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These are the user uploaded subtitles that are being translated: 1 00:00:11,277 --> 00:00:14,247 RELLANCE KILLED AN AWFUL GOOD FRIEND OF YOURS, WYATT. 2 00:00:14,280 --> 00:00:16,750 YOU'VE GOT YOUR BUNTLINE SPECIAL. 3 00:00:16,783 --> 00:00:18,952 WHY DON'T YOU DROP HIM AS HE COMES DOWN THE TRAIL, 4 00:00:18,985 --> 00:00:21,254 OR HANG HIM RIGHT HERE? 5 00:00:23,523 --> 00:00:26,860 SHERIFF BASSETT, HIS CHIEF DEPUTY BILL TILLMAN, 6 00:00:26,893 --> 00:00:30,330 MARSHAL WYATT EARP, AND WE'RE ALL THINKING THE SAME THING. 7 00:00:30,363 --> 00:00:32,632 WELL? 8 00:00:32,665 --> 00:00:34,534 NO. 9 00:00:34,567 --> 00:00:37,270 WE TAKE HIM LIVE AND LET THE LAW HANG HIM. 10 00:00:37,303 --> 00:00:39,739 YOU SURE YOU'LL STICK TO THAT? 11 00:00:41,574 --> 00:00:43,576 I DON'T KNOW. 12 00:00:43,610 --> 00:00:45,812 BETTER MAKE UP YOUR MIND, WYATT. 13 00:00:45,845 --> 00:00:47,681 HERE HE COMES. 14 00:00:51,584 --> 00:00:53,953 * WYATT EARP * 15 00:00:53,987 --> 00:00:55,889 * WYATT EARP * 16 00:00:55,922 --> 00:00:59,959 * BRAVE, COURAGEOUS, AND BOLD * 17 00:01:00,060 --> 00:01:02,128 * LONG LIVE HIS FAME * 18 00:01:02,162 --> 00:01:03,563 * AND LONG LIVE HIS GLORY * 19 00:01:03,596 --> 00:01:08,068 * AND LONG MAY HIS STORY BE TOLD. * 20 00:01:08,068 --> 00:01:09,803 [ANNOUNCER] THE LIFE AND LEGEND OF WYATT EARP, 21 00:01:09,836 --> 00:01:11,838 STARRING HUGH O'BRIEN. PRESENTED BY... 22 00:01:13,540 --> 00:01:15,075 [ANNOUNCER] PERHAPS THE MAIN REASON HIS ENEMIES 23 00:01:15,075 --> 00:01:16,343 HATED MARSHAL WYATT EARP 24 00:01:16,376 --> 00:01:19,479 WAS WYATT'S PROFOUND LOYALTY TO HIS FRIENDS. 25 00:01:19,512 --> 00:01:21,548 THEN, THERE WERE SUCH CHARACTERS AS JIM KELLY 26 00:01:21,581 --> 00:01:24,250 AND DORA HAND, THE QUEEN OF DODGE CITY NIGHTLIFE. 27 00:01:24,284 --> 00:01:27,554 JIM KELLY, THE SALOON KEEPER WHO BACKED WYATT IN HIS STRUGGLE 28 00:01:27,587 --> 00:01:30,090 TO CIVILIZE ROARING, SNORTIN' DODGE, 29 00:01:30,090 --> 00:01:33,993 AND DORA HAND, A LEGEND IN HER OWN LIFETIME ON THE FRONTIER, 30 00:01:34,094 --> 00:01:36,896 WHOSE ROMANCE WITH KELLY AND FRIENDSHIP WITH WYATT 31 00:01:36,930 --> 00:01:38,565 CAUSE SOME LIFTING OF EYEBROWS 32 00:01:38,598 --> 00:01:41,234 AMONG THE RESPECTABLE CITIZENS OF DODGE CITY. 33 00:01:41,267 --> 00:01:43,770 BUT WYATT EARP, HAVING ONCE GAINED A FRIEND, 34 00:01:43,803 --> 00:01:46,673 WAS LOYAL TO THAT FRIEND TO THE LAST DITCH. 35 00:01:47,907 --> 00:01:49,376 [SAWING WOOD] 36 00:01:52,879 --> 00:01:54,347 OH, HOWDY, WYATT. 37 00:02:01,488 --> 00:02:04,157 YOU LOOK LIKE A MARRIED MAN ALREADY, MR. KELLY. 38 00:02:04,190 --> 00:02:06,059 NONE OF YOUR BACHELOR GRINS NOW. 39 00:02:06,059 --> 00:02:08,094 I MAY BACK OUT ON IT ENTIRELY. 40 00:02:08,128 --> 00:02:10,363 AND WHAT WOULD YOU THINK OF THAT? 41 00:02:10,397 --> 00:02:12,098 OH, YOU'LL BE AT CHURCH TOMORROW. 42 00:02:12,132 --> 00:02:13,166 AND WHERE'S MISS DORA? 43 00:02:13,199 --> 00:02:15,969 STILL SEWING ON THAT DRESS. 44 00:02:16,069 --> 00:02:17,737 I TELL YOU, WYATT, I'M SHAKY. 45 00:02:17,771 --> 00:02:18,905 HEY, WHAT ARE YOU TOTING? 46 00:02:18,938 --> 00:02:20,807 IT'S A PRESENT. 47 00:02:20,840 --> 00:02:22,776 AND IT'S HEFTY. 48 00:02:22,809 --> 00:02:25,478 I'M KIND OF SCARED TO SHOW IT TO MISS DORA. 49 00:02:25,512 --> 00:02:26,813 WHAT IS IT, NOW? 50 00:02:26,846 --> 00:02:28,915 NEVER MIND. IT'S FOR THE BRIDE-TO-BE 51 00:02:28,948 --> 00:02:31,084 TO OPEN, NOT YOU. 52 00:02:31,117 --> 00:02:33,887 WYATT, I'M NOT GOOD ENOUGH FOR HER. 53 00:02:35,755 --> 00:02:37,190 NO, YOU'RE NOT. 54 00:02:37,223 --> 00:02:38,992 I KNEW YOU'D SAY THAT. 55 00:02:39,092 --> 00:02:40,393 AND I OUGHTA GET SORE. 56 00:02:40,427 --> 00:02:42,395 BUT IT'S THE LORD'S OWN TRUTH. 57 00:02:42,429 --> 00:02:45,532 YOU CAN'T TAKE A MAN OUT OF A SALOON AND PUT HIM IN A HARDWARE STORE 58 00:02:45,565 --> 00:02:47,701 ON THE RIGHT SIDE OF TOWN AND EXPECT A MIRACLE. 