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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 0 00:00:00,510 --> 00:00:02,090 The hardest thing usually is to 1 00:00:02,090 --> 00:00:03,410 come up with what to do 2 00:00:03,750 --> 00:00:05,570 and to invent a mini plot. 3 00:00:06,310 --> 00:00:07,370 If you have never done this 4 00:00:07,370 --> 00:00:09,250 before, you may think there it 5 00:00:09,250 --> 00:00:11,130 is the ultimate freedom of expression, 6 00:00:11,950 --> 00:00:13,130 but why is it then that 7 00:00:13,130 --> 00:00:14,450 it's so hard to get an 8 00:00:14,450 --> 00:00:16,530 idea. It is better to begin 9 00:00:16,530 --> 00:00:18,450 with defining the restrictions you'll take 10 00:00:18,450 --> 00:00:20,490 into account while designing a plot. 11 00:00:21,350 --> 00:00:22,890 The first thing to understand is 12 00:00:22,890 --> 00:00:24,170 that we are not creating a 13 00:00:24,170 --> 00:00:26,610 short film, follow the rhythm and 14 00:00:26,610 --> 00:00:27,890 the number of plot actions, 15 00:00:28,880 --> 00:00:30,850 logo animation is most commonly 16 00:00:30,850 --> 00:00:32,930 implemented on sites in mobile apps 17 00:00:33,270 --> 00:00:35,370 or in presentations. It is 18 00:00:35,370 --> 00:00:37,690 rarely used in explanatory videos. 19 00:00:38,820 --> 00:00:40,250 Don't try to say too much. 20 00:00:41,310 --> 00:00:42,690 It means that you have one 21 00:00:42,690 --> 00:00:44,290 to six seconds to display a 22 00:00:44,290 --> 00:00:46,410 logo and tell some mini nano 23 00:00:46,660 --> 00:00:48,880 story. We usually 24 00:00:48,880 --> 00:00:51,160 break animation into logic pieces in 25 00:00:51,160 --> 00:00:53,280 our work to 26 00:00:53,280 --> 00:00:54,840 understand what this means. Follow the 27 00:00:54,840 --> 00:00:54,960 rhythm. 28 00:00:57,210 --> 00:01:01,200 1, 2, 3. 29 00:01:03,460 --> 00:01:03,920 Now this 30 00:01:04,080 --> 00:01:06,800 1, 1, 2, 3, 31 00:01:09,740 --> 00:01:10,160 and this 32 00:01:10,160 --> 00:01:13,050 1, 1, 2, 3 33 00:01:14,740 --> 00:01:16,920 medium length animations usually 34 00:01:16,950 --> 00:01:18,960 have three eloquent. So to say, 35 00:01:19,070 --> 00:01:21,520 bars or events, this 36 00:01:21,520 --> 00:01:23,000 number is enough to fit into 37 00:01:23,000 --> 00:01:24,400 the timing and tell a little 38 00:01:24,410 --> 00:01:26,760 story about a company you can 39 00:01:26,760 --> 00:01:28,240 cut down is a number to 40 00:01:28,300 --> 00:01:30,760 two, like here to save time 41 00:01:30,900 --> 00:01:32,600 and make animation more elegant. 42 00:01:33,380 --> 00:01:34,960 You can show everything with one 43 00:01:34,970 --> 00:01:36,840 event to keep the animation tone 44 00:01:36,870 --> 00:01:39,320 neutral. On the other hand, you 45 00:01:39,320 --> 00:01:41,000 can add another event to display 46 00:01:41,000 --> 00:01:42,760 it longer and keep the viewer's 47 00:01:42,760 --> 00:01:45,200 attention. As you can see, logo 48 00:01:45,230 --> 00:01:46,920 animation is not that eventful. 49 00:01:47,740 --> 00:01:49,400 And we only benefit from it 50 00:01:49,400 --> 00:01:50,680 since we have more time to 51 00:01:50,680 --> 00:01:51,560 Polish each event. 