Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:01:01,140 --> 00:01:05,390
Hawthorne: MISS SALLY,
YOU ASKED ME TO REMIND YOU
2
00:01:05,430 --> 00:01:07,090
WHEN WE WERE 30 MINUTES OUT.
3
00:01:07,130 --> 00:01:08,600
Miss Sally:
OH, SO I DID.
4
00:01:08,630 --> 00:01:10,060
[ CLEARS THROAT ]
5
00:01:10,100 --> 00:01:11,160
WELL...
6
00:01:32,790 --> 00:01:36,820
YOU WILL LOOK AFTER HIM,
WON'T YOU?
7
00:01:39,180 --> 00:01:41,110
OF COURSE YOU WILL.
8
00:01:41,150 --> 00:01:44,750
OH, YOU ALWAYS HAVE.
9
00:02:07,720 --> 00:02:10,720
Man:
MA'AM, SHE'S HERE.
10
00:02:13,010 --> 00:02:15,130
[ KNOCK ON DOOR ]
11
00:02:18,830 --> 00:02:21,000
Theodore:
[ CLEARS THROAT ] COME IN.
12
00:02:21,040 --> 00:02:24,810
Miss Hastings:
MS. ANDERSON HAS ARRIVED.
13
00:02:29,180 --> 00:02:35,300
I HEAR, UM, ST. THOMAS IS JUST
LOVELY THIS TIME OF YEAR.
14
00:02:35,330 --> 00:02:38,540
Theodore:
FIRST THINGS FIRST, SHALL WE?
15
00:02:38,570 --> 00:02:41,000
Miss Hastings: ALL RIGHT.
[ CHUCKLES ]
16
00:02:41,040 --> 00:02:43,160
Kelly: TELL MR. COLBY
WE'RE MAKING EVERY EFFORT
17
00:02:43,190 --> 00:02:45,290
TO SETTLE HIS FATHER'S
ESTATE EXPEDITIOUSLY.
18
00:02:45,330 --> 00:02:48,130
Man:
I DON'T HOW MUCH LONGER I CAN
KEEP HIM LEASHED BEFORE HE SUES.
19
00:02:48,160 --> 00:02:50,650
Kelly:
YOU MIGHT CONSIDER REPLACING
HIS LEASH WITH A CHOKE CHAIN.
20
00:02:50,680 --> 00:02:52,280
I TAKE THREATS SERIOUSLY.
21
00:02:52,320 --> 00:02:53,470
Man #2:
HERE YOU GO, KELLY.
22
00:02:53,500 --> 00:02:55,140
Kelly:
THANK YOU SO MUCH.
23
00:02:55,170 --> 00:02:56,900
-Man: WELL, TAKE CARE.
-Kelly: THANKS.
24
00:02:56,940 --> 00:02:59,140
Miss Sally: WHY, KELLY,
YOU LOOK LOVELY!
25
00:02:59,170 --> 00:03:00,870
Kelly:
THANK YOU, MISS SALLY.
26
00:03:00,910 --> 00:03:02,880
IT'S SO WONDERFUL
TO SEE YOU AGAIN.
27
00:03:02,910 --> 00:03:04,130
Miss Sally:
AND THAT'S FOR THE OFFICE.
28
00:03:04,160 --> 00:03:06,360
Kelly: THANK YOU.
29
00:03:06,400 --> 00:03:11,130
Miss Sally: SO, TELL ME,
HAVE YOU FOUND MR. RIGHT YET?
30
00:03:11,170 --> 00:03:14,500
Kelly: STILL LOOKING.
NO KEEPERS YET.
31
00:03:14,540 --> 00:03:16,390
Miss Sally:
OH. [ LAUGHS ]
32
00:03:16,420 --> 00:03:19,560
Kelly: OH, THANK YOU.
I, UH, RODE MY BIKE IN TODAY.
33
00:03:19,600 --> 00:03:20,930
-I, UH...
-Miss Sally: OH, DID YOU?
34
00:03:20,960 --> 00:03:22,400
Miss Hastings:
OH, MISS SALLY.
35
00:03:22,430 --> 00:03:25,400
ALWAYS A TREAT!
36
00:03:25,430 --> 00:03:27,100
Miss Sally: YES.
37
00:03:27,140 --> 00:03:29,070
Miss Hastings:
MR. HAMILTON IS EXPECTING YOU.
38
00:03:29,100 --> 00:03:30,320
Miss Sally: THANK YOU.
39
00:03:30,360 --> 00:03:32,590
-WELL, LATER.
-Kelly: BYE-BYE.
40
00:03:35,760 --> 00:03:38,260
[ SIGHS ]
41
00:03:38,300 --> 00:03:41,180
Miss Hastings:
I KNOW YOU DON'T TAKE CREAM.
42
00:03:41,220 --> 00:03:43,050
I REMEMBERED.
43
00:03:43,090 --> 00:03:44,580
Miss Sally:
OH, WONDERFUL.
44
00:03:44,620 --> 00:03:47,890
Miss Hastings: YOU DO KNOW
MR. HAMILTON IS RETIRED.
45
00:03:47,920 --> 00:03:50,070
Theodore: MISS SALLY,
YOU KNOW THAT WE'D BEEN GLAD
46
00:03:50,110 --> 00:03:51,840
TO COME TO YOU.
47
00:03:51,880 --> 00:03:55,550
WE ENJOY ANY EXCUSE TO
VISIT ANDERSON HOUSE.
48
00:03:55,580 --> 00:03:57,850
Miss Sally: [ CHUCKLES ]
WELL, NONSENSE.
49
00:03:57,880 --> 00:04:00,400
YOU KNOW I ENJOY GETTING OUT.
50
00:04:00,440 --> 00:04:03,140
SISTER, WHAT DO WE OWE
THIS HONOR?
51
00:04:03,170 --> 00:04:06,440
Miss Sally:
WELL, I'M AFRAID THERE'S NO
DELICATE WAY TO PUT THIS.
52
00:04:06,480 --> 00:04:09,430
I'VE COME TO MAKE
FINAL ARRANGEMENTS.
53
00:04:11,250 --> 00:04:13,460
UH, FOR ANDERSON HOUSE.
54
00:04:13,500 --> 00:04:16,450
I'D LIKE IT TO GO
TO MY GRANDSON, JOEY.
55
00:04:16,490 --> 00:04:17,880
Theodore:
YOU DO KNOW THAT JOEY
56
00:04:17,920 --> 00:04:19,550
CAN'T TAKE CARE
OF ANDERSON HOUSE.
57
00:04:19,590 --> 00:04:21,540
Miss Sally: NOW, NOW,
DON'T BE SO HARD ON THE BOY.
58
00:04:21,570 --> 00:04:25,040
BESIDES, I'M AFRAID
THERE'S NO TIME FOR DEBATE.
59
00:04:25,080 --> 00:04:28,780
YOU SEE, I HAVE BEEN TOLD...
60
00:04:28,810 --> 00:04:30,930
THAT I HAVE LESS THAN A MONTH.
61
00:04:30,970 --> 00:04:32,550
Theodore:
EXCUSE ME?
62
00:04:32,580 --> 00:04:34,950
Miss Hastings:
THIS COMES AS QUITE A SHOCK.
63
00:04:34,990 --> 00:04:40,120
Theodore: JOEY CAN'T POSSIBLY
MANAGE ANDERSON HOUSE.
64
00:04:40,160 --> 00:04:44,830
Miss Sally: TED, ANDERSON HOUSE
DOESN'T NEED JOEY.
65
00:04:44,860 --> 00:04:49,580
WHY, HAWTHORNE, CLAUDIA, AND
OSCAR HANDLE THE DAY TO DAY,
66
00:04:49,620 --> 00:04:52,070
BUT JOEY DOES NEED
ANDERSON HOUSE,
67
00:04:52,100 --> 00:04:56,160
AND HE IS OUR ONLY LINK
TO THE FAMILY LEGACY.
68
00:04:56,190 --> 00:04:58,740
Miss Hastings:
YOUR WISHES WILL BE FULFILLED.
69
00:04:58,780 --> 00:05:00,140
Miss Sally:
THANK YOU.
70
00:05:00,180 --> 00:05:02,250
THEN THE REST
IS MERELY DETAILS.
71
00:05:02,280 --> 00:05:05,600
EVERYTHING IS HERE.
72
00:05:05,630 --> 00:05:10,320
MY FINAL REQUEST OF YOU
IS THAT YOU MAKE IT LEGAL.
73
00:05:10,360 --> 00:05:11,960
Theodore:
IT'S NOT GOING TO BE EASY.
74
00:05:11,990 --> 00:05:15,010
Miss Sally:
THANK YOU, TED.
75
00:05:15,040 --> 00:05:16,810
THANK YOU.
76
00:05:16,850 --> 00:05:18,800
Theodore:
YOU'RE WELCOME.
77
00:05:18,830 --> 00:05:21,400
Miss Sally:
THANK YOU.
78
00:05:28,520 --> 00:05:30,360
Miss Hastings: [ SIGHS ]
79
00:05:30,390 --> 00:05:33,290
Kelly: AH, I'LL SEE YOU OUT,
MISS SALLY.
80
00:05:33,330 --> 00:05:35,530
Miss Sally: OH, THAT WON'T BE
NECESSARY, DARLING.
81
00:05:35,560 --> 00:05:39,370
OH, AND, UH,
WHEN YOU DO FIND A KEEPER,
82
00:05:39,400 --> 00:05:42,470
MAKE SURE HE CAN KEEP UP.
83
00:05:42,500 --> 00:05:44,570
[ CHUCKLES ]
84
00:05:56,450 --> 00:05:58,920
Joey: I'M ALMOST THERE.
CAN YOU GIVE ME A BINER?
85
00:05:58,950 --> 00:06:00,170
Man: YEAH.
86
00:06:03,040 --> 00:06:04,870
-Man #2: HEY, JOEY.
-Joey: YEAH?
87
00:06:04,910 --> 00:06:06,240
Man #2: I THINK
WE GOT COMPANY, MAN.
88
00:06:06,280 --> 00:06:09,010
Joey:
OH, THANKS, LINO.
89
00:06:11,100 --> 00:06:13,870
HEY, LINO, CAN YOU LOWER ME?
90
00:06:13,900 --> 00:06:15,080
Man #3: LOWERING.
91
00:06:17,860 --> 00:06:19,160
[ LAUGHTER ]
92
00:06:19,190 --> 00:06:21,690
Man #2: ON COMMAND?
I WISH.
93
00:06:21,730 --> 00:06:23,860
I THOUGHT ABOUT IT, THOUGH.
[ CHUCKLES ]
94
00:06:23,900 --> 00:06:25,430
Man:
WHO IS THIS GUY?
95
00:06:25,460 --> 00:06:28,000
Man #2:
I DON'T KNOW. KGB?
96
00:06:28,030 --> 00:06:29,370
Man: YOU SERIOUS?
97
00:06:29,400 --> 00:06:31,000
Man #2:
NO, I'M NOT SERIOUS.
98
00:06:31,040 --> 00:06:32,270
Man: I CAN'T EVER TELL IF
YOU'RE TELLING THE TRUTH.
99
00:06:32,300 --> 00:06:33,940
Man #2:
DUDE, JUST STOP TALKING.
100
00:06:33,970 --> 00:06:35,170
-Ulrik: MR. ANDERSON.
-Joey: YEAH.
101
00:06:35,210 --> 00:06:36,610
Ulrik:
I'M ULRIK KEEL.
102
00:06:36,640 --> 00:06:38,090
Joey: OKAY.
103
00:06:38,130 --> 00:06:40,710
Ulrik: YOU'RE NEEDED
AT ANDERSON HOUSE.
104
00:06:40,750 --> 00:06:42,530
Joey:
NOBODY CALLED ME.
105
00:06:42,560 --> 00:06:45,250
Ulrik: YOUR PHONE
HAS BEEN DISCONNECTED.
106
00:06:45,280 --> 00:06:47,770
Joey:
MY PHONE'S BEEN DISCONNECTED.
107
00:06:47,800 --> 00:06:49,640
[ PHONE PLAYS ASCENDING NOTES ]
108
00:06:49,670 --> 00:06:52,470
WHAT'S GOING ON HERE?
109
00:06:52,510 --> 00:06:57,660
Ulrik: MR. ANDERSON, YOUR
GRANDMOTHER HAS PASSED AWAY.
110
00:07:01,070 --> 00:07:02,770
Joey: OH.
111
00:07:02,800 --> 00:07:05,230
UH, HEY, GUYS,
112
00:07:05,270 --> 00:07:07,970
[ CLEARS THROAT ]
CAN YOU...
113
00:07:08,010 --> 00:07:10,110
CAN YOU DRIVE THE JEEP BACK
TO THE CABIN FOR ME?
114
00:07:10,140 --> 00:07:11,470
THANKS.
115
00:07:13,750 --> 00:07:17,380
WHO ARE YOU EXACTLY?
116
00:07:17,420 --> 00:07:19,650
Ulrik: YOUR GRANDMOTHER
AND I ARE --
117
00:07:19,690 --> 00:07:23,990
WERE VERY CLOSE.
118
00:07:24,020 --> 00:07:27,320
I'M HERE TO TAKE YOU HOME.
119
00:07:29,450 --> 00:07:33,230
Joey:
YEAH. LET'S GO.
120
00:07:33,270 --> 00:07:35,300
HEY, LINO.
121
00:07:42,060 --> 00:07:45,260
Angelica:
POPPY, I'M HERE.
122
00:07:45,290 --> 00:07:47,530
I'M ON THE WAY UP.
123
00:07:56,020 --> 00:07:58,520
Theodore:
OH, MY GOODNESS!
124
00:07:58,560 --> 00:08:00,520
[ LAUGHS ]
125
00:08:04,050 --> 00:08:06,180
OH, BOY.
126
00:08:06,210 --> 00:08:08,770
AH, IT'S GOOD
TO HAVE YOU HOME.
127
00:08:08,800 --> 00:08:10,850
THE FIRM REALLY NEEDS YOU.
128
00:08:10,890 --> 00:08:12,820
Angelica:
IT'S GREAT TO BE HERE.
129
00:08:12,850 --> 00:08:15,200
SO, WHAT'S THIS BIG ASSIGNMENT
YOU HAVE FOR ME?
130
00:08:15,240 --> 00:08:16,860
Theodore:
YOU'LL SEE.
131
00:08:18,330 --> 00:08:20,640
Jason:
I'M GONNA GET YOU SO MUCH!
132
00:08:20,680 --> 00:08:22,450
OHH!
133
00:08:22,480 --> 00:08:23,980
Chloe: [ SQUEALS ]
134
00:08:24,020 --> 00:08:27,180
Jason: OHH! OH. OHH.
135
00:08:27,220 --> 00:08:29,790
Alexia: HEY, HEY, HEY, ARE MY
KIDS MAKING MESSES AGAIN?
136
00:08:29,820 --> 00:08:31,290
Jason: YES, WE ARE!
137
00:08:31,320 --> 00:08:32,520
[ PHONE RINGS ]
138
00:08:32,560 --> 00:08:34,020
Alexia: HELLO.
139
00:08:34,060 --> 00:08:38,260
OH, HI, TED.
UH, YES, HE'S RIGHT HERE.
140
00:08:40,580 --> 00:08:42,180
Jason: HI, TED.
141
00:08:42,220 --> 00:08:43,650
[ DEVICE CHIMES ]
142
00:08:43,690 --> 00:08:45,020
YEAH, YEAH.
143
00:08:45,050 --> 00:08:47,220
NO. I JUST GOT YOUR TEXT NOW.
144
00:08:47,260 --> 00:08:50,840
YEAH, OF COURSE, OF COURSE.
I'LL BE RIGHT THERE.
145
00:08:50,880 --> 00:08:52,010
OKAY, BYE.
146
00:08:52,040 --> 00:08:54,340
[ BREATHES HEAVILY ]
147
00:08:54,380 --> 00:08:57,380
Alexia:
YOU HAVE TO GO NOW?
148
00:08:57,420 --> 00:08:58,400
Jason: I'M SORRY.
149
00:08:58,430 --> 00:08:59,980
Alexia: [ CHUCKLES ]
150
00:09:00,020 --> 00:09:01,650
Jason: I'M SORRY.
I'LL BE BACK SOON.
151
00:09:01,690 --> 00:09:02,890
Alexia:
YOU BETTER BE.
152
00:09:02,920 --> 00:09:04,370
Jason: I PROMISE.
I PROMISE.
153
00:09:04,410 --> 00:09:06,110
AND WE'RE GOING TO EAT
ALL THE POPCORN.
154
00:09:06,140 --> 00:09:07,720
-ALL OF IT, OKAY? I PROMISE.
-Alexia: GIVE DADDY A KISS.
155
00:09:07,760 --> 00:09:09,510
Jason: LOVE YOU.
156
00:09:09,540 --> 00:09:11,340
Alexia: LOVE YOU TOO.
157
00:09:11,380 --> 00:09:12,750
WANT TO SAY, "BYE DADDY"?
158
00:09:12,780 --> 00:09:13,950
Chloe: BYE, DADDY.
159
00:09:13,980 --> 00:09:15,410
Alexia: BYE, DADDY.
160
00:09:17,100 --> 00:09:20,240
Theodore: JASON,
THANK YOU FOR JOINING US.
161
00:09:20,270 --> 00:09:22,170
Jason: OF COURSE.
162
00:09:22,210 --> 00:09:28,010
Theodore:
MISS SALLY MAE ANDERSON
WAS MY FIRST REFERRAL.
163
00:09:28,050 --> 00:09:30,280
RED STEVENS GAVE HER MY CARD
164
00:09:30,320 --> 00:09:33,750
AND TOLD HER NOT TO TRUST
ANOTHER LAWYER.
165
00:09:33,790 --> 00:09:36,940
RECOGNIZE HER?
166
00:09:36,970 --> 00:09:38,860
Jason: IS THIS YOU?
167
00:09:38,890 --> 00:09:41,020
Miss Hastings:
RIGHT OUT OF COLLEGE.
168
00:09:41,060 --> 00:09:42,910
Jason:
MISS AMERICA.
169
00:09:42,950 --> 00:09:44,530
[ LAUGHTER ]
170
00:09:44,560 --> 00:09:46,110
Miss Hastings:
OH, PLEASE!
171
00:09:46,150 --> 00:09:47,130
Jason:
THESE PICTURES ARE GREAT,
172
00:09:47,170 --> 00:09:49,070
BUT WHAT AM I DOING HERE?
173
00:09:49,100 --> 00:09:53,700
Miss Hastings:
MISS ANDERSON HAD
A VERY EXCLUSIVE RESIDENCE,
174
00:09:53,740 --> 00:09:57,870
WHICH BECAME
A REFUGE TO WORLD LEADERS
175
00:09:57,910 --> 00:10:01,330
AND MANY FAMOUS PERSONALITIES.
176
00:10:01,360 --> 00:10:03,800
Theodore:
MORE HUMANITARIAN WORK
177
00:10:03,830 --> 00:10:07,470
WAS DONE AROUND THE DINING-ROOM
TABLE OF ANDERSON HOUSE
178
00:10:07,500 --> 00:10:09,600
THAN ANY BOARDROOM IN THE WORLD.
179
00:10:09,640 --> 00:10:12,060
SADLY, SHE PASSED AWAY.
180
00:10:12,090 --> 00:10:16,560
SHE LEFT HER GRANDSON
A SIGNIFICANT MONETARY LEGACY
181
00:10:16,590 --> 00:10:18,510
WITH A FEW STIPULATIONS.
182
00:10:18,550 --> 00:10:20,300
Jason:
THAT SOUNDS FAMILIAR.
183
00:10:20,330 --> 00:10:21,950
Theodore: HM.
184
00:10:21,980 --> 00:10:24,320
Angelica: POPPY,
WHY DID YOU CALL US IN HERE?
185
00:10:24,350 --> 00:10:27,170
I DIDN'T KNOW MISS SALLY OTHER
THAN WHAT I HEARD FROM YOU.
186
00:10:27,210 --> 00:10:29,620
Kelly:
OR THAT SHE HAD A GRANDSON.
187
00:10:29,660 --> 00:10:33,410
Miss Hastings:
WE [SIGHS] NEED YOUR HELP.
188
00:10:33,440 --> 00:10:35,680
Theodore:
ANGELICA, YOU AND KELLY
189
00:10:35,710 --> 00:10:37,810
WILL HANDLE THE LEGAL SIDE.
190
00:10:37,850 --> 00:10:41,580
JASON, I KNOW THAT YOU
HAVE A FOUNDATION TO RUN
191
00:10:41,620 --> 00:10:45,870
AND THAT YOU'RE VERY BUSY,
BUT I HAVE A UNIQUE REQUEST.
192
00:10:45,910 --> 00:10:49,760
I'D LIKE YOU TO BE JUST
A LITTLE MORE...HANDS ON.
193
00:10:49,790 --> 00:10:56,200
Miss Hastings:
WE KNOW YOU THREE CAN DO THIS.
194
00:11:01,820 --> 00:11:04,890
Angelica:
I'LL DO MY BEST.
195
00:11:04,930 --> 00:11:06,360
Kelly: UH, MR. STEVENS,
196
00:11:06,390 --> 00:11:08,660
I LOOK FORWARD
TO WORKING WITH YOU.
197
00:11:08,700 --> 00:11:10,800
Jason: LIKEWISE.
JUST CALL ME JASON.
198
00:11:10,830 --> 00:11:12,170
Kelly: OKAY.
199
00:11:13,820 --> 00:11:16,300
Theodore: JASON, I'D LIKE YOU
TO BE AT THE FUNERAL
200
00:11:16,340 --> 00:11:22,060
SO YOU CAN HELP JOEY UNDERSTAND
HIS NEW, UH, CIRCUMSTANCES.
201
00:11:22,090 --> 00:11:24,710
ONCE YOU READ THE DOCUMENTS,
YOU'LL UNDERSTAND.
202
00:11:24,750 --> 00:11:26,880
Jason:
OH, I'M SURE I WILL, POPPY.
203
00:11:26,910 --> 00:11:28,800
DON'T YOU EVER CALL ME
THAT IN PUBLIC.
204
00:11:28,830 --> 00:11:30,220
Jason: NEVER. POPPY.
205
00:11:30,250 --> 00:11:31,980
Theodore:
NOW, GET OUT OF HERE.
206
00:11:32,020 --> 00:11:33,820
[ BOTH LAUGH ]
207
00:11:33,860 --> 00:11:35,550
[ CHUCKLES ]
208
00:11:50,940 --> 00:11:52,810
Angelica: MICHAEL?
209
00:11:55,440 --> 00:11:58,180
HEY.
210
00:11:58,210 --> 00:11:59,910
Michael: HMM.
211
00:11:59,950 --> 00:12:02,520
Angelica: I THOUGHT
YOU MIGHT LIKE SOME COMPANY.
212
00:12:02,550 --> 00:12:04,920
I BROUGHT YOUR FAVE.
213
00:12:07,390 --> 00:12:09,060
CUPCAKES.
214
00:12:09,090 --> 00:12:10,290
Michael: MM.
215
00:12:10,320 --> 00:12:12,060
THANKS, ANGE.
216
00:12:14,560 --> 00:12:17,130
Angelica:
SO, HOW YOU FEELING?
217
00:12:17,170 --> 00:12:18,870
Michael: AH...
218
00:12:18,900 --> 00:12:21,130
YOU GIVE ME SOME WHEELS
I CAN GET OUT OF THIS PLACE.
219
00:12:21,170 --> 00:12:22,740
Angelica: [ LAUGHS ]
220
00:12:22,770 --> 00:12:25,720
Theodore: MISS SALLY
HAD A FAVORITE POEM
221
00:12:25,760 --> 00:12:28,570
ENTITLED "CORNERSTONES,"
222
00:12:28,610 --> 00:12:33,600
WHICH SHE LEARNED FROM OUR
MUTUAL FRIEND, RED STEVENS.
223
00:12:35,620 --> 00:12:40,170
"IF I AM TO DREAM,
LET ME DREAM MAGNIFICENTLY.
224
00:12:41,770 --> 00:12:46,880
LET ME DREAM GRAND AND LOFTY
THOUGHTS AND IDEALS
225
00:12:46,910 --> 00:12:50,660
THAT ARE WORTHY OF ME
226
00:12:50,700 --> 00:12:53,830
AND MY BEST EFFORTS."
227
00:13:05,200 --> 00:13:07,310
Woman: OH, DEAR.
228
00:13:07,350 --> 00:13:08,950
Joey:
MA'AM, CAN I HELP YOU?
