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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:41,525 --> 00:00:44,960 [ Horns Honking ] 2 00:00:49,299 --> 00:00:51,399 I KNOW. 3 00:00:54,104 --> 00:00:56,371 I KNOW. 4 00:00:56,439 --> 00:01:00,542 IF THIS KEEPS UP, WE WON'T BE IN LONDON TILL BOXING DAY. 5 00:01:00,611 --> 00:01:03,144 [ Honking Continues ] 6 00:01:03,213 --> 00:01:05,213 I KNOW. 7 00:01:05,281 --> 00:01:08,349 [ Man On Phone ] WE'VE GOT TO GET HIM THERE FOR THE PUBLICITY. 8 00:01:08,418 --> 00:01:12,070 ONLY TOLD YOU THREE TIMES LAST WEEK. HOW DO I GET THROUGH TO YOU, BIRDBRAIN? 9 00:01:12,139 --> 00:01:16,024 YEAH. SURE, I CAN STALL 'EM. TILL ABOUT 10:00. 10 00:01:16,092 --> 00:01:18,893 AND THEN AFTER THAT, WE'VE BLOWN IT. 11 00:01:18,962 --> 00:01:22,197 WELL, ISN'T THERE A SHORT CUT YOU CAN TAKE? 12 00:01:22,266 --> 00:01:26,034 I MEAN, THIS IS SUPPOSED TO BE THE MAIN PUBLICITY FOR THE NEW ALBUM. 13 00:01:26,102 --> 00:01:29,121 WELL, DO IT! 14 00:01:29,189 --> 00:01:31,556 YOU'RE NOT ON YOUR OWN, PAL. 15 00:01:31,625 --> 00:01:34,092 DOES HE HAVE TO DO THAT NOW? 16 00:01:34,161 --> 00:01:36,912 [ Jackhammer Pounding ] 17 00:01:36,981 --> 00:01:39,014 I KNOW. 18 00:01:39,082 --> 00:01:43,018 I KNOW. I WAS TALKING ABOUT IT LAST WEEK, BUT THAT ISN'T THE POINT. 19 00:01:43,086 --> 00:01:46,855 THE POINT IS THAT WE ARE SITTING IN THE MIDDLE OF A TRAFFIC JAM... 20 00:01:46,924 --> 00:01:49,558 THE PROPORTIONS OF WHICH WOULD ASTOUND YOU. 21 00:01:49,627 --> 00:01:52,960 THERE ARE THREE MILES OF ROADWORKS AND NO WAY OUT. 22 00:01:53,029 --> 00:01:56,564 [ Radio, Indistinct ] UNLESS, OF COURSE, YOU CAN SUGGEST SOMETHING. 23 00:01:56,633 --> 00:02:00,718 TODAY'S TOP TEMPERATURE: 46 DEGREES FAHRENHEIT. AND THE SAME TO YOU, SIR. 24 00:02:00,787 --> 00:02:03,889 ANYWAY, THIS SHOULD HELP YOU TAKE YOUR MIND OFF THE GLOOM. 25 00:02:03,957 --> 00:02:08,327 REMEMBER THE SUMMER OF '66. ♪♪ [ Rock 'N' Roll ] 26 00:02:08,395 --> 00:02:11,413 [ Driver] I KNOW. I KNOW. 27 00:02:11,481 --> 00:02:15,617 ♪ GOOD DAY, SUNSHINE ♪ I KNOW. 28 00:02:15,685 --> 00:02:20,422 I KNOW ABOUT IT. I KNOW. ♪ GOOD DAY, SUNSHINE ♪ 29 00:02:20,490 --> 00:02:24,459 ♪ I NEED TO LAUGH AND WHEN THE SUN IS OUT ♪ 30 00:02:24,528 --> 00:02:27,663 ♪ I'VE GOT SOMETHING I CAN LAUGH ABOUT ♪ 31 00:02:27,731 --> 00:02:32,233 ♪ I FEEL GOOD IN A SPECIAL WAY ♪ 32 00:02:32,302 --> 00:02:36,337 ♪ I'M IN LOVE AND IT'S A SUNNY DAY ♪ 33 00:02:36,406 --> 00:02:40,525 ♪ GOOD DAY, SUNSHINE ♪ 34 00:02:40,593 --> 00:02:44,613 ♪ GOOD DAY, SUNSHINE ♪ 35 00:02:44,681 --> 00:02:48,099 ♪ GOOD DAY, SUNSHINE ♪ 36 00:02:48,168 --> 00:02:52,704 ♪ WE TAKE A WALK THE SUN IS SHINING DOWN ♪ 37 00:02:52,773 --> 00:02:56,908 ♪ BURNS MY FEET AS I TOUCH THE GROUND ♪ 38 00:03:05,452 --> 00:03:08,720 ♪ GOOD DAY, SUNSHINE ♪ 39 00:03:08,789 --> 00:03:11,606 ♪♪ [ Continues, Indistinct ] [ Computer Beeps ] 40 00:03:11,675 --> 00:03:15,693 [ Computer Voice ] GOOD MORNING. HERE ARE YOUR APPOINTMENTS FOR THE DAY. 41 00:03:15,762 --> 00:03:19,180 9:30 A.M., MEETING AT OFFICE. 42 00:03:19,249 --> 00:03:23,050 10:30 A.M., RECORDING STUDIO. 43 00:03:23,119 --> 00:03:26,821 12:30 P.M., FILM STUDIOS. 44 00:03:26,907 --> 00:03:29,675 4:00 P.M., REHEARSAL. 45 00:03:29,743 --> 00:03:32,143 5:30 P.M., INTERVIEW. 46 00:03:32,213 --> 00:03:35,414 YOU WILL THEN TAKE A SHORT BREAK. [ Beeps ] 47 00:03:35,482 --> 00:03:38,467 ♪ GOOD DAY, SUNSHINE ♪ 48 00:03:38,535 --> 00:03:42,137 ♪ GOOD DAY, SUNSHINE ♪ 49 00:03:42,206 --> 00:03:46,091 ♪ GOOD DAY, SUNSHINE ♪ 50 00:03:46,159 --> 00:03:49,694 ♪ GOOD DAY, SUNSHINE ♪ 51 00:03:49,763 --> 00:03:54,199 [ Buzzing ] 52 00:03:54,267 --> 00:03:57,302 ♪ GOOD DAY, SUNSHINE ♪♪ 53 00:03:59,990 --> 00:04:02,357 - YES, STEVE. - WE'RE UP A GUM TREE, MACCA. 54 00:04:02,425 --> 00:04:06,277 - WHY? WHAT'S UP? - THE WHOLE BLOODY GAME'S UP. THE TAPES HAVE VANISHED. 55 00:04:06,346 --> 00:04:09,397 OH, THAT. NOT TO WORRY. HARRY'S GOT THEM. 56 00:04:09,466 --> 00:04:12,284 HE TOOK THEM HOME FROM THE STUDIO LAST NIGHT, 57 00:04:12,352 --> 00:04:15,253 AND HE'S PERSONALLY DELIVERING THEM ROUND TO THE FACTORY THIS MORNING. 58 00:04:15,322 --> 00:04:17,739 WELL, THAT'S JUST IT. HE HASN'T SHOWN UP YET. 59 00:04:17,808 --> 00:04:21,392 I RANG HIS EVER-LOVING MISSUS, BUT SHE'S WORRIED BECAUSE HE DIDN'T COME HOME LAST NIGHT. 60 00:04:21,461 --> 00:04:24,395 - DID YOU TRY SANDRA? - SHE HASN'T SEEN HIM EITHER. 61 00:04:24,464 --> 00:04:28,116 OKAY. DON'T TELL ANYONE. I'LL BE RIGHT WITH YOU. 62 00:04:31,037 --> 00:04:33,755 DON'T TELL ANYONE? 63 00:04:38,328 --> 00:04:41,396 [ Quiet Chattering ] 64 00:04:41,465 --> 00:04:44,533 AH, MR. STANLEY. GOOD TO SEE YOU. 65 00:04:44,601 --> 00:04:47,436 [ Chattering Continues ] INSPECTOR, THANKS FOR COMING. 66 00:04:51,341 --> 00:04:53,708 IT'S A LOVELY DAY FOR A DRIVE. MARVELOUS. 67 00:04:53,777 --> 00:04:57,195 [ Engine Racing ] 68 00:05:15,031 --> 00:05:17,832 [ Horn Honking ] 69 00:05:52,352 --> 00:05:57,338 ♪♪ [ Muzak ] 70 00:06:00,610 --> 00:06:03,044 IT'S TOO LATE TO STOP IT NOW, I'M AFRAID. 71 00:06:03,113 --> 00:06:05,547 THE TELEVISION CAMPAIGN STARTS THIS WEEK, 72 00:06:05,616 --> 00:06:09,717 SUPPORTED BY MERCHANDISING, POINT OF SALE, T-SHIRTS, BADGES AND A POSTER. 73 00:06:09,786 --> 00:06:12,220 WELL, I CAN'T RING GEOFFREY ON THIS ONE. 74 00:06:12,289 --> 00:06:15,206 THERE'S NO WAY I CAN TELL HIM THAT IT'S GONE MISSING. 75 00:06:21,365 --> 00:06:24,532 THEY ALREADY KNEW. HOPEFULLY, IT WILL BE FORTHCOMING. 76 00:06:24,601 --> 00:06:28,003 GOOD MORNING, ALL. GOOD MORNING. 77 00:06:28,071 --> 00:06:32,891 YES, THAT'S TRUE. BUT THE POSITION IS VERY SERIOUS INDEED. 78 00:06:32,959 --> 00:06:37,712 ANY EXTRA LIABILITIES SUCH AS THIS WILL PLACE A GREAT STRAIN ON YOUR CAPITAL RESERVES... 79 00:06:37,781 --> 00:06:43,318 AND INCREASE THE POSSIBILITY OF THE COMPANY BEING TAKEN OVER BY RATHBONE INDUSTRIES. 80 00:06:46,489 --> 00:06:50,658 [ Whispering ] THAT'S RATH. RATHBONE INDUSTRIES. 81 00:06:50,727 --> 00:06:53,561 THEY ALL SEEM TO BE HERE NOW. 82 00:06:53,630 --> 00:06:57,565 [ Siren Wailing ] 83 00:06:57,634 --> 00:07:00,334 [ Clears Throat ] 84 00:07:00,403 --> 00:07:03,688 IT WOULD APPEAR THAT A MR. HAROLD TORRINGTON IS AN EMPLOYEE OF THESE COMPANIES. 85 00:07:03,757 --> 00:07:06,891 - CORRECT. - YOU ARE AWARE, OF COURSE, 86 00:07:06,960 --> 00:07:11,229 THAT HE HAS A CRIMINAL RECORD, WHICH INCLUDES BURGLARY AND PETTY LARCENY. 87 00:07:11,298 --> 00:07:14,132 - YEP, WE KNOW. - I UNDERSTAND THE TAPES... 88 00:07:14,201 --> 00:07:17,284 ENTRUSTED TO MR. TORRINGTON'S CARE ARE EXTREMELY VALUABLE. 89 00:07:17,353 --> 00:07:21,355 BASED ON LAST YEAR'S FIGURES, AT TODAY'S PRICES, I'D SAY ABOUT FIVE OR SIX MILLION POUNDS. 90 00:07:23,543 --> 00:07:28,696 THEY'RE THE EQUIVALENT OF-- THEY'RE THE BE ALL AND END ALL. 91 00:07:28,765 --> 00:07:31,716 - IF THEY'RE LOST, ALL IS LOST. - AND YET IT WOULD APPEAR... 92 00:07:31,785 --> 00:07:36,387 YOU WERE QUITE HAPPY TO PLACE SUCH A VALUABLE ASSET IN THE HANDS OF THIS MAN. 93 00:07:36,456 --> 00:07:39,390 YEAH. WE KNEW ABOUT HIM WHEN HE JOINED, 94 00:07:39,459 --> 00:07:41,793 BUT HE SWORE HE'D BEEN STRAIGHT FOR A COUPLE OF YEARS. 95 00:07:41,862 --> 00:07:44,079 I'M TELLING YOU, I BELIEVE HIM. 96 00:07:44,147 --> 00:07:48,967 HE IS STRAIGHT. THIS WHOLE THING'S A MISTAKE. WHERE WAS HE LAST SEEN? 97 00:07:49,035 --> 00:07:51,986 TOM AND BERYL SAW HIM LEAVING THE OLD JUSTICE ABOUT HALF 10:00. 98 00:07:52,055 --> 00:07:56,808 - HE HAD THE TAPES WITH HIM. - AND NO ONE'S SEEN HIDE NOR HAIR OF HIM SINCE. 99 00:07:56,877 --> 00:08:00,562 - NOBODY. - I MUST REMIND YOU THAT IN THIS CASE... 100 00:08:00,630 --> 00:08:04,566 THERE ARE CERTAIN OTHER AGREEMENTS TO BE TAKEN INTO CONSIDERATION. 101 00:08:04,634 --> 00:08:09,854 SUCH AS THE ARRANGEMENT ENTERED INTO WITH MR. WILLIAM RATH OF RATHBONE INDUSTRIES. 102 00:08:09,922 --> 00:08:13,507 IN FACT, MR. RATH HAS ASKED ME TO POINT OUT TO YOU... 103 00:08:13,576 --> 00:08:17,595 THAT UNLESS THE TAPES ARE FOUND BY MIDNIGHT TONIGHT, 104 00:08:17,664 --> 00:08:22,150 THE CONSEQUENCES WILL BE... VERY SERIOUS. 105 00:08:26,673 --> 00:08:30,942 [ Ticking ] 106 00:08:31,011 --> 00:08:34,012 I GUESS WE HAVE TO CONSOLE OURSELVES WITH THE FACT... 107 00:08:34,080 --> 00:08:37,482 THAT EVERYTHING THAT CAN BE DONE IS BEING DONE. 108 00:08:37,551 --> 00:08:40,318 I MEAN, THE INSPECTOR IS WELL ON THE CASE. 109 00:08:40,387 --> 00:08:44,022 HE'S GOT AN UP-TO-DATE DESCRIPTION OF HARRY... AND THE TAPE BOX. 110 00:08:44,090 --> 00:08:48,459 AND EVERYTHING... IS BEING DONE. 111 00:08:48,528 --> 00:08:51,295 [ Phone Ringing ] 112 00:08:53,016 --> 00:08:57,235 THANK YOU. THE CAR IS READY, SIR. 113 00:08:57,303 --> 00:08:59,387 AH. THANKS. [ Clears Throat ] 114 00:08:59,456 --> 00:09:02,540 YEAH. WELL, THANKS ANYWAY. 115 00:09:04,293 --> 00:09:07,178 HE TOLD ME HE WAS STRAIGHT, AND I BELIEVED HIM. 116 00:09:07,247 --> 00:09:11,682 I SUGGESTED AT THE TIME IT WASN'T EXACTLY THE SMARTEST MOVE ON EARTH. 117 00:09:11,752 --> 00:09:14,986 WHAT'S HE GONNA DO WITH THE TAPES? BOOTLEG THEM. 118 00:09:15,055 --> 00:09:19,507 THERE ARE PLENTY OF PEOPLE WHO'D PAY BIG QUID TO GET THEIR HANDS ON THOSE TRACKS. 119 00:09:19,576 --> 00:09:23,261 BIG BOB, FOR INSTANCE. TO NAME BUT A FEW. 120 00:09:23,330 --> 00:09:26,481 [ Coughing ] 121 00:09:48,505 --> 00:09:51,906 WHAT'S ALL THIS ABOUT A TAKEOVER BY RATHBONE INDUSTRIES? 122 00:09:51,975 --> 00:09:55,276 I DIDN'T KNOW ABOUT THAT. SLIGHT DANGER. 123 00:09:55,345 --> 00:09:57,912 NOTHING YOU NEED WORRY ABOUT. 124 00:09:59,516 --> 00:10:01,549 GET HOLD OF BIG BOB, WILL YOU? 125 00:10:01,618 --> 00:10:03,951 HE'S ABOUT, ISN'T HE? YEAH. I SAW HIM LAST WEEK. 126 00:10:25,675 --> 00:10:30,277 ♪♪ 127 00:10:30,346 --> 00:10:35,583 YOU SEE, THERE'S GONNA BE ALL KINDS OF COMPLICATIONS WE HAVEN'T EVEN THOUGHT ABOUT YET. 128 00:10:35,651 --> 00:10:37,651 YEAH? 129 00:10:39,723 --> 00:10:42,323 WHAT? 130 00:10:42,391 --> 00:10:45,326 I HAVEN'T THOUGHT ABOUT 'EM YET. 131 00:10:46,396 --> 00:10:48,897 HIYA. ALL RIGHT. HEY. 132 00:10:48,965 --> 00:10:51,666 LISTEN, HAVE YOU HEARD THE NEWS? WHAT NEWS? 133 00:10:51,735 --> 00:10:54,402 YOU KNOW, ABOUT THE TAPES. WHAT ABOUT THE TAPES? 134 00:10:54,471 --> 00:10:57,405 WELL, HARRY, HE'S SUPPOSED TO BE TAKING THEM DOWN THE FACTORY. 135 00:10:57,474 --> 00:10:59,474 HE'S GONE MISSING. MISSING? 136 00:10:59,543 --> 00:11:01,776 AND THE TAPES TOO. HARRY AND THE TAPES ARE MISSING? 