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LADIES AND GENTLEMEN, I'D LIKE TO INTRODUCE
AMERICA'S NEWEST SUPERSTAR,
OUR OWN MINI MERYL STREEP,
MISS DONNA JO TANNER!
BEAUTIFUL.
THANK YOU, THANK YOU.
WHAT AN AFTERNOON OF THEATER.
D.J. AS THE BEAUTIFUL PRINCESS
IN THE FROG PRINCE.
I LAUGHED, I CRIED, I LEARNED ABOUT LIFE.
I WISH I WOULDN'T HAVE MISSED THE ENDING.
MICHELLE, WHY'D YOU HAVE TO START CRYING, HUH?
'CAUSE SHE WAS SO MOVED BY D.J.'s PERFORMANCE...
OR SHE HAD GAS.
[BLOWS A RASPBERRY]
D.J., DO IT AGAIN FOR JOEY.
YEAH. COULD YOU PLEASE, DEEJ?
I'D LOVE TO, BUT I NEED A FROG.
WHAT, DO I LOOK LIKE A FROG?
JUST CHECKING.
OK, LET'S DO IT.
YOU GUYS NEED A FRONT ROW SEAT. FRONT ROW SEAT.
OK, JESSE, GET ON THE FLOOR
AND TRY TO ACT LIKE A FROG.
HOW'S THIS?
OOH, I JUST WANT TO DIP YOUR LEGS
IN GARLIC BUTTER.
OH, FROG, WHY DOES THE WORLD FORCE US
TO MEET IN SECRET?
[RIBBIT]
DO NOT ALL OF GOD'S CREATURES
SHARE THE HEART THAT FEELS PAIN, LOVE,
JOY AND SORROW?
[SNIFFLES]
[RIBBIT]
IF MY TRUE LOVE IS A FROG, THEN SO BE IT.
[GASPS]
MY PRINCESS!
MY PRINCE!
YAY! YAY!
THANK YOU. THANK YOU.
THANK YOU.
SSSSSSS. OOH, THE GIRL IS HOT.
THIS ACTING THING IS SO COOL.
UH, HEY, DANIEL,
YOU'VE GOT A MAJOR TALENT HERE.
YOU KNOW PEOPLE IN SHOW BIZ.
WHY DON'T YOU MAKE SOME CALLS?
MAYBE SHE COULD AUDITION FOR, LIKE,
A COMMERCIAL OR SOMETHING.
GREAT IDEA, UNCLE JESSE!
OH, YEAH, GREAT IDEA, UNCLE JESSE.
UH, D.J., HONEY, I'LL ASK AROUND,
BUT DON'T GET YOUR HOPES UP TOO HIGH, OK?
I UNDERSTAND, DAD.
WHATEVER HAPPENS HAPPENS.
BUT I HOPE IT HAPPENS THIS WEEK.
IF I KISS YOU, WILL YOU TURN BACK INTO A FROG?
ALL RIGHT, MICHELLE, YOU'VE GOT TO BE SICK
AND TIRED OF ALL THAT STRAINED BABY GRUB
THEY GIVE YOU AROUND HERE.
HERE. HERE'S A CORNED BEEF SANDWICH ON RYE
WITH A BIG, FAT, KOSHER PICKLE.
NOW, WHAT DO YOU WANT ON THE SIDE?
POTATO SALAD OR COLE SLAW?
JUST THE PICKLE? OK.
HEY, JESSE. HEY, MICHELLE.
JESSE... WHY IS MICHELLE EATING A PICKLE
AND A CORNED BEEF SANDWICH?
'CAUSE I DIDN'T HAVE TIME
TO MAKE BUFFALO CHICKEN WINGS.
I'LL TAKE THAT, THANK YOU.
HEY, JESS, DANNY, MICHELLE.
JOSEPH, YOU DID SOME SHOPPING.
VERY NICE. HEY, YOU WANT A SANDWICH?
A CORNED BEEF SANDWICH ON RYE?
NO, THANK YOU.
YOU DON'T WANT A CORNED BEEF ON RYE?
IT'S EXTRA FATTY.
NO, THANKS.
WHY WOULD I WANT THAT
WHEN I HAVE MEATLESS VEGETABLE CUTLETS,
MARINATED TOFU SQUARES,
SALT-FREE RICE CRACKERS...
WHAT DID YOU DO, WIN A HARE KRISHNA
FAMILY PUBLISHER SWEEPSTAKES?
