVER CHANGE."
265
00:10:39,723 --> 00:10:41,523
♪ TO TELL ME YOU'RE ALONE ♪
266
00:10:41,516 --> 00:10:43,806
THE MARQUIS de SADE.
OH.
267
00:10:43,808 --> 00:10:45,648
♪ IT'S EASY TO DECEIVE ♪
268
00:10:45,651 --> 00:10:47,481
YOU CAN BE ANYBODY
YOU WANNA BE OUT HERE,
269
00:10:47,483 --> 00:10:50,073
♪ IT'S EASY TO TEASE ♪
SO THEY, AND YOU --
270
00:10:50,066 --> 00:10:51,946
♪ BUT HARD TO GET RELEASE ♪
WHOMEVER --
271
00:10:51,949 --> 00:10:53,659
BECOME THE VERY THING
YOU WANNA BE LOVED FOR.
272
00:10:53,661 --> 00:10:55,281
SEE WHAT I'M SAYING?
273
00:10:55,283 --> 00:10:58,583
♪ LES YEUX SANS VISAGE ♪
THAT'S SO TRUE, BRENT.
[ CHUCKLES ]
274
00:10:58,577 --> 00:11:01,077
♪ EYES WITHOUT A FACE ♪
YOU KNOW, I ALMOST
DIDN'T COME OUT TONIGHT.
275
00:11:01,080 --> 00:11:03,870
♪ LES YEUX SANS VISAGE ♪
WHAT MADE YOU
START TALKING TO ME?
276
00:11:03,873 --> 00:11:05,923
♪ EYES WITHOUT A FACE ♪
ARE YOU KIDDING?
277
00:11:05,916 --> 00:11:09,756
♪ LES YEUX SANS VISAGE ♪
I'M JUST GLAD SOME OTHER GUY
DIDN'T GET TO YOU BEFORE I DID.
278
00:11:09,761 --> 00:11:12,181
♪ EYES WITHOUT A FACE ♪
279
00:11:12,184 --> 00:11:14,854
♪ GOT NO HUMAN GRACE ♪
SO, UM...
280
00:11:14,847 --> 00:11:18,017
♪ YOUR EYES WITHOUT A FACE ♪
WHAT DO YOU SAY?
281
00:11:18,021 --> 00:11:21,861
YOU, UH, WANNA
GET OUT OF HERE, BETTY?
282
00:11:21,856 --> 00:11:24,396
YEAH.
283
00:11:24,399 --> 00:11:26,939
OH, NO,
PLEASE, PLEASE.
284
00:11:29,075 --> 00:11:31,325
THANKS.
285
00:11:31,327 --> 00:11:33,617
JUST GIVE ME A SEC.
I GOTTA MAKE A CALL.
286
00:11:33,620 --> 00:11:34,870
I'LL MEET YOU OUTSIDE.
287
00:11:34,872 --> 00:11:36,042
SURE.
288
00:11:36,043 --> 00:11:37,633
GREAT.
289
00:11:39,718 --> 00:11:41,718
MAY I?
290
00:11:45,095 --> 00:11:46,805
MAN: KVXT radio.
291
00:11:46,807 --> 00:11:49,847
HI. I'D, UH, I'D LIKE TO MAKE
A DEDICATION, PLEASE.
292
00:11:53,475 --> 00:11:55,975
♪ ...GOT YOU ON YOUR KNEES ♪
293
00:11:59,613 --> 00:12:01,663
Man:
MAN, THAT SONG IS ON FIRE.
294
00:12:01,655 --> 00:12:03,615
NOW HERE'S JOAN JETT
AND THE BLACKHEARTS,
295
00:12:03,617 --> 00:12:05,287
"CRIMSON AND CLOVER."
296
00:12:05,290 --> 00:12:07,580
THIS IS FOR BETTY B., AND IT'S
FROM HER SECRET ADMIRER.
297
00:12:07,582 --> 00:12:13,092
♪ I DON'T HARDLY KNOW HER ♪
298
00:12:13,089 --> 00:12:20,009
♪ BUT I THINK I COULD LOVE HER ♪
299
00:12:20,008 --> 00:12:24,888
♪ CRIMSON AND CLOVER ♪
300
00:12:27,187 --> 00:12:29,897
♪ AH ♪
301
00:12:29,900 --> 00:12:33,490
♪♪
302
00:12:33,485 --> 00:12:35,825
AM I DOING SOMETHING WRONG?
303
00:12:48,503 --> 00:12:50,013
[ PAGER BEEPING ]
304
00:12:50,005 --> 00:12:52,845
OH, I'M SO SORRY.
305
00:12:52,849 --> 00:12:54,849
[ SIGHS ]
306
00:12:54,851 --> 00:12:56,221
IT'S PROBABLY
MY BABYSITTER.
307
00:12:56,223 --> 00:12:57,393
[ BEEP ]
308
00:12:57,394 --> 00:12:59,654
IT IS.
309
00:12:59,647 --> 00:13:01,397
I'M OVER AN HOUR LATE.
310
00:13:01,399 --> 00:13:02,729
YOU'VE GOT KIDS?
311
00:13:02,731 --> 00:13:05,691
YEAH, A BOY AND A GIRL.
FIVE AND EIGHT.
312
00:13:05,694 --> 00:13:09,284
UM...I SHOULD GO.
I'M SORRY.
313
00:13:09,279 --> 00:13:10,869
WELL, WHERE'S THE FATHER?
314
00:13:10,871 --> 00:13:12,661
HE LEFT WHEN I WAS PREGNANT
WITH MY BOY.
315
00:13:12,663 --> 00:13:16,173
♪ ...SUCH A SWEET THING ♪
316
00:13:16,167 --> 00:13:18,377
WELL,
I KNOW HOW THAT FEELS.
317
00:13:18,380 --> 00:13:22,890
♪ WHAT A BEAUTIFUL FEELING ♪
MY DAD LEFT ME AND MY MOM
WHEN I WAS SEVEN.
318
00:13:22,886 --> 00:13:24,756
YOU MUST BE VERY STRONG.
319
00:13:24,758 --> 00:13:27,008
♪ OVER AND OVER ♪
320
00:13:27,011 --> 00:13:29,051
DO YOU LIKE KIDS?
321
00:13:30,515 --> 00:13:32,685
I ABSOLUTELY
LOVE CHILDREN.
322
00:13:38,025 --> 00:13:44,065
♪ CRIMSON AND CLOVER
OVER AND OVER ♪
323
00:13:44,072 --> 00:13:49,752
♪ CRIMSON AND CLOVER
OVER AND OVER ♪
324
00:13:49,749 --> 00:13:52,999
♪♪
325
00:13:54,175 --> 00:13:57,715
[ BREATHING HEAVILY ]
326
00:14:17,614 --> 00:14:19,664
HEY.
327
00:14:19,656 --> 00:14:21,656
[ SIGHS ]
328
00:14:21,659 --> 00:14:23,249
I'LL GET YOU A DRINK.
329
00:14:23,251 --> 00:14:24,661
THANKS.
330
00:14:24,662 --> 00:14:26,432
I'M GONNA TAKE
A QUICK SHOWER.
331
00:14:30,720 --> 00:14:33,970
[ MOANING ]
332
00:14:46,780 --> 00:14:48,570
SO WHAT'S GOING ON?
333
00:14:48,572 --> 00:14:50,622
WHY ARE YOU OUT RUNNING
AT DAWN?
334
00:14:50,615 --> 00:14:52,745
CAN'T I JUST RUN?
335
00:14:52,747 --> 00:14:54,867
IS IT VINCE?
336
00:14:56,202 --> 00:14:59,012
HE WAS MY PARTNER.
I SHOULD'VE SEEN SOMETHING.
337
00:14:59,005 --> 00:15:02,335
IT'S THIS NEW CASE.
IT'S A BIG ONE.
338
00:15:02,339 --> 00:15:03,919
YOU'RE A GOOD COP, JACK.
339
00:15:05,343 --> 00:15:07,273
YEAH, SAYS THE WOMAN
WITH A KILO OF COKE
340
00:15:07,265 --> 00:15:08,515
WHO'S HAVING SEX WITH HIM.
341
00:15:08,517 --> 00:15:11,597
IT'S HALF A KILO, AND I DIDN'T
KNOW YOU WERE COMING OVER.
342
00:15:11,601 --> 00:15:15,031
EVER SINCE
VINCE KILLED HIMSELF, I JUST --
343
00:15:15,025 --> 00:15:17,065
I WANT TO...
