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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,083 --> 00:00:08,750 A NETFLIX SERIES 2 00:01:04,125 --> 00:01:06,958 - What are you doing here? - What happened with you and Margherita? 3 00:01:09,291 --> 00:01:11,416 She told me that you think I'm a very talented writer. 4 00:01:12,625 --> 00:01:14,500 That's the only reason you came here? 5 00:01:16,291 --> 00:01:17,791 I need to understand, Sofia. 6 00:01:20,208 --> 00:01:21,625 I didn't tell her anything. 7 00:01:23,666 --> 00:01:24,958 Why are you leaving? 8 00:01:25,833 --> 00:01:27,416 I have no reason to stay. 9 00:01:27,500 --> 00:01:28,875 This is where your dreams are. 10 00:01:28,958 --> 00:01:30,583 Exactly. They're just dreams. 11 00:01:34,333 --> 00:01:35,333 Don't leave. 12 00:01:37,166 --> 00:01:39,583 Listen, Carlo, everyone's been staring at me at university, 13 00:01:39,666 --> 00:01:42,500 your wife just followed me so she can interrogate me, 14 00:01:42,583 --> 00:01:44,183 and you haven't talked to me since then. 15 00:01:44,208 --> 00:01:45,708 You won't even look at me, dammit! 16 00:01:45,791 --> 00:01:47,375 I know, I know. Goddamnit, I know! 17 00:01:47,458 --> 00:01:49,125 It's not easy for me either. 18 00:01:51,250 --> 00:01:53,208 Let's just start from scratch. Okay? 19 00:01:54,166 --> 00:01:55,958 I swear I'll make sure that... 20 00:01:56,041 --> 00:01:59,208 that... that you're never... you're never put in a situation like that again. 21 00:02:00,458 --> 00:02:01,875 Come on. Get off the train. 22 00:02:56,375 --> 00:02:57,375 Hey. 23 00:03:16,625 --> 00:03:18,291 - I said "hey." - Yeah. I heard you. 24 00:03:25,750 --> 00:03:26,750 What's wrong? 25 00:03:30,666 --> 00:03:31,875 What'd you do today? 26 00:03:33,000 --> 00:03:34,166 The usual. 27 00:03:34,250 --> 00:03:35,583 Really? 28 00:03:35,666 --> 00:03:37,500 - Mm-hmm. - "The usual." 29 00:03:41,208 --> 00:03:43,250 That's how little you trust me. Hmm? 30 00:03:44,000 --> 00:03:45,083 Can't believe it. 31 00:03:46,375 --> 00:03:47,916 - What do you mean? - You know. 32 00:03:48,666 --> 00:03:50,208 No. I don't know. You tell me. 33 00:03:54,333 --> 00:03:56,166 How could you possibly think it's a good idea 34 00:03:56,250 --> 00:03:58,833 to do psychological terrorism on a 20-year-old girl? 35 00:03:58,916 --> 00:04:01,041 So she told you right away, huh? 36 00:04:02,041 --> 00:04:03,125 That poor kid. 37 00:04:03,208 --> 00:04:05,166 I'm guessing you comforted her. Right? 38 00:04:07,166 --> 00:04:08,833 Why'd you go and see her, Marghe? 39 00:04:09,583 --> 00:04:11,916 You talk to her so much, I wanted to catch up. 40 00:04:18,208 --> 00:04:19,583 You know, she's quitting. 41 00:04:19,666 --> 00:04:21,916 I suppose you're happy now. It all worked out. 42 00:04:22,000 --> 00:04:24,875 - So it's my fault she's leaving? - That's not the point, Marghe. 43 00:04:24,958 --> 00:04:27,458 - Oh, really? What is the point? - You don't trust me anymore! 44 00:04:27,541 --> 00:04:29,208 - Should I? - Yeah. You should. 45 00:04:29,291 --> 00:04:32,052 Because if you did, that would make things much better for both of us. 46 00:04:32,666 --> 00:04:34,666 I needed to look her in the eyes today. 47 00:04:35,166 --> 00:04:37,000 And what did you see in her eyes? 48 00:04:37,083 --> 00:04:38,500 No. Come on. Tell me. 49 00:04:39,166 --> 00:04:40,833 Don't run away. We're talking. Stay here. 50 00:04:40,916 --> 00:04:43,276 What did you see in her eyes? You were really inappropriate! 51 00:04:43,333 --> 00:04:44,666 - "Inappropriate"? - Yeah! 52 00:04:44,750 --> 00:04:46,184 - I was inappropriate? - Yeah! 53 00:04:46,208 --> 00:04:47,750 Carlo, you're the inappropriate one. 54 00:04:47,833 --> 00:04:49,750 You and your one-on-one individual lessons, 55 00:04:49,833 --> 00:04:52,166 or whatever they're called, with 20-year-old girls! 56 00:04:52,666 --> 00:04:54,625 Can you hear yourself right now? Huh? 57 00:04:54,708 --> 00:04:56,375 Now you're even jealous of my work? 58 00:04:56,458 --> 00:05:00,250 Do you really think I'd take advantage of my position to come on to my students? 