59 00:02:47,734 --> 00:02:50,236 NOW, MISS DORA DOESN'T EXPECT THAT. 60 00:02:50,270 --> 00:02:51,438 SHE KNOWS YOU. 61 00:02:51,471 --> 00:02:52,772 BUT IS IT FAIR, NOW, 62 00:02:52,806 --> 00:02:54,674 FOR ME TO BE MARRYING HER? 63 00:02:54,708 --> 00:02:56,976 MR. KELLY, THE WOMEN ALWAYS GET THE WORST OF IT. 64 00:02:57,010 --> 00:02:58,511 THEY EXPECT THAT. 65 00:02:58,545 --> 00:03:01,681 ANYWAY, IF WOMEN WEREN'T BRAVER THAN MEN, 66 00:03:01,715 --> 00:03:04,050 THERE'D BE MIGHTY FEW MARRIAGES. 67 00:03:04,050 --> 00:03:07,821 NO, MISS DORA KNOWS EXACTLY WHAT SHE'S GOT TO PUT UP WITH. 68 00:03:09,055 --> 00:03:10,490 [KNOCKING] 69 00:03:10,523 --> 00:03:12,158 COME IN, WYATT. 70 00:03:15,528 --> 00:03:16,863 PUT THE CLOCK DOWN. 71 00:03:16,896 --> 00:03:18,665 CLOCK? 72 00:03:18,698 --> 00:03:21,968 IT'S A BEAUTIFUL SETH THOMAS WITH CHIMES, 73 00:03:22,068 --> 00:03:23,837 AND YOU PAID FAR TOO MUCH FOR IT. 74 00:03:23,870 --> 00:03:26,539 BUT THERE'S NO NEED TO PRETEND WE DON'T NEED A CLOCK. 75 00:03:26,573 --> 00:03:29,576 YOU OPEN IT, JIM. YOU'RE THE HEAD OF THE HOUSEHOLD. 76 00:03:29,609 --> 00:03:31,978 HOW DID YOU FIND OUT THAT I WAS GIVING YOU A CLOCK? 77 00:03:32,078 --> 00:03:34,881 MR. LEVY TOLD ME THAT YOU SENT ALL THE WAY TO ST. LOUIS FOR IT. 78 00:03:34,914 --> 00:03:38,485 AND HE DIDN'T WANT YOU TO WASTE MONEY ON SOMETHING WE DIDN'T NEED. 79 00:03:38,518 --> 00:03:42,956 OH, JIM! ISN'T IT BEAUTIFUL? 80 00:03:42,989 --> 00:03:45,792 SURE IS! ONE OF THOSE NEW EIGHT-DAY CLOCKS. 81 00:03:45,825 --> 00:03:47,861 MUST HAVE COST YOU MIGHTY NEAR A MONTH'S PAY. 82 00:03:47,894 --> 00:03:49,662 OH, NOW MIND YOUR MANNERS, KELLY. 83 00:03:49,696 --> 00:03:51,664 YOU KNOW THAT WE DON'T PUT A PRICE ON ANYTHING. 84 00:03:51,698 --> 00:03:54,267 OH-- YOU BETTER LET WYATT PUT IT ON THE MANTELPIECE. 85 00:03:54,300 --> 00:03:56,002 I DON'T TRUST JIM IN THE STATE HE'S IN! 86 00:03:56,102 --> 00:03:57,237 [CHUCKLES] 87 00:03:57,270 --> 00:03:59,339 - WANT ME TO WIND IT? - OH, NO, IT'S BAD LUCK. 88 00:03:59,372 --> 00:04:00,907 WAIT UNTIL AFTER THE WEDDING. 89 00:04:00,940 --> 00:04:02,409 BUT WE SURE DO THANK YOU. 90 00:04:02,442 --> 00:04:04,044 - DO I GET TO WIND IT? - OF COURSE. 91 00:04:05,679 --> 00:04:06,813 BEND DOWN, WYATT. 92 00:04:06,846 --> 00:04:08,048 [SMOOCH] 93 00:04:08,048 --> 00:04:10,383 WE'LL TREASURE THIS ALL OUR LIVES. 94 00:04:10,417 --> 00:04:12,285 THANK YOU, MISS DORA. 95 00:04:12,318 --> 00:04:14,087 MR. KELLY, YOU DON'T KNOW HOW LUCKY YOU ARE. 96 00:04:14,120 --> 00:04:16,856 WE BOTH FOOLS FOR LUCK. 97 00:04:16,890 --> 00:04:20,060 OH, THIS IS A FAR CRY FROM THE ALHAMBRA SALOON 98 00:04:20,060 --> 00:04:22,729 AND DORA'S DANCE HALL. OH, WHY, WYATT-- 99 00:04:22,762 --> 00:04:24,431 [HORSE WHINNIES] 100 00:04:30,603 --> 00:04:32,472 OH, DEAR. 101 00:04:32,505 --> 00:04:33,873 WHAT'S WRONG? 102 00:04:33,907 --> 00:04:35,408 IT'S THAT RELLANCE KID. 103 00:04:35,442 --> 00:04:37,077 YOU KNOW, HON, THE ONE WHOSE FATHER 104 00:04:37,077 --> 00:04:38,812 OWNS THAT BIG RANCH DOWN IN TEXAS. 105 00:04:38,845 --> 00:04:39,913 I'LL SETTLE HIS HASH! 106 00:04:39,946 --> 00:04:41,348 NO. YOU LET ME TAKE CARE OF IT. 107 00:04:41,381 --> 00:04:42,582 HE THINKS HE'S IN LOVE WITH ME. 108 00:04:42,615 --> 00:04:43,783 I'LL LET HIM DOWN EASY. 109 00:04:43,817 --> 00:04:44,784 BUT DORA! 110 00:04:44,818 --> 00:04:46,786 [VIDEO MISSING] KELLY. 111 00:04:46,820 --> 00:04:49,089 LET MISS DORA HANDLE IT, HMM? 112 00:04:52,158 --> 00:04:53,193 HOWDY, BOB. 113 00:04:53,226 --> 00:04:55,695 - IS IT TRUE? - WHAT DO YOU MEAN? 114 00:04:55,729 --> 00:04:58,498 SOON AS I HIT TOWN THEY TOLD ME ABOUT YOU MARRYING THAT OLD MAN. 115 00:04:58,531 --> 00:04:59,933 IT CAN'T BE TRUE. 116 00:05:00,033 --> 00:05:02,202 IF YOU MEAN JIM KELLY, HE'S NOT AN OLD MAN. 117 00:05:02,235 --> 00:05:05,038 YES, WE ARE GETTING MARRIED, TOMORROW. 