344
00:15:17,067 --> 00:15:18,527
I DON'T WHAT I WANT.
345
00:15:20,442 --> 00:15:22,872
I WANT TO BE BETTER.
346
00:15:22,865 --> 00:15:26,155
IS THIS ABOUT US?
347
00:15:26,159 --> 00:15:27,999
NO.
348
00:15:30,124 --> 00:15:31,884
WE'RE HERE AGAIN,
AREN'T WE?
349
00:15:31,876 --> 00:15:33,246
[ SIGHS ]
350
00:15:33,247 --> 00:15:34,297
WHAT DO YOU MEAN?
351
00:15:34,299 --> 00:15:36,549
THIS. US.
352
00:15:36,552 --> 00:15:38,592
I DIDN'T -- I DIDN'T COME OVER
HERE TO --
353
00:15:38,594 --> 00:15:39,894
TO SLEEP WITH ME
AND DUMP ME?
354
00:15:39,886 --> 00:15:41,676
YES. I MEAN, NO.
355
00:15:41,678 --> 00:15:43,718
WELL, BUT...
356
00:15:45,643 --> 00:15:47,693
ALSO, I'M A...
357
00:15:47,685 --> 00:15:49,065
SCREWED UP MESS?
358
00:15:49,067 --> 00:15:52,267
YEAH, I KNOW.
359
00:15:52,271 --> 00:15:54,191
WELL, NO ONE KNOWS ME
BETTER THAN YOU.
360
00:15:56,406 --> 00:15:58,196
MAYBE THAT'S THE PROBLEM.
361
00:15:59,450 --> 00:16:01,160
THAT WAS NEVER
THE PROBLEM.
362
00:16:01,162 --> 00:16:03,462
[ PAGER BEEPS ]
363
00:16:05,047 --> 00:16:07,377
YOU GOTTA GO.
364
00:16:10,384 --> 00:16:11,974
MOM?!
365
00:16:11,965 --> 00:16:13,555
WHAT?
366
00:16:13,557 --> 00:16:15,507
SPIDER.
367
00:16:15,510 --> 00:16:18,600
OH. COME HERE. COME ON.
368
00:16:18,604 --> 00:16:20,864
WHAT DO WE SAY?
369
00:16:20,856 --> 00:16:22,226
-"DO NO HARM."
-"DO NO HARM."
370
00:16:22,228 --> 00:16:23,398
"DO NO HARM."
371
00:16:23,400 --> 00:16:25,310
[ CHUCKLES ]
372
00:16:26,864 --> 00:16:30,164
♪♪
373
00:16:45,547 --> 00:16:48,297
MOM, PHONE.
374
00:16:50,223 --> 00:16:53,063
THANK YOU, SWEETIE.
HELLO?
375
00:16:53,056 --> 00:16:54,346
KENT: Hey, Betty.
376
00:16:54,348 --> 00:16:55,648
BRENT, HI.
377
00:16:55,650 --> 00:16:58,310
YEAH, I WANTED TO SEE
IF YOU WERE FREE THURSDAY NIGHT.
378
00:16:58,313 --> 00:17:00,413
As a matter of fact, I am.
GREAT.
379
00:17:00,406 --> 00:17:03,156
I'll, uh, pick you up
at 7:00?
380
00:17:03,159 --> 00:17:04,449
OKAY.
381
00:17:04,451 --> 00:17:06,531
I can't wait.
382
00:17:06,533 --> 00:17:08,173
[ TELEPHONE RINGS ]
Woman: L.A.P.D. TIP LINE.
383
00:17:08,165 --> 00:17:11,205
Woman #2:
UH, HI, I'M CALLING BECAUSE...
384
00:17:11,209 --> 00:17:13,129
Woman #3: ...ICE-CREAM MAN
IS HIDING SOMETHING...
385
00:17:13,131 --> 00:17:15,081
Woman #4: THERE'S A WHITE MAN'S
BEEN FOLLOWING ME...
386
00:17:15,084 --> 00:17:16,884
Woman #5: HEY, I HEARD KVXT
DEDICATE FOREIGNER
387
00:17:16,876 --> 00:17:21,256
"FEELS LIKE THE FIRST TIME"
TO EMILY F. LAST FRIDAY NIGHT.
388
00:17:21,261 --> 00:17:23,261
I THINK IT WAS FROM
A SECRET ADMIRER.
389
00:17:23,264 --> 00:17:26,024
GOT ANYTHING
ON THOSE COLD CASES?
390
00:17:26,017 --> 00:17:27,517
I'M INPUTTING
EVERYONE OF THESE
391
00:17:27,519 --> 00:17:30,729
THAT INVOLVED GIRLS
BETWEEN THE AGES OF 17 AND 25.
392
00:17:30,733 --> 00:17:32,573
SOME WORKING GIRLS,
SOME NOT.
393
00:17:32,565 --> 00:17:37,065
EIGHT WERE CHOPPED UP
AND NINE WERE DECAPITATED.
394
00:17:37,071 --> 00:17:38,821
IF IT IS A SERIAL KILLER
WE'RE DEALING WITH --
395
00:17:38,823 --> 00:17:41,373
IT IS A SERIAL KILLER.
396
00:17:41,366 --> 00:17:43,406
WELL, EITHER WAY, HE COULD BE
CHANGING UP HIS GAME.
397
00:17:43,409 --> 00:17:45,169
SOMETIMES THEY DO THAT.
398
00:17:45,171 --> 00:17:47,251
YEAH?
[ CHUCKLES ]
399
00:17:47,254 --> 00:17:50,724
YOU BEEN READING
THE SERIAL KILLER PAMPHLET?
400
00:17:50,718 --> 00:17:53,128
GONNA START SCHOOLING ME
ON TED BUNDY AND ZODIAC NEXT?
401
00:17:53,131 --> 00:17:55,381
I'M JUST TRYING TO LOOK
AT ALL THE POSSIBILITIES.
402
00:17:55,384 --> 00:17:57,234
WE DON'T KNOW
MUCH ABOUT HIM.
403
00:17:57,226 --> 00:17:58,516
WELL, WHAT DO WE KNOW?
404
00:17:58,518 --> 00:18:00,888
WE KNOW HE'S PROBABLY OLDER
THAN EMILY,
405
00:18:00,891 --> 00:18:03,931
BECAUSE SHE WAS LOOKING
FOR SOMEONE TO GIVE HER A WAY UP
406
00:18:03,934 --> 00:18:05,154
IN THE WORLD...
407
00:18:05,146 --> 00:18:08,236
POSSIBLE MILITARY BACKGROUND
BECAUSE OF THE KNOTS...
408
00:18:08,240 --> 00:18:11,700
A REAL ATTITUDE TOWARD AUTHORITY
WITH THE BIG MIDDLE FINGER
409
00:18:11,704 --> 00:18:14,914
HE GAVE US BY DROPPING
HER BODY AT THE CEMETERY...
410
00:18:14,908 --> 00:18:17,408
AND SOME REAL ANGER ISSUES
TOWARD WOMEN,
411
00:18:17,411 --> 00:18:20,001
WHICH PROBABLY MEANS
HIS MOMMY DIDN'T GIVE HIM
412
00:18:20,004 --> 00:18:23,344
ENOUGH ATTENTION,
SO NOW HE CUTS THEIR HEADS OFF.
413
00:18:23,338 --> 00:18:27,218
ASIDE FROM THE HEAD-CUTTING,
THAT COULD BE ANYONE.
414
00:18:27,223 --> 00:18:30,103
YOU'RE ASKING US
TO FIND A NEEDLE IN A HAY STACK.
415
00:18:31,849 --> 00:18:34,969
SO MAYBE WE MAKE THE NEEDLE
COME TO US.
416
00:18:36,815 --> 00:18:37,895
[ CLEARS THROAT ]
417
00:18:37,896 --> 00:18:39,566
LOS ANGELES CAN SLEEP
SAFER TONIGHT.
418
00:18:39,569 --> 00:18:41,319
WE HAVE OUR MAN.
HE HAS CONFESSED.
419
00:18:41,321 --> 00:18:42,741
[ CAMERA SHUTTERS CLICKING ]
WHAT'S HIS NAME?
420
00:18:42,742 --> 00:18:43,942
WHAT'S HE TALKING ABOUT?
421
00:18:43,944 --> 00:18:45,704
WE DON'T HAVE ANYBODY
IN CUSTODY.
