Original subtitles

Johnny Mathis: ♪ I BET WE'VE BEEN TOGETHER ♪

♪ FOR A MILLION YEARS ♪

Deniece Williams: ♪ AND I BET WE'LL BE TOGETHER ♪

♪ FOR A MILLION MORE ♪

♪ OH, IT'S LIKE I STARTED BREATHING ♪

♪ ON THE NIGHT WE KISSED ♪

Both: ♪ AND I CAN'T REMEMBER ♪

♪ WHAT I EVER DID BEFORE ♪

♪ WHAT WOULD WE DO, BABY ♪

♪ WITHOUT US? ♪

♪ WHAT WOULD WE DO, BABY ♪

♪ WITHOUT US? ♪

♪ AND THERE AIN'T NO NOTHING ♪

♪ WE CAN'T LOVE EACH OTHER THROUGH ♪

♪ WHAT WOULD WE DO, BABY ♪

♪ WITHOUT US? ♪

♪ SHA LA LA LA ♪

"SORRY TO SAY THAT PETER WAS NOT VERY WELL

"DURING THE EVENING.

"HIS MOTHER PUT HIM TO BED

"AND MADE SOME CHAMOMILE TEA,

AND SHE GAVE A DOSE OF IT TO PETER."

SEE, RIGHT THERE.

"ONE TABLESPOONFUL TO BE TAKEN AT BED-TIME.

"BUT FLOPSY, MOPSY, AND COTTON-TAIL,

"WHO WERE GOOD LITTLE BUNNIES,

HAD BREAD AND MILK AND BLACKBERRIES FOR SUPPER."

READ IT AGAIN, MOMMY.

GIVE HER A BREAK, ALEX.

YOU HEARD IT THREE TIMES.

THAT'S RIGHT. I READ IT THREE TIMES.

AND THAT MEANS IT'S TIME FOR YOU TO GO TO BED.

ALL RIGHT, LET HIM HEAR IT ONE MORE TIME.

NO. NO MORE STORIES. TIME FOR BED.

COME ON. I DON'T WANT ANY TROUBLE ABOUT IT.

OH, COME ON, MOM. LET HIM STAY UP. WHAT'S THE BIG DEAL?

HONEY, HE DOESN'T GET ENOUGH SLEEP,

AND THEN, HE'S CRABBY IN THE MORNING.

HE'S A NIGHT PERSON.

I'LL GET IT. LOOK, MOM,

REMEMBER MALLORY WHEN SHE WAS A KID? REMEMBER?

PERFECT KID. GOT A LOT OF SLEEP.

LOOK WHAT HAPPENED.

SHE NEVER FULLY WOKE UP.

COME ON, HONEY. WE'RE GOING TO BED.

I WANT ALEX TO TAKE ME UP.

OK. ALEX CAN TAKE YOU UP.

ALL RIGHT. LET'S GO, RABBIT.

TAKE HIM STRAIGHT TO BED, THOUGH.

HE STRETCHES THESE BEDTIMES OUT LONGER AND LONGER.

WANT TO PLAY MONOPOLY?

NO, NO, NO. YOU HEARD WHAT THE BOSS LADY SAID.

STRAIGHT TO BED.

WE CAN USE REAL MONEY.

ONE QUICK GAME.

OH, HI, MOM.

HI, GUYS. HOW WAS THE MOVIE?

OH, IT WAS OK. JEN AND I LIKED IT. NICK DIDN'T.

IT'S JUST THAT I LIKE A LITTLE MORE ACTION IN MY FILM.

THAT'S ALL.

WHAT DID YOU SEE?

COMMANDO,

WITH ARNOLD SCHWARZENEGGER.

THAT IS THE LAST ART FILM THAT I GO TO.

WHAT ARE YOU WORKING ON THERE, MRS. KEATON?

I'M REMODELING THE LOBBY OF THE WKS BUILDING

WHERE MR. KEATON WORKS.

DOES MR. KEATON KNOW ABOUT THIS?