229
00:13:08,980 --> 00:13:10,430
Woman: WHY, YES, YES.
230
00:13:10,470 --> 00:13:12,330
I HAVE A FLAT TIRE.
231
00:13:12,370 --> 00:13:13,970
Joey:
YEAH, I SEE THAT.
232
00:13:14,010 --> 00:13:16,610
Woman: I HAVE NO IDEA
WHERE THE, UM, THE JACK IS.
233
00:13:16,640 --> 00:13:18,920
I HAVE NEVER CHANGED
A TIRE IN MY LIFE.
234
00:13:18,960 --> 00:13:20,340
Joey: WELL, NEITHER HAVE I,
BUT NO WORRIES,
235
00:13:20,380 --> 00:13:22,300
I'LL JUST SEARCH IT.
-Woman: OKAY.
236
00:13:22,330 --> 00:13:23,580
Joey: WHERE DO YOU FIND
THE JACK ON A...
237
00:13:23,610 --> 00:13:26,520
[ PHONE PLAYS ASCENDING NOTES ]
238
00:13:26,550 --> 00:13:28,950
RIGHT.
239
00:13:28,990 --> 00:13:30,920
CAN I BORROW YOUR PHONE?
240
00:13:30,960 --> 00:13:32,620
Woman:
YES, YES, MY PHONE.
241
00:13:32,660 --> 00:13:35,160
IT'S RIGHT HERE.
[ SIGHS ]
242
00:13:36,880 --> 00:13:40,580
Joey: OKAY, WELL,
SO MUCH FOR THAT.
243
00:13:42,130 --> 00:13:43,450
WHERE WERE YOU HEADED?
244
00:13:43,490 --> 00:13:45,250
Woman: A FUNERAL.
245
00:13:57,070 --> 00:14:01,520
All:
♪ NEARER, MY GOD, TO THEE ♪
246
00:14:01,550 --> 00:14:07,540
♪ NEARER TO THEE ♪
247
00:14:07,580 --> 00:14:14,050
♪ E'EN THOUGH IT BE A CROSS ♪
248
00:14:14,080 --> 00:14:20,250
♪ THAT RAISETH ME ♪
249
00:14:20,290 --> 00:14:24,210
Gus: I THOUGHT YOU WERE GOING
TO PICK THE KID UP?
250
00:14:24,240 --> 00:14:26,810
Ulrik: DROPPED HIM OFF
TO GET HIS BIKE.
251
00:14:26,840 --> 00:14:28,540
Gus: AHH. [ SCOFFS ]
252
00:14:28,580 --> 00:14:34,880
All:
♪ NEARER, MY GOD, TO THEE ♪
253
00:14:34,920 --> 00:14:42,490
♪ NEARER, MY GOD, TO THEE ♪
254
00:14:42,530 --> 00:14:50,700
♪ NEARER TO THEE ♪
255
00:14:50,740 --> 00:14:56,110
♪ AHHHH... ♪
256
00:14:56,140 --> 00:15:00,610
♪ ...MEN ♪
257
00:15:00,650 --> 00:15:02,510
Gus: [ SCOFFS ]
258
00:15:02,550 --> 00:15:06,130
Theodore:
MISS SALLY MAE ANDERSON
LIVED AN INCREDIBLE LIFE.
259
00:15:06,170 --> 00:15:10,940
SHE WOULD WANT US
TO CELEBRATE HER MEMORY.
260
00:15:10,970 --> 00:15:13,540
BUT MOST OF ALL,
SHE WOULD WANT US
261
00:15:13,580 --> 00:15:16,930
TO HONOR HER LEGACY
BY EMBRACING THE FUTURE
262
00:15:16,960 --> 00:15:20,950
WITH THE SAME RESPECT, LOVE,
263
00:15:20,980 --> 00:15:25,050
HARD WORK, AND WISDOM
264
00:15:25,090 --> 00:15:26,990
THAT ARE THE FOUNDATION
265
00:15:27,020 --> 00:15:30,590
OF ANDERSON HOUSE'S
MANY SUCCESSES.
266
00:15:41,150 --> 00:15:43,950
Hawthorne: THANK YOU.
267
00:15:43,990 --> 00:15:45,420
OH.
268
00:15:46,990 --> 00:15:48,460
GOOD.
269
00:15:51,530 --> 00:15:53,950
Joey:
YOU MUST BE HAMILTON.
270
00:15:53,980 --> 00:15:56,680
Theodore:
IT'S "MR. HAMILTON" TO YOU.
271
00:15:56,720 --> 00:16:00,250
Joey: OKAY, MR. HAMILTON,
I'M JOEY.
272
00:16:00,290 --> 00:16:02,020
Theodore:
I KNOW WHO YOU ARE.
273
00:16:02,060 --> 00:16:04,440
Joey: ALL RIGHT, I UNDERSTAND
THAT MY GRANDMOTHER
274
00:16:04,480 --> 00:16:06,860
TRUSTED THE EXECUTION
OF THE ESTATE TO YOUR FIRM.
275
00:16:06,890 --> 00:16:10,530
Theodore:
HE'S ALL YOURS.
276
00:16:12,650 --> 00:16:15,120
Joey:
WELL, HE'S CHARMING.
277
00:16:15,150 --> 00:16:18,290
Miss Hastings: WE'LL BE HANDLING
ALL THE LEGAL AFFAIRS
278
00:16:18,320 --> 00:16:19,770
REGARDING THE ESTATE.
279
00:16:19,810 --> 00:16:22,260
Joey: JUST TELL ME
WHAT I NEED TO DO.
280
00:16:22,290 --> 00:16:24,190
Angelica:
WE'LL MEET IN TWO HOURS.
281
00:16:24,230 --> 00:16:26,800
OSCAR WILL SHOW YOU
TO YOUR ROOM.
282
00:16:26,830 --> 00:16:28,530
Joey:
I KNOW WHERE MY ROOM IS.
283
00:16:35,810 --> 00:16:37,510
CAN YOU TELL ME
WHAT'S GOING ON HERE?
284
00:16:37,540 --> 00:16:40,030
Kelly:
WE'LL SEE YOU IN TWO HOURS.
285
00:16:43,700 --> 00:16:45,800
Joey:
BEFORE WE GO TO MY ROOM,
286
00:16:45,830 --> 00:16:48,500
THERE'S SOMEONE WE NEED
TO TAKE CARE OF.
287
00:16:54,880 --> 00:16:57,460
THANKS, BUDDY.
288
00:16:57,490 --> 00:17:02,550
Alexia:
ARE YOU DOING OKAY?
289
00:17:02,580 --> 00:17:06,520
Kelly: YOUR GRANDMOTHER
WAS SO LOVED.
290
00:17:06,550 --> 00:17:09,090
Joey: YES, I KNOW.
291
00:17:13,740 --> 00:17:15,910
ET TU, BRUTE?
292
00:17:18,400 --> 00:17:19,880
[ SIGHS ] ALL RIGHT.
293
00:17:19,920 --> 00:17:22,850
JUST TELL ME WHAT I NEED TO SIGN
SO I CAN LEAVE.
294
00:17:22,890 --> 00:17:25,150
Miss Hastings:
UNFORTUNATELY, MR. ANDERSON,
295
00:17:25,190 --> 00:17:27,320
IT'S NOT THAT SIMPLE.
296
00:17:27,360 --> 00:17:32,030
ANGELICA WILL FILL YOU IN
ALL THE LEGALITIES,
297
00:17:32,060 --> 00:17:37,100
AND JASON STEVENS HERE
WILL HANDLE EVERYTHING ELSE.
298
00:17:40,740 --> 00:17:44,270
Alexia: JOEY, HI, I'M ALEXIA.
I'M JASON'S WIFE.
299
00:17:44,310 --> 00:17:46,410
I'M SO SORRY FOR YOUR LOSS.
300
00:17:46,440 --> 00:17:47,940
Joey: THANK YOU.
301
00:17:49,550 --> 00:17:51,780
-Jason: BYE.
-Alexia: SEE YOU LATER.
302
00:17:51,820 --> 00:17:53,200
Jason:
I'LL SEE YOU AT HOME.
303
00:17:53,230 --> 00:17:54,530
BYE, BABY GIRL.
304
00:17:54,570 --> 00:17:56,140
I'LL SEE YOU LATER, OKAY?
305
00:18:01,630 --> 00:18:05,390
Miss Hastings: I TRULY AM SORRY
FOR YOUR LOSS.
306
00:18:08,080 --> 00:18:11,270
Joey:
WAIT A SECOND, MISS HASTINGS.
307
00:18:11,300 --> 00:18:15,050
I'M THE ONLY PERSON
AT THIS MEETING
308
00:18:15,090 --> 00:18:18,820
WHO'S [CHUCKLES] AN HEIR TO
MY FAMILY'S ESTATE, AM I RIGHT?
309
00:18:18,860 --> 00:18:21,130
Angelica: YOUR POINT?
310
00:18:21,160 --> 00:18:24,400
Joey:
IS THERE SOMEONE ELSE LISTED
IN MY GRANDMOTHER'S WILL HERE?
311
00:18:24,430 --> 00:18:26,480
IS THAT WHY I'M GETTING
THE RUNAROUND?
312
00:18:30,750 --> 00:18:32,960
Angelica: THERE ARE OVER
300 DETAILED PAGES
313
00:18:32,990 --> 00:18:34,640
IN THIS FILE.
314
00:18:34,680 --> 00:18:38,640
AS PARTNER IN MY GRANDFATHER,
MR. HAMILTON'S, FIRM
315
00:18:38,680 --> 00:18:45,150
I'M CHARGED WITH EXECUTING
THIS "LEGALLY BINDING" DOCUMENT.
316
00:18:45,190 --> 00:18:47,790
Joey: OKAY, SO, WHAT?
317
00:18:47,820 --> 00:18:49,260
ARE YOU CHARGING BY THE HOUR,
318
00:18:49,290 --> 00:18:50,790
OR HOW ARE YOU GETTING A PIECE
OF THIS PIE?
319
00:18:50,820 --> 00:18:52,260
Kelly:
UM, MR. ANDERSON...
320
00:18:52,290 --> 00:18:54,240
Joey: JUST JOEY, ACTUALLY.
WHAT'S YOUR NAME?
321
00:18:54,280 --> 00:18:58,980
Kelly: UH, KELLY,
BUT YOU CAN CALL ME MISS JAMES.
322
00:18:59,020 --> 00:19:02,820
UM, YOU ACTUALLY
HAVEN'T INHERITED ANYTHING.
323
00:19:02,850 --> 00:19:04,640
Joey:
WELL, GREAT, FINE.
324
00:19:04,670 --> 00:19:07,920
WELL, IN THAT CASE,
I BETTER BE GOING.
325
00:19:07,960 --> 00:19:11,460
EXCUSE ME, I HAVE SOME
TRAVEL ARRANGEMENTS TO MAKE.
326
00:19:18,190 --> 00:19:20,470
[ ROCK MUSIC PLAYS ]
327
00:19:37,320 --> 00:19:39,050
Hawthorne:
MR. ANDERSON JUST REALIZED
328
00:19:39,090 --> 00:19:41,020
HIS CREDIT CARDS
HAVE BEEN CANCELED.
329
00:19:41,060 --> 00:19:44,890
Jason: WELL, AT LEAST
HE'S NOT ON A DATE.
330
00:19:44,930 --> 00:19:47,010
Hawthorne: GOOD LUCK.
331
00:19:47,050 --> 00:19:48,650
♪ RAIN DOWN ON ME ♪
332
00:19:48,680 --> 00:19:51,400
[ MUSIC CONTINUES ]
333
00:19:54,720 --> 00:19:56,560
Oscar:
GOOD LUCK, DUDES.
334
00:19:56,590 --> 00:19:58,740
[ MUSIC CONTINUES ]
335
00:20:06,250 --> 00:20:07,770
[ KNOCK ON DOOR ]
336
00:20:07,800 --> 00:20:09,420
Joey: COME IN!
337
00:20:09,450 --> 00:20:11,950
[ MUSIC CONTINUES ]
338
00:20:13,360 --> 00:20:14,760
Jason: GREAT SOUND!
339
00:20:14,790 --> 00:20:17,210
YEAH, I LOVE THIS GUY!
340
00:20:17,250 --> 00:20:19,260
[ MUSIC STOPS ]
341
00:20:20,430 --> 00:20:24,430
Joey:
OKAY, MY PHONE'S DEAD,
342
00:20:24,470 --> 00:20:26,720
AND ALL MY CREDIT CARDS
HAVE BEEN CANCELED.
343
00:20:26,750 --> 00:20:30,460
Angelica:
YOUR TRUST TERMINATED
WITH MISS SALLY'S PASSING.
344
00:20:30,490 --> 00:20:32,210
Joey: HOW DO YOU FIGURE
INTO ALL THIS?
345
00:20:32,240 --> 00:20:34,610
Jason: UH, MISS SALLY
AND MY GRANDFATHER WERE CLOSE.
346
00:20:34,650 --> 00:20:36,530
I WAS ASKED TO HELP.
347
00:20:36,560 --> 00:20:38,100
Joey:
HELP WITH WHAT, EXACTLY?
348
00:20:38,130 --> 00:20:40,300
Angelica:
YOU'LL RECEIVE YOUR INHERITANCE
349
00:20:40,330 --> 00:20:42,750
IF AND ONLY IF YOU MEET
ALL THE STIPULATIONS
350
00:20:42,790 --> 00:20:44,550
OUTLINED IN THIS CONTRACT
351
00:20:44,590 --> 00:20:48,690
DURING A MANDATED ONE-YEAR
RESIDENCY AT ANDERSON HOUSE
352
00:20:48,730 --> 00:20:51,230
OVERSEEN BY MR. STEVENS.
353
00:20:51,260 --> 00:20:54,030
Joey:
HERE. FOR A YEAR.
354
00:20:54,070 --> 00:20:55,460
Kelly:
MISS SALLY WAS HOPING
355
00:20:55,500 --> 00:20:58,730
YOU'D EMBRACE
THE ANDERSON HOUSE LEGACY.
356
00:20:58,770 --> 00:21:01,740
Joey: RIGHT.
357
00:21:01,770 --> 00:21:04,440
THREE WEEKS AGO,
I HAD $5 MILLION.
358
00:21:04,480 --> 00:21:06,090
WHAT HAPPENED TO IT?
359
00:21:06,130 --> 00:21:08,080
Angelica:
WHEN MISS SALLY PASSED,
360
00:21:08,110 --> 00:21:10,650
YOUR FUNDS REVERTED TO THE
ANDERSON HOUSE CORPORATE TRUST
361
00:21:10,680 --> 00:21:14,900
REPRESENTED BY MYSELF AND
MR. STEVENS HERE, RESPECTIVELY.
362
00:21:14,940 --> 00:21:18,720
Joey: SHE DID THIS
TO FORCE ME BACK HERE.
363
00:21:18,760 --> 00:21:22,790
Kelly: NO ONE IS FORCING YOU.
YOU CAN ALWAYS WALK AWAY.
364
00:21:22,830 --> 00:21:24,940
Joey: AND IF I DO?
365
00:21:24,980 --> 00:21:26,600
Kelly: WELL, THEN...
366
00:21:26,630 --> 00:21:28,500
Jason:
MISS SALLY MADE PROVISIONS
367
00:21:28,530 --> 00:21:31,230
TO ENSURE THE CONTINUED SUCCESS
OF HER WORK.
368
00:21:31,270 --> 00:21:34,000
Joey: WHAT HAPPENS
AT THE END OF THE YEAR
369
00:21:34,040 --> 00:21:37,610
IF I STILL WANT NOTHING
TO DO WITH...THIS?
370
00:21:37,640 --> 00:21:40,130
Angelica: THEN ALL
ANDERSON HOUSE ASSETS REVERT
371
00:21:40,160 --> 00:21:42,190
TO AN IRREVOCABLE
CHARITABLE TRUST.
372
00:21:42,230 --> 00:21:43,980
Joey:
AND I GET NOTHING.
373
00:21:44,010 --> 00:21:46,770
Kelly: YOU WILL RECEIVE A PAYOUT
OF $5 MILLION.
374
00:21:46,800 --> 00:21:49,390
Joey:
WHAT USED TO BE MY TRUST.
375
00:21:51,310 --> 00:21:53,760
Angelica: IF YOU WANT
YOUR MONEY, SIGN IT.
376
00:21:53,790 --> 00:21:56,680
Joey:
I WANT MY FREEDOM.
377
00:21:59,360 --> 00:22:01,380
[ SIGHS ]
378
00:22:01,420 --> 00:22:03,050
ANYONE HAVE A PEN?
379
00:22:16,100 --> 00:22:18,230
Jason: LISTEN, I KNOW WHAT
YOU'RE GOING THROUGH.
380
00:22:18,270 --> 00:22:19,380
Joey:
NO. YOU LISTEN.
381
00:22:19,420 --> 00:22:20,730
YOU DON'T KNOW ME!
382
00:22:20,770 --> 00:22:22,950
I SIGNED THAT CONTRACT
TO BUY MY ESCAPE!
383
00:22:22,990 --> 00:22:25,340
ONCE I'M DONE, I'M OUT.
GOT IT?
384
00:22:25,370 --> 00:22:28,560
Jason:
BREAKFAST IS AT 7:00.
385
00:22:35,220 --> 00:22:36,820
Joey:
FINE. WHATEVER.
386
00:22:36,850 --> 00:22:39,900
[ ROCK MUSIC RESUMES ]
387
00:22:39,940 --> 00:22:42,550
Kelly: I KIND OF FEEL SORRY
FOR HIM.
388
00:22:42,590 --> 00:22:44,190
Angelica: DON'T.
389
00:22:44,230 --> 00:22:46,930
HE'S JUST ANOTHER TRUST-FUND KID
USED TO GETTING HIS WAY.
390
00:22:46,960 --> 00:22:48,240
Jason:
[ CLEARS THROAT ]
391
00:22:48,280 --> 00:22:49,760
Angelica: [ LAUGHS ]
392
00:22:49,800 --> 00:22:51,430
Kelly:
SPEAKING OF WHICH,
393
00:22:51,470 --> 00:22:54,270
I'M GOING TO CHECK ON THE
PROGRESS OF THE COLBY ESTATE.
394
00:22:54,300 --> 00:22:57,050
Angelica:
GOOD. FILL ME IN LATER.
395
00:22:59,410 --> 00:23:01,240
Joey:
SO, LET'S SAY AFTER A YEAR,
396
00:23:01,280 --> 00:23:03,910
I WANT TO SELL ANDERSON HOUSE
AND BE DONE WITH IT.
397
00:23:03,940 --> 00:23:06,680
HMM? THEN WHAT?
398
00:23:06,710 --> 00:23:10,250
Gus:
I HAVE FIRST RIGHT OF REFUSAL
399
00:23:10,280 --> 00:23:12,920
AT A PREDETERMINED PRICE.
400
00:23:12,950 --> 00:23:14,890
Joey: WHO ARE YOU?
401
00:23:14,920 --> 00:23:18,620
WHAT ARE YOU DOING HERE,
AND HOW MUCH?
402
00:23:18,660 --> 00:23:20,430
Gus: GUS CALDWELL.
403
00:23:20,460 --> 00:23:24,760
YOU'RE ABOUT TO FIND OUT.
ONE DOLLAR.
404
00:23:26,800 --> 00:23:29,900
Angelica:
ANY OTHER QUESTIONS?
405
00:23:32,560 --> 00:23:34,240
Joey:
NOT AT THE MOMENT.
406
00:23:34,280 --> 00:23:38,980
Gus: HEY, MR. STEVENS,
WHAT'S NEXT ON THE AGENDA?
407
00:23:39,010 --> 00:23:41,080
Jason:
THE MEMORIAL GARDEN.
408
00:23:41,120 --> 00:23:44,030
Joey:
WHAT MEMORIAL GARDEN?
409
00:23:44,070 --> 00:23:46,900
Gus: THE MEMORIAL GARDEN
WE'RE ABOUT TO BUILD
410
00:23:46,940 --> 00:23:50,410
IN THE HONOR OF MISS SALLY.
411
00:23:54,160 --> 00:23:56,410
Joey: RIGHT, THEN.
412
00:24:03,490 --> 00:24:06,050
Gus: WELL, THIS COULD BE
INTERESTING.
413
00:24:06,090 --> 00:24:08,090
YOU KNOW WHAT THIS
REMINDS ME OF, DON'T YA?
414
00:24:08,130 --> 00:24:09,720
Jason:
OH, PLEASE, PLEASE DON'T.
415
00:24:09,760 --> 00:24:11,760
Gus: [ LAUGHS ]
416
00:24:11,800 --> 00:24:13,600
[ ENGINE STARTS ]
417
00:24:23,520 --> 00:24:25,920
ALL RIGHT,
THE WALKWAY UP THE SLOPE
418
00:24:25,960 --> 00:24:27,630
WILL END RIGHT ABOUT HERE.
419
00:24:27,660 --> 00:24:31,000
THIS AREA WILL BE SURROUNDED
BY A WROUGHT-IRON FENCE.
420
00:24:31,030 --> 00:24:34,320
THEY'LL BE BENCHES HERE
SO PEOPLE CAN ENJOY THE VIEW.
421
00:24:34,350 --> 00:24:35,950
Joey:
DO YOU GUYS HAVE A PLAN,
422
00:24:35,990 --> 00:24:39,120
OR ARE YOU JUST MAKING
THIS UP AS YOU GO ALONG?
423
00:24:39,160 --> 00:24:41,460
Jason:
PLANS ARE IN THE TRUCK.
424
00:24:41,490 --> 00:24:43,790
Joey: DO YOU MIND?
425
00:24:43,830 --> 00:24:46,130
Gus:
NO, GO RIGHT AHEAD.
426
00:24:54,540 --> 00:24:56,370
WE'RE BURNING DAYLIGHT!
427
00:24:56,410 --> 00:24:58,210
Joey:
IT'S NOT RIGHT.
428
00:24:58,240 --> 00:24:59,640
Jason: WHY NOT?
429
00:24:59,680 --> 00:25:01,640
Gus:
THESE PLANS WERE DRAWN UP
430
00:25:01,680 --> 00:25:04,180
BY THE BEST
LANDSCAPE ARCHITECT IN TEXAS!
431
00:25:04,220 --> 00:25:06,920
Joey: DID HE PHYSICALLY
INSPECT THE SITE?
432
00:25:08,420 --> 00:25:10,750
[ SCOFFS ] NEVER MIND.
433
00:25:13,160 --> 00:25:14,890
Gus: WHAT DO YOU MEAN
"NEVER MIND"?
434
00:25:14,930 --> 00:25:17,630
DON'T WALK AWAY LIKE THAT!
COME BACK HERE AND TALK TO US!
435
00:25:17,660 --> 00:25:19,130
Jason: GUS, GUS,
JUST GIVE US A BIT, ALL RIGHT?
436
00:25:19,160 --> 00:25:21,360
WILL YOU, GUS?
437
00:25:21,400 --> 00:25:24,050
WHAT'S THE PROBLEM, JOEY?
438
00:25:24,090 --> 00:25:26,370
Joey:
IN GENERAL, OR SPECIFICALLY?
439
00:25:26,400 --> 00:25:28,150
Jason: EITHER. BOTH.
440
00:25:28,190 --> 00:25:30,540
Joey: OKAY, WELL, I KNOW
THERE'S STILL SOMETHING
441
00:25:30,570 --> 00:25:31,740
YOU'RE NOT TELLING ME.
442
00:25:31,780 --> 00:25:33,480
I MEAN,
I'VE SIGNED THE CONTRACT.
443
00:25:33,510 --> 00:25:34,810
I'M HERE FOR THE NEXT YEAR.
444
00:25:34,850 --> 00:25:38,360
BUT THERE'S MORE
TO THIS, RIGHT?
445
00:25:38,400 --> 00:25:41,180
Jason: ALL RIGHT, LOOK.
I'LL MAKE YOU A DEAL.
446
00:25:41,220 --> 00:25:43,350
YOU TELL ME WHAT'S WRONG
WITH THE PLANS,
447
00:25:43,390 --> 00:25:45,420
AND I'LL ANSWER SOME
OF YOUR QUESTIONS.
448
00:25:45,460 --> 00:25:47,110
Joey: DEAL.
449
00:25:50,900 --> 00:25:54,080
Claudia: OH, IT'S
GETTING WARM OUT HERE.
450
00:25:54,110 --> 00:25:56,900
MAYBE I SHOULD BRING THEM
SOME REFRESHMENTS.