422
00:18:45,696 --> 00:18:47,326
I HAVE NO IDEA
WHAT HE'S DOING.
423
00:18:47,328 --> 00:18:49,408
THIS KILLER WANTS FAME
AND RECOGNITION.
424
00:18:49,411 --> 00:18:50,831
THAT'S WHY HE DUMPED THE BODY
425
00:18:50,832 --> 00:18:52,802
AT THE HILLSIDE STRANGLER'S
LOCATION.
426
00:18:52,795 --> 00:18:54,045
SO AT THIS POINT,
427
00:18:54,046 --> 00:18:56,336
WE WILL RELEASE
NO INFORMATION ABOUT HIM.
428
00:18:56,339 --> 00:18:58,999
HE ISN'T GOING TO GET
THE ATTENTION HE CRAVES.
429
00:18:59,003 --> 00:19:00,383
HE DOESN'T DESERVE IT.
430
00:19:00,384 --> 00:19:02,854
FROM THIS POINT FORWARD,
NO MORE LIMELIGHT,
431
00:19:02,847 --> 00:19:07,467
NO MORE ACCOLADES,
NO MORE FEAR.
432
00:19:07,473 --> 00:19:10,023
NOBODY CARES ABOUT THIS KILLER.
433
00:19:10,016 --> 00:19:13,146
[ INDISTINCT QUESTIONING ]
THAT'S IT FOR NOW.
THANK YOU FOR YOUR TIME.
434
00:19:23,453 --> 00:19:26,003
[ TELEPHONE RINGING ]
435
00:19:27,498 --> 00:19:30,088
WELL,
DID I CAPTURE THE STRIP?
436
00:19:30,091 --> 00:19:32,041
YOU'RE LIKE TRUMAN CAPOTE
WITHOUT THE LISP.
437
00:19:32,044 --> 00:19:34,054
[ RINGING STOPS ]
438
00:19:34,046 --> 00:19:36,676
KAREN, PHONE'S FOR YOU.
439
00:19:39,263 --> 00:19:40,683
HELLO?
440
00:19:40,684 --> 00:19:42,524
KAREN, IT'S JOHN. WE MET
THE OTHER NIGHT AT THE WHISKY.
441
00:19:42,517 --> 00:19:44,017
OH, YEAH. HEY.
442
00:19:44,018 --> 00:19:45,438
I hope you don't mind me
calling you here.
443
00:19:45,440 --> 00:19:46,610
Your roommate gave me
this number.
444
00:19:46,612 --> 00:19:47,942
SURE, OF COURSE.
445
00:19:47,943 --> 00:19:49,073
I WAS THINKING ABOUT YOU
446
00:19:49,065 --> 00:19:50,945
BECAUSE I SAW
YOU GOT A STORY PUBLISHED.
447
00:19:50,947 --> 00:19:52,447
NOT ROLLING STONE,
BUT STILL.
448
00:19:52,449 --> 00:19:53,529
YOU SAW IT?
449
00:19:53,530 --> 00:19:54,660
You're good.
450
00:19:54,662 --> 00:19:55,872
THANKS.
451
00:19:55,873 --> 00:19:57,713
LOOK, I'VE ONLY GOT A SEC
'CAUSE I'M WITH A CLIENT,
452
00:19:57,705 --> 00:19:59,745
BUT YOU WANNA SEE BILLY IDOL
FRIDAY NIGHT?
453
00:19:59,748 --> 00:20:01,208
AND THIS TIME,
I'LL GET YOU BACKSTAGE.
454
00:20:01,210 --> 00:20:02,750
It's gonna be a party.
455
00:20:02,752 --> 00:20:04,082
SURE, I-I'D LOVE TO.
456
00:20:04,083 --> 00:20:06,013
I'LL PUT YOUR NAME
ON THE LIST AT THE WHISKY.
457
00:20:06,006 --> 00:20:06,966
I'LL SEE YOU THERE.
458
00:20:09,260 --> 00:20:10,760
WHO WAS THAT?
459
00:20:10,762 --> 00:20:11,972
THIS MUSIC GUY I KNOW.
460
00:20:11,973 --> 00:20:13,903
I'M GOING WITH HIM TO THE WHISKY
FRIDAY NIGHT --
461
00:20:13,896 --> 00:20:15,516
BACKSTAGE PASS.
462
00:20:15,518 --> 00:20:16,728
STICK WITH ME, DIVER.
463
00:20:16,729 --> 00:20:18,729
THIS MAGAZINE
JUST MIGHT GET GOOD.
464
00:20:20,734 --> 00:20:22,454
WHAT THE HELL WAS THAT,
ROTH?
465
00:20:22,446 --> 00:20:25,106
UH, THAT WAS -- THAT WAS CALLED
A PRESS CONFERENCE.
466
00:20:25,109 --> 00:20:28,199
YOU KNOW, IT'S WHEN I UPDATE
THE PRESS ON OUR INVESTIGATION.
467
00:20:28,203 --> 00:20:29,383
WELL, EXCEPT
YOU LIED TO THEM.
468
00:20:29,375 --> 00:20:30,455
LOOK, MAN.
469
00:20:30,456 --> 00:20:31,456
IF YOU'RE GONNA MAKE A MOVE
LIKE THAT,
470
00:20:31,457 --> 00:20:32,457
YOU NEED TO
LET ME KNOW ABOUT IT.
471
00:20:32,459 --> 00:20:33,959
IF YOU DON'T LIKE
MY STYLE, MAN,
472
00:20:33,960 --> 00:20:35,710
FEEL FREE
TO WALK OUT THE DOOR ANY TIME.
473
00:20:35,713 --> 00:20:37,473
YOU BETTER HAVE A PLAN,
ROTH.
474
00:20:37,465 --> 00:20:40,795
I DO. THIS GUY LOVES NOTORIETY,
I JUST TOOK AWAY ALL HIS POWER.
475
00:20:40,799 --> 00:20:43,129
[ TELEPRINTER PRINTING ]
476
00:20:46,556 --> 00:20:49,056
[ PRINTING STOPS ]
477
00:20:49,059 --> 00:20:50,769
"WANDA PHILLIPS CASE.
478
00:20:50,771 --> 00:20:53,821
LOOK AT HER APARTMENT
ONE MORE TIME,
479
00:20:53,815 --> 00:20:56,315
UNLESS YOU DON'T CARE ABOUT ME."
480
00:20:56,318 --> 00:20:57,648
WHAT DO WE GOT
ON WANDA PHILLIPS?
481
00:20:59,913 --> 00:21:02,873
Contreras: WANDA PHILLIPS --
MURDERED IN 1979.
482
00:21:02,866 --> 00:21:05,456
HER HEADLESS BODY WAS FOUND
ON THE SANTA MONICA PIER.
483
00:21:05,459 --> 00:21:07,579
SHE'D BEEN KEPT ON ICE,
HUNG UPSIDE DOWN.
484
00:21:07,582 --> 00:21:09,422
Jack: AND DRAINED,
JUST LIKE EMILY.
485
00:21:14,471 --> 00:21:18,101
[ SIGHS ] WHAT A SURPRISE --
A MURDER TOOK PLACE HERE.
486
00:21:18,095 --> 00:21:21,435
♪♪
487
00:21:30,280 --> 00:21:31,690
POLICE.
488
00:21:34,195 --> 00:21:36,615
HELLO?
489
00:22:05,784 --> 00:22:08,454
[ SNIFFS ]
490
00:22:12,623 --> 00:22:14,883
[ SIREN WAILS ]
491
00:22:14,876 --> 00:22:16,586
SO WHERE
DID YOU MEET HIM?
492
00:22:16,588 --> 00:22:17,798
AT LE DOME.
493
00:22:17,799 --> 00:22:19,049
OH, FANCY.
494
00:22:19,051 --> 00:22:24,061
HE'S SO SMART AND HE'S SO
HANDSOME AND HE LOVES KIDS.
495
00:22:24,057 --> 00:22:26,677
ASK HIM
IF HE HAS A FRIEND.
496
00:22:27,641 --> 00:22:29,681
I WILL.
497
00:22:31,766 --> 00:22:34,476
[ GROANS PAINFULLY ]
498
00:22:39,987 --> 00:22:43,277
[ INDISTINCT CONVERSATIONS ]
499
00:22:47,746 --> 00:22:49,456
[ SIREN CHIRPS ]
500
00:22:49,458 --> 00:22:51,168
[ SIREN WAILS ]
501
00:22:51,171 --> 00:22:53,251
[ CAMERA SHUTTERS CLICKING ]
502
00:22:53,253 --> 00:22:56,143
COME ON. NO, NO, NO.
