All language subtitles for The.Resort.2021.1080p.BluRay.x265-RARBG

(deliberative electronic music)

(bottle clattering)

(animal chittering)

(ominous ambient music)

Hello?

Anybody down here?

(ominous ambient music)

(can clattering)

(screaming)

That's it, I quit!

You almost gave me
another heart attack.

Should have seen the
look on your face.

You're such a pussy.

You freaking dick.

Dude, you ever pull that‐‐

(faint yelling)
(door creaking)

What the fuck was that?

That sounds like a bunch
of fucking kids screaming.

Shit.

Dude, your breath.

(intense music)
(man screaming)

(downbeat electronic music)

ALL: Surprise!

You guys.

First, a birthday trip
to Hawaii, and now this?

It's too much.

Hi, I'm extra.

Nice to meet you.

I'm regretting giving
you my spare keys.

Sure.

I mean, we all got a
lot of packing to do,

but might as well cram this in.

All right, come
on, birthday girl.

Blow out your candles.

Thank you.

(intense percussion music)
(faint speaking)

(machinery beeping)

MALE SPEAKER: She calmed
down once we told her

that she wasn't on
the island anymore,

that she was air
evac'd off and all.

DETECTIVE: Got it.

Can I speak with her?

MALE SPEAKER: She
should be fine now.

You know the deal.

Just let me know if
she started to lose it.

Okay.

I'm Detective Peterson, Maui PD.

I'm here to figure out what
happened to you last night.

Now, I'm to understand

that you had a traumatic
experience on Kilahuna Island.

The local found you
in disarray on a road

wandering barely conscious.

I also understand that
you're not traveling alone.

You're here with three friends?

And then she goes

maybe you'd be more comfortable
with your shirt off.

And I was like ma'am,
with all due respect,

that's exactly why
I became a pool boy.

(laughing)

Wow.

What is your life?

It's like oh, oh, and
a little bit of oh‐‐

Seriously, guys?
Okay.

Hey, I'm just living
vicariously, okay?

God, I'm starting to feel like

if we go on vacation
with these D‐bags,

we'll up coming
home in body bags.

Oh, does that mean you're out?

Because I could
call the old lady.

Yeah, right, 'cause she's real.

Oh!

Guys, I literally
can't get over this.

Ooh, I would say pinch me,

but I don't know where
Sam's hands have been.

Oh, you know.

That's disgusting.

I don't want to know.

Good god, Sam.
No, but you deserve this.

Besides, how else are you
gonna finish your book?

Yeah.

And Stephen King says the
devil's in the details,

so we had to make sure
you get a lay of the land.

You don't even read.

This is perfect timing.

So I just finished a draft

and I was thinking
on the next pass,

I want it to just be a
little more specific.

So I know nobody can go
to the actual resort,

but just being there in
Hawaii is gonna be really,

why is everyone being so weird?

Okay.

Well, we actually have
another surprise for you.

We found someone willing
to take us to the island.

That's impossible.

Since the resort got shut down,

the entire island
has been restricted.

The locals literally
won't even say its name.

Say its name, girl.

Kilahuna Island!

Kilahuna, Kilahuna, Kilahuna.
Pack your garlic,

pack your holy water!

We're going paranormal!

(Sam clapping)

I don't even know what to say.

Police that responded
to the scene found this.

Is this your phone?

Ms. Sanders, if they're
in danger, I've got to‐‐

They're still on the island.

Who?

Your friends?

Miss Sanders, I understand this
is difficult to talk about,

but if your friends are in
danger, we need to help‐‐

You can't help them.

I don't understand.

They're dead.

Dead.

How?

Did somebody do this to you?

She did.

Who is she?

The half‐face girl.

(intense ambient music)

Oh my god!

I'm gonna be able
to get real pictures

for the pitch deck, you guys.

Based on true events,

the first people to
set foot in the resort

since its forced shut down.

Yes, mama!

Sell that shit!

Pause.

Let me get this straight.

I know the resort is
supposedly haunted,

but you're telling me that no
one's even been to the island?

Aw, Sam, are you scared?

Are you afraid the
boogeyman's gonna get you?

Boogeyman's not real.

Yeah, but it's not the boogeyman

that you have to be scared of.

No?

Like you said, the
boogeyman's not real.

Well, what is it then?

Why don't you show him the
YouTube videos you sent me?

Oh yeah, that shit's terrifying.

Okay, let's set the mood first.

Hello and welcome to
this week's episode

of Paranormal P.I.

(intense music)
(ominous laughing)

Today, we travel to Hawaii

to try to separate
fact from fiction.

Now, Hawaii is no
stranger to hauntings

and they have a
wide ranging mythos

for paranormal
investigators to explore.

In this episode, we focus
on one in particular,

the haunting of a now abandoned
resort on Kilahuna Island.

NARRATOR: The Hawaiian
Islands are filled

with supernatural occurrences.

One island and the structure
that resides on it,

Kilahuna Island, is home to
a once breathtaking resort

that now sits abandoned.