ISN'T THAT THE ONE WITH ED McMAHON
IN THE ORANGE ROBE WITH A SHAVED HEAD?
HEY, YOU GUYS CAN MAKE FUN OF MY FOOD ALL YOU WANT.
I GOT SOME TEST RESULTS BACK FROM MY DOCTOR.
HE SAID MY CHOLESTEROL LEVEL'S A LITTLE HIGH,
BUT THERE'S NOTHING TO WORRY ABOUT.
ALL I HAVE TO DO IS START EXERCISING A LITTLE MORE.
GOOD. EXERCISE IS GOOD FOR YOU, JOSEPH.
EAT LESS SATURATED FATS.
NO FATS. KEEP YOU SLIM.
AND I'VE DECIDED TO COMPLETELY
GIVE UP JUNK FOOD.
WHAT, YOU GUYS DON'T THINK I CAN DO IT?
GOOD SANDWICH. MIGHTY GOOD SANDWICH.
MMM.
YOU ARE TALKING TO MR. WILLPOWER, DUDES.
IT JUST SO HAPPENS I GAVE UP SMOKING LIKE THAT.
JOEY, I'VE KNOWN YOU FOREVER. WHEN DID YOU SMOKE?
WHEN I WAS 12. I SMOKED 4 CIGARETTES,
MY DAD CAUGHT ME, AND I STOPPED COLD TURKEY.
OK. BACK TO MY LIFE.
LOOK, GUYS, I CALLED UP A CASTING DIRECTOR
AS SOMEONE SO THOUGHTFULLY SUGGESTED
RIGHT IN FRONT OF D.J.
THANKS, FROG-BOY.
[RIBBIT]
ANYWAY, IT TURNS OUT
THERE'S AN AUDITION NEXT WEEK
FOR SOME CEREAL COMMERCIAL.
I DON'T EVEN KNOW IF I SHOULD TELL D.J. ABOUT IT.
DANIEL, IN LIFE, WHEN SOMETHING COMES ALONG,
YOU MUST GRAB IT. D.J.'s GOING FOR IT.
WRONG YET ONE MORE TIME.
WHY?
D.J.'s GONNA GET ALL EXCITED,
SHE'S GONNA GET BEAT OUT BY
SOME PROFESSIONAL KIDDIE ACTOR,
AND SHE'S GONNA FEEL LIKE A LOSER
FOR NO REASON AT ALL. DON'T PUT HER
THROUGH IT. GO FOR IT.
DON'T PUT HER THROUGH IT.
THIS IS THE HARD PART ABOUT BEING A PARENT.
EVERY DECISION WE MAKE COULD DRASTICALLY ALTER
THE LIVES OF MY CHILDREN FOREVER.
JOEY'S RIGHT.
DON'T PUT HER THROUGH IT.
HEY, DON'T LISTEN TO ME.
JESSE'S RIGHT. SHE SHOULD GO FOR IT.
HEY, PAL, I DON'T KNOW WHAT I'M TALKING ABOUT,
AND THERE'S NOT A MAN IN THIS ROOM THAT CAN SAY I DO.
MAYBE I SHOULD TALK THIS OVER WITH D.J.
INSTEAD OF GOMER AND GOOBER.
IF YOU THINK THAT'S BEST.
YOU'RE THE DAD. RIGHT.
FEED MY KID, PLEASE.
ALL RIGHT. FEED THE KID, GOMER.
OK, GOOB.
JESS, THINK ABOUT IT. EVERY DECISION WE MAKE
COULD POSSIBLY AFFECT THESE GIRLS
FOR THE REST OF THEIR LIVES.
WHAT SHOULD WE FEED MICHELLE?
STRAINED BROCCOLI OR STRAINED PEAS?
DON'T ASK ME.
MICHELLE, IT'S UP TO YOU.
NOW REMEMBER, THAT'S YOUR DECISION.
MM-HMM.
HI, HONEY. HOMEWORK?
YEAH. WE'RE LEARNING ABOUT
THE BILL OF RIGHTS.
DOES FREEDOM OF SPEECH MEAN I CAN SAY
ANYTHING I WANT AROUND THE HOUSE?
SURE, BUT DON'T FORGET. I HAVE FREEDOM OF...
"SAY THAT AGAIN, AND YOU'RE GROUNDED."
LOOK, D.J., THERE'S... D.J...
D.J., THERE'S SOMETHING I WANT YOU
TO THINK ABOUT VERY CAREFULLY.