451
00:25:56,930 --> 00:25:58,080
Kelly:
OH, I CAN DO THAT.
452
00:25:58,120 --> 00:25:59,850
Claudia: MM-HMM.
453
00:25:59,890 --> 00:26:01,390
Kelly: WHAT?
454
00:26:01,420 --> 00:26:03,510
I'M JUST DOING
MY DUE DILIGENCE.
455
00:26:03,540 --> 00:26:06,510
GIVE ME A MINUTE, AND I'LL PUT
A TRAY TOGETHER FOR YOU.
456
00:26:06,540 --> 00:26:08,710
Kelly:
HERE, LET ME HELP.
457
00:26:10,400 --> 00:26:12,280
Joey:
ALL RIGHT, NOW LOOK AT THIS.
458
00:26:12,320 --> 00:26:13,950
Jason:
WHAT AM I LOOKING AT?
459
00:26:13,980 --> 00:26:16,720
Joey: AN ENGLISH TERRACE GARDEN
WITH TOMBSTONE HERE.
460
00:26:16,750 --> 00:26:18,620
YOU GOT RECTANGLES
HERE AND HERE,
461
00:26:18,660 --> 00:26:20,290
AND TRIANGLES HERE AND HERE,
462
00:26:20,320 --> 00:26:22,960
AND RIGHT-ANGLE TENSION
EVERYWHERE YOU LOOK.
463
00:26:22,990 --> 00:26:25,260
Jason: WELL,
WHAT'S WRONG WITH THAT?
464
00:26:25,300 --> 00:26:28,560
Joey: NOTHING IF THERE'S NEVER
MORE THAN THREE INCHES OF RAIN.
465
00:26:28,600 --> 00:26:30,030
ANYTHING OVER THAT,
466
00:26:30,070 --> 00:26:32,220
AND THEN THERE'S NOWHERE
FOR THE RUNOFF TO GO.
467
00:26:32,250 --> 00:26:34,800
Jason: WELL, A FRENCH DRAIN
WOULD FIX THAT.
468
00:26:34,840 --> 00:26:38,270
WHAT'S WRONG WITH RECTANGLES?
THE HEADSTONE IS A RECTANGLE.
469
00:26:38,310 --> 00:26:40,780
Joey: WELL, IT'S NOT JUST
ANY RECTANGLE.
470
00:26:40,810 --> 00:26:42,040
Jason: WHAT IS IT?
471
00:26:42,080 --> 00:26:43,610
Joey:
IT'S A GOLDEN RATIO.
472
00:26:43,650 --> 00:26:45,910
Kelly:
AH, 1:1.618.
473
00:26:47,120 --> 00:26:49,480
PHYSICS 101.
474
00:26:49,520 --> 00:26:52,990
Joey: YOU EVER SEE
DA VINCI'S "LAST SUPPER"?
475
00:26:53,020 --> 00:26:55,980
IT'S 15 FEET, 1 INCH
BY 29 FEET.
476
00:26:56,010 --> 00:26:58,640
THAT'S A RATIO OF 1:1.618.
477
00:26:58,680 --> 00:27:00,850
Kelly:
SAME RATIO AS THE HEADSTONES.
478
00:27:00,880 --> 00:27:03,920
Jason: SO MISS SALLY BASED
HER DESIGN OFF OF A PAINTING?
479
00:27:03,950 --> 00:27:07,650
Joey: NO, SHE DESIGNED IT AFTER
A UNIVERSAL MATHEMATICAL LAW.
480
00:27:07,690 --> 00:27:08,950
HERE, COME LOOK.
481
00:27:11,610 --> 00:27:14,580
EXCUSE ME.
482
00:27:14,610 --> 00:27:16,750
Jason: ALL RIGHT,
WHAT AM I LOOKING AT?
483
00:27:16,780 --> 00:27:18,910
Joey:
CLOSER NEXT TO ME.
484
00:27:18,950 --> 00:27:21,450
Kelly: OH, I SEE IT.
485
00:27:21,490 --> 00:27:24,250
Joey: SEE HOW THAT BUBBLE'S
PUSHED UP AGAINST THAT SIDE?
486
00:27:24,290 --> 00:27:26,120
NOW WHAT THIS.
487
00:27:27,160 --> 00:27:31,430
AS IT NOW, WATER FLOWS
AROUND THE GRAVESITE.
488
00:27:31,460 --> 00:27:33,090
SHE SET IT UP THAT WAY.
489
00:27:33,130 --> 00:27:35,000
ANY MORE THAN 10 INCHES OF RAIN,
490
00:27:35,030 --> 00:27:37,900
AND GUS' GARDEN IS GOING
RIGHT INTO THAT POND.
491
00:27:39,870 --> 00:27:42,770
Jason:
WELL, WHAT DO YOU SUGGEST?
492
00:27:42,810 --> 00:27:45,610
Joey: I'M THINKING
A JAPANESE-INSPIRED DESIGN
493
00:27:45,640 --> 00:27:47,380
BASED OFF THE GOLDEN RATIO.
494
00:27:53,080 --> 00:27:54,850
COME HERE.
495
00:27:56,820 --> 00:27:58,820
STAND RIGHT HERE.
496
00:27:58,860 --> 00:28:00,220
HOLD THAT.
497
00:28:00,260 --> 00:28:02,240
THANK YOU.
498
00:28:10,770 --> 00:28:13,670
15.1.
499
00:28:15,120 --> 00:28:18,140
15.1.
500
00:28:18,180 --> 00:28:19,570
EXCUSE ME.
501
00:28:19,610 --> 00:28:21,310
THANK YOU.
502
00:28:21,350 --> 00:28:23,880
15.1.
503
00:28:23,910 --> 00:28:26,080
15.1.
504
00:28:26,120 --> 00:28:29,940
DO YOU THINK
THAT'S AN ACCIDENT?
505
00:28:29,970 --> 00:28:31,870
Jason:
WHERE DID YOU LEARN THIS?
506
00:28:31,910 --> 00:28:34,110
Joey: DID YOU EVER HEAR
OF THE INTERNET?
507
00:28:34,140 --> 00:28:37,580
Jason: [ CHUCKLES ]
508
00:28:37,610 --> 00:28:40,780
CAN YOU PULL THIS OFF?
509
00:28:40,810 --> 00:28:42,250
Joey:
LOOK, WE HAVE A DEAL.
510
00:28:42,280 --> 00:28:44,080
I EXPLAINED WHY GUS' PLAN
WON'T WORK,
511
00:28:44,120 --> 00:28:45,550
AND I SHOWED YOU ONE THAT WILL.
512
00:28:45,590 --> 00:28:46,950
Jason: MM.
513
00:28:46,990 --> 00:28:49,600
Kelly:
MAKES TOTAL SENSE TO ME.
514
00:28:49,640 --> 00:28:52,290
NOW, IF YOU TWO WILL EXCUSE ME.
515
00:28:52,330 --> 00:28:55,760
MR. STEVENS. MR. ANDERSON.
516
00:28:55,800 --> 00:28:57,930
Joey: MISS JAMES.
517
00:29:01,720 --> 00:29:03,120
NOW, I WANT TO KNOW THE TRUTH
518
00:29:03,150 --> 00:29:05,100
ABOUT WHAT'S GOING ON
AROUND HERE.
519
00:29:08,480 --> 00:29:10,480
Jason:
CAN I BUY YOU LUNCH?
520
00:29:10,510 --> 00:29:12,660
Joey:
YEAH. LET'S GO.
521
00:29:19,000 --> 00:29:23,560
[ INDISTINCT CONVERSATIONS ]
522
00:29:23,590 --> 00:29:25,460
Kim: YOU GENTS KNOW
WHAT YOU WANT?
523
00:29:25,490 --> 00:29:27,390
Joey: TWO OF WHATEVER
HE'S HAVING.
524
00:29:27,430 --> 00:29:29,560
Jason:
UH, TWO BURGERS.
525
00:29:29,600 --> 00:29:31,560
NO ONIONS. NO ONIONS?
526
00:29:31,600 --> 00:29:34,920
UH, A COUPLE OF ROOT BEERS.
527
00:29:34,950 --> 00:29:37,740
Joey:
YOU PROMISED ME INFORMATION.
528
00:29:37,770 --> 00:29:42,490
Jason: THE WILL DETAILS A SERIES
OF STEPS YOU HAVE TO TAKE --
529
00:29:42,530 --> 00:29:43,790
Joey: STEPS?
530
00:29:43,830 --> 00:29:46,130
Jason: YEAH.
531
00:29:46,160 --> 00:29:48,160
THANK YOU.
532
00:29:48,200 --> 00:29:51,180
LOOK, WHEN MY GRANDFATHER DIED,
533
00:29:51,220 --> 00:29:54,620
HE LEFT BEHIND A SERIES
OF MESSAGES FOR ME.
534
00:29:54,660 --> 00:29:58,320
HE CALLED THEM GIFTS,
LEADING UP TO THE ULTIMATE GIFT.
535
00:29:58,360 --> 00:30:01,190
NOW, I HAD A NUMBER
OF TASKS TO COMPLETE
536
00:30:01,230 --> 00:30:03,850
BEFORE I RECEIVED
MY INHERITANCE.
537
00:30:03,880 --> 00:30:07,480
HE WANTED TO ENSURE
WHOEVER TOOK OVER THE ESTATE
538
00:30:07,520 --> 00:30:09,280
UNDERSTOOD AND RESPECTED IT.
539
00:30:09,320 --> 00:30:13,140
Joey:
AND HE PICKED YOU.
540
00:30:13,170 --> 00:30:15,090
Jason:
LOOK, HE GAVE ME A CHANCE.
541
00:30:15,130 --> 00:30:17,430
THE STEVENS FOUNDATION
IS NOW FUNDED
542
00:30:17,460 --> 00:30:19,440
BY THE ESTATE OF RED STEVENS.
543
00:30:19,480 --> 00:30:21,460
Joey:
AND YOU'RE THE C.E.O.
544
00:30:21,500 --> 00:30:22,860
[ CHUCKLES ]
545
00:30:22,900 --> 00:30:25,280
AND YOUR GRANDFATHER
LAID THESE STEPS.
546
00:30:25,320 --> 00:30:27,770
Jason:
NOT STEPS. GIFTS.
547
00:30:27,800 --> 00:30:30,240
Joey: RIGHT, RIGHT,
OF COURSE -- GIFTS.
548
00:30:32,830 --> 00:30:35,040
UH, KIM, DO YOU HAVE
A PEN I COULD BORROW?
549
00:30:35,080 --> 00:30:37,000
Kim: MM-HMM.
550
00:30:37,030 --> 00:30:38,580
Jason: THANK YOU.
551
00:30:40,030 --> 00:30:41,550
Joey: NAME 'EM.
552
00:30:41,590 --> 00:30:43,020
Jason: WELL, THE FIRST
IS THE GIFT OF WORK --
553
00:30:43,050 --> 00:30:45,690
Joey:
BRIEFLY, PLEASE.
554
00:30:45,720 --> 00:30:50,480
Jason:
WORK, MONEY, FRIENDS,
555
00:30:50,510 --> 00:30:53,310
LEARNING, PROBLEMS, FAMILY,
556
00:30:53,350 --> 00:30:56,880
LAUGHTER, DREAMS, GIVING,
557
00:30:56,920 --> 00:31:00,320
GRATITUDE, A DAY, AND LOVE.
558
00:31:00,350 --> 00:31:03,470
Joey: SOUNDS LIKE LOYAL, BRAVE,
REVERENT, TRUSTWORTHY,
559
00:31:03,510 --> 00:31:06,340
FRIENDLY, CLEAN,
COURTEOUS, KIND,
560
00:31:06,380 --> 00:31:09,410
HELPFUL, CHEERFUL, AND HONOR.
561
00:31:09,450 --> 00:31:11,280
Jason: YOU A SCOUT?
562
00:31:12,880 --> 00:31:16,400
Joey: SO, I LITERALLY HAVE TO
COMPLETE THE 12-STEP PROGRAM?
563
00:31:16,440 --> 00:31:19,600
Jason: LOOK, WE'RE ALL TRYING
TO FULFILL MISS SALLY'S WISH
564
00:31:19,640 --> 00:31:22,170
TO PROTECT THE LEGACY
OF THE ANDERSON HOUSE.
565
00:31:22,210 --> 00:31:23,530
Joey: LEGACY?
566
00:31:26,600 --> 00:31:28,730
WHAT DOES THAT WORD MEAN TO YOU?
567
00:31:28,770 --> 00:31:34,540
I'M AN ONLY CHILD,
AND NOW THEY'RE ALL DEAD.
568
00:31:34,570 --> 00:31:38,910
I'M HAPPY TO LET THE ANDERSON
HOUSE LEGACY DIE WITH THEM.
569
00:31:40,490 --> 00:31:43,060
Kim: IS THERE SOMETHING WRONG
WITH YOUR BURGERS?
570
00:31:43,100 --> 00:31:44,460
Joey: NOT AT ALL,
571
00:31:44,500 --> 00:31:46,260
BUT WOULD YOU MIND
BOXING THEM UP FOR US?
572
00:31:46,300 --> 00:31:48,070
Kim: SURE THING.
573
00:31:48,100 --> 00:31:50,440
Joey: THANK YOU.
574
00:31:54,570 --> 00:31:58,610
Jason: I THINK YOU AND I GOT OFF
ON THE WRONG FOOT.
575
00:31:58,650 --> 00:32:00,750
Joey: I WANT THE ORIGINAL COPY
OF THE WILL.
576
00:32:00,780 --> 00:32:02,250
Jason:
YOU ALREADY HAVE IT.
577
00:32:02,280 --> 00:32:04,120
Joey: NO, I'M TALKING
ABOUT THE NOTEBOOK.
578
00:32:04,150 --> 00:32:05,420
Jason: WHAT NOTEBOOK?
579
00:32:05,450 --> 00:32:06,930
Joey:
[ CHUCKLES LIGHTLY ]
580
00:32:06,970 --> 00:32:09,960
MISS SALLY
NEVER USED COMPUTERS.
581
00:32:09,990 --> 00:32:12,790
AND I SERIOUSLY DOUBT
THAT SHE DICTATED
582
00:32:12,830 --> 00:32:14,410
300 PAGES OF LEGALESE.
583
00:32:14,440 --> 00:32:17,480
THERE'S A NOTEBOOK,
AND I WANT IT.
584
00:32:17,510 --> 00:32:19,600
Jason: ALL RIGHT.
585
00:32:22,840 --> 00:32:24,470
[ CLEARS THROAT ]
586
00:32:26,670 --> 00:32:30,980
YES, MR. ANDERSON IS REQUESTING
587
00:32:31,010 --> 00:32:32,890
MISS SALLY'S ORIGINAL COPY
OF THE WILL.
588
00:32:32,930 --> 00:32:35,500
HE BELIEVES IT'S IN
A HANDWRITTEN NOTEBOOK.
589
00:32:35,530 --> 00:32:39,080
OH, REALLY?
590
00:32:39,120 --> 00:32:41,250
WELL, WE'LL SWING BY
AND PICK IT UP.
591
00:32:41,290 --> 00:32:43,740
THANKS.
592
00:32:43,770 --> 00:32:46,010
LET'S GO.
593
00:32:46,040 --> 00:32:47,810
Joey: GREAT.
594
00:32:54,480 --> 00:32:56,850
[ BELL JINGLES ]
595
00:33:06,180 --> 00:33:09,550
YOU GUYS, UH, YOU HUNGRY?
596
00:33:10,750 --> 00:33:12,050
HERE.
597
00:33:12,090 --> 00:33:13,820
Man: THANK YOU.
598
00:33:13,850 --> 00:33:15,520
Joey: OF COURSE.
599
00:33:15,560 --> 00:33:17,340
ENJOY.
600
00:33:17,370 --> 00:33:20,940
AND BY THE WAY,
HOW MUCH DID YOU INHERIT?
601
00:33:20,980 --> 00:33:24,150
Jason: $100 MILLION.
602
00:33:24,180 --> 00:33:26,350
Joey: [ WHISTLES ]
603
00:33:28,820 --> 00:33:30,400
WHAT DID YOU DO WITH IT?
604
00:33:30,440 --> 00:33:32,840
Jason: I GAVE IT AWAY.
605
00:33:32,870 --> 00:33:34,120
Joey: ALL OF IT?
606
00:33:34,160 --> 00:33:35,520
Jason: ALL OF IT.
607
00:33:35,560 --> 00:33:38,140
Joey: WELL, IN THAT CASE,
THANKS FOR LUNCH.
608
00:33:38,180 --> 00:33:40,680
[ ENGINE STARTS ]
609
00:33:55,610 --> 00:33:58,600
WHY DIDN'T YOU MENTION THIS
BEFORE I SIGNED THE CONTRACT?
610
00:33:58,630 --> 00:33:59,930
Angelica:
IT CONTAINS A CLAUSE
611
00:33:59,970 --> 00:34:01,730
THAT STATES ANY HEIR WHO --
612
00:34:01,770 --> 00:34:03,650
Joey: WHO CONTESTS THE WILL IS
AUTOMATICALLY DISINHERITED.
613
00:34:03,690 --> 00:34:04,870
WHY DIDN'T YOU MENTION THIS?
614
00:34:04,910 --> 00:34:06,450
Angelica:
IT WASN'T A STIPULATION.
615
00:34:22,320 --> 00:34:24,720
Jason:
SOMETHING ON YOUR MIND?
616
00:34:27,560 --> 00:34:29,780
Joey:
WHAT I CAN'T QUITE FIGURE OUT
617
00:34:29,810 --> 00:34:31,950
IS THE CONNECTION
BETWEEN MY GRANDMOTHER
618
00:34:31,980 --> 00:34:33,550
AND RED STEVENS.
619
00:34:34,490 --> 00:34:37,790
I MEAN, SOMETHING HAD TO BE
GOING ON BETWEEN THOSE TWO
620
00:34:37,820 --> 00:34:39,570
FOR THEM TO BE SO CLOSE.
621
00:34:39,610 --> 00:34:41,260
YOU THINK?
622
00:34:41,290 --> 00:34:43,910
I MEAN, WHY ELSE WOULD SHE
IMPOSE THE SAME RULES ON ME
623
00:34:43,940 --> 00:34:48,730
THAT YOUR GRANDFATHER IMPOSED
ON YOU?
624
00:34:48,770 --> 00:34:52,300
MAYBE THEY HAD A THING
FOR EACH OTHER.
625
00:34:54,170 --> 00:34:56,090
Jason:
WHAT ARE YOU IMPLYING?
626
00:34:56,120 --> 00:34:59,110
Joey:
THEY MUST HAVE BEEN VERY,
627
00:34:59,140 --> 00:35:02,040
VERY CLOSE.
628
00:35:02,080 --> 00:35:05,850
BUT PROBABLY CLOSER
BEHIND CLOSED DOORS.
629
00:35:08,690 --> 00:35:11,590
[ ENGINE SHUTS OFF ]
630
00:35:11,620 --> 00:35:13,960
WHAT, ARE WE WALKING
THE REST OF WAY?
631
00:35:16,430 --> 00:35:20,800
Jason: THOSE TWO PEOPLE WERE
GOD'S GIFT TO THE WORLD!
632
00:35:20,830 --> 00:35:22,960
THEY DID MORE THAN YOU COULD
EVER HOPE TO DO.
633
00:35:23,000 --> 00:35:25,500
Joey:
HEY, HEY, HEY. RELAX.
634
00:35:25,540 --> 00:35:28,340
IT'S ALL GOOD.
635
00:35:28,370 --> 00:35:30,170
YOU GOT YOURS.
I GET THAT.
636
00:35:30,210 --> 00:35:32,040
I'M JUST TRYING TO GET MINE.
637
00:35:35,950 --> 00:35:38,510
YOU SAID YOU UNDERSTOOD WHAT
I WAS GOING THROUGH, RIGHT?
638
00:35:38,550 --> 00:35:40,520
I DIDN'T MAKE THAT UP!
639
00:35:43,740 --> 00:35:47,440
YOU FEEL THAT, RIGHT THERE?
640
00:35:47,470 --> 00:35:49,470
I CAN FEEL IT.
641
00:35:49,510 --> 00:35:52,290
HEART RACING, TEMPLES BOUNDING,
642
00:35:52,330 --> 00:35:53,660
BLOOD COURSING THROUGH
YOUR VEINS
643
00:35:53,700 --> 00:35:55,350
SO YOU FEEL LIKE
YOU'RE ABOUT TO EXPLODE.
644
00:35:55,380 --> 00:35:56,650
YOU FEEL THAT?!
645
00:36:01,320 --> 00:36:03,860
Jason: ARE YOU DONE?
646
00:36:07,510 --> 00:36:11,150
Joey: TRY TO IMAGINE LIVING
WITH THAT EVERY DAY
647
00:36:11,180 --> 00:36:13,180
WHILE EVERYONE WHO IS SUPPOSED
TO LOVE YOU
648
00:36:13,220 --> 00:36:16,180
WANDERS FROM ONE PARTY
TO THE NEXT...
649
00:36:16,220 --> 00:36:18,550
AND YOU MIGHT HAVE
A SHADOW OF A CLUE
650
00:36:18,590 --> 00:36:21,020
OF WHAT I'M GOING THROUGH
651
00:36:21,060 --> 00:36:23,890
AND WHY I DON'T TRUST YOU...
652
00:36:23,930 --> 00:36:26,380
OR ANYBODY ELSE.
653
00:36:30,730 --> 00:36:33,430
[ ENGINE STARTS ]
654
00:36:54,810 --> 00:36:59,490
YOU KNOW, I'M THINKING
IF I COMPLETE THIS
655
00:36:59,530 --> 00:37:02,230
12-STEP PROGRAM
BEFORE THE YEAR'S UP,
656
00:37:02,270 --> 00:37:04,600
CAN I LEAVE EARLY?
657
00:37:04,640 --> 00:37:07,540
Jason: LET'S JUST TAKE IT
A DAY AT A TIME.
658
00:37:09,270 --> 00:37:12,140
OH. HERE.
659
00:37:14,280 --> 00:37:19,080
IT'S FOR THE
MEMORIAL GARDEN -- ONLY.
660
00:37:19,120 --> 00:37:22,050
DON'T GET ANY BRIGHT IDEAS.
661
00:37:22,090 --> 00:37:26,450
Joey: I'M FULL OF BRIGHT
IDEAS, MR. STEVENS.
662
00:37:28,830 --> 00:37:30,590
Jason: [ SIGHS ]
663
00:37:52,800 --> 00:37:55,800
Joey:
EXCUSE ME? UH, EXCUSE ME.
664
00:37:55,840 --> 00:37:57,440
I ALREADY HAD THESE ON HOLD.
665
00:37:57,470 --> 00:38:00,140
YOU SEE THE LITTLE RED TAGS
RIGHT HERE? THEY'RE...
666
00:38:00,170 --> 00:38:02,110
KELLY?
667
00:38:02,140 --> 00:38:05,660
Kelly: I, UH, DIDN'T
FANCY YOU A GREEN THUMB.
668
00:38:05,700 --> 00:38:08,330
Joey: OH, BUT YOU DO FANCY
ME, THEN, HUH?
669
00:38:08,370 --> 00:38:10,230
Kelly: HA HA.
670
00:38:10,270 --> 00:38:13,080
Joey: SO, ARE YOU LOOKING
TO BUY THOSE?
671
00:38:13,120 --> 00:38:15,070
Kelly:
WHY, DO YOU WANT 'EM?
672
00:38:15,100 --> 00:38:16,340
Joey: WHAT, THE TREES?
673
00:38:16,370 --> 00:38:19,010
Kelly: WHAT ELSE?
[ CHUCKLES ]
674
00:38:19,040 --> 00:38:23,160
Joey: YOU DON'T LIKE ME,
DO YOU, KELLY?
675
00:38:23,200 --> 00:38:25,850
OR SHOULD I SAY, MISS JAMES?
676
00:38:25,880 --> 00:38:28,620
Kelly:
DO YOU CARE, MR. ANDERSON?
677
00:38:28,650 --> 00:38:30,250
[ BOTH CHUCKLE ]
678
00:38:30,290 --> 00:38:31,920
Joey:
YOU GONNA BUY THOSE OR NOT?
679
00:38:31,960 --> 00:38:33,470
Kelly: [ CHUCKLES ]
680
00:38:33,510 --> 00:38:36,640
ARE WE ONLY COMMUNICATING
IN QUESTIONS NOW OR...?
681
00:38:36,680 --> 00:38:39,660
Joey: YOU'RE DIFFERENT
OFF THE CLOCK.