It is now closed off from
the rest of the world

due to a series of bizarre
and inexplicable events.

The locals consider
the land sacred

due to the tribal battles
held there in the past,

leaving it cursed
by the blood of war.

Built in the early '90s,

the resort was intended to
be a magnet for tourism.

But shortly after opening,

it became overwhelmed by
reports of aggressive hauntings.

What you are seeing is the
last known video of the resort,

including some
modern drone footage.

We do not know who filmed
or uploaded the footage.

One room in particular
was notorious

for hosting terrifying
events, room 306.

Guests that have had
the misfortune of
staying in this room

have reported a wide array
of paranormal activity.

Some visitors experienced
hearing voices,

flashing lights,

and writing on the mirror
after exiting the shower.

The hotel staff began
refusing to service 306,

leading to the hotel
closing the room altogether.

Amongst all the
hauntings at the resort,

one spirit has a reputation

that is feared more
than any other,

a ghost the locals call
the half‐face girl.

The story goes that
the half‐face girl

was a local villager
who was attacked

and killed on the island.

She was brutally strangled
to death with her jump rope

and left for dead in the jungle,

the animals feasting
on her corpse.

Those responsible for the attack

were thought to be tourists
staying at the resort,

but no suspects
were ever charged.

The locals say
the half‐face girl

still roams the
island and the resort,

looking for her perpetrators
to enact an eternal justice.

From the sightings
stem disappearances.

The locals believe the
half‐face girl had taken them

and their souls to wander the
island with her for eternity.

After only two
years of being open,

the resort was
eventually shut down

and closed to all visitors.

The only known
access to the island

is a small boat that
ferries locals once a day.

The locals maintain
their side of the island

and employ a small security
force to prevent trespassing

and perhaps further
investigation into these events.

Are the stories of Kilahuna
and the resort true?

With locals refusing
to help anyone

make their way across
the island to the resort,

the mystery may
never be put to rest.

Oh, great.

Now, I really want to go there.

I'm sure it's just
the same old folklore

as every other place.

I mean, there are always
practical explanations,

but not at Kilahuna.

Dozens of unexplained
disappearances

have occurred at that resort

and the locals swear by the
existence of the half‐face girl.

Yeah, well, my aunt also
thinks that you'll catch a cold

if you leave the house
with your hair wet.

That's because you
will catch a cold

if you leave the house
with your hair wet.

That's not what I meant.

It's a superstition, right, Lex?

There's only one
way to find out.

We have to find
the half‐face girl!

I only got half a face.

Take those off.

Ew, that's the
grossest thing ever!

I'm still down to go.

The legend of the
half‐faced girl?

I haven't heard
that one in a while.

It's not a legend.

Have you ever been
to that island?

Yeah, once, when I was young.

I remember the rumors,

and I remember the resorts,

and I remember how they
closed the resort down

because of those rumors.

It should have never been built.

Well, I could see how it
would make for a great book.

I mean, heck, scared the bejesus
out of me when I was a kid.

But let's focus back
on what happened to you

once you arrived in Hawaii.

You mind if I record it?

Paperwork.

It was beautiful.

Do you guys have
room for one more?

CHRIS: Let's go, girl.

♪ The sun goes down
and comes up again ♪

♪ I'm living loud,
being who I am ♪

♪ And when the music
begins to die ♪

♪ I take the silence
and bring it live ♪

♪ 'Til the sun goes down ♪

The rental car situation could
have been a little better.

What's wrong with
the rental car?

It's huge.

What's wrong with huge?

Yeah.

I mean, it was the
last one they had.

I get it, swimmer's body
is better than meaty,

but you know.

I wanted the Jeep.

That would have been such
a cute Instagram photo.

They always want more.

How far are we from the resort?

It's close.

We just have to
island hop first.

Island hop?

It was supposed
to be a surprise.

BOTH: Surprise.

Nobody said anything
about a helicopter.

That's because we knew
you'd complain about it.

I'm just not gonna do that.

Let's see.

Lex, it's the only
helicopter company

that can take us to
the other island.

I mean, isn't there
a boat we can take?

There's only one boat a day
and we already missed it.

This is cheaper.

It's gonna be fun.

You guys ready to fly?

Let's go!

CHRIS: Okay.

Okay.

I think we should
have took the boat.

Saddle up, soldiers.

Let's go haunting, Lex!

Heli tower.

Heli niner whisky hotel.

East ramp ready to go with lima.

Departure to the east.

I hope this thing still
takes off. (laughing)

Just kidding.

(helicopter whirring)

(deliberative ambient music)
(helicopter whirring)

You are missing out, Lex!

Open your eyes.

(calming electronic music)

So, what's the deal
with the resort?

Is it real?

I heard the stories.

So it's real?

No, I think the
stories are bullshit.

See, I knew I liked him.

How many people
live on the island?

Well, just a few
on the south side.

Not too many on the
resort side, you know,

since they stopped
maintaining the road.

BREE: Have you been there?

No, I don't care to go
to places like that.