I CALLED A CASTING DIRECTOR,
AND THERE'S AN AUDITION NEXT WEEK
FOR A CEREAL COMMERCIAL.
GREAT! I WANT TO DO IT.
HONEY, YOU REALIZE THE CHANCES OF GETTING THIS JOB
ARE VERY, VERY TINY. MICROSCOPIC.
I WANT TO DO IT.
IF YOU DO THIS, IT SHOULD BE FOR FUN.
I DON'T WANT YOU TO FEEL DISAPPOINTED
IF YOU DON'T GET IT.
LISTEN TO ME, DAD. I WANT TO DO IT.
I UNDERSTAND YOU WANT TO DO IT.
BUT WILL YOU CONSIDER ALL THIS
BEFORE YOU MAKE YOUR DECISION?
SURE, DAD.
OK.
I WANT TO DO IT.
OK, THIS IS IT. GIRLS.
[SIGHS] THEY ALL LOOK SO PROFESSIONAL.
VERY NICE AUDITION, KAREN.
THANK YOU SO MUCH, VIVIAN.
IT FELT GOOD FOR ME, TOO.
WHY DON'T I LEAVE YOU MY NEW PICTURE AND RESUME?
WELL, I HOPE I'LL BE HEARING FROM YOU SOON.
CIAO. UH-HUH.
WAS THAT A LITTLE KID OR A TINY GROWNUP?
STEPH, WHY DON'T YOU GO OVER THERE
AND DO SOME COLORING, OK?
UNCLE JESSE, THIS WAS A MISTAKE.
I DON'T HAVE A PICTURE. I DON'T HAVE A RESUME.
ALL I DID WAS KISS A FROG.
ALL RIGHT. I'LL TAKE CARE OF THIS FOR YOU,
ALL RIGHT?
MAY I CALL YOU VIV? HI, VIV. LISTEN,
I'D LIKE TO INTRODUCE TO YOU
A VERY TALENTED ACTRESS, MISS DONNA JO TANNER.
LOOK AT THAT FACE.
NICE FACE. JUST SIGN IN
AND LEAVE YOUR PICTURE AND RESUME
AT THE DESK.
BUT I DON'T HAVE A PICTURE.
YES, YOU DO!
SEE? RIGHT HERE.
I DIDN'T HAVE TIME TO MAKE HAIR.
HEY, MOMS AND DADS, COME REAL CLOSE TO THE SET.
SEND ALL THE KIDS OUT OF THE ROOM.
ARE THEY GONE? GOOD. I'VE GOT A SECRET.
OAT BOATS ARE CHOCKED FULL OF VITAMINS AND MINERALS,
BUT DON'T LET YOUR KIDS KNOW.
THEY'LL EAT THEM ANYWAYS 'CAUSE THEY TASTE SO GREAT.
YEAH, OAT BOATS!
NOW REMEMBER, THIS IS OUR LITTLE SECRET.
IF THE WORD GETS OUT, I'LL DENY EVERYTHING.
OH, BEAUTIFUL! THAT WAS GREAT!
THAT WAS SO...
I'M SORRY. I WAS TOUCHED. I WAS MOVED.
KIDS WILL LOVE HER. I DO.
AND SO DO I.
I THOUGHT YOU WERE TERRIFIC.
I WANT YOU TO STAY AND DO IT
ONE MORE TIME FOR MR. BENTON.
HE MAKES THE FINAL DECISION.
YES!
I MEAN, VERY WELL.
[SQUEALS]
UM, EXCUSE ME. DO I HAVE TIME TO DO MY HAIR
BEFORE MR. BENTON GETS HERE?
SURE, NO PROBLEM.
ALL RIGHT. I GOTTA GO PUT CHANGE IN THE METER.
STEPH, YOU STAY RIGHT HERE AND BE GOOD, OK?
ALL RIGHT.
YES!
MISS VIVIAN,
CAN I PLEASE HAVE A LITTLE CEREAL?
D.J. WAS SO GOOD,
SHE MADE ME WANT TO EAT SOME.
KNOCK YOURSELF OUT. THANKS.
I LOVE OAT BOAT RACES.
IT'S THE STRAWBERRY AGAINST THE BANANA!
AND THEY'RE OFF!
IT'S A BANANA! IT'S A STRAWBERRY!
AND THE BANANA WINS.
FIRST PRIZE IS A TRIP TO MY MOUTH.
I LOVE IT!