118 00:05:05,071 --> 00:05:07,474 THAT IRISH SALOON KEEPER? YOU'RE SMARTER THAN THAT. 119 00:05:07,507 --> 00:05:09,776 OH? HOW SMART SHOULD I BE? 120 00:05:09,809 --> 00:05:11,711 DORA, LISTEN. 121 00:05:11,745 --> 00:05:14,714 I TOLD YOU I'D MARRY YOU JUST AS SOON AS I COLLECTED FROM MY MAMA. 122 00:05:14,748 --> 00:05:16,549 WELL, I COLLECTED. 123 00:05:16,583 --> 00:05:18,785 I'M OVER 21 AND MY OLD MAN HASN'T GOT A THING TO SAY ABOUT IT. 124 00:05:18,818 --> 00:05:22,856 I DON'T ROB CRADLES, BOB. I TOLD YOU THAT, DIDN'T I? 125 00:05:24,057 --> 00:05:25,558 YOU AIN'T MARRYING JIM KELLY. 126 00:05:25,592 --> 00:05:27,460 OH, YES I AM. TOMORROW. 127 00:05:27,494 --> 00:05:30,663 HUH-UH. YOU'RE MARRYING ME. 128 00:05:30,697 --> 00:05:32,665 BOB, LOOK. 129 00:05:32,699 --> 00:05:35,068 YOUR POP MAY OWN HALF OF TEXAS, 130 00:05:35,068 --> 00:05:38,071 BUT IT DOESN'T MAKE ANY DIFFERENCE TO ME IF HE OWNS THE WHOLE STATE. 131 00:05:38,104 --> 00:05:40,874 I'M 30 YEARS OLD. GO BACK TO TEXAS, BOB. 132 00:05:40,907 --> 00:05:42,142 GET A GAL YOUR OWN AGE. 133 00:05:42,175 --> 00:05:44,577 GET ON YOUR HORSE, KID. 134 00:05:44,611 --> 00:05:46,379 WELL, THE BRIDEGROOM, YOU THINK. 135 00:05:46,413 --> 00:05:47,380 YOU STUPID IRISH NO GOOD-- 136 00:05:47,414 --> 00:05:49,149 - BOB, STOP IT! - GET OUT OF HERE, DORA! 137 00:05:50,517 --> 00:05:52,085 [DORA] WYATT! 138 00:05:56,423 --> 00:05:57,791 GET IN THE HOUSE, BOTH OF YOU! 139 00:05:57,824 --> 00:06:00,460 KELLY, TEMPER, NOW. COME ON, DO WHAT WYATT SAYS. 140 00:06:07,167 --> 00:06:09,869 - SO YOU'RE WYATT EARP, HUH? - THAT'S RIGHT. 141 00:06:09,903 --> 00:06:11,137 IS THAT SUPPOSED TO IMPRESS ME? 142 00:06:11,171 --> 00:06:14,908 MY NAME IS RELLANCE. 143 00:06:14,941 --> 00:06:16,176 BOB RELLANCE. 144 00:06:16,209 --> 00:06:17,877 YEAH, I HEARD OF YOUR FATHER. 145 00:06:17,911 --> 00:06:19,279 NOTHING VERY GOOD. 146 00:06:19,312 --> 00:06:21,548 I DON'T WANT TO HEAR ANY MORE ABOUT YOU. 147 00:06:21,581 --> 00:06:24,451 NOW YOU GET ON THAT HORSE AND LIGHT OUT OF THIS TOWN. 148 00:06:27,654 --> 00:06:28,888 [GUN BLASTS] 149 00:06:28,922 --> 00:06:30,457 LEAVE IT ALONE. 150 00:06:32,859 --> 00:06:34,894 YOU'RE A SPOILED BRAT. 151 00:06:36,196 --> 00:06:38,732 MAYBE I SHOULD HAVE LET KELLY GIVE YOU THAT BEATING. 152 00:06:42,535 --> 00:06:45,972 YOU SWING ANOTHER PUNCH AT ME AND I'M GONNA GIVE YOU THAT LICKIN', BOY. 153 00:06:53,847 --> 00:06:55,248 YOU'RE BIGGER THAN ME, EARP. 154 00:06:55,281 --> 00:06:58,685 BUT DORA AIN'T GONNA MARRY THAT IRISH, YOU UNDERSTAND? 155 00:06:58,718 --> 00:07:00,653 I TOLD YOU TO GET ON THAT HORSE. 156 00:07:02,455 --> 00:07:05,225 YOUR TIME'S RUN OUT IN THIS TOWN. 157 00:07:07,827 --> 00:07:11,031 IF I SEE YOU HERE AGAIN YOUR FATHER ISN'T GONNA KNOW YOU. 158 00:07:12,365 --> 00:07:14,067 I'LL GET ME ANOTHER GUN, EARP. 159 00:07:14,100 --> 00:07:16,736 YOU TELL FRIEND KELLY DORA AIN'T GONNA MARRY THAT IRISHER! 160 00:07:19,305 --> 00:07:22,042 WYATT, WYATT. 161 00:07:24,110 --> 00:07:26,746 JIM WANTS TO GO GUNNING FOR THAT FOOL KID. 162 00:07:26,780 --> 00:07:28,248 WON'T BE NECESSARY. 163 00:07:28,281 --> 00:07:30,950 MR. KELLY! WOULD YOU BRING MY HAT? 164 00:07:31,051 --> 00:07:34,320 BUT BOB IS SO MEAN WHEN HE'S JEALOUS AND DRUNK. 165 00:07:34,354 --> 00:07:35,889 YOU AND JIM FORGET ABOUT IT. 166 00:07:35,922 --> 00:07:38,124 I'LL RUN HIM OUT OF TOWN. 167 00:07:38,158 --> 00:07:39,225 THANK YOU. 168 00:07:39,259 --> 00:07:41,761 SEE YOU BOTH AT THE PARTY TONIGHT, HUH? 169 00:07:41,795 --> 00:07:43,129 OH, YES, OF COURSE, WYATT. 170 00:07:43,163 --> 00:07:45,131 THERE WOULDN'T BE ANY PARTY WITHOUT YOU. 171 00:07:45,165 --> 00:07:46,399 THANKS. 172 00:07:56,543 --> 00:07:59,412 17, 18, 19, 20. 173 00:07:59,446 --> 00:08:00,747 21-- 174 00:08:00,780 --> 00:08:02,148 HELLO, SAM. 175 00:08:02,182 --> 00:08:03,450 OH, HELLO, MARSHAL. 