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Johnny Mathis: ♪ I BET
WE'VE BEEN TOGETHER ♪
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♪ FOR A MILLION YEARS ♪
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00:00:17,517 --> 00:00:20,430
Deniece Williams: ♪ AND I
BET WE'LL BE TOGETHER ♪
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00:00:20,454 --> 00:00:23,133
♪ FOR A MILLION MORE ♪
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00:00:23,157 --> 00:00:26,136
♪ OH, IT'S LIKE I
STARTED BREATHING ♪
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♪ ON THE NIGHT WE KISSED ♪
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Both: ♪ AND I CAN'T REMEMBER ♪
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♪ WHAT I EVER DID BEFORE ♪
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♪ WHAT WOULD WE DO, BABY ♪
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♪ WITHOUT US? ♪
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♪ WHAT WOULD WE DO, BABY ♪
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00:00:42,709 --> 00:00:45,755
♪ WITHOUT US? ♪
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00:00:45,779 --> 00:00:47,991
♪ AND THERE AIN'T NO NOTHIN' ♪
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00:00:48,015 --> 00:00:50,093
♪ WE CAN'T LOVE
EACH OTHER THROUGH ♪
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00:00:50,117 --> 00:00:51,327
♪ OOH HOO ♪
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00:00:51,351 --> 00:00:54,130
♪ WHAT WOULD WE DO, BABY ♪
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00:00:54,154 --> 00:00:56,933
♪ WITHOUT US? ♪
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♪ SHA LA LA LA ♪
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00:01:03,430 --> 00:01:04,674
JENNIFER, I TOLD YOU
20
00:01:04,698 --> 00:01:06,909
I DON'T WANT THAT
COMPUTER IN THE KITCHEN.
21
00:01:06,933 --> 00:01:09,446
BUT THIS IS WHERE I
DO MY HOMEWORK, DAD.
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00:01:09,470 --> 00:01:11,515
I TOLD HER SHE COULD
USE IT IN HERE, HONEY.
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00:01:11,539 --> 00:01:15,051
HEY, COME ON, DAD. COMPUTERS
ARE PART OF OUR LIVES NOW.
24
00:01:15,075 --> 00:01:16,720
JOIN THE EIGHTIES.
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00:01:16,744 --> 00:01:19,477
JOIN THE SEVENTIES.
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00:01:20,681 --> 00:01:23,092
JENNIFER, I KNOW YOU
NEED IT FOR SCHOOL,
27
00:01:23,116 --> 00:01:25,228
BUT, PLEASE, USE
IT IN ANOTHER ROOM.
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00:01:25,252 --> 00:01:27,664
OK, I'LL USE IT IN
THE LIVING ROOM.
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00:01:27,688 --> 00:01:29,432
NOT THE LIVING ROOM!
THERE'S ALREADY
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00:01:29,456 --> 00:01:31,501
AN ELECTRIC CLOCK
IN THE LIVING ROOM!
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00:01:31,525 --> 00:01:32,969
I BETTER GO WITH HIM.
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00:01:32,993 --> 00:01:36,428
I DON'T WANT HIM TO SEE
THAT 3-WAY LIGHT BULB I GOT.
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00:01:39,633 --> 00:01:41,244
HEY, MAL. HI, ALEX.
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00:01:41,268 --> 00:01:43,413
HOW WAS YOUR DATE? OK?
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FINE.
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00:01:44,938 --> 00:01:46,149
YEAH? WHAT'D YOU DO?
37
00:01:46,173 --> 00:01:49,319
UM, SAW THAT NEW ITALIAN
MOVIE DOWN AT THE NORTHTOWN.
38
00:01:49,343 --> 00:01:53,323
OH, YEAH? DID YOUR DATE
READ YOU THE SUBTITLES?
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00:01:53,347 --> 00:01:55,057
HEY. HEY, MAL,
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00:01:55,081 --> 00:01:57,660
I... I WAS JUST KIDDIN'.
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I KNOW YOU CAN READ.
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00:02:02,823 --> 00:02:05,435
ALEX, THIS IS THE SIXTH
GUY I'VE GONE OUT WITH
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00:02:05,459 --> 00:02:07,037
SINCE I BROKE UP WITH RICK
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00:02:07,061 --> 00:02:08,905
AND THE SIXTH
TERRIBLE TIME I'VE HAD.
45
00:02:08,929 --> 00:02:11,496
WELL, AT LEAST
YOU'RE CONSISTENT.
46
00:02:12,832 --> 00:02:15,212
AND THEN TONIGHT I SEE
HIM WITH MARILYN WALKER.
47
00:02:15,236 --> 00:02:19,149
I MEAN, HOW COME HE CAN FIND
A GIRL, AND I CAN'T FIND A GUY?
48
00:02:19,173 --> 00:02:23,085
NOW, MALLORY, LOOK,
RICK IS A VERY SPECIAL GUY.
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00:02:23,109 --> 00:02:26,088
HE'S A... HE'S WARM.
HE'S BRIGHT. HE'S FUNNY.
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00:02:26,112 --> 00:02:28,713
GUY LIKE THAT IS
ONE IN A MILLION.
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00:02:31,384 --> 00:02:32,796
AHH, NO. I DON'T...
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MEAN THAT HE'S ONE IN A MILLION.
53
00:02:35,155 --> 00:02:38,567
I MEAN THERE ARE A
MILLION OF THOSE GUYS,
54
00:02:38,591 --> 00:02:41,004
AND HE'S ONE OF 'EM.
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00:02:41,028 --> 00:02:43,761
ALEX, IS THERE SOMETHING
WRONG WITH ME?
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00:02:49,135 --> 00:02:52,582
LET'S... LET'S TRY AND STAY IN
A MORE PRODUCTIVE AREA, OK?
57
00:02:52,606 --> 00:02:57,086
NOW, UH, LET'S... LET'S TRY
AND IDENTIFY THE PROBLEM.
58
00:02:57,110 --> 00:02:58,755
LET'S LOOK AT THIS LOGICALLY.
59
00:02:58,779 --> 00:03:01,324
NOW, YOU'RE CRYING
BECAUSE YOU CAN'T FIND
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00:03:01,348 --> 00:03:03,660
A GUY YOU LIKE. AM I RIGHT?
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00:03:03,684 --> 00:03:05,261
IT'S JUST...
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00:03:05,285 --> 00:03:07,497
I FEEL SO ALONE, ALEX.
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00:03:07,521 --> 00:03:10,400
OK. ALL RIGHT. YOU'RE,
UH... YOU'RE CRYING,
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00:03:10,424 --> 00:03:12,301
AND YOU'RE ALONE.
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00:03:12,325 --> 00:03:15,271
YOU KNOW, TIME'S
BEGINNING TO RUN OUT ON ME.
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00:03:15,295 --> 00:03:16,640
I'M ALMOST 17.
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00:03:16,664 --> 00:03:19,175
YOU'RE, UH... YOU'RE
CRYING. YOU'RE ALONE,
68
00:03:19,199 --> 00:03:22,311
AND YOU'RE ALMOST 17.