59 00:05:00,333 --> 00:05:03,083 - Is that what you... Where are you going? - How's your novel going? 60 00:05:05,083 --> 00:05:06,833 - Why does that matter now? - Oh, nothing. 61 00:05:06,916 --> 00:05:09,875 I was just wondering if you told her that you've been blocked for years. 62 00:05:10,458 --> 00:05:13,041 What happened to you? I don't recognize you anymore. 63 00:05:13,833 --> 00:05:14,875 I pity you. 64 00:05:21,875 --> 00:05:24,166 ♪ Your hand on his arm ♪ 65 00:05:24,250 --> 00:05:28,291 ♪ Hay stack charm around your neck ♪ 66 00:05:28,375 --> 00:05:30,375 ♪ Strung out and thin ♪ 67 00:05:30,458 --> 00:05:34,416 ♪ Calling some friend Trying to cash some check ♪ 68 00:05:34,500 --> 00:05:36,583 ♪ He's acting dumb ♪ 69 00:05:36,666 --> 00:05:40,875 ♪ That's what you've come to expect ♪ 70 00:05:45,125 --> 00:05:47,125 ♪ Needle in the hay ♪ 71 00:05:49,333 --> 00:05:53,166 ♪ Needle in the hay ♪ 72 00:05:53,250 --> 00:05:57,208 ♪ Needle in the hay ♪ 73 00:06:11,458 --> 00:06:12,458 Hi, Mom. 74 00:06:32,458 --> 00:06:35,041 So all this stuff was at Dad's place? Really? 75 00:06:35,125 --> 00:06:36,166 Uh, yeah. 76 00:06:39,458 --> 00:06:40,938 I'd love it if you could help me out. 77 00:06:41,000 --> 00:06:42,916 There's some boxes of your stuff too. 78 00:06:43,666 --> 00:06:45,791 They've got your name on them. Take a look. 79 00:06:45,875 --> 00:06:47,666 Maybe there's something you wanna hold on to. 80 00:06:47,750 --> 00:06:49,791 Sure. I'll take them away and make you some space. 81 00:06:50,666 --> 00:06:53,541 Plus, it's good to have some stuff that reminds me of Dad. 82 00:07:01,958 --> 00:07:03,750 This leg's driving me crazy. 83 00:07:03,833 --> 00:07:05,791 Are you gonna tell me what happened? 84 00:07:06,541 --> 00:07:08,833 - Huh? Why did you and Carlo fight? - Jesus. 85 00:07:09,666 --> 00:07:10,666 Dammit, Mom! 86 00:07:11,333 --> 00:07:13,125 Didn't you and Dad ever fight? 87 00:07:14,833 --> 00:07:16,416 Don't worry. Everything's fine. 88 00:07:16,500 --> 00:07:18,708 Everything's fine, yet here you are. 89 00:07:18,791 --> 00:07:20,000 Come on! Who are you kidding? 90 00:07:20,083 --> 00:07:22,541 Ugh, Mom. That's enough! You're making me regret coming here. 91 00:07:22,625 --> 00:07:24,708 Fine. You don't wanna talk? Okay. 92 00:07:24,791 --> 00:07:26,500 I'll go back to minding my own business. 93 00:07:26,583 --> 00:07:27,625 Yeah. 94 00:07:31,416 --> 00:07:32,416 Ugh. 95 00:07:45,166 --> 00:07:46,791 Did you ever suspect anything? 96 00:07:54,208 --> 00:07:56,708 So you went in, and she wasn't feeling well, 97 00:07:58,375 --> 00:08:00,041 and she fell into your arms? 98 00:08:01,958 --> 00:08:03,291 You're shitting me, right? 99 00:08:03,375 --> 00:08:06,625 Ugh. Come on, Marco. You sound like my wife. 100 00:08:06,708 --> 00:08:08,208 I shouldn't have come here. 101 00:08:08,291 --> 00:08:12,291 You're actually a dick because you called a cuckold husband to cheer you up. 102 00:08:12,375 --> 00:08:13,375 I'm sorry, man. 103 00:08:17,416 --> 00:08:18,583 I saw Giulia. 104 00:08:20,625 --> 00:08:21,625 Oh? 105 00:08:23,375 --> 00:08:24,375 And? 106 00:08:24,708 --> 00:08:25,708 She's back. 107 00:08:26,541 --> 00:08:28,083 What do you mean, she's back? 108 00:08:29,250 --> 00:08:30,333 How'd you react? 109 00:08:33,500 --> 00:08:34,666 Actually, we fucked. 110 00:08:35,541 --> 00:08:36,875 I swear. 111 00:08:37,375 --> 00:08:39,125 What do you mean? You... you had sex? 112 00:08:42,791 --> 00:08:44,333 How'd you feel about that? 113 00:08:44,416 --> 00:08:46,541 Well, I still can't forget what happened. 114 00:08:46,625 --> 00:08:47,625 I just can't. 115 00:08:50,375 --> 00:08:52,208 Well, yeah. I mean... 116 00:08:52,291 --> 00:08:54,541 If you ever think about cheating on Margherita, 117 00:08:54,625 --> 00:08:57,500 just know that if she finds out, she'll really feel like shit. 118 00:08:57,583 --> 00:08:58,833 And so will you. 119 00:08:59,333 --> 00:09:01,875 It's just terrible all around. Trust me. 120 00:09:04,958 --> 00:09:05,958 And I should know. 121 00:09:37,083 --> 00:09:38,458 Beavers are nature... 