682
00:38:39,700 --> 00:38:41,700
Kelly:
OH? MOST PEOPLE ARE.
683
00:38:41,730 --> 00:38:44,030
MR. WORLD TRAVELER.
684
00:38:44,070 --> 00:38:46,180
Joey:
OH! THAT WAS GOOD.
685
00:38:46,220 --> 00:38:47,720
[ LAUGHS ]
686
00:38:47,750 --> 00:38:49,120
Kelly: AH, ALL RIGHT.
687
00:38:49,160 --> 00:38:50,660
HOW ABOUT YOU TAKE THAT ONE,
688
00:38:50,690 --> 00:38:52,820
AND I'LL GET THE OTHER ONE?
689
00:38:52,860 --> 00:38:55,510
Joey: OH, I GET IT.
YOU WANT THE BIG ONE.
690
00:38:55,550 --> 00:38:57,660
Kelly: YEAH.
IS THAT ALL RIGHT WITH YOU?
691
00:38:57,700 --> 00:38:58,950
Joey:
OH, NO, THAT'S FINE.
692
00:38:58,980 --> 00:39:01,830
I PREFER THE SMALL FEISTY ONES.
693
00:39:08,840 --> 00:39:10,740
[ SIGHS ]
694
00:39:10,780 --> 00:39:15,080
ALL RIGHT, GRAMMY G.,
THIS BETTER BE GOOD.
695
00:39:17,550 --> 00:39:20,350
OKAY.
696
00:39:20,390 --> 00:39:24,890
HEY, BUDDY. GOOD BOY.
GOOD BOY.
697
00:39:24,920 --> 00:39:26,760
[ REVERSE SIGNAL BEEPING ]
698
00:39:33,430 --> 00:39:35,750
Gus: [ CHUCKLES ]
699
00:39:35,790 --> 00:39:37,720
WHAT IN THE WORLD
DOES HE THINK HE'S DOING?
700
00:39:37,750 --> 00:39:39,590
Jason: I DON'T KNOW.
701
00:39:39,620 --> 00:39:41,720
WELL, I'D LOVE TO STAY
AND WATCH THIS,
702
00:39:41,760 --> 00:39:43,520
BUT I GOT TO GET BACK TO WORK.
703
00:39:43,560 --> 00:39:45,260
Gus: [ CHUCKLES ]
704
00:39:45,300 --> 00:39:47,860
WELL, DON'T WORRY ABOUT IT.
I'LL KEEP AN EYE ON HIM.
705
00:39:50,950 --> 00:39:52,420
Jason: LADIES.
706
00:39:56,290 --> 00:39:57,760
[ KNOCK ON DOOR ]
707
00:39:57,790 --> 00:39:59,920
HEY, WHAT'S UP?
708
00:39:59,960 --> 00:40:03,130
Alexia: OH, YOU KNOW,
MY HUSBAND'S M.I.A.,
709
00:40:03,160 --> 00:40:04,960
AND I CAME LOOKING FOR HIM.
710
00:40:05,000 --> 00:40:07,600
Jason: [ CHUCKLES ]
WELL, I HOPE YOU FOUND HIM.
711
00:40:07,630 --> 00:40:11,540
Alexia:
I THINK I'M GETTING WARMER.
712
00:40:11,570 --> 00:40:13,400
WHAT'S ON YOUR MIND?
713
00:40:13,440 --> 00:40:19,030
Jason: [ SIGHS ] WHAT DO YOU
KNOW ABOUT LEGAL PRECEDENT?
714
00:40:19,060 --> 00:40:21,730
Alexia: [ SIGHS ] I KNOW THAT
LEGALLY I AM YOUR WIFE,
715
00:40:21,770 --> 00:40:24,100
AND I THINK WE NEED TO TAKE
THE AFTERNOON OFF
716
00:40:24,130 --> 00:40:25,750
AND GO HAVE SOME FUN WITH CHLOE.
717
00:40:25,790 --> 00:40:27,140
Jason:
OH, DON'T TEMPT ME.
718
00:40:27,170 --> 00:40:28,800
Alexia: ALL RIGHT, COME ON.
I'M SERIOUS.
719
00:40:28,840 --> 00:40:31,870
YOU NEED A BREAK.
I NEED A BREAK.
720
00:40:31,910 --> 00:40:34,210
Jason: IT'S JUST THAT
I'M BACKLOGGED HERE,
721
00:40:34,240 --> 00:40:36,480
AND I NEED TO GET BACK
TO ANDERSON HOUSE.
722
00:40:36,510 --> 00:40:41,430
Alexia: DO YOU THINK THAT THIS
WHOLE SITUATION WITH JOEY
723
00:40:41,470 --> 00:40:44,020
IS JUST A LITTLE TOO MUCH?
724
00:40:46,090 --> 00:40:48,620
Jason:
I GOT IT, BABE.
725
00:40:48,660 --> 00:40:50,060
I PROMISE.
726
00:40:50,090 --> 00:40:52,090
Alexia: YEAH.
727
00:40:52,130 --> 00:40:54,160
Jason: WE'LL DO SOMETHING
WITH CHLO LATER.
728
00:40:54,200 --> 00:40:56,580
Alexia: OKAY.
729
00:40:56,620 --> 00:40:59,350
Jason: I LOVE YOU.
730
00:40:59,390 --> 00:41:01,350
Alexia: I LOVE YOU.
731
00:41:10,610 --> 00:41:12,580
Man:
THERE YOU GO.
732
00:41:12,620 --> 00:41:16,180
Joey: WAIT, THERE IS ONE
JAPANESE MAPLE TOO MANY HERE.
733
00:41:16,220 --> 00:41:17,850
Man: NO, NO, NO.
734
00:41:17,890 --> 00:41:20,460
WELL, OKAY, THESE ARE THE ONES
THAT YOU ORDERED, UH?
735
00:41:20,490 --> 00:41:23,260
AND THAT ONE THERE,
THAT ONE'S A GIFT.
736
00:41:23,290 --> 00:41:24,990
Joey: A GIFT, HUH?
737
00:41:25,030 --> 00:41:26,590
Man: MM-HMM.
738
00:41:26,630 --> 00:41:30,800
[ PEPPY MUSIC PLAYS ]
739
00:41:30,830 --> 00:41:33,330
Joey: WELL, THAT'S VERY NICE.
THANK YOU.
740
00:41:33,370 --> 00:41:34,640
Man: COME ON.
741
00:41:36,470 --> 00:41:39,120
♪ STRETCH OUT YOUR ARMS,
IT'S TIME ♪
742
00:41:39,160 --> 00:41:41,530
♪ TO LAY DOWN YOUR ARMS AND ♪
743
00:41:41,560 --> 00:41:43,610
♪ HELP EACH OTHER ♪
744
00:41:43,650 --> 00:41:45,980
♪ ALL OUR SISTERS AND BROTHERS ♪
745
00:41:46,020 --> 00:41:48,650
♪ AND WHEN WILL WE
GIVE UP THE FIGHT? ♪
746
00:41:48,680 --> 00:41:51,070
♪ IT NEVER WAS A FIGHT ♪
747
00:41:51,100 --> 00:41:54,040
♪ TO HURT EACH OTHER ♪
748
00:41:54,070 --> 00:41:56,290
♪ ALL OUR SISTERS
AND BROTHERS ♪
749
00:41:56,330 --> 00:41:59,410
♪ WHEN YOU DON'T HAVE
THE WORDS ♪
750
00:41:59,450 --> 00:42:01,350
♪ TO EXPLAIN THE HURT ♪
751
00:42:01,380 --> 00:42:02,750
♪ YOU CAN LEAN ON ME ♪
752
00:42:02,780 --> 00:42:04,180
♪ WHEN THE BULLETS
ARE FLYING ♪
753
00:42:04,220 --> 00:42:05,580
♪ LEAN ON ME ♪
754
00:42:05,600 --> 00:42:07,250
♪ WHEN NOBODY WAS SURVIVING ♪
755
00:42:07,290 --> 00:42:08,550
♪ LEAN ON ME ♪
756
00:42:08,590 --> 00:42:11,810
♪ WHEN YOU DON'T HAVE A HOLD ♪
757
00:42:11,840 --> 00:42:13,670
♪ YOU CAN LEAN ON ME ♪
758
00:42:16,200 --> 00:42:18,510
[ HUMMING ]
759
00:42:24,910 --> 00:42:26,690
Hawthorne:
REMINDS ME OF MISS SALLY
760
00:42:26,720 --> 00:42:28,820
THE WAY HE SETS HIS MIND
TO THINGS.
761
00:42:28,860 --> 00:42:31,890
ARRANGEMENTS HAVE TO BE JUST SO.
762
00:42:31,930 --> 00:42:34,500
Oscar: I WISH HE APPLIED THAT
TO HIS BEDROOM.
763
00:42:34,530 --> 00:42:38,200
Hawthorne: [ SCOFFS ]
INDEED. [ CHUCKLES ]
764
00:42:38,230 --> 00:42:40,000
♪ SEE, THEY SAY THEY KNOW ♪
765
00:42:40,040 --> 00:42:41,500
CARRY ON.
766
00:42:41,540 --> 00:42:44,220
♪ BUT WHEN HAVE THEY EVER
KNOWN HOW ♪
767
00:42:44,260 --> 00:42:46,360
♪ TO HELP EACH OTHER? ♪
768
00:42:46,390 --> 00:42:48,560
♪ ALL OUR SISTERS AND BROTHERS ♪
769
00:42:48,590 --> 00:42:51,060
♪ AND WHEN WILL WE GIVE UP
THE FIGHT ♪
770
00:42:51,100 --> 00:42:53,600
♪ IT NEVER WAS A FIGHT ♪
771
00:42:53,630 --> 00:42:56,930
♪ TO HURT EACH OTHER ♪
772
00:42:56,970 --> 00:42:59,020
♪ ALL THE SISTERS
AND BROTHERS ♪
773
00:42:59,060 --> 00:43:00,620
♪ WHEN YOU DON'T HAVE
THE WORDS ♪
774
00:43:00,660 --> 00:43:02,220
Kelly: [ GASPS ]
775
00:43:02,260 --> 00:43:03,740
♪ TO EXPLAIN THE HURT ♪
776
00:43:03,780 --> 00:43:04,930
Joey: OSCAR!
777
00:43:04,960 --> 00:43:06,130
♪ YOU CAN LEAN ON ME ♪
778
00:43:06,160 --> 00:43:07,380
OSCAR, COME HERE!
779
00:43:07,410 --> 00:43:09,150
♪ LEAN ON ME ♪
780
00:43:09,180 --> 00:43:11,220
♪ LEAN ON ME ♪
781
00:43:11,250 --> 00:43:13,980
♪ WHEN YOU DON'T HAVE A HOLD ♪
782
00:43:14,020 --> 00:43:17,200
♪ YOU CAN LEAN ON ME ♪
783
00:43:17,240 --> 00:43:20,070
♪ LEAN ON ME ♪
784
00:43:20,110 --> 00:43:23,080
♪ LEAN ON ME ♪
785
00:43:23,110 --> 00:43:25,050
♪ THAT'S SO GOOD ♪
786
00:43:25,080 --> 00:43:26,950
♪ LEAN ON ME ♪
787
00:43:26,980 --> 00:43:29,270
Oscar: [ SCREAMING ]
788
00:43:29,300 --> 00:43:31,070
♪ AND FOR MY SISTERS ♪
789
00:43:31,100 --> 00:43:33,820
Joey: TO THE LEFT!
790
00:43:33,860 --> 00:43:36,670
Kelly: [ LAUGHS ]
791
00:43:36,710 --> 00:43:39,140
♪ I WON'T STOP TRYING ♪
792
00:43:39,180 --> 00:43:41,510
♪ AND I WON'T STOP FIGHTING ♪
793
00:43:41,550 --> 00:43:44,450
♪ HERE'S MY SHOULDER ♪
794
00:43:44,480 --> 00:43:47,120
♪ YOU CAN --
YOU CAN LEAN ON ME ♪
795
00:43:47,150 --> 00:43:48,920
♪ WHEN THE BULLETS
START FLYING ♪
796
00:43:48,950 --> 00:43:50,170
-Joey: THANK YOU.
-♪ LEAN ON ME ♪
797
00:43:50,210 --> 00:43:51,610
Kelly: [ LAUGHS ]
798
00:43:51,640 --> 00:43:52,860
♪ LEAN ON ME ♪
799
00:43:52,890 --> 00:43:56,340
♪ WHEN YOU DON'T HAVE A HOLD ♪
800
00:43:56,380 --> 00:43:57,950
♪ YOU CAN LEAN ON ME ♪
801
00:43:57,980 --> 00:44:00,310
♪ FOR MY BROTHERS ♪
802
00:44:00,350 --> 00:44:02,350
♪ AND FOR MY SISTERS ♪
803
00:44:02,380 --> 00:44:05,190
♪ HERE'S MY SHOULDER ♪
804
00:44:05,220 --> 00:44:10,440
♪ YOU CAN LEAN ON ME ♪
805
00:44:10,480 --> 00:44:12,340
[ LAUGHS ]
806
00:44:15,300 --> 00:44:16,860
Gus:
WHEN DOES THAT KID EAT?
807
00:44:16,900 --> 00:44:19,050
Oscar: HE EATS ALL THE TIME,
SOLITARY LIKE.
808
00:44:19,090 --> 00:44:20,620
I DELIVER HIS MEALS TO HIS ROOM.
809
00:44:20,650 --> 00:44:22,190
Claudia:
POOR CHILD CAN'T COOK,
810
00:44:22,220 --> 00:44:24,350
UNLESS YOU COUNT
USING THIS BLENDER.
811
00:44:24,390 --> 00:44:26,360
Oscar: MR. ANDERSON CONCOCTED
A GREEN ENERGY DRINK
812
00:44:26,390 --> 00:44:28,280
OF HIS OWN DESIGN.
IT'S PRETTY GOOD ACTUALLY.
813
00:44:28,310 --> 00:44:29,940
Hawthorne: YES, QUITE.
814
00:44:29,980 --> 00:44:31,350
Gus:
WELL, WHAT'S IN IT?
815
00:44:31,380 --> 00:44:33,300
Oscar: KALE, SPINACH,
DANDELION LEAVES,
816
00:44:33,330 --> 00:44:36,330
GINGER, A BANANA, FROZEN
BLUEBERRIES, STRAWBERRIES,
817
00:44:36,370 --> 00:44:37,730
AN APPLE AND...
818
00:44:37,770 --> 00:44:39,300
Hawthorne:
A DASH OF CINNAMON.
819
00:44:39,340 --> 00:44:40,740
Oscar: A DASH OF CINNAMON.
HOW COULD I FORGET THAT?
820
00:44:40,770 --> 00:44:42,910
Hawthorne: IT GIVES IT A CERTAIN
JE NE SAIS QUOI.
821
00:44:42,940 --> 00:44:44,910
Oscar: I WAS JUST GOING
TO SAY THAT --
822
00:44:44,940 --> 00:44:46,510
IF I KNEW WHAT IT MEANT.
823
00:44:46,550 --> 00:44:48,780
Gus:
WELL, HEY, LET'S TRY IT.
824
00:44:53,050 --> 00:44:57,520
[ COUGHS ] GAHH!
825
00:44:57,560 --> 00:45:00,210
JE NE SAIS QUOI, HUH?
[ COUGHS ]
826
00:45:13,740 --> 00:45:16,370
Joey:
I HOPE YOU LIKE IT, GRAMMY G.
827
00:45:16,410 --> 00:45:18,840
♪ EACH TIME ♪
828
00:45:18,880 --> 00:45:20,280
IS SHE GONNA LIKE IT, BUDDY?
829
00:45:20,310 --> 00:45:22,110
♪ THE RIVER FLOWS ♪
830
00:45:22,150 --> 00:45:23,750
SHE'S GONNA LIKE IT.
831
00:45:23,780 --> 00:45:26,670
♪ AN EAGLE FLIES ♪
832
00:45:26,700 --> 00:45:31,270
♪ I'LL REMEMBER YOU♪
833
00:45:32,440 --> 00:45:33,560
Jason: [ SIGHS ]
834
00:45:33,590 --> 00:45:35,410
YEAH, ALL RIGHT.
WAIT, WAIT.
835
00:45:35,440 --> 00:45:37,180
CAN I TAKE A LOOK AT THAT?
836
00:45:37,210 --> 00:45:39,680
Gus: HERE WE GO. SEE?
837
00:45:39,720 --> 00:45:41,570
I TOLD YOU HE WASN'T A VEGAN.
838
00:45:41,600 --> 00:45:44,050
Hawthorne: HOW DO YOU KNOW
SOMEONE IS VEGAN?
839
00:45:44,090 --> 00:45:47,790
Gus: BECAUSE THEY'LL TELL YA,
OVER AND OVER.
840
00:45:47,820 --> 00:45:50,390
COME ON.
841
00:45:50,430 --> 00:45:52,880
-$20. GOOD MAN.
-Jason: [ CHUCKLES ]
842
00:45:52,910 --> 00:45:54,090
Hawthorne: OSCAR.
843
00:45:54,130 --> 00:45:55,600
Gus: [ CHUCKLES ]
844
00:46:05,580 --> 00:46:08,440
Joey:
DON'T YOU HAVE A LIFE?
845
00:46:08,480 --> 00:46:12,150
Jason: WELL, I HAVE A WIFE
AND A DAUGHTER I LOVE VERY MUCH,
846
00:46:12,180 --> 00:46:14,150
AND A MULTI-MILLION-DOLLAR
FOUNDATION
847
00:46:14,180 --> 00:46:16,930
THAT PROVIDES ME WITH
EXTRAORDINARILY FULFILLING WORK.
848
00:46:16,970 --> 00:46:19,550
Joey:
DON'T YOU MISS YOUR FREEDOM?
849
00:46:19,590 --> 00:46:22,820
Jason: WELL, I MISS THINGS
I USED TO HAVE TIME FOR.
850
00:46:22,860 --> 00:46:24,310
Joey: LIKE?
851
00:46:24,340 --> 00:46:26,310
Jason:
LIKE DATES WITH MY WIFE.
852
00:46:26,350 --> 00:46:28,780
LIKE RIGHT NOW, FOR EXAMPLE,
I'D MUCH RATHER BE WITH HER.
853
00:46:28,810 --> 00:46:31,430
Joey: WELL,
YOU DON'T HAVE TO STAY HERE.
854
00:46:31,470 --> 00:46:33,430
IT'S NOT LIKE THEY CAN FIRE YOU.
855
00:46:33,470 --> 00:46:35,300
Jason:
WELL, THAT'S TRUE.
856
00:46:35,340 --> 00:46:38,210
Joey: WHAT ABOUT THE REST OF
YOUR FAMILY? WHERE'S YOUR DAD?
857
00:46:41,810 --> 00:46:44,480
Jason: HE WAS KILLED IN
A PLANE CRASH WHEN I WAS 12.
858
00:46:44,510 --> 00:46:46,960
Joey: SO, YOU RAISED
YOURSELF TOO, HUH?
859
00:46:47,000 --> 00:46:50,830
Jason: YEAH, AND MY GRANDFATHER
WASN'T TOO IMPRESSED, THOUGH.
860
00:46:50,870 --> 00:46:52,700
Joey:
YEAH, I GATHERED.
861
00:46:52,740 --> 00:46:56,670
HERE. HERE IT IS.
DIDN'T NEED IT.
862
00:46:56,710 --> 00:46:57,880
Jason:
WELL, HOW DID YOU --
863
00:46:57,910 --> 00:46:59,090
Joey: BARTER.
864
00:46:59,130 --> 00:47:00,800
EACH MAN GOT A FREE WEEKEND
865
00:47:00,830 --> 00:47:03,260
AT ANDERSON HOUSE
WITH THEIR FAMILIES.
866
00:47:03,300 --> 00:47:05,500
Jason:
DID YOU RUN THIS BY ANYBODY?
867
00:47:05,530 --> 00:47:08,140
Joey: NO. DO YOU HAVE
A PROBLEM WITH THAT?
868
00:47:08,170 --> 00:47:09,440
Jason: I DON'T, BUT --
869
00:47:09,470 --> 00:47:10,940
Joey:
IT'LL BE FINE, THEN.
870
00:47:10,970 --> 00:47:14,640
SO, UH, HOW'S THE MEMORIAL
871
00:47:14,680 --> 00:47:18,060
MEASURE UP TO THE FENCE
YOU BUILT AT GUS' RANCH?
872
00:47:18,100 --> 00:47:20,230
Jason:
HOW DO YOU KNOW ABOUT THAT?
873
00:47:20,270 --> 00:47:22,530
Joey: LET ME FINISH RUNNING THIS
TRAY, AND I'LL TELL YA.
874
00:47:30,280 --> 00:47:32,580
I'VE WATCHED THEM ALL.
875
00:47:32,610 --> 00:47:34,010
Jason: [ SCOFFS ]
876
00:47:34,050 --> 00:47:36,050
WHERE DID YOU GET THOSE?
877
00:47:36,080 --> 00:47:39,320
Joey: THERE'S NOTHING ABOUT
ANDERSON HOUSE I DON'T KNOW,
878
00:47:39,350 --> 00:47:42,650
EXCEPT WHY MY GRANDMOTHER
DRAGGED ME BACK HERE FOR A YEAR.
879
00:47:42,690 --> 00:47:46,190
SO, I DID SOME DIGGING.
880
00:47:50,730 --> 00:47:53,980
Jason: WELL, SHE MUST HAVE
HAD HER REASONS.
881
00:47:54,020 --> 00:47:56,250
HOW OLD WERE YOU
WHEN YOUR DAD DIED?
882
00:47:59,220 --> 00:48:01,760
Joey: NOT OLD ENOUGH.
883
00:48:04,690 --> 00:48:07,400
Jason: DID YOU TWO HAVE
A GOOD RELATIONSHIP?
884
00:48:08,600 --> 00:48:10,410
Joey:
HE LOVED ME AND MY MOM.
885
00:48:10,450 --> 00:48:15,290
WE, UH...
886
00:48:15,320 --> 00:48:19,770
WE MOVED BACK HERE
WHEN MY MOM GOT SICK,
887
00:48:19,810 --> 00:48:25,060
AND WHEN SHE DIED
EVERYTHING CHANGED.
888
00:48:25,100 --> 00:48:28,430
HE STARTED DRINKING.
889
00:48:28,470 --> 00:48:32,200
COULDN'T STAND IT.
890
00:48:32,240 --> 00:48:34,140
[ SIGHS ]
891
00:48:34,170 --> 00:48:36,270
Jason:
COULDN'T STAND WHAT?
892
00:48:38,330 --> 00:48:39,930
Joey:
HE COULDN'T STAND THAT
893
00:48:39,960 --> 00:48:42,380
EVEN THOUGH HE HAD ALL THE MONEY
IN THE WORLD
894
00:48:42,420 --> 00:48:45,300
HE COULDN'T SAVE MY MOTHER.
895
00:48:45,340 --> 00:48:49,140
SO, UH, HE PUT A BULLET
THROUGH HIS HEAD.
896
00:48:53,610 --> 00:48:55,080
Jason: I'M SORRY.
897
00:48:55,110 --> 00:48:57,980
Joey: THAT IS NOT GONNA
HAPPEN TO ME.
898
00:49:01,980 --> 00:49:04,420
[ BREATHES DEEPLY ]
899
00:49:05,950 --> 00:49:10,490
THE GIFT OF MONEY
IS NEXT, RIGHT?
900
00:49:10,530 --> 00:49:12,660
HOW FITTING.
901
00:49:15,720 --> 00:49:18,280
Jason: GOODNIGHT, JOEY.
902
00:49:18,320 --> 00:49:20,480
I'LL SEE YA NEXT WEEK.
903
00:49:20,520 --> 00:49:24,490
♪ I'LL REMEMBER YOU ♪
904
00:49:24,520 --> 00:49:28,990
♪ AND YOU'LL BE THERE ♪
905
00:49:29,030 --> 00:49:32,780
♪ INSIDE MY MIND ♪
906
00:49:32,810 --> 00:49:36,250
♪ INSIDE MY SOUL ♪
907
00:49:36,290 --> 00:49:38,650
♪ WHERE THE REAL LOVE FLOWS ♪
908
00:49:38,690 --> 00:49:40,340
Gus:
YOU KNOW SOMETHING?
909
00:49:40,370 --> 00:49:42,260
Jason: HMM?
910
00:49:42,290 --> 00:49:45,140
Gus:
WELL, YOU CAN'T TELL ANYBODY.