I DIDN'T THINK WE WERE GONNA GO THIS YOUNG,
BUT THIS LITTLE GIRL IS ADORABLE.
VIVIAN, YOU'VE DONE IT AGAIN.
WELL, MR. BENTON,
SOMETIMES YOU JUST HAVE TO GO
WITH YOUR INSTINCTS.
CONGRATULATIONS, YOUNG LADY,
YOU'RE THE NEW OAT BOAT GIRL.
WHAT?
WHAT?
WHAT?!
WELL, HERE WE GO.
SOME OF MY SPECIAL SEAWEED PROTEIN WHEAT GERM TONIC.
CHOLESTEROL FREE.
D.J. DEEJ?
SOMETHING TELLS ME THINGS DIDN'T GO SO GREAT
AT THE AUDITION, DID THEY?
OH, NO.
WE TALKED ABOUT HOW THIS MIGHT HAPPEN.
THEY PROBABLY JUST GAVE THE PART
TO SOMEBODY'S RELATIVE.
OH, YEAH.
HELLO.
I KNOW... D.J. DIDN'T GET THE PART.
HERE'S SOMETHING YOU DON'T KNOW.
STEPH DID.
STEPHANIE GOT THE PART?
THAT'S WONDERFUL!
I'M REALLY SORRY.
BUT, THAT'S WONDERFUL!
I'M REALLY SORRY.
HOW DID THIS HAPPEN?
IF I SAID, HEY, THAT'S SHOW BIZ, BABE,
THAT WOULDN'T GET ME OFF THE HOOK, WOULD IT?
NO. NO.
HEY, CHEER UP. THERE'S A BRIGHT SIDE.
WHAT'S THAT?
I HAD NOTHING TO DO WITH IT.
D.J., ARE YOU MAD AT ME?
WHY WOULD I BE MAD AT YOU?
BECAUSE I... OH, NO REASON.
I'M NOT MAD. I'M HAPPY FOR YOU.
WAY TO GO, STEPH.
NOW, IF YOU'LL EXCUSE ME, I HAVE HOMEWORK TO DO.
[STOMPING]
[DOOR SLAMS]
IS IT OK TO BE HAPPY?
OF COURSE IT IS, SWEETHEART.
I GOT IT! I GOT IT!
STEPHANIE, FOR YOUR SISTER'S SAKE,
BE HAPPY A LITTLE QUIETER.
I got it. I got it.
MICHELLE, ARE YOU SURE YOU DON'T WANT THIS?
ARE YOU SURE?
IT'S SO... JUICY... SO MEATY...
SO SATURATED.
SO WHAT!
JOEY, ARE YOU IN THERE?
JOEY, WE'VE BEEN LOOKING FOR YOU. WHERE YOU BEEN?
MMM, MMM, MMM, MMM.
WHAT DID YOU SAY?
BEAUTIFUL BABY.
WHERE DID THE SMALL FRY GET THE FRENCH FRY?
MUST HAVE BEEN THERE FOR WEEKS.
IT'S STILL WARM.
AH... AND LOOK AT THIS.
[GASPS] OH, MY GOODNESS,
IT LOOKS AS THOUGH MICHELLE HAS TODDLED UP
TO THE DRIVE-THROUGH WINDOW AGAIN.
ALL RIGHT, I'M WEAK, I'M WEAK!
I'M NOT MR. WILLPOWER, I'M MR. CHOLESTEROL.
JOEY, YOU WENT FROM ALL JUNK FOOD TO ALL...
I DON'T KNOW WHAT THE HELL YOU'VE BEEN EATING.
THERE'S ANOTHER CHOICE HERE.
TRY MODERATION. MORE FRUIT. MORE FIBER. LESS FAT.
AND WE'LL HELP OUT. I'LL START BY
HELPING YOU EAT
THIS BURGER AND FRIES. THANK YOU.
COME HERE, MICHELLE.
GUYS, LOOK. I'VE GOT TO GET BACK TO THE STATION, OK?
LISTEN TO ME. THIS IS REAL IMPORTANT.
KEEP AN EYE ON D.J. AND STEPHANIE.
RIGHT NOW, THEY'RE AVOIDING EACH OTHER,
BUT I HAVE A FEELING THAT'S ONLY TEMPORARY,
CONSIDERING THEY SHARE A BEDROOM.
ALL RIGHT. WE'LL TAKE CARE OF IT.
WE GOT IT.