69
00:03:22,335 --> 00:03:24,214
I THINK I CAN HELP.
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00:03:24,238 --> 00:03:26,650
YOU CAN? HOW?
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00:03:26,674 --> 00:03:29,152
WELL, UH...
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00:03:29,176 --> 00:03:31,154
I'LL HELP YOU FIND A GUY.
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YOU WILL?
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00:03:32,179 --> 00:03:33,256
SURE.
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00:03:33,280 --> 00:03:34,790
SURE. I KNOW A LOT OF GUYS,
76
00:03:34,814 --> 00:03:35,891
YOU KNOW, FROM COLLEGE, AND...
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00:03:35,915 --> 00:03:38,060
AND MAYBE I COULD FIND
THE RIGHT ONE FOR YOU.
78
00:03:38,084 --> 00:03:39,796
SEE? THINGS AREN'T
AS BAD AS YOU THINK.
79
00:03:39,820 --> 00:03:41,431
REALLY? SURE.
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00:03:41,455 --> 00:03:43,699
LOOK, MALLORY, YOU ARE
A WONDERFUL PERSON,
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00:03:43,723 --> 00:03:46,535
AND... AND IF YOU WANNA
HAVE A GUY TO DATE,
82
00:03:46,559 --> 00:03:49,072
THEN YOU SHOULD
HAVE A GUY TO DATE,
83
00:03:49,096 --> 00:03:50,828
AND I'LL FIND HIM FOR YOU.
84
00:03:52,433 --> 00:03:55,545
ALEX, YOU'RE REALLY WONDERFUL
SOMETIMES. YOU KNOW THAT?
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00:03:55,569 --> 00:03:57,313
AHH.
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00:03:57,337 --> 00:03:58,536
I KNOW.
87
00:04:01,341 --> 00:04:03,609
IT'S A BURDEN I HAVE TO BEAR.
88
00:04:05,412 --> 00:04:06,790
WH-WHAT'S THAT?
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00:04:06,814 --> 00:04:10,326
WELL, I'M JUST SHOWIN' YOU
HOW IT CAN ADD UP NUMBERS.
90
00:04:10,350 --> 00:04:11,661
SEE? 2 PLUS 2.
91
00:04:11,685 --> 00:04:13,952
HOW DO WE KNOW IF IT'S RIGHT?
92
00:04:15,522 --> 00:04:16,633
HI.
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00:04:16,657 --> 00:04:17,901
OH, NO, SKIPPY.
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00:04:17,925 --> 00:04:20,570
SINCE WHEN HAVE YOU BECOME
INTERESTED IN COMPUTERS?
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00:04:20,594 --> 00:04:22,004
ARE YOU KIDDING?
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00:04:22,028 --> 00:04:24,874
MR. KEATON, I SEE
THE COMPUTER AS...
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00:04:24,898 --> 00:04:28,010
A-AN UNEXPLORED CAVE THAT
CONTAINS UNKNOWN TREASURES,
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00:04:28,034 --> 00:04:30,346
TREASURES THAT
ULTIMATELY COULD BE THE KEY
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00:04:30,370 --> 00:04:32,737
TO A... A HAPPIER,
MORE FULFILLING LIFE.
100
00:04:33,974 --> 00:04:36,886
BESIDES, YOU CAN
PLAY PAC-MAN ON IT.
101
00:04:36,910 --> 00:04:39,288
UH, TH-THAT REMINDS ME.
I DON'T WANT THIS THING
102
00:04:39,312 --> 00:04:41,424
USED FOR ANY OF THOSE
SILLY COMPUTER GAMES.
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00:04:41,448 --> 00:04:42,992
IT'S HERE AS AN
EDUCATIONAL TOOL,
104
00:04:43,016 --> 00:04:44,594
AND THAT'S IT.
PLEASE TELL JENNIFER.
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00:04:44,618 --> 00:04:45,928
UH, YEAH. I WILL, DAD.
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00:04:45,952 --> 00:04:47,697
OK. I KNOW IT'S A
HANG-UP OF MINE,
107
00:04:47,721 --> 00:04:49,031
BUT I HATE THESE MODERN GADGETS.
108
00:04:49,055 --> 00:04:50,934
WHERE YOU GOIN', DAD?
109
00:04:50,958 --> 00:04:52,602
THE KITCHEN. I THOUGHT I'D
MAKE MYSELF SOME TOAST.
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00:04:52,626 --> 00:04:55,338
RIGHT. LET ME KNOW IF YOU NEED
ANY HELP CHURNING THE BUTTER.
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00:04:55,362 --> 00:04:56,362
I...
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00:04:57,965 --> 00:05:01,277
UH, PARDON ME. MR. KEATON,
UH, MAY I JOIN YOU?
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00:05:01,301 --> 00:05:04,613
I... I HAPPEN TO BE SOMETHING
OF A WIZARD WITH TOAST.
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00:05:04,637 --> 00:05:07,305
SO I'VE HEARD, SKIPPY. COME ON.
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00:05:10,377 --> 00:05:11,588
OH, HI, ALEX.
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00:05:11,612 --> 00:05:13,122
OH, HEY, MAL. GLAD YOU'RE HERE.
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00:05:13,146 --> 00:05:14,657
I HAVE SPENT THE ENTIRE DAY
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INTERVIEWING SOME OF THE MOST
ELIGIBLE MEN ON THE LELAND CAMPUS.
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00:05:17,517 --> 00:05:19,796
MAL, I THINK THIS THING
IS GONNA WORK OUT.
120
00:05:19,820 --> 00:05:21,230
OH. LISTEN, ALEX.
121
00:05:21,254 --> 00:05:24,567
I DO APPRECIATE WHAT YOU'RE...
WHAT YOU'RE TRYING TO DO,
122
00:05:24,591 --> 00:05:26,670
BUT LET'S JUST FORGET IT, OK?
123
00:05:26,694 --> 00:05:29,138
WAI... WH-WHAT?
124
00:05:29,162 --> 00:05:31,708
I'M SORRY I GOT ALL
EMOTIONAL LAST NIGHT.
125
00:05:31,732 --> 00:05:33,643
I'M REALLY KIND OF
EMBARRASSED NOW.
126
00:05:33,667 --> 00:05:35,979
NO, NO, NO. MAL, WHAT
HAPPENED LAST NIGHT
127
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WAS A... WAS A PIVOTAL
EVENT IN OUR RELATIONSHIP.
128
00:05:39,039 --> 00:05:43,186
YOU OPENED UP TO ME, AND I'M NOT
GONNA TURN MY BACK ON YOU NOW.
129
00:05:43,210 --> 00:05:46,689
IT'S OK. YOU DON'T HAVE
TO FIX ME UP WITH ANYONE.
130
00:05:46,713 --> 00:05:50,649
I ALREADY HAVE A
FEW GUYS IN MIND.