HE HIRED HER, NICK.

OH.

HEY! THIS IS A PRETTY GOOD IDEA HERE.

I LIKE THIS, THE ATRIUM WITH THE WATERFALL CASCADE.

YOU REALLY LIKE THAT? THANKS.

YOU KNOW, IF IT WAS ME,

I WOULD USE MAHOGANY ON THIS WALL OVER HERE

AND MAYBE PICK IT UP AGAIN OVER HERE IN THIS AREA.

THAT'S EXACTLY WHAT I WAS PLANNING.

WE THINK ALIKE, DON'T WE, MRS. KEATON?

YEAH. THAT'S REALLY, UH...

SCARY, HUH?

HEY, ANDY HEARD YOU GUYS COME IN.

HE WANTS YOU TO GO UP AND SAY GOOD NIGHT TO HIM.

ALL RIGHT. OK.

YOU BETTER GO ONE AT A TIME.

WELL, YOU KNOW HOW HE LIKES TO DRAG IT OUT.

UH, I'LL GO FIRST. OK.

DON'T READ TO HIM, PLEASE, NICK.

I DON'T THINK THERE'S MUCH DANGER OF THAT, MOM.

HEY, GANG! SORRY I'M LATE,

BUT THE BUDGET MEETING RAN WAY OVER.

HOW DID IT GO?

GREAT. THE FULL BUDGET FOR YOUR RENOVATION

HAS BEEN APPROVED.

WHOA! CONGRATULATIONS!

AND YOU KNOW HOW YOU'VE BEEN TALKING ABOUT HIRING AN ARTIST

TO DO A SCULPTURE FOR THE LOBBY? YEAH?

MR. WERTZ SUGGESTED WE GET THE BEST ARTISTS IN THE AREA

TO SUBMIT THEIR WORK. THEN WE'LL HAVE A COMPETITION

TO DECIDE WHICH ONE WE'LL USE FOR THE LOBBY.

THAT'S A GREAT IDEA.

THERE'S $2,500 IN THE BUDGET

FOR THE WINNING SCULPTURE.

YOU KNOW, I'VE DONE A BIT OF SCULPTING MYSELF.

I DIDN'T KNOW THAT.

OH, YEAH. YEAH.

I HAVEN'T REALLY MENTIONED IT TO YOU,

BUT, WELL, FOR $2,500 I COULD GET THE OLD CHISEL OUT.

OK, ALEX.

SO, DO YOU HAVE ANYONE SPECIAL IN MIND?

WHAT ABOUT NICK?

SO, DO YOU HAVE ANYONE SPECIAL IN MIND?

COME ON, I'M SERIOUS.

NICK WOULD BE PERFECT TO DESIGN THAT SCULPTURE.

HONEY, THIS CONTEST IS FOR SERIOUS ARTISTS,

YOU KNOW, PEOPLE WHO HAVE A STANDING IN THE ART WORLD,

PEOPLE WHO ARE ESTABLISHED.

YOU KNOW, POP, I STILL THINK

I'M THE BEST GUY FOR THIS JOB.

NOW, $2,500 IS LESS THAN MY NORMAL PRICE,

BUT FOR FAMILY...

ALEX.

MOM, LISTEN.

NICK HAS A REAL FEEL FOR THIS PROJECT.

I MEAN, HE KNOWS EXACTLY WHAT YOU'RE AFTER.

YOU SAW HIM.

HE REALLY DID HAVE A GOOD GRASP

OF WHAT I WAS TRYING TO DO.

AT LEAST TALK TO HIM, MOM. GET HIS IDEAS.

IT CAN'T HURT,

AND YOU DON'T HAVE ANYONE ELSE IN MIND. YOU SAID SO YOURSELF.

WHOA. HEY, MOM,

IT'S JUST NICK WHO'S COMING OVER.

YOU DON'T NEED COFFEE CAKE.

YOU NEED BEEF JERKY, SOME KETCHUP.