Then how do you know
it's not haunted?

I never said it wasn't.

(ominous ambient music)

There's a few ways to
get to this waterfall

when you try to hike to.

You need to stay on the trails.

Do not go anywhere the signs
say you shouldn't go to.

You don't want to get trapped
in a flash flood out here.

There's no one to help and
there's no cell phone reception.

Now, there's one boat
that leaves tonight

if you want to get
off this island,

and that happens at 7:00 p. m.

Do not miss that boat.

Okay, I'm gonna set my
alarm so we don't miss it.

SAM: Wait, you're
not taking us back?

Thank god.

No, the discount
didn't say anything

about a trip home, okay?

So.

(deliberative electronic music)

Have fun, guys.

LEX: Thanks.

You're welcome.

(deliberative electronic music)

(Lex laughing)

Great.

He left us for dead.

Sam, why do you always have
to say stuff like that?

Let's just go.

We only have about six hours.

Only six hours.

I think I was born
to be an island girl.

Can we all move here?

I could never live here.

Why?

It's beautiful.

'Cause I need people
and things to do.

Well, you can literally
do anything here.

You could go to the beach

or you could go
surfing or hiking.

Yeah, no.

Couldn't do it because
I need strip clubs.

BREE: Really, strip clubs?

I love strip clubs.

Thank you, by the way.

For what?

What you did.

What did I do?

Bringing me here.

It was all of our ideas.

Yeah, but Bree
may have mentioned

that you paid for my ticket.

I just know how much
you like these things.

I really appreciate it.

You're welcome.

I am literally
already out of breath.

I think that's probably
the alcohol talking.

Super original.

You should write that
in your next book.

If you should be so lucky

to inspire anything
I write, Sam.

I know I don't want to
be anything you write

if it involves ghosts.

Seriously, why do you believe?

Like you really want
to hear my explanation.

I do seriously.

Okay.

First of all, if there
isn't some other dimension,

then how do you explain
that almost every religion

since the origin of
the human species

believes in the afterlife?

And on top of that,

they talk about some
way of communicating

with deceased
ancestors or deities.

Like what about,

what about praying and
celebrating holidays

like Dia de los
Muertos, shamans?

Okay, okay.

I think that people
make up stories.

How the earth was created,
how humans evolved,

why we're here.

Because those stories,

they give people something
to believe in, right?

Which makes people feel better.

And most of the time,

that translate into
them behaving better.

The Bible, the
Quran, cave walls,

all of these like
religious writings,

they all promise this
beautiful afterlife

because it makes
people feel better.

They need something
to believe in,

hence the stories.

I could be wrong.

Okay.

So you believe that because
people need to believe,

it all is fake?

Yeah.

All right.

What about all of the
photographic evidence

of apparitions that we have?

Fake.

Poltergeist occurrences

where there are
multiple eye witnesses.

Bullshit.

My grandmother's spirit

visiting me the
night that she died.

Definitely fake.

Oh, you're serious?

I know it sounds
stupid, but it happened.

When I was younger,

we didn't really talk to
my grandparents very much.

And I was doing my homework
one night in my room

and I noticed that
in the corner,

there she was just
sitting in the chair.

I mean, she wasn't solid, but
I could totally make her out.

I could see her face
and she smiled at me.

She looked straight into my eyes

and she didn't have
to say anything,

but I just knew it
was gonna be okay.

And then she was gone.

So I told my mom and she
gave me the exact look

that you're giving me now.

SAM: I am listening.

That I was crazy.

But then the next morning,

we got a call and
she'd passed away.

So I looked it up, okay?

I looked it up

and it turns out that
there are a lot of accounts

where people,
relatives, spirits,

visit them in between
when they leave this earth

and they enter another plane.

CHRIS: You're gonna
post these instantly.

I don't know, I
could be wrong, but.

I can't argue with that story.

(ominous ambient music)

Great, now which way?

Oh, there's a map.

Okay, we're here.

No, we're here.

No, we're not.

Bree, which way is north?

Is that a thing people know?

(chuckling) That's
exactly what I thought.

And now we're lost.

No, wait, wait, we're not lost.

Look.

We landed here on the beach.

We took this trail to there

and now we're just
somewhere in there.

Exactly.

So we should go
to the waterfall.

What?

No, guys.

We have to go to the resort.

Okay, that trail
is not on that map,

but it looks like it goes
pretty much directly there.

Lex, it's your birthday.

And I need pictures.

Do not say it.

Don't say it.

Gram!

I need my pictures
for my Instagram.

I hate the world for
creating that word,

but I'm down for the naked swim.

Let's just go for a little bit.

Yeah, we don't know where
this trail's gonna take us,

but we do know we can get
there from the waterfall.

Or we could just take the
shortcut to the resort.

Okay.

Who votes waterfall?

I vote yes.

So stupid.

Okay, let's go.
Yup.

Guys, it's my birthday.

Shouldn't I have some
sort of say in what we do?

ALL: Happy birthday!

(calming electronic music)

It's amazing, dude.