GET BACK.
503
00:22:56,137 --> 00:22:57,467
AS SOON AS WE KNOW
ANY INFORMATION,
504
00:22:57,468 --> 00:22:58,718
WE'LL LET YOU BACK IN,
505
00:22:58,720 --> 00:23:02,390
BUT RIGHT NOW WE CANNOT
LET YOU BACK IN THE BUILDING.
506
00:23:02,394 --> 00:23:04,774
STAY OFF THE SIDEWALK.
507
00:23:04,767 --> 00:23:07,807
♪♪
508
00:23:16,322 --> 00:23:17,622
Man:
THIS COULD TAKE SOME TIME.
509
00:23:17,623 --> 00:23:20,333
Woman:
DROP THOSE RIGHT IN THERE.
510
00:23:20,327 --> 00:23:21,747
Contreras:
JACK, IT'S CONFIRMED.
511
00:23:21,748 --> 00:23:23,628
THE HEAD BELONGS
TO OUR LATEST VICTIM.
512
00:23:23,631 --> 00:23:26,641
Jack: HE MADE HER UP
JUST LIKE WANDA PHILLIPS.
513
00:23:26,635 --> 00:23:28,045
HE'S TAUNTING US.
514
00:23:29,098 --> 00:23:31,468
[ GAGS ]
I DON'T FEEL SO --
515
00:23:31,471 --> 00:23:32,931
[ VOMITS ]
516
00:23:32,932 --> 00:23:35,442
KIDDING ME.
517
00:23:40,271 --> 00:23:41,521
[ CAMERA SHUTTER CLICKING ]
518
00:23:45,618 --> 00:23:46,818
WHAT IS YOUR PROBLEM,
MAN?
519
00:23:46,820 --> 00:23:48,490
YOU EVER HEARD
OF THE FIRST AMENDMENT?
520
00:23:48,492 --> 00:23:50,662
DON'T GIVE ME
YOUR CONSTITUTION CRAP.
521
00:23:50,664 --> 00:23:52,634
THE CONSTITUTION
DOESN'T SAY YOU CAN BREAK INTO
522
00:23:52,627 --> 00:23:54,867
A CRIME SCENE, IDIOT.
523
00:23:54,870 --> 00:23:56,130
[ SIGHS ]
524
00:23:56,131 --> 00:23:57,331
NOW YOU BRING YOUR GIRLFRIEND
ALONG WITH YOU?
525
00:23:57,333 --> 00:23:58,503
I'M A REPORTER.
526
00:23:58,504 --> 00:24:00,094
YEAH? YOU DON'T HAVE THE STOMACH
FOR A REPORTER.
527
00:24:00,086 --> 00:24:01,676
HOW'D THEY GET PAST
THE UNIFORMS?
528
00:24:01,678 --> 00:24:03,758
LET'S JUST SAY I KNOW MY WAY
AROUND A CRIME SCENE.
529
00:24:03,761 --> 00:24:05,471
YOU NOW WHAT I MEAN?
-HEY, STEP BACK.
530
00:24:05,473 --> 00:24:07,943
YEAH, NOT MY CRIME SCENE.
531
00:24:08,847 --> 00:24:10,147
I SAW EMILY THE NIGHT
SHE WAS MURDERED.
532
00:24:11,981 --> 00:24:13,851
AT THE WHISKY.
533
00:24:19,740 --> 00:24:21,610
ALL RIGHT, SO,
W-WHEN YOU OVERHEARD EMILY
534
00:24:21,613 --> 00:24:23,583
TALKING IN THE BATHROOM,
DID SHE USE ANY --
535
00:24:23,575 --> 00:24:24,665
ANY DESCRIPTIVE LANGUAGE
536
00:24:24,667 --> 00:24:26,747
ABOUT THE GUY
SHE WAS TALKING ABOUT, ANYTHING?
537
00:24:26,749 --> 00:24:28,829
[ SIGHS ]
JUST THAT HE WAS HOT
538
00:24:28,832 --> 00:24:30,582
AND WORKS IN REAL ESTATE...
539
00:24:30,584 --> 00:24:32,304
AND HE WAS GONNA HELP HER
FIND A PLACE.
540
00:24:32,296 --> 00:24:33,876
OKAY, SOUNDS LIKE
THE KIND OF GUY
541
00:24:33,878 --> 00:24:35,758
WHO TELLS A GIRL
WHAT SHE WANTS TO HEAR.
542
00:24:35,760 --> 00:24:38,880
ISN'T THAT EVERY GUY
ON THE STRIP?
543
00:24:38,884 --> 00:24:41,274
YOU SPEND A LOT OF TIME
ON THE STRIP?
544
00:24:41,267 --> 00:24:42,687
SOME.
545
00:24:42,689 --> 00:24:45,639
I'LL BE THERE
THIS FRIDAY.
546
00:24:45,643 --> 00:24:47,143
I MET A MUSIC GUY
AT THE WHISKY THAT NIGHT
547
00:24:47,144 --> 00:24:48,654
WHO SAID HE COULD GET ME
BACKSTAGE
548
00:24:48,646 --> 00:24:50,356
FOR THE BILLY IDOL CONCERT.
549
00:24:50,358 --> 00:24:54,778
I WAS LOOKING FOR A GOOD STORY,
BUT WHO KNOWS?
550
00:24:54,784 --> 00:24:56,834
YOU'RE GONNA BE AT THE WHISKY
THIS FRIDAY NIGHT?
551
00:24:56,826 --> 00:24:58,326
YES.
552
00:24:58,328 --> 00:25:01,208
SO, GUYS LIKE THE GUY
WE'RE LOOKING FOR...
553
00:25:01,212 --> 00:25:03,882
THEY'RE CREATURES
OF HABIT.
554
00:25:03,875 --> 00:25:05,835
THEY GO BACK
TO THE SAME HUNTING GROUND.
555
00:25:05,838 --> 00:25:07,378
YOU MIGHT BE ABLE
TO HELP US.
556
00:25:07,379 --> 00:25:08,669
HOW COULD I HELP?
557
00:25:08,671 --> 00:25:09,761
I MEAN, I WANT TO,
558
00:25:09,762 --> 00:25:11,472
BUT I NEVER SAW HER
WITH THE GUY --
559
00:25:11,465 --> 00:25:12,725
I SAW HER IN THE BATHROOM.
560
00:25:12,726 --> 00:25:14,016
YOU MIGHT NOT KNOW IT,
561
00:25:14,018 --> 00:25:16,558
BUT MAYBE SOMETHING YOU SAW
COULD LEAD US TO THE KILLER.
562
00:25:19,685 --> 00:25:21,565
WILL YOU HELP US?
563
00:25:24,651 --> 00:25:26,401
YOU KNOW YOU CAN'T GO
TO THE WHISKY DRESSED LIKE THAT.
564
00:25:26,403 --> 00:25:27,793
YOU GOT "COP"
WRITTEN ALL OVER YOU.
565
00:25:27,785 --> 00:25:28,655
NO ONE WILL TALK TO US.
566
00:25:28,656 --> 00:25:29,656
[ SIGHS ]
567
00:25:29,657 --> 00:25:31,907
SUPPOSED TO LOOK LIKE YOU?
568
00:25:31,910 --> 00:25:34,950
YEAH.
PUT THAT ON YOUR WISH LIST.
569
00:25:34,954 --> 00:25:38,004
[ PAT BENATAR'S "HEARTBREAKER"
PLAYS ]
570
00:25:37,997 --> 00:25:39,127
WHERE WE GOING?
571
00:25:39,129 --> 00:25:40,459
Jack: PLACE WHERE BIG SHOTS
HANG OUT.
572
00:25:40,461 --> 00:25:42,381
I HAVE A CONTACT HERE.
573
00:25:44,345 --> 00:25:46,965
♪ YOUR LOVE IS LIKE
A TIDAL WAVE ♪
574
00:25:46,969 --> 00:25:50,269
♪ SPINNING OVER MY HEAD ♪
575
00:25:50,273 --> 00:25:53,323
♪ DROWNING ME IN YOUR PROMISES ♪
576
00:25:53,316 --> 00:25:56,316
♪ BETTER LEFT UNSAID ♪
577
00:25:56,320 --> 00:25:58,730
♪ YOU'RE THE RIGHT KIND
OF SINNER ♪
578
00:25:58,733 --> 00:26:02,793
♪ TO RELEASE MY INNER FANTASY ♪
579
00:26:02,788 --> 00:26:05,368
♪ THE INVINCIBLE WINNER ♪
I KNOW I SHOULDN'T BE HERE.