NICK MIGHT JUST SURPRISE YOU, ALEX.

I BET HE'S GOING TO COME UP WITH THE PERFECT SCULPTURE

FOR THIS PROJECT.

REMEMBER THAT MASTERPIECE HE GAVE MAL FOR HER BIRTHDAY?

IT WAS A RUNNING LAWNMOWER ENGINE

ENCASED IN A GIANT TACO SHELL.

ALEX HAS A POINT.

I DON'T THINK ART SHOULD HAVE TO BE REFRIGERATED.

OH, COME ON, STEVEN, ALL WE AGREED TO DO WAS INTERVIEW NICK.

I DON'T KNOW, ELYSE. I GOT A BAD FEELING ABOUT THIS.

LAST NIGHT, I HAD A DREAM...

THAT NICK CREATED A SCULPTURE SO MONSTROUS,

THAT I GOT FIRED, AND THEY TOOK AWAY

YOUR ARCHITECTURE LICENSE.

WE COULDN'T AFFORD TO SUPPORT OUR CHILDREN,

SO MALLORY RAN OFF TO MARRY NICK.

THEY... THEY...

THEY RAN OFF TO LIVE

IN A REMOTE PART OF MEXICO CALLED TACO GRANDE...

WHERE NICK COULD FIND TACO SHELLS

BIG ENOUGH FOR HIS SCULPTURES.

BUT THEY CAME TO VISIT US ON HOLIDAYS.

MALLORY AND NICK ON A MOTORCYCLE,

OUR GRANDCHILDREN IN A SIDECAR YELLING,

"HEY GRANDPA, ¿COMO ESTA?"

THEY DID GO BACK TO MEXICO, RIGHT?

HI.

HEY, THE ARTIST HAS ARRIVED.

AW, COME ON, JEN. YOU'RE EMBARRASSING ME IN FRONT OF YOUR FAMILY.

OH, NICK, YOU SHOULDN'T BE EMBARRASSED

ABOUT YOUR TALENT.

I MEAN, THIS PROJECT HE'S WORKING ON NOW IS BRILLIANT.

IN ITS USE OF COLOR AND TEXTURE.

HOW MANY MILES DOES IT GET TO THE GALLON?

WHY DON'T WE SIT DOWN AND GET STARTED?

Nick: SURE.

I CAN'T BELIEVE IT. I MEAN, THIS IS GREAT.

MY PARENTS AND BOYFRIEND

SITTING IN HARMONY AROUND THE KITCHEN TABLE.

JEN, HELP ME FIND THE CAMERA.

BEFORE WE START, I JUST WANT YOU TO KNOW

THAT I'VE BEEN GIVING THIS A LOT OF THOUGHT.

I REALIZE THIS IS A VERY SPECIAL PROJECT

AND THAT IF I BECOME ONE OF THE CONTESTANTS,

I AM NOT GOING TO WORK WITH ANY OF THE MATERIALS

THAT I'VE WORKED WITH IN THE PAST.

AW, JEEZ, NICK, THAT'S TOO BAD.

WE WERE HOPING FOR SOMETHING IN A BURRITO THIS TIME.

UM...

ALL RIGHT, NICK.

I JUST HAVE TO ASK YOU A FEW QUESTIONS HERE.

PURELY... PURELY ROUTINE. SHOOT.

HOW LONG HAVE YOU BEEN AN ARTIST?

I'VE WORKED PROFESSIONALLY FOR ABOUT 4 YEARS NOW.

HOW WOULD YOU CHARACTERIZE YOUR STYLE?

UH... MODERN.

WHY DO YOU FEEL IT'S NECESSARY

TO GO OUT WITH OUR DAUGHTER?

STEVEN, PLEASE.

I'M JUST TRYING TO GET A FULL SENSE

OF THE MAN AND HIS WORK,

AND WHY I'M UP NIGHTS WORRYING ABOUT HIM.

LET ME ASK YOUSE A COUPLE OF QUESTIONS.