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00:05:52,719 --> 00:05:54,264
REALLY? WHO?
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00:05:54,288 --> 00:05:57,333
WELL, THEIR, UH... THEIR NAMES
AND A BRIEF PORTFOLIO OF EACH
133
00:05:57,357 --> 00:05:58,468
ARE RIGHT IN HERE.
134
00:05:58,492 --> 00:06:01,237
LET'S OPEN IT UP AND
TAKE A LOOK AT 'EM.
135
00:06:01,261 --> 00:06:02,339
OK.
136
00:06:02,363 --> 00:06:04,407
NOW I'M GONNA ASK
YOU A... A FEW QUESTIONS,
137
00:06:04,431 --> 00:06:05,942
AND I WANT SOME HONEST ANSWERS.
138
00:06:05,966 --> 00:06:07,744
OK. WHAT IF I GET 'EM WRONG?
139
00:06:07,768 --> 00:06:10,313
WELL, MALLORY, THESE ARE QUESTIONS
ABOUT YOUR PERSONAL TASTES,
140
00:06:10,337 --> 00:06:11,714
YOUR LIKES AND YOUR DISLIKES.
141
00:06:11,738 --> 00:06:13,949
Y-YOU CAN'T GET A
WRONG ANSWER. OH, OK.
142
00:06:13,973 --> 00:06:17,287
OK, NOW, WHAT IS THE MOST IMPORTANT
QUALITY IN A MAN'S PERSONALITY?
143
00:06:17,311 --> 00:06:19,489
AH, SENSE OF HUMOR.
144
00:06:19,513 --> 00:06:20,812
WRONG.
145
00:06:22,983 --> 00:06:24,860
WHAT?
146
00:06:24,884 --> 00:06:27,530
AW, COME ON. MALLORY,
IF SENSE OF HUMOR
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WAS THE MOST IMPORTANT
QUALITY IN A MAN'S PERSONALITY,
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00:06:30,557 --> 00:06:33,002
YOU... YOU'D BE DATING
CHEECH & CHONG.
149
00:06:33,026 --> 00:06:35,972
OH. OH, OK. UM...
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00:06:35,996 --> 00:06:37,941
SENSITIVITY.
151
00:06:37,965 --> 00:06:40,509
SENSITIVITY?
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00:06:40,533 --> 00:06:43,168
MALLORY, I DON'T KNOW
ANY SENSITIVE GUYS.
153
00:06:44,537 --> 00:06:47,050
I INSIST ON SENSITIVITY,
ALEX. HE HAS TO BE SENSITIVE.
154
00:06:47,074 --> 00:06:48,317
ALL RIGHT. OK. ALL RIGHT.
155
00:06:48,341 --> 00:06:50,920
SENSITIVITY AND A
SENSE OF HUMOR.
156
00:06:50,944 --> 00:06:53,904
EHH. SHUDDER TO THINK
WHAT THIS GUY'S GONNA BE LIKE.
157
00:06:56,683 --> 00:06:59,162
HEY, WHERE'S MALLORY?
158
00:06:59,186 --> 00:07:00,497
UPSTAIRS, I THINK.
159
00:07:00,521 --> 00:07:02,699
WELL, WHAT'S SHE DOIN' UPSTAIRS?
160
00:07:02,723 --> 00:07:04,300
A-ALEX.
161
00:07:04,324 --> 00:07:06,636
SHE, UH, SHOULDN'T
KEEP HER DATE WAITING.
162
00:07:06,660 --> 00:07:09,305
WHY ARE YOU SO EXCITED
ABOUT MALLORY'S DATE?
163
00:07:09,329 --> 00:07:12,642
USUALLY YOU JUST WAIT TILL
THEY LEAVE AND THEN LAUGH.
164
00:07:12,666 --> 00:07:15,145
WELL, MOM, THAT
IS GOING TO CHANGE.
165
00:07:15,169 --> 00:07:18,236
YOU MEAN YOU'RE GOING TO
LAUGH WHILE THEY'RE STILL HERE?
166
00:07:20,707 --> 00:07:23,853
TONIGHT, I HAVE
HANDPICKED MALLORY'S DATE.
167
00:07:23,877 --> 00:07:25,488
WHAT ARE YOU TALKING ABOUT?
168
00:07:25,512 --> 00:07:27,723
WELL, IN AN EFFORT
TO IMPROVE THE, UH,
169
00:07:27,747 --> 00:07:29,959
WRETCHED AND BLEAK QUALITY
OF MALLORY'S SOCIAL LIFE,
170
00:07:29,983 --> 00:07:31,661
I'VE ARRANGED A DATE FOR HER
171
00:07:31,685 --> 00:07:34,497
WITH ONE OF THE MOST
ELIGIBLE MEN AT LELAND COLLEGE.
172
00:07:34,521 --> 00:07:36,132
WHY ARE YOU DOING THIS?
173
00:07:36,156 --> 00:07:37,400
BECAUSE MALLORY IS MY SISTER,
174
00:07:37,424 --> 00:07:40,069
I CARE ABOUT HER A LOT,
AND I LIKE TO SEE HER HAPPY.
175
00:07:40,093 --> 00:07:41,860
HOW MUCH MONEY'S INVOLVED?
176
00:07:43,363 --> 00:07:45,274
OH, STEVEN, GIVE
HIM A LITTLE CREDIT.
177
00:07:45,298 --> 00:07:47,777
HE'S TRYING TO DO
SOMETHING NICE FOR HIS SISTER.
178
00:07:47,801 --> 00:07:50,880
IS IT MORE THAN $50?
179
00:07:50,904 --> 00:07:51,881
WELL?
180
00:07:51,905 --> 00:07:53,883
Steven: OH, YOU
LOOK BEAUTIFUL. HA!
181
00:07:53,907 --> 00:07:55,039
Elyse: STUNNING, HONEY.
182
00:07:56,376 --> 00:07:58,220
HEY, WA-WAIT. MAL.
MALLORY. MALLORY.
183
00:07:58,244 --> 00:08:00,390
I... I THOUGHT WE HAD DISCUSSED
184
00:08:00,414 --> 00:08:02,625
WHAT YOU WERE
GONNA WEAR TONIGHT.
185
00:08:02,649 --> 00:08:05,261
I'M NOT WEARIN' THAT
OUTFIT, ALEX. THAT'S FINAL.
186
00:08:05,285 --> 00:08:07,997
WH-WHAT IS WRONG
WITH THAT OUTFIT?
187
00:08:08,021 --> 00:08:10,399
THAT WAS A FABULOUS,
FEMININE OUTFIT.
188
00:08:10,423 --> 00:08:13,402
I SPENT A WHOLE DAY
AT BEAUTIFUL YOUNG MISS
189
00:08:13,426 --> 00:08:14,771
PICKIN' THAT OUT.
190
00:08:14,795 --> 00:08:17,440
TH-THE LEAST YOU
COULD DO IS HUMOR ME.
191
00:08:17,464 --> 00:08:19,175
I'M NOT WEARING IT, ALEX.