911
00:49:45,180 --> 00:49:48,210
Jason: WHAT?
912
00:49:48,250 --> 00:49:54,500
Gus: I LIKE THIS DESIGN
A LOT MORE THAN I LIKE MINE.
913
00:49:54,540 --> 00:49:59,310
IT HAS A NICE, PEACEFUL ENERGY.
914
00:50:01,980 --> 00:50:06,680
Jason:
YEAH, YEAH, IT DOES.
915
00:50:06,720 --> 00:50:09,970
Gus:
I'LL BE LEAVING AT SUNUP.
916
00:50:10,000 --> 00:50:12,900
Jason:
I KNOW, GUS.
917
00:50:12,940 --> 00:50:15,160
THANK YOU.
918
00:50:15,190 --> 00:50:16,660
Gus: ALL RIGHT.
919
00:50:16,690 --> 00:50:25,630
♪ WHERE THE REAL LOVE FLOWS ♪
920
00:50:25,670 --> 00:50:27,840
[ CELLPHONE VIBRATING ]
921
00:50:30,940 --> 00:50:32,540
Jason: HELLO?
922
00:50:32,580 --> 00:50:34,220
Angelica: I HAVE YOU
ON SPEAKERPHONE.
923
00:50:34,260 --> 00:50:36,860
KELLY'S HERE.
HOW DID IT GO?
924
00:50:36,900 --> 00:50:41,520
Jason: DID YOU KNOW THAT
JOEY'S DAD SHOT HIMSELF?
925
00:50:46,240 --> 00:50:48,060
Can you hear me?
926
00:50:48,090 --> 00:50:50,160
Angelica: YES.
927
00:50:50,190 --> 00:50:53,160
Jason: YES, YOU CAN HEAR ME,
OR YES, YOU KNEW?
928
00:50:53,200 --> 00:50:55,580
Angelica: YES, I KNEW.
929
00:50:55,610 --> 00:50:59,280
We thought it would be better
if Joey trusted you enough
930
00:50:59,320 --> 00:51:01,620
to tell you himself,
931
00:51:01,650 --> 00:51:04,290
and he did.
932
00:51:04,320 --> 00:51:07,190
Jason: WELL, I THINK THAT
JOEY'S MORE THAN SATISFIED
933
00:51:07,230 --> 00:51:09,040
THE GIFT OF WORK.
934
00:51:09,080 --> 00:51:12,180
Angelica:
IS IT A FITTING TRIBUTE
TO MISS SALLY'S LEGACY?
935
00:51:12,210 --> 00:51:14,560
Jason:
IT'S A MINI TAKAMATSU RITSURIN.
936
00:51:14,600 --> 00:51:15,850
Kelly: [ CHUCKLES ]
937
00:51:15,880 --> 00:51:17,720
Angelica:
HOW MUCH DID IT COST?
938
00:51:17,750 --> 00:51:19,100
Jason: NOTHING.
939
00:51:19,140 --> 00:51:21,420
Kelly: NOTHING?
940
00:51:21,460 --> 00:51:23,760
Jason:
HE OFFERED A FREE WEEKEND
941
00:51:23,790 --> 00:51:27,140
to the families of the men who
provided labor and materials.
942
00:51:27,180 --> 00:51:30,280
Kelly: BUT I SAW HIM
AT THE GARDEN CENTER.
943
00:51:30,320 --> 00:51:32,080
JASON:
Did you see him pay?
944
00:51:32,120 --> 00:51:35,800
Kelly:
NO, BUT I BOUGHT A PLANT.
945
00:51:35,840 --> 00:51:38,640
Jason: WELL, I'M SURE HE
APPRECIATED YOUR DONATION.
946
00:51:38,670 --> 00:51:41,660
Angelica:
HMM. INTERESTING.
947
00:51:41,690 --> 00:51:44,330
LET'S SEE HOW HE HANDLES
THE GIFT OF MONEY.
948
00:51:44,360 --> 00:51:46,330
Jason: GOOD NIGHT.
949
00:51:53,610 --> 00:51:56,170
Alexia: HMM.
950
00:51:56,210 --> 00:52:01,050
THIS JOEY THING SURE HAS TAKEN
A LOT OUT OF YOU.
951
00:52:03,550 --> 00:52:05,580
Jason: YEAH, YEAH.
952
00:52:05,620 --> 00:52:07,820
I'D LIKE TO TAKE CHLO
WITH ME NEXT WEEK,
953
00:52:07,850 --> 00:52:09,000
IF THAT'S ALL RIGHT.
954
00:52:09,040 --> 00:52:10,850
Alexia: OH, YEAH, SURE.
955
00:52:10,890 --> 00:52:14,110
I THINK SHE COULD USE
A LITTLE DADDY-DAUGHTER TIME.
956
00:52:14,140 --> 00:52:17,310
Jason: SOMETIMES SHE'S THE ONLY
SENSIBLE ONE IN THE ROOM.
957
00:52:17,350 --> 00:52:19,460
Alexia: [ LAUGHS ]
958
00:52:19,500 --> 00:52:21,730
SOMETIMES.
959
00:52:24,120 --> 00:52:25,690
[ SIGHS ]
960
00:52:35,550 --> 00:52:39,770
Gus: WELL, YOU DID A GREAT JOB
ON THAT MEMORIAL, KID.
961
00:52:39,800 --> 00:52:43,890
NOW, MISS SALLY
WOULD BE REAL PROUD.
962
00:52:43,920 --> 00:52:45,820
Joey: [ SIGHS ]
963
00:52:45,860 --> 00:52:47,660
DOES THAT MEAN THAT I'M DONE
WITH THE GIFT OF WORK
964
00:52:47,690 --> 00:52:50,180
PART OF THIS GIG?
965
00:52:50,210 --> 00:52:52,560
Gus:
LOOK, I WAS WRONG ABOUT YOU.
966
00:52:52,600 --> 00:52:55,830
YOU'RE NOT THE SAME KIND
OF SPOILED RICH KID
967
00:52:55,870 --> 00:53:00,290
THAT JASON WAS WHEN HE SHOWED UP
AT MY RANCH BACK IN THOSE DAYS.
968
00:53:00,320 --> 00:53:03,720
YOU'RE PIG-HEADED, SURE,
BUT YOU'RE CAPABLE.
969
00:53:03,760 --> 00:53:09,160
NO, YOUR PROBLEM IS YOU JUST
DON'T WANT TO FACE YOUR DEMONS.
970
00:53:09,200 --> 00:53:13,380
WELL, IT'S HARD.
971
00:53:13,420 --> 00:53:14,920
IT'S HARD.
972
00:53:17,690 --> 00:53:20,340
BUT I'LL TELL YOU WHAT --
973
00:53:20,380 --> 00:53:24,380
YOU'LL NEVER BE ABLE TO GET AWAY
FROM THIS PLACE
974
00:53:24,410 --> 00:53:28,850
UNTIL YOU FIND THE COURAGE
TO DEAL WITH THOSE DEMONS.
975
00:53:34,270 --> 00:53:36,040
WELL...
976
00:53:36,070 --> 00:53:38,660
MY WORK HERE IS DONE.
977
00:53:38,690 --> 00:53:42,600
GOODBYE, KID.
TAKE CARE OF YOURSELF.
978
00:53:57,960 --> 00:54:02,950
Joey: WELL, HELLO THERE!
YOU CHLOE? [ CHUCKLES ]
979
00:54:02,990 --> 00:54:06,520
I'M JOEY.
HEY, OUR NAMES RHYME.
980
00:54:06,560 --> 00:54:08,290
[ LAUGHS ]
981
00:54:08,320 --> 00:54:11,730
IF YOU CAN HANG TOUGH FOR A BIT
WITH THESE OLD PEOPLE,
982
00:54:11,760 --> 00:54:14,030
I'LL PROMISE WE'LL HAVE SOME FUN
LATER, OKAY?
983
00:54:14,060 --> 00:54:16,160
Jason:
THAT SOUNDS LIKE FUN, YEAH?
984
00:54:18,820 --> 00:54:21,300
Angelica: THE MEMORIAL GARDEN
IS BREATHTAKING.
985
00:54:21,340 --> 00:54:24,550
Joey:
THANK YOU. THANK YOU.
986
00:54:24,590 --> 00:54:27,790
MISS JAMES.
I HOPE YOU SLEPT WELL.
987
00:54:27,830 --> 00:54:30,960
Kelly: I DID.
THANK YOU, MR. ANDERSON.
988
00:54:31,000 --> 00:54:33,760
Hawthorne: WELL, WAKING UP
IS MORE IMPORTANT
989
00:54:33,800 --> 00:54:35,230
THAN GOING TO SLEEP.
990
00:54:35,270 --> 00:54:37,720
Oscar: I THINK
THEY'RE BOTH IMPORTANT.
991
00:54:37,750 --> 00:54:39,070
Kelly: [ LAUGHS ]
992
00:54:39,110 --> 00:54:40,900
Angelica:
MR. ANDERSON...
993
00:54:40,940 --> 00:54:43,770
JASON AND I AGREE THAT YOU'VE
SATISFIED THE FIRST REQUIREMENT.
994
00:54:43,810 --> 00:54:46,290
SO LET'S MOVE ALONG, SHALL WE?
995
00:54:46,330 --> 00:54:50,630
OSCAR, WILL YOU ASK OUR OTHER
TWO GUESTS TO JOIN US?
996
00:54:55,450 --> 00:54:56,950
Max:
YOU LOOK GOOD, FORBES.
997
00:54:56,990 --> 00:54:58,460
A LITTLE BETTER
THAN THE LAST TIME I SAW YOU.
998
00:54:58,490 --> 00:54:59,660
YOU CLEAN UP WELL.
999
00:54:59,690 --> 00:55:02,490
Man: THANKS.
1000
00:55:02,530 --> 00:55:04,160
Max: THANK YOU.
1001
00:55:04,200 --> 00:55:05,500
Steve:
HELLO, EVERYONE.
1002
00:55:05,530 --> 00:55:07,200
Kelly: HI.
1003
00:55:07,230 --> 00:55:08,370
Steve:
MY NAME'S STEVE.
1004
00:55:08,400 --> 00:55:09,630
Joey: HEY.
1005
00:55:09,670 --> 00:55:11,270
Steve:
THIS IS MY FRIEND MAX.
1006
00:55:11,300 --> 00:55:13,300
Max:
NICE TO MEET YOU.
1007
00:55:13,340 --> 00:55:16,290
Angelica: JOEY, THESE MEN
ARE HERE AT MY REQUEST.
1008
00:55:16,320 --> 00:55:18,460
Jason: MR. FORBES KNOWS
A LOT ABOUT MONEY,
1009
00:55:18,490 --> 00:55:21,600
WHICH IS TODAY'S UNDERTAKING,
AS YOU KNOW.
1010
00:55:21,630 --> 00:55:23,460
ALL WE ASK IS THAT
YOU HEAR THEM OUT.
1011
00:55:23,500 --> 00:55:25,030
Chloe: [ GIGGLES ]
1012
00:55:25,070 --> 00:55:26,350
Jason:
AND ON THAT NOTE,
1013
00:55:26,390 --> 00:55:28,520
WE'LL CATCH UP WITH YOU GUYS
IN A BIT.
1014
00:55:28,550 --> 00:55:30,050
ALL RIGHT, HONEY.
1015
00:55:30,090 --> 00:55:31,820
Joey:
HEY, THERE'S A WHOLE BOOKSHELF
1016
00:55:31,860 --> 00:55:33,490
OF MY OLD BOOKS IN THE LIBRARY.
1017
00:55:33,530 --> 00:55:35,780
YOU KNOW WHAT HAPPENS WHEN
YOU GIVE A MOUSE A COOKIE?
1018
00:55:35,810 --> 00:55:37,780
Chloe: LIBRARY, DADDY!
1019
00:55:37,810 --> 00:55:39,810
Jason:
OKAY. OKAY, WE'LL GO.
1020
00:55:39,850 --> 00:55:41,670
ARE YOU READY?
[ GRUNTS ]
1021
00:55:41,700 --> 00:55:44,890
Oscar: WHAT HAPPENS WHEN YOU
GIVE A MOUSE A COOKIE?
1022
00:55:46,590 --> 00:55:48,370
Joey:
SORRY, PLEASE, CONTINUE.
1023
00:55:48,410 --> 00:55:51,160
Max: I TOURED NON-STOP
AFTER MY FIRST HIT RECORD.
1024
00:55:51,190 --> 00:55:53,160
MY MANAGER,
FEARING I'D BURN OUT,
1025
00:55:53,200 --> 00:55:55,630
INSISTED I SPEND A WEEK
AT ANDERSON HOUSE.
1026
00:55:55,660 --> 00:55:56,960
I MET STEVE RIGHT HERE.
1027
00:55:57,000 --> 00:55:58,630
WE SAT ACROSS FROM EACH OTHER,
1028
00:55:58,670 --> 00:56:00,880
AND MISS SALLY SAT
RIGHT WHERE YOU ARE.
1029
00:56:00,920 --> 00:56:04,000
Steve: MISS SALLY WORRIED YOU
HAD A WARPED VIEW OF MONEY.
1030
00:56:04,040 --> 00:56:07,010
Joey:
IT COSTS MONEY TO STAY GONE.
1031
00:56:07,040 --> 00:56:08,410
THAT'S MY VIEW.
1032
00:56:08,440 --> 00:56:09,660
Max:
CAN YOU SAY THE MONEY
1033
00:56:09,690 --> 00:56:11,090
BOUGHT YOU FREEDOM
FROM THIS PLACE?
1034
00:56:11,110 --> 00:56:13,180
Joey: YOU'RE TRYING TO PROVE
I HAVE NO CONCEPT
1035
00:56:13,220 --> 00:56:14,860
OR IDEA OF HOW
THE ECONOMY WORKS.
1036
00:56:14,900 --> 00:56:17,550
Steve: I'M HERE OUT OF RESPECT
FOR YOUR GRANDMOTHER.
1037
00:56:17,590 --> 00:56:20,350
Joey: YOU DON'T WANT TO CONVINCE
ME OF YOUR WORLD VIEW FIRST?
1038
00:56:20,390 --> 00:56:22,260
Steve: [ LAUGHS ]
1039
00:56:22,290 --> 00:56:25,760
OH, IT'S OBVIOUS THAT
YOU ARE THE ONLY PERSON
1040
00:56:25,790 --> 00:56:29,080
WHO CAN CONVINCE JOEY ANDERSON
OF ANYTHING.
1041
00:56:29,110 --> 00:56:31,280
Joey:
OH, THIS GUY KNOWS ME.
1042
00:56:31,320 --> 00:56:34,530
SO, WHAT'S THIS MONEY THING
WE'RE DOING?
1043
00:56:34,570 --> 00:56:36,100
Max:
I'D LIKE TO STAGE A CONCERT
1044
00:56:36,140 --> 00:56:38,040
HERE ON THE GROUNDS
IN YOUR RIDING HALL.
1045
00:56:38,070 --> 00:56:40,770
Steve: TO BENEFIT
WISH FOR OUR HEROES,
1046
00:56:40,810 --> 00:56:42,630
A PROGRAM WE BOTH SUPPORT.
1047
00:56:42,660 --> 00:56:45,300
Joey:
UH [CLEARS THROAT]
1048
00:56:45,330 --> 00:56:47,700
IN -- IN THE HALL?
1049
00:56:47,730 --> 00:56:50,270
Max: IT'S A GREAT SPACE.
PERFECT FOR A SHOW.
1050
00:56:50,300 --> 00:56:53,070
Steve: WE WANT YOU
TO ORGANIZE THE EVENT,
1051
00:56:53,110 --> 00:56:54,700
COLLECT THE PROCEEDS,
1052
00:56:54,740 --> 00:56:57,970
AND DETERMINE HOW BEST TO
PRESENT IT TO THE SOLDIERS.
1053
00:56:58,010 --> 00:57:00,780
Joey: UH, I'VE NEVER DONE
ANYTHING LIKE THIS BEFORE.
1054
00:57:00,810 --> 00:57:02,380
I WOULDN'T KNOW WHERE TO START.
1055
00:57:02,410 --> 00:57:05,420
Steve: MY ADVICE --
1056
00:57:05,450 --> 00:57:08,920
FOCUS ON THE PEOPLE
YOU'RE SERVING...
1057
00:57:08,950 --> 00:57:11,570
AND TAKE IT ONE STEP AT A TIME.
1058
00:57:11,610 --> 00:57:13,470
Max: I'D LIKE TO
CHECK OUT THE VENUE.
1059
00:57:13,510 --> 00:57:15,930
COME ON, JOEY.
LET'S GO FOR A WALK.
1060
00:57:15,960 --> 00:57:18,730
Joey: YOU WANT TO GO LOOK
AT IT RIGHT NOW?
1061
00:57:18,760 --> 00:57:20,410
Max: GOT TO FIGURE UP
POWER, STAGING,
1062
00:57:20,450 --> 00:57:22,320
HOW BIG AN AUDIENCE --
IS THERE A PROBLEM?
1063
00:57:22,350 --> 00:57:23,720
Joey: NO, NO, NO.
1064
00:57:23,750 --> 00:57:26,800
YEAH, LET'S GO. LET'S DO IT.
LET'S GO.
1065
00:57:26,840 --> 00:57:29,970
Angelica: MISS JAMES WILL KEEP
AN EYE ON THINGS HERE TODAY.
1066
00:57:34,500 --> 00:57:36,200
Max: WOW.
1067
00:57:39,930 --> 00:57:42,790
Chloe: COME ON, JOEY!
1068
00:57:45,270 --> 00:57:48,790
Max:
WOW, KILLER SPACE.
1069
00:57:48,830 --> 00:57:50,660
DEFINITELY GOING TO NEED
MORE POWER, THOUGH.
1070
00:57:50,700 --> 00:57:52,600
I ALSO WANT TO FIGURE OUT
STAGE SIZING,
1071
00:57:52,630 --> 00:57:55,030
WHICH I THINK SHOULD BE
RIGHT HERE.
1072
00:57:55,070 --> 00:57:56,300
DON'T YOU THINK?
1073
00:57:56,340 --> 00:57:57,930
Jason: YEAH.
1074
00:57:57,970 --> 00:58:00,100
Joey: COME ON, CHLOE.
LET'S HELP MAX COUNT.
1075
00:58:00,140 --> 00:58:01,610
HE NEEDS HELP.
1076
00:58:01,640 --> 00:58:04,540
HERE, GET ON THOSE FEET!
1077
00:58:04,580 --> 00:58:08,760
ONE, TWO, THREE, FOUR.
1078
00:58:08,800 --> 00:58:10,200
COUNT LOUD.
1079
00:58:10,230 --> 00:58:11,710
Both: FIVE, SIX...
1080
00:58:11,750 --> 00:58:13,120
Joey:
SEVEN, EIGHT, NINE!
1081
00:58:13,150 --> 00:58:14,520
[ LAUGHS ]
1082
00:58:14,550 --> 00:58:18,390
Max:
HEY, UH, WHAT'S THIS?
1083
00:58:18,420 --> 00:58:21,190
Joey: HEY, CHLOE,
YOU WANT ME TO SHOW YOU
1084
00:58:21,230 --> 00:58:23,480
MY FAVORITE SECRET SPOT
IN THE WHOLE HOUSE?
1085
00:58:23,510 --> 00:58:24,780
Chloe: YES.
1086
00:58:24,830 --> 00:58:28,010
Joey:
UM, MISS JAMES CAN COME.
1087
00:58:28,050 --> 00:58:31,540
MISS JAMES,
YOU WANT TO COME WITH US?
1088
00:58:31,570 --> 00:58:33,690
HERE, GO GRAB HER HAND.
1089
00:58:36,020 --> 00:58:38,060
Jason: [ SIGHS ]
WELL, THAT EXPLAINS IT.
1090
00:58:38,090 --> 00:58:39,560
Max: WHAT?
1091
00:58:39,600 --> 00:58:41,230
Jason:
JOEY'S RELUCTANCE.
1092
00:58:41,260 --> 00:58:43,480
THAT'S A BULLET HOLE,
1093
00:58:43,520 --> 00:58:47,050
AND WITH THAT HOLE COMES A LOT
OF DARK HISTORY AND BAGGAGE.
1094
00:58:49,620 --> 00:58:51,970
Joey: COME ON UNDER.
HERE WE GO.
1095
00:58:52,010 --> 00:58:53,860
[ SIGHS ]
1096
00:58:53,890 --> 00:58:57,240
OKAY, SO THIS IS IT.
1097
00:58:57,280 --> 00:59:01,180
THIS IS MY VERY FAVORITE SECRET
SPOT IN THE WHOLE HOUSE.
1098
00:59:01,220 --> 00:59:04,220
YOU SEE MY INITIALS?
RIGHT THERE?
1099
00:59:04,250 --> 00:59:08,390
J.A. WHAT'S THAT MEAN?
1100
00:59:08,420 --> 00:59:10,760
Chloe: JOEY ANDERSON.
1101
00:59:10,790 --> 00:59:13,490
Joey: YEAH, THAT'S RIGHT.
JOEY ANDERSON.
1102
00:59:13,530 --> 00:59:16,230
YOU WANT TO PUT YOUR INITIALS
UP THERE, TOO?
1103
00:59:16,270 --> 00:59:20,500
OKAY, YOU CAN GO EXPLORE WHILE
I CARVE YOUR INITIALS IN THERE.
1104
00:59:20,540 --> 00:59:24,420
ALL RIGHT, OKAY.
1105
00:59:26,430 --> 00:59:28,630
Chloe:
JOEY, WHAT'S THIS?
1106
00:59:28,660 --> 00:59:30,130
Joey: WHAT'S WHAT?
1107
00:59:33,500 --> 00:59:36,050
WHAT IS THAT?
1108
00:59:53,520 --> 00:59:55,590
KELLY:
I think someone's coming.
1109
00:59:55,620 --> 00:59:57,960
Joey:
OH, LET'S GET OUT!
1110
00:59:57,990 --> 01:00:00,090
COME ON. IT'S OUR SECRET SPOT!
1111
01:00:02,990 --> 01:00:05,230
QUICK, QUICK, QUICK, CHLOE.
PUSH IT IN. PUSH IT IN.
1112
01:00:05,260 --> 01:00:07,480
Jason: HEY, CHLO.
WHATCHA DOING?
1113
01:00:07,520 --> 01:00:09,280
COME HERE.
COME HERE, HONEY.
1114
01:00:09,320 --> 01:00:10,930
YEAH, THAT'S MY GIRL.
1115
01:00:10,970 --> 01:00:13,890
WHY DON'T YOU GO SEE WHAT
CLAUDIA HAS IN THE KITCHEN
1116
01:00:13,940 --> 01:00:15,310
FOR YA, OKAY? GO AHEAD.
1117
01:00:16,880 --> 01:00:19,740
AND NOT TOO MANY COOKIES, OKAY?
1118
01:00:19,780 --> 01:00:21,310
[ CHUCKLES ]
1119
01:00:26,280 --> 01:00:29,170
Joey:
YOU SAW IT, HUH?
1120
01:00:29,200 --> 01:00:31,690
Jason: JOEY, I...
1121
01:00:31,720 --> 01:00:34,970
-Kelly: UH, I'LL --
-Joey: NO, HOLD ON. STAY.
1122
01:00:35,010 --> 01:00:37,390
YOU SHOULD HEAR THIS, TOO.
1123
01:00:39,480 --> 01:00:45,050
MY DAD LEFT THE BULLET HOLE IN
THE HALL WHEN HE OFFED HIMSELF.
1124
01:00:46,690 --> 01:00:48,470
SOME LEGACY, HUH?
1125
01:00:49,980 --> 01:00:54,760
AND YOU GUYS WANT ME TO THROW
A FEEL-GOOD CONCERT THERE.
1126
01:00:54,800 --> 01:00:58,430
WHAT'S THAT, THE GIFT OF IRONY?
1127
01:00:58,470 --> 01:01:01,700
Jason: I KNOW WHAT IT'S LIKE
TO LOSE SOMEONE YOU LOVE.
1128
01:01:01,740 --> 01:01:05,390
ALEXIA'S DAUGHTER, EMILY, DIED.
1129
01:01:05,420 --> 01:01:09,230
I MISS HER, EVERY DAY.
1130
01:01:11,030 --> 01:01:15,280
THAT BULLET HOLE
IS PART OF YOUR HISTORY.