137 00:11:01,845 --> 00:11:04,963 THEY'VE BEEN PHONING HIM ALL NIGHT. NOBODY SEEMS TO BE ABLE TO RAISE HIM. 138 00:11:05,031 --> 00:11:08,032 WHO'S LOOKING FOR HIM? DON'T KNOW. GREAT NEWS, ISN'T IT? 139 00:11:08,101 --> 00:11:12,536 OH, GOD. [ Hitting Drums ] 140 00:11:12,605 --> 00:11:15,139 WELL, WHAT ARE WE GONNA DO? 141 00:11:15,208 --> 00:11:18,493 YOU KNOW, I DON'T FANCY RECORDING THEM AGAIN. NO, NO NEED TO DO THAT. 142 00:11:18,562 --> 00:11:21,762 YOU DON'T THINK HARRY WOULD GO AND DO A STUPID THING LIKE THAT, DO YOU? 143 00:11:21,831 --> 00:11:24,265 YES, I DO. 144 00:11:24,334 --> 00:11:28,903 ♪♪ [ Tuning Instruments ] READY TO DO ONE? 145 00:11:31,958 --> 00:11:34,125 [ Chattering ] 146 00:11:36,179 --> 00:11:39,397 HELLO, JOEY. HAVE YOU SEEN BIG BOB? 147 00:11:39,465 --> 00:11:43,367 IT'S ALAN. YEAH, HAVE YOU SEEN HIM? 148 00:11:45,105 --> 00:11:48,606 NO, NO, I DON'T MEAN THAT. I MEAN HAVE YOU SEEN HIM TODAY? 149 00:11:52,863 --> 00:11:55,080 - SO, WHAT ARE WE DOING? - THE MEDLEY. 150 00:11:55,148 --> 00:11:59,200 - WHAT MEDLEY? - OKAY, PAUL, I'D LIKE TO HEAR A RUN-THROUGH. 151 00:11:59,269 --> 00:12:01,469 [ Paul ] OKAY. READY? 152 00:12:02,905 --> 00:12:05,557 BRUSHES. 153 00:12:16,486 --> 00:12:20,421 COMING READY OR NOT, BOYS. 154 00:12:28,565 --> 00:12:31,783 ♪♪ 155 00:12:34,521 --> 00:12:36,854 ♪ YESTERDAY ♪ 156 00:12:38,591 --> 00:12:44,061 ♪ ALL MY TROUBLES SEEMED SO FAR AWAY ♪ 157 00:12:44,130 --> 00:12:48,933 ♪ NOW IT LOOKS AS THOUGH THEY'RE HERE TO STAY ♪ 158 00:12:49,001 --> 00:12:52,269 ♪ OH, I BELIEVE ♪ 159 00:12:52,338 --> 00:12:55,440 ♪ IN YESTERDAY ♪ 160 00:12:55,508 --> 00:12:58,709 ♪ SUDDENLY ♪ 161 00:12:58,778 --> 00:13:03,147 ♪ I'M NOT HALF THE MAN I USED TO BE ♪ 162 00:13:03,215 --> 00:13:05,799 VERY BLOODY APPROPRIATE. 163 00:13:05,868 --> 00:13:10,287 ♪ THERE'S A SHADOW HANGING OVER ME ♪ 164 00:13:10,356 --> 00:13:13,390 ♪ OH, YESTERDAY ♪ 165 00:13:13,460 --> 00:13:16,710 ♪ CAME SUDDENLY ♪ 166 00:13:16,779 --> 00:13:22,233 ♪ WHY SHE HAD TO GO ♪ 167 00:13:29,710 --> 00:13:34,129 ♪ I SAID SOMETHING WRONG ♪ 168 00:13:34,198 --> 00:13:40,786 ♪ NOW I LONG FOR YESTERDAY ♪ 169 00:13:40,854 --> 00:13:44,823 ♪ YESTERDAY ♪ 170 00:13:44,891 --> 00:13:50,329 ♪ LOVE WAS SUCH AN EASY GAME TO PLAY ♪ 171 00:13:50,397 --> 00:13:55,316 ♪ NOW I NEED A PLACE TO HIDE AWAY ♪ 172 00:13:55,385 --> 00:13:58,653 ♪ OH, I BELIEVE ♪ 173 00:13:58,722 --> 00:14:02,290 ♪ IN YESTERDAY ♪ 174 00:14:02,358 --> 00:14:05,593 ♪♪ [ Humming ] 175 00:14:12,268 --> 00:14:16,287 ♪ TO LEAD A BETTER LIFE ♪ 176 00:14:16,356 --> 00:14:19,391 ♪ I NEED A LOVE OF MY OWN ♪ 177 00:14:23,397 --> 00:14:26,531 ♪ HERE ♪ 178 00:14:26,600 --> 00:14:31,069 ♪ MAKING EACH DAY OF THE YEAR ♪ 179 00:14:32,689 --> 00:14:38,159 ♪ CHANGING MY LIFE WITH A WAVE OF HER HAND ♪ 180 00:14:38,228 --> 00:14:42,130 ♪ NOBODY CAN DENY ♪ 181 00:14:42,199 --> 00:14:46,668 ♪ THAT THERE'S SOMETHING THERE ♪ 182 00:14:46,736 --> 00:14:50,505 ♪ I WANT HER EVERYWHERE ♪ 183 00:14:50,574 --> 00:14:56,711 ♪ AND IF SHE'S BESIDE ME I KNOW I NEED NEVER CARE ♪ 184 00:14:56,780 --> 00:15:02,934 ♪ BUT TO LOVE HER IS TO NEED HER EVERYWHERE ♪ 185 00:15:03,002 --> 00:15:09,074 ♪ KNOWING THAT LOVE IS TO SHARE ♪ 186 00:15:09,142 --> 00:15:15,012 ♪ EACH ONE BELIEVING THAT LOVE NEVER DIES ♪ 187 00:15:15,081 --> 00:15:18,283 ♪ WATCHING HER EYES ♪ 188 00:15:18,351 --> 00:15:23,421 ♪ AND HOPING I'M ALWAYS THERE ♪ 189 00:15:23,490 --> 00:15:27,525 ♪ I WILL BE HERE, THERE ♪ 190 00:15:27,594 --> 00:15:30,361 ♪ AND EVERYWHERE ♪ 191 00:15:30,430 --> 00:15:33,848 ♪ HERE, THERE ♪ 192 00:15:33,917 --> 00:15:37,852 ♪ AND EVERYWHERE ♪♪ 193 00:15:39,789 --> 00:15:42,640 ♪♪ [ Continues ] 194 00:16:18,828 --> 00:16:24,082 ♪ LIGHT OUT WANDERLUST ♪ 195 00:16:24,151 --> 00:16:29,921 ♪ HEAD US OUT TO SEA ♪ 196 00:16:29,990 --> 00:16:35,861 ♪ CAPTAIN SAYS THERE'LL BE A BUST ♪ 197 00:16:35,929 --> 00:16:41,533 ♪ THIS ONE'S NOT FOR ME ♪ 198 00:16:41,602 --> 00:16:47,521 ♪ TAKE US FROM THE DARK ♪ 199 00:16:47,590 --> 00:16:53,144 ♪ OUT WHERE WE CAN SEE ♪ 200 00:16:53,213 --> 00:16:58,817 ♪ CAPTAIN'S OUT TO MAKE HIS MARK ♪ 201 00:16:58,886 --> 00:17:03,821 ♪ THIS ONE'S NOT TO BE ♪ 202 00:17:03,890 --> 00:17:10,295 ♪ LIGHT OUT WANDERLUST ♪ 203 00:17:10,364 --> 00:17:15,883 ♪ HELP US TO BE FREE ♪ 204 00:17:15,952 --> 00:17:21,322 ♪ LIGHT OUT WANDERLUST ♪ 205 00:17:21,391 --> 00:17:25,459 ♪ DO IT JUST FOR ME ♪ 206 00:17:25,528 --> 00:17:29,080 [ Chorus ] ♪ WANDERLUST ♪ 207 00:17:39,742 --> 00:17:45,513 ♪ CAPTAIN'S OUT TO MAKE HIS MARK ♪ 208 00:17:45,582 --> 00:17:51,669 ♪ THIS ONE'S NOT TO BE ♪ 209 00:17:51,721 --> 00:17:54,756 ♪ OH, WHERE DID I ♪ 210 00:17:54,825 --> 00:17:57,659 ♪ GO WRONG, MY LOVE ♪ 211 00:17:57,728 --> 00:18:03,197 ♪ WHAT PETTY CRIME WAS I FOUND GUILTY OF ♪ 212 00:18:03,266 --> 00:18:05,734 ♪ WHAT BETTER TIME ♪ 213 00:18:05,802 --> 00:18:10,888 ♪ TO FIND A BRAND-NEW DAY ♪ 214 00:18:10,957 --> 00:18:14,508 ♪ OH, WANDERLUST AWAY ♪ 215 00:18:14,595 --> 00:18:19,630 ♪ LIGHT OUT WANDERLUST ♪ 216 00:18:19,699 --> 00:18:23,751 ♪ HELP US TO BE FREE ♪ 217 00:18:26,690 --> 00:18:31,242 ♪ LIGHT OUT WANDERLUST ♪ 218 00:18:31,311 --> 00:18:35,563 ♪ DO IT JUST FOR ME ♪ 219 00:18:35,631 --> 00:18:38,766 ♪ WANDERLUST ♪ 220 00:18:49,863 --> 00:18:55,633 ♪ CAPTAIN SAYS THERE'LL BE A BUST ♪ 221 00:18:55,702 --> 00:19:01,672 ♪ THIS ONE'S NOT FOR ME ♪ 222 00:19:01,741 --> 00:19:05,092 [ Chorus ] ♪ LIGHT OUT WANDERLUST ♪ ♪ OH, WHERE DID I ♪ 223 00:19:05,161 --> 00:19:07,995 ♪ GO WRONG, MY LOVE ♪ 224 00:19:08,064 --> 00:19:13,167 ♪ WHAT PETTY CRIME WAS I FOUND GUILTY OF ♪ 225 00:19:13,236 --> 00:19:16,137 ♪ CAPTAIN SAYS ♪ ♪ WHAT BETTER TIME ♪ 226 00:19:16,205 --> 00:19:19,506 ♪ THERE'LL BE A BUST ♪ ♪ TO FIND A BRAND-NEW DAY ♪ 227 00:19:19,575 --> 00:19:24,979 ♪ THIS ONE'S NOT FOR ME ♪ ♪ OH, WANDERLUST AWAY ♪ 228 00:19:25,047 --> 00:19:27,848 ♪ DROPPING A LINE ♪ 229 00:19:27,917 --> 00:19:30,452 ♪ MAYBE IT'S TIME ♪ 230 00:19:30,520 --> 00:19:34,689 ♪ IT'S WANDERLUST ♪ 231 00:19:34,757 --> 00:19:38,693 ♪ FOR ME ♪ 232 00:19:38,761 --> 00:19:43,197 ♪♪ [ Humming ] 233 00:19:54,110 --> 00:19:57,679 [ Man ] OKAY, PAUL, THAT WAS A GOOD ONE. DO YOU WANT TO HEAR IT? 234 00:19:57,747 --> 00:19:59,898 YEAH. 235 00:20:07,624 --> 00:20:10,808 IT'S GONNA BE ONE OF THOSE DAYS. 236 00:20:23,573 --> 00:20:26,040 [ Paul ] CHEERS, HARRY. 237 00:20:26,108 --> 00:20:29,144 [ Quiet Chattering ] 238 00:20:31,414 --> 00:20:33,981 THEY TELL ME YOU JUST GOT OUT. 239 00:20:34,050 --> 00:20:37,051 [ Sighs ] I'M NOT A BLOODY CRIMINAL. 240 00:20:37,120 --> 00:20:40,771 LOOK. NO MASK. I AIN'T GOT ANY DYNAMITE. LEFT IT ALL AT HOME. 241 00:20:43,476 --> 00:20:47,345 [ Sighs ] NO. REALLY, I WAS SET UP. 242 00:20:47,414 --> 00:20:51,349 BY THIS NUTTY COPPER. YOU KNOW, FRAMED. 243 00:20:51,418 --> 00:20:53,951 IT'S ALWAYS BEEN LIKE THAT WITH ME. 244 00:20:54,020 --> 00:20:56,721 EVEN AT SCHOOL THEY HAD IT IN FOR ME. 245 00:20:56,790 --> 00:21:02,193 BOY SCOUTS. I GOT SENT HOME FROM CAMP. 246 00:21:02,262 --> 00:21:06,064 CAUGHT SMOKING. I WASN'T THE ONLY ONE. 247 00:21:06,133 --> 00:21:09,901 THEY SAID I WAS A BAD INFLUENCE ON THE OTHERS. 248 00:21:09,970 --> 00:21:12,520 SAME IN PRISON. 249 00:21:12,589 --> 00:21:16,941 THIS COP FRAMES ME. I SAID, "BUT I DIDN'T DO IT, YOUR HONOR." 250 00:21:17,010 --> 00:21:20,795 DIDN'T BELIEVE ME. I'M NOT A BAD BOY. 251 00:21:20,864 --> 00:21:25,850 NOT REALLY. I'M JUST... MANIPULATED. 252 00:21:27,854 --> 00:21:30,221 I'LL TELL YOU WHAT. I'LL GIVE YOU A CHANCE. 253 00:21:30,290 --> 00:21:34,909 IF YOU'RE FIBBING AND YOU DO ONE THING WRONG, YOU'LL BE OUT. I MEAN IT. 254 00:21:34,978 --> 00:21:38,613 - BUT IF YOU'RE STRAIGHT WITH ME, YOU'LL BE IN. - YEAH, I WANT TO BE IN. 255 00:21:38,681 --> 00:21:41,315 OKAY, THAT'S IT. YOU'RE IN. IT'S A PACT. 256 00:21:41,384 --> 00:21:44,902 - PACKET OF WHAT? - PACT. A DEAL. 257 00:21:44,971 --> 00:21:47,672 A PACT. A PACT. 258 00:21:47,740 --> 00:21:51,659 [ Harry's Voice Echoing] A PACT. A PACT. A PACT. 259 00:22:03,373 --> 00:22:06,407 'ERE, MATE. STICK YOUR MONIKER ON THERE, WILL YA? 260 00:22:06,476 --> 00:22:09,444 MY WIFE LIKES YOUR MUSIC. I DON'T. 261 00:22:09,512 --> 00:22:12,763 BUT I'LL GET LYNCHED IF I GOES HOME WITHOUT IT. 262 00:22:12,832 --> 00:22:15,283 THAT MIGHTN'T BE SUCH A BAD IDEA. YOU'RE RIGHT. 263 00:22:15,351 --> 00:22:18,552 THAT'S THE SPIRIT. KEEP IT UP. [ Laughing ] 264 00:22:24,693 --> 00:22:26,711 WHAT ROOM ARE WE IN? 265 00:22:26,779 --> 00:22:31,332 AH, UM, IT'S... 516. [ Mutters ] 266 00:22:31,401 --> 00:22:33,551 TA. 267 00:22:36,205 --> 00:22:41,242 OH, UH, OKAY. I'LL BE IN THE CORRIDOR IF YOU NEED ME. 268 00:22:49,969 --> 00:22:54,288 - WHAT WAS THAT FOR? - I DON'T NEED HIM AROUND ALL THE TIME. 269 00:22:54,357 --> 00:22:58,059 - YEAH, BUT HE'S VERY LOYAL. - SO IS MY PET COCKER SPANIEL. 270 00:22:58,128 --> 00:23:00,794 DON'T LET IT GET TO YOU. DON'T LET IT GET TO ME? 271 00:23:00,863 --> 00:23:03,481 OH, NO, I WON'T LET IT GET TO ME. 272 00:23:03,549 --> 00:23:07,218 AS FAR AS I'M CONCERNED, IT'S A BEAUTIFUL SUMMER'S DAY. THERE'S NOT A CLOUD IN THE SKY. 273 00:23:07,287 --> 00:23:09,754 AND THERE'S PROBABLY A BLUEBIRD ON MY SHOULDER. 274 00:23:09,822 --> 00:23:12,473 YEAH, WELL, THAT'S REALLY GONNA HELP, ISN'T IT? 275 00:23:12,542 --> 00:23:16,594 YOU LOSE YOUR GRIP, I'LL WORK MYSELF UP INTO A FRENZY, AND WE CAN ALL GO AND THROW TANTRUMS. 276 00:23:16,662 --> 00:23:19,514 WELL, IT'S NOT MY FAULT. I DIDN'T HIRE HIM. 277 00:23:19,582 --> 00:23:22,266 OH. I LOVE IT. 278 00:23:22,335 --> 00:23:25,035 COME ON. LET'S SPIT IT OUT, SHALL WE? 279 00:23:25,105 --> 00:23:27,605 IT'S ALL MY FAULT. BAD JUDGMENT. 280 00:23:27,673 --> 00:23:30,507 ONCE A VILLAIN, ALWAYS A VILLAIN, RIGHT? 281 00:23:30,576 --> 00:23:33,745 MY JUDGMENT WASN'T SO BAD WHEN I BROUGHT YOU INTO THE COMPANY, WAS IT? 282 00:23:33,813 --> 00:23:36,113 THEN YOU SING THE SONGS, AND I'LL RUN THE BUSINESS. 283 00:23:36,182 --> 00:23:40,000 TALKING ABOUT RUNNING THE BUSINESS, WHAT I'D LIKE TO KNOW IS... 284 00:23:40,069 --> 00:23:43,838 HOW DID WE GET SO HEAVILY INVOLVED WITH THIS RATH CHARACTER? 285 00:23:43,906 --> 00:23:48,292 YEAH, WELL, HE'S PART OF THAT GROUP THAT ARRANGED THE BANK LOAN LAST YEAR. 286 00:23:48,360 --> 00:23:51,796 YOU REMEMBER? WE HAD A SHORT-TERM CASH FLOW PROBLEM. 287 00:23:51,864 --> 00:23:56,383 I SHOWED YOU THE PAPERS. 'COURSE, I NEVER EXPECTED TO END UP LIKE THIS. 288 00:23:56,452 --> 00:23:58,469 [ Knocking ] 289 00:23:58,537 --> 00:24:01,205 MR. McCARTNEY, READY FOR YOUR MAKEUP. 