176 00:08:03,483 --> 00:08:05,652 YOU GOT A GUEST HERE BY THE NAME OF BOB RELLANCE? 177 00:08:05,685 --> 00:08:07,554 YEAH, BUT HE CHECKED OUT. 178 00:08:07,587 --> 00:08:09,689 NOT FIVE MINUTES AGO. 179 00:08:09,723 --> 00:08:11,925 WHERE IS HE NOW, DO YOU KNOW? 180 00:08:12,025 --> 00:08:15,061 THREW HIS SADDLEBAGS ON HIS HORSE AND RODE OFF. 181 00:08:15,095 --> 00:08:17,497 ACTED SORE AT ALL US FOLKS IN DODGE. 182 00:08:17,530 --> 00:08:20,300 RECKON HE HEADED BACK TO TEXAS. 183 00:08:20,333 --> 00:08:24,037 AND A GOOD RIDDANCE, IF YOU ASK ME. 184 00:08:24,037 --> 00:08:26,072 YEAH, IT SURE IS, IF HE DID GO. 185 00:08:26,106 --> 00:08:28,641 YEAH, YEAH, SURE. MM-HMM. YEAH. 186 00:08:34,814 --> 00:08:35,882 HOWDY, WYATT. 187 00:08:37,317 --> 00:08:38,451 HOWDY, WYATT. 188 00:08:38,485 --> 00:08:40,687 - HOWDY, SHERIFF. - MR. TILLMAN. 189 00:08:40,720 --> 00:08:42,322 I'M HUNTING FOR BOB RELLANCE. 190 00:08:42,355 --> 00:08:43,556 WHAT'S HE DONE? 191 00:08:43,590 --> 00:08:44,557 SHOT SOMEBODY IN THE BACK? 192 00:08:44,591 --> 00:08:46,760 HE THREATENED JIM KELLY. 193 00:08:46,793 --> 00:08:50,063 - I ORDERED HIM TO LEAVE TOWN. - HE DIDN'T LEAVE? 194 00:08:50,063 --> 00:08:51,431 I'M NOT SURE. I'VE HAD MY DEPUTIES 195 00:08:51,464 --> 00:08:53,466 OUT HUNTING FOR HIM SINCE BEFORE NOON. 196 00:08:53,500 --> 00:08:55,568 I WAS WONDERING IF YOU AND MR. TILLMAN COULD GIVE ME A HAND. 197 00:08:55,602 --> 00:08:57,537 OF COURSE, WYATT. 198 00:08:57,570 --> 00:09:00,540 IF THAT RELLANCE KID WAS STILL IN TOWN, WHERE DO YOU FIGURE HE'D BE HIDING? 199 00:09:00,573 --> 00:09:04,010 WELL, STEVE CORNING IS OLD MAN RELLANCE'S LAWYER UP HERE. 200 00:09:04,010 --> 00:09:06,546 - YEAH, YOU TALK TO STEVE. - RIGHT. 201 00:09:06,579 --> 00:09:07,647 I'LL GET SOME OF MY DEPUTIES. 202 00:09:07,681 --> 00:09:09,015 WE'LL HELP YOU CHECK THE TRAILS. 203 00:09:09,015 --> 00:09:10,350 THANKS, CHARLIE. THAT'D BE THE QUICKEST WAY. 204 00:09:10,383 --> 00:09:13,453 I DON'T WANT MR. KELLY'S WEDDING INTERFERED WITH. 205 00:09:13,486 --> 00:09:16,423 NOBODY DOES. HIM AND DORA HAVE INVITED THE WHOLE TOWN. 206 00:09:16,456 --> 00:09:18,124 EVERYBODY'LL TURN OUT TO WISH 'EM WELL TOO. 207 00:09:18,158 --> 00:09:20,093 AND DON'T WORRY ABOUT RELLANCE, WYATT. 208 00:09:20,126 --> 00:09:21,528 - WE'LL FIND HIM. - THANKS. 209 00:09:29,402 --> 00:09:31,071 - HOWDY, BOB. - HOWDY. 210 00:09:31,104 --> 00:09:32,339 YOU HEADING THE WRONG WAY, AIN'T YOU? 211 00:09:32,372 --> 00:09:34,674 I'M HEADING FOR TEXAS. IS THAT THE WRONG WAY? 212 00:09:34,708 --> 00:09:36,843 YOU'LL BE MISSING ALL THE FUN, BOB. 213 00:09:36,876 --> 00:09:39,245 - OH? - JIM KELLY'S MARRYING DORA HAND TOMORROW. 214 00:09:39,279 --> 00:09:41,815 FREE DRINKS AND A PICNIC ALL DAY LONG. 215 00:09:41,848 --> 00:09:45,518 THAT'S TOO BAD. I GOTTA SHOVE ALONG HOME NOW. 216 00:09:45,552 --> 00:09:46,853 - BYE. - BYE. 217 00:10:08,908 --> 00:10:11,478 HOWDY, MARSHAL, SHERIFF. 218 00:10:11,511 --> 00:10:14,347 WE'RE LOOKING FOR A BOY BY THE NAME OF BOB RELLANCE. 219 00:10:14,381 --> 00:10:15,548 DO YOU HAPPEN TO KNOW HIM? 220 00:10:15,582 --> 00:10:18,051 SURE. I JUST PASSED HIM DOWN THE ROAD A WAYS. 221 00:10:19,352 --> 00:10:21,187 HEADIN' SOUTH? 222 00:10:21,221 --> 00:10:24,824 YEP. I JOSHED HIM A LITTLE ABOUT MISSING THE BIG DAY TOMORROW. 223 00:10:24,858 --> 00:10:26,960 KELLY GETTING MARRIED, YOU KNOW. 224 00:10:26,993 --> 00:10:29,396 BUT HE SAID HE HAD TO MOVE ALONG HOME TO TEXAS. 225 00:10:29,429 --> 00:10:31,164 DID HE ACT DRUNK OR SORE OR ANYTHING? 226 00:10:31,197 --> 00:10:33,600 WHY NO, SHERIFF. 227 00:10:33,633 --> 00:10:36,102 IT'S A FAIR QUESTION. WHAT ARE YOU AFTER HIM FOR? 228 00:10:36,136 --> 00:10:38,705 MARSHAL EARP ORDERED HIM TO LEAVE TOWN. 229 00:10:38,738 --> 00:10:40,674 WE'RE JUST MAKING SURE HE LEFT. 230 00:10:40,707 --> 00:10:44,344 I GUESS THE BOY COME TO HIS SENSES, WYATT. 