122 00:09:43,791 --> 00:09:46,208 CARLO: I'M AT YOUR MOM'S. YOU ALREADY AT THE GALLERY? 123 00:09:46,291 --> 00:09:49,250 CARLO ONLINE 124 00:10:03,791 --> 00:10:05,166 MARGHE ONLINE 125 00:10:09,750 --> 00:10:12,166 CARLO LAST SEEN TODAY AT 00:34 126 00:10:21,791 --> 00:10:24,083 ANDREA PHYSIOTHERAPIST LAST SEEN YESTERDAY AT 17:11 127 00:10:27,000 --> 00:10:29,000 CAN I SEE YOU TOMORROW? 128 00:10:29,083 --> 00:10:32,083 I'M IN A LOT OF PAIN... 129 00:10:49,166 --> 00:10:50,166 Hey. 130 00:10:50,750 --> 00:10:51,958 Finally, huh? 131 00:10:53,666 --> 00:10:55,625 I had to sort a few things out. 132 00:10:56,750 --> 00:10:58,958 Sort things out like you did with Concordia? 133 00:10:59,958 --> 00:11:02,583 I ask that because the clients that wanted to buy it 134 00:11:02,666 --> 00:11:04,500 called to see if we had anything similar, 135 00:11:04,583 --> 00:11:07,541 since, apparently, you told them it was no longer for sale. 136 00:11:09,750 --> 00:11:11,583 Come on, Marghe. Tell me what's going on. 137 00:11:19,333 --> 00:11:20,541 I screwed up, Eva. 138 00:11:21,291 --> 00:11:22,291 Oh, no. Listen. 139 00:11:22,875 --> 00:11:26,541 Blowing up that kind of sale is much more than simply "screwing up." Okay? 140 00:11:26,625 --> 00:11:28,916 So, would you kindly explain to me what is going on? 141 00:11:29,625 --> 00:11:31,583 I wanted that house for Carlo and me. 142 00:11:35,083 --> 00:11:38,458 I was just trying to buy time. I wanted to make it work somehow. 143 00:11:39,416 --> 00:11:41,291 You should've shared that with me. 144 00:11:41,375 --> 00:11:42,375 I know. 145 00:11:42,708 --> 00:11:44,375 But things got really complicated, 146 00:11:44,458 --> 00:11:46,791 and I started doing things that aren't me. 147 00:11:47,750 --> 00:11:50,541 You just don't realize how big of a mess you've made. Do you? 148 00:11:51,041 --> 00:11:54,083 With what you've been doing, what am I supposed to do about you now? 149 00:11:54,583 --> 00:11:56,291 I'm your fucking business partner! 150 00:11:58,916 --> 00:11:59,916 Eva... 151 00:12:00,333 --> 00:12:03,416 Eva, please. I won't give you any more reasons to doubt me. I promise. 152 00:12:03,500 --> 00:12:06,125 - We'll sell that house. - No. Look. I'll take care of it. Okay? 153 00:12:06,208 --> 00:12:08,000 No. Really. I'll take care of it, Eva. 154 00:12:08,083 --> 00:12:09,583 Trust me. We'll sort this out. 155 00:12:10,750 --> 00:12:11,750 Listen, Margherita. 156 00:12:11,791 --> 00:12:13,916 I have an appointment right now. All right? 157 00:12:14,000 --> 00:12:15,333 And I like to be punctual. 158 00:12:15,958 --> 00:12:18,958 Especially, since we can't afford to lose any more of our clients. 159 00:12:19,041 --> 00:12:20,041 Okay? 160 00:12:35,750 --> 00:12:36,750 Good morning. 161 00:12:39,791 --> 00:12:40,791 Good morning. 162 00:12:52,375 --> 00:12:56,833 One of the... the problems that surely... you'll face 163 00:12:56,916 --> 00:12:58,541 is writing the ending of your story. 164 00:12:58,625 --> 00:12:59,958 This entails 165 00:13:00,875 --> 00:13:04,875 making a decision about whether to resolve your protagonist's journey, 166 00:13:04,958 --> 00:13:07,416 or to leave it... unfinished. 167 00:13:07,916 --> 00:13:10,375 So is it a better option 168 00:13:10,458 --> 00:13:13,000 to use an open ending, a suspension, 169 00:13:13,833 --> 00:13:17,625 or to give it a bitter ending, which sometimes is just inevitable, huh? 170 00:13:34,666 --> 00:13:35,916 Giulia? 171 00:13:36,500 --> 00:13:37,500 Marghe. 172 00:13:43,833 --> 00:13:44,750 How are you? 173 00:13:45,750 --> 00:13:47,875 I think we should sit down before I answer. 174 00:13:49,083 --> 00:13:52,125 I ordered you a smoothie. A super detox one with dandelion. 175 00:13:52,208 --> 00:13:53,208 You know the stuff. 