290 00:24:03,776 --> 00:24:08,379 ♪ ZIP-A-DEE-DOO-DAH ZIP-A-DEE-AY ♪ 291 00:24:08,448 --> 00:24:11,632 ♪ MY, MY, MY WHAT A WONDERFUL DAY ♪ 292 00:24:11,701 --> 00:24:14,868 [ Together ] ♪ OH, PLENTY OF SUNSHINE GOING MY WAY ♪ 293 00:24:14,937 --> 00:24:18,489 ♪ ZIP-A-DEE-DOO-DAH ZIP-A-DEE-AY ♪ 294 00:24:18,558 --> 00:24:22,160 ♪ THERE'S A BLUEBIRD ON MY SHOULDER ♪ 295 00:24:22,228 --> 00:24:24,795 ♪ IT'S THE TRUTH IT'S ACTUAL-- ♪♪ 296 00:24:29,836 --> 00:24:33,438 OKAY, NOW YOU REMEMBER THE BIT WHERE YOU'RE IN THE CHINA CUP? 297 00:24:33,506 --> 00:24:36,240 ♪♪ [ Humming ] GOOD. THAT'S GOOD. 298 00:24:36,309 --> 00:24:39,393 [ Continues, Indistinct ] SLOW. CLAP. HOLD. 299 00:24:39,462 --> 00:24:42,463 STEP, STEP, HOLD. AND UP AND HOLD. 300 00:24:42,532 --> 00:24:45,433 AND HOLD AND DROP. NOT BAD. LET'S DO IT AGAIN. 301 00:24:45,501 --> 00:24:49,503 COME ON. ONCE AGAIN. OKAY. 302 00:24:56,546 --> 00:24:59,430 HI. I DON'T BELIEVE WE'VE BEEN INTRODUCED. 303 00:24:59,499 --> 00:25:02,583 - WHAT ARE YOU DOING HERE? - I'M HERE TO WRITE AN ARTICLE. 304 00:25:02,652 --> 00:25:06,020 - OH, YEAH? - IT'S ON THE RELATIVE VALUE OF POPULAR MUSIC... 305 00:25:06,089 --> 00:25:09,657 AS A THERAPEUTIC TOOL FOR SOCIAL SERVICES. 306 00:25:09,726 --> 00:25:12,126 I'M ON DRUMS. 307 00:25:12,194 --> 00:25:14,812 [ Man On Bullhorn ] MEMBERS OF THE BAND ON STAGE, PLEASE. 308 00:25:14,880 --> 00:25:17,448 CAN I GET SOME OF YOUR TIME LATER, TO TALK? 309 00:25:17,517 --> 00:25:22,470 YOU CAN HAVE HOURS, IF YOU DON'T MIND WAITING A MINUTE. SEE YOU LATER. 310 00:25:22,538 --> 00:25:25,222 [ Man On Bullhorn ] "BALLROOM DANCING," DRESS REHEARSAL. 311 00:25:25,291 --> 00:25:28,208 STAND BY. AND... ACTION! 312 00:25:28,278 --> 00:25:31,712 ONE, TWO. ONE, TWO, THREE, FOUR! 313 00:25:31,781 --> 00:25:34,048 ♪♪ [ Piano ] ♪♪ [ Drumbeat ] 314 00:25:36,418 --> 00:25:39,820 ♪ WELL, I USED TO SMILE WHEN I WAS A PUP ♪ 315 00:25:39,889 --> 00:25:42,690 ♪ SAILING DOWN THE NILE IN A CHINA CUP ♪ 316 00:25:42,759 --> 00:25:45,893 ♪ WITH A RECIPE FOR A LOVELY DAY ♪ 317 00:25:45,961 --> 00:25:48,729 ♪ STICKING OUT MY BACK POCKET ♪ 318 00:25:50,899 --> 00:25:53,567 ♪ BUT IT WASN'T ALWAYS SUCH A PRETTY SIGHT ♪ 319 00:25:53,636 --> 00:25:56,536 ♪ WE USED TO FIGHT LIKE CATS AND DOGS ♪ 320 00:25:56,605 --> 00:26:01,324 ♪ TILL WE MADE IT UP IN THE BALLROOM ♪ 321 00:26:01,393 --> 00:26:04,010 ♪ BALLROOM DANCING ♪ 322 00:26:04,079 --> 00:26:07,263 ♪ MADE A MAN OF ME ♪ 323 00:26:07,332 --> 00:26:10,366 ♪ ONE, TWO, THREE, FOUR ♪ 324 00:26:10,435 --> 00:26:13,436 ♪ I JUST PLAIN ADORE YOUR ♪ 325 00:26:13,505 --> 00:26:16,856 ♪ BALLROOM DANCING ♪ 326 00:26:16,925 --> 00:26:19,176 ♪ SEEN IT ON TV ♪ 327 00:26:19,245 --> 00:26:21,394 ♪ I GOT WHAT I GOT ♪ 328 00:26:21,463 --> 00:26:24,164 ♪ FROM BALLROOM DANCING ♪ 329 00:26:24,233 --> 00:26:28,568 ♪ BIG B.D. ♪ 330 00:26:28,637 --> 00:26:31,221 HERE WE GO! 331 00:26:31,290 --> 00:26:34,558 ♪ WELL, I USED TO FLY WHEN I WAS A KID ♪ 332 00:26:34,626 --> 00:26:37,561 ♪ AND I DIDN'T CRY IF IT HURT A BIT ♪ 333 00:26:37,629 --> 00:26:40,263 ♪ ON A CARPET RIDE TO A FOREIGN LAND ♪ 334 00:26:40,332 --> 00:26:43,300 ♪ AT THE TIME OF DAVY CROCKETT ♪ 335 00:26:43,368 --> 00:26:45,386 WAVE THE SWORD! 336 00:26:45,454 --> 00:26:48,221 ♪ BUT IT WASN'T ALWAYS SUCH A PRETTY SIGHT ♪ 337 00:26:48,290 --> 00:26:51,208 ♪ WE USED TO FIGHT LIKE CATS AND DOGS ♪ 338 00:26:51,277 --> 00:26:55,045 ♪ TILL ME MADE IT UP IN THE BALLROOM ♪ 339 00:26:55,114 --> 00:26:58,816 ♪ BALLROOM DANCING ♪ 340 00:26:58,884 --> 00:27:01,467 ♪ MADE A MAN OF ME ♪ 341 00:27:01,536 --> 00:27:04,888 ♪ ONE, TWO, THREE, FOUR ♪ 342 00:27:04,957 --> 00:27:07,624 ♪ I JUST PLAIN ADORE ♪ 343 00:27:07,693 --> 00:27:10,894 ♪ YOUR BALLROOM DANCING ♪ 344 00:27:10,963 --> 00:27:13,831 ♪ SEEN IT ON TV ♪ 345 00:27:13,899 --> 00:27:18,401 ♪ I GOT QUITE A LOT FROM BALLROOM DANCING ♪ 346 00:27:18,470 --> 00:27:22,072 ♪ BIG B.D. ♪ 347 00:28:10,255 --> 00:28:12,372 COME ON! 348 00:28:15,510 --> 00:28:18,345 NOW LOOK HERE! 349 00:28:31,544 --> 00:28:34,411 ♪ WELL, IT WENT SO FAST AND WE ALL GREW UP ♪ 350 00:28:34,480 --> 00:28:37,997 ♪ NOW THE DAYS THAT PASSED IN THE CHINA CUP ♪ 351 00:28:38,066 --> 00:28:40,817 ♪ ARE THE MEMORIES OF ANOTHER DAY ♪ 352 00:28:40,886 --> 00:28:45,088 ♪ AND I WOULDN'T WANT TO KNOCK IT ♪ 353 00:28:45,157 --> 00:28:48,491 ♪ BUT IT WASN'T ALWAYS SUCH A PRETTY SIGHT ♪ 354 00:28:48,560 --> 00:28:51,494 ♪ 'CAUSE WE USED TO FIGHT LIKE CATS AND DOGS ♪ 355 00:28:51,563 --> 00:28:54,480 ♪ TILL WE MADE IT UP IN THE BALLROOM ♪ 356 00:28:56,452 --> 00:28:59,436 ♪ BALLROOM DANCING ♪ 357 00:28:59,505 --> 00:29:02,422 ♪ MADE A MAN OF ME ♪ 358 00:29:02,491 --> 00:29:05,425 ♪ ONE AND TWO AND THREE AND FOUR ♪ 359 00:29:05,494 --> 00:29:11,548 ♪ I JUST PLAIN ADORE YOUR BALLROOM DANCING ♪ 360 00:29:11,616 --> 00:29:14,401 ♪ SEEN IT ON TV ♪ 361 00:29:14,469 --> 00:29:16,603 ♪ I GOT WHAT I GOT ♪ 362 00:29:16,672 --> 00:29:24,661 ♪ FROM BALLROOM DANCING BIG B.D. ♪ 363 00:29:32,137 --> 00:29:35,372 [ Chattering ] 364 00:29:40,662 --> 00:29:42,846 I SAY! 365 00:30:23,872 --> 00:30:25,672 WHAT'S GOING ON? 366 00:30:38,420 --> 00:30:41,938 ♪ WELL, THE KIDS HAVE FLOWN TO A BETTER LIFE ♪ 367 00:30:42,007 --> 00:30:45,275 ♪ NOW THE BOY'S A MAN AND THE GIRL'S A WIFE ♪ 368 00:30:45,344 --> 00:30:48,110 ♪ AND THE SUMMERTIME NEVER SEEMS TO LAST ♪ 369 00:30:48,179 --> 00:30:52,115 ♪ WHEN YOU'RE RIDING ON THE ROCKET ♪ 370 00:30:52,184 --> 00:30:55,552 ♪ BUT, BUT IT WASN'T ALWAYS SUCH A PRETTY SIGHT ♪ 371 00:30:55,621 --> 00:30:58,671 ♪ WE USED TO FIGHT LIKE CATS AND DOGS ♪ 372 00:30:58,740 --> 00:31:01,675 ♪ TILL WE MADE IT UP IN THE BALLROOM ♪ 373 00:31:01,744 --> 00:31:06,112 - BE OFF! - ♪ BALLROOM DANCING ♪ 374 00:31:06,181 --> 00:31:09,633 ♪ MADE A MAN OF ME ♪ 375 00:31:09,702 --> 00:31:13,120 ♪ ONE AND A TWO AND A THREE AND A FOUR ♪ 376 00:31:13,188 --> 00:31:17,908 ♪ I JUST PLAIN ADORE YOUR BALLROOM DANCING ♪ 377 00:31:17,976 --> 00:31:21,878 ♪ SEEN IT ON TV ♪ 378 00:31:21,947 --> 00:31:26,216 ♪ I GOT QUITE A LOT FROM BALLROOM DANCNG ♪ 379 00:31:26,285 --> 00:31:30,103 ♪ BIG B.D. ♪♪ 380 00:31:38,063 --> 00:31:40,863 [ Chattering ] 381 00:31:40,932 --> 00:31:43,550 LUNCH? 382 00:31:47,055 --> 00:31:50,873 [ Man On Bullhorn ] OKAY, LUNCH, EVERYBODY. ONE HOUR. BACK AT 2:00. 383 00:31:50,942 --> 00:31:53,426 OH, THANK YOU. 384 00:31:53,495 --> 00:31:56,363 HAVE WE FINISHED? 385 00:31:56,431 --> 00:31:59,232 [ Blowing Nose ] 386 00:31:59,301 --> 00:32:01,767 [ Chattering ] 387 00:32:01,836 --> 00:32:05,005 THIS ALBUM'S REALLY FINE. 388 00:32:05,073 --> 00:32:08,992 [ Chattering Continues ] 389 00:32:21,356 --> 00:32:23,857 [ Shrieks ] 390 00:32:23,925 --> 00:32:27,527 HOW'S YOUR FOOD? I'M NOT REALLY HUNGRY. 391 00:32:27,596 --> 00:32:30,313 NO, ME NEITHER. 392 00:32:30,381 --> 00:32:33,266 MIND IF I ASK YOU SOME QUESTIONS THEN? NO. 393 00:32:33,334 --> 00:32:36,603 TAPE DOESN'T BOTHER YOU, DOES IT? NO, NOT AT ALL. 394 00:32:36,672 --> 00:32:38,705 SO, HAS THE ALBUM BEEN COMPLETED? 395 00:32:38,774 --> 00:32:40,940 YEAH, WE'VE FINISHED THE ALBUM. 396 00:32:41,009 --> 00:32:44,094 - IS THERE A RELEASE DATE? - OH, NOT YET. WE'VE GOTTA GET THE COVER TOGETHER. 397 00:32:44,162 --> 00:32:46,162 - HAVE YOU HEARD ANY OF IT? - NO. 398 00:32:46,230 --> 00:32:47,948 WOULD YOU LIKE TO? I'D LOVE TO. 399 00:32:48,016 --> 00:32:50,316 WHAT ARE YOU DOING TONIGHT? NOTHING. 400 00:32:50,385 --> 00:32:53,453 WHY DON'T YOU COME OVER TO MY PLACE, AND I'LL PLAY YOU SOME TRACKS. 401 00:32:53,522 --> 00:32:55,955 WE CAN TALK MORE, 'CAUSE YOU'LL KNOW WHAT WE'RE TALKING ABOUT. 402 00:32:56,024 --> 00:32:59,342 - THAT WOULD BE TERRIFIC. - IT'S ONLY A ROUGH CASSETTE, 403 00:32:59,410 --> 00:33:02,495 BUT IT'LL GIVE YOU SOME IDEA. 404 00:33:02,564 --> 00:33:06,249 [ Sword Buzzing ] 405 00:33:10,139 --> 00:33:13,573 - HI, SANDRA. HOW ARE YOU? - FINE, THANKS. CAN'T COMPLAIN. 406 00:33:13,642 --> 00:33:17,293 - HAVE YOU SEEN HARRY LATELY? - YEAH. 407 00:33:17,362 --> 00:33:22,148 DID ANYONE TELL YOU WHAT ALL THIS IS ABOUT? 408 00:33:22,217 --> 00:33:25,084 [ Sobbing ] WELL, YEAH. 409 00:33:25,153 --> 00:33:28,254 BUT IT'S NOT TRUE. I KNOW IT! 410 00:33:28,323 --> 00:33:33,126 HE WAS AROUND THE OTHER EVENING FEELING GREAT, GOING ON ABOUT THE NEW ALBUM. 411 00:33:33,194 --> 00:33:36,345 OH, NO, NOTHING LIKE THAT. 412 00:33:36,414 --> 00:33:39,098 HE WAS TOO UP ON IT ALL. 413 00:33:39,167 --> 00:33:43,353 I WOULDN'T HAVE BEEN ABLE TO TELL YOU IF HE WAS THINKING ANYTHING LIKE THAT. 414 00:33:43,422 --> 00:33:46,490 I'M HIS SHOULDER TO CRY ON, YOU SEE. 415 00:33:46,558 --> 00:33:49,793 I CAN ALWAYS SENSE HOW THINGS ARE. 416 00:33:49,862 --> 00:33:54,046 WELL, I DON'T BELIEVE IT MYSELF, BUT THE PRESSURE IS MOST DEFINITELY ON. 417 00:33:55,550 --> 00:33:59,635 [ Sobbing Continues ] 418 00:34:01,707 --> 00:34:03,573 DON'T WORRY. 419 00:34:03,641 --> 00:34:07,160 COME ON, SAN. LET'S GET OUT OF HERE. 420 00:34:07,228 --> 00:34:09,279 SEE YOU LATER. 421 00:34:12,884 --> 00:34:16,753 [ Ringo ] I'VE GOT TO GO TO REHEARSALS. WHY DON'T YOU COME ALONG? 422 00:34:19,040 --> 00:34:22,892 WELL, G'DAY, FELLOWS. GOT SOME NEWS? 423 00:34:22,961 --> 00:34:26,930 WE WERE RATHER HOPING THAT YOU MIGHT HAVE SOME NEWS FOR US, MR. STANLEY. 424 00:34:26,998 --> 00:34:28,548 UM-- 425 00:34:28,617 --> 00:34:31,317 [ Man ] LADIES AND GENTLEMEN OF THE JURY-- 426 00:34:31,386 --> 00:34:33,603 LADIES AND GENTLEMEN OF THE JURY-- 427 00:34:33,671 --> 00:34:35,689 YES, SIR. 428 00:34:35,757 --> 00:34:39,325 WELL, BASICALLY, WE HAVE BEEN KEEPING AN EYE ON ALL OF THEM. 429 00:34:39,394 --> 00:34:42,261 [ Phone Beeping ] OH, JU-JUST A MINUTE, SIR. 430 00:34:46,434 --> 00:34:48,868 HELLO? HELLO, SIR? 431 00:34:48,937 --> 00:34:51,938 WELL, YES, I DO APPRECIATE THAT FROM WHERE YOU SIT... 432 00:34:52,007 --> 00:34:56,209 IT MAY SEEM A LITTLE... FAR-FETCHED. 433 00:34:56,277 --> 00:35:00,046 UH, NO, SIR. NO, I-- 434 00:35:00,115 --> 00:35:03,416 I DO NOT NEED A HOLIDAY, THANK YOU VERY MUCH. 435 00:35:03,484 --> 00:35:07,887 OH, I SHALL BE VERY GLAD TO GET TO THE BOTTOM OF THIS MYSELF. 