1131
01:01:15,320 --> 01:01:18,990
YOU ARE A COMPOSITE OF
MISS SALLY AND YOUR FATHER
1132
01:01:19,020 --> 01:01:21,950
AND ALL THE ANDERSONS.
1133
01:01:21,990 --> 01:01:24,790
ONLY YOU GET TO DECIDE
WHAT TO DO WITH THAT.
1134
01:01:24,830 --> 01:01:29,900
WELL, IT'S LATE.
I GOT TO GET CHLO HOME.
1135
01:01:29,930 --> 01:01:34,530
YOU CALL ME IF YOU NEED
ANYTHING, OKAY?
1136
01:01:37,870 --> 01:01:40,910
Kelly: JOEY, I...
1137
01:01:40,940 --> 01:01:43,630
I'M SO SORRY.
1138
01:01:46,230 --> 01:01:49,250
HOW CAN I HELP?
1139
01:01:52,370 --> 01:01:54,770
Joey: YOU CAN'T.
1140
01:01:54,810 --> 01:01:56,740
WHAT COULD YOU DO?
1141
01:02:07,440 --> 01:02:09,100
WHAT IS SHE DOING HERE?
1142
01:02:09,140 --> 01:02:11,100
Jason:
THIS IS HER IDEA.
1143
01:02:11,140 --> 01:02:13,410
Joey:
WHERE ARE WE GOING?
1144
01:02:13,440 --> 01:02:15,240
Jason: YOU'LL FIND OUT.
1145
01:02:27,510 --> 01:02:28,710
Angelica: HI.
1146
01:02:28,740 --> 01:02:31,540
Michael: HEY, ANGE.
1147
01:02:31,580 --> 01:02:33,540
Angelica:
MICHAEL, THIS IS JOEY.
1148
01:02:33,580 --> 01:02:36,550
HE IS HEADING UP THE WISH
FOR OUR HEROES CONCERT.
1149
01:02:36,580 --> 01:02:38,310
AND, JOEY, THIS IS MICHAEL.
1150
01:02:38,350 --> 01:02:41,450
HE'S ONE OF THE BENEFICIARIES
OF THE PROGRAM.
1151
01:02:41,490 --> 01:02:43,290
Joey:
HEY. GREAT TO MEET YOU.
1152
01:02:43,320 --> 01:02:45,060
Michael:
NICE TO MEET YOU.
1153
01:02:45,090 --> 01:02:48,660
Angelica: AND I'M SURE
YOU RECOGNIZE THIS GUY.
1154
01:02:48,690 --> 01:02:49,930
Max:
HOW'S IT GOING, BUDDY?
1155
01:02:49,960 --> 01:02:51,230
Michael:
HEY, HOW YOU DOING, MATE?
1156
01:02:51,260 --> 01:02:52,500
Max:
GOOD TO SEE YOU.
1157
01:02:52,530 --> 01:02:53,800
Michael:
COURAGE, HONOR, DUTY.
1158
01:02:53,830 --> 01:02:55,430
HEY, HE PLAYED FOR MY PLATOON,
1159
01:02:55,470 --> 01:02:57,800
AND HE WAS SO INSPIRED
THAT HE WROTE A SONG
1160
01:02:57,840 --> 01:02:59,290
FOR US RIGHT THEN AND THERE.
1161
01:02:59,320 --> 01:03:02,510
YEAH, THAT GOT ME THROUGH
SOME PRETTY TOUGH TIMES.
1162
01:03:02,540 --> 01:03:06,240
Max: SO, HOW ARE YOU DOING,
MY BROTHER?
1163
01:03:06,280 --> 01:03:09,650
Michael: YOU KNOW,
JUST DOING THE BEST I CAN.
1164
01:03:09,680 --> 01:03:12,350
TRYING TO REBUILD
MY ARM STRENGTH,
1165
01:03:12,380 --> 01:03:14,250
AND WAITING...
1166
01:03:14,290 --> 01:03:16,650
JUST WAITING TO HEAL LIKE
THE REST OF THESE GUYS.
1167
01:03:16,690 --> 01:03:18,820
Max: WELL, THAT'S WHAT
THIS CONCERT'S ALL ABOUT.
1168
01:03:18,860 --> 01:03:21,320
RAISING MONEY.
GETTING YOU GUYS WHAT YOU NEED.
1169
01:03:21,360 --> 01:03:23,830
Michael: [ Voice breaking ]
YEAH, I'D JUST LIKE
1170
01:03:23,860 --> 01:03:26,680
TO DANCE WITH MY WIFE AGAIN.
1171
01:03:30,520 --> 01:03:32,250
Joey: HEY, MICHAEL.
1172
01:03:32,290 --> 01:03:34,340
Michael: YEAH.
[ SNIFFLES ]
1173
01:03:34,370 --> 01:03:36,540
Joey:
UM, CAN I SEE YOUR HANDS?
1174
01:03:36,570 --> 01:03:37,860
I JUST WANNA...
1175
01:03:37,890 --> 01:03:39,260
Angelica:
HE'S A ROCK CLIMBER...
1176
01:03:39,290 --> 01:03:40,630
WITH A HEAD TO MATCH.
1177
01:03:40,660 --> 01:03:42,260
Joey:
I'M NOT TRYING TO MESS WITH YOU.
1178
01:03:42,300 --> 01:03:43,960
YOU SAID YOU'VE BEEN WORKING
ON YOUR ARM STRENGTH.
1179
01:03:44,000 --> 01:03:45,800
I JUST WANT TO GIVE YOU A LITTLE
ISOMETRIC STRENGTH TEST,
1180
01:03:45,830 --> 01:03:47,100
-ALL RIGHT?
-Michael: ALL RIGHT.
1181
01:03:47,140 --> 01:03:48,630
Joey:
SO, JUST MAKE A CLAW.
1182
01:03:48,670 --> 01:03:49,870
YEAH, LIKE THAT.
1183
01:03:49,910 --> 01:03:52,170
NOW, RESIST WHAT I'M DOING
TO YA.
1184
01:03:52,210 --> 01:03:55,540
THAT'S REALLY GOOD. PUSH UP.
1185
01:03:55,580 --> 01:03:58,130
SAME WITH THE OTHER HAND.
CLAW, RESIST.
1186
01:03:58,160 --> 01:04:00,830
-Michael: MM-HMM.
-Joey: AND AGAIN.
1187
01:04:00,870 --> 01:04:03,170
YEAH, WHATEVER YOU'RE DOING
FOR YOUR ARMS IS WORKING.
1188
01:04:03,200 --> 01:04:05,180
Michael: HE'S A PRETTY WEIRD
KID, ISN'T HE?
1189
01:04:05,220 --> 01:04:07,500
[ LAUGHTER ]
1190
01:04:07,540 --> 01:04:09,640
Joey: HEY, UH, DO YOU MIND
IF I TRY SOMETHING WITH YOU?
1191
01:04:09,670 --> 01:04:11,140
I JUST WANNA...
1192
01:04:11,180 --> 01:04:13,810
Michael:
YEAH, ALL I GOT IS TIME.
1193
01:04:13,850 --> 01:04:16,680
NOW, YOUR ARM STRENGTH
SEEMS PRETTY GOOD TO ME,
1194
01:04:16,720 --> 01:04:19,580
BUT WE WANT TO GET YOU
OUT OF THIS CHAIR, RIGHT?
1195
01:04:19,620 --> 01:04:21,250
Michael: RIGHT.
1196
01:04:21,290 --> 01:04:23,190
Joey: I'M GOING
TO LOCK THIS UP,
1197
01:04:23,220 --> 01:04:25,220
AND WE'RE GOING TO USE THIS.
1198
01:04:25,260 --> 01:04:28,830
THE GOAL IS TO PULL YOUR ELBOWS
BACK INTO YOUR RIBS.
1199
01:04:28,860 --> 01:04:31,090
Michael: YEAH, BUT WHAT IF
I PULL MYSELF OUT
1200
01:04:31,130 --> 01:04:32,260
AND FALL ON THE FLOOR?
1201
01:04:32,300 --> 01:04:33,550
Joey:
YOU'LL FIGURE IT OUT.
1202
01:04:33,580 --> 01:04:35,330
JUST A DO A LITTLE BIT
AT A TIME.
1203
01:04:35,370 --> 01:04:36,770
JUST REACH UP.
1204
01:04:36,800 --> 01:04:38,570
LIFT YOUR BUTT OUT OF THE CHAIR,
1205
01:04:38,600 --> 01:04:40,140
AND THEN SET IT BACK DOWN.
1206
01:04:44,390 --> 01:04:46,560
I GOT YA.
1207
01:04:46,590 --> 01:04:49,250
YES, LOOK AT THAT.
WHOA! THERE YOU GO.
1208
01:04:49,280 --> 01:04:51,180
THAT WAS PRETTY GOOD, THOUGH.
1209
01:04:51,220 --> 01:04:56,100
Michael:
YEAH. YEAH, IT FEELS GOOD
TO -- TO MOVE AGAIN, YOU KNOW?
1210
01:04:56,140 --> 01:04:58,570
Joey:
YEAH, I BET. GOOD JOB.
1211
01:04:58,610 --> 01:05:00,110
Michael: THANKS, MAN.
1212
01:05:00,140 --> 01:05:03,130
Joey: YOU WILL DANCE
WITH YOUR WIFE AGAIN.
1213
01:05:07,980 --> 01:05:11,350
Angelica: YOU KNOW, MAYBE WE'VE
BEEN WRONG ABOUT THIS GUY.
1214
01:05:11,390 --> 01:05:15,550
Kelly:
YEAH, HE'S PRETTY IMPRESSIVE.
1215
01:05:15,590 --> 01:05:20,090
Angelica: I DON'T THINK HE'S
THE JERK POPPY THINKS HE IS,
1216
01:05:20,130 --> 01:05:23,200
BUT WE STILL GOT TO
MAKE THIS THING LEGAL.
1217
01:05:23,230 --> 01:05:24,900
Kelly: YEAH.
1218
01:05:24,930 --> 01:05:27,070
Joey: HOW MUCH DOES
A PROSTHETIC LEG COST?
1219
01:05:27,100 --> 01:05:30,600
Jason: THEY START AT AROUND
10 GRAND EACH.
1220
01:05:30,640 --> 01:05:32,770
Joey:
FOR TOP OF THE LINE?
1221
01:05:32,810 --> 01:05:35,280
Jason:
WELL, THE COMPUTERIZED MODELS
1222
01:05:35,310 --> 01:05:38,080
ARE BETWEEN $50,000
AND $70,000 A COPY.
1223
01:05:42,080 --> 01:05:44,770
[ SOFT MUSIC PLAYS ]
1224
01:05:51,490 --> 01:05:54,280
♪ TRUSTING YOU ♪
1225
01:05:54,310 --> 01:05:59,070
♪ TRUSTING THAT I'M HERE
FOR A REASON ♪
1226
01:05:59,100 --> 01:06:04,840
♪ ANOTHER OPPORTUNITY
COMES AND GOES ♪
1227
01:06:04,870 --> 01:06:09,010
♪ AND I'M NOT SURE
WHICH WAY TO TURN ♪
1228
01:06:09,040 --> 01:06:11,110
♪ NO ♪
1229
01:06:11,150 --> 01:06:13,410
♪ THINK OF YOU ♪
1230
01:06:13,450 --> 01:06:15,950
♪ THINK OF ALL YOU'VE DONE ♪
1231
01:06:15,980 --> 01:06:18,920
♪ WE ARE YOUNG ♪
1232
01:06:18,950 --> 01:06:24,040
♪ THE YEARS WILL COME
AND THEY WILL GO ♪
1233
01:06:24,080 --> 01:06:28,260
♪ AND WHEN THE REST IS GONE,
THEN I WILL KNOW ♪
1234
01:06:28,300 --> 01:06:30,130
♪ OH ♪
1235
01:06:30,160 --> 01:06:36,190
♪ THAT WHEN THE SUN
DON'T SHINE ON ME ♪
1236
01:06:36,220 --> 01:06:39,820
♪ HELP ME BELIEVE ♪
1237
01:06:39,860 --> 01:06:45,680
♪ AND WHEN MY EYES
DON'T FULLY SEE ♪
1238
01:06:45,710 --> 01:06:48,750
♪ HELP ME BELIEVE ♪
1239
01:06:50,020 --> 01:06:54,420
♪ HELP ME BELIEVE ♪
1240
01:06:56,910 --> 01:06:59,230
♪ YOU ARE THERE ♪
1241
01:06:59,260 --> 01:07:01,680
♪ YOU ARE ALWAYS THERE ♪
1242
01:07:01,710 --> 01:07:03,910
♪ I CAN'T SEE ♪
1243
01:07:03,950 --> 01:07:07,050
♪ BUT WHEN YOU PULL BACK
THE CURTAINS ♪
1244
01:07:07,090 --> 01:07:10,420
♪ OF MY LIFE ♪
1245
01:07:10,460 --> 01:07:13,860
♪ AND THEN THE LIGHT
BEGINS TO SHINE ♪
1246
01:07:13,890 --> 01:07:16,080
♪ I KNOW ♪
1247
01:07:16,110 --> 01:07:21,600
♪ THAT WHEN THE SUN
DON'T SHINE ON ME ♪
1248
01:07:21,630 --> 01:07:25,270
♪ HELP ME BELIEVE ♪
1249
01:07:25,300 --> 01:07:31,240
♪ AND WHEN MY EYES
DON'T FULLY SEE ♪
1250
01:07:31,280 --> 01:07:35,490
♪ HELP ME BELIEVE ♪
1251
01:07:35,530 --> 01:07:40,570
♪ HELP ME BELIEVE ♪
1252
01:07:40,600 --> 01:07:45,570
♪ HELP ME BELIEVE ♪
1253
01:07:45,610 --> 01:07:49,930
♪ HELP ME BELIEVE ♪
1254
01:07:49,960 --> 01:07:51,930
Joey: WHAT ARE YOU GUYS
DOING HERE?
1255
01:07:51,960 --> 01:07:53,510
Man:
DUDE, YOU INVITED US.
1256
01:07:53,550 --> 01:07:55,600
Man #2:
DUDE, THIS PLACE IS SICK.
1257
01:07:55,630 --> 01:07:58,180
WHY DIDN'T YOU EVER MENTION IT?
WHO IS THE PARTY FOR?
1258
01:07:58,240 --> 01:08:01,140
Joey: IT'S A CONCERT
WITH MAXIMILLIAN SWAYNE
1259
01:08:01,160 --> 01:08:03,190
TO BENEFIT WISH FOR OUR HEROES.
1260
01:08:03,230 --> 01:08:05,060
Man #2:
COOL! YOU KNOW HIM?
1261
01:08:05,090 --> 01:08:06,480
Joey: WELL, YEAH.
1262
01:08:06,510 --> 01:08:09,230
Man: [ CHUCKLES ]
CAN WE MEET THE DUDE?
1263
01:08:09,260 --> 01:08:10,700
Joey:
I'LL SEE WHAT I CAN DO.
1264
01:08:10,750 --> 01:08:13,080
BUT I GOT TO GET BACK TO WORK,
OKAY, GUYS?
1265
01:08:13,120 --> 01:08:14,880
Man #2: COOL, COOL.
HEY, WE'LL CATCH UP LATER.
1266
01:08:14,920 --> 01:08:16,300
-Joey: YEAH.
-Man: THANKS, BUD.
1267
01:08:16,340 --> 01:08:17,620
Joey: ALL RIGHT, MAN.
1268
01:08:17,660 --> 01:08:18,970
I'LL SEE YOU GUYS AFTER.
1269
01:08:19,010 --> 01:08:21,840
[ CHEERS AND APPLAUSE ]
1270
01:08:24,810 --> 01:08:28,060
Max: WE WANT TO TAKE A MOMENT
TO HONOR THE MEMORY
1271
01:08:28,100 --> 01:08:29,800
OF MISS SALLY MAE ANDERSON
1272
01:08:29,830 --> 01:08:32,670
AND ALL THE GREAT WORK
THAT HAS TAKEN PLACE
1273
01:08:32,700 --> 01:08:34,590
FOR DECADES AT ANDERSON HOUSE.
1274
01:08:34,620 --> 01:08:37,390
I ALSO WANT TO HONOR ALL OF YOU.
1275
01:08:37,430 --> 01:08:38,790
HOW MANY VETERANS DO WE HAVE
IN THE AUDIENCE?
1276
01:08:38,830 --> 01:08:40,330
RAISE YOUR HANDS.
1277
01:08:40,360 --> 01:08:42,480
I WANT TO THANK YOU
FOR YOUR SERVICE
1278
01:08:42,510 --> 01:08:44,150
TO THIS GREAT COUNTRY OF OURS.
1279
01:08:44,180 --> 01:08:45,970
GIVE 'EM A BIG HAND, GUYS.
1280
01:08:46,000 --> 01:08:50,450
[ CHEERS AND APPLAUSE ]
1281
01:08:53,510 --> 01:08:56,980
WE STAND ON THE SHOULDERS
OF THE BRAVE MEN AND WOMEN
1282
01:08:57,010 --> 01:09:01,710
WHO HAVE RISKED EVERYTHING
TO GIVE US FREEDOM.
1283
01:09:06,520 --> 01:09:10,290
♪ WHAT IS COURAGE? ♪
1284
01:09:10,330 --> 01:09:13,990
♪ WHAT IS HONOR? ♪
1285
01:09:14,030 --> 01:09:20,550
♪ ARE THESE WORDS OR JUST IDEALS
LONG FORGOTTEN? ♪
1286
01:09:20,590 --> 01:09:23,990
♪ WHAT IS DUTY? ♪
1287
01:09:24,020 --> 01:09:27,960
♪ WHAT IS GLORY? ♪
1288
01:09:27,990 --> 01:09:34,800
♪ ARE THEY JUST WRITTEN DOWN
IN SOME OLD STORY? ♪
1289
01:09:34,830 --> 01:09:38,500
♪ WHEN WE HEAR A WORD
LIKE FREEDOM ♪
1290
01:09:38,540 --> 01:09:41,700
♪ DO WE KNOW WHAT
IT REALLY MEANS? ♪
1291
01:09:41,740 --> 01:09:46,030
♪ OR DO WE TAKE IT ALL
FOR GRANTED ♪
1292
01:09:46,060 --> 01:09:51,860
♪ LIVING LIKE
KINGS AND QUEENS? ♪
1293
01:09:51,900 --> 01:09:55,970
♪ WE ARE BLESSED TO LIVE
IN FREEDOM ♪
1294
01:09:56,000 --> 01:09:59,760
♪ BLESSED TO LIVE IN PEACE ♪
1295
01:09:59,790 --> 01:10:02,990
♪ BLESSED WITH FOOD
AND SHELTER ♪
1296
01:10:03,030 --> 01:10:06,400
♪ BLESSED WITH LIFE OF EASE ♪
1297
01:10:06,430 --> 01:10:10,030
♪ BLESSED TOGETHER FREELY ♪
1298
01:10:10,070 --> 01:10:12,090
♪ BLESSED TO... ♪
1299
01:10:12,120 --> 01:10:14,250
Kelly: WOW.
1300
01:10:14,290 --> 01:10:16,390
Joey: YEAH.
1301
01:10:16,420 --> 01:10:20,540
♪ ...SO WE CAN HAVE A CHOICE ♪
1302
01:10:20,580 --> 01:10:23,230
Kelly: [ STAMMERS ]
1303
01:10:23,260 --> 01:10:26,250
Man #2:
THAT GUY CAN SING!
1304
01:10:26,280 --> 01:10:28,350
Man: HEY, WHEN DO WE
GET TO MEET HIM?
1305
01:10:28,390 --> 01:10:31,420
Kelly: UH, ARE YOU GOING
TO INTRODUCE US OR...?
1306
01:10:31,460 --> 01:10:33,890
Joey:
YEAH, UH, KELLY -- UM --
1307
01:10:33,930 --> 01:10:37,130
MISS JAMES -- THIS IS THE GUYS.
1308
01:10:37,160 --> 01:10:39,350
Man #2:
NICE TO MEET YOU, KELLY.
1309
01:10:39,380 --> 01:10:41,210
Kelly: HI.
1310
01:10:41,250 --> 01:10:43,220
Joey:
SHE'S MY LAWYER.
1311
01:10:43,250 --> 01:10:46,220
ONE OF 'EM.
1312
01:10:46,250 --> 01:10:48,090
Man #2: SWEET!
1313
01:10:48,120 --> 01:10:49,520
Kelly:
AND HE'S MY CLIENT.
1314
01:10:49,560 --> 01:10:52,020
ONE OF 'EM.
1315
01:10:52,060 --> 01:10:53,790
Man: I'D LIKE TO GET
INTO SOME LEGAL TROUBLE
1316
01:10:53,830 --> 01:10:55,290
IF YOU'LL REPRESENT ME.
1317
01:10:55,330 --> 01:10:57,110
Kelly: CHARMING.
1318
01:10:57,150 --> 01:10:59,450
I'LL SEE YOU LATER...
1319
01:10:59,480 --> 01:11:01,600
MR. ANDERSON.
1320
01:11:04,440 --> 01:11:06,910
Joey: THANKS.
1321
01:11:06,940 --> 01:11:10,840
Max: [ VOCALIZES ]
1322
01:11:14,420 --> 01:11:20,990
♪ WE ARE BLESSED ♪
1323
01:11:21,020 --> 01:11:23,440
[ CHEERS AND APPLAUSE ]
1324
01:11:32,670 --> 01:11:35,350
Joey:
SO, HOW'D WE DO?
1325
01:11:35,390 --> 01:11:39,020
Jason: WE DID GOOD.
1326
01:11:39,060 --> 01:11:41,020
YOU DID GOOD.
1327
01:11:41,060 --> 01:11:47,010
WE RAISED HOPE AND RAISED A LOT
MORE MONEY THAN WE EXPECTED.
1328
01:11:47,050 --> 01:11:50,820
Joey:
MICHAEL WILL WALK AGAIN.
1329
01:11:50,850 --> 01:11:53,140
HOPEFULLY, WE CAN HELP
HIS FRIENDS, TOO.
1330
01:11:54,960 --> 01:11:58,320
Jason: WELL, YOU GET TO CHOOSE
WHAT TO DO WITH THE MONEY.
1331
01:11:58,360 --> 01:12:00,010
Joey: [ SIGHS ]
1332
01:12:00,040 --> 01:12:03,380
KIND OF HARD TO BELIEVE
WHERE I AM RIGHT NOW.
1333
01:12:03,410 --> 01:12:05,450
THERE WERE TIMES WHEN I WANTED
1334
01:12:05,480 --> 01:12:08,050
TO BURN THIS BUILDING
TO THE GROUND.
1335
01:12:10,090 --> 01:12:12,340
BUT TONIGHT WAS GOOD.
1336
01:12:12,370 --> 01:12:15,060
IT WAS REAL GOOD.
1337
01:12:19,600 --> 01:12:22,880
I'M NOT GOING TO LET HIM CONTROL
ME FROM THE GRAVE ANYMORE.
1338
01:12:22,920 --> 01:12:28,840
Jason: JOEY, YOU MIGHT NOT
WANT TO HEAR THIS,
1339
01:12:28,870 --> 01:12:31,660
BUT YOU NEED TO FORGIVE
YOUR DAD.
1340
01:12:31,690 --> 01:12:35,160
Joey: WHY?
1341
01:12:35,200 --> 01:12:37,360
WHY?
1342
01:12:37,400 --> 01:12:40,900
HE CHOSE DEATH OVER ME.
1343
01:12:40,940 --> 01:12:43,520
WHAT KIND OF FATHER DOES THAT?
1344
01:12:43,550 --> 01:12:45,670
Jason: I'M NOT GOING TO
PRETEND TO UNDERSTAND
1345
01:12:45,710 --> 01:12:47,360
WHAT YOU'RE GOING THROUGH.
1346
01:12:47,390 --> 01:12:52,750
YOU NOT FORGIVING HIM,
YOU'RE CHOOSING TO STAY HURT.
1347
01:12:57,440 --> 01:12:59,900
LOOK, I'LL MAKE YOU A DEAL.
1348
01:12:59,940 --> 01:13:02,840
YOU CONSIDER FORGIVING YOUR DAD,
1349
01:13:02,870 --> 01:13:06,330
AND I'LL HELP YOU WITH THE REST
OF THESE GIFTS.
1350
01:13:06,360 --> 01:13:10,560
YOU'VE SHOWN YOU CAN HANDLE
THE ANDERSON HOUSE LEGACY,
1351
01:13:10,600 --> 01:13:12,560
BUT YOU WANT FREEDOM?