231 00:10:44,377 --> 00:10:45,612 YEAH, I GUESS SO. 232 00:10:45,645 --> 00:10:48,248 - THANK YOU. - YES, SIR. 233 00:10:53,720 --> 00:10:56,756 IF YOU'RE STILL NOT SATISFIED, WE CAN OVERTAKE THE BOY. 234 00:10:56,790 --> 00:10:58,725 I DON'T KNOW WHAT WE COULD ARREST HIM FOR. 235 00:11:00,093 --> 00:11:02,095 NOT MUCH SENSE IN THAT. 236 00:11:02,128 --> 00:11:05,231 GUESS I'M JUST KIND OF JUMPY. 237 00:11:05,265 --> 00:11:07,300 IT'S KELLY SHOULD BE NERVOUS, NOT YOU. 238 00:11:07,334 --> 00:11:10,070 COME ON, GET HIM OFF YOUR MIND. 239 00:11:18,778 --> 00:11:23,083 GENTLEMEN, THIS IS THE FINEST BACHELOR DINNER I'VE EVER ATTENDED. 240 00:11:23,083 --> 00:11:26,486 - AND THE SOBEREST. - [ALL LAUGH] 241 00:11:26,519 --> 00:11:28,855 JIM KELLY, TO YOUR VERY GOOD HEALTH. 242 00:11:28,888 --> 00:11:30,457 - THAT'S RIGHT. - LET'S HAVE A SPEECH, MR. KELLY. 243 00:11:30,490 --> 00:11:32,926 YEAH, COME ON. HOW ABOUT A FEW WORDS? 244 00:11:32,959 --> 00:11:36,096 WELL, DORA TALKED ME INTO HAVING THE DINNER HERE. 245 00:11:36,129 --> 00:11:38,231 SHE WANTED TO KEEP ME SOBER. 246 00:11:38,264 --> 00:11:41,368 WE'VE HAD OUR FUN AND OUR JOKES NOW, 247 00:11:41,401 --> 00:11:43,570 BUT IN THE GENERAL EXCITEMENT 248 00:11:43,603 --> 00:11:46,506 I PLUMB FORGOT TO ASK THE REVEREND TO SAY GRACE. 249 00:11:46,539 --> 00:11:49,776 I HOPE IT'S NOT TOO LATE FOR HIS BLESSING ON THIS HOUSE. 250 00:11:53,213 --> 00:11:56,850 MY GOOD FRIENDS, I'M NOT GOING TO SAY GRACE. 251 00:11:56,883 --> 00:12:00,453 MR. KELLY, YOU AND MISS DORA BLESSED THIS HOUSE WITH YOUR LOVE. 252 00:12:00,487 --> 00:12:04,657 ONLY LOVE CAN BLESS A HOUSE IN A MARRIAGE. 253 00:12:04,691 --> 00:12:07,360 BUT IT TOOK CONSIDERABLE MORE THAN THAT. 254 00:12:07,394 --> 00:12:10,697 IT TOOK GREAT COURAGE TO CROSS MARSHAL EARP'S DEADLINE, 255 00:12:10,730 --> 00:12:12,899 TO START A NEW LIFE ON THIS SIDE OF TOWN. 256 00:12:12,932 --> 00:12:16,369 I'M WONDERING WHAT YOU HAVE TO SAY TO THAT, MR. EARP. 257 00:12:16,403 --> 00:12:19,639 - AMEN. - [ALL LAUGH] 258 00:12:22,676 --> 00:12:24,911 I SAY GOD BLESS ALL OF YOU. 259 00:12:24,944 --> 00:12:28,081 WITHOUT WYATT'S HELP AND THE REVEREND'S, 260 00:12:28,114 --> 00:12:29,616 AND ALL OF YOU, 261 00:12:29,649 --> 00:12:31,451 I'D HAVE NEVER MADE IT. 262 00:12:31,484 --> 00:12:33,153 IT'S A LITTLE MIRACLE, IT IS, 263 00:12:33,186 --> 00:12:37,290 TURNING A HOODLUM LIKE ME INTO A RESPECTABLE MERCHANT. 264 00:12:37,323 --> 00:12:40,427 - [KNOCK ON DOOR] - GOOD EVENING, GENTLEMEN! 265 00:12:40,460 --> 00:12:41,761 [ALL] GOOD EVENING, DORA! 266 00:12:41,795 --> 00:12:44,164 DID YOU HAVE TOO MUCH TO DRINK, KELLY? 267 00:12:44,197 --> 00:12:46,700 - HUH-UH. - SHAME ON YOU. 268 00:12:46,733 --> 00:12:49,903 IN FRONT OF THE REVEREND HAWKER TOO. 269 00:12:49,936 --> 00:12:51,905 I THOUGHT YOU WERE GONNA WATCH OUT FOR HIM, WYATT. 270 00:12:51,938 --> 00:12:54,307 HE ONLY HAD A COUPLE OF GLASSES OF CHAMPAGNE. 271 00:12:54,341 --> 00:12:56,509 IT ISN'T THE WINE, IT'S THE IRISH IN HIM, MISS DORA. 272 00:12:56,543 --> 00:12:59,379 LOVELY THINGS WERE SAID, DORA, LOVELY. 273 00:12:59,412 --> 00:13:03,450 I APOLOGIZE. MRS. HAWKER'S WAITING OUTSIDE FOR YOU. 274 00:13:03,483 --> 00:13:06,186 AND MRS. HOOVER IS WAITING OUTSIDE FOR YOU. 275 00:13:06,219 --> 00:13:07,587 SHE'S WORRIED ABOUT YOU. 276 00:13:07,620 --> 00:13:09,322 AND I'M WORRIED ABOUT ALL OF YOU. 277 00:13:09,356 --> 00:13:11,157 BACHELOR DINNER! 278 00:13:11,191 --> 00:13:13,059 DO YOU KNOW IT'S 2:00 IN THE MORNING? 279 00:13:13,059 --> 00:13:14,461 BUT DORA-- 280 00:13:14,494 --> 00:13:16,329 WE'RE GONNA HAVE ONE OF THE BIGGEST WEDDINGS 281 00:13:16,363 --> 00:13:17,831 THAT DODGE CITY'S EVER HAD. 282 00:13:17,864 --> 00:13:20,066 MISS DORA'S RIGHT. IT IS GETTING KIND OF LATE. 283 00:13:20,066 --> 00:13:22,469 [ALL] GOOD NIGHT... 284 00:13:26,773 --> 00:13:30,577 I'M GONNA TAKE MR. KELLY OVER TO THE HOTEL AND SEE THAT HE GETS TUCKED INTO BED. 285 00:13:30,610 --> 00:13:32,612 - THANK YOU, WYATT. - HOLD ON, WYATT. 