Go on, get naked.

After you.

(laughing)

BREE: Oh my gosh, it's cold!

I take it the water
feels so good.

Sam, come on, man!
What, dude?!

Lex, come on!

Lex, get in!

I'm okay.

Oh baby!

We really should
get going, guys.

Come on!

Come on, Lex!

Live a little.

Woo!
(water splashing)

I hate you all.

Come on!

Get in here!

Don't watch me!

Ow, ow!

Ow, ow, ow, ow!

Turn around! (laughing)

(upbeat electronic music)

That was the last time
I felt truly safe.

That was the last
time I felt peaceful.

You know, the way that
trip was supposed to be.

But if I had been
paying attention,

I would have noticed it.

Something was off.

Something was around us.

And what was that?

The island.

Island was trying
to tell us to leave.

The island?

I know you don't believe
me and it's fine.

You don't have to.

It's not that I
don't believe you.

I'm just trying to figure
out what's happening here

so I can help your friends.

You'll just think
that I'm crazy.

Alexandra, I can promise you
I won't think you're crazy.

Did you run into anybody?

Did you see anything
out of the ordinary?

Does it smell weird?

Yeah, it just kinda
smells like tequila.

I think it spilled all
over it in the bag.

That's completely disgusting.

No, I'm good.

Tequila ham.

LEX: Yeah.

Mmm. (spitting)

(laughing)

I just can't eat.

Oh no, you just say that
'cause you're so scared

of all the ghosts
you're gonna see.

There's so many
ghosts on the island.

LEX: I know you're afraid.

I know, they're everywhere.

(laughing)

What do you believe, Chris?

Well, I mean, I believe
there could be ghosts, yeah.

Dude, come on.

What?

I mean, granted I've
never had any experience,

yeah, but it doesn't mean
I can't see both sides.

Well, I have.

Bullshit.

Yeah, then what was that
painful monologue earlier

about not believing?

You guys want to know
something I never told you?

I was really
religious growing up.

I grew up in a Christian house.

We went to church every Sunday.

We did the whole thing.

And one night, I woke
up and I couldn't move.

I could feel like this
presence on top of me,

like an evil spirit.

And it was terrifying,
so I prayed and I prayed.

And finally, I could move again.

I feel like there's
a but coming.

But in college, I learned
about sleep paralysis,

which basically is
when you're sleeping,

your body goes into this,
it paralyzes itself,

so you don't go act
out your dreams.

When that doesn't work right,

you wake up in a dream
state feeling paralyzed.

People feel fear.

They hear things.

They see things.

So what's more likely?

Demon came into a
12 year old's room,

gave him the people's elbow,

held him down for
a couple minutes,

or it was a little
sleep paralysis.

Again, I could be wrong.

You know, you keep saying
that you could be wrong.

Is that because
you know you are?

Ooh.

Well, what do you believe?

Well, I feel like
if there's a God,

then there has to be an evil.

And so if you believe
in like, goodness,

then there has to be
stuff like demons,

and spirits, and
negative things.

So how do you really know?

Are you mad?

No.

I just got to drain the lizard.

He's so dramatic.

I think he's mad.

(Sam sighing)

(faint speaking)

(Sam sighing)
(ominous ambient music)

Chris?

BREE: More than a hundred.

A million.

There's a lot.

Come here.

Hurry up, dude.

Hurry.

What the?

Stay with the girls.

I'll go check it out.

Yeah.

BREE: Who is that?

(Sam shushing)

Chris, be careful.

Guys, it's just a sheet.

(laughing)

Fuck that.

I actually thought someone
was standing there.

Wow, you scare pretty easily.

He's all talk.

No.

No, you all.

That just further
proves my point.

You all saw someone
standing there, right?

Okay.

SAM: Okay.

Guys, let's leave.

Let's keep going.

Yeah.

(laughing)

Yeah, we have about four
hours 'til the boat leaves,

so I think if we had that way,

the map says there's
a lookout point.

Let's just go over there.

Let's check it out, come on.

Your stories, terrible.
Are the worst.

I just like trash.

CHRIS: I think that's the
top of the hill right there.

Wait, stop.

Bree, it wasn't a ghost.

No, I'm saying there's a
cell phone tower right there

and I don't have service.

SAM: Bree.

Bree, that's not a
cell phone tower.

Yeah, it's a radio tower
and I doubt it works.

It's probably been here
since Pearl Harbor days.

Oh, Pearl Harbor.

I'm a huge Michael Bay fan.

What are you doing?

I'm gonna climb it.

Bet we can see the
resort from here.

I wouldn't touch it.

Do you think it's still active?

(suspenseful electronic music)

(Sam screaming)
Sam!

Oh, my nipples are so hard!

(Sam screaming)
Sam!

(Sam laughing)

I got you.

Why would you do that?

Oh my god, I got you.

You actually care about me.

You're such an idiot.

Guys, she cares about me.

That was pretty good.

It was pretty good.

(calm ambient music)

Anybody want some?

No.
No.

Okay.