1352
01:13:14,620 --> 01:13:18,250
FORGIVENESS IS
THE ULTIMATE FREEDOM.
1353
01:13:21,430 --> 01:13:24,380
JUST THINK ABOUT IT.
1354
01:13:24,410 --> 01:13:26,200
DEAL?
1355
01:13:26,230 --> 01:13:28,010
Joey: NOT QUITE.
1356
01:13:28,050 --> 01:13:31,450
THERE'S ONE MORE THING
I WANT YOU TO DO FOR ME.
1357
01:13:31,490 --> 01:13:34,020
Jason: NAME IT.
1358
01:13:34,050 --> 01:13:36,690
TAKE MONDAY OFF, OKAY?
1359
01:13:36,720 --> 01:13:39,860
HANG OUT WITH ALEXIA AND CHLOE.
1360
01:13:39,910 --> 01:13:41,440
BE A DAD.
1361
01:13:41,480 --> 01:13:43,230
Jason: DEAL.
1362
01:13:48,620 --> 01:13:50,670
COME ON. [ CLEARS THROAT ]
1363
01:13:54,910 --> 01:13:59,480
[ MID-TEMPO MUSIC PLAYS ]
1364
01:13:59,510 --> 01:14:01,230
Bartender:
HERE'S YOUR DRINK, SIR.
1365
01:14:01,270 --> 01:14:02,310
YEP.
1366
01:14:02,350 --> 01:14:04,470
Man:
STUDY LONG, STUDY WRONG.
1367
01:14:04,500 --> 01:14:06,240
[ MEN GROAN ]
1368
01:14:06,270 --> 01:14:08,140
Joey:
OH, NO, NO, NO, NO,
1369
01:14:08,170 --> 01:14:09,670
I CAN'T DO IT.
1370
01:14:09,710 --> 01:14:13,010
NAH, I...I CAN'T COUNT
WHEN I'M DRINKING, MAN.
1371
01:14:13,040 --> 01:14:15,510
Man #3: YOU CAN'T COUNT WHEN
YOU HAVEN'T BEEN DRINKIN'.
1372
01:14:15,550 --> 01:14:17,750
Joey: WELL, I HAVEN'T GOTTEN
ANY OF YOUR DONATIONS YET.
1373
01:14:17,780 --> 01:14:20,250
Man #2:
OH, ALL RIGHT.
1374
01:14:20,290 --> 01:14:21,780
COUGH IT UP, GUYS.
1375
01:14:24,040 --> 01:14:26,170
CARRY THE TWO, ALL RIGHT.
1376
01:14:26,210 --> 01:14:28,740
THERE YOU GO, JOE.
FOUR HUNDO EACH.
1377
01:14:28,780 --> 01:14:31,660
Joey: WOW, I REALLY
APPRECIATE THIS.
1378
01:14:31,700 --> 01:14:33,130
Man #2:
YOU KNOW THAT, ANYTIME.
1379
01:14:33,160 --> 01:14:34,300
[ PHONE RINGS ]
1380
01:14:34,330 --> 01:14:35,820
Kelly: JUST A SEC.
1381
01:14:35,850 --> 01:14:38,300
Joey:
IT'S GOING TO A GOOD CAUSE.
1382
01:14:38,340 --> 01:14:40,040
Man #2:
YEAH, NO PROBLEM, MAN.
1383
01:14:40,070 --> 01:14:41,450
Joey: HEY, CAN YOU HOLD THIS
FOR A SECOND?
1384
01:14:41,490 --> 01:14:43,820
Kelly: YEAH?
1385
01:14:43,860 --> 01:14:46,030
I'VE GOT IT ALL, YES.
1386
01:14:46,060 --> 01:14:47,490
[ SCOFFS ]
1387
01:14:47,530 --> 01:14:49,800
THE FACTS?
OKAY, HERE ARE THE FACTS.
1388
01:14:49,830 --> 01:14:52,300
HE IS AN ARROGANT,
SELF-CENTERED IDIOT,
1389
01:14:52,330 --> 01:14:53,830
AND SO ARE HIS FRIENDS.
1390
01:14:53,870 --> 01:14:56,600
I CAN'T WAIT FOR THIS
WHOLE THING TO BE OVER.
1391
01:14:56,640 --> 01:14:59,490
YEAH, WELL,
AS FAR AS I'M CONCERNED,
1392
01:14:59,520 --> 01:15:02,390
IF FOSTER COLBY SUES US
WE WILL TAKE HIM DOWN.
1393
01:15:02,430 --> 01:15:04,490
Jason:
HAVE A GOOD NIGHT.
1394
01:15:04,530 --> 01:15:05,530
YOU DESERVE IT, MAN.
1395
01:15:05,560 --> 01:15:07,000
Joey: THANKS, MAN.
1396
01:15:07,030 --> 01:15:09,300
Jason: GOOD JOB.
HAVE A GOOD NIGHT, GUYS.
1397
01:15:09,330 --> 01:15:10,900
TAKE CARE.
1398
01:15:10,940 --> 01:15:12,450
Joey: ALL RIGHT.
1399
01:15:12,490 --> 01:15:14,720
Man #3: ALL RIGHT.
HERE'S TO US.
1400
01:15:14,760 --> 01:15:18,120
WE'RE FRIENDS INDEED,
AND IF BY CHANCE WE DISAGREE,
1401
01:15:18,160 --> 01:15:19,860
FORGET YOU GUYS, HERE'S TO ME.
1402
01:15:19,890 --> 01:15:20,860
[ LIGHT LAUGHTER ]
1403
01:15:20,900 --> 01:15:21,990
Man #2: CHEERS.
1404
01:15:22,030 --> 01:15:23,900
Joey: CHEERS.
1405
01:15:23,930 --> 01:15:26,030
Man #3: GUYS, I THINK IT'S
ABOUT THAT TIME, YEAH?
1406
01:15:26,070 --> 01:15:28,030
Man #2:
YEAH, PROBABLY.
1407
01:15:28,070 --> 01:15:29,900
Joey:
AM I GOING TO SEE YOU GUYS
TOMORROW AT ANDERSON HOUSE?
1408
01:15:29,940 --> 01:15:31,540
Man #2: NAH, CAN'T DO IT.
WE GOT TO CATCH THE RED EYE.
1409
01:15:31,570 --> 01:15:33,640
BUT YOU SHOULD HANG WITH US.
1410
01:15:33,690 --> 01:15:34,860
Man #3: YEAH.
1411
01:15:34,890 --> 01:15:36,360
Joey: I, UH...
1412
01:15:36,390 --> 01:15:38,340
THIS GIG'S GOT ME TIED UP
FOR A LITTLE WHILE.
1413
01:15:38,380 --> 01:15:40,010
Man #2: WE'LL CATCH YOU
ON THE NEXT ONE.
1414
01:15:40,050 --> 01:15:41,650
Joey: YEAH. I REALLY APPRECIATE
YOU GUYS COMING OUT.
1415
01:15:41,680 --> 01:15:42,710
Man #2:
YEAH, NO PROBLEM, MAN.
1416
01:15:42,750 --> 01:15:45,080
Man: BE GOOD.
1417
01:15:45,120 --> 01:15:47,520
[ INDISTINCT SINGING ]
1418
01:15:52,390 --> 01:15:53,730
[ POOL CUE THUDS ]
1419
01:16:02,800 --> 01:16:05,090
Kelly: [ SIGHS ]
1420
01:16:09,710 --> 01:16:11,440
Man: HEY, PAL. HEY.
1421
01:16:11,480 --> 01:16:13,530
LOOKS LIKE YOU AND YOUR BUDDIES
HAD A REAL NICE REUNION.
1422
01:16:13,560 --> 01:16:14,950
YEAH, THEY MUST BE RICH
1423
01:16:14,980 --> 01:16:17,070
JUDGING FROM ALL THAT MONEY
THEY GAVE YOU.
1424
01:16:19,990 --> 01:16:21,370
Joey: [ COUGHS ]
1425
01:16:21,410 --> 01:16:22,420
Man #2: HAND IT OVER!
1426
01:16:22,460 --> 01:16:24,320
Joey:
NOT MINE TO GIVE.
1427
01:16:25,980 --> 01:16:29,030
Man: FLIP HIM OVER.
1428
01:16:29,060 --> 01:16:30,410
IT'S IN HIS POCKET.
FLIP HIM OVER!
1429
01:16:30,450 --> 01:16:31,750
Joey: NO!
1430
01:16:34,900 --> 01:16:37,400
-Kelly: AAH!
-Man: YOU'RE A FEISTY ONE!
1431
01:16:37,440 --> 01:16:38,940
Kelly:
GOOD TO SEE YOU.
1432
01:16:38,970 --> 01:16:40,270
Ulrik:
NICE TO BE SEEN.
1433
01:16:42,840 --> 01:16:45,740
Joey: [ GROANING ]
1434
01:16:49,420 --> 01:16:51,770
Kelly:
HERE, I GOT HIM.
1435
01:17:05,450 --> 01:17:07,130
Joey: [ GASPING ]
1436
01:17:07,170 --> 01:17:09,450
Kelly: SHH! IT'S OKAY.
IT'S OKAY. CALM DOWN.
1437
01:17:09,490 --> 01:17:11,070
Joey:
WHAT'S GOING ON HERE?
1438
01:17:11,110 --> 01:17:12,490
Kelly: TAKE A DEEP BREATH.
IT'S OKAY. WE GOT YOU.
1439
01:17:12,520 --> 01:17:14,210
HERE, CAN YOU SIT UP?
1440
01:17:16,780 --> 01:17:20,860
Joey: ACTUALLY, I THINK
I'M FINE RIGHT HERE.
1441
01:17:20,900 --> 01:17:24,000
Kelly: [ CHUCKLES ]
HAVE IT YOUR WAY.
1442
01:17:37,970 --> 01:17:39,660
Ulrik: DO YOU NEED ANY HELP
GETTING TO YOUR ROOM?
1443
01:17:39,700 --> 01:17:41,270
Joey: NO. I'M OKAY.
I GOT IT FROM HERE.
1444
01:17:41,300 --> 01:17:42,970
-Ulrik: YOU SURE?
-Joey: YES, I'M FINE. I'M GOOD.
1445
01:17:43,000 --> 01:17:44,540
Kelly:
ARE YOU GOING TO BE OKAY?
1446
01:17:44,570 --> 01:17:46,790
Joey: I SAID I'M FINE...
1447
01:17:46,820 --> 01:17:49,060
MISS JAMES.
1448
01:17:49,090 --> 01:17:53,080
JUST...PUT IT IN YOUR REPORT.
1449
01:18:14,200 --> 01:18:15,900
Angelica:
GOOD MORNING, EVERYONE.
1450
01:18:15,940 --> 01:18:17,540
Kelly and Jason:
GOOD MORNING.
1451
01:18:17,570 --> 01:18:20,290
Angelica: I TRUST THE EVENING
WAS A SUCCESS.
1452
01:18:22,360 --> 01:18:23,580
LET ME REPHRASE.
1453
01:18:23,610 --> 01:18:26,330
I TRUST THE CONCERT
WAS A SUCCESS?
1454
01:18:26,360 --> 01:18:28,700
Jason:
HOW DOES ABOUT 350K SOUND?
1455
01:18:28,730 --> 01:18:30,180
Angelica: WONDERFUL.
1456
01:18:30,220 --> 01:18:31,820
I TAKE IT THAT FIGURE INCLUDES
1457
01:18:31,850 --> 01:18:33,990
THE DONATIONS FROM
YOUR FRIENDS, JOEY.
1458
01:18:34,020 --> 01:18:35,420
Joey: RIGHT.
1459
01:18:41,730 --> 01:18:43,900
Kelly: [ SIGHS ]
1460
01:18:43,930 --> 01:18:46,100
IT DOES.
1461
01:18:46,130 --> 01:18:47,580
Joey: OH, THANK GOD!
1462
01:18:47,620 --> 01:18:50,170
[ LAUGHS ]
1463
01:18:50,200 --> 01:18:53,570
YEAH, OKAY, YEAH.
1464
01:18:53,610 --> 01:18:59,380
I'LL ADMIT MY VIEW OF MONEY
WAS VERY JADED,
1465
01:18:59,410 --> 01:19:03,130
OR WARPED, TO PUT IT
IN MY GRANDMOTHER'S TERMS.
1466
01:19:03,170 --> 01:19:04,370
[ SIGHS ]
1467
01:19:04,400 --> 01:19:06,200
YOU KNOW, IT'S FUNNY.
1468
01:19:06,240 --> 01:19:08,640
MONEY'S NEVER MEANT AS MUCH
TO ME AS IT DOES RIGHT NOW
1469
01:19:08,670 --> 01:19:10,840
WHEN I INTEND TO GIVE IT AWAY.
1470
01:19:13,780 --> 01:19:16,100
AND, UH, MISS JAMES,
1471
01:19:16,130 --> 01:19:20,150
I'D LIKE TO APOLOGIZE ON BEHALF
OF MY FRIENDS AND MYSELF
1472
01:19:20,180 --> 01:19:23,720
FOR BEING ARROGANT,
SELF-CENTERED IDIOTS.
1473
01:19:23,750 --> 01:19:25,140
Kelly:
WHAT ARE YOU TALKING ABOUT?
1474
01:19:25,170 --> 01:19:27,210
Joey: I OVERHEARD
YOUR CONVERSATION, OKAY?
1475
01:19:27,240 --> 01:19:30,330
Kelly: THAT PHONE CALL HAD
NOTHING TO DO WITH YOU.
1476
01:19:30,360 --> 01:19:32,330
Joey: THEN, WHO WERE YOU
TALKING ABOUT?
1477
01:19:32,360 --> 01:19:34,650
IT SURE SOUNDED LIKE
YOU WERE TALKING ABOUT ME.
1478
01:19:34,680 --> 01:19:36,930
Kelly:
NO, I WAS TALKING ABOUT --
1479
01:19:36,970 --> 01:19:39,050
Angelica:
SHE CAN'T TELL YOU THAT.
1480
01:19:39,090 --> 01:19:41,150
IT'S CALLED
ATTORNEY-CLIENT PRIVILEGE.
1481
01:19:41,190 --> 01:19:43,770
Jason:
SPEAKING OF ATTORNEYS,
1482
01:19:43,810 --> 01:19:46,910
I'D LIKE TO ADDRESS
THE ADDITIONAL STEPS
1483
01:19:46,940 --> 01:19:49,280
LAID OUT IN MISS SALLY'S WILL.
1484
01:19:49,310 --> 01:19:50,730
Angelica:
I'M LISTENING.
1485
01:19:50,760 --> 01:19:52,280
Joey: YEAH, ME TOO.
1486
01:19:52,320 --> 01:19:56,520
Jason: WELL, JOEY HAS PROVEN
THAT HE CAN WORK.
1487
01:19:56,550 --> 01:20:00,460
HE HAS FRIENDS, AND HE CAN LAUGH
AT HIS OWN MISTAKES.
1488
01:20:03,310 --> 01:20:05,280
Angelica: GO ON.
1489
01:20:05,310 --> 01:20:09,780
Jason: HE'S EXCEEDED EVERY
GOAL THAT WE'VE SET FORTH.
1490
01:20:09,820 --> 01:20:12,680
Joey:
WHAT ARE YOU GETTING AT?
1491
01:20:12,720 --> 01:20:15,300
Jason:
I THINK YOU'VE PROVEN YOURSELF.
1492
01:20:15,340 --> 01:20:18,840
I THINK THAT WE SHOULD BUNDLE
THE REST OF THE STEPS.
1493
01:20:18,880 --> 01:20:22,310
Angelica: WE CAN'T HAVE
ANY LEGAL MISSTEPS,
1494
01:20:22,350 --> 01:20:23,710
BUT MISS SALLY MADE IT CLEAR
1495
01:20:23,750 --> 01:20:25,830
THAT SHE DIDN'T WANT
TO OVERLY BURDEN ANYONE.
1496
01:20:25,870 --> 01:20:27,000
Jason:
WELL, WE'RE GOOD, THEN.
1497
01:20:27,030 --> 01:20:28,670
Angelica: NOT QUITE.
1498
01:20:28,700 --> 01:20:31,490
THE ONE NON-NEGOTIABLE
STIPULATION:
1499
01:20:31,520 --> 01:20:33,320
THE YEAR-LONG RESIDENCY.
1500
01:20:33,360 --> 01:20:35,860
YOU'VE ONLY BEEN HERE
FOUR MONTHS.
1501
01:20:35,890 --> 01:20:37,630
THAT LEAVES YOU PLENTY OF TIME
1502
01:20:37,660 --> 01:20:39,890
FOR COMPLETE THE LAST
FOUR CRITERIA:
1503
01:20:39,930 --> 01:20:43,500
LEARNING, DREAMS,
GRATITUDE, AND LOVE.
1504
01:20:46,420 --> 01:20:48,620
Joey: IS THAT TRUE?
1505
01:20:48,660 --> 01:20:51,860
YOU WEREN'T TALKING ABOUT ME
LAST NIGHT?
1506
01:20:55,200 --> 01:21:00,700
YOU KNOW, I HAVE NO PROBLEM
WITH BEING HERE A YEAR.
1507
01:21:00,730 --> 01:21:05,300
Angelica: GREAT.
LET'S MOVE ON, SHALL WE?
1508
01:21:05,340 --> 01:21:07,370
JOEY, THE LEARNING STIPULATION
1509
01:21:07,410 --> 01:21:09,840
REQUIRES THAT YOU
NOT ONLY LEARN,
1510
01:21:09,880 --> 01:21:11,980
BUT JUST AS IMPORTANTLY, TEACH.
1511
01:21:12,010 --> 01:21:14,180
Oscar: I'VE RUN INTO
MR. ANDERSON IN THE --
1512
01:21:14,210 --> 01:21:16,180
JOEY, BUDDY.
1513
01:21:16,220 --> 01:21:20,490
Oscar: ALL RIGHT, I RUN
INTO JOEY IN THE LIBRARY,
1514
01:21:20,520 --> 01:21:23,520
AND HE'S ASKED MY OPINION
ON SOME OF HIS SELECTIONS.
1515
01:21:23,560 --> 01:21:25,390
Hawthorne:
OSCAR HAS READ THEM ALL.
1516
01:21:25,430 --> 01:21:27,610
Oscar:
I'M A READER.
1517
01:21:27,640 --> 01:21:31,110
SO, MR. ANDERSON -- JOEY --
1518
01:21:31,150 --> 01:21:33,050
THAT'S GOING TO TAKE
SOME GETTING USED TO.
1519
01:21:33,080 --> 01:21:37,890
SO, JOEY, JOE-JOE, JO MAMA!
1520
01:21:40,110 --> 01:21:41,890
TOO MUCH.
1521
01:21:41,930 --> 01:21:44,260
SO, JOEY TOLD ME TO
CHOOSE ANY BOOK
1522
01:21:44,300 --> 01:21:45,890
AND TELL HIM ITS SETTING.
1523
01:21:45,930 --> 01:21:48,130
I CHOSE CONRAD'S
"UNDER WESTERN EYES."
1524
01:21:48,150 --> 01:21:50,050
Hawthorne:
SET IN ST. PETERSBURG.
1525
01:21:50,080 --> 01:21:53,440
Oscar: YEAH, AND JOEY
THEN PROCEEDED TO REGALE ME
1526
01:21:53,470 --> 01:21:55,200
WITH TALES OF HIS TRAVELS
1527
01:21:55,240 --> 01:21:57,770
THROUGH EVERYTHING
FROM RUN-DOWN EATING HOUSES
1528
01:21:57,810 --> 01:21:59,810
TO ORNATE GILDED PALACES,
1529
01:21:59,840 --> 01:22:01,940
AND THIS IS STUFF
THAT I'D ONLY READ ABOUT.
1530
01:22:01,980 --> 01:22:03,880
Hawthorne: I SELECTED
"HEART OF DARKNESS,"
1531
01:22:03,910 --> 01:22:06,450
AND HE RECOUNTED HIS TIME
IN THE CONGO.
1532
01:22:06,480 --> 01:22:08,320
Oscar:
I LOVE THEIR DRUMS.
1533
01:22:08,350 --> 01:22:10,900
Hawthorne:
THOSE ARE CONGAS.
1534
01:22:10,940 --> 01:22:12,270
Jason: [ CHUCKLES ]
1535
01:22:12,310 --> 01:22:14,070
CAN WE CHECK LEARNING
OFF THE LIST?
1536
01:22:14,110 --> 01:22:16,210
Angelica:
THAT BRINGS US TO DREAMS.
1537
01:22:16,240 --> 01:22:18,610
Joey: GREAT.
THAT'S CONVENIENT.
1538
01:22:21,120 --> 01:22:24,720
BECAUSE MY DREAM...
1539
01:22:24,750 --> 01:22:29,400
IS TO SEE A MAN
DANCE WITH HIS WIFE.
1540
01:22:29,440 --> 01:22:34,130
A MAN HOLD
HIS BABY DAUGHTER.
1541
01:22:34,160 --> 01:22:38,550
SEE A FAMILY MAKE
THEIR MORTGAGE PAYMENT.
1542
01:22:40,850 --> 01:22:43,090
Jason:
THIS IS MORE THAN WE MADE.
1543
01:22:43,120 --> 01:22:47,310
Hawthorne:
[ CLEARS THROAT ]
1544
01:22:47,340 --> 01:22:49,290
IF I MAY,
1545
01:22:49,330 --> 01:22:54,850
MR. MAXIMILLIAN WAS KIND ENOUGH
TO MAKE A DONATION OF HIS OWN.
1546
01:22:59,840 --> 01:23:03,170
Joey:
YOU KNOW, MY GRAMMY G., TO ME,
1547
01:23:03,210 --> 01:23:06,660
WAS, UH, MY ONLY REAL FAMILY.
1548
01:23:06,690 --> 01:23:10,100
BUT, FOR GOOD AND BAD,
1549
01:23:10,130 --> 01:23:13,300
THE ANDERSON HOUSE
IS A PART OF WHO I AM,
1550
01:23:13,330 --> 01:23:16,200
AND I NEED TO...
1551
01:23:16,240 --> 01:23:21,970
NO, I WANT TO REMAIN
A PART OF ITS FUTURE.
1552
01:23:24,640 --> 01:23:28,780
Angelica: JOEY, I HAVE A
RECORDED MESSAGE FROM MISS SALLY
1553
01:23:28,820 --> 01:23:32,300
THAT I WASN'T ALLOWED TO
DISCLOSE UNTIL THE RIGHT TIME.
1554
01:23:32,340 --> 01:23:36,020
SHALL WE CONVENE TO THE DEN
TO VIEW IT?
1555
01:23:48,450 --> 01:23:50,750
Miss Sally:
IF YOU'RE WATCHING THIS VIDEO
1556
01:23:50,790 --> 01:23:55,160
IT MEANS MY LIFE'S WORK
HAS NOT BEEN IN VAIN.
1557
01:23:55,190 --> 01:23:57,890
[ CLEARS THROAT ]
1558
01:23:57,930 --> 01:24:00,730
IN THE COMING DAYS,
1559
01:24:00,760 --> 01:24:02,830
MR. HAMILTON AND HIS STAFF
1560
01:24:02,870 --> 01:24:06,030
WILL TAKE CARE OF
LEGALLY TRANSFERRING
1561
01:24:06,070 --> 01:24:08,200
ANDERSON HOUSE OVER TO YOU,
1562
01:24:08,240 --> 01:24:11,160
AND I KNOW YOU UNDERSTAND
ANDERSON HOUSE
1563
01:24:11,190 --> 01:24:14,330
IS MUCH MORE THAN JUST
A BED AND BREAKFAST.
1564
01:24:14,360 --> 01:24:21,620
IT'S -- IT'S A PLACE OF HOPE
AND HEALING AND DESTINY.
1565
01:24:21,650 --> 01:24:26,420
I TRUST YOU WILL CONTINUE
ITS LEGACY SUCCESSFULLY,
1566
01:24:26,460 --> 01:24:31,290
AND IF YOU EVER WANT TO TALK
TO AN OLD WOMAN WHO LOVES YOU,
1567
01:24:31,330 --> 01:24:34,530
WELL [Chuckling]
I'LL BE WAITING.
1568
01:24:34,570 --> 01:24:36,370
[ SIGHS ]
1569
01:24:36,400 --> 01:24:41,220
AND NOW I MUST BID
YOU ALL FAREWELL.
1570
01:24:41,250 --> 01:24:46,730
WITH DEEPEST THANKS,
ENDURING LOVE,
1571
01:24:46,760 --> 01:24:49,460
AND MY VERY BEST WISHES.