176 00:13:53,291 --> 00:13:54,708 Hmm. Thanks. 177 00:13:57,541 --> 00:13:59,125 It's as disgusting as my life is. 178 00:13:59,208 --> 00:14:00,291 - Excuse me? - Yes? 179 00:14:00,375 --> 00:14:02,750 Can I have a double whiskey? And a prosecco. 180 00:14:02,833 --> 00:14:05,750 - You still like prosecco, don't you? - Yeah. Of course I do. 181 00:14:09,208 --> 00:14:10,208 Sorry. 182 00:14:12,875 --> 00:14:15,958 I'm really sorry, Marghe. I've been terrible to you too. 183 00:14:18,875 --> 00:14:20,583 I was disappointed, Giulia. 184 00:14:21,958 --> 00:14:25,083 This is all huge, and you didn't tell me anything. 185 00:14:25,166 --> 00:14:26,000 I'm your friend. 186 00:14:26,083 --> 00:14:28,166 I didn't know how... how to tell you. 187 00:14:28,250 --> 00:14:30,958 Everything I was sure of is gone, and, uh... 188 00:14:31,041 --> 00:14:32,875 ...even my stability too. 189 00:14:33,583 --> 00:14:34,708 And, um... Hmm. 190 00:14:38,666 --> 00:14:39,958 So what happened? 191 00:14:41,541 --> 00:14:42,916 How did it start? 192 00:14:43,000 --> 00:14:44,250 One night at the gallery. 193 00:14:45,416 --> 00:14:48,166 He's a French painter. He was in Milan for a little bit. 194 00:14:48,708 --> 00:14:49,948 Makes these beautiful paintings 195 00:14:50,000 --> 00:14:52,416 with Renaissance architectonic elements, like... 196 00:14:52,500 --> 00:14:53,500 And? 197 00:14:54,708 --> 00:14:55,708 He liked me. 198 00:14:56,541 --> 00:14:58,000 He was coming on to me. 199 00:14:58,916 --> 00:15:02,458 He waited for me every night after work, and things were tough with Marco, Marghe. 200 00:15:02,541 --> 00:15:04,208 I was exhausted, and... 201 00:15:05,416 --> 00:15:06,500 I gave in to him. 202 00:15:06,583 --> 00:15:08,000 I slept with him. 203 00:15:08,083 --> 00:15:10,000 And, um, I... I actually liked it. 204 00:15:10,083 --> 00:15:12,250 Um, I liked myself again. It made me happy. 205 00:15:12,916 --> 00:15:13,916 And now? 206 00:15:13,958 --> 00:15:15,500 I don't care about him at all. 207 00:15:16,208 --> 00:15:19,500 I screwed up with Marco, and I don't know how to fix it. So, um... 208 00:15:19,583 --> 00:15:20,583 Hmm. 209 00:15:21,416 --> 00:15:22,666 There you go. 210 00:15:22,750 --> 00:15:23,750 Thanks. 211 00:15:24,750 --> 00:15:26,166 You can take away the, um... 212 00:15:30,833 --> 00:15:32,291 - Slow down. - No. 213 00:15:32,375 --> 00:15:34,291 No. It's not the time to slow down. 214 00:15:34,375 --> 00:15:35,958 It's actually time to get to the point. 215 00:15:36,041 --> 00:15:37,666 So, come on. 216 00:15:37,750 --> 00:15:40,500 What did he say to Carlo last night? 217 00:15:40,583 --> 00:15:41,583 Hmm? 218 00:15:42,041 --> 00:15:43,041 Hmm? 219 00:15:43,375 --> 00:15:44,375 To Carlo? 220 00:15:44,708 --> 00:15:46,541 Yeah. They met. Right? When the bistro closed. 221 00:15:46,625 --> 00:15:49,083 Marco said he was going to meet up with Carlo. Hmm? 222 00:15:54,166 --> 00:15:56,166 Oh God. That was a lie, wasn't it? 223 00:15:57,958 --> 00:15:59,416 He met somebody. 224 00:16:00,750 --> 00:16:03,541 - No. Absolutely not. No. - Hmm. 225 00:16:03,625 --> 00:16:05,208 Giulia, listen to me. 226 00:16:05,291 --> 00:16:07,251 Last night, I went to bed early, and got up early. 227 00:16:07,333 --> 00:16:10,000 I left the house, and I didn't even see Carlo before I left. 228 00:16:10,083 --> 00:16:11,125 That's why I think it's... 229 00:16:11,208 --> 00:16:13,083 It's, uh... it's... it's the truth. Right? 230 00:16:13,583 --> 00:16:14,583 - Yeah. - Mm. 231 00:16:15,625 --> 00:16:18,375 Because I know what happens when someone cheats. 232 00:16:18,458 --> 00:16:19,541 It's one lie... 233 00:16:19,625 --> 00:16:20,875 one lie after the other. 234 00:16:22,583 --> 00:16:24,458 - Excuse me? - Yes. 235 00:16:26,583 --> 00:16:29,000 The element of surprise it's crucial. 236 00:16:29,708 --> 00:16:32,875 What you're missing here is a good old, unexpected plot twist. 237 00:16:32,958 --> 00:16:34,708 - And that's it. - Okay. Great. 