192
00:08:19,199 --> 00:08:22,545
NOT EVEN THE PETTICOAT?
193
00:08:22,569 --> 00:08:24,113
LOOK, I'M REALLY
NERVOUS ABOUT THIS.
194
00:08:24,137 --> 00:08:26,983
I DON'T EVEN KNOW IF I
CAN GO THROUGH WITH IT.
195
00:08:27,007 --> 00:08:29,185
AH, COME ON, MALLORY. THERE'S
NOTHIN' TO BE NERVOUS ABOUT.
196
00:08:29,209 --> 00:08:30,286
YOU'RE GONNA LIKE THIS GUY.
197
00:08:30,310 --> 00:08:31,621
YOU GUYS HAVE
EVERYTHING IN COMMON.
198
00:08:31,645 --> 00:08:32,722
I DON'T KNOW.
199
00:08:32,746 --> 00:08:34,056
I DO KNOW, MAL.
200
00:08:34,080 --> 00:08:37,181
I FED YOUR VITAL STATISTICS
INTO THIS COMPUTER...
201
00:08:38,885 --> 00:08:41,531
AND I FOUND OUT YOU
GUYS ARE COMPATIBLE
202
00:08:41,555 --> 00:08:43,533
IN EVERYTHING FROM...
FROM BREAKFAST CEREALS
203
00:08:43,557 --> 00:08:45,368
TO POSITIONS ON
NUCLEAR DISARMAMENT.
204
00:08:45,392 --> 00:08:48,104
I DON'T HAVE A POSITION
ON NUCLEAR DISARMAMENT.
205
00:08:48,128 --> 00:08:49,393
NEITHER DOES HE.
206
00:08:51,131 --> 00:08:54,110
SEE? THIS IS THE KIND
OF LACK OF SUBSTANCE
207
00:08:54,134 --> 00:08:56,600
THAT GREAT
RELATIONSHIPS ARE BUILT ON.
208
00:08:58,071 --> 00:08:59,549
MALLORY, LOOK...
209
00:08:59,573 --> 00:09:02,552
YOU'RE ABOUT TO MEET
THE MAN OF YOUR DREAMS.
210
00:09:02,576 --> 00:09:03,886
REALLY? OK? ALL RIGHT?
211
00:09:03,910 --> 00:09:07,590
YOU'RE A LITTLE NERVOUS,
AND IT'S UNDERSTANDABLE,
212
00:09:07,614 --> 00:09:09,324
BUT WHEN HE GETS HERE,
213
00:09:09,348 --> 00:09:11,994
YOU JUST LET ME HANDLE
EVERYTHING, ALL RIGHT?
214
00:09:12,018 --> 00:09:13,563
OK. OK.
215
00:09:13,587 --> 00:09:14,564
WHUP.
216
00:09:14,588 --> 00:09:15,898
OHH. THERE HE IS.
217
00:09:15,922 --> 00:09:18,568
OK. I GOT IT.
218
00:09:18,592 --> 00:09:19,924
I GOT IT.
219
00:09:21,962 --> 00:09:22,939
ROGER. HEY.
220
00:09:22,963 --> 00:09:24,473
COME ON IN. THANKS, ALEX.
221
00:09:24,497 --> 00:09:27,242
HOPE YOU DIDN'T HAVE ANY
TROUBLE FINDING THE PLACE.
222
00:09:27,266 --> 00:09:29,067
NO. THANKS FOR
THE POLICE ESCORT.
223
00:09:32,005 --> 00:09:36,552
ROGER, THIS IS MALLORY.
224
00:09:36,576 --> 00:09:39,689
MALLORY, THIS IS ROGER SLOATE.
225
00:09:39,713 --> 00:09:41,746
HI.
226
00:09:44,317 --> 00:09:45,795
OH! AND, UH, THAT'S MY MOM,
227
00:09:45,819 --> 00:09:47,964
MY DAD, AND THIS IS JENNIFER.
228
00:09:47,988 --> 00:09:49,665
IT'S A PLEASURE TO
MEET YOU, ROGER.
229
00:09:49,689 --> 00:09:51,067
NICE TO MEET YOU, MR. KEATON.
230
00:09:51,091 --> 00:09:52,769
OK. HEY, ENOUGH OF
THE INTRODUCTIONS, HUH?
231
00:09:52,793 --> 00:09:55,805
WHY DON'T WE ALL SIT DOWN AND
GET A LITTLE BETTER ACQUAINTED.
232
00:09:55,829 --> 00:09:56,928
I GUESS...
233
00:10:01,234 --> 00:10:04,836
GUESS YOU TWO KIDS HAVE
A LOT TO TALK ABOUT, HUH?
234
00:10:08,976 --> 00:10:10,475
GO AHEAD. GO AHEAD.
235
00:10:12,946 --> 00:10:16,258
SO ALEX HAS TOLD ME A
LOT ABOUT YOU, MALLORY.
236
00:10:16,282 --> 00:10:17,548
ONLY GOOD THINGS, MAL.
237
00:10:22,555 --> 00:10:25,668
HEH. UH, YOU GO
TO LELAND, RIGHT?
238
00:10:25,692 --> 00:10:28,270
SOPHOMORE.
239
00:10:28,294 --> 00:10:30,272
ENGINEERING MAJOR.
240
00:10:30,296 --> 00:10:31,274
YEAH, THAT'S RIGHT.
241
00:10:31,298 --> 00:10:33,609
I UNDERSTAND THEY
HAVE A VERY FINE
242
00:10:33,633 --> 00:10:34,944
ENGINEERING PROGRAM AT LELAND.
243
00:10:34,968 --> 00:10:36,233
MA.
244
00:10:39,405 --> 00:10:42,051
YEAH. I ENJOY IT VERY
MUCH, MRS. KEATON.
245
00:10:42,075 --> 00:10:45,276
YEAH, YEAH. HE... HE ENJOYS
IT VERY MUCH, MRS... MOM.
246
00:10:46,880 --> 00:10:48,613
IS ALEX THEIR INTERPRETER?
247
00:10:52,218 --> 00:10:54,130
YES.
248
00:10:54,154 --> 00:10:57,233
UH, SO WHERE ARE YOU
TWO OFF TO TONIGHT?
249
00:10:57,257 --> 00:10:59,502
DAD, DO YOU MIND?
250
00:10:59,526 --> 00:11:02,760
I'M... I'M SORRY.
FORGIVE MY RUDENESS.
251
00:11:04,965 --> 00:11:06,364
I LOST MY HEAD.
252
00:11:07,734 --> 00:11:09,245
ACTUALLY, I, UH,
MADE RESERVATIONS
253
00:11:09,269 --> 00:11:11,380
FOR YOU TWO AT THE BEAR'S LAIR.
254
00:11:11,404 --> 00:11:12,415
OH, THANKS.