580
00:26:05,371 --> 00:26:07,581
♪ AND YOU KNOW
THAT YOU WERE BORN TO BE ♪
THEY DON'T BE.
581
00:26:07,584 --> 00:26:09,674
I GOT THIS.
582
00:26:09,667 --> 00:26:11,707
♪ YOU'RE A HEARTBREAKER ♪
I BET YOU DO.
583
00:26:11,709 --> 00:26:14,129
♪ DREAM MAKER ♪
I WOULDN'T BE HERE
IF IT WASN'T IMPORTANT, OKAY?
584
00:26:14,132 --> 00:26:16,012
♪ LOVE TAKER, DON'T YOU
MESS AROUND WITH ME ♪
IT'S REALLY IMPORTANT.
585
00:26:16,005 --> 00:26:17,965
♪ YOU'RE A HEARTBREAKER ♪
WHAT DO YOU NEED?
586
00:26:17,967 --> 00:26:20,347
♪ DREAM MAKER, LOVE TAKER ♪
I'M WORKING A MURDER --
A GIRL
587
00:26:20,350 --> 00:26:21,680
♪ DON'T YOU MESS AROUND ♪
MOST LIKELY LAST SEEN
ON THE STRIP.
588
00:26:21,682 --> 00:26:22,762
♪ NO, NO, NO ♪
589
00:26:22,763 --> 00:26:24,693
HAVE YOU SEEN
THIS BRAND OF COKE BEFORE?
590
00:26:24,685 --> 00:26:26,725
WE FOUND IT ON HER.
591
00:26:26,728 --> 00:26:29,228
IF YOU KNOW ANYTHING,
WHO THE DEALER IS...
592
00:26:29,231 --> 00:26:31,401
[ SIGHS ]
YEAH, I KNOW IT.
593
00:26:31,404 --> 00:26:32,874
I'M ONE OF HIS FEEDERS --
BUY AND SUPPLY.
594
00:26:32,865 --> 00:26:34,525
THAT'S GREAT. WELL, I NEED TO
TALK TO THIS GUY --
595
00:26:34,528 --> 00:26:35,698
YOU KNOW I CAN'T DO THAT.
596
00:26:35,699 --> 00:26:37,739
LOOK. LISTEN, DIANNE,
IF HE SOLD TO HER THAT NIGHT,
597
00:26:37,742 --> 00:26:39,332
HE MIGHT'VE SEEN
WHO SHE WAS WITH.
598
00:26:39,334 --> 00:26:41,174
FOR ALL I KNOW, HE SOLD IT
TO THE KILLER HIM SELF.
599
00:26:41,166 --> 00:26:43,076
A MILLION GIRLS ON THE STRIP
ARE SNORTING COKE.
600
00:26:43,078 --> 00:26:46,418
DO YOU THINK ONE OF THESE GUYS
REMEMBERS WHO THEY SELL IT TO?
I CAN TELL YOU, I DON'T.
601
00:26:46,422 --> 00:26:49,092
♪ YOU'RE THE RIGHT KIND
OF SINNER ♪
I THINK SHE MIGHT HAVE LEFT
WITH SOME BIG SHOT.
602
00:26:49,086 --> 00:26:52,846
♪ TO RELEASE MY INNER FANTASY ♪
LOOK, YOU KNOW EVERYBODY
ON THE STRIP.
603
00:26:52,850 --> 00:26:55,390
♪ THE INVINCIBLE WINNER ♪
CAN YOU PLEASE
JUST ASK AROUND
604
00:26:55,393 --> 00:26:58,903
♪ AND YOU KNOW
THAT YOU WERE BORN TO BE ♪
AND SEE IF ANYBODY SAW ANYTHING,
HEARD ANYTHING?
605
00:26:58,898 --> 00:26:59,898
FOR ME?
606
00:26:59,899 --> 00:27:02,019
♪ YOU'RE A HEART BREAKER ♪
607
00:27:03,564 --> 00:27:07,164
♪ YOUR PICTURE AIN'T ENOUGH ♪
608
00:27:07,158 --> 00:27:13,328
♪ I CAN'T WAIT TO TOUCH YOU
IN THE FLESH ♪
609
00:27:13,326 --> 00:27:17,826
♪ OOH-OOH, OOOH ♪
610
00:27:17,831 --> 00:27:21,551
♪ DARLIN', DARLIN', DARLIN' ♪
I REALLY
THOUGHT YOU LIKED ME.
611
00:27:21,546 --> 00:27:25,256
♪ I CAN'T WAIT TO HEAR YOU ♪
612
00:27:25,260 --> 00:27:28,430
♪ REMEMBERING YOUR LOVE ♪
613
00:27:28,434 --> 00:27:30,694
♪ IS NOTHING ♪
614
00:27:30,687 --> 00:27:33,557
♪ WITHOUT YOU IN THE FLESH ♪
PLEASE, DON'T MOVE.
615
00:27:36,404 --> 00:27:38,994
WHAT ARE YOU DOING?
616
00:27:41,651 --> 00:27:44,321
IT'S JUST A GAME.
617
00:27:44,324 --> 00:27:47,544
♪♪
618
00:27:56,840 --> 00:27:59,050
IT'S OKAY.
619
00:28:01,555 --> 00:28:03,225
[ BREATHING HEAVILY ]
620
00:28:03,228 --> 00:28:05,978
CLOSE YOUR EYES.
621
00:28:05,981 --> 00:28:08,811
CLOSE YOUR EYES.
622
00:28:11,488 --> 00:28:13,988
DON'T BREATHE.
623
00:28:15,693 --> 00:28:17,873
ABSOLUTELY STILL.
624
00:28:17,866 --> 00:28:20,366
MM.
625
00:28:20,369 --> 00:28:23,539
NOT A SOUND...
626
00:28:23,543 --> 00:28:25,763
NOT A BREATH.
627
00:28:30,632 --> 00:28:33,932
♪♪
628
00:28:45,320 --> 00:28:47,650
[ EXHALES SHARPLY ]
629
00:28:52,579 --> 00:28:55,739
♪♪
630
00:29:11,602 --> 00:29:12,562
[ GASPS ]
631
00:29:12,564 --> 00:29:15,364
[ GASPS ]
632
00:29:15,357 --> 00:29:17,227
OH, MY GOD.
633
00:29:17,229 --> 00:29:19,319
[ Exhaling ] OH, MY GOD.
634
00:29:19,322 --> 00:29:21,362
[ BREATHING HEAVILY ]
635
00:29:21,364 --> 00:29:24,414
THAT WAS WEIRD.
636
00:29:24,408 --> 00:29:26,238
KIND OF AMAZING.
637
00:29:26,241 --> 00:29:27,241
[ CHUCKLES ]
638
00:29:27,242 --> 00:29:30,172
I LIKE YOU, BETTY.
639
00:29:30,165 --> 00:29:31,835
I LIKE YOU, TOO, BRENT.
640
00:29:31,837 --> 00:29:32,957
IT'S KENT.
641
00:29:35,132 --> 00:29:37,002
YOU TOLD ME --
YOU TOLD ME BRENT.
642
00:29:37,004 --> 00:29:38,724
YOU JUST HEARD IT WRONG.
643
00:29:38,716 --> 00:29:42,056
KENT, BRENT.
644
00:29:42,060 --> 00:29:45,060
KENT.
645
00:29:46,015 --> 00:29:48,645
WE HAVE A REAL CONNECTION.
646
00:29:50,310 --> 00:29:52,860
I'VE NEVER DONE
ANYTHING LIKE THAT.
647
00:29:55,156 --> 00:29:57,736
AND THIS IS
JUST THE BEGINNING.
648
00:30:04,458 --> 00:30:06,588
OKAY.
649
00:30:11,717 --> 00:30:13,797
YOU HAVE NO IDEA.
650
00:30:15,101 --> 00:30:18,061
[ LAUGHS ]
OKAY.
651
00:30:19,897 --> 00:30:21,727
[ DOOR CLOSES ]
[ GASPS ]
652
00:30:21,729 --> 00:30:24,519
NO -- WA--
653
00:30:25,564 --> 00:30:27,164
Shh.