286 00:13:32,645 --> 00:13:34,481 I HAVEN'T SHOWED HER MY WEDDING OUTFIT. 287 00:13:34,514 --> 00:13:35,749 WHERE IS IT, KELLY? 288 00:13:35,782 --> 00:13:37,183 WYATT LEFT IT IN THE BEDROOM. 289 00:13:37,217 --> 00:13:39,352 NOW, THE HAT AND COAT MAY BE TOO LOUD. 290 00:13:39,386 --> 00:13:40,954 I'M A LITTLE TIRED, KELLY. 291 00:13:40,987 --> 00:13:43,490 ANYTHING YOU WEAR WILL BE ALL RIGHT WITH ME. 292 00:13:43,523 --> 00:13:47,293 SHE'LL LOOK AT IT AND LET YOU KNOW WHETHER SHE LIKES IT IN THE MORNING. 293 00:13:47,327 --> 00:13:50,897 I'LL WAIT FOR YOU OUTSIDE. 294 00:13:53,967 --> 00:13:56,369 - GOOD NIGHT, MISS DORA. - GOOD NIGHT, WYATT. 295 00:14:00,306 --> 00:14:02,242 GOOD NIGHT, DARLING. 296 00:14:02,275 --> 00:14:04,044 GOOD NIGHT, KELLY. 297 00:14:04,044 --> 00:14:05,612 DREAM ME AN IRISH DREAM. 298 00:14:05,645 --> 00:14:07,714 I WILL. THAT I WILL. 299 00:14:17,390 --> 00:14:19,092 [MAN] TAKE IT EASY, KELLY! 300 00:14:19,125 --> 00:14:20,427 SEE YOU TOMORROW! 301 00:14:24,197 --> 00:14:26,332 [WOMAN] DON'T FORGET THE WEDDING'S TOMORROW! 302 00:14:42,982 --> 00:14:46,186 WYATT, I DON'T LIKE LEAVING HER ALONE. 303 00:14:46,219 --> 00:14:48,655 SHE'S NOT ALONE. MRS. NORTON'S STAYING WITH HER. 304 00:14:48,688 --> 00:14:51,491 YOU SURE RELLANCE DIDN'T SNEAK BACK? 305 00:14:51,524 --> 00:14:55,962 IF HE DID COME BACK, HE'D BE AFTER YOU, NOT MISS DORA. 306 00:14:55,995 --> 00:15:00,033 HE'S PROBABLY 50 MILES DOWN THE TRAIL TO TEXAS BY NOW. COME ON. 307 00:16:03,296 --> 00:16:05,198 [GUN BLASTS] 308 00:16:08,068 --> 00:16:10,103 [MRS. NORTON] WAS THAT A SHOT, DORA? 309 00:16:12,105 --> 00:16:13,840 [SCREAMS] MISS DORA! 310 00:16:13,873 --> 00:16:14,841 OH! 311 00:16:21,915 --> 00:16:26,419 MR. KELLY! MR. EARP! IT'S MISS DORA! 312 00:16:26,453 --> 00:16:27,654 IT'S MISS DORA! 313 00:16:32,792 --> 00:16:34,060 DORA! DORA! 314 00:16:34,094 --> 00:16:36,563 IS SHE HURT BAD? I'LL GO FOR DR. McCARTY! 315 00:16:36,596 --> 00:16:38,064 - NO, YOU GO! - COME ON, GIVE ME A HAND. 316 00:16:38,064 --> 00:16:39,366 DORA! 317 00:16:40,600 --> 00:16:42,068 TAKE IT EASY. 318 00:16:43,470 --> 00:16:46,806 WYATT, SHE'S HURT BAD! DO SOMETHING! 319 00:16:46,840 --> 00:16:48,508 DO SOMETHING! 320 00:16:52,112 --> 00:16:53,580 THERE'S NOTHING TO DO, MR. KELLY. 321 00:16:53,613 --> 00:16:57,384 OH, DORA! [SOBBING] 322 00:17:10,263 --> 00:17:12,298 DON'T TAKE ON SO, MR. KELLY. 323 00:17:12,332 --> 00:17:13,433 LET HIM CRY. 324 00:17:13,466 --> 00:17:15,335 WHO'S GOT A BETTER RIGHT TO CRY? 325 00:17:16,903 --> 00:17:17,937 I'M GOING AFTER RELLANCE. 326 00:17:20,807 --> 00:17:23,777 NOW, WE KNOW HE LEFT BY THE JONES AND PLUMBER TRAIL, 327 00:17:23,810 --> 00:17:26,379 BUT HE'D BE A FOOL TO STAY ON IT WITH ONLY AN HOUR HEAD START. 328 00:17:26,413 --> 00:17:28,081 THEN HE'LL CIRCLE TO FORD THE CIMARRON 329 00:17:28,114 --> 00:17:29,883 AND HIT THE TEXAS TRAIL AND THE NATIONS, HMM? 330 00:17:29,916 --> 00:17:31,751 THAT'D BE MY GUESS, CHARLIE. 331 00:17:31,785 --> 00:17:34,421 THE BEST FORD IS HERE BY WAGON BED SPRINGS. 332 00:17:34,454 --> 00:17:36,056 THAT'S A BIG GAMBLE, WYATT. 333 00:17:36,056 --> 00:17:39,259 IT'S 70 MILES ACROSS THAT PRAIRIE TO THE SPRINGS. 334 00:17:39,292 --> 00:17:41,695 BESIDES, HE MAY GET THERE AHEAD OF US. 335 00:17:41,728 --> 00:17:44,664 THEN WE RUN HIM ALL THE WAY TO TEXAS. 336 00:17:51,438 --> 00:17:53,573 HOW MUCH FURTHER TO THE CIMARRON DO YOU FIGURE, WYATT? 337 00:17:53,606 --> 00:17:56,242 ABOUT 30 MILES, OVER THERE. 338 00:17:56,276 --> 00:17:58,144 WE'VE BEEN RIDING SIX HOURS NOW. 339 00:17:58,178 --> 00:18:00,313 HADN'T WE BETTER LAY UP AND REST THE HORSES? 