That's gotta be it.

That's so far.

CHRIS: It looks
like a half mile.

Yeah, we can do that.

We just have to hurry.

Can we stay up here and
enjoy the view first?

No.
No.

Okay.

Fuck me.

(deliberative ambient music)

Great.

Now what?

It looks like we got
a fence to climb.

LEX: Oh, you guys, over here.

Okay.

Oh, you're gonna rip it?

Oh damn, girl!

(laughing)

Oh my god, good for you.

LEX: I mean, I work out.

(deliberative electronic music)

I don't get it.

What?

They had to have spent a
fortune building this place.

And what, they just
let it go to rot?

Because it's haunted, Sam.

Yeah.

Never seen anything
like this before

(deliberative electronic music)

Oh my gosh, you guys.

Look at the difference.

It's so pretty.

Yeah, looks great.

This is so perfect for my story.

I have to film it.

So who's going first?

I'll go.

Or Lex will go first.

Keep out.

Hello!

Jesus, Sam.

Hello?!

Guys, stop.

What?

We're gonna draw
attention to ourselves.

There is no one here.

Relax.

So much for Hawaii's
scariest resort.

No ghosts, all stories.

It's not like we're at the zoo.

They're not just gonna
be on display, Sam.

(Sam hooting)

BREE: What's with
all the white sheets?

LEX: I don't know.

Maybe they were doing
construction or something.

Yeah.

(glass shattering)
(thudding)

Oh!

Sam, what the fuck, man?!

I've always wanted to do that!

Sam, you can't just
start breaking stuff.

Why not?

(glass shattering)
(thudding)

Sam!

See?

God, man.

I think you've had
enough to drink.

You might actually be right.

That's a hell of a drop.

SAM: Yeah.

Okay, should we go
check out the room?

CHRIS: 306?

LEX: Yeah.

What, are you scared now too?

SAM: Oh, they got one of
those old thingumajigs.

BREE: It's called a
bell cart, genius.

SAM: Looks like the whip!

Sam, you're an idiot.

Oh, you don't get it?

What, that you're an idiot?

Ghost.

All right.

(ominous ambient music)

Looks like somebody
was just here.

There probably was.

Don't say that.

You're scaring me.

I'm gonna go explore
downstairs first.

By yourself?

Are you crazy?

SAM: I'm literally just
going right down here.

BREE: Let him.

Maybe a ghost will
get him first.

CHRIS: We can only hope.

LEX: I think this
is the third floor.

This place is creepy.

Guys!

Way better down here.

Wait, stop.

I want to take a picture.

Oh, get ready.

(Chris laughing)

More squats!

You used to like it.

She definitely liked it.

Smells like Sam's ass.

Somebody definitely
died in here.

Wait, so what happened
in here again?

This is the place where
the lights used to flicker

and people heard voices.

Yeah, and they
reported seeing writing

in the mirror with
the two showers.

Shit.

(ominous ambient music)

SAM: How's the view?

LEX: You're standing
in the pool!

Yeah.

It's filled with dirt.

Wow.

What a view.

Sam, you should come up here.

This place is fucking massive.

Gotta be some ghosts.

Should we look at the bathroom?

What do you think
happened in here?

I don't know.

Could you imagine
taking a shower

and coming out to see
writing in the mirror?

I mean, you would think somebody
was playing a joke on you.

I'd be more scared
of the voices.

CHRIS: Yeah, fuck that.

Oh wait, this is the room

that the bellmen
wouldn't come in.

Yeah.

You know, Sam better not
come scare us right now.

You know what,

could you take a picture of me

with the mirror
in the background?

CHRIS: Of course.

Thanks.

Nothing especially odd
happened in room 306.

I was just taking photos

of what I thought was
important for my story.

So you did take photos
inside of the resort?

Yes.

Why?

Your phone, there's no
photos inside the resort.

They stop upon your arrival.

So there aren't any of
the rooms or room 306?

No.

Is there something I'm missing?

Before we left room 306,

that's when it happened.

Oh shit.

What?

You look amazing.

Get a room.

Can you take another one, babe?

My backpack looks stupid.

(flapping)

What is that?
That doesn't sound good.

Yeah, wait, what is that?

CHRIS: Sam's probably
torturing some animals.

(flapping)
(ominous music)

Chris, you've gotta see this.

That was so weird.

The fuck was that?

I don't know, man.

Wow, of course we come
when it's a full moon.

Yeah, well at least we got
some light on the hike back.

Yeah, well, we should
probably go home.

Wait, what?

I mean, we just got here.

Yeah, but I don't
want to miss the boat.

Yeah, Lex, come on.

We all want to see something,

but it's at least
an hour hike back

and we'll be here all week.

Let's just come back tomorrow.

And pay for another
helicopter ride?

No.

It's already 5:45.

Yeah, so we have a
little bit of time.

We brought flashlights.

Why would we do that

if we weren't planning
on being here at night?

Yeah, for the hike back.

Sam, we're leaving.

We just got here.

Right?

Guys, come on.