436 00:35:07,956 --> 00:35:10,123 YES, SIR. RIGHT, SIR. 437 00:35:10,192 --> 00:35:12,726 [ Dial Tone ] GOOD-BYE, SIR. 438 00:35:12,794 --> 00:35:15,978 [ Quiet Chattering ] 439 00:35:16,047 --> 00:35:18,114 WILL YOU BE ALL RIGHT? YEAH, I'M OKAY. 440 00:35:18,183 --> 00:35:20,350 YOU SURE? YEAH. 441 00:35:22,987 --> 00:35:25,655 [ Whispering ] JUST LOOK AFTER HER. 442 00:35:41,790 --> 00:35:44,891 [ Bell Ringing ] 443 00:36:23,265 --> 00:36:26,733 [ Machinery Clunking ] 444 00:36:38,580 --> 00:36:45,835 ♪♪ 445 00:36:45,904 --> 00:36:50,373 ♪ YOU'D THINK THAT PEOPLE WOULD HAVE HAD ENOUGH OF SILLY LOVE SONGS ♪ 446 00:36:53,044 --> 00:36:57,814 ♪ BUT I LOOK AROUND ME AND I SEE IT ISN'T SO ♪ 447 00:36:57,883 --> 00:37:00,667 ♪ OH, NO ♪ 448 00:37:00,735 --> 00:37:05,722 ♪ SOME PEOPLE WANT TO FILL THE WORLD WITH SILLY LOVE SONGS ♪ 449 00:37:07,659 --> 00:37:11,360 ♪ WHAT'S WRONG WITH THAT ♪ 450 00:37:11,429 --> 00:37:15,231 ♪ I'D LIKE TO KNOW ♪ 451 00:37:15,300 --> 00:37:19,352 ♪ 'CAUSE HERE I GO ♪ 452 00:37:19,420 --> 00:37:22,489 ♪ AGAIN ♪ 453 00:37:22,557 --> 00:37:28,111 ♪ I LOVE YOU ♪ 454 00:37:30,331 --> 00:37:35,819 ♪ I LOVE YOU ♪ 455 00:37:37,488 --> 00:37:43,192 ♪ I LOVE YOU ♪ 456 00:37:44,763 --> 00:37:50,115 ♪ I LOVE YOU ♪ 457 00:37:52,654 --> 00:37:57,540 ♪ I CAN'T EXPLAIN THE FEELING'S PLAIN TO ME ♪ 458 00:37:57,609 --> 00:37:59,876 ♪ SAY, CAN'T YOU SEE ♪ 459 00:37:59,945 --> 00:38:02,478 ♪ AH, SHE GAVE IT ALL ♪ 460 00:38:02,547 --> 00:38:06,766 ♪ SHE GAVE IT ALL TO ME SAY, CAN'T YOU SEE ♪ 461 00:38:10,538 --> 00:38:14,607 ♪ I NEED TO KNOW ♪ 462 00:38:14,676 --> 00:38:18,561 ♪ 'CAUSE HERE I GO ♪ 463 00:38:18,630 --> 00:38:21,747 ♪ AGAIN ♪ 464 00:38:21,816 --> 00:38:27,203 ♪ I LOVE YOU ♪ 465 00:38:29,173 --> 00:38:34,543 ♪ I LOVE YOU ♪ 466 00:38:36,681 --> 00:38:40,232 ♪ LOVE DOESN'T COME IN A MINUTE ♪ 467 00:38:40,301 --> 00:38:44,437 ♪ SOMETIMES IT DOESN'T COME AT ALL ♪ 468 00:38:44,505 --> 00:38:47,857 ♪ I ONLY KNOW THAT WHEN I'M IN IT ♪ 469 00:38:47,925 --> 00:38:51,610 ♪ IT ISN'T SILLY NO, IT ISN'T SILLY ♪ 470 00:38:51,679 --> 00:38:57,266 ♪ LOVE ISN'T SILLY AT ALL ♪ 471 00:39:27,281 --> 00:39:32,018 ♪ I LOVE YOU ♪ 472 00:39:33,788 --> 00:39:39,458 ♪ I LOVE YOU ♪ 473 00:39:41,595 --> 00:39:46,649 ♪ I CAN'T EXPLAIN THE FEELING'S PLAIN TO ME ♪ ♪ I LOVE YOU ♪ 474 00:39:46,718 --> 00:39:48,984 ♪ SAY, CAN'T YOU SEE ♪ 475 00:39:49,053 --> 00:39:53,673 ♪ I LOVE YOU ♪ ♪ AH, HE GAVE IT ALL HE GAVE IT ALL TO ME ♪ 476 00:39:53,741 --> 00:39:56,342 ♪ SAY, CAN'T YOU SEE ♪ 477 00:39:56,410 --> 00:40:01,514 ♪ I LOVE YOU ♪ ♪ I CAN'T EXPLAIN THE FEELING'S PLAIN TO ME ♪ 478 00:40:01,582 --> 00:40:03,749 ♪ SAY, CAN'T YOU SEE ♪ 479 00:40:03,818 --> 00:40:08,704 ♪ I LOVE YOU ♪ ♪ AH, HE GAVE IT ALL HE GAVE IT ALL TO ME ♪ 480 00:40:08,773 --> 00:40:10,906 ♪ SAY, CAN'T YOU SEE ♪ 481 00:40:10,975 --> 00:40:16,161 [ Machinery Clunking ] 482 00:40:24,688 --> 00:40:26,806 WHOO! 483 00:40:41,121 --> 00:40:45,357 ♪ YOU'D THINK THAT PEOPLE WOULD HAVE HAD ENOUGH OF SILLY LOVE SONGS ♪ 484 00:40:47,928 --> 00:40:52,648 ♪ BUT I LOOK AROUND ME AND I SEE IT ISN'T SO ♪ 485 00:40:52,716 --> 00:40:55,468 ♪ OH, NO ♪ 486 00:40:55,536 --> 00:41:00,272 ♪ SOME PEOPLE WANT TO FILL THE WORLD WITH SILLY LOVE SONGS ♪ 487 00:41:02,810 --> 00:41:06,612 ♪ AND WHAT'S WRONG WITH THAT ♪♪ 488 00:41:24,966 --> 00:41:27,749 [ Man On Bullhorn ] OKAY, AND HOUSE LIGHTS. 489 00:41:27,818 --> 00:41:29,818 [ Light Applause ] 490 00:41:29,887 --> 00:41:32,371 AND CUT THE STEAM! 491 00:41:33,908 --> 00:41:36,842 NICE ONE, MATE. THANK YOU. 492 00:41:38,379 --> 00:41:40,413 I'LL SEE YOU IN A MINUTE. 493 00:41:40,481 --> 00:41:43,148 I'M JUST GONNA GET ALL THIS OFF. OKAY? 494 00:41:44,652 --> 00:41:47,720 [ Door Motor Whirring ] 495 00:41:57,197 --> 00:42:01,450 G'DAY, FELLOWS. DON'T LOOK SO WORRIED. EVERYTHING'LL WORK OUT GREAT. 496 00:42:01,519 --> 00:42:06,688 [ Man ] MR. STANLEY, YOU DON'T SEEM TO APPRECIATE THE URGENCY OF THE SITUATION. 497 00:42:13,514 --> 00:42:15,998 TIME IS OF THE ESSENCE, MR. STANLEY. 498 00:42:16,067 --> 00:42:19,135 DON'T HASSLE ME! YOU HAVE UNTIL MIDNIGHT! 499 00:42:19,203 --> 00:42:22,221 DON'T YOU FELLOWS HAVE ANYTHING BETTER TO DO? 500 00:42:50,651 --> 00:42:54,186 HE WAS DOWN AT THE OLD JUSTICE LAST NIGHT. 501 00:42:54,254 --> 00:42:58,657 YEAH. I WAS DOWN THERE WITH BERYL WHEN HE CAME IN. 502 00:42:58,726 --> 00:43:02,027 SEEMED QUITE HAPPY. HAD A COUPLE OF DRINKS. 503 00:43:02,095 --> 00:43:05,163 DIDN'T LOOK LIKE HE WAS THINKING OF DOING A BUNK. 504 00:43:05,232 --> 00:43:08,067 HE WOULDN'T! I KNOW HE WOULDN'T! 505 00:43:08,135 --> 00:43:11,102 I ASSUMED HE WAS GOING BACK HOME TO HIS MISSUS. 506 00:43:11,171 --> 00:43:15,941 [ Sobbing ] SHE DROVE HIM TO ME. HE ONLY DID IT BECAUSE OF HER. 507 00:43:16,010 --> 00:43:18,477 BUT WE DON'T THINK HE DID IT, DO WE? 508 00:43:24,852 --> 00:43:28,220 [ Whistles Blowing ] 509 00:43:28,306 --> 00:43:31,824 [ Dogs Barking ] 510 00:43:38,649 --> 00:43:40,816 [ Man ] THERE HE IS! 511 00:43:40,884 --> 00:43:45,621 DOWN HERE, LADS! COME ON! 512 00:44:02,073 --> 00:44:04,656 COME ON! AFTER HIM! 513 00:44:27,598 --> 00:44:29,848 [ Tires Screeching ] 514 00:44:45,767 --> 00:44:50,069 DEAR, DEAR! LOOK AT THAT. GOD! 515 00:44:53,223 --> 00:44:56,374 YOU BETTER TAKE SANDRA BACK TO HER PLACE, I THINK. 516 00:44:56,443 --> 00:44:59,462 DON'T WORRY, LOVE. WE'LL SORT IT OUT. 517 00:44:59,530 --> 00:45:02,030 THANKS. OKAY. 518 00:45:04,551 --> 00:45:06,569 SOMEONE WE KNOW? 519 00:45:06,637 --> 00:45:09,037 JUST COMING ROUND THE CORNER. HE SAID HE DIDN'T SEE THE VAN. 520 00:45:09,106 --> 00:45:11,673 [ Steve ] TERRIFIC. THAT'S ALL WE NEED. 521 00:45:11,742 --> 00:45:14,043 [ Paul ] ♪ ZIP-A-DEE-DOO-DAH ZIP-A-DEE-AY ♪ 522 00:45:14,112 --> 00:45:16,979 ♪ MY, MY, MY WHAT A WONDERFUL DAY ♪♪ 523 00:45:31,212 --> 00:45:33,362 HELLO. ALL RIGHT? 524 00:45:33,431 --> 00:45:35,864 HI. 525 00:45:35,933 --> 00:45:39,401 RING VAL. GET THE TELEXES. 526 00:45:39,470 --> 00:45:41,503 CAN I HAVE A LINE? 527 00:45:41,572 --> 00:45:44,606 [ Quiet Chattering ] 528 00:45:46,627 --> 00:45:50,529 ♪♪ [ Tuning Instruments ] 529 00:45:50,597 --> 00:45:53,782 [ Chattering Continues ] 530 00:45:56,954 --> 00:46:00,489 [ Ringo ] WHY DON'T YOU TAKE A PIC? TAKE A PIC. 531 00:46:11,302 --> 00:46:13,535 I'D LOVE A COPY. 532 00:46:13,604 --> 00:46:15,871 SEND ME YOUR ADDRESS. OKAY. 533 00:46:15,940 --> 00:46:18,440 YOU COULD LEAVE IT FOR ME TOO. SURE. 534 00:46:18,509 --> 00:46:21,793 HOW LONG ARE YOU OVER HERE FOR? AS LONG AS YOU GUYS-- 535 00:46:21,862 --> 00:46:26,131 ANY NEWS? NO. THEY'RE WORKING ON IT, THOUGH. 536 00:46:26,200 --> 00:46:29,401 I THINK THIS IS A PRETTY COOL CAPER. 537 00:46:29,470 --> 00:46:31,637 I WOULDN'T TRUST ANY OF THEM REALLY. 538 00:46:31,706 --> 00:46:35,107 DO YOU THINK YOU CAN GET SOME HEAT IN HERE, OR ARE WE PRACTICING TO BE CANADIANS? 539 00:46:35,175 --> 00:46:38,643 YEAH. SHALL WE TRY "NOT SUCH A BAD BOY"? 540 00:46:38,713 --> 00:46:41,747 DO WE HAVE TO? YEAH. 541 00:46:41,816 --> 00:46:43,916 THIS TIME. 542 00:46:43,984 --> 00:46:46,702 ALL RIGHT. ONE, TWO, THREE, FOUR! 543 00:46:58,015 --> 00:47:01,449 ♪ I LAUGHED AT THE TEACHERS ♪ 544 00:47:01,519 --> 00:47:04,953 ♪ WHO TAUGHT IN MY SCHOOL ♪ 545 00:47:05,022 --> 00:47:08,023 ♪ THEY KEPT ONE-ARMED BANDITS ♪ 546 00:47:08,091 --> 00:47:12,144 ♪ IN THE SWIMMING POOL ♪ 547 00:47:12,212 --> 00:47:15,781 ♪ THEY DON'T UNDERSTAND ME ♪ 548 00:47:15,850 --> 00:47:19,317 ♪ BUT THEY NEVER WILL ♪ 549 00:47:19,386 --> 00:47:24,390 ♪ AND IF I WAS THERE I'D BE TELLING THEM STILL ♪ 550 00:47:25,592 --> 00:47:29,962 ♪ I'M NOT SUCH A BAD BOY ♪ 551 00:47:30,031 --> 00:47:32,948 ♪ NO MORE, NO MORE, NO MORE ♪ 552 00:47:33,017 --> 00:47:37,285 ♪ I'M NOT SUCH A BAD BOY ♪ 553 00:47:37,354 --> 00:47:40,389 ♪ NO MORE, NO MORE, NO MORE ♪ 554 00:47:40,457 --> 00:47:43,842 ♪ I FOLLOWED THE LEADER ♪ 555 00:47:43,910 --> 00:47:47,846 ♪ INTO HER TENT ♪ 556 00:47:47,915 --> 00:47:50,449 ♪ BUT NOBODY TOLD ME ♪ 557 00:47:50,517 --> 00:47:54,403 ♪ THAT SHE OWED SOME RENT ♪ 558 00:47:54,471 --> 00:47:57,990 ♪ SHE WANTED TO LOVE ME ♪ 559 00:47:58,058 --> 00:48:01,476 ♪ I WANTED TO GO ♪ 560 00:48:01,545 --> 00:48:05,964 ♪ WELL, SHE TAUGHT ME THINGS THAT I NEEDED TO KNOW ♪ 561 00:48:06,033 --> 00:48:08,033 ♪ YOU KNOW, YOU KNOW ♪ 562 00:48:08,101 --> 00:48:12,137 ♪ I'M NOT SUCH A BAD BOY ♪ 563 00:48:12,205 --> 00:48:15,007 ♪ NO MORE, NO MORE, NO MORE ♪ 564 00:48:15,075 --> 00:48:19,194 ♪ I'M NOT SUCH A BAD BOY ♪ 565 00:48:19,262 --> 00:48:22,163 ♪ NO MORE, NO MORE, NO MORE ♪ COME ON, BOYS! 566 00:48:35,479 --> 00:48:38,580 ♪ OH, YEAH SHE WANTED TO LOVE ME ♪ 567 00:48:40,167 --> 00:48:43,902 ♪ I WANTED TO GO ♪ 568 00:48:43,970 --> 00:48:48,106 ♪ BUT SHE TAUGHT ME THINGS THAT I NEEDED TO KNOW ♪ 569 00:48:48,175 --> 00:48:50,793 ♪ SHE KNOWS, SHE KNOWS ♪ 570 00:48:50,861 --> 00:48:54,380 ♪ I'M NOT SUCH A BAD BOY ♪ 571 00:48:54,448 --> 00:48:56,915 ♪ NO MORE, NO MORE, NO MORE ♪ 572 00:48:56,984 --> 00:49:01,553 ♪ I'M NOT SUCH A BAD BOY ♪ 573 00:49:01,622 --> 00:49:04,306 ♪ NO MORE, NO MORE, NO MORE ♪ 574 00:49:05,426 --> 00:49:08,727 ♪ I TALKED TO MY LAWYER ♪ 575 00:49:08,796 --> 00:49:12,080 ♪ HE PICKED UP MY BAIL ♪ 576 00:49:12,149 --> 00:49:15,050 ♪ WON'T SOMEONE GET ME ♪ 577 00:49:15,119 --> 00:49:17,485 ♪ OUT THIS LOUSY JAIL ♪ 578 00:49:19,807 --> 00:49:23,108 ♪ WE'RE BOTH IN AGREEMENT ♪ 579 00:49:23,177 --> 00:49:25,911 ♪ THAT CRIME NEVER PAYS ♪ 580 00:49:25,979 --> 00:49:32,551 ♪ AND I SHOULD BE OUT IN A COUPLE OF DAYS ♪ 581 00:49:32,620 --> 00:49:36,805 ♪ I'M NOT SUCH A BAD BOY ♪ 582 00:49:36,874 --> 00:49:39,624 ♪ NO MORE, NO MORE, NO MORE ♪ 583 00:49:39,693 --> 00:49:43,762 ♪ I'M NOT SUCH A BAD BOY ♪ 584 00:49:43,831 --> 00:49:46,564 ♪ NO MORE, NO MORE, NO MORE ♪ 585 00:49:46,633 --> 00:49:51,803 ♪ I'M NOT SUCH A BAD BOY NO MORE ♪ 586 00:49:51,872 --> 00:49:57,576 - ♪ NO MORE, NO MORE ♪ - ♪ I'M NOT SUCH A BAD BOY ♪ 587 00:49:57,644 --> 00:50:01,846 ♪ NO MORE, NO MORE, NO MORE ♪♪ 588 00:50:01,915 --> 00:50:04,216 NO MORE, NO MORE, NO MORE. 589 00:50:05,369 --> 00:50:07,069 [ Paul ] OW! 590 00:50:08,572 --> 00:50:11,440 - THAT WAS GREAT. - THAT'S GREAT, THAT. 591 00:50:11,508 --> 00:50:13,625 YEAH, I KNOW. IT'S ABOUT TIME YOU NOTICED. 592 00:50:14,828 --> 00:50:16,928 [ Brakes Squeal ] 593 00:50:25,772 --> 00:50:28,240 MPH. WELL, THANKS A LOT, TOM. 594 00:50:28,309 --> 00:50:30,442 ALL RIGHT, LOVE. TA-RA. 595 00:50:33,847 --> 00:50:36,014 DON'T WORRY. HE'LL TURN UP. 596 00:50:47,027 --> 00:50:50,812 WE'RE JUST GONNA RUN THROUGH A COUPLE OF NUMBERS. WE'LL TRY "SO BAD." ALL RIGHT? 597 00:50:50,881 --> 00:50:53,048 TRY THAT ONE. 598 00:50:53,117 --> 00:50:55,717 HOW'S THE NEW HOUSE, ERIC? SHALL WE TRY "SO BAD"? 599 00:50:55,785 --> 00:50:58,186 IT'S ALL RIGHT. 