255
00:11:12,439 --> 00:11:14,350
AND THEN AFTERWARDS,
I THOUGHT YOU COULD GO
256
00:11:14,374 --> 00:11:16,018
AND SEE THAT NEW
JAMES BOND MOVIE.
257
00:11:16,042 --> 00:11:18,888
OH, I'VE SEEN THAT
ALREADY. I HATED IT.
258
00:11:18,912 --> 00:11:21,658
I SAW THAT. I LOVED IT.
259
00:11:21,682 --> 00:11:24,849
AH, A LITTLE SPAT.
ISN'T THAT CUTE?
260
00:11:26,420 --> 00:11:28,598
OK. YOU GUYS BETTER GET GOIN'.
261
00:11:28,622 --> 00:11:29,665
OK.
262
00:11:29,689 --> 00:11:31,000
SEE YOU LATER. BYE.
263
00:11:31,024 --> 00:11:32,001
BYE. YEAH.
264
00:11:32,025 --> 00:11:34,404
UH, MAL, UH...
265
00:11:34,428 --> 00:11:36,588
ROGER WANTED YOU TO HAVE THESE.
266
00:11:39,699 --> 00:11:41,744
OH. UH...
267
00:11:41,768 --> 00:11:43,212
AH HEH.
268
00:11:43,236 --> 00:11:45,048
THANKS, ROGER.
269
00:11:45,072 --> 00:11:47,650
UH, IT WAS THE LEAST I COULD DO.
270
00:11:47,674 --> 00:11:49,852
UH, WE'LL BE SEEIN' YOU LATER.
271
00:11:49,876 --> 00:11:51,020
YEAH. NICE TO MEET YOU.
272
00:11:51,044 --> 00:11:52,354
BYE-BYE. HAVE FUN TONIGHT, HUH?
273
00:11:52,378 --> 00:11:53,690
BYE-BYE. OK. GOOD NIGHT.
274
00:11:53,714 --> 00:11:55,794
DON'T WAIT UP FOR US.
275
00:12:00,454 --> 00:12:03,755
JUST WANTED TO SEE 'EM
SAFELY OFF THE PORCH.
276
00:12:08,228 --> 00:12:11,507
OK, PUSH THIS TO PITCH
AND THIS TO SWING THE BAT.
277
00:12:12,598 --> 00:12:15,311
OH. YAY. A HOME RUN
ON THE FIRST SWING.
278
00:12:15,335 --> 00:12:17,546
IT EVEN HAS A LITTLE
COMPUTER GUY
279
00:12:17,570 --> 00:12:19,437
PATTING THE BATTER
ON HIS BEHIND.
280
00:12:21,007 --> 00:12:22,841
GO FOR IT, DAD.
281
00:12:24,410 --> 00:12:26,856
OK, ONE PITCH,
282
00:12:26,880 --> 00:12:29,959
JUST TO PROVE HOW
DEHUMANIZING THIS GAME IS. WHAT...
283
00:12:29,983 --> 00:12:32,061
PUSH THESE BUTTONS.
284
00:12:33,987 --> 00:12:35,353
STRIKE ONE.
285
00:12:40,260 --> 00:12:41,260
STRIKE 2.
286
00:12:45,799 --> 00:12:47,243
STRIKE 3. YOU'RE OUT, DAD.
287
00:12:47,267 --> 00:12:50,313
STRIKE?! IT WAS HIGH AND INSIDE!
288
00:12:50,337 --> 00:12:54,183
THAT ALMOST HIT ME! WHAT'S WRONG
WITH THIS STUPID COMPUTER UMP!
289
00:12:54,207 --> 00:12:56,207
CALM DOWN, DAD. STEVEN.
290
00:12:58,578 --> 00:13:00,878
SEE HOW DEHUMANIZED I BECAME?
291
00:13:02,716 --> 00:13:04,694
OK, WELL, IT'S MY TURN NOW.
292
00:13:04,718 --> 00:13:07,796
JE-JENNIFER. COME
ON. I... I JUST SAT DOWN.
293
00:13:07,820 --> 00:13:10,233
THAT FIRST ONE WAS...
WAS... WAS PRACTICE.
294
00:13:12,325 --> 00:13:13,736
HEY. BASE HIT.
295
00:13:13,760 --> 00:13:16,294
OK, NOW I'M... OH, COME ON! I...
296
00:13:18,531 --> 00:13:19,609
EXCUSE ME.
297
00:13:19,633 --> 00:13:21,944
GAME'S CALLED ON
ACCOUNT OF THE DARKNESS.
298
00:13:21,968 --> 00:13:24,280
COME ON, HONEY.
IT'S TIME FOR BED.
299
00:13:24,304 --> 00:13:26,115
OH, 5 MORE MINUTES. PLEASE?
300
00:13:26,139 --> 00:13:27,238
FORGET IT, STEVEN.
301
00:13:36,616 --> 00:13:38,383
HEY, WHAT YOU DOIN', DAD?
302
00:13:39,819 --> 00:13:43,065
UH, I... I WAS JUST
TAKIN' THIS UPSTAIRS.
303
00:13:43,089 --> 00:13:45,422
UM, TO WASH IT.
304
00:13:48,694 --> 00:13:50,005
YEAH, WELL...
305
00:13:50,029 --> 00:13:52,041
I HAD A REAL NICE TIME. YEAH.
306
00:13:52,065 --> 00:13:53,576
THE MARIACHI BAND WAS GREAT.
307
00:13:53,600 --> 00:13:55,411
YEAH. NIGHT.
308
00:13:55,435 --> 00:13:56,435
NIGHT.
309
00:13:59,839 --> 00:14:01,884
HOW WAS YOUR DATE?
310
00:14:01,908 --> 00:14:04,353
ALEX, WHAT ARE YOU DOING HERE?
311
00:14:04,377 --> 00:14:06,755
JUST STANDING HERE.
312
00:14:06,779 --> 00:14:09,247
HAPPEN TO, UH... HAPPEN
TO LIKE STANDING HERE.
313
00:14:12,886 --> 00:14:13,863
GOOD NIGHT.
314
00:14:13,887 --> 00:14:14,887
NIGHT.
315
00:14:16,189 --> 00:14:17,189
GOOD NIGHT.
316
00:14:20,593 --> 00:14:22,771
GREAT GUY, HUH?
317
00:14:22,795 --> 00:14:23,772
HE'S ALL RIGHT.
318
00:14:23,796 --> 00:14:25,107
ALL RIGHT? COME ON!
319
00:14:25,131 --> 00:14:27,276
MALLORY, HE IS PERFECT FOR YOU.
320
00:14:27,300 --> 00:14:29,245
HE'S ALL RIGHT.
321
00:14:29,269 --> 00:14:32,515
ACTUALLY, ALEX,
HE'S NOT THAT BRIGHT.
322
00:14:32,539 --> 00:14:34,016
SEE WHAT I MEAN?
323
00:14:34,040 --> 00:14:35,800
HE'S PERFECT FOR YOU.