BYE-BYE, MICHELLE.
AND PLEASE, DON'T EVER GO INTO ACTING.
MWAH!
"I LOVE OAT BOATS BECAUSE STEPHANIE
"TAKES HEAPING SPOONFUL OF CEREAL.
THEY TASTE GREAT. SHE TAKES A BITE."
[GIGGLES]
OH, I'M SORRY. GO AHEAD. REHEARSE.
"I LOVE OAT BOATS
BECAUSE STEPHANIE TAKES HEAPING SPOON..."
[GIGGLES]
IF I'M DOING SOMETHING WRONG,
WILL YOU HELP ME?
YOU DIDN'T NEED ANY HELP WHEN YOU STOLE MY PART.
ARE YOU SURE YOU'RE NOT MAD AT ME?
DON'T BE SILLY. I'M GLAD I DIDN'T GET IT.
YOU'LL MISS A LOT OF SCHOOL DOING THAT COMMERCIAL,
AND THEY'LL PROBABLY LEAVE YOU BACK.
I THINK YOU'RE JEALOUS.
ME, JEALOUS?
BUT I AM HUNGRY.
FINE. YOU CAN HAVE IT.
GIVE ME THAT RIGHT NOW!
GIVE ME IT!
NO WAY, JOSE.
GIVE ME IT! YOU'RE A THIEF!
YOU'RE JEALOUS!
THIEF! JEALOUS!
GIVE ME THAT, STEPHANIE JUDITH!
NO, DONNA JO MARGARET!
AAH!
WHY AM I CRAWLING?
HEY, YOU GUYS.
LADIES, LADIES, LADIES. WHOA!
SHE STOLE MY CEREAL!
SHE STOLE MY PART!
JEALOUS! THIEF!
WELL, WE GOT THAT ALL OUT OF OUR SYSTEMS.
WHY DON'T YOU TWO JUST GIVE EACH OTHER A NICE KISS
AND MAKE UP.
ALL RIGHT. COME HERE, YOU. HERE.
YOU TAKE YOUR OAT BOATS
AND GO PRACTICE IN THE LIVING ROOM, OK?
STEPHANIE JUDITH.
DONNA JO MARGARET.
MARGARET?
D.J., WHY DON'T YOU WAIT DOWNSTAIRS,
AND WE'LL BE DOWN IN A MINUTE.
BUT YOU SAID... D.J.
[OAT BOATS CRUNCH]
D.J., WE NEED TO TALK.
LET ME SAVE YOU A LOT OF TROUBLE.
YOU'RE RIGHT, I'M WRONG, AND I DON'T CARE.
LISTEN, D.J. JESSE AND I STRIKE OUT
ON AUDITIONS ALL THE TIME.
BEING A PERFORMER
IS BASICALLY A SERIES OF REJECTIONS
OCCASIONALLY INTERRUPTED BY WORK.
OH, YEAH? WELL, DID EITHER OF YOU HAVE A PART STOLEN
BY YOUR LITTLE SISTER?
[SIGHS]
YOU KNOW SOMETHING? SHE'S RIGHT.
D.J., YOU'RE RIGHT.
STEPHANIE STOLE THAT PART RIGHT OUT FROM UNDER YOU.
IN FACT, SHE PLANNED THIS WHOLE THING.
SHE TRICKED US INTO BRINGING HER ALONG,
PRETENDING THAT SHE CARES ABOUT YOU.
THE CONNIVING LITTLE SNEAK.
AND THEN YOU FELL
INTO STEPHANIE'S FIENDISH LITTLE TRAP
BY DOING A GREAT AUDITION.
THE MONSTER.
MEANWHILE, THE SINISTER LITTLE STEPHANIE,
SHE USED HER TELEKINETIC POWERS
TO SEND US OUT OF THE ROOM
SO SHE COULD STEAL YOUR COMMERCIAL. OOH!
I SAY WE LIGHT SOME TORCHES,
FIND THE SHE-DEVIL,
AND DRIVE HER INTO THE NIGHT!
OK, YOU GUYS WERE RIGHT.
SHE DIDN'T DO IT ON PURPOSE.
BUT I'M STILL MAD AT HER.
UHH!
ALL RIGHT, ALL RIGHT, KIDDO.
I WANT TO KNOW WHAT'S EATING YOU.
ALL RIGHT, PAL. COME ON.
WHAT'S THE MATTER? TELL US.
I DON'T KNOW. I'M SO SICK OF SISTERS.
