All language subtitles for eng_L2_02

Is the elbow and the hand

moves last. As a result,

we get an overlapping action.

Keep in mind that the character's

limbs or other objects, parts move

at different speeds depending on weight,

size and position.

And this is how a logo

will look without overlapping follow through

action and ding oscillations.

You must agree. It definitely looked

better with them.

Anticipation is one of the major

aspects impacting the expressive power

of action. Here are some typical

examples of character animation based on

this principle, the character crouches before

jumping, when preparing to make a

throw, a character makes a swing.

This is anticipation. The

preparatory action, opposed to the main

action. The former can be less

significant, but it still makes animation

more expressive. For example,

in this animation, the door opens

a little before closing as if

gaining acceleration, the viewer

immediately understands that some action will

follow the door. Slams

next, the washing machine prepares for

quick rotation.

It works the same way with

logos in this animation,

the chicken swings before eating the

warm

here's the animation without anticipation,

the chickens Peck seems unexpected

and less natural.

This piece of cheese also prepares

for the bite.

This logo crouches before jumping,

this applies to both character logos

and more strict or simple ones

in such cases. Anticipation is often

used before the object disappears

in the first logo. You can

see how the object shrinks before

disappearing

in the second. On the contrary,

it grows

in a third. The letters fly

up.

Staging is another animation principle.

The essence of this principle is

to focus the viewer's attention, convey

a mood, a reaction, a

character's attitude to the story and

ensure the storyline consistency

to achieve this. You need to

prioritize properly. The main

actions take place by turns with

small pauses to emphasize a

specific moment.

Important objects can be distinguished by

light size or retailization.

Let's take a look at some

examples. What are

the main actions of the animation?

The character appears

the dynamite flies in

the character reacts. It gets scared

and tries to put out the

fuse.

And the final action

about three to five major scenes

are enough for a logo.

Don't confuse the viewer with plenty

of simultaneous actions.

Use one clear action at a

time to convey the idea in

a clear way. Only the cases

when fuss or confusion are what

you really need to convey will

be an exception. Let's

take a look at another example.

This logo, it is also divided

into four bars of animation

at the beginning of the animation.

As the main elements appear a

UFO flies in and slows down

a bit, grasping the viewer's attention.

Next it flies into the universe

at high speed bounces off the

edges, and then it gets pushed

back out of it. At the

same time, the letters appear

the UFO scans the letters

and a little pause follows the

action to focus attention on the

original form of the logo. In

any case, it is worth showing

the logo in its original form.

Even for a moment disappearance.

First stars begin flying as if

sucked into the center of the

universe. Then the letters begin to

follow. And finally, the UFO

as the final element, even if

you are animating a simpler logo,

a text one, for example, keep

in mind that you should not

display all its elements at the

same time. Otherwise it will be

hard for the viewer to focus,

try to display elements in a

certain order or randomly with small

offsets. These

principles will make your animation much

cooler. Use them. And your work

will be appreciated not only by

your parrot and your cats, but

also by everyone around you. They'll

recognize you on the streets and

you will become a star,

but this requires a lot of

practice in the next video. I'll

tell you how to put all

of this into practice.