238 00:16:35,541 --> 00:16:38,666 Anyway, congratulations. You did a great job. Bravo. 239 00:16:38,750 --> 00:16:39,750 Thank you. 240 00:16:41,041 --> 00:16:42,875 Is your life really as dynamic as this? 241 00:16:42,958 --> 00:16:44,416 Uh, no. Well, I... 242 00:16:46,208 --> 00:16:47,875 The story has a touch of fantasy. 243 00:16:47,958 --> 00:16:48,958 Oh, okay. 244 00:16:49,000 --> 00:16:50,416 Yeah. I mean, what can I do? 245 00:16:50,500 --> 00:16:53,666 I haven't actually gone through many shitty moments in my life, so... 246 00:16:53,750 --> 00:16:57,041 Hey. There's nothing wrong with a bit of fantasy for the sake of a great story. 247 00:16:57,125 --> 00:16:59,666 - Thanks, a lot. - Well done. Okay. See you tomorrow. 248 00:16:59,750 --> 00:17:00,833 - Bye. - Bye. 249 00:17:47,500 --> 00:17:49,416 Sorry. I forgot my shorts. 250 00:17:50,458 --> 00:17:51,833 Don't worry about it. 251 00:18:18,708 --> 00:18:19,916 This is the spot. 252 00:18:22,875 --> 00:18:25,250 Maybe a bit more to the left. 253 00:18:32,375 --> 00:18:33,458 To the left? 254 00:18:46,458 --> 00:18:47,458 More? 255 00:19:10,833 --> 00:19:13,625 Via Filippo Sassetti, 32. Thanks. 256 00:19:13,708 --> 00:19:14,833 Wait a moment. 257 00:19:19,208 --> 00:19:21,041 If you accept, please hang up. 258 00:19:25,333 --> 00:19:26,541 You need a ride? 259 00:19:27,458 --> 00:19:28,458 No. 260 00:19:29,125 --> 00:19:30,958 I called a taxi. Thanks. 261 00:19:34,000 --> 00:19:35,416 Maybe next time, though. 262 00:19:39,250 --> 00:19:40,250 Anytime. 263 00:20:01,833 --> 00:20:03,458 I got off at the first stop. 264 00:20:05,416 --> 00:20:08,166 So you have no valid excuse for being absent today? 265 00:20:08,250 --> 00:20:10,250 No, no, no. It's valid. 266 00:20:10,333 --> 00:20:12,916 I got completely sucked in to this one novel. 267 00:20:14,541 --> 00:20:17,458 So much so it made me wanna try writing one again. 268 00:20:17,541 --> 00:20:19,291 Hmm. What book was it? 269 00:20:20,041 --> 00:20:21,041 It's yours. 270 00:20:22,875 --> 00:20:23,958 You liked it? 271 00:20:24,750 --> 00:20:25,750 A lot. 272 00:20:28,416 --> 00:20:31,375 Your way of narrating pain is something I relate to. 273 00:20:31,458 --> 00:20:33,083 - "Pain," huh? - Mm-hmm. 274 00:20:33,166 --> 00:20:35,166 Are you sure it was my book you read? 275 00:20:37,458 --> 00:20:38,958 I don't narrate pain. 276 00:20:40,625 --> 00:20:41,625 Don't you? 277 00:20:44,083 --> 00:20:46,541 What was it that made you so anxious the other day? 278 00:20:48,666 --> 00:20:50,833 It wasn't the first I felt like that. 279 00:20:51,666 --> 00:20:53,583 I get hit with sudden memories 280 00:20:54,083 --> 00:20:56,500 of something that I thought I'd put behind me, 281 00:20:56,583 --> 00:20:58,625 but that's still right here. 282 00:21:01,416 --> 00:21:02,666 And it's painful? 283 00:21:03,750 --> 00:21:04,750 Hmm. 284 00:21:05,125 --> 00:21:06,333 Well, you should use it. 285 00:21:07,541 --> 00:21:09,208 The pain, use it in your writing. 286 00:21:10,083 --> 00:21:12,416 I can't find the right words to write about it. 287 00:21:13,958 --> 00:21:15,791 I'd have to invent new ones. 288 00:21:15,875 --> 00:21:18,708 Fantastic! Do it. Why not? 289 00:21:19,208 --> 00:21:21,333 You're free. You can do anything you want! 290 00:21:21,416 --> 00:21:23,416 That's what I was just telling Leonardo. 291 00:21:23,916 --> 00:21:26,916 When it comes to writing, not every rule has to be respected. 292 00:21:30,875 --> 00:21:33,125 You know, I actually really needed this talk. 293 00:21:36,000 --> 00:21:37,083 Come on. Let's go. 294 00:21:37,166 --> 00:21:38,541 Where? 295 00:21:39,541 --> 00:21:41,666 To the perfect place for you to find the words. 296 00:21:55,708 --> 00:21:56,791 Hmm. 297 00:21:56,875 --> 00:21:57,875 There we go. 298 00:21:58,375 --> 00:22:00,125 This is one of my favorite authors. 299 00:22:01,125 --> 00:22:02,416 After you read this one, 300 00:22:02,500 --> 00:22:05,583 you're gonna wanna read the whole trilogy, and then all the rest too. 301 00:22:07,166 --> 00:22:09,958 "There's a very thin line between how we hide from the world 302 00:22:10,041 --> 00:22:11,833 and how we choose to show up." 303 00:22:13,833 --> 00:22:16,916 So you're saying you've already read all of MacKinnon at 20, 304 00:22:17,000 --> 00:22:19,833 and that my tastes aren't all that sophisticated after all? 305 00:22:19,916 --> 00:22:21,958 - I should've indulged you. - Yeah. You should've. 306 00:22:22,041 --> 00:22:23,708 - Carlo! - Luca... 307 00:22:23,791 --> 00:22:25,125 How nice to see you here. Hi. 308 00:22:27,041 --> 00:22:28,041 - Uh... - Hello. 309 00:22:28,583 --> 00:22:31,041 This is Sofia. She's my student and she's, uh... 310 00:22:31,125 --> 00:22:33,541 This is Luca. He's, uh, my... my editor. 311 00:22:34,041 --> 00:22:35,125 Nice to meet you. 312 00:22:35,666 --> 00:22:36,666 I'm enchanted. 313 00:22:38,041 --> 00:22:41,125 Right. Luca's the man to know if you wanna publish your first book, 314 00:22:41,708 --> 00:22:44,125 and the one to avoid if you have to deliver a second one. 315 00:22:44,208 --> 00:22:47,375 - Oh. And to that regard, I... - You are about to get something to read. 316 00:22:49,291 --> 00:22:51,833 Do you know how many times I've heard that? Do you? 317 00:22:51,916 --> 00:22:53,666 I beg of you, never say that. 318 00:22:53,750 --> 00:22:55,916 Instead, you should be that rare type of writer 319 00:22:56,000 --> 00:22:58,240 that doesn't ever keep the editors waiting for your work. 320 00:22:59,125 --> 00:23:00,583 I'll keep that in mind. Thanks. 321 00:23:01,416 --> 00:23:02,750 Thank you, Luca. Thanks. 322 00:23:02,833 --> 00:23:04,500 Uh, yeah. That's good. 323 00:23:04,583 --> 00:23:07,833 It's good that you're bringing the new generation to events like this one. Hmm? 324 00:23:07,916 --> 00:23:10,916 If there wasn't such a, uh, let's say gap, 325 00:23:11,000 --> 00:23:13,080 between practice and theory in these writing schools, 326 00:23:13,125 --> 00:23:15,625 you know, maybe I'd read less rubbish. 327 00:23:15,708 --> 00:23:16,875 You know? 328 00:23:16,958 --> 00:23:18,583 Uh, yeah. 329 00:23:18,666 --> 00:23:19,666 Mm-hmm. 330 00:23:20,916 --> 00:23:21,916 Right. 331 00:23:22,458 --> 00:23:25,250 Well, I have to go. I have to host, so, ciao! 332 00:23:25,333 --> 00:23:26,416 See you in a moment. 333 00:23:29,291 --> 00:23:32,416 Obviously, I have absolutely no idea what event he's talking about, 334 00:23:32,500 --> 00:23:34,541 but you don't have to stay with me. 335 00:23:34,625 --> 00:23:35,916 No, no. I want to. 336 00:23:36,000 --> 00:23:38,291 I wouldn't wanna disappoint your editor, would I? 337 00:24:01,291 --> 00:24:02,666 I'll go sit in the front. 338 00:24:03,250 --> 00:24:04,250 Thanks. 339 00:24:05,208 --> 00:24:08,375 So, anyway, I have to say of course I'm sorry about the delay. 340 00:24:08,458 --> 00:24:10,041 I apologize. 341 00:24:10,125 --> 00:24:13,041 - Welcome, ladies and gentlemen. - A round of applause! 342 00:24:18,083 --> 00:24:19,541 Should I read a little excerpt? 343 00:24:19,625 --> 00:24:20,916 Of course. Why not? 344 00:24:24,041 --> 00:24:26,583 "We have this need for things to end right away 345 00:24:27,166 --> 00:24:28,958 so that they never end again. 346 00:24:29,041 --> 00:24:33,333 A ghost of future memory, sweet regret endured in advance. 347 00:24:33,958 --> 00:24:36,291 Something we are able to commemorate 348 00:24:36,375 --> 00:24:39,750 and say we were given another chance." 349 00:24:39,833 --> 00:24:40,666 Wow. 350 00:24:40,750 --> 00:24:42,750 So, in your book, you're talking, uh, 351 00:24:42,833 --> 00:24:46,375 about the fascinating idea of things that we haven't experienced, 352 00:24:46,458 --> 00:24:48,125 and how we mystify an idea, 353 00:24:48,208 --> 00:24:52,458 a mere thought of what may have been, but, um... but hasn't. 354 00:24:52,541 --> 00:24:54,750 Well, yes, more or less. 355 00:24:54,833 --> 00:24:56,541 Excuse me. Has anyone read the book? 356 00:24:56,625 --> 00:24:58,166 Besides me, obviously. 357 00:24:58,958 --> 00:25:00,541 - Hi! What's your name? - Sofia. 358 00:25:00,625 --> 00:25:02,250 - Nice to meet you. - You too. 359 00:25:02,333 --> 00:25:05,875 Yeah, no. I was just wondering about the ending, Ms. Grilli... 360 00:25:05,958 --> 00:25:07,083 Oh. Alessandra. 361 00:25:08,083 --> 00:25:09,458 Alessandra, when you imply 362 00:25:09,541 --> 00:25:12,708 that what's really interesting and what makes us happy 363 00:25:12,791 --> 00:25:15,833 are the challenges we've actually had the courage to face, 364 00:25:15,916 --> 00:25:17,791 not just our dreams. 365 00:25:18,375 --> 00:25:21,083 If I... I'm remembering right, there's a passage, um... 366 00:25:21,166 --> 00:25:24,625 "Life is what is left after every crossroad." 367 00:25:24,708 --> 00:25:26,458 - "Crossroad." That's right. - Yeah. 368 00:25:26,541 --> 00:25:32,166 Which means that the responsibility of choosing our path is ours alone. 369 00:25:32,250 --> 00:25:35,458 Well... I think you understand better than my editor. 370 00:25:35,541 --> 00:25:37,291 Brava. 371 00:25:37,375 --> 00:25:39,375 Since Sofia gracefully brought it up, 372 00:25:39,458 --> 00:25:40,916 I wanted to, uh... 373 00:25:41,000 --> 00:25:43,500 to speak about choice and responsibility. 374 00:25:43,583 --> 00:25:46,625 About how important a difficult moment can be 375 00:25:46,708 --> 00:25:50,125 because those are the moments that form our character. 376 00:25:51,500 --> 00:25:53,708 You've read Grilli's book too? 377 00:25:53,791 --> 00:25:54,791 Yep! 378 00:25:55,375 --> 00:25:57,125 - What's it like? - Wonderful! 379 00:25:57,208 --> 00:25:58,458 I could lend it to you. 380 00:26:01,250 --> 00:26:02,416 Shall we get a drink? 381 00:26:04,583 --> 00:26:06,375 No. We shouldn't. 382 00:26:06,875 --> 00:26:09,625 Even if we just get one from that table over there? 383 00:26:10,250 --> 00:26:11,250 No. 384 00:26:12,500 --> 00:26:13,500 Okay. 385 00:26:15,208 --> 00:26:16,541 See you in class tomorrow. 386 00:26:17,208 --> 00:26:18,208 Okay. 387 00:26:44,375 --> 00:26:45,375 Hello, Anna? 388 00:26:45,875 --> 00:26:46,875 Hi. 389 00:26:47,708 --> 00:26:49,041 Is Margherita still there? 390 00:27:01,958 --> 00:27:03,291 Marghe, can you get that? 391 00:27:05,083 --> 00:27:06,083 Yeah. 392 00:27:19,458 --> 00:27:20,666 What are you doing here? 393 00:27:24,708 --> 00:27:25,708 Why are you here? 394 00:27:28,833 --> 00:27:29,958 To take you home. 395 00:27:31,458 --> 00:27:32,500 How? 396 00:27:35,625 --> 00:27:36,625 By car? 397 00:27:47,750 --> 00:27:49,333 I hate what happened to us. 398 00:27:51,291 --> 00:27:52,291 Me too. 399 00:27:53,791 --> 00:27:55,541 I can't stand living without you. 400 00:27:57,625 --> 00:27:59,208 I love you so much, Marghe. 401 00:28:03,958 --> 00:28:05,625 I missed you so much last night. 402 00:28:13,708 --> 00:28:14,708 Me too. 403 00:28:20,625 --> 00:28:21,875 Let's go home. 404 00:28:21,958 --> 00:28:26,125 ♪ I heard he sang a good song ♪ 405 00:28:27,250 --> 00:28:31,208 ♪ I heard he had a style ♪ 406 00:28:33,583 --> 00:28:37,500 ♪ And so I came to see him ♪ 407 00:28:38,125 --> 00:28:42,791 ♪ To listen for a while ♪ 408 00:28:46,166 --> 00:28:51,375 ♪ And there he was, this young boy ♪ 409 00:28:52,041 --> 00:28:59,000 ♪ A stranger to my eyes ♪ 410 00:29:00,458 --> 00:29:05,208 ♪ Strumming my pain with his fingers ♪ 411 00:29:05,291 --> 00:29:09,958 ♪ Singing my life with his words ♪ 412 00:29:10,041 --> 00:29:13,583 ♪ Killing me softly with his song ♪ 413 00:29:14,083 --> 00:29:18,416 ♪ Killing me softly with his song ♪ 414 00:29:18,500 --> 00:29:23,166 ♪ Telling my whole life with his words ♪ 415 00:29:23,250 --> 00:29:27,083 ♪ Killing me softly ♪ 416 00:29:27,833 --> 00:29:33,625 ♪ With his song ♪ 417 00:29:34,750 --> 00:29:38,875 ♪ I felt all flushed with fever ♪ 418 00:29:38,958 --> 00:29:42,875 ♪ Embarrassed by the crowd ♪ 419 00:29:43,375 --> 00:29:47,083 ♪ I felt he found my letters ♪ 420 00:29:47,166 --> 00:29:51,083 ♪ And read each one out loud ♪ 421 00:29:52,500 --> 