I MEAN, WHAT KIND OF FEELING DO YOU WANT

FROM THIS SCULPTURE?

WHAT WOULD FIT BEST INTO THE LOBBY THAT YOU ARE DESIGNING?

LET ME SHOW YOU SOME PHOTOS OF MY WORK OVER THE YEARS.

THAT WILL GIVE YOU AN IDEA OF MY STYLE.

KIND OF WHAT I'M GOING FOR.

THERE'S A PROJECT I DID UP IN BERKELEY IN '68.

HEY, YOU LOOK PRETTY GOOD THERE, MR. KEATON.

LOOK HOW LONG YOUR HAIR IS.

I LIKE THOSE BEADS, TOO.

IT'S FUNNY LOOKING AT US HERE

WITH THE TIE-DYED SHIRTS AND RIPPED JEANS AND THOSE HEADBANDS.

YEAH, YOU LOOKED A LOT BETTER THEN.

WHY, THANKS, NICK.

YOU ALWAYS KNOW JUST WHAT TO SAY.

I LIKE THIS SCULPTURE HERE, TOO,

THIS COPPER PEACE SYMBOL.

OH, REMEMBER HOW CONTROVERSIAL THAT WAS BACK IN '68?

LOTS OF PEOPLE THOUGHT THAT MADE

TOO STRONG A POLITICAL STATEMENT.

HERE, UH... HERE WE GO.

HERE'S A PICTURE OF THE PEOPLE PICKETING THE SCULPTURE

AFTER IT WAS UNVEILED.

DOESN'T ALEX LOOK CUTE THERE?

HE'D JUST TURNED 3.

HE COULD BARELY HOLD UP

THAT "AMERICA... LOVE IT OR LEAVE IT" SIGN.

WHO WAS THE ARTIST WHO DID THAT SCULPTURE?

THAT'S ROGER LAMBEER.

I DIDN'T KNOW YOU WERE FAMILIAR WITH THAT PERIOD.

OH, YEAH. I LIKE ALL THEM ARTISTS FROM THE SIXTIES...

ANDY WARHOL, PETER MAX...

SONNY AND CHER.

♪ I GOT YOU, BABE ♪

♪ I GOT YOU, BABE ♪

♪ AND WHEN I'M SAD ♪

♪ YOU'RE A CLOWN ♪

♪ AND WHEN I GET SCARED ♪

♪ YOU'RE ALWAYS AROUND ♪

♪ SO LET 'EM SAY YOUR HAIR'S TOO LONG ♪

♪ I DON'T CARE ♪

♪ WITH YOU, I... ♪

LET'S GET BACK TO WORK, NICK.

YOU KNOW, I REALLY WISH

I WAS BROUGHT UP IN THE SIXTIES.

SOMETIMES I JUST DON'T FEEL LIKE I BELONG HERE.

THAT'S NOT A CRAZY THOUGHT, NICK.

BOY, THOSE MUST HAVE BEEN EXCITING TIMES, HUH?

OH, THEY WERE GREAT TIMES.

WE WEREN'T SO CONCERNED WITH MAKING MONEY THEN,

OR FOLLOWING RULES, OR LIVING BY ANYONE ELSE'S STANDARDS.

WE JUST WANTED TO BE WHO WE WERE,

NO MATTER WHAT ANYBODY THOUGHT.

THAT KIND OF SOUNDS LIKE HOW I LIVE.

OH, MY GOD, HE'S RIGHT.

YOU SEE,

IT'S JUST THAT THE EIGHTIES ARE TOO UPTIGHT FOR ME.

YOU KNOW, ACTUALLY,

THE SEVENTIES WERE TOO UPTIGHT FOR ME, TOO.

BOY, I HOPE THE REST OF THE CENTURY LOOSENS UP.

LET'S LOOK AT THE LAYOUT FOR THE LOBBY HERE.

OK, BABE.

HERE WE GO. HEY.