340 00:18:00,347 --> 00:18:03,016 I VOTE WE GO ON. 341 00:18:03,049 --> 00:18:05,251 WYATT'S RIGHT. A MAN ON THE RUN 342 00:18:05,285 --> 00:18:08,188 USUALLY FIGURES HE'S GOT A POSSE OF SOFT TOWNFOLKS AFTER HIM. 343 00:18:08,221 --> 00:18:11,691 THIS MAY BE OUR ONE CHANCE TO HEAD RELLANCE OFF. 344 00:18:11,725 --> 00:18:13,727 LET'S GO. 345 00:18:30,744 --> 00:18:32,045 [MAN] WHO IS IT? 346 00:18:32,078 --> 00:18:33,913 UNITED STATES MARSHAL. OPEN UP. 347 00:18:39,052 --> 00:18:40,653 THIS WAGON BED SPRINGS? 348 00:18:40,687 --> 00:18:41,855 YES, SIR. 349 00:18:41,888 --> 00:18:44,057 HOW FAR IS IT TO CIMARRON FORD? 350 00:18:44,090 --> 00:18:47,827 OH, GOSH, JUST RIGHT ACROSS THAT FIELD. 351 00:18:47,861 --> 00:18:50,897 YOU SEEN ANY HORSEMEN TODAY OR HEARD ANY TONIGHT? 352 00:18:50,930 --> 00:18:53,366 NOBODY TRAVELING EITHER WAY, MISTER. 353 00:18:53,400 --> 00:18:55,535 WELL, THAT'S GOOD. 354 00:18:55,568 --> 00:18:58,638 CHARLIE, YOU AND BILL GET YOURSELF WARM AND REST YOUR HORSES. 355 00:18:58,672 --> 00:19:00,640 - I'M GONNA GO ON DOWN TO THE FORD AND MAKE SURE. - ALL RIGHT. 356 00:19:00,674 --> 00:19:02,008 CAN I BORROW YOUR LANTERN, MISTER? 357 00:19:02,008 --> 00:19:04,477 - HELP YOURSELF, MARSHAL. - THANKS. 358 00:19:04,511 --> 00:19:06,846 YOU OTHER GENTLEMEN GO AND WATER YOUR HORSES 359 00:19:06,880 --> 00:19:09,249 - AND COME ON IN THE HOUSE. - THANK YOU. 360 00:19:14,654 --> 00:19:15,755 EASY, WYATT. 361 00:19:18,024 --> 00:19:19,526 I THOUGHT YOU'D LIKE SOME COFFEE. 362 00:19:21,227 --> 00:19:22,195 THANKS. 363 00:19:32,872 --> 00:19:34,474 THAT'S GOOD. 364 00:19:34,507 --> 00:19:37,944 I FIGURE RELLANCE WILL BE BY COME SUNUP. 365 00:19:38,044 --> 00:19:41,047 MAKE THE FIGHT RIGHT HERE, KEEP THE SHOTS AWAY FROM THE HOUSE. 366 00:19:41,047 --> 00:19:43,049 WELL, HAVE YOU THOUGHT IT OVER? 367 00:19:43,049 --> 00:19:44,951 WHAT? 368 00:19:45,051 --> 00:19:46,853 DO WE JUST KILL HIM OUTRIGHT 369 00:19:46,886 --> 00:19:49,289 OR DO WE HANG HIM? 370 00:19:49,322 --> 00:19:51,658 CAN'T DO EITHER ONE, CHARLIE, YOU KNOW THAT. 371 00:19:51,691 --> 00:19:54,494 WE'RE SUPPOSED TO BRING HIM IN ALIVE. 372 00:19:54,527 --> 00:19:57,230 RELLANCE HAS AN AWFUL POWERFUL PAPA, WYATT. 373 00:19:57,263 --> 00:20:01,067 THE OLD MAN WILL SPEND ANY AMOUNT TO GET HIM OFF. 374 00:20:01,101 --> 00:20:03,169 MONEY ISN'T GONNA GET HIM OFF. 375 00:20:03,203 --> 00:20:06,239 THEY'LL HANG HIM IN DODGE AFTER A FAIR TRIAL. 376 00:20:06,272 --> 00:20:09,509 I HOPE SO. 377 00:20:09,542 --> 00:20:10,977 BUT YOU DOUBT IT, HUH? 378 00:20:13,179 --> 00:20:15,648 YOU, BILL, AND I ARE OFFICERS OF THE LAW. 379 00:20:15,682 --> 00:20:19,419 ALL WE CAN DO IS ARREST THE SKUNK. 380 00:20:19,452 --> 00:20:22,856 WE'RE NOT SUPPOSED TO JUDGE HIM 381 00:20:22,889 --> 00:20:25,091 OR EXECUTE HIM. 382 00:20:25,125 --> 00:20:29,929 FINE. COME ON, LET'S GET OUT OF THIS AND GET SOME REST. 383 00:20:36,970 --> 00:20:38,838 KILLED THAT GIRL IN COLD BLOOD. 384 00:20:38,872 --> 00:20:41,441 EVEN IF HE MEANT IT FOR KELLY, HE HAD MURDER IN HIS HEART. 385 00:20:41,474 --> 00:20:44,811 WYATT, I'LL DROP HIM. 386 00:20:44,844 --> 00:20:48,214 OR BETTER YET, HOW ABOUT CHARLIE AND ME CUTTING LOOSE ON HIM TOGETHER? 387 00:20:48,248 --> 00:20:50,784 I FEEL THE SAME WAY YOU DO. 388 00:20:50,817 --> 00:20:53,153 I KNOW BETTER AND SO DO YOU. 389 00:20:53,186 --> 00:20:55,221 JUST KNOCK HIM OFF HIS HORSE. 390 00:20:55,255 --> 00:20:57,490 YOU DO IT, WYATT. 391 00:20:57,524 --> 00:20:59,659 I DON'T TRUST MYSELF. 392 00:20:59,693 --> 00:21:02,162 ALL RIGHT. 393 00:21:03,563 --> 00:21:05,098 HERE HE COMES. 394 00:21:10,570 --> 00:21:12,072 HALT! 395 00:21:25,719 --> 00:21:27,087 OW! OH! 396 00:21:31,157 --> 00:21:32,192 DID I GET KELLY? 397 00:21:32,225 --> 00:21:34,227 NO. 398 00:21:34,260 --> 00:21:35,395 YOU KILLED MISS DORA. 399 00:21:36,863 --> 00:21:38,098 YOU'RE LYING. 400 00:21:38,098 --> 00:21:39,766 DON'T YOU NEVER CALL WYATT A LIAR. 401 00:21:39,799 --> 00:21:42,702 HE'S A FOOL TO LET YOU LIVE, BUT HE'S TELLING THE TRUTH! 