1572
01:24:55,920 --> 01:24:58,150
Joey:
THANK YOU, EVERYONE.
1573
01:24:58,190 --> 01:25:02,760
UM, I'D LIKE TO HAVE
SOME TIME ALONE,
1574
01:25:02,790 --> 01:25:05,460
AND I'D LIKE A COPY
OF THAT, PLEASE.
1575
01:25:19,280 --> 01:25:23,680
[ MID-TEMPO MUSIC PLAYS ]
1576
01:25:23,710 --> 01:25:29,470
♪ AND WHO ARE YOU?♪
1577
01:25:29,500 --> 01:25:35,960
♪ AND WHO ARE WE? ♪
1578
01:25:35,990 --> 01:25:39,730
♪ FEEL LIKE I'M LOSING MY WAY ♪
1579
01:25:41,500 --> 01:25:45,050
♪ LIKE I'VE BEEN STUCK
IN THIS PLACE ♪
1580
01:25:47,150 --> 01:25:51,210
♪ FEEL LIKE I'M STARTING
TO BREAK ♪
1581
01:25:52,840 --> 01:25:56,950
♪ I'M JUST TRYING TO SURVIVE ♪
1582
01:25:56,980 --> 01:26:00,150
♪ PARALYZED ♪
1583
01:26:04,220 --> 01:26:07,020
VERY CLEVER, GRAMMY G.
1584
01:26:07,060 --> 01:26:09,110
♪ I DARE YOU TO HOLD ♪
1585
01:26:09,140 --> 01:26:12,780
♪ I DARE YOU NOT TO BELIEVE IN ♪
1586
01:26:12,810 --> 01:26:15,210
♪ THE WORDS YOU'VE BEEN SOLD ♪
1587
01:26:15,250 --> 01:26:18,180
♪ AND I DARE YOU TO DREAM ♪
1588
01:26:18,220 --> 01:26:20,200
♪ I DARE YOU TO HOLD ♪
1589
01:26:20,240 --> 01:26:23,320
♪ I DARE YOU NOT TO BELIEVE IN ♪
1590
01:26:23,360 --> 01:26:26,220
♪ THE WORDS YOU'VE BEEN SOLD ♪
1591
01:26:26,260 --> 01:26:28,960
♪ AND I DARE YOU TO DREAM ♪
1592
01:26:29,000 --> 01:26:31,300
♪ I DARE YOU TO HOLD ♪
1593
01:26:31,330 --> 01:26:36,870
♪ I DARE YOU NOT TO BELIEVE ♪
1594
01:26:36,900 --> 01:26:39,940
♪ FEEL LIKE I'M LOSING MY WAY ♪
1595
01:26:42,110 --> 01:26:46,040
♪ LIKE I'VE BEEN STUCK
IN THIS PLACE ♪
1596
01:26:47,950 --> 01:26:51,220
♪ FEEL LIKE I'M STARTING
TO BREAK ♪
1597
01:26:53,520 --> 01:26:57,270
♪ I'M JUST TRYING TO SURVIVE ♪
1598
01:26:57,310 --> 01:27:00,580
♪ PARALYZED ♪
1599
01:27:00,610 --> 01:27:02,710
Miss Sally:
MY DEAREST JOEY.
1600
01:27:02,750 --> 01:27:05,760
REMEMBER THIS IF NOTHING ELSE.
1601
01:27:05,800 --> 01:27:07,600
EVERYBODY STRUGGLES,
1602
01:27:07,630 --> 01:27:10,100
OFTEN IN WAYS WE CAN'T DETECT,
1603
01:27:10,140 --> 01:27:12,440
JUST AS YOU HAVE.
1604
01:27:12,470 --> 01:27:15,210
Man: NO CHILD
SHOULD HAVE TO WITNESS
1605
01:27:15,240 --> 01:27:17,210
THE VIOLENT DEATH OF A PARENT.
1606
01:27:17,240 --> 01:27:18,880
Joey: [ SNIFFLING ]
1607
01:27:18,910 --> 01:27:20,580
Man: [ Crying ]
BE KIND TO PEOPLE,
1608
01:27:20,610 --> 01:27:22,910
AND ERR ON THE SIDE
OF FORGIVENESS,
1609
01:27:22,950 --> 01:27:25,980
ESPECIALLY WHEN IT COMES
TO YOUR FATHER.
1610
01:27:29,590 --> 01:27:34,130
ABOVE ALL, BE KIND TO YOURSELF.
1611
01:27:35,500 --> 01:27:37,960
I DO LOVE YOU SO.
1612
01:27:38,000 --> 01:27:40,720
MAY GOD BLESS YOU, MY DEAR.
1613
01:27:40,750 --> 01:27:43,970
Miss Sally:
YOUR HEART, MY HEART.
1614
01:27:44,000 --> 01:27:45,940
GRAMMY G.
1615
01:27:56,320 --> 01:27:59,580
Joey:
I LOVE YOU, GRAMMY G.
1616
01:27:59,620 --> 01:28:02,650
[ Crying ] I'M SORRY
I WASN'T THERE FOR YOU.
1617
01:28:12,500 --> 01:28:14,800
BUT I AM NOW.
1618
01:28:17,170 --> 01:28:19,700
AND I WILL MAKE YOU PROUD.
1619
01:28:23,380 --> 01:28:26,380
THE ANDERSON HOUSE LEGACY
WILL LIVE ON...
1620
01:28:28,550 --> 01:28:30,380
...IN ME.
1621
01:28:37,560 --> 01:28:39,560
[ SNIFFLES, SIGHS ]
1622
01:28:58,760 --> 01:29:02,700
"'TWAS BRILLIG, AND THE SLITHY
TOVES DID GYRE AND GIMBLE
1623
01:29:02,730 --> 01:29:04,530
IN THE WABE...
1624
01:29:04,570 --> 01:29:07,290
ALL MIMSY WERE THE BOROGOVES,
1625
01:29:07,320 --> 01:29:10,870
AND THE MOME RATHS OUTGRABE."
1626
01:29:12,860 --> 01:29:16,530
Hawthorne: "HAST THOU SLAIN
THE JABBERWOCK, THEN?"
1627
01:29:16,560 --> 01:29:19,350
Joey: I HAVE.
1628
01:29:51,720 --> 01:29:54,880
"COME TO MY ARMS,
MY BEAMISH BOY."
1629
01:30:15,720 --> 01:30:17,690
WHO ELSE KNOWS ABOUT THIS?
1630
01:30:17,740 --> 01:30:19,310
Hawthorne: NO ONE.
1631
01:30:19,340 --> 01:30:22,230
Joey:
NOT JASON OR ANGELICA?
1632
01:30:22,260 --> 01:30:23,880
Oscar: NO ONE.
1633
01:30:23,910 --> 01:30:25,910
Joey: A-AND THIS --
1634
01:30:25,950 --> 01:30:27,900
THIS IS SEPARATE FROM...?
1635
01:30:27,930 --> 01:30:31,240
Hawthorne: SHE ADDED YOUR NAME
TO IT WHEN YOU TURNED 18.
1636
01:30:31,270 --> 01:30:33,070
Joey: ARE YOU SURE?
1637
01:30:33,110 --> 01:30:35,990
Hawthorne: QUITE.
1638
01:30:36,030 --> 01:30:38,660
Joey: AND THERE'S
NO STIPULATION --
1639
01:30:38,700 --> 01:30:40,980
THERE'S NO STIPULATIONS TO THIS?
1640
01:30:43,680 --> 01:30:46,370
I'M FREE.
1641
01:30:55,030 --> 01:30:56,940
Woman:
WHAT ARE YOU UP TO, SOLDIER?
1642
01:30:56,980 --> 01:30:58,410
Michael:
I'M GONNA DANCE WITH MY WIFE.
1643
01:30:58,450 --> 01:30:59,780
[ APPLAUSE ]
1644
01:30:59,820 --> 01:31:02,620
♪ HOW MANY MOMENTS
PASS ME BY? ♪
1645
01:31:02,650 --> 01:31:08,320
♪ HOW MANY TIMES HAVE I SAID
I WON'T TRY ♪
1646
01:31:08,360 --> 01:31:11,340
♪ TO LIVE MY LIFE AND LOVE
LIKE I MEAN IT? ♪
1647
01:31:11,380 --> 01:31:13,950
♪ HOW MANY DAYS
WILL SLIP AWAY? ♪
1648
01:31:13,980 --> 01:31:19,080
♪ HOW MUCH PAIN
DOES IT TAKE TO SEE IT ♪
1649
01:31:19,120 --> 01:31:20,420
♪ TO LIVE MY LIFE
AND LOVE LIKE I MEAN IT? ♪
1650
01:31:20,470 --> 01:31:22,120
Joey:
YOU GOT A DOLLAR?
1651
01:31:22,160 --> 01:31:24,170
Gus:
JUST HAPPEN TO HAVE ONE.
1652
01:31:24,210 --> 01:31:26,460
Joey:
MY ROOM STAYS MY ROOM,
1653
01:31:26,490 --> 01:31:28,980
AND THE THIRD PARTY GETS
FIRST RIGHT OF REFUSAL.
1654
01:31:29,010 --> 01:31:31,600
Gus: HAWTHORNE...
1655
01:31:31,630 --> 01:31:34,650
I'M SELLING. YOU BUYING?
1656
01:31:34,680 --> 01:31:39,950
Hawthorne: UM, WELL, I SELDOM
CARRY SINGLES THESE DAYS,
1657
01:31:39,990 --> 01:31:43,690
BUT, UH -- AH, ONE MOMENT.
1658
01:31:43,730 --> 01:31:46,730
MY PARKING METER STASH.
1659
01:31:48,170 --> 01:31:51,670
AND ONE DOLLAR.
1660
01:31:51,700 --> 01:31:52,830
THANK YOU.
1661
01:31:52,870 --> 01:31:55,470
♪ NOW I PLAYED THE PART ♪
1662
01:31:55,510 --> 01:31:58,570
♪ OF A MAN WITH MANY HEARTS ♪
1663
01:31:58,610 --> 01:32:00,880
Gus: THERE SHE IS.
1664
01:32:00,910 --> 01:32:02,990
Claudia: OH!
1665
01:32:03,030 --> 01:32:05,700
Gus:
HE, UH, GETS TO KEEP HIS ROOM.
1666
01:32:05,730 --> 01:32:07,170
Hawthorne: OH, INDEED.
1667
01:32:07,200 --> 01:32:08,700
CONTINUITY AND CONSISTENCY
1668
01:32:08,740 --> 01:32:11,070
ARE HALLMARKS OF ANDERSON HOUSE.
1669
01:32:11,100 --> 01:32:14,410
Joey: AND THIS IS FOR
THE ANDERSON HOUSE ENDOWMENT.
1670
01:32:14,440 --> 01:32:17,330
$25 MILLION.
1671
01:32:17,360 --> 01:32:19,930
Hawthorne: [ WHISTLES ]
1672
01:32:19,960 --> 01:32:23,200
Joey: NO ONE WHO WORKS
ON THIS PLACE
1673
01:32:23,230 --> 01:32:26,600
AND NO VETERAN EVER
PAYS TO STAY HERE.
1674
01:32:26,640 --> 01:32:29,390
Hawthorne: AS YOU WISH.
1675
01:32:29,420 --> 01:32:31,320
Man:
THANK YOU SO MUCH.
1676
01:32:31,360 --> 01:32:33,340
THANK YOU FOR SUPPORTING
OUR HEROES.
1677
01:32:33,380 --> 01:32:34,580
Joey:
NO, THANK YOU, SIR.
1678
01:32:37,210 --> 01:32:38,860
Kelly: MR. ANDERSON.
1679
01:32:38,900 --> 01:32:41,380
Joey: MISS JAMES.
1680
01:32:41,420 --> 01:32:44,940
♪ EVERYTHING YOU EVER WANTED ♪
1681
01:32:44,970 --> 01:32:48,920
♪ EVERYTHING YOU NEED ♪
1682
01:32:48,960 --> 01:32:51,930
♪ HOW DO I LEARN TO FLY? ♪
1683
01:32:51,960 --> 01:32:54,450
♪ GET ME BACK ON MY FEET ♪
1684
01:32:54,480 --> 01:32:57,580
♪ DON'T GIVE UP ON ME ♪
1685
01:32:57,620 --> 01:33:01,090
♪ I'M BEGGING YOU, PLEASE ♪
1686
01:33:01,120 --> 01:33:03,920
♪ HOW MANY MOMENTS PASS ME BY? ♪
1687
01:33:03,960 --> 01:33:09,530
♪ HOW MANY TIMES HAVE I SAID
I WON'T TRY ♪
1688
01:33:09,560 --> 01:33:12,150
♪ TO LIVE MY LIFE
AND LOVE LIKE I MEAN IT? ♪
1689
01:33:12,180 --> 01:33:13,560
♪ HOW MANY MOMENTS PASS ME BY? ♪
1690
01:33:13,600 --> 01:33:15,530
[ BOTH LAUGH ]
1691
01:33:15,570 --> 01:33:16,800
♪ HOW MANY TIMES... ♪
1692
01:33:16,840 --> 01:33:17,870
[ CELLPHONE RINGS ]
1693
01:33:17,900 --> 01:33:19,270
Theodore: HELLO?
1694
01:33:19,310 --> 01:33:20,610
ANGELICA: Poppy?
1695
01:33:20,640 --> 01:33:23,220
EVERYTHING
HAS BEEN TAKEN CARE OF.
1696
01:33:23,260 --> 01:33:24,930
THEODORE:
That's good news.
1697
01:33:24,960 --> 01:33:28,650
SOUNDS LIKE HAMILTON, HAMILTON,
AND HAMILTON
1698
01:33:28,680 --> 01:33:30,660
is in good hands.
1699
01:33:30,700 --> 01:33:33,670
Miss Hastings will show you
around the office.
1700
01:33:33,700 --> 01:33:36,140
[ CHUCKLES ]
HOLD ON A SECOND.
1701
01:33:37,990 --> 01:33:39,820
[ Slurping ]
1702
01:33:41,040 --> 01:33:43,280
Well, now I can rest easy.
1703
01:33:43,310 --> 01:33:45,780
Miss Hastings:
I JUST HEARD SIPPING.
1704
01:33:45,820 --> 01:33:48,280
I DO HOPE THAT WASN'T
A PIÑA COLADA.
1705
01:33:48,320 --> 01:33:49,820
THEODORE: [ Chuckles ]
1706
01:33:49,850 --> 01:33:52,300
YEAH.
1707
01:33:52,340 --> 01:33:53,440
ALL RIGHT.
1708
01:33:53,470 --> 01:33:54,910
You take care.
1709
01:33:54,940 --> 01:33:57,180
Miss Hastings:
IT WAS A PIÑA COLADA.
1710
01:33:57,210 --> 01:34:00,100
Theodore: [ CHUCKLES ]
1711
01:34:00,130 --> 01:34:02,800
Chloe:
DADDY, WHAT'S THIS?
1712
01:34:02,830 --> 01:34:04,980
Jason: WELL, WHAT'S THIS SAY
RIGHT HERE?
1713
01:34:05,020 --> 01:34:11,360
Both:
"PERSONAL AND CONFIDENTIAL."
1714
01:34:11,390 --> 01:34:14,030
Jason:
GOOD GIRL. GOOD GIRL.
1715
01:34:14,060 --> 01:34:15,460
WHAT DO WE GOT HERE?
1716
01:34:20,970 --> 01:34:24,040
WELL, NEXT TIME
YOU'RE BUYING LUNCH.
1717
01:34:24,070 --> 01:34:26,220
Alexia:
ARE YOU GUYS READY TO GO?
1718
01:34:26,260 --> 01:34:29,020
Jason: YEAH, YEAH, WE'RE GOING
TO GO HAVE SOME FUN, AREN'T WE?
1719
01:34:29,060 --> 01:34:31,130
YES, WE ARE! YES, WE ARE!
1720
01:34:31,160 --> 01:34:33,630
Alexia: YOU BETTER BE READY
TO HAVE SOME FUN.
1721
01:34:33,660 --> 01:34:35,730
Jason:
ALL RIGHT, YOU READY TO GO?
1722
01:34:35,770 --> 01:34:38,080
[ GROANS ]
1723
01:34:44,170 --> 01:34:45,340
Joey: HOW'S IT GOING?
1724
01:34:45,380 --> 01:34:47,510
[ BOTH LAUGH ]
1725
01:34:49,230 --> 01:34:51,100
Kelly: [ GRUNTING ]
1726
01:34:53,380 --> 01:34:55,500
Joey:
VERY GOOD, MISS JAMES.
1727
01:34:55,540 --> 01:34:57,550
Kelly:
WHY, THANK YOU.
1728
01:34:57,590 --> 01:34:59,200
Joey: YOU READY?
1729
01:34:59,240 --> 01:35:02,260
Kelly:
YOU BET, MR. ANDERSON.
1730
01:35:04,610 --> 01:35:07,730
Joey: ONE THING, THOUGH.
I WAS, UH...
1731
01:35:07,760 --> 01:35:09,860
I WAS KIND OF HOPING
I HAD YOUR PERMISSION
1732
01:35:09,900 --> 01:35:11,200
TO CALL YOU SOMETHING ELSE.
1733
01:35:11,230 --> 01:35:13,200
Kelly: WHY?
YOU SICK OF "MISS JAMES"?
1734
01:35:13,240 --> 01:35:15,320
Joey: NO, NO, NO.
I THINK IT'S PRETTY CUTE.
1735
01:35:15,370 --> 01:35:17,100
BUT I WAS THINKING OF SOMETHING
1736
01:35:17,140 --> 01:35:19,410
MORE ALONG THE LINES OF
MRS. ANDERSON.
1737
01:35:19,440 --> 01:35:21,360
Kelly: [ CHUCKLES ]
1738
01:35:21,390 --> 01:35:25,000
WELL, THERE ARE CERTAIN STEPS
1739
01:35:25,030 --> 01:35:28,400
THAT SHOULD PROBABLY
BE TAKEN FIRST.
1740
01:35:28,440 --> 01:35:31,290
Joey: STEPS OR GIFTS?
1741
01:35:31,320 --> 01:35:32,750
Kelly: BOTH.
1742
01:35:32,770 --> 01:35:35,340
DON'T WORRY.
1743
01:35:35,380 --> 01:35:37,280
YOU'RE PRETTY GOOD AT THOSE.
1744
01:35:37,310 --> 01:35:38,710
[ LAUGHS ]
1745
01:35:38,750 --> 01:35:40,250
Joey: ALL RIGHT, THEN.
1746
01:35:40,280 --> 01:35:41,610
Kelly: READY?
1747
01:35:41,650 --> 01:35:43,700
Joey: YEAH.
1748
01:35:43,730 --> 01:35:45,800
-HERE WE GO.
-Kelly: OH, MAN.
1749
01:35:45,840 --> 01:35:47,070
[ LAUGHTER ]
1750
01:35:47,100 --> 01:35:48,400
Kelly:
I'LL BEAT YOU DOWN.
1751
01:35:48,440 --> 01:35:50,240
Joey: OH, ARE YOU?
I DON'T KNOW.
1752
01:35:50,270 --> 01:35:52,010
Kelly: CATCH ME.
1753
01:36:05,860 --> 01:36:08,260
[ MID-TEMPO MUSIC PLAYS ]
1754
01:36:08,290 --> 01:36:17,330
♪ ISN'T IT CRAZY
HOW WE NEVER FELT SO ALIVE ♪
1755
01:36:17,370 --> 01:36:22,340
♪ UNTIL YOUR WORLD COLLIDED
WITH MINE? ♪
1756
01:36:22,370 --> 01:36:26,170
♪ TRADE LOVE FOR A CHANCE ♪
1757
01:36:26,210 --> 01:36:32,510
♪ THAT'S ALL RIGHT ♪
1758
01:36:32,550 --> 01:36:38,620
♪ THAT'S ALL RIGHT ♪
1759
01:36:38,660 --> 01:36:41,320
♪ AND I KNEW I WANTED YOU ♪
1760
01:36:41,360 --> 01:36:45,660
♪ THE FIRST TIME
I SAW YOU WALK BY ♪
1761
01:36:45,700 --> 01:36:51,700
♪ THAT I NEED YOU FOREVER
WHEN YOUR EYES MET MINE ♪
1762
01:36:51,730 --> 01:36:55,270
♪ I LOVED YOU THE FIRST TIME ♪
1763
01:36:55,310 --> 01:37:01,180
♪ I HEARD YOU SPEAK MY NAME ♪
1764
01:37:01,210 --> 01:37:07,920
♪ YOU'D BE THE BEAUTY
IN MY LIFE, ALWAYS ♪
1765
01:37:11,520 --> 01:37:14,890
♪ I NEVER KNEW
I COULD LOVE SOMEONE ♪
1766
01:37:14,930 --> 01:37:18,130
♪ NEVER KNEW I COULD FEEL
SO COMPLETE ♪
1767
01:37:18,160 --> 01:37:20,730
♪ AFTER ALL IS SAID AND DONE ♪
1768
01:37:20,760 --> 01:37:24,700
♪ OUR LOVE WILL STILL BE
HOLDING UP STRONG ♪
1769
01:37:24,730 --> 01:37:28,540
♪ AND I'D GIVE ALL I HAVE
FOR LOVE ♪
1770
01:37:28,570 --> 01:37:31,970
♪ THAT'S ALL RIGHT ♪
1771
01:37:32,010 --> 01:37:34,640
♪ THAT'S ALL RIGHT ♪
1772
01:37:34,680 --> 01:37:37,480
♪ AND I KNEW I WANTED YOU ♪
1773
01:37:37,510 --> 01:37:41,880
♪ THE FIRST TIME
I SAW YOU WALK BY ♪
1774
01:37:41,920 --> 01:37:47,890
♪ THAT I NEED YOU FOREVER
WHEN YOUR EYES MET MINE ♪
1775
01:37:47,920 --> 01:37:51,360
♪ AND I LOVED YOU
THE FIRST TIME ♪
1776
01:37:51,390 --> 01:37:57,330
♪ I HEARD YOU SPEAK MY NAME ♪
1777
01:37:57,370 --> 01:38:02,570
♪ YOU'D BE THE BEAUTY
IN MY LIFE, ALWAYS ♪
1778
01:38:02,610 --> 01:38:05,910
♪ AFTER ALL,
WE HAVE EACH OTHER ♪
1779
01:38:05,940 --> 01:38:12,950
♪ NOTHING CAN HOLD US BACK,
NO, NO ♪
1780
01:38:12,980 --> 01:38:16,080
♪ AND AFTER ALL THAT THIS LIFE ♪
1781
01:38:16,120 --> 01:38:18,920
♪ HAS PUT IN OUR PATH ♪
1782
01:38:18,960 --> 01:38:24,690
♪ WE WILL SURVIVE ♪
1783
01:38:24,730 --> 01:38:27,230
♪ I KNEW I WANTED YOU ♪
1784
01:38:27,260 --> 01:38:31,630
♪ THE FIRST TIME
I SAW YOU WALK BY ♪
1785
01:38:31,670 --> 01:38:35,440
♪ THAT I NEED YOU FOREVER ♪
1786
01:38:35,470 --> 01:38:37,970
♪ WHEN YOUR EYES MET MINE ♪
1787
01:38:38,010 --> 01:38:41,380
♪ AND I LOVED YOU
THE FIRST TIME ♪
1788
01:38:41,410 --> 01:38:47,120
♪ I HEARD YOU SPEAK MY NAME ♪
1789
01:38:47,150 --> 01:38:49,480
♪ OH, OH ♪
1790
01:38:49,520 --> 01:38:52,220
♪ AND I KNEW I WANTED YOU ♪
1791
01:38:52,260 --> 01:38:56,590
♪ THE FIRST TIME
I SAW YOU WALK BY ♪
1792
01:38:56,630 --> 01:39:02,830
♪ THAT I NEED YOU FOREVER
WHEN YOUR EYES MET MINE ♪
1793
01:39:02,870 --> 01:39:06,270
♪ I LOVED YOU THE FIRST TIME ♪
1794
01:39:06,300 --> 01:39:12,310
♪ I HEARD YOU SPEAK MY NAME ♪
1795
01:39:12,340 --> 01:39:21,450
♪ YOU'D BE THE BEAUTY
IN MY LIFE, ALWAYS ♪
128520
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Czech
Danish
Esperanto
Estonian
Faroese
Finnish
Frisian
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian (Nynorsk)
Pashto
Persian
Portuguese (Brazil)
Quechua
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof