All language subtitles for Irma.Vep.S01E03.720p.WEB.h264-KOGi

Downloaded from RARBG

Hop on!

- Sorry I'm late.
- No stress.

Zoe.

Hi, Gottfried.
Where are you?

I don't know.

I'm at this party.

How did you get there?

Uh, I'm not sure.

Gottfried, I need an address.

Let me ask... Lady.

Lady, sorry, I, I
didn't catch your name.

- What?
- I didn't catch your name.

I'm Ondine.

- Ondine, honey--
- Yes.

- I need your address.
- Oh, uh.

Did you get it?

No, I didn't get a single word.

Ask her to come closer
to the phone and repeat.

Excuse me, can you repeat it?

Um...

Superb.

Gottfried is partying with the crew.

- It's out of town in Montreuil.
- Yeah, I did a zombie flick with that junkie.

- Is he still using?
- I can't answer that question.

Jesus Christ!
You scored for him?

I can't answer that question.

You have it on you?

I'll drop you at the show.

- It's safer.
- No, no! I-I'm coming with you.

Well, that could get us
in major trouble.

Yeah, no, we're already
in major trouble.

Let's go! Woo!

Let's go see Gottfried!

Ah!

Ah, that's better.

You don't want to go
to this Royal Trux show.

It's their one date in Europe.

They probably
won't even show up.

You stay with us!

I can't believe
René agreed to this.

He always said he
wouldn't touch TV.

But we're not doing TV.

It's a serial...

exactly like in the silent era.

What's the difference?

Well, it's about going
back to the roots.

All great novelists in the
19th century were serialized.

I hear you,
but to everyone else,

it's still a TV series
based on a silent serial.

Yeah, but series have history.

They didn't just pop
out of nowhere.

Serials became novels.

They could be seen
as long movies.

- Hi, Mira.
- No, they're not long movies.

They're content. Industrial
entertainment ruled by algorithms.

Mira, what would
you like to drink?

A beer is fine. Thanks.

Well, early cinema was content.

No, absolutely not.
It was the opposite of content.

They had no idea
what they were doing.

They were inventing the medium

and went where their
imagination took them.

Mm, I beg to differ.

They invented the projector,

got the audience interested,
and... they had to generate

content to keep people hooked.

What are your issues
with series?

Because you have platforms.

They need content,
so you stretch the content.

You adapt to the market.
That's the opposite of art.

I grew up on re-runs
of "Dallas."

I heard Rainer Werner Fassbinder
was a fan, too.

I used to jerk off to Sue Ellen.

- Sue Ellen, really?
- She was so hot.

But I would've loved
to fuck Bobby Ewing, too.

Thank you, Gottfried,
for sharing that with us.

You make a TV show...
you're a slave to the ratings.

- It's simple.
- Yeah, I agree.

N-Now the industry is too aware

of what their audience wants.

- Too much marketing.
- Exactly.

That's not what art
should be about.

Who cares if cinema is art?

I personally don't give a flying

fuck.

Dude, stop being annoying.

Cinema is better than art.

It captures reality
in ways other arts don't.

Blah, blah, blah.

You're just being
a pain in the ass.

I'm sorry, girl.

I have trouble dealing
with post-modern lesbians.

Ooh, I can't believe it. He just
called me a post-modern lesbian.

He just called me
a post-modern lesbian!

Oh my god!
I feel so insulted.

Did you hear what he just said?

I was curious. I just wanted
to benefit from your insights.

Well...

there you are.

Oops... You had it coming.

What stupid cocktail
were you drinking?

How can anybody
drink this lime?

Okay, your cab's here.

Um... Zoe's scooter is fine.

It's 4 A.M.

I'm not letting you
ride back in the rain

with a drunken madwoman.

Drunk, sure.
Mad, um, well, possibly.

See you in a bit.

And cover up.

Gottfried?

Gottfried?

- Gottfried?
- Ooh.

Oh là. Gottfried?

Are you okay?

Let's go inside, maybe.

- Shit. The production driver.
- Don't worry. Cool it.

Are you ready to go?

They're waiting for us on set.

Mira needs a minute
to freshen up.

- As soon as you can.
- Yeah.

Ah! God! Fuck! Freezing!

Hi, Gottfried. Ooh.

I'm good. How are you?

- Go straight to makeup?
- Yeah, straight to makeup.

- Hi, morning.
- Oh, hi, ah.

Okay... so... here's the thing.

Y-You managed to get,
um, yourself hired by,

uh, the Renault-Duval bank.

Obviously, um,
the Vampires have a plan.

- Sure.
- Okay.

- Are you with me?
- Mm... I'm with you.

- Okay?
- Yeah.

No, because it looked
like you were out of it.

No, no, no. I-I, I was
just telling them I had

an amazing night's sleep,

and now I'm... ready.

- Okay, good.
- And I'm focused.

No, because for a second,

it looked like you were
passing out, so, um.

Anyway, okay. Um, so.

The Vampires got the intel

that, um, the bank is
about to make a major

cash transfer to Rouen.

- A-Any idea where, uh, Rouen is?
- Uh...

- S-Should I, should I know?
- No, no, no, not at all.

- Okay, yeah, I don't.
- Maybe the only thing

you have to know is that,

uh, it's two hours
from Paris by train.

- Two hours. Pretty..
- Yeah, wh-whatever it is.

So... a clerk named Métadier
will be the courier.

It's, um, this guy, uh...

I'm Métadier.

Irma Vep.

Okay, in case he cannot make it,

the banker, yeah,
uh, Renault-Duval,

- uh, this, uh, gentleman here...
- Excuse me.

- ...uh, has chosen..
- Oh, you're amazing.

Please, focus, focus, focus

because focus, please.

So...

-this gentleman has
chosen Juliette Berteaux...

-Mm.

- meaning Irma Vep...
- Mm.

meaning you...

to be his backup courier in case

he isn't able
to make it to work.

Look.

Mm, there it is.

Yeah, this is the,
the envelope with the cash.

- The envelope.
- Yeah.

Yeah, uh, um... okay.

So, th-thi.. P-Please.
Th-Th-This, this envelope...

- is in this briefcase, okay?
- Yeah.

C-Can, can I, can I show you?

This briefcase is...

is... in this safe, okay?

Let, let, let me put it
in this safe, okay.

Uh...

- so, th-this is the key.
- Yes.

So, obviously the Vampires

want to get rid of Métadier.

Can you, can you just,
uh, s-say that name again?

Oh, uh, Mé-ta-dier.

No, but they have
to get rid of him.

- Yeah, yeah.
- You see him, rid.

- Métadier.
- Yeah, Métadier. You have it.

So, Juliette Berteaux...

will be entrusted with the cash.

Yes!

Yeah, uh, okay.

- Um... c-c-can we shoot it?
- Let's do it.

Cut.

Okay, watching playback.

Uh... okay, um.

It wasn't violent enough.

I couldn't feel the cruelty
of the Vampires.

Uh, I want them ruthless, okay?

Especially you, Mira.

Uh, we have to establish

Irma Vep as a murderess.
That's what she's all about.

-I hope there's more to her.
-Yeah, yeah, yeah. No, no. There is.

- I-I-I got carried away, sorry.
- I wa-- I, I was joking.

- Oh.
- I get it.

She can be wild.

I, I was holding back a bit.

Good.

Oh, um, Robert--

- Oui?
- I couldn't see your hat pin... Yes.

- This one will be more visible.
- Yeah, it-it's much better.

- Ah.
- It's much better.

So, push it...

in all the way.

I want to see... cruelty.

You want to see cruelty,
you'll see cruelty.

And now for Moreno's hat.

Makes me look like a gigolo.

It was fashionable back then.

I got that one from a museum.

I'm not a gigolo.
I never was a gigolo.

Gottfried, we all know that.

That's the way Moreno dresses.

If I may,
I-I'm not really into hats,

but it fits you very well,

and it establishes the character

- from the, the onset.
- Very well.

As a gigolo.

And your Métadier beard
is not ready yet,

so we'll shoot this,

and then you can have a break.

Okay, wunderbar.

Can we just... shoot?

Could you go a bit further
in the back in the light?

Tell me about the magazine
you're writing for.

Uh, it's not a magazine,
it's a website.

- Yeah, online press.
- All right.

So... is it true

you started as, um,
as a body double in porn?

I have a big dick. No
trouble getting it up, so yeah.

But that came later.
I started in gay peep shows.

Are you gay?

I was at the time,
but not anymore.

I got bored with gay culture.

Why did you find it boring?

They preach.
I'm not interested in preaching.

All I cared about was
sticking my dick up their asses.

And then you,
you lost interest?

Well, they're all communists.

Well, I mean, not all of 'em.

All of them, believe me.

Okay, and, and you're not.

Me? No.

No, I'm a...
I'm a registered Republican.

Fuck the liberal media elite,

and all those Latinos
stealing our jobs.

Ha-Have Latinos
stolen a job of yours?

Well, not exactly, but, I mean,

look at the Academy Awards.

It's all about Mexican
directors and Koreans.

Why did you even agree
to act in this series?

Because it's the fucking
best character.

I mean, Juan de Moreno is
a fucking criminal genius.

He screws all those
Vampire losers.

He ends up on the gallows.

Yeah, that's what
happens to criminal geniuses.

That's how they go.

Moreno is evil... Genuine evil.

All the other guys are
fucking amateurs.

Hey, sorry, um, Gottfried,
we're ready with the, the beard.

Wow.

I must say, I'm impressed.

This will fool those
stupid Vampires.

Thank you.

I just wish Gottfried
weren't part of this show.

He's such a fucking dick.

- Thought you said you used to get along fine.
- When?

When you did "Zombie Inferno."

I hardly remember shooting that.

Well, you did. I was there.

And where the fuck
did we shoot it?

Puerto Rico standing in
for Haiti.

You know what?
I don't remember a thing.

We were high all day.

- Serenity, tranquility, peace.
- Tranquility, peace.

STP.

Well... in the end
you got great reviews.

- Oh.
- Maxwell Longfellow's an amazing director.

I mean, he does zombie movies,

but they're really
making, like...

important political statements.

What kind of important
political statements?

He depicts alienation.

How is it about alienation?

The film's about being cut off
from your own interests.

- Okay, ooh.
- I mean, you're being used by society...

- And wh-what does that...
- ...and you're not even aware of it.

...have to do with zombies?

Well, zombies are the ultimate
alienated individuals.

Zombies don't have brains.

- They're dead.
- Yeah, that's the whole point.

So, it's saying that people now
are like zombies.

- Mm-hm.
- That they're braindead.

Well, the brains were
eaten by consumerism.

- And they don't know it.
- Exactly.

And they need movies
to pass the message on to them.

Yeah... movies can help.

You know, there have been a whole lot of
zombie movies, and not much has changed.

Ah! Oh, well, look who it is!

How nice to see you here.

- I needed a drink.
- So do I.

Uh, a pale ale, please.

Sorry, we don't have that.

Um, any beer then, thanks.

- Can I just have a cup of hot water?
- Yeah, sure.

Just, like, plain hot water.

This is Regina,
my new assistant.

You may not have,
have noticed her.

She's straight out
of film school.

I thought she was
your new girlfriend.

I'm a huge fan.

- She, she loves...
- Of mine?

- ..."Zombie Inferno."
- Yeah.

She thinks it's about aliens.

I think it's about alienation.

Regina wants to be a director.

- One day.
- Yeah, yeah.

She's done a couple of shorts.

- Don't embarrass me.
- Uh, no!

I mean, you got great reviews.

You won a couple of awards.

- Small festivals.
- Oh, thanks.

- Any plans for a feature?
- Yeah... fingers crossed.

- Zombie movies?
- No, not really.

Shall we sit?

So... based on my intel...

Eamonn... is out of the picture.

Your intel is correct,

but maybe a tiny bit outdated.

I miss Eamonn.

Remember when we went big
game fishing stoned out of our skulls?

I do, and I-I think
I passed on that one.

Cool guy.

Too bad you dumped him.

I think he's doing fine.

He's in town shooting,
you could visit him.

What was the name again
of that sexy dyke?

- Ooh, Laurie, yeah.
- You were,

- you were nuts about her. It was hilarious.
- Yeah, she was,

she was my assistant... yeah.

She was your assistant, right.

Isn't that outrageous?

Yeah, I mean, I wasn't really
nuts about her back then.

You were in complete denial.
Everybody knew.

Yeah.

- Even her?
- Especially her.

She played you like a puppet.

Clever girl. She ended up
getting what she wanted.

- And now she says I was abusive.
- What?

Meaning she was submissive...

when you were that
kind of hot lesbian couple?

That's maybe not how
I would've phrased it,

but, yeah, I suppose so.

Darling, listen to me,

Laurie doesn't have a
submissive bone... in her body.

And if you believed otherwise,
you were so naive.

But this is what we
love about you.

You play tough,
but you're so candid.

So, Philippe Guérande
investigated the bank,

and, uh, he actually
discovered that, uh,

Juliette Berteaux is Irma Vep.

- Right.
- Okay?

Okay, so, um...

let me get this right.

- Moreno, who's a gangster...
- Mm-hm.

but not a Vampire,

- rented a room from the Vampires.
- Yes.

- It's, it's, it's correct.
- And he doesn't know

that the back of his safe
leads to a Vampire hideout.

- No. No, he doesn't know.
- No...

so he's stolen the envelope
and he's put it in the safe.

And now, Irma Vep and the Grand
Vampire are coming to collect--

But Philippe Guérande
outsmarted them.

Made it to the hideout first.

Métadier?!

We threw him off the train.

Look... the envelope.

How did he get in here?

Hands up!

Don't move.

Give me the envelope...
slowly.

Come on.

Okay.

Mira, please, uh,
please, please, uh,

can you make sure
we see the envelope?

Yeah, it-it's lost
in the confusion.

You didn't see the envelope?

No, um, I, I want
to see this side,

please, where this is, yes.

Okay.

- Bye-bye.
- Everybody back to one.

Where is the envelope?

Now you will be brought to
justice to pay for your crimes.

Move.

We're running late.
Eamonn is still shooting.

But after this setup,
he has a break.

Is that him in the spacesuit?

- Yes.
- Doing the saltos?

Yeah.

- Fun day at work.
- Yeah.

The director is over there.

Thanks.

Hi, Gunnar.

- Cut, cut!
- Whoa! All right, gotcha.

Got him.

Okay, got him.

I thought I was
gonna shit myself.

That would not have been pretty.

- Can I get some water?
- Absolutely.

- Eamonn.
- Yeah?

- That was great.
- Yeah?

I love the spinning.

- Mm-hm.
- Mm. You really felt

like you were falling
in the, the abyss.

- It felt good, it felt good.
- Yeah?

I wish we had
a camera in the helmet.

'Cause I, I, I thought
I was, like,

- I was gonna cry on that one.
- Yeah.

- Hi.
- Hey.

- That was impressive.
- Thank you.

So how long have you been here?

Six weeks, ten more to go.

Sorry I didn't call sooner.

It's not the easiest
call to make.

I know.

So, um...

what's the film?

They are pitching it
as "Blade Runner"...

...um, but without
the neo-noir elements

or the replicants,
or... the rain.

Why none of that?

They did market research,
and audiences

find rain really depressing.

- Mm-hm.
- And there's no recognition for replicants...

- Aw.
- ...and I think they had a hard time

with the concept of neo-noir.

Actually, I think
they had a hard time

with the concept of noir
in the first place.

Then... I mean, what's left?

Gunnar.

- Gunnar is left?
- Yeah.

No, he's a good director.
I think he'll make it cool.

I trust him not to
compromise his vision.

Mm. Seems he already has.

You're such--

You never liked him, did you?

I mean, he's nice... No.

- We used to argue about it.
- We did.

Well, it's the first time
I've heard he has a “vision.”

So... so, are we having a drink?

They have a little
petite cafeteria.

I'd rather not take chances.

I don't want a photo of us to pop
up on TMZ or wherever the fuck.

Okay.

My trailer?

S-So, h-how are you doin'?

Homesick.

- But life is treating you well?
- It is.

I have a new girlfriend.

I think maybe I love her.

Great.

She's a singer.
Actually, can you just

- get this. It's just a zip.
- Of course.

Merci.

She's on tour at the moment,

but, um... I don't really
get to see her that much.

I know.

Lianna.

- I like her new stuff.
- It's amazing, isn't it?

I think I'm, like,
her biggest fan.

Yeah, the last, um,
album was really cool.

Daring... career move.

But she really pulls it off.

She's so smart.

Um, do you want milk and sugar?

Don't you remember?

Milk, no sugar.

Yeah.

I read about you and Laurie.

- Oh, yeah.
- I'm sorry.

You can't be completely sorry.

Why do you say that?

Because you and I
broke up because of her.

I think I'm over it.

Hm, you're more
resilient than I thought.

Yeah, which is not
to say that I wasn't...

devastated at first.

Don't think it was easy on me.

I don't think it
was easy on you, but...

I didn't see it coming.

So, I had to find
something to move on to.

And have you found it?

I may have.

What do you mean?

Lianna is pregnant.

- I mean--
- Congratulations.

She's, she's-- It's--

You're not supposed
to tell anyone until 12 weeks,

and she's only 10 weeks, but...

- Boy or girl?
- I think it's a girl.

Then, double congrats.

Wow.

Yeah, I...

I thought you hated
the idea of having kids.

At least... that's what
you told me, right?

Yeah, I, um...

I think I used
to think like that.

- Not anymore.
- No.

I guess I'm a different person.

So am I.

We're not complete
strangers... yet.

But we've drifted apart.

- I envy you, though.
- What do you envy?

It-- Okay.

Do you remember that we used to
always talk about the movies of René Vidal?

Aw, yeah.

- We were fans.
- Yeah, I know! And--

- How--
- Yeah.

Who would've thought
that you would end up

- working with him?
- Who would've thought?

Thanks.

Um, well, yeah, his, uh,
process can be confusing.

- I bet. What's wrong with that?
- Ugh, I don't know.

Maybe it's just me.

You know me,
I'm... easily confused.

I feel a bit lost. Ah.

- Where... did you get these?
- What? Don't.

- Did you ship those?
- My assistant is addicted.

-They're disgusting. Take all of them.
-I love her.

But seriously...

don't worry about it.

You're a stranger
in a strange town

dealing with
a strange character.

It's supposed to be confusing.

You were always good at
helping me with my insecurities.

Whoa!

Is that why you miss me?

These days, I...

I feel unfocused...

and lonely.

Well, maybe that's
part of your quest.

- What quest?
- Your quest for your true self.

- I don't even know why I'm doing this.
- Yes, you do.

You're doing it
because you're good at it.

You're doing something
that you love.

It's a privilege.

- I know.
- You shouldn't complain.

I shouldn't.

I miss you.

I miss you, too.

We fucked up.

Yeah, we sure did.

And now there's no way back.

Nope.

No way.

- Excuse me, Gottfried.
- What?

You can change in your trailer,

and the driver
will be here soon.

Okay, who's doing
the photos?

What, you didn't tell her?
All right.

Come in.

Hey, uh, my driver's
stuck in traffic.

They told me I could
share your ride. Is that okay?

Make yourself at home.

How do you handle all
the girls around you?

What do you mean?

Oh, thanks.

How thoughtful of you,
but, no, I'm not into crack.

Might make you less uptight.

- You're probably right.
- Sorry, I'm joking.

Well...

they all want to eat your pussy.

You really have
a way with words.

- Thank you.
- They like me,

- they don't necessarily want me.
- Oh, they do.

- What about Zoe?
- Zoe?

- For sure.
- No! Zoe's a nutcase.

She's fun, you know?
It's nothing serious.

- Sex is very serious.
- Sex?

No, we just, you know...
flirt a bit.

What about Regina?

Not Regina.

- Of course, Regina.
- Totally not Regina.

She's smart, she does her job.

She's a-- She's no bullshit.
She's a good kid.

- You'll see. Soon enough,
she's bound to make her move.

- Ah, come on.

I'm young, I'm a movie star.

I have to deal with that kind
of stuff all the time, you know?

Uh, what matters is
just staying sane,

and not letting it affect me.

It affected me, and I enjoyed
having it affect me.

When I was younger,
I fucked anything that moved.

Gottfried, that's
common knowledge.

Aw... you never
hit on me, though.

- Do you want me to?
- No!

Stay away, fuck's sake.

Yeah, sorry. Sorry, Mira,

- but... you're boring to me.
- Oh, thank god. Thank god.

- I eased up on a lot of things.
- Good for you.

Well... I don't want to end up
like my friend Harvey Weinstein.

Oh, I'm sure, yeah.

Look what I found.

It's an interview from the
late '40s with Musidora...

the original Irma Vep.

- How old was she?
- Well, it was in 1947,

so she must've been
in her late 50s, I think.

So sad she aged so badly.

How can you say such bullshit?
She's a beautiful woman.

Not from my perspective.

- Just shut up, Gottfried.
- I'm just stating the obvious.

I'm honestly pained.

She was such a sexy
woman in her heyday.

- Can someone just please--
- She was, she was such a sexy...

- throw this guy out of the car?
- ...woman in her heyday.

No, you can't. This is my car.

Uh...

I'm a journalist!

Let me go!

You will regret this!
I have power!

Let me go! I'm Philippe
Guérande! Let me go!

Let me go! I'm a journalist!

Ah!

Let me down.

Not before you tell us

what you know about
the Vampires' plan.

I will, but please
let me down...

I'm suffocating.

Let him down.

So... what do you have to say?

This is the Vampire codebook.

See?

The Baron de Mortesalgues
and The Grand Vampire

- are one and the same person.
- So what?

The Baron de Mortesalgues
is throwing a lavish

birthday party for his niece.

Very upper crust.

I'm sure it's a ploy.

I'll let you go.

But if you have lied to me...

you will die.

Oh.

That was a great take.

Please help me.

Help me.

Help me.

Eh?