402 00:21:42,736 --> 00:21:44,871 YOU KILLED THE GIRL! 403 00:21:47,107 --> 00:21:48,408 DORA. 404 00:21:50,610 --> 00:21:52,979 GO AHEAD. FINISH ME OFF! 405 00:21:53,013 --> 00:21:55,582 OH, I'D LIKE TO. 406 00:21:55,615 --> 00:21:58,952 BUT KILLING'S TOO GOOD FOR YOU. 407 00:22:01,521 --> 00:22:04,491 WHERE ARE YOU HIT? 408 00:22:04,524 --> 00:22:07,394 IN THE BACK. I CAN'T FEEL MY LEGS. 409 00:22:07,427 --> 00:22:10,363 YOUR HORSE REARED AND SPOILED MY AIM. 410 00:22:13,633 --> 00:22:15,201 OW! 411 00:22:17,103 --> 00:22:18,471 HE'S HIT BAD. 412 00:22:18,505 --> 00:22:20,106 WE'LL HAVE TO MAKE A STRETCHER. 413 00:22:25,578 --> 00:22:26,813 [GAVEL POUNDING] 414 00:22:26,846 --> 00:22:28,948 ORDER! ORDER! 415 00:22:30,884 --> 00:22:32,552 THE ACCUSED WILL COME FORWARD. 416 00:22:35,789 --> 00:22:38,725 MR. RELLANCE, IN THE OPINION OF THIS COURT, 417 00:22:38,758 --> 00:22:40,527 YOU ARE GUILTY OF MURDER. 418 00:22:40,560 --> 00:22:43,563 DOCTORS HAVE TESTIFIED THAT YOU WILL NEVER WALK AGAIN, 419 00:22:43,596 --> 00:22:45,665 AND MIGHT DIE AT ANY TIME. 420 00:22:45,699 --> 00:22:49,269 THIS COURT, HOWEVER, IS NOT SWAYED BY IRRELEVANT FACTS. 421 00:22:49,302 --> 00:22:50,270 [ALL CLAMORING] 422 00:22:50,303 --> 00:22:53,373 ORDER! ORDER! 423 00:22:53,406 --> 00:22:56,376 ANY MORE DISTURBANCE AND I'LL HAVE MARSHAL EARP CLEAR THE COURTROOM. 424 00:22:56,409 --> 00:22:59,145 YOUR COUNSEL, MR. RELLANCE, 425 00:22:59,179 --> 00:23:00,847 HAVE ASKED A CHANGE OF VENUE 426 00:23:00,880 --> 00:23:04,150 ON THE GROUND THAT PUBLIC OPINION IS SO INFLAMED IN DODGE CITY 427 00:23:04,184 --> 00:23:06,486 THAT YOU COULD NOT RECEIVE A FAIR TRIAL HERE. 428 00:23:06,519 --> 00:23:08,788 THE COURT IS OBLIGED TO AGREE TO THEIR CONTENTION. 429 00:23:08,822 --> 00:23:10,790 - [ALL CLAMORING] - [MAN] GIVE HIM THE ROPE! 430 00:23:10,824 --> 00:23:14,561 QUIET! QUIET! SIT DOWN! 431 00:23:15,729 --> 00:23:16,830 SIT DOWN AND STAY THERE! 432 00:23:22,168 --> 00:23:25,205 FOR THE BENEFIT OF THE PUBLIC, THE COURT MUST OBSERVE 433 00:23:25,238 --> 00:23:27,240 THAT ANY MAN ACCUSED OF ANY CRIME 434 00:23:27,273 --> 00:23:29,976 IS GUARANTEED A FAIR TRIAL BY THE LAW OF THE COUNTRY. 435 00:23:30,076 --> 00:23:31,911 CHANGE OF VENUE IS HEREBY GRANTED, 436 00:23:31,945 --> 00:23:33,980 AND YOU WILL BE TRIED IN ABILENE. 437 00:23:34,080 --> 00:23:35,715 SHERIFF BASSETT, REMOVE THE PRISONER. 438 00:23:38,084 --> 00:23:40,987 COURT ADJOURNED. 439 00:23:41,087 --> 00:23:43,089 [CLAMORING] 440 00:24:06,246 --> 00:24:07,714 NO, MR. KELLY. 441 00:24:17,223 --> 00:24:20,293 KILLING RELLANCE ISN'T GONNA BRING HER BACK. 442 00:24:22,429 --> 00:24:24,698 I'D HAVE TO PUNISH YOU AS A COMMON HOODLUM. 443 00:24:24,731 --> 00:24:27,133 DO YOU THINK MISS DORA WOULD WANT THAT? 444 00:24:30,270 --> 00:24:33,340 THEY'LL HANG HIM IN ABILENE. 445 00:24:33,373 --> 00:24:37,977 IF THEY DON'T, HE'LL PAY IN REMORSE AND PAIN THE REST OF HIS LIFE. 446 00:24:40,714 --> 00:24:42,716 EVEN IF HE GETS OFF SCOT FREE, MR. KELLY, 447 00:24:42,749 --> 00:24:47,153 HE'LL STILL HAVE TO FACE THE FINAL JUDGE. 448 00:25:00,133 --> 00:25:01,401 COME ON. 449 00:25:07,574 --> 00:25:09,409 * WELL, HE CLEANED UP THE COUNTRY * 450 00:25:09,442 --> 00:25:11,578 * THE OLD WILD WEST COUNTRY * 451 00:25:11,611 --> 00:25:15,348 * HE MADE LAW AND ORDER PREVAIL * 452 00:25:15,382 --> 00:25:17,450 * AND NONE CAN DENY IT * 453 00:25:17,484 --> 00:25:19,619 * THE LEGEND OF WATT * 454 00:25:19,652 --> 00:25:23,590 * FOREVER WILL LIVE ON THE TRAIL * 455 00:25:23,623 --> 00:25:25,925 * OH, WYATT EARP * 456 00:25:25,959 --> 00:25:28,161 * WYATT EARP * 457 00:25:28,194 --> 00:25:31,965 * BRAVE, COURAGEOUS, AND BOLD * 458 00:25:32,065 --> 00:25:33,933 * LONG LIVE HIS FAME * 459 00:25:33,967 --> 00:25:35,935 * AND LONG LIVE HIS GLORY * 460 00:25:35,969 --> 00:25:40,340 * AND LONG MAY HIS STORY BE TOLD * 461 00:25:40,373 --> 00:25:45,879 * LONG MAY HIS STORY BE TOLD. *34439

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