654
00:30:34,535 --> 00:30:37,245
[ GASPS ]
655
00:30:37,249 --> 00:30:39,249
IT'S OKAY.
656
00:30:40,463 --> 00:30:42,553
IT'S JUST A GAME.
657
00:30:45,259 --> 00:30:48,589
♪♪
658
00:31:45,834 --> 00:31:48,054
[ SIGHS ]
659
00:31:50,129 --> 00:31:51,459
HMM.
660
00:31:51,461 --> 00:31:53,591
I'VE NEVER SEEN
THAT JACKET BEFORE.
661
00:31:53,593 --> 00:31:55,643
DO I LOOK LIKE AN IDIOT?
I FEEL LIKE AN IDIOT.
662
00:31:55,636 --> 00:31:57,636
I NEVER WOULD'VE MARRIED
AN IDIOT.
663
00:31:57,638 --> 00:32:00,058
[ LAUGHS ]
BUT COME HERE.
664
00:32:00,061 --> 00:32:01,101
COME HERE,
LET ME HELP YOU.
665
00:32:01,103 --> 00:32:02,353
WOULD YOU PLEASE?
666
00:32:02,354 --> 00:32:04,244
[ SIGHS ]
667
00:32:05,568 --> 00:32:06,778
YOU LOOK HANDSOME.
668
00:32:06,780 --> 00:32:07,940
YEAH? THANK YOU.
669
00:32:07,941 --> 00:32:10,321
REMINDS OF THAT, UM,
SPORTS COAT YOU WORE
670
00:32:10,324 --> 00:32:11,954
WHEN YOU FIRST STARTED DATING,
REMEMBER?
671
00:32:11,946 --> 00:32:13,406
OH, YEAH.
I USED TO LOVE THAT THING.
672
00:32:13,408 --> 00:32:15,488
I SPILLED CHILI ON IT WHEN
I TOOK YOU TO CHASEN'S PLACE.
673
00:32:15,490 --> 00:32:17,750
[ LAUGHS ]
OH, THAT CHILI WAS GOOD.
674
00:32:17,753 --> 00:32:19,843
MM-HMM.
675
00:32:21,338 --> 00:32:23,668
BETTER?
676
00:32:23,671 --> 00:32:26,091
SURE. THANKS.
677
00:32:31,270 --> 00:32:33,770
I HATE
THAT YOU TAKE YOUR RING OFF.
678
00:32:33,773 --> 00:32:36,403
LIKE YOU DON'T WANT TO BE
REMINDED OF US
679
00:32:36,396 --> 00:32:37,476
WHEN YOU'RE OUT THERE.
680
00:32:37,478 --> 00:32:38,938
BABY, YOU THAT'S NOT IT.
681
00:32:38,939 --> 00:32:40,979
I CAN'T HAVE PEOPLE OUT THERE
KNOW ABOUT YOU --
682
00:32:40,982 --> 00:32:42,822
THAT THERE ARE PEOPLE
I LOVE.
683
00:32:42,824 --> 00:32:45,124
IT MAKES ME VULNERABLE.
684
00:32:47,240 --> 00:32:49,620
WHOA.
685
00:32:49,623 --> 00:32:52,543
YOU LOOK WAY TOO
"SATURDAY NIGHT FEVER," DADDY.
686
00:32:52,536 --> 00:32:53,916
-WHAT?
-WHAT'S THAT MEAN?
687
00:32:53,918 --> 00:32:55,798
YOU NEED TO LOOK
MORE "AMERICAN GIGOLO"
688
00:32:55,800 --> 00:32:57,920
IF YOU'RE GOING TO THE WHISKY,
SO YOU FIT IN.
689
00:32:59,805 --> 00:33:01,255
LOSE THE POCKET SQUARE.
690
00:33:01,257 --> 00:33:02,597
OH.
OH, OKAY.
691
00:33:02,599 --> 00:33:04,969
H-HOW DO YOU KNOW WHAT PEOPLE
DRESS LIKE AT THE WHISKY?
692
00:33:04,972 --> 00:33:07,982
YEAH, INQUIRING MINDS
WANT TO KNOW.
[ TELEPHONE RINGS ]
693
00:33:09,227 --> 00:33:11,147
HELLO?
694
00:33:11,149 --> 00:33:12,769
YEP.
695
00:33:12,771 --> 00:33:13,861
MM-HMM.
696
00:33:13,863 --> 00:33:15,833
UH...YEAH, OKAY.
697
00:33:15,825 --> 00:33:17,485
SURE.
698
00:33:17,487 --> 00:33:18,987
GREAT.
699
00:33:18,989 --> 00:33:20,029
[ TELEPHONE RECEIVER CLICKS ]
700
00:33:20,030 --> 00:33:21,530
WHO WAS THAT?
701
00:33:21,532 --> 00:33:23,842
UH, JUST ABOUT TONIGHT --
CASE STUFF.
702
00:33:23,835 --> 00:33:26,575
OH.
703
00:33:26,579 --> 00:33:28,789
WILL YOU BE HOME LATER?
704
00:33:28,791 --> 00:33:30,791
UH, I DON'T KNOW.
DEPENDS.
705
00:33:30,794 --> 00:33:33,644
ON THE CASE.
YEAH, OF COURSE.
706
00:33:33,637 --> 00:33:37,547
OKAY, SO, WHAT ARE YOU THINKING
FOR TACO TERROR NIGHT?
707
00:33:37,552 --> 00:33:42,602
Vicki: OKAY, UH, LAST WEEK WE
DID CAPTAIN CRUNCH AND PICKLES.
708
00:33:42,598 --> 00:33:44,188
...CHOCOLATE CHIPS
AND FISH STICKS.
709
00:33:44,190 --> 00:33:47,870
UGH.
[ LAUGHS ] THAT'S GROSS.
710
00:33:52,781 --> 00:33:53,871
Jack: HEY, WHAT THE HELL
WERE YOU THINKING,
711
00:33:53,872 --> 00:33:54,822
CALLING MY HOUSE?
712
00:33:54,824 --> 00:33:56,504
YOU ASKED ME FOR HELP,
JACK.
713
00:33:56,496 --> 00:33:58,166
YOU CAN'T CALL MY PAGER?
714
00:33:58,168 --> 00:33:59,498
WELL,
DON'T GET ME INVOLVED
715
00:33:59,499 --> 00:34:01,459
AND THEN GET PISSED OFF
HOW I GO ABOUT IT.
716
00:34:01,462 --> 00:34:02,622
I GOT YOU SOMETHING,
ALL RIGHT?
717
00:34:02,623 --> 00:34:03,633
HERE.
718
00:34:03,625 --> 00:34:04,755
WHAT IS IT?
719
00:34:04,756 --> 00:34:06,506
V.I.P. LIST FROM THE STRIP.
720
00:34:06,508 --> 00:34:08,468
GAZZARRI'S, RAINBOW, WHISKY...
721
00:34:08,471 --> 00:34:09,841
YOU GOT THE WHISKY
IN HERE?
722
00:34:09,842 --> 00:34:11,432
THEY ALWAYS COMP
V.I.P. TICKETS.
723
00:34:11,434 --> 00:34:14,024
YOU SAID YOU THOUGHT YOUR GUY
MIGHT BE A BIGWIG, RIGHT?
724
00:34:14,017 --> 00:34:16,137
SO THIS LIST IS EVERYONE
WHO'S EVERYONE
725
00:34:16,140 --> 00:34:17,980
HANGING ON THE STRIP
THIS WEEK.
726
00:34:17,982 --> 00:34:19,192
MAYBE IT'LL GET YOU
SOMEWHERE.
727
00:34:19,194 --> 00:34:21,454
HEY. HEY.
728
00:34:22,648 --> 00:34:23,648
[ CAR DOOR CLOSES ]
729
00:34:23,649 --> 00:34:25,489
I REALLY APPRECIATE THIS.
730
00:34:25,492 --> 00:34:27,922
LET'S KEEP THIS
STRICTLY PROFESSIONAL.
731
00:34:29,497 --> 00:34:31,747
WHO'RE YOU TRYING
TO CONVINCE?
732
00:34:31,749 --> 00:34:33,459
HEY, JACK.
733
00:34:33,462 --> 00:34:35,422
YOU KNOW, AS MUCH AS I ENJOY
WATCHING YOU MAKE EYES
734
00:34:35,424 --> 00:34:36,634
WITH YOUR
STRIPPER GIRLFRIEND,
735
00:34:36,625 --> 00:34:38,795
WE SHOULD
PROBABLY GET MOVING.