324
00:14:37,143 --> 00:14:38,687
LISTEN, ALEX, UH,
325
00:14:38,711 --> 00:14:40,756
I APPRECIATE WHAT
YOU'VE TRIED TO DO,
326
00:14:40,780 --> 00:14:42,023
BUT, UM, IT'S OVER.
327
00:14:42,047 --> 00:14:43,726
I... I DON'T LIKE
ROGER THAT MUCH,
328
00:14:43,750 --> 00:14:46,229
SO I'M NOT GONNA GO
OUT WITH HIM ANYMORE.
329
00:14:46,253 --> 00:14:47,763
OH.
330
00:14:47,787 --> 00:14:50,099
YOU, UH, DON'T LIKE
ROGER THAT MUCH,
331
00:14:50,123 --> 00:14:53,102
AND YOU'RE NOT GONNA
GO OUT WITH HIM ANYMORE.
332
00:14:53,126 --> 00:14:54,903
SIMPLE AS THAT.
333
00:14:54,927 --> 00:14:57,707
WHAT ABOUT ME, MALLORY?
334
00:14:57,731 --> 00:14:59,775
WHAT ABOUT MY FEELINGS?
335
00:14:59,799 --> 00:15:00,943
YOUR FEELINGS?
336
00:15:00,967 --> 00:15:02,778
YEAH. I... I PUT A LOT
OF TIME AND EFFORT
337
00:15:02,802 --> 00:15:05,448
IN TRYING TO HELP YOU OUT,
AND IS THIS THE THANKS I GET?
338
00:15:05,472 --> 00:15:06,749
ALEX... IS THIS THE MALLORY
339
00:15:06,773 --> 00:15:09,118
WHO WAS CRYIN' ON MY
SHOULDER A WEEK AGO?
340
00:15:09,142 --> 00:15:10,620
IS THIS THE MALLORY WHO SAID,
341
00:15:10,644 --> 00:15:13,122
"ALEX, I HAVEN'T MET A
GUY I LIKED IN MONTHS"?
342
00:15:13,146 --> 00:15:14,123
IS THIS THE MALLORY...
343
00:15:14,147 --> 00:15:15,257
ALL RIGHT.
344
00:15:15,281 --> 00:15:17,593
ALL RIGHT, ALEX,
I'LL TELL YOU WHAT.
345
00:15:17,617 --> 00:15:18,928
ONE MORE DATE, OK?
346
00:15:18,952 --> 00:15:21,130
UH, YOU CAN COME
ALONG. WE'LL DOUBLE.
347
00:15:21,154 --> 00:15:24,755
BUT IF IT DOESN'T WORK
OUT, THAT'S THE END OF IT, OK?
348
00:15:26,792 --> 00:15:29,105
HEY, DON'T DO IT FOR ME, MAL.
349
00:15:29,129 --> 00:15:30,639
ALEX...
350
00:15:30,663 --> 00:15:32,508
I'M TELLIN' YOU, THIS
PLACE IS FANTASTIC.
351
00:15:32,532 --> 00:15:34,410
THIS IS GONNA BE
A SPECIAL NIGHT.
352
00:15:34,434 --> 00:15:36,345
THERE'S JUST... THERE'S
ELECTRICITY IN THE AIR.
353
00:15:36,369 --> 00:15:38,013
I CAN... I CAN JUST FEEL IT.
354
00:15:38,037 --> 00:15:40,204
IT'S A GOOD THING I
WORE RUBBER BOOTS.
355
00:15:41,975 --> 00:15:43,552
AH HA HA!
356
00:15:43,576 --> 00:15:45,909
BOY, I HAVEN'T
LAUGHED LIKE THIS...
357
00:15:48,147 --> 00:15:50,125
ROG, MAL, I'M... I WAS AMAZED
358
00:15:50,149 --> 00:15:53,195
WHEN I FOUND OUT HOW
MUCH YOU TWO HAD IN COMMON.
359
00:15:53,219 --> 00:15:55,731
YOU KNOW, YOU'RE BOTH SO
INTERESTED IN FASHION AND...
360
00:15:55,755 --> 00:15:57,800
I'M NOT INTERESTED
IN FASHION AT ALL.
361
00:15:57,824 --> 00:16:00,436
SURE. SURE. SURE, YOU ARE, ROG.
362
00:16:00,460 --> 00:16:04,206
I MEAN, COME ON. ISN'T... ISN'T YOUR
FATHER IN THE FASHION BUSINESS?
363
00:16:04,230 --> 00:16:05,829
HE OWNS A LUMBERYARD.
364
00:16:06,933 --> 00:16:08,911
YEAH. OK. SO, UH...
365
00:16:08,935 --> 00:16:10,746
SO LUMBERYARD.
366
00:16:10,770 --> 00:16:12,703
FABRIC IS BOUGHT BY THE YARD.
367
00:16:16,076 --> 00:16:18,576
CONNECTION IS ALMOST EERIE.
368
00:16:20,780 --> 00:16:25,461
SO HOW ABOUT A LITTLE, UH,
SPONTANEOUS CONVERSATION?
369
00:16:25,485 --> 00:16:27,251
STARTING... NOW.
370
00:16:30,423 --> 00:16:33,836
MALLORY, MALLORY,
TELL... TELL ROGER ABOUT...
371
00:16:33,860 --> 00:16:37,461
ABOUT THAT FUNNY THING
THAT HAPPENED TO YOU AT WORK.
372
00:16:39,165 --> 00:16:42,511
UM, NOTHING FUNNY
HAPPENED TO ME AT WORK, ALEX.
373
00:16:42,535 --> 00:16:44,946
UM, SOMETHING FUNNY
HAPPENED TO ME AT WORK.
374
00:16:44,970 --> 00:16:49,051
TRACY, WILL YOU LET SOMEONE
ELSE GET A WORD IN EDGEWISE?
375
00:16:54,647 --> 00:16:55,925
WHOA, GREAT SONG.
376
00:16:55,949 --> 00:16:58,894
WHY DON'T YOU 2 KIDS GET
OUT THERE AND DANCE, HUH?
377
00:16:58,918 --> 00:17:01,029
I REALLY DON'T FEEL LIKE IT.
378
00:17:01,053 --> 00:17:02,264
YEAH. ME NEITHER.
379
00:17:02,288 --> 00:17:04,933
YOU BOTH LISTED DANCING
AS A FAVORITE ACTIVITY.
380
00:17:04,957 --> 00:17:09,037
ROG, YOU LISTED IT SECOND.
MALLORY, YOU LISTED IT FOURTH.
381
00:17:09,061 --> 00:17:11,781
COME ON, LET'S SPLIT THE
DIFFERENCE AND DANCE.
382
00:17:21,607 --> 00:17:22,907
GREAT COUPLE, HUH?
383
00:17:26,612 --> 00:17:28,991
UH, EXCUSE ME.
384
00:17:29,015 --> 00:17:29,992
UH...
385
00:17:30,016 --> 00:17:32,794
UH, ROG, YOU MIND IF I CUT IN?