HEY, HEY, HEY, I LIKE THIS.

I GOT AN IDEA.

HOW ABOUT A SCULPTURE

THAT WOULD USE SOME OF THOSE OLD SIXTIES FEELINGS,

BUT BLENDED WITH THE LOOK OF THE EIGHTIES.

YOU KNOW, I COULD USE OLD METAL, POUNDED AND POLISHED,

BUT THE TEXTURES AND SHAPES

WOULD BE MORE SLEEK, MORE ANGLED.

THAT'S EXACTLY THE RIGHT FEEL FOR THE ROOM.

RIGHT, STEVEN?

I HAVE TO ADMIT, THAT'S NOT BAD.

THIS IS GREAT.

YOU KNOW, I FEEL CLOSER TO BOTH OF YOU

THAN EVER BEFORE.

WELL, NICK, WE'VE HAD A NICE LITTLE DISCUSSION HERE.

LET'S NOT BLOW IT OUT OF PROPORTION.

NICK, I HAVE TO TELL YOU, I WAS SKEPTICAL AT FIRST,

BUT AFTER LISTENING TO A FEW OF YOUR IDEAS,

I SEE NO REASON YOU SHOULDN'T ENTER THE COMPETITION.

ALL RIGHT!

CONGRATULATIONS, HONEY.

OK, NICK, YOU'RE IN.

HOLD ON.

THIS IS A COLLECTOR'S ITEM.

"AND THEN, WOOFY SAID,

"I'M HUNGRY. MAYBE IF I'M A GOOD DOG,

"MY MASTER, MR. JOHNSON, WILL GIVE ME A BONE.

"SO HE WENT OVER TO HIS MASTER TO GET SOME FOOD.

"MR. JOHNSON WAS ASLEEP.

"WOOFY WAS VERY UNHAPPY.

"WHAT WILL I DO? SAID WOOFY.

"THEN WOOFY GOT... THEN WOOFY GOT AN IDEA.

I KNOW WHAT I'LL DO."

"I'LL EAT MR. JOHNSON."

ALEX, DO YOU MIND? I'M TRYING TO READ ANDY A STORY.

YEAH, WELL, MAL, YOU SHOULDN'T READ TO HIM FROM YOUR TEXTBOOKS.

THIS HAPPENS TO BE FROM THE WOOFY THE DOG SERIES.

ANDY LOVES IT. DON'T YOU, ANDY?

IT PASSES TIME.

COME ON, MAL. LOOK. ANDREW'S WAY PAST THIS LEVEL OF MATERIAL.

ANDY, WHY DON'T YOU TELL MALLORY WHAT WE READ THIS MORNING.

THE NEW YORK TIMES.

AND?

THE WALL STREET JOURNAL.

AND FOR FUN?

THE CONGRESSIONAL RECORD.

ALEX, LOOK. ANDY IS JUST BEING POLITE.

I'M SURE HE'D MUCH RATHER LISTEN TO ME READ ABOUT WOOFY

THAN GO THROUGH YOUR BORING NEWSPAPERS.

ALL RIGHT. OK. WHY DON'T WE JUST ASK ANDY?

ANDY, WHAT DO YOU LIKE BETTER,

WALL STREET JOURNAL, OR WOOFY THE IDIOT DOG?

I'LL GET BACK TO YOU.

ALEX, I'M NOT SURE ABOUT SOMETHING.

OH, WELL, YOU SEE, WOOFY'S A DOG,

AND HE SEEMS TO BE PRETTY EXCITED ABOUT GETTING THIS BONE...

NO.

NO. DO YOU THINK NICK HAS A CHANCE TONIGHT?

I DO. I MEAN, YOU KNOW,

MOM AND DAD ARE WILLING TO LET HIM ENTER THE COMPETITON.

I'D SAY HE'S GOT A SHOT.

HE'S REALLY EXCITED.

I MEAN, CAN YOU IMAGINE WHAT IT WOULD BE LIKE

IF NICK WON $2,500?

YEAH.

MAL, CAN I ASK YOU A QUESTION?

NOW, LET'S SAY NICK DOES WIN

THE, UH...

$2,500.

DOES HE HAVE ANY IDEA

WHAT HE'S GOING TO DO WITH THAT MONEY?

I MEAN, IN LIGHT OF THE NEW TAX LAWS.

IS NICK AWARE OF THE NEW TAX LAWS?

IS NICK AWARE THAT WE HAVE A GOVERNMENT?

HEY, YOU GUYS LOOK GREAT.

HEY, HONEY. OH, THANKS.

WHERE IS NICK? WE'RE SUPPOSED TO BE

DOWN AT THE STATION IN A FEW MINUTES.

DON'T WORRY, MOM. HE WON'T BE LATE.

I MEAN, THIS IS THE BIGGEST THING THAT'S HAPPENED IN HIS LIFE.

WELL, HE HAS BEEN WORKING HARD.

I'LL SAY THAT FOR HIM. WE HARDLY SEE HIM AROUND HERE ANYMORE.

WE SHOULD GET HIM IN MORE CONTESTS.

I WANT YOU GUYS TO KNOW THAT HE'S NOT JUST WORKING HARD FOR HIMSELF.

HE'S DOING IT TO REPAY THE TRUST YOU'VE PLACED IN HIM.

I MEAN, HE PROBABLY WON'T BE ABLE TO EXPRESS IT THAT WAY,

EVEN THOUGH THAT'S HOW HE REALLY FEELS.

IF HE TRIED TO TELL YOU HOW MUCH IT MEANT TO HIM

AND HOW MUCH YOU MEAN TO HIM,

ALL THAT WOULD COME OUT IS...

"HEY."

HEY.

THAT'S BEAUTIFUL, NICK.

GOOD LUCK TONIGHT, NICK.

WE KNOW HOW HARD YOU'VE WORKED.

HEY.

NOW DON'T START.

HEY.

NICK, NICK, THERE ARE SOME PEOPLE HERE WHO'D LIKE TO MEET YOU.

HEY.

THIS IS WALTER LUSKIN,

OUR DIRECTOR OF PROGRAMMING HERE AT WKS,

AND CHARLES WERTZ, OUR REGIONAL MANAGER.

HEY!

HEY.

THEY'RE GOING TO BE JUDGING THE COMPETITION ALONG WITH ME.

WOW.

YEAH.

THANK YOU, NICK. NICE PIECE OF WORK.

NICE, NICK.

OH, WOW.

I KNEW IT. THEY HATE IT.

NICK, HE SAID IT WAS A NICE PIECE OF WORK.

IN THE ART WORLD, MAL, THAT MEANS THEY HATE IT.

I SUPPOSE YOU'RE WONDERING WHAT I'M THINKING OF THE SCULPTURE.

NO, NOT AT ALL.

WERE YOU LOOKING AT THE SCULPTURE?

NOT ONLY LOOKING AT IT. I'M GOING TO VOTE FOR THIS.

WALTER, YOU'RE KIDDING ME.

I MEAN, YOU'RE NOT JUST SAYING THAT

BECAUSE NICK'S MY BOYFRIEND?

NO. IN FACT, I'M VOTING AGAINST HIM AS YOUR BOYFRIEND,

BUT IT'S NICE WORK. GOOD WORK.

WALTER, THIS IS GREAT.

I MEAN, THIS MEANS NICK'S REALLY GOT A SHOT.

WELL, HE'S GOT MY VOTE.

UNFORTUNATELY, MR. WERTZ, THE BOZO, LIKES THAT SCULPTURE.

WALTER!

YES, SIR?

SO, I GUESS YOUR DAD'S THE DECIDING VOTE.

I HOPE IT WORKS OUT OK.

THANKS.

NICK, YOU DID IT.

THEY CHOSE YOUR SCULPTURE.

WHAT, AND I MISSED IT?

WELL, IT'S NOT OFFICIAL YET.

BUT WALTER IS VOTING FOR YOURS.

MR. WERTZ IS VOTING FOR THAT OVER THERE,

MY DAD IS THE DECIDING VOTE. YOU'RE IN.

YOUR ATTENTION, IF I MAY.

YOUR ATTENTION.

THANK YOU. THANK YOU VERY MUCH. YOU'RE TOO KIND.

IT SEEMS LIKE ONLY YESTERDAY

THAT PUBLIC BROADCASTING BECAME A REALITY IN OHIO,

BUT IN FACT, IT WAS JULY 26, 1954.

SINCE THEN, PUBLIC BROADCASTING AND I HAVE BOTH AGED A LITTLE.

WE'VE LOST SOME HAIR AND PUT ON A COUPLE OF POUNDS.

BUT IF I MUST SAY SO,

WE'RE LOOKING PRETTY DARN GOOD,

ALTHOUGH WE BOTH MAY BE IN NEED OF

A LITTLE RENOVATION.

TO ANNOUNCE THE WINNING SCULPTURE,

THE ARCHITECT OF THIS PROJECT

AND A MEMBER OF THE WKS FAMILY...

ELYSE KEATON.

YAY, MOM!

HEY!

THANK YOU. THANK YOU.

IF THE JUDGES HAVE REACHED A DECISION...

WE HAVE.

THE WINNER IS PHOENIX ARISEN

BY SANDY McCANN.

I CANNOT BELIEVE YOU DIDN'T PICK NICK'S SCULPTURE.

HEY, MAL, IT'S ALL RIGHT. YOU KNOW? FAIR IS FAIR.

LET'S GO OVER AND CONGRATULATE MISS McCANN.

NO. NO, NICK, IT IS NOT FAIR.

I MEAN, EVERYBODY KNOWS

THIS IS THE BEST SCULPTURE IN HERE.

MY FATHER DIDN'T VOTE FOR IT BECAUSE IT'S YOURS.

MALLORY, THAT IS JUST NOT TRUE.

YOU HAD NEVER ANY INTENTION OF VOTING FOR NICK'S SCULPTURE.

I MEAN, YOU PROBABLY JUST LET HIM IN THE COMPETITION

SO YOU COULD HUMILIATE HIM...

YOU KNOW, RAISE HIS HOPES

AND THEN DRAG HIM DOWN. ADMIT IT!

MALLORY, THIS IS NOT THE TIME OR THE PLACE FOR THIS.

YOU KNOW, YOU CAN'T LIKE THAT.

BECAUSE IF YOU DID, IT WOULD MEAN YOU'RE ACCEPTING NICK.

AND YOU JUST WILL NEVER ACCEPT HIM, WILL YOU?

EXCUSE ME, OK? EXCUSE ME.

ANDY, WHAT ARE YOU DOING UP?

IT'S AFTER 11:00.

SHH!

HOW LONG HAS HE BEEN ASLEEP?

I TRIED TO CARRY HIM UPSTAIRS,

BUT HE WEIGHS A TON.

WHAT TIME IS IT?

11:15.

ANDREW, YOU WERE SUPPOSED

TO WAKE ME UP AT 11:00.

WHAT HAPPENED?

I DON'T KNOW HOW TO TELL TIME.

I FORGOT.

HOW DID THE COMPETITION GO, HUH?

NICK WIN?

WELL, HE CAME IN SECOND.

AW, THAT'S TOO BAD.

I CAST THE DECIDING VOTE AGAINST HIM.

WELL, YOU DID WHAT YOU THOUGHT WAS BEST, RIGHT?

YEAH.

ALL RIGHT, PAL, LET'S GO.

COME ON.

WHAT A GYP. IT'S NOT EVEN MIDNIGHT.

ANDREW, YOU COULDN'T TELL TIME.

I'M WORKING ON IT.

GOOD NIGHT.

GOOD NIGHT.

GOOD NIGHT, DADDY.