736
00:34:38,798 --> 00:34:40,468
I GOT A KILLER TO CATCH.
737
00:34:40,470 --> 00:34:45,520
SO WHY DON'T YOU GET BACK
IN YOUR CAR AND GO DO YOUR JOB,
738
00:34:45,516 --> 00:34:47,476
BECAUSE I HAVE A DRUG DEALER
TO BUST
739
00:34:47,479 --> 00:34:50,269
AND I CAN'T WASTE ANY MORE TIME
WITH THE DYNAMIC DUO.
740
00:34:52,105 --> 00:34:54,985
YOU'RE A COP.
741
00:34:54,988 --> 00:34:56,948
WHO'S GONNA BE
A LIEUTENANT.
742
00:34:56,951 --> 00:34:59,361
NOT IF I DON'T GET
MY SUPPLIER'S BOSS.
743
00:35:01,116 --> 00:35:02,906
SO YOU DO ANYTHING
TO BLOW MY COVER,
744
00:35:02,908 --> 00:35:04,658
I'LL CUT YOUR BALLS OFF.
745
00:35:04,660 --> 00:35:06,200
UNDERSTOOD?
746
00:35:06,202 --> 00:35:08,002
UNDERSTOOD.
747
00:35:08,004 --> 00:35:11,174
♪♪
748
00:35:14,302 --> 00:35:16,852
[ ROMEO VOID'S
"NEVER SAY NEVER" PLAYS ]
749
00:35:18,808 --> 00:35:21,678
♪ I MIGHT LIKE YOU BETTER
IF WE SLEPT TOGETHER ♪
750
00:35:21,681 --> 00:35:24,651
♪ I MIGHT LIKE YOU BETTER
IF WE SLEPT TOGETHER ♪
♪ I MIGHT LIKE YOU BETTER
IF WE SLEPT TOGETHER ♪
751
00:35:24,645 --> 00:35:27,645
♪ I MIGHT LIKE YOU BETTER
IF WE SLEPT TOGETHER ♪
752
00:35:27,649 --> 00:35:29,279
[ TELEPHONE RINGS ]
♪ BUT THERE'S SOMETHING
IN YOUR EYES ♪
753
00:35:29,281 --> 00:35:31,651
♪ THAT SAYS
"MAYBE THAT'S NEVER" ♪
754
00:35:31,654 --> 00:35:32,664
HELLO?
755
00:35:32,655 --> 00:35:34,285
BETTY: Kent.
I can't come tonight.
756
00:35:34,287 --> 00:35:36,907
WH-WHAT DO YOU MEAN YOU CAN'T GO
TO THE WHISKY TONIGHT?
757
00:35:36,910 --> 00:35:38,370
I GOT CALLED INTO WORK.
I'M SORRY.
758
00:35:38,372 --> 00:35:39,662
COME ON.
759
00:35:39,664 --> 00:35:41,804
I MEETING
ANOTHER FRIEND THERE, TOO.
760
00:35:41,796 --> 00:35:45,126
THERE'S SOMETHING I WANT TO SHOW
YOU THAT I THINK YOU'LL LIKE.
761
00:35:45,130 --> 00:35:47,510
IT'LL BE A PARTY.
762
00:35:47,513 --> 00:35:49,393
JUST TELL THEM YOU'RE SICK
AND YOU GOTTA GO HOME.
763
00:35:49,386 --> 00:35:50,516
God, I wish.
764
00:35:50,517 --> 00:35:52,807
BUT, YOU KNOW,
I HAVE MY PATIENTS, AND --
765
00:35:52,810 --> 00:35:56,530
I thought
we had a real connection.
766
00:35:56,525 --> 00:35:58,435
WHAT? WE DO.
767
00:35:58,437 --> 00:36:00,357
WE -- PLEASE, UNDERSTAND.
768
00:36:00,359 --> 00:36:01,649
[ SCOFFS ]
769
00:36:01,651 --> 00:36:02,981
UNDERSTAND?
770
00:36:02,983 --> 00:36:04,273
HOW ABOUT UNDERSTAND ME?
771
00:36:04,274 --> 00:36:05,374
WHAT ABOUT MY NEEDS?
772
00:36:05,365 --> 00:36:07,485
OH, KENT.
773
00:36:07,488 --> 00:36:11,158
YOU KNOW I'LL TAKE CARE OF YOUR
NEEDS TOMORROW NIGHT WHEN...
774
00:36:11,163 --> 00:36:13,553
I don't think
I can make it.
775
00:36:13,546 --> 00:36:15,286
SEE YA.
776
00:36:15,288 --> 00:36:18,168
Wait, Kent.
Kent?
777
00:36:18,171 --> 00:36:20,501
♪ NEVER SAY NEVER ♪
H-Hello?
778
00:36:20,504 --> 00:36:23,644
♪ NEVER, NEVER, NEVER ♪
779
00:36:29,726 --> 00:36:31,146
♪ I MIGHT LIKE YOU BETTER ♪
780
00:36:31,147 --> 00:36:33,767
[ TELEPHONE RINGS ]
♪ IF WE SLEPT TOGETHER ♪
781
00:36:33,771 --> 00:36:36,481
♪ MIGHT LIKE YOU BETTER
IF WE SLEPT TOGETHER ♪
♪ MIGHT LIKE YOU BETTER
IF WE SLEPT TOGETHER ♪
782
00:36:36,484 --> 00:36:39,664
♪ I MIGHT LIKE YOU BETTER
IF WE SLEPT TOGETHER ♪
783
00:36:39,658 --> 00:36:42,448
[ RINGING CONTINUES ]
♪ I MIGHT LIKE YOU BETTER
IF WE SLEPT TOGETHER ♪
784
00:36:42,451 --> 00:36:44,371
♪ BUT THERE'S SOMETHING
IN YOUR EYES THAT SAYS ♪
785
00:36:44,374 --> 00:36:47,334
♪ "MAYBE THAT'S NEVER" ♪
786
00:36:47,328 --> 00:36:52,248
♪ NEVER SAY NEVER ♪
787
00:36:55,968 --> 00:36:58,138
YOU ARE DEFINITELY
GONNA BANG HER.
788
00:36:58,141 --> 00:36:59,641
MIND YOUR BUSINESS,
PACO.
789
00:36:59,643 --> 00:37:00,843
I'M JUST SAYING.
790
00:37:02,016 --> 00:37:03,056
A. BUONO.
791
00:37:03,057 --> 00:37:04,687
THE NAME A. BUONO
IS ON THE LIST.
792
00:37:04,689 --> 00:37:08,939
ANGELO BUONO? ONE OF
THE HILLSIDE STRANGLERS?
793
00:37:08,944 --> 00:37:11,284
ANGELO BUONO IS IN PRISON.
YOU PUT HIM THERE.
794
00:37:11,277 --> 00:37:12,357
SON OF A BITCH.
795
00:37:12,359 --> 00:37:13,949
FIRST HE PUTS HIS NAME
ON THE V.I.P. LIST
796
00:37:13,951 --> 00:37:15,531
AS ONE OF HIS
HILLSIDE STRANGLER HEROES,
797
00:37:15,533 --> 00:37:18,793
AND THEN HE DUMPS EMILY'S BODY
IN THE SAME PLACE THEY DID.
798
00:37:18,787 --> 00:37:20,287
HE'S DRAWING A MAP.
799
00:37:20,288 --> 00:37:21,828
HE'S PLAYING WITH US.
800
00:37:21,830 --> 00:37:24,830
HE'S LETTING US KNOW
HE'S AT THE WHISKY RIGHT NOW.
801
00:37:24,834 --> 00:37:27,554
KAREN'S NAME'S RIGHT THERE
BELOW HIS.
802
00:37:27,547 --> 00:37:30,217
HER MUSIC GUY WOULD'VE GIVEN
BOTH NAMES AT THE SAME TIME.
803
00:37:30,221 --> 00:37:32,641
WHICH MEANS KAREN'S GUY
COULD BE OUR GUY.
804
00:37:32,644 --> 00:37:34,274
LET'S GO!
MOVE IT, MOVE IT!
805
00:37:34,266 --> 00:37:36,516
WHEN WE GET THERE,
WE GOTTA SPLIT UP.
806
00:37:37,350 --> 00:37:39,480
♪ HOT IN THE CITY ♪
807
00:37:39,482 --> 00:37:43,282
♪ HOT IN THE CITY TONIGHT ♪
808
00:37:43,277 --> 00:37:45,987
♪ TONIGHT ♪
809
00:37:45,990 --> 00:37:47,860
♪ HOT IN THE CITY ♪
810
00:37:47,863 --> 00:37:51,873
♪ HOT IN THE CITY TONIGHT ♪
811
00:37:51,868 --> 00:37:54,408
♪ TONIGHT ♪
812
00:37:54,411 --> 00:37:58,301
♪ ...BROUGHT YOU TO ME, BABE ♪
813
00:37:58,296 --> 00:38:00,296
♪ WHAT SET YOU FREE ♪
814
00:38:00,298 --> 00:38:02,218
♪ I NEED YOU HERE BY ME ♪
815
00:38:02,220 --> 00:38:04,680
YEAH, I'D LIKE TO MAKE
A DEDICATION.
816
00:38:04,683 --> 00:38:09,733
♪ IN THE MIDNIGHT HOUR, BABE,
"MORE, MORE, MORE" ♪
817
00:38:09,730 --> 00:38:14,990
♪ WITH A REBEL YELL
"MORE, MORE, MORE" ♪
818
00:38:18,941 --> 00:38:24,211
♪ HE LIVES IN HIS OWN HEAVEN ♪
819
00:38:24,208 --> 00:38:27,158
♪ COLLECTS IT TO GO
FROM THE SEVEN ELEVEN ♪
820
00:38:27,161 --> 00:38:29,041
Jack: KAREN!
HEY!
821
00:38:29,044 --> 00:38:30,384
HAS YOUR MUSIC GUY
SHOWN UP YET?
822
00:38:30,375 --> 00:38:33,755
♪ HE'S OUT ALL NIGHT
TO COLLECT A FARE ♪
823
00:38:35,131 --> 00:38:36,671
HE IS HERE.
THEY TOLD ME HE CHECKED IN.
824
00:38:36,673 --> 00:38:37,933
BUT HE HASN'T COME
TO FIND ME.
825
00:38:40,228 --> 00:38:41,558
LET'S GO BACK STAGE.
826
00:38:41,559 --> 00:38:42,769
GET LOST, MAN.
827
00:38:42,771 --> 00:38:44,891
IT'S A CLUB, MAN.
YOU DON'T OWN IT.
828
00:38:44,893 --> 00:38:46,153
LEAVE!
829
00:38:46,145 --> 00:38:48,775
ARE YOU --
JUST LEAVE!
830
00:38:48,778 --> 00:38:50,648
NOW.
831
00:38:50,650 --> 00:38:52,570
OKAY,
WHY DON'T YOU JUST LET ME KNOW?
THANK YOU.
832
00:38:52,573 --> 00:38:54,253
WE NEED TO FIND
YOUR MUSIC GUY.
833
00:38:54,245 --> 00:38:55,445
I NEED TO TALK TO HIM.
834
00:38:55,446 --> 00:38:57,486
WHY? YOU THINK HE SAW EMILY
WITH THE KILLER?
835
00:38:57,489 --> 00:39:01,039
NO, NO.
KAREN, I THINK HE IS THE KILLER.
836
00:39:01,043 --> 00:39:04,553
[ SONG ENDS ]
837
00:39:04,548 --> 00:39:06,708
[ "WHITE WEDDING" PLAYS ]
838
00:39:06,710 --> 00:39:09,050
OKAY?
839
00:39:09,053 --> 00:39:10,473
I NEED A MINUTE.
840
00:39:10,465 --> 00:39:12,715
I HAVE TO GO
TO THE BATHROOM.
841
00:39:12,718 --> 00:39:14,598
OKAY.
842
00:39:25,193 --> 00:39:27,033
I'LL BE OUT HERE.
843
00:39:27,026 --> 00:39:31,326
♪ HEY, LITTLE SISTER,
WHAT HAVE YOU DONE? ♪
844
00:39:33,624 --> 00:39:37,674
♪ HEY, LITTLE SISTER,
WHO'S THE ONLY ONE? ♪
845
00:39:40,302 --> 00:39:43,642
♪ HEY, LITTLE SISTER,
WHO'S YOUR SUPERMAN? ♪
846
00:39:43,636 --> 00:39:46,806
♪ HEY, LITTLE SISTER,
WHO'S THE ONE YOU WANT? ♪
[ PAGER BEEPING ]
847
00:39:46,810 --> 00:39:49,720
♪ HEY, LITTLE SISTER, SHOT GUN ♪
848
00:39:49,724 --> 00:39:54,324
♪ IT'S A NICE DAY
TO START AGAIN ♪
849
00:39:56,192 --> 00:40:00,282
♪ IT'S A NICE DAY
FOR A WHITE WEDDING ♪
850
00:40:00,277 --> 00:40:02,617
JERK.
851
00:40:02,620 --> 00:40:06,120
♪ IT'S A NICE DAY
TO START AGAIN ♪
852
00:40:12,842 --> 00:40:16,472
[ Ringing ]
853
00:40:17,758 --> 00:40:18,888
MILLER?
854
00:40:18,890 --> 00:40:20,220
MILLER: You gonna want to
hear this, Jack.
855
00:40:20,222 --> 00:40:21,352
MILLER, WHAT?
856
00:40:21,353 --> 00:40:22,943
The radio station people
called.
857
00:40:22,935 --> 00:40:24,855
They just got a dedication
for Karen M.
858
00:40:24,857 --> 00:40:26,857
from a secret admirer.
859
00:40:26,860 --> 00:40:28,900
[ CROWD CHEERING ]
860
00:40:28,902 --> 00:40:31,742
♪ IT'S A NICE DAY
FOR A WHITE WEDDING ♪
861
00:40:31,736 --> 00:40:32,736
KAREN?!
862
00:40:32,737 --> 00:40:35,657
[ INDISTINCT CONVERSATIONS ]
863
00:40:40,917 --> 00:40:43,877
♪ ...START AGAIN ♪
864
00:40:48,627 --> 00:40:54,837
♪ HEY, LITTLE SISTER,
WHO'S THE ONLY ONE? ♪
865
00:40:54,844 --> 00:40:58,644
♪ I'VE BEEN AWAY FOR SO LONG,
SO LONG ♪
866
00:40:58,639 --> 00:41:00,979
WHERE THE HELL IS SHE?
SHE WAS JUST WITH ME.
867
00:41:00,982 --> 00:41:05,742
♪ IT'S A NICE DAY
FOR A WHITE WEDDING ♪
868
00:41:07,991 --> 00:41:10,531
♪ IT'S A NICE DAY TO ♪
EXCUSE ME!
869
00:41:10,534 --> 00:41:13,424
♪ START AGAIN ♪
870
00:41:13,418 --> 00:41:15,458
YEAH, I HAD A GUEST SPOT
ON "THE LOVE BOAT."
871
00:41:15,460 --> 00:41:16,460
I WAS PRETTY GOOD.
872
00:41:16,461 --> 00:41:18,081
YOU'RE BETTER
THAN "THE LOVE BOAT,"
873
00:41:18,083 --> 00:41:19,133
JUST NEED A GOOD AGENT.
874
00:41:19,125 --> 00:41:20,255
I KNOW TALENT,
875
00:41:20,256 --> 00:41:23,166
AND I GOT A GOOD FEELING
ABOUT YOU, MALLORY.
876
00:41:23,170 --> 00:41:25,170
THANK YOU SO MUCH
FOR THIS.
877
00:41:25,172 --> 00:41:27,602
I WAS YOU ONCE, TRYING
TO GET AHEAD IN THIS TOWN.
878
00:41:27,595 --> 00:41:29,225
KILL ME,
I LIKE TO GIVE BACK.
879
00:41:37,898 --> 00:41:40,688
ARE YOU COMING?
880
00:41:45,407 --> 00:41:48,407
♪♪
881
00:42:11,279 --> 00:42:14,689
♪ IT'S A NICE DAY
FOR A WHITE WEDDING ♪
882
00:42:14,694 --> 00:42:18,084
Man:
NOW, THIS DEDICATION GOES OUT
TO MALLORY K.
883
00:42:18,078 --> 00:42:20,448
♪ IT'S A NICE DAY TO ♪
THIS IS FROM
HER SECRET ADMIRER.
884
00:42:20,451 --> 00:42:23,451
♪ START AGAIN ♪
885
00:42:31,384 --> 00:42:34,434
♪♪
58705
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