386
00:17:32,818 --> 00:17:33,795
SURE.
387
00:17:33,819 --> 00:17:35,297
THANKS.
388
00:17:35,321 --> 00:17:36,965
ALEX, WHY'D YOU DO THAT?
389
00:17:36,989 --> 00:17:41,270
MALLORY, WHEN I SENT YOU OUT
HERE, I SENT YOU OUT HERE TO DANCE.
390
00:17:41,294 --> 00:17:44,940
THIS IS A SLOW NUMBER. YOU
SHOULD HAVE BEEN SLOW DANCING.
391
00:17:44,964 --> 00:17:47,609
LIKE... LIKE ROGER AND TRACY.
392
00:17:47,633 --> 00:17:50,279
EXCUSE ME FOR A MINUTE.
393
00:17:50,303 --> 00:17:52,014
UH, PA-PARDON ME, MAY I CUT IN?
394
00:17:52,038 --> 00:17:53,370
SURE.
395
00:17:59,779 --> 00:18:01,757
WH-WHY WERE YOU
DANCING WITH TRACY?
396
00:18:01,781 --> 00:18:05,761
BECAUSE I LIKE HER. BECAUSE
YOU CUT IN ON ME AND MALLORY.
397
00:18:05,785 --> 00:18:08,385
YEAH, WELL, ROG, I
ONLY DID THAT BE...
398
00:18:13,159 --> 00:18:17,306
I ONLY... LOOK, UH, WHY DON'T
WE SIT DOWN AND TALK ABOUT THIS?
399
00:18:17,330 --> 00:18:20,564
I DON'T WANNA SIT DOWN AND
TALK ABOUT IT. I WANNA DANCE.
400
00:18:25,271 --> 00:18:27,883
ROG, MY FEET
ARE KILLIN' ME. I...
401
00:18:27,907 --> 00:18:30,252
ALEX, WHY DON'T YOU
JUST LEAVE US ALONE?
402
00:18:30,276 --> 00:18:31,886
LOOK, I CAN'T LEAVE YOU ALONE.
403
00:18:31,910 --> 00:18:34,023
WHEN I LEAVE YOU ALONE,
ROG, NOTHIN' HAPPENS.
404
00:18:34,047 --> 00:18:37,192
WELL, MAYBE IT'S NOT
SUPPOSED TO HAPPEN.
405
00:18:37,216 --> 00:18:39,694
NO, LOOK, ROG.
ACCORDING TO THIS,
406
00:18:39,718 --> 00:18:41,363
YOU ARE ALMOST
MY BROTHER-IN-LAW.
407
00:18:41,387 --> 00:18:44,033
HEY, PAL, I DON'T WANNA
BE YOUR BROTHER-IN-LAW.
408
00:18:44,057 --> 00:18:46,001
I DON'T EVEN WANNA
BE YOUR SISTER.
409
00:18:46,025 --> 00:18:48,559
AND I DEFINITELY DO
NOT WANNA BE YOUR DATE.
410
00:18:51,797 --> 00:18:54,943
OK, 22 TO 4.
411
00:18:54,967 --> 00:18:58,180
YOUR FAVOR.
412
00:18:58,204 --> 00:19:00,516
YOUR BALL OUT. I
WARN YOU, ELYSE.
413
00:19:00,540 --> 00:19:02,717
I KNOW ALL YOUR MOVES NOW.
414
00:19:02,741 --> 00:19:05,687
YOU HAVE SCORED
YOUR LAST BASKET.
415
00:19:05,711 --> 00:19:06,922
YOU READY?
416
00:19:06,946 --> 00:19:08,379
READY.
417
00:19:10,450 --> 00:19:11,427
OH!
418
00:19:11,451 --> 00:19:13,284
IN YOUR FACE.
419
00:19:15,721 --> 00:19:17,032
G-GOOD SHOT. GOOD SHOT.
420
00:19:17,056 --> 00:19:18,200
THANKS.
421
00:19:18,224 --> 00:19:21,670
OK, I, UH... I THINK I GOT
THE HANG OF IT NOW.
422
00:19:21,694 --> 00:19:22,960
SET 'EM UP AGAIN.
423
00:19:27,933 --> 00:19:30,179
OH, JENNIFER!
WHAT ARE YOU DOIN'?
424
00:19:30,203 --> 00:19:32,481
WELL, WE ONLY RENTED
THE COMPUTER FOR A WEEK.
425
00:19:32,505 --> 00:19:33,782
HAS TO BE BACK TONIGHT.
426
00:19:33,806 --> 00:19:36,652
IS A WEEK UP ALREADY?
427
00:19:36,676 --> 00:19:39,421
NOW, LISTEN, DAD. I KNOW HOW
YOU FEEL ABOUT THESE THINGS.
428
00:19:39,445 --> 00:19:41,824
YOU'VE BEEN REALLY
TOLERANT, AND I APPRECIATE IT.
429
00:19:41,848 --> 00:19:44,148
OH, THAT'S OK.
430
00:19:45,918 --> 00:19:48,897
LISTEN, YOU DON'T HAVE TO
WORRY ABOUT IT ANYMORE.
431
00:19:48,921 --> 00:19:52,041
AS OF TONIGHT, IT'LL BE
GONE FROM YOUR LIFE.
432
00:19:57,396 --> 00:20:00,630
WELL, I'M GLAD THAT UGLY
CHAPTER'S OVER WITH.
433
00:20:03,936 --> 00:20:05,056
ME, TOO.
434
00:20:06,872 --> 00:20:11,987
ALTHOUGH JENNIFER DID SEEM
TO ENJOY HAVIN' IT AROUND.
435
00:20:12,011 --> 00:20:13,388
SHE DID.
436
00:20:13,412 --> 00:20:15,723
YOU KNOW, YOU COULD
ALWAYS PUT ASIDE
437
00:20:15,747 --> 00:20:18,527
YOUR PERSONAL
FEELINGS AND BUY HER ONE.
438
00:20:18,551 --> 00:20:21,730
YOU'RE RIGHT. I SHOULD
THINK ABOUT HER NEEDS FIRST.
439
00:20:21,754 --> 00:20:23,332
JENNIFER! JENNIFER!
440
00:20:23,356 --> 00:20:24,566
HONEY!
441
00:20:24,590 --> 00:20:26,835
OK, MALLORY, LOOK. I
WAS WRONG. I ADMIT IT.
442
00:20:26,859 --> 00:20:29,138
WHY DON'T WE JUST GO
OUT TO THE DRIVEWAY?
443
00:20:29,162 --> 00:20:31,674
YOU CAN BACK THE CAR
OVER ME A FEW TIMES.
444
00:20:31,698 --> 00:20:34,243
WHERE ARE THE KEYS?
445
00:20:34,267 --> 00:20:36,245
I... I DON'T UNDERSTAND
IT. THAT'S ALL.
446
00:20:36,269 --> 00:20:39,081
I MEAN, YOU AND ROGER
WERE GREAT TOGETHER.