00:29:57,291 ♪ I prayed that he would finish ♪ 422 00:29:57,375 --> 00:30:01,208 ♪ But he just kept right on ♪ 423 00:30:01,291 --> 00:30:05,833 ♪ Strumming my pain with his fingers ♪ 424 00:30:05,916 --> 00:30:10,250 ♪ Singing my life with his words ♪ 425 00:30:10,750 --> 00:30:14,291 ♪ Killing me softly with his song ♪ 426 00:30:14,375 --> 00:30:18,666 ♪ Killing me softly with his song ♪ 427 00:30:18,750 --> 00:30:23,708 ♪ Telling my whole life with his words ♪ 428 00:30:23,791 --> 00:30:27,541 ♪ Killing me softly ♪ 429 00:30:28,583 --> 00:30:32,875 ♪ With his song ♪ 430 00:30:32,958 --> 00:30:34,875 Any news on the Concordia house? 431 00:30:37,041 --> 00:30:39,541 The online ad is getting a lot of views, 432 00:30:40,583 --> 00:30:43,416 but I still haven't gotten any requests for appointments. 433 00:30:47,250 --> 00:30:48,750 I'll sell it, you'll see. 434 00:30:48,833 --> 00:30:50,666 So how much time do you need? 435 00:30:51,916 --> 00:30:54,083 I'm committed to it. I told you. 436 00:30:54,625 --> 00:30:59,166 I mean, how much time do you, Marghe, need to make an offer? 437 00:31:01,958 --> 00:31:03,750 Cigarette? 438 00:31:07,916 --> 00:31:10,375 I stayed at my mom's a few days ago. 439 00:31:11,708 --> 00:31:13,333 I've never done that before. 440 00:31:14,750 --> 00:31:17,000 I mean leaving after a fight with Carlo. 441 00:31:17,541 --> 00:31:19,041 It's not the end of the world. 442 00:31:19,750 --> 00:31:20,791 What now? 443 00:31:23,083 --> 00:31:25,041 Now we've made up, but, uh, 444 00:31:26,500 --> 00:31:28,041 it's kinda strange. 445 00:31:28,625 --> 00:31:30,250 "Strange" as in... 446 00:31:31,666 --> 00:31:34,875 As in, I don't know if things are gonna be like they were before. 447 00:31:35,625 --> 00:31:38,125 - Are you cheating? - Uh, what? No! 448 00:31:38,208 --> 00:31:41,541 Sorry. You just seem really distracted lately. You know? 449 00:31:42,250 --> 00:31:45,666 But maybe just my instinct's wrong. Hey. It happens. 450 00:31:47,166 --> 00:31:49,916 Actually, maybe Carlo's kinda cheating with a student of his. 451 00:31:50,000 --> 00:31:51,708 What do you mean "kinda cheating"? 452 00:31:51,791 --> 00:31:53,583 Either he's cheating on you or he's not. 453 00:31:53,666 --> 00:31:55,625 Otherwise, it'd be hell. All those gray areas? 454 00:31:55,708 --> 00:31:58,750 Well, there are desires and fantasies. 455 00:31:58,833 --> 00:32:01,750 Yeah. I mean, if we paid attention to desires and fantasies, 456 00:32:01,833 --> 00:32:04,250 we'd feel like we were all cheating all the time. 457 00:32:06,000 --> 00:32:08,500 Oh, honey. I mean, your face says it all right now. 458 00:32:20,250 --> 00:32:22,958 - Bye, guys. See you tomorrow. - See you. Bye. 459 00:32:24,791 --> 00:32:26,750 - Sorry, but I can't. It makes me... - But why? 460 00:32:26,833 --> 00:32:28,892 - Wasn't it planned? - Yeah. It was planned. 461 00:32:41,625 --> 00:32:43,875 Luca! Listen, I know you're super busy, 462 00:32:43,958 --> 00:32:46,101 but just let me know if you're coming to the symposium. 463 00:32:46,125 --> 00:32:48,416 I wanted you to have a chat with the students. 464 00:33:38,458 --> 00:33:39,458 Hey. 465 00:33:39,791 --> 00:33:40,625 Ciao. 466 00:33:40,708 --> 00:33:42,000 Going out tonight? 467 00:33:42,083 --> 00:33:43,541 No. I'm going home. 468 00:33:44,291 --> 00:33:46,666 - Have a good evening, then. - Ciao. 469 00:33:50,958 --> 00:33:52,750 - Ciao. - Have a good evening. 470 00:33:58,750 --> 00:34:00,416 - See you. - Ciao, Andrea. 471 00:34:32,041 --> 00:34:33,416 Radio Taxi Milan... 472 00:34:39,583 --> 00:34:40,583 Hop on. 473 00:34:41,125 --> 00:34:42,791 I'll take you home. It's late. 474 00:34:45,333 --> 00:34:46,333 All right, then. 475 00:34:49,583 --> 00:34:50,875 But don't take me home. 476 00:35:00,916 --> 00:35:02,041 So where are we going? 477 00:35:03,333 --> 00:35:05,375 Wherever you want. 478 00:35:36,708 --> 00:35:39,041 LOOSELY BASED ON "FIDELITY" BY MARCO MISSIROLI 34986

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