52 00:01:53,410 --> 00:01:55,310 As an example, let's think about 53 00:01:55,330 --> 00:01:57,310 how we could animate Instagram's logo, 54 00:01:58,290 --> 00:01:59,870 not to this icon, but the 55 00:01:59,900 --> 00:02:02,340 text. What is 56 00:02:02,340 --> 00:02:04,580 the point of Instagram? First of 57 00:02:04,580 --> 00:02:06,540 all, a person taking a picture, 58 00:02:07,570 --> 00:02:09,500 posting it to the feed, uploading 59 00:02:09,580 --> 00:02:11,780 the photo likes appearing 60 00:02:12,170 --> 00:02:14,340 many likes, satisfied users, 61 00:02:15,130 --> 00:02:16,860 some kind of seamless transition to 62 00:02:16,860 --> 00:02:19,230 the text. That's the whole 63 00:02:19,230 --> 00:02:21,630 story. Why it isn't good enough 64 00:02:21,630 --> 00:02:22,190 for our task? 65 00:02:25,660 --> 00:02:27,900 A character, a logo doesn't 66 00:02:28,190 --> 00:02:30,420 imply a corporate character or style 67 00:02:30,520 --> 00:02:32,020 in which this character could be 68 00:02:32,020 --> 00:02:34,140 drawn. Who is this character? 69 00:02:34,530 --> 00:02:36,140 What style is it depicted in? 70 00:02:36,690 --> 00:02:38,380 What gender or race is it? 71 00:02:38,760 --> 00:02:40,300 How old is this character? What 72 00:02:40,300 --> 00:02:41,980 is it wearing? Why is this 73 00:02:41,980 --> 00:02:44,060 character alone? If you get an 74 00:02:44,060 --> 00:02:45,820 order to create an animated logo, 75 00:02:46,050 --> 00:02:47,660 each extra thing you add may 76 00:02:47,660 --> 00:02:49,900 look inappropriate, try to avoid 77 00:02:50,220 --> 00:02:51,940 changing the existing design with your 78 00:02:51,940 --> 00:02:54,300 own drawings, a 79 00:02:54,460 --> 00:02:56,260 device with an application interface, 80 00:02:57,080 --> 00:02:58,660 the interface contains a lot of 81 00:02:58,690 --> 00:03:00,760 details. They are a visual 82 00:03:00,760 --> 00:03:02,480 garbage that will be hard to 83 00:03:02,480 --> 00:03:04,640 display neatly, given our timeline and 84 00:03:04,640 --> 00:03:05,880 a limited number of events 85 00:03:07,190 --> 00:03:09,240 besides the interface will probably change. 86 00:03:10,180 --> 00:03:11,960 The applications may look different on 87 00:03:11,960 --> 00:03:12,760 different devices, 88 00:03:14,250 --> 00:03:16,220 idea, problems, negative 89 00:03:16,290 --> 00:03:18,740 stereotypes. Everyone wants 90 00:03:18,940 --> 00:03:20,900 a lot of likes, but it 91 00:03:20,910 --> 00:03:22,540 isn't the company's goal to provide 92 00:03:22,540 --> 00:03:24,840 them. The goal is to allow 93 00:03:24,840 --> 00:03:26,720 people to share impressions with friends 94 00:03:26,860 --> 00:03:28,480 and capture bright moments of life. 95 00:03:29,220 --> 00:03:31,080 You can't safely say that likes 96 00:03:31,080 --> 00:03:33,490 bring joy, technical problems. 97 00:03:34,220 --> 00:03:35,530 There is no clear way to 98 00:03:35,530 --> 00:03:37,450 make a smooth transition from all 99 00:03:37,450 --> 00:03:39,690 that to the logo. And there's 100 00:03:39,690 --> 00:03:41,530 one more thing in such 101 00:03:41,530 --> 00:03:43,490 circumstances. We usually try to make 102 00:03:43,490 --> 00:03:45,050 everything that happens with a logo 103 00:03:45,270 --> 00:03:47,610 to stay within the frame, without 104 00:03:47,610 --> 00:03:49,970 crossing its borders. If it 105 00:03:49,970 --> 00:03:51,210 is an intro to a show, 106 00:03:51,270 --> 00:03:52,850 it is always clear how and 107 00:03:52,850 --> 00:03:55,130 where it will be published. But 108 00:03:55,130 --> 00:03:57,170 if it's a logo animation, it 109 00:03:57,170 --> 00:03:58,570 can be used in many different 110 00:03:58,570 --> 00:04:00,690 ways. And you better be ready 111 00:04:00,690 --> 00:04:03,050 for that. I mean these frames 112 00:04:03,050 --> 00:04:04,490 where hands are crossing the border 113 00:04:04,510 --> 00:04:06,800 of the screen, how to narrow 114 00:04:06,830 --> 00:04:08,280 down the plot and still keep 115 00:04:08,280 --> 00:04:10,320 the essence. Let's remove 116 00:04:10,320 --> 00:04:11,920 everything we won't need. For sure. 117 00:04:12,530 --> 00:04:14,080 First get rid of the character. 