447
00:20:39,105 --> 00:20:40,816
JUST WHAT WAS IT THAT
YOU DIDN'T LIKE ABOUT HIM?
448
00:20:40,840 --> 00:20:42,918
I DON'T KNOW.
NOTHING IN PARTICULAR.
449
00:20:42,942 --> 00:20:45,387
HE WAS A NICE GUY, RIGHT? YEAH.
450
00:20:45,411 --> 00:20:47,289
AND HE WAS A
GOOD-ENOUGH-LOOKIN' GUY, RIGHT?
451
00:20:47,313 --> 00:20:49,124
KINDA CUTE, YEAH.
452
00:20:49,148 --> 00:20:51,026
ALL RIGHT, I'M GETTIN'
HIM OVER HERE.
453
00:20:51,050 --> 00:20:52,627
NO! HEY, COME ON, ALEX.
454
00:20:52,651 --> 00:20:54,396
NOW, CUT IT OUT!
455
00:20:54,420 --> 00:20:57,866
I DON'T WANT TO GO OUT WITH
HIM ANYMORE, AND I MEAN IT.
456
00:20:57,890 --> 00:21:01,103
I... I JUST DO NOT GET IT.
457
00:21:01,127 --> 00:21:03,572
WHY DIDN'T YOU TWO HIT IT OFF?
458
00:21:03,596 --> 00:21:06,608
I DON'T KNOW, ALEX,
BUT I DO KNOW THIS.
459
00:21:06,632 --> 00:21:09,911
NOW, JUST BECAUSE 2 PEOPLE HAVE
SIMILAR INTERESTS AND BACKGROUNDS
460
00:21:09,935 --> 00:21:12,114
DOESN'T MEAN THEY'RE
GONNA FALL IN LOVE.
461
00:21:12,138 --> 00:21:15,017
WHY NOT?
462
00:21:15,041 --> 00:21:17,286
BECAUSE THE RIGHT
CHEMISTRY HAS TO BE THERE.
463
00:21:17,310 --> 00:21:20,655
YOU KNOW, CERTAIN... CERTAIN FEELINGS
AND EMOTIONS JUST HAVE TO CLICK RIGHT,
464
00:21:20,679 --> 00:21:22,958
AND THEY DIDN'T CLICK
WITH ROGER AND ME.
465
00:21:22,982 --> 00:21:26,049
YOU, BUT YOU LOOKED
SO GOOD ON PAPER.
466
00:21:27,186 --> 00:21:29,198
WE'RE NOT MADE OF PAPER, ALEX.
467
00:21:29,222 --> 00:21:32,201
ALL RIGHT, OK, NOW
WE'RE GETTIN' DOWN TO IT.
468
00:21:32,225 --> 00:21:33,824
SEE, I'M MADE OF PAPER.
469
00:21:36,729 --> 00:21:39,708
WELL, I DON'T ACTUALLY
MEAN I'M MADE OF PAPER.
470
00:21:39,732 --> 00:21:44,179
I MEAN I'M CAPABLE...
I MEAN I LIKE PAPER!
471
00:21:44,203 --> 00:21:47,049
WHAT AM I TRYING
TO SAY, MALLORY?
472
00:21:47,073 --> 00:21:50,085
YOU'RE TRYING TO SAY, ALEX, THAT
YOU'RE NOT GOOD WITH EMOTIONS,
473
00:21:50,109 --> 00:21:52,020
BUT YOU'RE GREAT
WITH FACTS AND FIGURES.
474
00:21:52,044 --> 00:21:53,221
RIGHT.
475
00:21:53,245 --> 00:21:54,790
AND YOU LOVE A SITUATION
476
00:21:54,814 --> 00:21:57,025
WHERE YOU CAN
CONTROL ALL THE ELEMENTS
477
00:21:57,049 --> 00:21:58,927
AND THE HUMAN
EQUATION IS REMOVED.
478
00:21:58,951 --> 00:22:00,496
RIGHT.
479
00:22:00,520 --> 00:22:02,798
AND YOU LIKE TO BELIEVE
THAT EVERY PROBLEM
480
00:22:02,822 --> 00:22:04,500
HAS SOME KIND OF
LOGICAL SOLUTION.
481
00:22:04,524 --> 00:22:06,101
RIGHT!
482
00:22:06,125 --> 00:22:08,392
ARE YOU FOLLOWING
ANY OF THIS, MALLORY?
483
00:22:10,029 --> 00:22:12,808
FOLLOWING IT? I'M SAYING IT.
484
00:22:12,832 --> 00:22:15,933
OK. AS LONG AS I
MADE MYSELF CLEAR.
485
00:22:17,570 --> 00:22:21,183
ALEX, YOU SAW THAT ROGER
AND I WEREN'T GETTING ALONG.
486
00:22:21,207 --> 00:22:23,185
WHY DID YOU KEEP FORCING IT?
487
00:22:23,209 --> 00:22:26,221
WELL...
488
00:22:26,245 --> 00:22:29,057
BECAUSE I CAN'T...
489
00:22:29,081 --> 00:22:31,026
UH...
490
00:22:31,050 --> 00:22:33,262
CAN'T ACCEPT FAILURE.
491
00:22:33,286 --> 00:22:35,697
YOU KNOW, I MEAN...
492
00:22:35,721 --> 00:22:37,699
I JUST WANNA MAKE YOU HAPPY.
493
00:22:37,723 --> 00:22:40,702
I REALLY DID, AND...
AND I WAS GOING TO,
494
00:22:40,726 --> 00:22:42,660
WHETHER YOU LIKED IT OR NOT.
495
00:22:44,830 --> 00:22:47,675
THANKS, ALEX.
496
00:22:47,699 --> 00:22:52,513
BUT YOU HAVE TO UNDERSTAND THAT
RELATIONSHIPS ARE UNPREDICTABLE.
497
00:22:52,537 --> 00:22:56,218
YOU KNOW, THERE'S THAT...
THAT MAGIC. YOU KNOW,
498
00:22:56,242 --> 00:22:59,688
THAT SPECIAL SOMETHING HAS
TO BE THERE. IT DEFIES LOGIC.
499
00:22:59,712 --> 00:23:02,391
I KNOW.
500
00:23:02,415 --> 00:23:04,715
I HATE THAT.
501
00:23:06,685 --> 00:23:08,830
YOU KNOW WHAT'S FUNNY?
502
00:23:08,854 --> 00:23:10,832
SOMETIMES OPPOSITES ATTRACT.
503
00:23:10,856 --> 00:23:14,558
YOU KNOW, SOMETIMES YOU CAN BE
ATTRACTED TO THE LEAST LIKELY PERSON.
504
00:23:19,365 --> 00:23:21,445
I HOPE I'M NOT
INTERRUPTING ANYTHING.
505
00:23:53,366 --> 00:23:54,843
SIT, UBU, SIT.
506
00:23:54,867 --> 00:23:56,367
GOOD DOG.
36048
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