600 00:50:59,640 --> 00:51:02,574 OKAY. ONE... AND TWO. 601 00:51:02,643 --> 00:51:05,310 A ONE, TWO, THREE, FOUR. 602 00:51:05,379 --> 00:51:10,548 ♪♪ 603 00:51:17,024 --> 00:51:20,091 ♪ THERE IS A PAIN ♪ 604 00:51:20,160 --> 00:51:22,627 ♪ INSIDE MY HEART ♪ 605 00:51:22,695 --> 00:51:26,531 ♪ YOU MEAN SO MUCH TO ME ♪ 606 00:51:27,834 --> 00:51:30,335 ♪ GIRL, I LOVE YOU ♪ 607 00:51:30,404 --> 00:51:33,972 ♪ GIRL, I LOVE YOU SO BAD ♪ 608 00:51:38,578 --> 00:51:44,149 ♪ AND IF YOU LEAVE THE PAIN WILL GO ♪ 609 00:51:44,217 --> 00:51:47,652 ♪ BUT THAT'S NO GOOD TO ME ♪ 610 00:51:49,222 --> 00:51:51,756 ♪ GIRL, I LOVE YOU ♪ 611 00:51:51,825 --> 00:51:55,427 ♪ YES, I LOVE YOU SO BAD ♪ 612 00:51:57,581 --> 00:52:01,883 ♪ WELL, IT FEELS SO GOOD ♪ 613 00:52:01,952 --> 00:52:06,855 ♪ SOMETIMES IT FEELS SO BAD ♪ 614 00:52:08,341 --> 00:52:13,010 ♪ THIS IS WORSE THAN ANYTHING ♪ 615 00:52:13,079 --> 00:52:19,684 ♪ I'VE EVER HAD ♪ 616 00:52:20,904 --> 00:52:23,705 ♪ THERE WAS A PAIN ♪ 617 00:52:23,774 --> 00:52:30,145 ♪ BUT NOW YOU'RE NEAR AND I DON'T FEEL A THING ♪ 618 00:52:31,448 --> 00:52:34,048 ♪ GIRL, I LOVE YOU ♪ 619 00:52:34,117 --> 00:52:37,653 ♪ GIRL, I LOVE YOU SO BAD ♪ 620 00:52:39,606 --> 00:52:42,090 ♪ AND SHE SAID ♪ 621 00:52:42,159 --> 00:52:45,327 ♪ BOY, I LOVE YOU ♪ 622 00:52:45,395 --> 00:52:48,079 ♪ BOY, I LOVE YOU SO BAD ♪ 623 00:52:48,147 --> 00:52:50,281 ♪ OOH ♪ 624 00:52:57,624 --> 00:52:59,824 ♪ I LOVE ♪ ♪ GIRL, I LOVE YOU ♪ 625 00:52:59,893 --> 00:53:03,762 ♪ I LOVE ♪ ♪ GIRL, I LOVE YOU SO BAD ♪ 626 00:53:03,831 --> 00:53:06,414 ♪ I LOVE, I LOVE ♪ 627 00:53:06,483 --> 00:53:10,852 ♪ WELL, IT FEELS SO GOOD ♪ 628 00:53:10,920 --> 00:53:15,991 ♪ SOMETIMES IT FEELS SO BAD ♪ 629 00:53:17,310 --> 00:53:22,180 ♪ THIS IS WORSE THAN ANYTHING ♪ 630 00:53:22,249 --> 00:53:27,152 ♪ I'VE EVER HAD ♪ 631 00:53:29,823 --> 00:53:32,724 ♪ THERE WAS A PAIN ♪ 632 00:53:32,793 --> 00:53:35,693 ♪ BUT NOW YOU'RE HERE ♪ 633 00:53:35,763 --> 00:53:39,597 ♪ AND I DON'T FEAR A THING ♪ 634 00:53:39,666 --> 00:53:42,200 ♪ I LOVE ♪ ♪ GIRL, I LOVE YOU ♪ 635 00:53:42,269 --> 00:53:46,204 ♪ I LOVE ♪ ♪ GIRL, I LOVE YOU SO BAD ♪ 636 00:53:46,273 --> 00:53:48,874 ♪ I LOVE I LOVE ♪ 637 00:53:48,942 --> 00:53:51,042 ♪ AND SHE SAID ♪ 638 00:53:51,111 --> 00:53:53,544 ♪ BOY, I LOVE YOU ♪ 639 00:53:53,613 --> 00:53:58,266 ♪ BOY, I LOVE YOU SO BAD ♪ 640 00:53:58,335 --> 00:54:01,419 ♪ OOH OOH OOH OOH OOH ♪ 641 00:54:01,488 --> 00:54:04,155 ♪ GIRL, I LOVE YOU ♪ 642 00:54:04,223 --> 00:54:08,760 ♪ GIRL, I LOVE YOU ♪ 643 00:54:08,829 --> 00:54:13,731 ♪ OOH ♪♪ 644 00:54:17,821 --> 00:54:21,473 - [ Chuckles ] HEY! - THAT WASN'T BAD FOR A FIRST TAKE. 645 00:54:21,541 --> 00:54:25,110 ALL RIGHT FOR ME, LOVES. I THOUGHT THAT WAS FINE. YEAH, IT'S ALL RIGHT FOR YOU. 646 00:54:25,179 --> 00:54:28,363 ♪♪ [ Playing Notes On Keyboard ] [ Woman ] ALL RIGHT. HERE WE GO. 647 00:54:28,432 --> 00:54:31,416 YEP. RIGHT. TELEXES. 648 00:54:31,485 --> 00:54:33,501 OH, THANKS. MAIL. 649 00:54:33,570 --> 00:54:38,440 OKAY. ONE, TWO. ONE, TWO, THREE, FOUR. 650 00:54:38,508 --> 00:54:46,131 ♪♪ 651 00:54:46,200 --> 00:54:50,318 ♪ OH, I HEAR THEM TELLING ME THAT YOU'RE SELLING OFF THE FURNITURE ♪ 652 00:54:50,386 --> 00:54:53,654 ♪ EVEN MY PERSONALIZED AUTOGRAPHS ♪ 653 00:54:53,723 --> 00:54:57,842 ♪ YOU MIGHT AS WELL GO ALL THE WAY AND SELL YOUR GRANNY TO THE ZOO ♪ 654 00:55:01,565 --> 00:55:05,199 ♪ AND WHILE YOU'RE AT IT MAY I GO TO MY PSYCHIATRIST ♪ 655 00:55:05,268 --> 00:55:08,637 ♪ HE'S MAKIN' MONEY OUT OF MAKIN' ME LAUGH ♪ 656 00:55:08,705 --> 00:55:13,858 ♪ BUT I DON'T MIND I WISH THAT I COULD SAY THE SAME ABOUT YOU ♪ 657 00:55:13,927 --> 00:55:15,560 ♪ OH ♪ 658 00:55:15,628 --> 00:55:18,396 ♪ WELL, IT SEEMS TO ME THAT YOU STILL GOT ♪ 659 00:55:18,464 --> 00:55:22,066 - ♪ NO VALUES ♪ - ♪ OH, YOU KNOW YOU'RE NOT SO HOT ♪ 660 00:55:22,135 --> 00:55:25,704 - ♪ NO VALUES ♪ - ♪ YEAH, YOU KNOW YOU'VE GOT A LOT BUT ♪ 661 00:55:25,772 --> 00:55:31,493 - ♪ NO VALUES ♪ - ♪ AND I'LL BE GLAD IF YOU WENT AWAY AGAIN ♪ 662 00:55:31,561 --> 00:55:35,312 ♪ NO VALUES, HEY NO VALUES ♪ 663 00:55:35,381 --> 00:55:39,551 ♪ NO VALUES AT ALL ♪ 664 00:55:44,274 --> 00:55:48,510 ♪ OH, THE CITY SHARK IS AT THE DARK END OF THE ALLEYWAY ♪ 665 00:55:48,579 --> 00:55:52,114 ♪ YOU PAYS YOUR MONEY AND YOU TAKES YOUR CHOICE ♪ 666 00:55:52,182 --> 00:55:56,167 ♪ THE ARTFUL DODGER SAYS HE WANTS TO PICK A POCKET OR TWO ♪ 667 00:55:59,272 --> 00:56:03,258 ♪ OH, BUT YOU YOU'VE TAKEN UP A PLACE IN HIGH SOCIETY ♪ 668 00:56:03,327 --> 00:56:06,744 ♪ A PERSONAL FRIEND OF MESSIEURS ROLLS AND ROYCE ♪ 669 00:56:06,813 --> 00:56:10,932 ♪ GOT THEM ALL CONVINCED THAT EVERYTHING YOU SAY TO THEM IS TRUE ♪ 670 00:56:12,268 --> 00:56:13,935 ♪ OH ♪ 671 00:56:14,004 --> 00:56:16,454 ♪ WELL, IT SEEMS TO ME THAT YOU'VE STILL GOT ♪ 672 00:56:16,523 --> 00:56:20,125 - ♪ NO VALUES ♪ - ♪ OH, YOU KNOW YOU'RE NOT SO HOT ♪ 673 00:56:20,193 --> 00:56:21,759 ♪ NO VALUES ♪ 674 00:56:21,828 --> 00:56:23,862 ♪ WELL, YOU'VE GOT A LOT BUT ♪ 675 00:56:23,931 --> 00:56:25,397 ♪ NO VALUES ♪ 676 00:56:25,465 --> 00:56:29,033 ♪ AND I'LL BE GLAD IF YOU WENT AWAY AGAIN ♪ 677 00:56:29,102 --> 00:56:33,237 ♪ NO VALUES NO VALUES ♪ 678 00:56:33,306 --> 00:56:37,458 ♪ NO VALUES AT ALL ♪ 679 00:56:43,483 --> 00:56:45,483 [ Howling ] 680 00:56:50,173 --> 00:56:55,193 ♪ OH OH OH OH OHHH ♪ 681 00:56:59,483 --> 00:57:03,585 ♪ OH OH OH OHH ♪ 682 00:57:03,653 --> 00:57:06,904 ♪ I LIKE YOUR WIFE'S SMILE ♪ 683 00:57:06,973 --> 00:57:10,342 ♪ I LIKE HER CAR ♪ 684 00:57:10,410 --> 00:57:14,813 ♪ IF I HAD YOUR LIFESTYLE ♪ 685 00:57:14,881 --> 00:57:18,666 ♪ I WOULDN'T GO FAR WRONG ♪ 686 00:57:18,735 --> 00:57:22,153 ♪ ON THE WATERS OF LIFE YOU ROW YOUR BOAT ♪ 687 00:57:22,221 --> 00:57:27,792 ♪ INTO THE STRONGEST TIDE THAT YOU CAN FIND ♪ 688 00:57:27,861 --> 00:57:31,512 - ♪ ON THE DARKEST OF NIGHTS ♪ - ♪ ON THE DARKEST OF NIGHTS ♪ 689 00:57:31,581 --> 00:57:35,266 - ♪ WE WERE TWO OF A KIND ♪ - ♪ WE WERE TWO OF A KIND ♪ 690 00:57:35,335 --> 00:57:40,972 ♪ WHAT DO WE KNOW BEFORE THE TIDE WENT OUT ♪ 691 00:57:41,041 --> 00:57:44,142 ♪ AND LEFT US STRANDED ALL ASHORE ♪ 692 00:57:44,211 --> 00:57:46,394 ♪ HOW WAS I TO KNOW ♪ 693 00:57:46,463 --> 00:57:49,697 ♪ HOW WAS I TO KNOW ♪ 694 00:57:51,885 --> 00:57:54,902 - ♪ WELL, YOU AIN'T GOT ♪ - ♪ NO VALUES ♪ 695 00:57:54,971 --> 00:57:58,540 - ♪ HEY, YOU KNOW YOU THINK YOU'RE HOT ♪ - ♪ NO VALUES ♪ 696 00:57:58,609 --> 00:58:02,460 - ♪ OH, YOU KNOW YOU'VE GOT A LOT BUT ♪ - ♪ NO VALUES ♪ 697 00:58:02,529 --> 00:58:06,664 ♪ AND I'LL BE GLAD IF YOU WENT AWAY AGAIN ♪ 698 00:58:06,733 --> 00:58:09,751 ♪ NO VALUES, HEY NO VALUES ♪ 699 00:58:09,819 --> 00:58:14,922 ♪ HEY, NO VALUES AT ALL ♪♪ 700 00:58:16,727 --> 00:58:18,793 FINISH IT THIS TIME! 701 00:58:20,964 --> 00:58:24,232 ♪♪ [ Vocalizing ] 702 00:58:24,301 --> 00:58:27,435 ♪♪ [ Vocalizing Continues ] ♪♪ [ Drumroll ] 703 00:58:27,504 --> 00:58:32,624 ♪♪ 704 00:58:59,419 --> 00:59:02,587 ♪♪ [ Guitar Solo Continues ] 705 00:59:50,353 --> 00:59:52,587 DON'T DO IT! DON'T DO IT! 706 00:59:52,655 --> 00:59:55,556 [ Microphone Feedback ] UH, SORRY. 707 00:59:55,625 --> 00:59:59,677 UH, MY FAULT. LET'S HAVE A BREAK, CUP OF TEA OR SOMETHING. 708 00:59:59,746 --> 01:00:01,780 [ Paul ] LITTLE BREAK. YEAH? 709 01:00:01,848 --> 01:00:04,965 [ Muttering ] I'M JUST GONNA SEE BOB. 710 01:00:05,034 --> 01:00:07,101 ALL RIGHT. 711 01:00:10,440 --> 01:00:12,790 - [ Linda ] DON'T FORGET DINNER TONIGHT. - BOTH OF US? 712 01:00:12,859 --> 01:00:14,325 YEAH, YOU COME TOO. OH, GREAT. 713 01:00:14,393 --> 01:00:16,511 WHAT'S HAPPENING THEN, BIG BOB? 714 01:00:16,579 --> 01:00:18,613 WELL, YOUR MAN GAVE ME A CALL. 715 01:00:18,681 --> 01:00:20,681 SO I SLIPS INTO SOMETHING COMFORTABLE, 716 01:00:20,750 --> 01:00:22,784 HOPS INTO ME NEW PICKUP, AND HERE I AM. 717 01:00:22,852 --> 01:00:26,020 DO YOU LIKE IT? ME NEW PICKUP TRUCK. WHAT? 718 01:00:26,089 --> 01:00:28,522 OH, YEAH. IT'S NICE. 719 01:00:30,860 --> 01:00:33,377 WHAT'S IT ALL ABOUT, THEN, ME OLD FRUIT? 720 01:00:33,446 --> 01:00:35,646 YOU HAVEN'T SEEN HARRY THEN? 721 01:00:35,715 --> 01:00:39,100 HARRY WHO? HARRY JAMES AND THE GOLDEN TRUMPET? 722 01:00:39,168 --> 01:00:41,018 OR HARE KRISHNA? 723 01:00:41,087 --> 01:00:43,471 NO, TORRINGTON. WORKS FOR US. 724 01:00:43,539 --> 01:00:45,890 OH, HIM. 725 01:00:45,958 --> 01:00:50,161 CAN'T SAY AS I HAVE. NOT LATELY, ANYHOW. HAS HE GONE ABSENT WITHOUT LEAVE? 726 01:00:50,229 --> 01:00:52,680 NO, IT'S JUST HIS MISSUS IS WORRIED ABOUT HIM. 727 01:00:52,749 --> 01:00:54,849 NOT BEEN UP TO HIS OLD TRICKS, HAS HE? 728 01:00:54,917 --> 01:00:57,735 HE HAD QUITE A PROMISING CAREER AS A YOUNG LAD, YOU KNOW. 729 01:00:57,804 --> 01:00:59,871 COULD HAVE DONE VERY WELL WITH ME. 730 01:00:59,940 --> 01:01:03,708 HE GAVE THAT UP WHEN HE JOINED US. TOLD ME HE HAD ENOUGH OF THE BENT LIFE. 731 01:01:03,776 --> 01:01:08,713 NOT EASY. TRIED IT ONCE. LOTS OF WILLPOWER NEEDED. 732 01:01:08,781 --> 01:01:13,001 I GAVE UP SMOKING FOR TWO WEEKS. 733 01:01:13,069 --> 01:01:16,654 [ Coughs ] HEALTH REASONS. YEAH. 734 01:01:16,723 --> 01:01:18,989 ANYWAY, LISTEN, BOB. I'VE GOT TO SHOOT OVER TO THE BBC. 735 01:01:19,058 --> 01:01:22,443 SO, UH, THANKS FOR COMIN'. IT WAS NICE SEEIN' YOU. SEE YA. 736 01:01:22,512 --> 01:01:26,047 HERE. HOW'S YOUR RECORD COMIN' ON THEN? 737 01:01:26,116 --> 01:01:30,050 IT'S ALL RIGHT. GIVE YOU A FANCY DEAL ON THE SIDE? 738 01:01:30,119 --> 01:01:32,854 ABLE TO OFFER YOU VERY ATTRACTIVE TERMS AT THE MOMENT. 739 01:01:32,922 --> 01:01:35,190 NO TELL, BOB. IT'S ALL LEGAL NOWADAYS. 740 01:01:35,258 --> 01:01:37,742 WELL, WHAT'S IT ALL ABOUT THEN? 741 01:01:37,810 --> 01:01:42,029 WE'RE JUST WONDERING ABOUT HARRY, AND SOMEONE SAID HE'D BEEN TO SEE YOU, AND, UH-- 742 01:01:42,098 --> 01:01:44,766 - LOOK, I'LL KEEP AN EYE OUT FOR HIM. - WHICH ONE? 743 01:01:44,835 --> 01:01:47,802 ME LEFT ONE. [ Chuckling ] 744 01:01:49,673 --> 01:01:51,773 [ Grunts ] 745 01:01:55,962 --> 01:01:58,929 GUESS WHAT. THE ADVANCE SALES ON THE NEW ALBUM HAVE TOPPED FIVE MILLION. 746 01:01:58,998 --> 01:02:01,299 AND THAT'S WITHOUT THE RECORD. 747 01:02:01,368 --> 01:02:03,401 [ Paul ] HEY, LISTEN. HOW WE DOIN' FOR TIME? 748 01:02:03,470 --> 01:02:07,805 ERNEST, TELL THE BAND THAT WILL BE ALL FOR TODAY. REPEAT: ALL FOR TODAY. 749 01:02:07,874 --> 01:02:10,742 YES, SIR. THAT WILL BE ALL FOR TODAY. REPEAT: ALL FOR TODAY. 750 01:02:10,810 --> 01:02:13,177 [ Static, Feedback ] 751 01:02:19,986 --> 01:02:22,103 HELLO, ERNEST. ARE YOU THERE? 752 01:02:22,171 --> 01:02:24,521 [ Garbled Reply ] 753 01:02:24,590 --> 01:02:27,191 HERE THEY COME. 754 01:02:31,564 --> 01:02:34,899 WHY DON'T YOU GO BACK TO THE OFFICE. I'LL BE OVER LATER. 755 01:02:34,967 --> 01:02:37,034 DON'T WORRY. WE'LL FIND HIM TONIGHT. 