Well, this sucks.

I really need
something for my story.

BREE: I know, I'm sorry.

Maybe we'll see a ghost
back at the house.

We have more time, guys.

Not if we stay here.

The darker it gets,

the more dangerous it's
gonna be on the hike back.

Dangerous?

What do you think
is gonna happen?

Somebody's gonna die?

We have flashlights.

Oh, god.

Whoa.

You think yours is
big enough, Sam?

It can never be big enough.

That's what she‐‐
That's what she said!

You've been carrying that
in your bag the whole day?

Yup, it's my travel light.

BREE: Your travel light?

Guys, the weather is
getting really weird.

Are you guys sure this
is where we came in at?

Yeah, this is where we entered.

I remember that road over there.

I don't.

Yeah, I don't think
that this is right.

Trust me, this is
where we entered.

I think it was back there.

No, we didn't walk that
far when we came in.

No, it's around here somewhere.

It's a giant hole.

I think we'd see it if
we were close to it.

You know what, man?

Screw it.

Let's just dig.

SAM: You're gonna dig?

‐ Do you have a better idea?
‐ It's a fence!

It's a fence!

They keep us from going through!

Well, until you come
up with a better idea,

this is what I'm gonna do.

Why don't we just find the
hole that we came through?

You guys, where is my backpack?

Did you leave it?

No, no.

I had it.

I had it in the room when
we were taking pictures

and then I.

Chris, you left my
backpack, didn't you?

What?

No.

Sam, help me dig or we're
gonna miss the boat.

I don't want to get dirty.

Chris, you left it.

Shit.

I guess I got distracted
when the birds came

and left it in the room,

but can I just
buy you a new one?

No.

You guys, you want
me to leave my stuff?

That's insane.

Plus it has my phone
and my wallet in it.

BREE: Lex, come on.

Bree, if it was your phone,

you would already be inside.

Yeah, but if it's
backed up, you're good.

Well, it's not.

How is it not backed up?

Well, I don't think it is,

but it doesn't matter because
I'm not leaving my stuff!

Okay?

I need my phone.

It has my pictures and
all of my notes on it!

Lex, this isn't a good idea.

Oh my god.

LEX: I'll just meet
you at the boat, okay?

Lex!

Dude, this is the exact
part in a scary movie

that pisses me off.

Seriously, this is so stupid.

(downbeat electronic music)

It's 306 right there.

SAM: Can we move
a little faster?

LEX: I don't have
a flashlight, Sam.

Mine's big enough for all of us.

Where is my bag, Chris?

I left it right here.

You sure this is the room?

Yes, this is 306.

Then where's the bag?

You're being so unhelpful.
Oh my god.

(ominous ambient music)

Where are you going?

LEX: Is there
anything over there?

No?

No, it's empty.

Are you sure?

Did you look all
around the corner?

It's not over there.
It's am empty room, Lex.

I know that.

‐It was before.
‐SAM: It's pouring.

We have to go or we're
gonna miss this boat.

Okay, then let's
check the other rooms.

CHRIS: Guys!

I don't know where he is.

CHRIS: Get in here!

Where did that come from?
I don't know.

CHRIS: I'm in here.

Chris?

Chris?

God.

SAM: Oh, shit.

Found your bag.

It was like that
when I came in here.

Lex, your bag was
sitting in the corner.

We didn't even come
in this room though.

Wait, but how did
your bag get in here?

What I want to know is how
did a coyote get in here?

I didn't even know they
had coyotes in Hawaii.

They don't.

It kind of looks
like it was escaping.

From what?

CHRIS: Guys, let's just
get the fuck out of here.

LEX: No.

I should take a picture.

BREE: Lex, come on.

I know, I know.

It'll be fast.

BREE: Guys, I'm leaving.

Okay, I'm going.

(ominous ambient music)

(bottle clattering)

Sam, thought you
quit smoking, man.

I did.

Don't lie.

I'm not lying.

I haven't smoked a cigarette
in over six months.

Okay, but then who's is that?

I don't know.

Someone's here.

SAM: Wait.

Hit the light, hit the
light, hit the light.

Are we locked in?
Hello?

Hello?
(fence clattering)

What are you doing?

Bree, we're trespassing.

They don't know
that we're in here.

And we don't know them.

(faint speaking)

Sam, was there an
exit by the pool?

I don't know.

I mean, I don't even think I
can get us back down there.

Then why are we heading there?

We can just ask them for a ride.

Because whoever that is

probably isn't gonna be
happy that we're in here.

(man screaming)
Whoa.

(ominous ambient music)

(timer beeping)
(Lex yelping)

Guys, turn that off.

(timer beeping)

We need to have an exit now.

I am not doing this.

Okay.

That thing we ran out
is near the front.

(man screaming)
(ominous music)

Fuck it.

Whoa, whoa, whoa,
whoa, whoa, whoa, whoa.

What, you got a better idea?

I'll do it.

(faint speaking)

(Chris grunting)
(glass shattering)

Chris.

It's security.

Everybody in!