GOOD NIGHT.

GOOD NIGHT, EVERYBODY.

WANT SOME TEA?

PLEASE.

YOU ALL RIGHT?

YEAH. JUST THINKING.

ABOUT WHAT?

WELL, IF THERE'S ANY TRUTH IN WHAT MALLORY SAID TONIGHT.

THAT I REJECTED THAT SCULPTURE

BECAUSE TO ACCEPT IT WOULD HAVE MEANT ACCEPTING NICK.

THERE ARE SO MANY LEGITIMATE REASONS NOT TO ACCEPT NICK.

YOU WOULDN'T THINK I'D HAVE TO MAKE ONE UP.

HE HANDLED THE DISAPPOINTMENT AWFULLY WELL,

THOUGH, DON'T YOU THINK?

I MEAN, CONSIDERING ALL THE WORK HE DID.

WELL, I HAVE TO ADMIT HE WAS AWFULLY GRACIOUS.

SOMETIMES, HE'S AN AWFULLY SWEET BOY, YOU KNOW.

I GUESS.

HE REALLY CARES ABOUT MALLORY.

I GUESS.

SOMETIMES HE REMINDS ME

A LITTLE BIT OF YOU AT THAT AGE.

I GUESS.

WHAT ARE YOU TALKING ABOUT?

NO. I'M SERIOUS.

NICK HAS REAL PASSION, YOU KNOW?

LIKE YOU DO.

UNFORTUNATELY, ONE OF HIS PASSIONS IS OUR DAUGHTER.

YOU KNOW, IT'S FUNNY.

IF WE WERE IN COLLEGE RIGHT NOW,

WE'D BE MORE LIKELY TO BE FRIENDS WITH NICK THAN WITH ALEX.

OH, WELL, WE'D NEVER GET TO MEET SOMEONE LIKE ALEX,

UNLESS WE WERE WORKING FOR HIM.

WE LAUGH AT NICK'S ART THE WAY OUR PARENTS

USED TO LAUGH AT OUR MUSIC AND OUR CLOTHES.

YEAH, BUT WE'RE RIGHT, AND THEY WERE WRONG.

OR MAYBE WE'VE JUST GOTTEN STAID, YOU KNOW?

A LITTLE INFLEXIBLE.

A LITTLE OLDER.

MAYBE YOU HAVE.

HI.

HEY. I'M SORRY.

I WANT TO APOLOGIZE FOR MAKING A SCENE TONIGHT.

I SHOULDN'T HAVE SAID WHAT I SAID.

I MEAN, IT ISN'T TRUE.

YOU WOULDN'T HURT NICK ON PURPOSE.

I JUST WANT TO SAY THANK YOU FOR THE OPPORTUNITY.

I REALLY ENJOYED WORKING ON THE PIECE

AND GETTING TO KNOW YOUSE BETTER.

WELL, WE HAVE GOTTEN TO KNOW

EACH OTHER A LITTLE BETTER.

THAT'S NOT BAD.

I'M SORRY I FORCED YOU ALL TO WORK TOGETHER.

OH, WELL...

I MEAN, I JUST WANTED YOU TO GET ALONG.

YOU KNOW, I LOVE YOU, AND I LOVE YOU,

AND I WANTED YOU TO LOVE EACH OTHER.

HEY, THAT'S SWEET, BABE.

VERY SWEET, BABE.

♪ SO PUT YOUR LITTLE HAND IN MINE ♪

Men: ♪ THERE AIN'T NO HILL OR MOUNTAIN WE CAN'T CLIMB ♪

♪ BABE ♪

♪ I GOT YOU, BABE ♪

♪ I GOT YOU, BABE ♪

♪ THEY SAY OUR LOVE ♪

All: ♪ WON'T PAY THE RENT ♪

♪ BEFORE IT'S EARNED, OUR MONEY'S ALL BEEN SPENT ♪

♪ BABE ♪

Man: SIT, UBU, SIT.

GOOD DOG.