EVERYTHING WAS JUST FINE WHEN IT WAS JUST ME.
THEN STEPHANIE CAME ALONG,
AND EVERYONE SAID SHE WAS SO-O-O CUTE.
NOW EVERYONE SAYS MICHELLE IS SO-O-O CUTE.
IT'S SO-O-O DISGUSTING.
WELL, WAS IT SO-O-O DISGUSTING
WHEN YOU DID THE PLAY
AND EVERYONE THOUGHT YOU WERE SO-O-O CUTE?
NO, THAT WAS FINE.
UNTIL ONE OF THE SO-O-O CUTE SISTERS
RUINED EVERYTHING AGAIN.
AW, BUDDY. IT'S TOUGH BEING THE OLDEST,
BUT YOU CAN'T OVERLOOK THE BENEFITS.
I MEAN, YOU GET EVERYTHING NEW.
NO HAND-ME-DOWNS.
AND YOU GET TO DO EVERYTHING FIRST.
THAT'S RIGHT... DATE.
DRIVE.
YOU'RE THE FIRST TO BE ADMITTED
TO AN R-RATED PICTURE.
WITHOUT A PARENT OR A LEGAL GUARDIAN, HUH?
BUT THE BEST PART IS...
YOU GOT 2 LITTLE SISTERS...
WHO NEED YOU AND LOOK UP TO YOU...
AND LOVE YOU VERY, VERY MUCH.
SO, WHAT DO YOU THINK?
SHOULD WE LIGHT THE TORCHES, FIND THE BEAST,
AND DRIVE HER INTO THE DARKNESS?
I GUESS NOT.
BUT IF WE DID, I'D STILL HAVE ONE LITTLE SISTER LEFT.
NOOGIE! AAH!
HELLO, INFORMATION?
I NEED TO TALK TO MR. BOAT.
MR. OAT BOAT.
I NEED TO TALK TO MR. BOAT.
I CAN'T DO HIS COMMERCIAL.
HIS CEREAL IS TEARING MY FAMILY APART.
STEPH, I NEED TO TALK TO YOU.
MY SISTER'S HERE. CAN I PUT YOU ON HOLD?
HELLO?
HELLO?
HOW RUDE.
I'M SORRY I STOLE YOUR PART.
YOU DIDN'T STEAL IT ON PURPOSE.
YOU DIDN'T KNOW WHAT YOU WERE DOING.
THAT'S TRUE.
I NEVER KNOW WHAT I'M DOING.
BUT YOU WERE RIGHT ABOUT ONE THING.
I WAS A LITTLE JEALOUS.
THAT'S OK. I'M ALWAYS JEALOUS OF YOU.
REALLY? UH-HUH.
THAT'S WHY I FOLLOW YOU AROUND AND BUG YOU.
I THINK YOU'RE THE SMARTEST,
PRETTIEST, FUNNEST GIRL I KNOW.
EXCEPT WHEN YOU HATE ME.
I DON'T HATE YOU. I WAS JUST MAD AT YOU,
AND SOMEDAY I'LL PROBABLY BE MAD AT YOU AGAIN.
CAN YOU TELL ME WHEN
SO I CAN GO VISIT GRANDMA?
THAT WAS FUNNY, STEPH.
WELL, I KNOW THE RULE IS
YOU HAVE TO LOVE YOUR LITTLE SISTER,
BUT EVEN IF YOU WERE SOME STRANGE LITTLE KID
WHO LIVED IN MY ROOM, I'D LOVE YOU ANYWAYS.
YOU'RE MY BEST FRIEND.
REALLY? I'M YOUR BEST FRIEND?
YEP.
WELL, THAT WORKS OUT GREAT BECAUSE YOU'RE MINE.
BUT DO WE REALLY NEED MICHELLE?
YEAH. YOU'LL LIKE HER BETTER
WHEN SHE'S OLD ENOUGH TO PUSH AROUND.
NOW LET'S WORK ON THAT SCRIPT.
OK.
NOW, WHERE IT SAYS HERE,
"STEPHANIE TAKES HEAPING SPOONFUL,"
YOU DON'T NEED TO SAY THAT.
YOU JUST DO IT. NO!
YEAH.
WOW. THIS ACTING IS TOUGH.
I WONDER IF YOGI BEAR HAD THIS KIND OF TROUBLE.
CAPTIONING MADE POSSIBLE BY WARNER BROS.
CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE... www.ncicap.org...
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