Wait, no, what?

We can't steal their truck!

Yeah, we can.

What about them?

What if they need help?

Go fucking help them then.

I'm getting out of here.

Sam, just leave the
truck and run, man.

I'm not leaving if
we have this truck!

What are you doing?

Chris, give me the fucking keys.

CHRIS: I'm not giving
you the keys, man.

Give me the fucking keys, Chris!

(thudding)
(Sam groaning)

Stop.

We're not taking the truck.

Get in the car, guys.

Bree, get out!

Chris, Chris, give Sam the keys.

Let's go!

Do you want to go to jail?

Are you serious?

Guys, guys!

Chris!

Bree, get out.
Wait, what's going on?

Bree, open the door, Bree.

Bree.
Bree, how did you do that?

Why is it locked?

Get out.
Bree, what are you doing?

I didn't do that!

[Male Speaker Over
Radio] Can you hear me?

Yes, yes, I can hear you.

Guys.

[Male Speaker Over Radio]
I think it's down here.

Could you please help me?

Wait, where is here?

Guys, get me out of here!

Guys!

(thudding)

Watch out, watch out, watch out.

(glass shattering)

(Bree screaming)

(thudding)

Guys, guys!

(ignition clicking)

(engine rumbling)

Bree!

(glass shattering)

(loud crashing)
(people yelling)

(Lex crying)

Bree!

Oh my god.

What if she's down there?

What if she's still down there?

We have to help her.

There's nothing we can do.

No, I'm going.

I am going, I am going!

Stay here!

Stay here with me.

Let him go down there, okay?

Just let him go down there.

(ominous electronic music)

She's dead, isn't she?

Nobody survives a
crash like that.

(ominous ambient music)

I got you.

I got you.

Okay, so you're saying that
this truck started on its own,

shifted into gear, and drove
your friend off the ledge?

Look, I know what
it sounds like,

but that's what happened.

Okay.

Excuse me if it sounds
like I don't believe you,

but I find it hard‐‐

Hard to believe that a truck
could have a life of its own

and kill my friend.

Pretty much, yeah.

How do we know that she didn't

just knock it into gear
herself in a panic,

and then‐‐

Because I was there and I
saw it with my own two eyes.

I'm sorry.

I didn't mean to upset you.

I gotta cover all the angles.

It's just that I'm not
used to chasing ghosts

in a homicide investigation.

Yeah, well,

I'm not used to
seeing my friends die

at the hands of one either.

It must have been
hard for you to see,

We hadn't seen anything yet.

(Sam shivering)

Why are you doing that?

What?

Shivering.

Huh?

CHRIS: What are you
guys looking at?

(giggling)

What was that?

(ominous ambient music)

Run!

Run!

Guys, meet me over here.

Yes.

No, no.

Oh my god, you
gotta be kidding me!

God!

CHRIS: Guys, move.

Fuck!

Why would the exit
door be chained?

Come on.

There's gotta be
another way out.

Come on.

Sam, wait, wait.

Where are we going?

Just fucking run.

CHRIS: Wait, what the
fuck was that thing, man?

You guys say his eyes, right?

Did you see his eyes?

He had the white eyes.

(faint speaking)

That's what I mean.

I mean that they're
real (indistinct).

Those videos were real.

I don't know.

I don't know if our brains are
playing tricks on us or what,

but that was the realist
fucking ghost thing

I have ever seen.

So, what should we do?

Sam, are you sure
you can't get us back

to that exit by the pool?

I'll fucking get us there.

Let's go.

Come on, come on, come on.

CHRIS: Wait, where are we?

SAM: This looks like a
fucking (indistinct).

CHRIS: It's the basement.

I think it's like storage
or maintenance or something.

CHRIS: This doesn't feel right.

Let's go back up.

(giggling)

(ominous ambient music)

(giggling)

(screaming)

(ominous ambient music)

Go, go!

Guys, over here, over here.

Come on.

This can't be happening.

Oh my god.

You guys, that was her.

That's the half‐face girl.

Half‐face girl?

That's just a fucking story.

I know what I saw.

But we need to get
out of here now.

All these flashlights are dying.

All right.

Let's go back the way we came.

Why would we come
back the way we came?

We can't see shit.

We don't know what's down here.

I am not going back to
face whatever that was.

Yeah, no, there has to be
another way outta here, man.

There's one.

Okay, stay close so we
don't get separated.

We good?

Yeah.

Yeah.

Okay, let's get the
hell out of here.

There's no fucking
half‐face girl.

LEX: Does anyone see anything?

(ominous ambient music)

(girl growling)

(ominous ambient music)

Sam?

Dude.

Sam?

Sam?

CHRIS: Stop messing around, man.

(ominous ambient music)

Sam.

CHRIS: Sam?

Let's get out of here, man.

Come on.

Sam?

We gotta go.

Let's get out of here please.

Come on, Sam.

Sam?

Oh man.

Come on.

Let's go.

(Sam yelling)

(Lex screaming)

Why?

Why would you do that?