118 00:04:14,460 --> 00:04:16,160 It is too risky to interfere 119 00:04:16,160 --> 00:04:17,800 with the original logo design. 120 00:04:18,820 --> 00:04:20,120 Now we need to choose what 121 00:04:20,120 --> 00:04:21,200 we want to be talking about 122 00:04:21,230 --> 00:04:23,280 here. Taking photos or getting 123 00:04:23,410 --> 00:04:25,600 likes likes are more of a 124 00:04:25,600 --> 00:04:28,080 hype thing. Photography is slightly more 125 00:04:28,080 --> 00:04:30,320 serious in its nature. Both 126 00:04:30,380 --> 00:04:32,560 topics are good, but let's stick 127 00:04:32,560 --> 00:04:34,520 with photography for now. For example, 128 00:04:34,800 --> 00:04:36,520 a camera appears, takes a couple 129 00:04:36,520 --> 00:04:38,720 of shots and disappears being 130 00:04:38,720 --> 00:04:41,080 replaced by a logo. The logo 131 00:04:41,300 --> 00:04:43,480 is lettering. The simplest thing that 132 00:04:43,480 --> 00:04:44,720 you can do is to reveal 133 00:04:44,740 --> 00:04:46,840 it with lines and additional swoosh. 134 00:04:47,950 --> 00:04:49,290 The next question is how to 135 00:04:49,290 --> 00:04:51,490 portray the camera, maintaining the 136 00:04:51,490 --> 00:04:53,330 corporate identity and making it still 137 00:04:53,330 --> 00:04:55,650 look like a camera. Everything has 138 00:04:55,650 --> 00:04:57,450 already been done for us. We'll 139 00:04:57,450 --> 00:04:59,130 use the existing application icon. 140 00:05:00,680 --> 00:05:02,620 So the camera appears takes a 141 00:05:02,620 --> 00:05:04,900 shot, disappears, revealing the 142 00:05:04,900 --> 00:05:07,260 lettering we've captured. The 143 00:05:07,260 --> 00:05:09,340 essence kept everything within the frame 144 00:05:09,960 --> 00:05:11,540 and haven't changed the design much 145 00:05:12,130 --> 00:05:14,610 done. The 146 00:05:14,610 --> 00:05:16,890 second important aspect often forgotten 147 00:05:16,990 --> 00:05:19,290 by beginner motion designers is 148 00:05:19,290 --> 00:05:21,210 that you make an animation for 149 00:05:21,210 --> 00:05:23,450 real people. Each company 150 00:05:23,550 --> 00:05:25,610 has a tone of voice. The 151 00:05:25,810 --> 00:05:27,610 audience they focus on and the 152 00:05:27,610 --> 00:05:29,690 product itself express 153 00:05:29,970 --> 00:05:31,570 yourself, gently be kind to the 154 00:05:31,570 --> 00:05:33,810 brand you are working with, and 155 00:05:33,810 --> 00:05:35,210 don't go too far with black 156 00:05:35,210 --> 00:05:37,330 humor. If this is your personal 157 00:05:37,330 --> 00:05:39,010 project, though, you can neglect this. 158 00:05:39,790 --> 00:05:41,610 It may seem like nonsense, but 159 00:05:41,610 --> 00:05:42,850 I'll tell you a story that 160 00:05:42,850 --> 00:05:45,170 might teach you something. Once together 161 00:05:45,200 --> 00:05:46,970 with our students, we were invited 162 00:05:46,970 --> 00:05:49,370 to participate in a collaboration, dedicated 163 00:05:49,370 --> 00:05:51,770 to cute animals and logos. I 164 00:05:51,770 --> 00:05:53,290 got this logo and was told 165 00:05:53,290 --> 00:05:55,090 that it was an event management 166 00:05:55,090 --> 00:05:57,290 company. What thoughts did I have 167 00:05:57,290 --> 00:05:58,850 when I saw the logo, I 168 00:05:58,850 --> 00:06:00,690 want to do something wild. Wild 169 00:06:00,760 --> 00:06:03,090 goat. Say no more. What else 170 00:06:03,090 --> 00:06:04,970 was I thinking then events mean 171 00:06:04,970 --> 00:06:07,170 parties dancing. I like dancing, 172 00:06:07,550 --> 00:06:08,530 but I'm not good at it. 173 00:06:08,750 --> 00:06:10,610 It doesn't matter. My goat will 174 00:06:10,610 --> 00:06:12,810 dance. What wild dance 175 00:06:12,820 --> 00:06:15,180 moves do I know? Listen, 176 00:06:15,300 --> 00:06:17,580 incrementally small jumps. 177 00:06:18,570 --> 00:06:19,980 This is quite wild as well. 178 00:06:20,500 --> 00:06:21,380 I want to be able to 179 00:06:21,380 --> 00:06:22,980 do so. What is the result? 180 00:06:23,720 --> 00:06:25,500 Let the goat go. Wild. Falling 181 00:06:25,560 --> 00:06:27,060 to its sneeze and breaking a 182 00:06:27,060 --> 00:06:28,980 branch above its head. I have 183 00:06:29,000 --> 00:06:30,780 one day now that will be 184 00:06:30,780 --> 00:06:33,100 too difficult. A few moments later, 185 00:06:33,200 --> 00:06:34,980 All in all done. Let's add 186 00:06:34,980 --> 00:06:37,100 increasing shaking to emphasize this as 187 00:06:37,100 --> 00:06:38,860 a party, send this to the 188 00:06:38,860 --> 00:06:40,940 collaboration organizer. Perfect. 189 00:06:41,770 --> 00:06:43,860 Send this to the client wrong. 190 00:06:44,690 --> 00:06:46,060 This should never be published. 191 00:06:47,170 --> 00:06:49,540 What did I miss? I didn't 192 00:06:49,540 --> 00:06:51,140 visit the company's site to see 193 00:06:51,140 --> 00:06:53,630 what they really do. They 194 00:06:53,630 --> 00:06:56,110 arranged marriage proposals in a picturesque 195 00:06:56,110 --> 00:06:58,550 lighthouse house. In 196 00:06:58,550 --> 00:06:59,950 what segment does the client work 197 00:07:00,460 --> 00:07:02,750 premium class services? Definitely not 198 00:07:02,770 --> 00:07:05,110 for everyone. Everything is white and 199 00:07:05,110 --> 00:07:07,350 gold. I didn't check who their 200 00:07:07,350 --> 00:07:09,070 clients are here. They are. 201 00:07:10,570 --> 00:07:12,070 Do the company's clients expect to 202 00:07:12,070 --> 00:07:13,750 spend time. As I suggested them 203 00:07:13,770 --> 00:07:15,790 in my animation, no way. 204 00:07:17,060 --> 00:07:19,400 How did the story end? We 205 00:07:19,400 --> 00:07:20,720 agreed with the client that we 206 00:07:20,720 --> 00:07:21,840 would keep the shot in the 207 00:07:21,840 --> 00:07:23,640 collaboration, but wouldn't publish it on 208 00:07:23,640 --> 00:07:25,880 Instagram. It was their main 209 00:07:26,160 --> 00:07:27,640 platform to attract new customers. 210 00:07:28,590 --> 00:07:30,440 Luckily it was a collaboration, not 211 00:07:30,480 --> 00:07:31,520 a real commercial project. 212 00:07:32,840 --> 00:07:34,300 So the tone of voice, the 213 00:07:34,620 --> 00:07:36,980 audience and the product, these are 214 00:07:36,980 --> 00:07:38,100 all the things you should always 215 00:07:38,100 --> 00:07:40,060 gather. All the information about before 216 00:07:40,060 --> 00:07:42,220 you get started, you should understand 217 00:07:42,220 --> 00:07:43,540 that a company may make fun 218 00:07:43,540 --> 00:07:45,460 of itself, but it will hardly 219 00:07:45,460 --> 00:07:46,860 ever make fun of its customers. 220 00:07:47,310 --> 00:07:48,820 These are totally different things. 221 00:07:49,760 --> 00:07:51,580 All questions related to humor and 222 00:07:51,580 --> 00:07:53,300 plot twists unintended by the logo 223 00:07:53,400 --> 00:07:55,580 itself should be discussed and agreed 224 00:07:55,580 --> 00:07:58,020 with a client beforehand. Basically, 225 00:07:58,070 --> 00:08:00,540 these are the restrictions let's 226 00:08:00,540 --> 00:08:02,990 move on to the plot. What 227 00:08:03,050 --> 00:08:04,390 an idea can be based on 228 00:08:05,470 --> 00:08:07,550 metaphors initially intended by a designer, 229 00:08:08,740 --> 00:08:10,620 a neutral display without any specific 230 00:08:10,650 --> 00:08:10,940 plot 231 00:08:13,940 --> 00:08:15,880 and illustrated story, covering a form 232 00:08:15,880 --> 00:08:16,520 of activity. 233 00:08:18,350 --> 00:08:20,150 Metaphors initially intended by a designer. 234 00:08:21,380 --> 00:08:22,920 If the task is to animate 235 00:08:22,920 --> 00:08:24,320 to only what is already in 236 00:08:24,320 --> 00:08:26,360 the logo without adding anything big 237 00:08:26,460 --> 00:08:28,880 and introducing new meanings, this is 238 00:08:28,880 --> 00:08:31,330 your option. Almost every 239 00:08:31,330 --> 00:08:33,090 logo already has everything you need. 240 00:08:33,640 --> 00:08:35,049 Your task is to find out 241 00:08:35,049 --> 00:08:36,570 what the author wanted to convey. 242 00:08:37,039 --> 00:08:38,770 Sometimes everything is quite obvious 243 00:08:39,320 --> 00:08:41,610 like with FedEx's or NASA's logo 244 00:08:42,710 --> 00:08:44,090 in general, it looks like a 245 00:08:44,090 --> 00:08:45,650 typical logo of a state owned 246 00:08:45,650 --> 00:08:47,770 company. It is round. It 247 00:08:47,770 --> 00:08:49,530 literally shows what a company does. 248 00:08:50,360 --> 00:08:51,930 Most of the time, it contains 249 00:08:51,950 --> 00:08:54,330 an abbreviation. You may also come 250 00:08:54,330 --> 00:08:55,560 across versions this, 251 00:08:56,660 --> 00:08:58,360 but they're not popular for obvious 252 00:08:58,360 --> 00:09:00,840 reasons. That's what they write 253 00:09:00,850 --> 00:09:02,320 about their logo. If you Google 254 00:09:02,510 --> 00:09:03,240 NASA logo, 255 00:09:04,920 --> 00:09:06,590 let's analyze what it means to 256 00:09:06,620 --> 00:09:09,030 animate the original meaning using their 257 00:09:09,030 --> 00:09:11,350 logo. As an example, look what 258 00:09:11,350 --> 00:09:13,520 we have. There's a trace 259 00:09:13,600 --> 00:09:15,480 from a rocket, maybe the rocket 260 00:09:15,660 --> 00:09:17,640 itself, or a visualization of it, 261 00:09:17,640 --> 00:09:20,000 leaving the atmosphere. There's 262 00:09:20,000 --> 00:09:22,480 also an orbiting, satellite and 263 00:09:22,480 --> 00:09:24,760 space. The actual place where 264 00:09:24,760 --> 00:09:27,040 everything is happening, we can 265 00:09:27,040 --> 00:09:29,200 design a minimalistic plot without any 266 00:09:29,200 --> 00:09:31,280 difficulties. Another example, 267 00:09:31,990 --> 00:09:33,080 what do you think this is? 268 00:09:34,040 --> 00:09:35,340 We did not get it straight 269 00:09:35,340 --> 00:09:37,060 away as well, but as soon 270 00:09:37,060 --> 00:09:38,540 as the designer told us that 271 00:09:38,600 --> 00:09:40,740 it was a private clinic, everything 272 00:09:40,740 --> 00:09:42,940 fell into place. Look, these are 273 00:09:42,940 --> 00:09:45,340 pills of different sizes. This 274 00:09:45,340 --> 00:09:47,260 thing looks like a stethoscope. Only 275 00:09:47,260 --> 00:09:49,140 without this thing. We can use 276 00:09:49,140 --> 00:09:51,300 these elements separately and then display 277 00:09:51,360 --> 00:09:53,220 the remaining part of the lettering. 278 00:09:54,470 --> 00:09:56,170 For the purpose. You can add 279 00:09:56,170 --> 00:09:58,570 small, additional details, like a 280 00:09:58,570 --> 00:09:59,570 notch here or. 18258

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