756 01:03:16,192 --> 01:03:18,492 [ Keys Jingling ] 757 01:03:18,561 --> 01:03:21,295 [ Starter Grinding ] 758 01:03:22,431 --> 01:03:25,633 [ Starter Grinding ] 759 01:03:26,803 --> 01:03:30,788 [ Starter Grinding ] 760 01:03:32,642 --> 01:03:36,578 [ Starter Grinding Slowly ] 761 01:03:36,646 --> 01:03:38,579 COME HERE! 762 01:03:38,648 --> 01:03:41,399 HAVE YOU DONE THIS TO MY PICKUP? HAVE YOU? [ Groans ] 763 01:03:41,467 --> 01:03:43,952 [ Snarling ] 764 01:03:44,020 --> 01:03:49,723 [ Typewriter Keys Clicking ] 765 01:03:49,792 --> 01:03:51,926 [ Man ] THAT'S HIM. 766 01:03:51,995 --> 01:03:54,379 THAT'S THE BOX HE STOLE. 767 01:03:54,447 --> 01:03:58,399 HIS FINGERPRINTS ARE COMING UP ON THE SCREEN NOW. 768 01:03:58,468 --> 01:04:01,869 [ Chattering, Indistinct ] 769 01:04:01,938 --> 01:04:04,172 WE SENT A COPY OF THOSE TO THE UNITED STATES. 770 01:04:04,240 --> 01:04:06,607 [ Ringing ] [ Man #2 ] HAVE YOU CONSIDERED... 771 01:04:06,676 --> 01:04:10,111 THE POSSIBILITY, SIR, THAT THIS FELLOW TORRINGTON... 772 01:04:10,180 --> 01:04:12,613 IS PERHAPS NOT WORKING ON HIS OWN? 773 01:04:12,682 --> 01:04:15,383 WELL, HE'S NOT THE ONLY ONE WITH A VESTED INTEREST. 774 01:04:15,452 --> 01:04:17,751 WELL, I MEAN, WE'VE GOT, UH, RATH, 775 01:04:17,820 --> 01:04:21,589 STEVE STANLEY, UH, DIDN'T LIKE THE LOOK OF THAT DRUMMER. 776 01:04:21,657 --> 01:04:25,426 WELL, THEY COULD ALL HAVE A MOTIVE. INSURANCE, PERHAPS. 777 01:04:25,495 --> 01:04:27,761 YES. INSURANCE. 778 01:04:32,435 --> 01:04:35,736 ARE YOU RECEIVING ME, ERNEST? SAY SOMETHING IF YOU CAN HEAR ME, ERNEST? 779 01:04:35,805 --> 01:04:39,907 THE BAND IS FINISHED. WE HAVE NOW LEFT THE WAREHOUSE. 780 01:04:39,976 --> 01:04:43,811 COPS HAVE SEEN EVERYONE CONNECTED WITH HARRY, AND NO ONE KNOWS A BLOODY THING. 781 01:04:43,880 --> 01:04:47,231 [ Steve ] MY GUESS IS HE'S HEADED FOR THE STATES. 782 01:04:47,300 --> 01:04:49,300 THERE'S SOME BIG BOOTLEG OPERATIONS OVER THERE. 783 01:04:49,369 --> 01:04:51,302 BIG BOB DIDN'T EVEN KNOW WHAT I WAS TALKING ABOUT. 784 01:04:51,371 --> 01:04:54,138 THE BANKS ARE WORRIED. THEY NEED ASSURANCES. 785 01:04:54,207 --> 01:04:56,858 STILL, COULD BE WORSE, I SUPPOSE. 786 01:05:01,147 --> 01:05:03,648 ♪ GIVE MY REGARDS TO BROAD STREET, BABY ♪ 787 01:05:03,717 --> 01:05:07,118 ♪ 'CAUSE YOU KNOW THAT I'LL BE THERE ♪♪ OI! 788 01:05:28,691 --> 01:05:30,691 CAN I HAVE YOUR AUTOGRAPH? SURE. 789 01:05:30,760 --> 01:05:33,911 SIGN MINE. OKAY, BUT WE'RE IN A BIT OF A HURRY, ALL RIGHT? 790 01:05:36,199 --> 01:05:38,249 [ Paul ] TA-RA. SEE YOU. 791 01:05:39,419 --> 01:05:41,452 AFTERNOON. 792 01:05:41,521 --> 01:05:44,239 [ Paul ] WE CAN BE MAKING THIS WHOLE THING UP, YOU KNOW. 793 01:05:44,307 --> 01:05:46,524 I MEAN, A MAN IS MISSING. 794 01:05:46,592 --> 01:05:50,428 HE ONCE, A LONG TIME AGO, HAD A BIT OF FORM. 795 01:05:50,496 --> 01:05:54,031 AND NOW HERE WE ARE. WE'VE JUDGED HIM, FOUND HIM GUILTY, 796 01:05:54,099 --> 01:05:56,667 SENTENCED HIM... ALL IN ONE DAY. 797 01:05:56,736 --> 01:05:58,769 ISN'T THAT PAUL McCARTNEY? ANYWAY, 798 01:05:58,838 --> 01:06:01,672 DOESN'T FIT IN WITH WHAT HE'S BEEN TELLING ME RECENTLY. 799 01:06:01,741 --> 01:06:06,109 LIKE WHAT? AH, HE FEELS MORE SECURE NOW. 800 01:06:06,178 --> 01:06:09,112 NO SCUFFERS BREATHING DOWN HIS NECK. 801 01:06:09,181 --> 01:06:12,316 NOT SO MANY NIGHTMARES. 802 01:06:12,385 --> 01:06:14,652 EVEN TALKING ABOUT HAVING KIDS. 803 01:06:14,721 --> 01:06:18,005 I MEAN, DOES THAT SOUND TO YOU LIKE A MAN WHO'S PLANNING TO ROB SOMEONE? 804 01:06:18,074 --> 01:06:20,341 THESE THINGS HAPPEN ON THE SPUR OF THE MOMENT. 805 01:06:20,410 --> 01:06:22,743 HELLO! 806 01:06:22,812 --> 01:06:25,697 I'M TERRY. WE MET A LONG TIME AGO AT THE PLAYHOUSE. 807 01:06:25,765 --> 01:06:27,865 I DON'T SUPPOSE YOU REMEMBER. I THINK SO. 808 01:06:27,934 --> 01:06:30,368 OH, YES, YES. HOW NICE. WILL YOU FOLLOW ME? 809 01:06:48,505 --> 01:06:51,005 WHAT ARE WE DOING? INTERVIEW AND TWO SONGS. 810 01:06:51,073 --> 01:06:53,507 YES. WE'LL DO THE INTERVIEW FIRST, IF YOU DON'T MIND. 811 01:06:53,576 --> 01:06:55,225 UH, IN HERE. 812 01:06:55,294 --> 01:06:57,345 ONE, TWO, THREE. OKAY, JEFF? 813 01:06:57,414 --> 01:06:59,414 DO YOU KNOW WILLIAM? YES, OF COURSE. 814 01:06:59,482 --> 01:07:01,549 OH, GREAT. WONDERFUL OF YOU TO COME ON. 815 01:07:01,618 --> 01:07:03,751 [ William ] GRAB A SEAT. 816 01:07:03,820 --> 01:07:06,386 GET ME CONWAY AT BILLBOARD, WILL YOU? 817 01:07:06,455 --> 01:07:08,789 [ William Laughs ] ANYWAY, IT'S GREAT THAT YOU'RE HERE. 818 01:07:08,858 --> 01:07:11,592 ANY TROUBLE PARKING THE CAR? [ Paul ] NO, IT WAS FINE. 819 01:07:11,661 --> 01:07:14,061 [ William ] AND WE'LL-- IT'S TWO OR THREE MINUTES BEFORE. 820 01:07:14,130 --> 01:07:16,697 I'VE JUST GOT THESE HALF DOZEN QUESTIONS. SO, UM-- 821 01:07:16,766 --> 01:07:19,366 I'M IN YOUR HANDS. NO PROBLEM. AWKWARD AS WE GO. 822 01:07:19,435 --> 01:07:21,669 - UM, IS THAT OKAY FOR YOU, TERRY? - LOVELY. 823 01:07:21,737 --> 01:07:23,737 GO ON GREEN. 824 01:07:23,806 --> 01:07:25,940 OKAY FOR LEVEL? 825 01:07:26,009 --> 01:07:29,510 AHA. SO, RIGHT THEN. 826 01:07:31,414 --> 01:07:34,131 WELL, PAUL, IT'S GREAT TO HAVE YOU WITH US, AND, OF COURSE, 827 01:07:34,199 --> 01:07:37,067 ALL THE LISTENERS WANT TO KNOW, HOW'S THE NEW RECORD COMING ALONG? 828 01:07:37,136 --> 01:07:40,070 WELL, WE FINISHED MIXING IT LAST WEEK, AND IT SOUNDS GOOD. 829 01:07:40,139 --> 01:07:44,207 UH-HUH. EH, SO WE CAN LOOK FORWARD TO AN IMMINENT RELEASE? 830 01:07:44,276 --> 01:07:47,311 WELL, UM, IT SHOULDN'T BE TOO LONG NOW. OH, GREAT. 831 01:07:47,379 --> 01:07:50,047 WELL, YOU CAN REST ASSURED THAT ALL OF US HERE IN RADIOLAND... 832 01:07:50,115 --> 01:07:52,215 ARE EAGERLY AWAITING THE ARRIVAL OF YOUR NEW SONGS. 833 01:07:52,284 --> 01:07:55,486 HOW MANY HAVE YOU GOT FOR US THIS TIME? TWELVE? THERE'S ABOUT 12 IN ALL. 834 01:07:55,555 --> 01:07:59,157 GREAT. UH, ALL YOUR OWN LYRICS? YEAH, I WRITE MY OWN STUFF. 835 01:07:59,225 --> 01:08:01,626 [ William ] OH, GREAT. GREAT. FANTASTIC. 836 01:08:01,694 --> 01:08:03,794 YEAH, EVERYTHING'S GOING GREAT. 837 01:08:03,863 --> 01:08:06,930 [ Paul ] THERE ARE LITTLE HOLDUPS THAT DO OCCUR OCCASIONALLY. 838 01:08:06,999 --> 01:08:09,600 THE NEW ALBUM? YEAH, IT'S VERY EXCITING FOR ALL OF US. 839 01:08:09,669 --> 01:08:11,902 IT SHOULD BE OUT IN THE SHOPS SOON. YOURS? 840 01:08:11,971 --> 01:08:15,822 BLESS YOU FOR COMING ON. YOU'LL BE GETTING YOUR COPY SOMETIME IN THE NEXT FEW WEEKS. 841 01:08:15,891 --> 01:08:20,094 AND OF COURSE I KNOW THAT GOES WITHOUT SAYING FOR ALL YOU LOVELY LISTENERS TOO. 842 01:08:20,162 --> 01:08:23,330 RIGHT THEN. LET'S HEAR A LITTLE MUSIC, SHALL WE? 843 01:08:24,751 --> 01:08:28,001 [ Terry ] CUT. 844 01:08:29,105 --> 01:08:31,088 WHAT A LOAD OF COBBLERS. OH! 845 01:08:32,759 --> 01:08:35,342 [ Sniffles ] 846 01:08:35,411 --> 01:08:38,012 YES. YES. 847 01:08:40,016 --> 01:08:44,051 AFTERNOON, MEN. ALL RIGHT. EVERYTHING OKAY? HELLO, PAUL. 848 01:08:44,120 --> 01:08:46,270 YES, FINE. I'M AFRAID JEFFREY ISN'T HERE YET. 849 01:08:46,339 --> 01:08:48,839 ISN'T HE? SORRY. OH, THERE HE IS. 850 01:08:51,861 --> 01:08:55,863 HELLO. SORRY I'M LATE. MORNING. IT'S ALL RIGHT. WHAT HAPPENED? 851 01:08:55,932 --> 01:08:58,366 - CAN YOU HEAR ME? - YEAH. 852 01:08:58,435 --> 01:09:00,534 RIGHT. NOW, UM, WHAT'S IT TO BE? 853 01:09:00,603 --> 01:09:04,438 "FOR NO ONE," RIGHT? "FOR NO ONE." "FOR NO ONE." 854 01:09:06,959 --> 01:09:10,528 ♪ YOUR DAY BREAKS YOUR MIND ACHES ♪ 855 01:09:10,597 --> 01:09:14,832 ♪ YOU FIND THAT ALL THE WORDS OF KINDNESS LINGER ON ♪ 856 01:09:14,901 --> 01:09:17,635 ♪ WHEN SHE NO LONGER NEEDS YOU ♪ 857 01:09:19,405 --> 01:09:22,239 ♪ SHE WAKES UP SHE MAKES UP ♪ 858 01:09:22,308 --> 01:09:26,978 ♪ SHE TAKES HER TIME AND DOESN'T FEEL SHE HAS TO HURRY ♪ 859 01:09:27,046 --> 01:09:29,580 ♪ SHE NO LONGER NEEDS YOU ♪ 860 01:09:29,649 --> 01:09:33,917 ♪ AND IN HER EYES YOU SEE NOTHING ♪ 861 01:09:33,986 --> 01:09:39,423 ♪ NO SIGN OF LOVE BEHIND THE TEARS CRIED FOR NO ONE ♪ 862 01:09:39,491 --> 01:09:43,995 ♪ A LOVE THAT SHOULD HAVE LASTED YEARS ♪ 863 01:09:45,498 --> 01:09:49,000 ♪ YOU WANT HER YOU NEED HER ♪ 864 01:09:49,068 --> 01:09:51,335 ♪ AND YET YOU DON'T BELIEVE HER ♪ 865 01:09:51,404 --> 01:09:55,973 ♪ WHEN SHE SAYS HER LOVE IS DEAD YOU THINK SHE NEEDS YOU ♪ 866 01:10:07,803 --> 01:10:12,072 ♪ AND IN HER EYES YOU SEE NOTHING ♪ 867 01:10:12,141 --> 01:10:17,478 ♪ NO SIGN OF LOVE BEHIND THE TEARS CRIED FOR NO ONE ♪ 868 01:10:17,547 --> 01:10:22,033 ♪ A LOVE THAT SHOULD HAVE LASTED YEARS ♪ 869 01:10:23,869 --> 01:10:26,537 ♪ YOU STAY HOME SHE GOES OUT ♪ 870 01:10:26,606 --> 01:10:30,090 ♪ SHE SAYS THAT LONG AGO SHE KNEW SOMEONE ♪ 871 01:10:30,159 --> 01:10:33,727 ♪ BUT NOW HE'S GONE SHE DOESN'T NEED HIM ♪ 872 01:10:35,665 --> 01:10:38,599 ♪ YOUR DAY BREAKS YOUR MIND ACHES ♪ 873 01:10:38,668 --> 01:10:43,404 ♪ THERE WILL BE TIMES WHEN ALL THE THINGS YOU SAID WILL FILL YOUR HEAD ♪ 874 01:10:43,473 --> 01:10:45,472 ♪ YOU WON'T FORGET HER ♪ 875 01:10:45,541 --> 01:10:50,177 ♪ AND IN HER EYES YOU SEE NOTHING ♪ 876 01:10:50,246 --> 01:10:53,480 ♪ NO SIGN OF LOVE BEHIND THE TEARS ♪ 877 01:10:53,549 --> 01:10:56,316 ♪ CRIED FOR NO ONE ♪ 878 01:10:56,385 --> 01:11:00,320 ♪ A LOVE THAT SHOULD HAVE LASTED YEARS ♪ 879 01:11:00,389 --> 01:11:03,257 ♪ MMM-MMM ♪♪ 880 01:11:03,325 --> 01:11:05,325 [ Music Stops ] 881 01:11:10,416 --> 01:11:13,650 GOOD. LOVELY. WELL, THAT WAS RATHER NICE, WASN'T IT? 882 01:11:13,719 --> 01:11:16,803 I'D LIKE TO PRESS ON STRAIGHT AWAY WITH THE SECOND PIECE. WHAT WAS IT? 883 01:11:16,872 --> 01:11:18,872 "ELEANOR RIGBY." YES. GOOD. RIGHT. 884 01:11:18,941 --> 01:11:21,842 SHALL WE GO AND DO IT IMMEDIATELY? SOON AS YOU LIKE. 885 01:11:24,013 --> 01:11:26,930 [ Plays Chord ] [ Man ] DON'T PANIC. 886 01:11:26,999 --> 01:11:29,000 [ Musicians Laughing ] ♪♪ [ Tuning Instruments ] 887 01:11:29,068 --> 01:11:31,768 [ Man ] WATCH IT. 888 01:11:33,873 --> 01:11:37,491 - [ Violin Tuning ] - [ Terry ] PAUL, WE'RE RUNNING. 889 01:11:37,560 --> 01:11:40,060 AND RUNNING OUT OF TIME TOO. 890 01:11:40,129 --> 01:11:42,630 SO AS SOON AS POSSIBLE, PLEASE. 891 01:11:42,698 --> 01:11:47,751 [ Paul ] YEAH, OKAY. ONE, TWO, THREE, FOUR. ONE, TWO, THREE. 892 01:11:47,820 --> 01:11:52,456 ♪ AH, LOOK AT ALL THE LONELY PEOPLE ♪ 893 01:11:54,861 --> 01:11:59,062 ♪ AH, LOOK AT ALL THE LONELY PEOPLE ♪ 894 01:12:01,868 --> 01:12:03,634 ♪ ELEANOR RIGBY ♪ 895 01:12:03,703 --> 01:12:07,705 ♪ PICKS UP THE RICE IN A CHURCH WHERE A WEDDING HAS BEEN ♪ 896 01:12:08,975 --> 01:12:11,008 ♪ LIVES IN A DREAM ♪ 897 01:12:11,077 --> 01:12:12,926 ♪ WAITS AT THE WINDOW ♪ 898 01:12:12,995 --> 01:12:17,898 ♪ WEARING THE FACE THAT SHE KEEPS IN A JAR BY THE DOOR ♪ 899 01:12:17,967 --> 01:12:19,700 ♪ WHO IS IT FOR ♪ 900 01:12:19,769 --> 01:12:22,870 ♪ ALL THE LONELY PEOPLE ♪ 901 01:12:22,938 --> 01:12:26,941 ♪ WHERE DO THEY ALL COME FROM ♪ 902 01:12:27,010 --> 01:12:30,043 ♪ ALL THE LONELY PEOPLE ♪ 903 01:12:30,113 --> 01:12:33,013 ♪ WHERE DO THEY ALL BELONG ♪ 904 01:12:34,317 --> 01:12:36,117 ♪ FATHER McKENZIE ♪ 905 01:12:36,185 --> 01:12:39,786 ♪ WRITING THE WORDS TO A SERMON THAT NO ONE WILL HEAR ♪ 906 01:12:41,124 --> 01:12:43,106 ♪ NO ONE COMES NEAR ♪ 907 01:12:43,175 --> 01:12:45,009 ♪ LOOK AT HIM WORKING ♪ 908 01:12:45,078 --> 01:12:48,846 ♪ DARNING HIS SOCKS IN THE NIGHT WHEN THERE'S NOBODY THERE ♪ 909 01:12:50,183 --> 01:12:52,015 ♪ WHAT DOES HE CARE ♪ 910 01:12:52,084 --> 01:12:55,119 ♪ ALL THE LONELY PEOPLE ♪ 911 01:12:55,188 --> 01:12:59,022 ♪ WHERE DO THEY ALL COME FROM ♪ 912 01:12:59,092 --> 01:13:02,293 ♪ ALL THE LONELY PEOPLE ♪ 913 01:13:02,361 --> 01:13:06,380 ♪ WHERE DO THEY ALL BELONG ♪ 914 01:13:06,449 --> 01:13:10,968 ♪ AH, LOOK AT ALL THE LONELY PEOPLE ♪ 915 01:13:13,539 --> 01:13:18,141 ♪ AH, LOOK AT ALL THE LONELY PEOPLE ♪ 916 01:13:20,713 --> 01:13:22,546 ♪ ELEANOR RIGBY ♪ 917 01:13:22,615 --> 01:13:27,651 ♪ DIED IN THE CHURCH AND WAS BURIED ALONG WITH HER NAME ♪ 918 01:13:27,720 --> 01:13:29,620 ♪ NOBODY CAME ♪ 919 01:13:29,688 --> 01:13:31,572 ♪ FATHER McKENZIE ♪ 920 01:13:31,640 --> 01:13:37,227 ♪ WIPING THE DIRT FROM HIS HANDS AS HE WALKS FROM THE GRAVE ♪ 921 01:13:37,296 --> 01:13:38,762 ♪ NO ONE WAS SAVED ♪ 922 01:13:38,831 --> 01:13:42,282 ♪ ALL THE LONELY PEOPLE ♪ 923 01:13:42,351 --> 01:13:45,919 ♪ WHERE DO THEY ALL COME FROM ♪ 924 01:13:45,988 --> 01:13:49,156 ♪ ALL THE LONELY PEOPLE ♪ ♪ AH, LOOK AT ALL THE LONELY PEOPLE ♪ 925 01:13:49,225 --> 01:13:52,526 ♪ WHERE DO THEY ALL BELONG ♪ 926 01:13:52,595 --> 01:14:00,417 ♪♪ 927 01:14:25,111 --> 01:14:28,246 [ No Audible Dialogue ] 928 01:15:11,474 --> 01:15:14,991 [ No Audible Dialogue ] 929 01:15:37,917 --> 01:15:42,085 [ No Audible Dialogue ] 930 01:15:46,308 --> 01:15:51,211 [ No Audible Dialogue ] 931 01:16:08,481 --> 01:16:11,949 ♪♪ 932 01:16:20,526 --> 01:16:22,693 [ No Audible Dialogue ] 933 01:16:38,627 --> 01:16:42,680 [ Electrical Humming ] 934 01:16:58,965 --> 01:17:03,917 [ No Audible Dialogue ] 935 01:19:34,720 --> 01:19:43,560 [ Woman ] ♪ WIPING THE DIRT FROM HIS HANDS AS HE WALKS FROM THE GRAVE ♪ 936 01:19:45,597 --> 01:19:51,735 ♪ NO ONE WAS SAVED ♪ 937 01:19:55,574 --> 01:19:59,076 ♪♪ [ Chiming ] 938 01:20:08,237 --> 01:20:12,205 [ Woman ] ♪ ALL THE LONELY PEOPLE ♪ 939 01:20:12,274 --> 01:20:15,559 COME OVER HERE TO ME. 940 01:20:15,628 --> 01:20:17,394 [ Woman Cackling ] 941 01:20:17,462 --> 01:20:22,566 ♪ WHERE DO THEY ALL COME FROM ♪ 942 01:20:58,304 --> 01:21:00,671 [ Barking ] 943 01:21:07,446 --> 01:21:10,814 - [ Growling ] - [ Barking ] 944 01:21:10,883 --> 01:21:14,768 [ Snarling, Barking ] 945 01:21:16,188 --> 01:21:18,705 [ Barking ] 946 01:22:04,303 --> 01:22:07,153 OOF! [ Shrieks ] [ Snarling ] 947 01:22:14,463 --> 01:22:16,496 [ Screaming ] 948 01:23:32,258 --> 01:23:38,795 [ Woman ] ♪ AH, LOOK AT ALL THE LONELY PEOPLE ♪♪ 949 01:24:24,476 --> 01:24:26,710 [ Steve ] THAT'S IT. YOU'RE FINISHED. 950 01:24:26,779 --> 01:24:28,845 WHAT ARE YOU GONNA DO NOW? 951 01:24:28,914 --> 01:24:31,781 [ Echoing ] WHAT ARE YOU GONNA DO NOW? 952 01:24:32,884 --> 01:24:34,868 THAT'S IT. YOU'RE FINISHED. 953 01:24:34,936 --> 01:24:37,254 WHAT ARE YOU GONNA DO NOW? 954 01:24:37,323 --> 01:24:40,357 OUT. I'M GOIN' OUT. 955 01:24:43,462 --> 01:24:45,963 [ Screaming ] 956 01:24:46,031 --> 01:24:50,383 ♪♪ [ Intro To "Band On The Run" ] 957 01:25:01,263 --> 01:25:04,164 [ Paul ] ♪ IF I EVER GET OUT OF HERE ♪ 958 01:25:04,233 --> 01:25:07,100 ♪ THOUGHT OF GIVING IT ALL AWAY ♪ 959 01:25:07,169 --> 01:25:09,836 ♪ TO A REGISTERED CHARITY ♪ 960 01:25:09,905 --> 01:25:12,422 ♪ ALL I NEED IS A PINT TODAY ♪ 961 01:25:12,491 --> 01:25:15,124 ♪ IF I EVER GET OUT OF HERE ♪ 962 01:25:15,193 --> 01:25:18,445 ♪ IF WE EVER GET OUT OF HERE ♪ 963 01:25:34,579 --> 01:25:38,348 ♪ WELL, THE RAIN EXPLODED WITH A MIGHTY CRASH ♪ 964 01:25:38,417 --> 01:25:42,119 ♪ AS WE FELL INTO THE SUN ♪ 965 01:25:42,187 --> 01:25:46,123 ♪ AND THE FIRST ONE SAID TO THE SECOND ONE THERE ♪ 966 01:25:46,191 --> 01:25:50,060 ♪ I HOPE YOU'RE HAVING FUN ♪ 967 01:25:50,129 --> 01:25:52,429 ♪ BAND ON THE RUN ♪ 968 01:25:53,899 --> 01:25:57,501 ♪ BAND ON THE RUN ♪ 969 01:25:57,569 --> 01:26:01,304 ♪ AND THE JAILER MAN AND SAILOR SAM ♪ 970 01:26:01,373 --> 01:26:04,408 ♪ WERE SEARCHING EVERYONE ♪ 971 01:26:04,476 --> 01:26:07,310 ♪ FOR THE BAND ON THE RUN ♪ 972 01:26:09,431 --> 01:26:11,498 ♪ BAND ON THE RUN ♪ 973 01:26:12,968 --> 01:26:16,753 ♪ FOR THE BAND ON THE RUN ♪ 974 01:26:16,822 --> 01:26:19,339 ♪ BAND ON THE RUN ♪♪ 975 01:26:32,404 --> 01:26:35,505 ♪♪ [ Big Band On Stereo ] 976 01:26:39,995 --> 01:26:42,496 HELLO? HELLO, JIM. 977 01:26:44,466 --> 01:26:46,600 OH, IT'S YOU. 978 01:26:47,769 --> 01:26:50,470 WHAT ARE YOU DOING HERE? 979 01:26:50,539 --> 01:26:52,639 SLUMMING, ARE WE? 980 01:26:53,859 --> 01:26:56,159 COME IN, SON. THANKS. 981 01:26:59,965 --> 01:27:02,732 LISTEN, YOU KNOW MY MATE HARRY? 982 01:27:02,801 --> 01:27:04,801 DID YOU NOTICE HIM IN HERE LAST NIGHT? 983 01:27:04,870 --> 01:27:08,154 IS HE THE ONE WHO USED TO-- YES, BUT HE DOESN'T ANYMORE. 984 01:27:13,378 --> 01:27:16,913 HMM. DID YOU NOTICE ANYTHING UNUSUAL? 985 01:27:16,981 --> 01:27:19,148 NO, NOTHING UNUSUAL. 986 01:27:20,719 --> 01:27:23,120 FANCY A CUP? 987 01:27:23,188 --> 01:27:26,289 NO, I WON'T, THANKS. I'M IN A BIT OF A HURRY. 988 01:27:26,358 --> 01:27:28,591 UH, DID HE HAVE ANYTHING WITH HIM? 989 01:27:28,660 --> 01:27:32,728 - NO, I THINK HE LEFT HER AT HOME. - NO, A BOX. 990 01:27:35,350 --> 01:27:37,617 A BIG BLUE ONE? 991 01:27:37,686 --> 01:27:39,819 THAT'S IT. 992 01:27:42,507 --> 01:27:44,808 DID HE LEAVE ALONE? I SUPPOSE SO. 993 01:27:46,377 --> 01:27:50,313 YOU KNOW HOW BUSY WE CAN GET HERE SOME NIGHTS. 994 01:27:50,382 --> 01:27:52,832 I THINK HE WAS ON HIS OWN. [ Monkey Squeaks ] 995 01:27:52,901 --> 01:27:56,436 - HOW DID HE LOOK? - WILD AS EVER. 996 01:27:56,505 --> 01:27:59,105 SURE YOU WON'T HAVE A DROP? 997 01:27:59,174 --> 01:28:01,874 WON'T TAKE A MINUTE. OKAY. GO ON. 998 01:28:03,345 --> 01:28:05,412 ALWAYS RUNNING AROUND. 999 01:28:06,881 --> 01:28:09,416 DON'T GET A CHANCE TO SEE ANYBODY. 1000 01:28:11,003 --> 01:28:13,787 IF YOU DIDN'T RUN AROUND SO MUCH, 1001 01:28:13,856 --> 01:28:17,006 YOU MIGHT GET A BETTER VIEW OF THE WORLD. 1002 01:28:17,075 --> 01:28:19,175 HERE YOU GO. 1003 01:28:25,534 --> 01:28:29,519 HASTE MAKES WASTE, AND WASTE NOT, WANT NOT. 1004 01:28:29,588 --> 01:28:31,771 THAT'S WHAT THEY SAY, DON'T THEY, SON? 1005 01:28:31,840 --> 01:28:34,958 WHAT IS THIS TOWN IF FULL OF CARE? 1006 01:28:35,026 --> 01:28:40,113 WE HAVE NO TIME TO STOP... AND STARE. 1007 01:28:40,181 --> 01:28:43,717 YOU SEE, I MAY NOT LOOK TO YOU LIKE A POET. 1008 01:28:45,087 --> 01:28:48,822 AT FIRST GLANCE, YOU MIGHTN'T THINK IT. 1009 01:28:51,593 --> 01:28:56,263 - [ Screeching ] - BUT THE LONGER YOU LOOK-- 1010 01:28:58,650 --> 01:29:04,487 [ Bell Chiming ] 1011 01:29:07,559 --> 01:29:11,411 YOU WOULDN'T LIKE TO LOOK AT SOME POEMS OF MINE, WOULD YOU? 1012 01:29:11,479 --> 01:29:14,097 THANKS ALL THE SAME, JIM, BUT, UH, 1013 01:29:14,166 --> 01:29:16,199 I'VE GOT TO BE OFF. [ Clock Cuckoos ] 1014 01:29:16,267 --> 01:29:19,035 YOU'VE BEEN OFF FOR YEARS. 1015 01:29:19,104 --> 01:29:21,104 [ Clock Chiming ] 1016 01:29:23,008 --> 01:29:25,442 CHEERIO, GOOD FELLOW, AND WELL MET. 1017 01:29:27,512 --> 01:29:30,197 GOOD NIGHT, SWEET PRINCE. 1018 01:30:04,115 --> 01:30:09,786 ♪♪ [ Saxophone Intro To "The Long And Winding Road" ] 1019 01:30:29,541 --> 01:30:34,344 ♪♪ [ Continues ] 1020 01:30:48,160 --> 01:30:52,495 [ Paul ] ♪ THE LONG AND WINDING ROAD ♪ 1021 01:30:53,832 --> 01:31:01,404 ♪ THAT LEADS TO YOUR DOOR ♪ 1022 01:31:04,242 --> 01:31:08,762 ♪ WILL NEVER DISAPPEAR ♪ 1023 01:31:11,416 --> 01:31:15,719 ♪ I'VE SEEN THAT ROAD BEFORE ♪ 1024 01:31:19,224 --> 01:31:22,859 ♪ IT ALWAYS LEADS ME HERE ♪ 1025 01:31:26,297 --> 01:31:32,235 ♪ LEAD ME TO YOUR DOOR ♪ 1026 01:31:32,303 --> 01:31:35,721 ♪ MANY TIMES I'VE BEEN ALONE ♪ 1027 01:31:35,790 --> 01:31:38,592 ♪ AND MANY TIMES I CRIED ♪ 1028 01:31:39,795 --> 01:31:43,029 ♪ ANYWAY YOU'LL NEVER KNOW ♪ 1029 01:31:43,098 --> 01:31:46,600 ♪ THE MANY WAYS I TRIED ♪ 1030 01:31:46,668 --> 01:31:50,971 ♪ BUT STILL THEY LEAD ME BACK ♪ 1031 01:31:52,340 --> 01:31:59,946 ♪ TO THE LONG AND WINDING ROAD ♪ 1032 01:32:03,251 --> 01:32:06,686 ♪ YOU LEFT ME STANDING HERE ♪ 1033 01:32:09,691 --> 01:32:14,643 ♪ A LONG, LONG TIME AGO ♪ 1034 01:32:17,465 --> 01:32:21,918 ♪ DON'T KEEP ME WAITING HERE ♪ 1035 01:32:25,190 --> 01:32:30,643 ♪ LEAD ME TO YOUR DOOR ♪ 1036 01:32:30,712 --> 01:32:33,980 ♪♪ [ Saxophone Solo ] 1037 01:32:45,794 --> 01:32:49,629 ♪ THE WILD AND WINDY NIGHT ♪ 1038 01:32:51,166 --> 01:32:57,537 ♪ THAT THE RAIN WASHED AWAY ♪ 1039 01:33:02,077 --> 01:33:05,679 ♪ HAS LEFT A POOL OF TEARS ♪ 1040 01:33:08,984 --> 01:33:13,419 ♪ CRYING FOR THE DAY ♪ 1041 01:33:13,488 --> 01:33:16,856 [ Chorus ] ♪ OH OH OH ♪ 1042 01:33:16,925 --> 01:33:20,359 [ Paul ] ♪ DON'T LEAVE ME WAITING HERE ♪ 1043 01:33:20,428 --> 01:33:22,528 ♪ DON'T KEEP ME WAITING ♪ 1044 01:33:23,932 --> 01:33:28,768 ♪ LET ME KNOW THE WAY ♪ 1045 01:33:29,938 --> 01:33:32,471 ♪ OOH ♪ 1046 01:33:32,540 --> 01:33:34,941 ♪ YEAH, YEAH, YEAH ♪♪ 1047 01:34:28,980 --> 01:34:32,431 - [ Tires Screeching ] - [ Engine Idling ] 1048 01:34:32,500 --> 01:34:35,318 GOOD NIGHT, ALL. I'M OFF TO BROAD STREET. 