Sam?

Please help me.

I'm sorry.

(Sam screaming)
(squelching)

What the fuck?!

(intense percussion music)

Fuck, it's stuck!

LEX: Come on!

Fuck!

Lex.

(lights buzzing)

Lex.

Lex.

Lex!

Sam?

Lex.

Sam.

Lex!

Lex.

Oh, Lex.

(siren blaring)

Lex.

Lex!

Lex!

Lex!

Lex.

I know you're in there.

Sam, please don't do this.

I know you're in there.

(Sam screaming)
(thudding)

Go!

(squelching)

(Lex screaming)

(squelching)
(Sam yelling)

(Lex crying)

Oh, fuck.

(ominous ambient music)
(girl laughing)

(door clanging)

(ominous ambient music)
(siren blaring)

(Lex panting)

♪ Happy birthday to you ♪

Bree?

♪ Happy birthday to you ♪

Bree, are you okay?

♪ Happy birthday, Alexandra ♪

♪ Happy birthday ♪
Bree, are you okay?

Bree, stop.

♪ To you ♪
Bree, don't.

(siren blaring)
(flame billowing)

(Lex screaming)

And then all I remember
is waking up here,

coming through the
hospital doors.

I can't remember
anything after that.

And there's a lot to take in.

And you see this woman?

Girl.

It was the half‐face girl.

The girl, right.

She killed your friends.

Are you sure they're dead?

As sure as I see you here
now, I watched them die.

I can't even imagine
what you've gone through,

but I can promise you this.

Everything is gonna be okay now.

I'm gonna call the station.

We're gonna do a
search of the island.

We won't stop until we find
out who's responsible for this.

Yeah, I've got
some missing kids.

Okay.

Yeah, canine (indistinct).

That would be good.

Thank you.

Okay, yeah.

Hey, chief has a chopper ready.

Okay.

Yeah, if you have that,
that would be great.

Thank you.

(ominous ambient music)

(Detective growling)

Ow!

Help me!

Help!

(Detective growling)

No, no!

Help me!

No!

(Detective laughing)

(ominous ambient music)

(Detective growling)

(Lex screaming)

(intense percussion music)

(downbeat electronic music)

♪ Never catch a vibe,
what they told me ♪

♪ But I'll never say
goodbye to the old me ♪

♪ He said rebels in the
land of the lonely ♪

♪ Don't control you,
they don't control me ♪

♪ Secrets in the
dark, we the chosen ♪

♪ Everything is
right in the open ♪

♪ But you ask me if it's
really even worth it ♪

♪ Oh, so many reasons, oh ♪

♪ Either go insane ♪

♪ Or live these dangers ♪

♪ And smile for the enemy ♪

♪ Ooh ♪

♪ We are the children
of a lost generation ♪

♪ It's too late to break
us, break us down ♪

♪ And where's the messiah
for this lost generation ♪

♪ No joy and no pain ♪

♪ So we dance the night
away, away, away ♪

♪ Dance the night away ♪

♪ So we dance the night away ♪

♪ Dance the night away ♪

♪ You are one of us ♪

♪ Yeah, you know me ♪

♪ Or be the last time
you can hold me ♪

♪ You better take it slow,
take it slowly, yeah ♪

♪ It's kicking in ♪

♪ Let it run through your
veins like a rivulet ♪

♪ Only way to drown in
the sound of the jets ♪

♪ 'Cause they keep flying over ♪

♪ But the night's not over ♪

♪ Either go insane ♪

♪ Or live these dangers ♪

♪ And smile for the enemy ♪

♪ Oh ♪

♪ We are the children
of a lost generation ♪

♪ It's too late to break
us, break us down ♪

♪ And where's the messiah
for this lost generation ♪

♪ No joy and no pain ♪

♪ So we dance the night
away, away, away ♪

♪ Dance the night
away, away, away ♪

♪ So we dance the night
away, away, away ♪

♪ Dance the night
away, away, away ♪

♪ We only want to gotta dance ♪

♪ Now we got a chance to make
it through the night together ♪

♪ Even though the light
will probably never come ♪

♪ We'll still go on and on ♪

♪ We only want to dance ♪

♪ Now we got a chance to make
it through the night together ♪

♪ Even though the light
will probably never come ♪

♪ We'll still go on and on ♪

♪ For generations ♪

♪ Generations ♪

♪ Ooh ♪

♪ Come on ♪

(deliberative electronic music)

♪ New love ♪

♪ We're all alone ♪

♪ Lights change ♪

♪ Ready to go ♪

♪ A picture picture prototype ♪

♪ I take you in then
kill the lights ♪

♪ Let's spill some
heart so we can learn ♪

♪ And act like creatures
'til we're done ♪

♪ 'Cause we are the night ♪

♪ Ooh ♪

♪ Yeah, we are the night ♪

♪ Ooh ♪

♪ Heartbeats ♪

♪ Bang like the drum ♪

♪ Go faster now ♪

♪ Run away from the sun ♪

♪ Let's touch upon a star ♪