1049 01:34:38,756 --> 01:34:41,941 ♪ AND GIVE MY REGARDS TO BROAD STREET ♪ 1050 01:34:42,010 --> 01:34:44,911 ♪ REMEMBER ME TO LEICESTER SQUARE ♪ 1051 01:34:44,980 --> 01:34:47,346 ♪ GIVE MY REGARDS TO BROAD STREET, BABY ♪ 1052 01:34:47,415 --> 01:34:51,083 ♪ 'CAUSE YOU KNOW THAT I'LL BE THERE ♪♪ OI! 1053 01:34:54,338 --> 01:34:56,272 [ Tires Screeching ] 1054 01:35:20,464 --> 01:35:23,099 [ Paul ] ♪ I CAN WAIT ANOTHER DAY ♪ 1055 01:35:26,604 --> 01:35:29,838 ♪ UNTIL I CALL YOU ♪ 1056 01:35:31,976 --> 01:35:36,829 ♪ YOU'VE ONLY GOT MY HEART ON A STRING ♪ 1057 01:35:36,898 --> 01:35:39,398 ♪ AND EVERYTHING AFLUTTER ♪ 1058 01:35:41,703 --> 01:35:44,887 ♪ BUT ANOTHER LONELY NIGHT ♪ 1059 01:35:44,956 --> 01:35:47,907 [ Chorus] ♪ NA NA NA NA NA NA NA NA ♪ 1060 01:35:47,976 --> 01:35:50,810 [ Paul ] ♪ MIGHT TAKE FOREVER ♪ 1061 01:35:50,879 --> 01:35:53,479 [ Chorus ] ♪ NA NA NA NA NA NA NA ♪ 1062 01:35:53,548 --> 01:35:58,301 [ Paul ] ♪ WE'VE ONLY GOT EACH OTHER TO BLAME ♪ 1063 01:35:58,369 --> 01:36:01,420 ♪ IT'S ALL THE SAME TO ME, LOVE ♪ 1064 01:36:01,489 --> 01:36:04,624 ♪ 'CAUSE I KNOW ♪ 1065 01:36:04,693 --> 01:36:06,826 ♪ WHAT I FEEL ♪ 1066 01:36:06,895 --> 01:36:09,412 ♪ TO BE RIGHT ♪ 1067 01:36:10,915 --> 01:36:14,783 ♪ NO MORE LONELY NIGHTS ♪ 1068 01:36:14,852 --> 01:36:16,652 ♪ NEVER BE ANOTHER ♪ 1069 01:36:16,720 --> 01:36:20,489 ♪ NO MORE LONELY NIGHTS ♪ 1070 01:36:22,744 --> 01:36:25,961 ♪ YOU'RE MY GUIDING LIGHT ♪ 1071 01:36:26,030 --> 01:36:30,266 ♪ DAY OR NIGHT I'M ALWAYS THERE ♪ 1072 01:36:30,335 --> 01:36:35,855 ♪ AND I WON'T GO AWAY UNTIL YOU TELL ME SO ♪ 1073 01:36:35,924 --> 01:36:39,408 ♪ NO, I'LL NEVER GO AWAY ♪ 1074 01:36:59,230 --> 01:37:01,831 ♪ YES, I KNOW ♪ ♪ I KNOW ♪ 1075 01:37:01,899 --> 01:37:04,567 ♪ WHAT I FEEL ♪ ♪ I FEEL ♪ 1076 01:37:04,636 --> 01:37:08,738 ♪ TO BE RIGHT ♪ ♪ BE RIGHT ♪ 1077 01:37:08,806 --> 01:37:12,174 ♪ NO MORE LONELY NIGHTS ♪ 1078 01:37:12,243 --> 01:37:14,243 ♪ NEVER BE ANOTHER ♪ 1079 01:37:14,311 --> 01:37:17,380 ♪ NO MORE LONELY NIGHTS ♪ 1080 01:37:19,934 --> 01:37:23,318 ♪ YOU'RE MY GUIDING LIGHT ♪ 1081 01:37:23,388 --> 01:37:27,490 ♪ DAY OR NIGHT I'M ALWAYS THERE ♪ 1082 01:37:27,558 --> 01:37:32,728 ♪ AND I WON'T GO AWAY UNTIL YOU TELL ME SO ♪ 1083 01:37:32,797 --> 01:37:36,666 ♪ NO, I'LL NEVER GO AWAY ♪ 1084 01:37:38,119 --> 01:37:43,272 ♪ NO MORE LONELY NIGHTS NO, NO ♪ 1085 01:37:44,809 --> 01:37:48,477 ♪♪ [ Vocalizing ] 1086 01:37:50,114 --> 01:37:53,482 ♪♪ [ Guitar Solo ] 1087 01:38:09,951 --> 01:38:13,035 ♪♪ [ Guitar Solo Continues ] 1088 01:38:34,275 --> 01:38:36,659 ♪♪ [ Continues ] 1089 01:38:43,000 --> 01:38:45,000 [ Song Fades, Ends ] 1090 01:38:45,069 --> 01:38:47,269 [ Man ] ♪ ...SEEMED SO FAR AWAY ♪ 1091 01:38:47,338 --> 01:38:49,338 ♪ NOW IT LOOKS AS THOUGH THEY'RE HERE TO STAY ♪ 1092 01:38:49,407 --> 01:38:52,040 ♪ OH, I BELIEVE IN YESTERDAY ♪ 1093 01:38:54,312 --> 01:38:58,648 ♪ WELL, SUDDENLY I'M NOT HALF THE MAN I USED TO BE ♪ 1094 01:38:58,716 --> 01:39:00,783 ♪ THERE'S A SHADOW HANGING OVER ME ♪ 1095 01:39:00,851 --> 01:39:03,753 ♪ THOUGH I BELIEVE IN YESTERDAY ♪ 1096 01:39:03,821 --> 01:39:05,821 ♪ WHY SHE HAD TO GO ♪ 1097 01:39:05,890 --> 01:39:09,024 ♪ I DON'T KNOW SHE WOULDN'T SAY ♪ 1098 01:39:09,093 --> 01:39:11,260 ♪ I SAID SOMETHING WRONG ♪ 1099 01:39:11,329 --> 01:39:13,696 ♪ NOW ♪ GOD BLESS YOU, SQUIRE. THANK YOU, SIR. 1100 01:39:13,765 --> 01:39:17,199 ♪ OH, YESTERDAY ALL MY TROUBLES SEEMED SO FAR AWAY ♪ 1101 01:39:17,268 --> 01:39:20,002 THANK YOU, MA'AM. ♪ NEVER KNEW WHAT TO SAY ♪ 1102 01:39:20,070 --> 01:39:25,274 ♪ OH, I BELIEVE IN YESTERDAY ♪♪ 1103 01:39:25,343 --> 01:39:27,343 [ Singing Fades, Ends ] 1104 01:39:27,412 --> 01:39:30,862 [ Electrical Humming ] [ Wind Whistling ] 1105 01:39:33,634 --> 01:39:37,019 [ Electrical Humming ] 1106 01:39:41,992 --> 01:39:44,644 [ Humming Stops ] 1107 01:39:53,922 --> 01:39:56,890 [ Man ] HELP! 1108 01:39:59,427 --> 01:40:03,095 HELP! [ Knocking ] 1109 01:40:03,164 --> 01:40:07,200 [ Knocking ] 1110 01:40:07,269 --> 01:40:09,602 HELP! 1111 01:40:09,671 --> 01:40:12,571 [ Tapping ] 1112 01:40:12,640 --> 01:40:17,093 [ Knocking ] HARRY? 1113 01:40:25,653 --> 01:40:28,888 OH-- OH! IT'S YOU. 1114 01:40:28,957 --> 01:40:31,458 WHAT ARE YOU DOIN' HERE? 1115 01:40:31,526 --> 01:40:35,745 IT LOCKS FROM THE OUTSIDE. I COULDN'T GET OUT. BANGED ALL NIGHT. 1116 01:40:36,948 --> 01:40:39,599 FELL ASLEEP. 1117 01:40:39,668 --> 01:40:43,069 - OH, YOU'VE GOT THE TAPES. - YEAH, FOUND 'EM ON THE BENCH. 1118 01:40:43,138 --> 01:40:45,955 - THEY ALL RIGHT? - YEAH. 1119 01:40:46,024 --> 01:40:48,258 [ Exhales ] IT WAS DARK. 1120 01:40:48,326 --> 01:40:51,511 AND COLD. TRAIN NEVER CAME. 1121 01:40:54,699 --> 01:40:57,150 THOUGHT IT WAS A TOILET. 1122 01:41:00,355 --> 01:41:03,056 [ Chuckling ] 1123 01:41:03,124 --> 01:41:05,791 [ Chuckling ] [ Chuckling ] 1124 01:41:08,129 --> 01:41:10,113 YOU SILLY BOY. COME ALONG. 1125 01:41:10,181 --> 01:41:13,232 [ Laughing ] 1126 01:41:13,301 --> 01:41:16,669 [ Both Laughing ] 1127 01:41:19,824 --> 01:41:24,327 [ Both Cackling ] 1128 01:41:26,064 --> 01:41:28,480 [ Ticking ] 1129 01:41:35,323 --> 01:41:38,424 [ Dialogue Indistinct ] 1130 01:41:40,762 --> 01:41:42,829 ALL RIGHT, HERE. OH! [ Sighs ] 1131 01:41:42,897 --> 01:41:45,214 DO YOU KNOW WHAT THIS IS WORTH? [ Indistinct Reply ] 1132 01:41:45,283 --> 01:41:47,950 [ Ringing ] LOOK AT THE TIME. HE'S TWO HOURS LATE ALREADY. 1133 01:41:48,019 --> 01:41:50,019 THIS MIGHT BE HIM. [ Ringing ] 1134 01:41:50,087 --> 01:41:53,022 - HELLO? - GUESS WHAT I FOUND. 1135 01:41:53,091 --> 01:41:57,076 - THE TAPES? - AND HARRY, LOCKED UP ON BROAD STREET STATION. 1136 01:41:57,144 --> 01:41:59,979 WHAT? IT'S A LONG STORY. I'LL TELL YOU WHEN I GET BACK. 1137 01:42:00,048 --> 01:42:04,033 - I'LL RING STEPHEN. - YEAH, RING THEM ALL. SEE YA LATER. LOVE YOU. 1138 01:42:04,101 --> 01:42:07,036 ♪ RING 'EM ALL RING 'EM ALL ♪ ♪ RING 'EM ALL ♪ 1139 01:42:07,105 --> 01:42:11,941 [ Ringing ] 1140 01:42:12,010 --> 01:42:14,043 [ Linda ] HEY! THEY FOUND THE TAPES! 1141 01:42:14,112 --> 01:42:16,212 [ Ringo ] THEY FOUND THE TAPES! 1142 01:42:16,281 --> 01:42:18,581 [ Joyful Shouting ] 1143 01:42:20,519 --> 01:42:24,354 GENTLEMEN... I'M SURE YOU'D LIKE TO BE THE FIRST TO KNOW. 1144 01:42:25,473 --> 01:42:28,057 WE GOT THE TAPES. 1145 01:42:30,228 --> 01:42:33,813 [ Clock Chiming ] 1146 01:42:37,435 --> 01:42:40,153 ♪ THE LONG AND THE SHORT AND THE TALL ♪♪ 1147 01:42:40,221 --> 01:42:42,037 [ Pop ] [ All Screaming ] 1148 01:42:42,106 --> 01:42:45,641 [ Chiming Continues ] 1149 01:42:49,230 --> 01:42:51,965 [ Chiming Stops ] 1150 01:43:03,845 --> 01:43:07,847 [ Crowd Cheering On Radio ] 1151 01:43:15,807 --> 01:43:18,374 YOU'RE A LONG WAY AWAY, MATE. 1152 01:43:18,443 --> 01:43:20,960 OH, YEAH. I MUST HAVE BEEN DAYDREAMING. 1153 01:43:21,028 --> 01:43:24,997 HOW WE DOING? YEAH? [ Steve ] GREAT. STILL GOT PLENTY OF TIME. 1154 01:43:30,822 --> 01:43:33,489 HAVE YOU SEEN HARRY? YEAH, HE'S AROUND SOMEWHERE. WHY? 1155 01:43:34,759 --> 01:43:36,759 NOTHING REALLY. 1156 01:44:07,175 --> 01:44:09,475 ♪ I CAN WAIT ANOTHER DAY ♪ 1157 01:44:11,479 --> 01:44:15,014 ♪ UNTIL I CALL YOU CALL YOU, CALL YOU ♪ 1158 01:44:15,083 --> 01:44:18,817 ♪ YOU'VE ONLY GOT MY HEART ON A STRING ♪ 1159 01:44:18,887 --> 01:44:22,788 ♪ AND EVERYTHING AFLUTTER OOH ♪ 1160 01:44:22,857 --> 01:44:26,425 ♪ BUT ANOTHER LONELY NIGHT ♪ 1161 01:44:26,494 --> 01:44:30,462 ♪ MIGHT TAKE FOREVER ♪ ♪ FOREVER, FOREVER ♪ 1162 01:44:30,531 --> 01:44:34,500 ♪ WE'VE ONLY GOT EACH OTHER TO BLAME ♪ 1163 01:44:34,568 --> 01:44:37,920 ♪ IT'S ALL THE SAME TO ME, OH ♪ 1164 01:44:39,440 --> 01:44:41,774 ♪ NO MORE LONELY NIGHTS ♪ 1165 01:44:43,277 --> 01:44:46,012 ♪ NO MORE LONELY NIGHTS ♪ 1166 01:44:47,181 --> 01:44:50,282 ♪ YOU'RE MY GUIDING LIGHT ♪ 1167 01:44:50,351 --> 01:44:53,586 ♪ I DON'T WANT NO MORE LONELY NIGHTS ♪ 1168 01:44:55,289 --> 01:44:57,389 ♪ MAY I NEVER MISS THE THRILL ♪ 1169 01:44:59,594 --> 01:45:03,529 ♪ OF BEING NEAR YOU NEAR YOU, NEAR YOU ♪ 1170 01:45:03,598 --> 01:45:07,166 ♪ IF IT TAKES A NUMBER OF YEARS ♪ 1171 01:45:07,235 --> 01:45:09,702 ♪ I'LL TURN YOUR TEARS AWAY ♪ 1172 01:45:12,107 --> 01:45:14,907 ♪ BUT ANOTHER LONELY NIGHT ♪ 1173 01:45:14,976 --> 01:45:18,845 ♪ MIGHT TAKE FOREVER FOREVER, FOREVER ♪ 1174 01:45:18,913 --> 01:45:22,715 ♪ WE'VE ONLY GOT EACH OTHER TO BLAME ♪ 1175 01:45:22,784 --> 01:45:27,686 ♪ IT'S ALL THE SAME TO ME OOH-EE-EE, YEAH ♪ 1176 01:45:27,756 --> 01:45:29,956 ♪ NO MORE LONELY NIGHTS ♪ 1177 01:45:31,626 --> 01:45:34,326 ♪ NO MORE LONELY NIGHTS ♪ 1178 01:45:35,496 --> 01:45:38,530 ♪ YOU'RE MY GUIDING LIGHT ♪ 1179 01:45:38,599 --> 01:45:42,168 ♪ OH, NO MORE LONELY NIGHTS ♪ 1180 01:45:43,604 --> 01:45:48,808 ♪♪ [ Humming ] 1181 01:45:58,153 --> 01:46:01,087 ♪ YEAH, NO MORE LONELY NIGHTS ♪ 1182 01:46:02,523 --> 01:46:04,957 ♪ NO MORE LONELY NIGHTS ♪ 1183 01:46:06,427 --> 01:46:09,595 ♪ YOU'RE MY GUIDING LIGHT ♪ 1184 01:46:09,664 --> 01:46:13,099 ♪ I DON'T WANT NO MORE LONELY NIGHTS ♪ 1185 01:46:14,202 --> 01:46:16,302 ♪ OH ♪ 1186 01:46:28,649 --> 01:46:32,318 ♪ BUT ANOTHER LONELY NIGHT OOH ♪ 1187 01:46:32,386 --> 01:46:34,553 ♪ MIGHT TAKE FOREVER ♪ 1188 01:46:36,191 --> 01:46:40,059 ♪ WE'VE ONLY GOT EACH OTHER TO BLAME ♪ 1189 01:46:40,128 --> 01:46:44,997 ♪ BUT IT'S ALL THE SAME TO ME ♪ 1190 01:46:45,066 --> 01:46:47,800 ♪ NO MORE LONELY NIGHTS ♪ 1191 01:46:49,037 --> 01:46:51,570 ♪ NO MORE LONELY NIGHTS ♪ 1192 01:46:52,841 --> 01:46:55,507 ♪ YOU'RE MY GUIDING LIGHT ♪ 1193 01:46:55,576 --> 01:47:00,246 ♪ BABE, I DON'T WANT NO MORE LONELY NIGHTS ♪ 1194 01:47:02,183 --> 01:47:04,250 ♪ I COULDN'T TAKE IT AGAIN ♪ 1195 01:47:05,753 --> 01:47:08,387 ♪ I AIN'T LONELY I COULDN'T TAKE IT ♪ 1196 01:47:09,991 --> 01:47:12,058 ♪ I COULDN'T TAKE IT AGAIN ♪ 1197 01:47:13,527 --> 01:47:15,427 ♪ NO MORE ♪ 1198 01:47:15,496 --> 01:47:17,830 ♪ MAY I NEVER MISS THE THRILL ♪ 1199 01:47:19,167 --> 01:47:20,666 ♪ OF BEING NEAR YOU ♪ 1200 01:47:20,735 --> 01:47:23,002 ♪ NEAR YOU, NEAR YOU ♪ 1201 01:47:23,071 --> 01:47:26,339 ♪ AND IF IT TAKES A NUMBER OF YEARS ♪ 1202 01:47:26,407 --> 01:47:28,574 ♪ I'LL TURN YOUR TEARS AWAY ♪ 1203 01:47:32,446 --> 01:47:34,546 ♪ I CAN WAIT ANOTHER DAY ♪ 1204 01:47:35,884 --> 01:47:38,450 ♪ UNTIL I CALL YOU ♪ 1205 01:47:38,519 --> 01:47:41,820 ♪ YOU'VE ONLY GOT MY HEART ON A STRING ♪ 1206 01:47:41,890 --> 01:47:43,890 ♪ AND EVERYTHING AFLUTTER ♪ 1207 01:47:43,958 --> 01:47:45,791 ♪ AFLUTTER, AFLUTTER ♪ 1208 01:47:45,860 --> 01:47:49,228 ♪ BUT ANOTHER LONELY NIGHT ♪ 1209 01:47:49,297 --> 01:47:51,730 ♪ MIGHT TAKE FOREVER ♪ 1210 01:47:51,799 --> 01:47:53,565 ♪ FOREVER, FOREVER ♪ 1211 01:47:53,634 --> 01:47:57,236 ♪ WE'VE ONLY GOT EACH OTHER TO BLAME ♪ 1212 01:47:57,305 --> 01:47:59,338 ♪ BUT IT'S ALL THE SAME TO ME ♪ 1213 01:47:59,407 --> 01:48:02,408 ♪ TO ME, TO ME ♪ 1214 01:48:02,476 --> 01:48:04,977 ♪ NO MORE LONELY NIGHTS ♪ 1215 01:48:06,381 --> 01:48:08,647 ♪ NO MORE LONELY NIGHTS ♪ 1216 01:48:10,218 --> 01:48:13,019 ♪ YOU'RE MY GUIDING LIGHT ♪ 1217 01:48:13,087 --> 01:48:17,689 ♪ NO MORE, MORE, MORE NO MORE LONELY NIGHTS ♪ 1218 01:48:17,758 --> 01:48:20,026 ♪ NO MORE LONELY ♪ 1219 01:48:20,094 --> 01:48:22,795 ♪ NO MORE LONELY NIGHTS ♪♪ 1220 01:48:44,852 --> 01:48:46,953 [ Song Ends ] 94116

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